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#they still rely on me doing a clean sketch
collophora · 1 month
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Sleep time.
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rosekasa · 11 months
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Hello! I am a beginner artist and I love ur art!! Super pretty and the colors are very tasty. Do you have some tips? I'd love to see your art process!
HELLO ANON!! first of all i am very honoured that u would ask me this because 90% of the time i feel like i have no idea what i am doing and like im still a beginner artist myself DSDSJDF. i would love to share some stuff i learnt and some stuff about my process (regardless of how messy it is sdfhsj)
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(final piece)
here's an old example of my process i found! while the steps sometimes look different for other pieces, i feel like this is a good demonstration of how the basic structure looks.
1. the sketch - this is where i'm mainly figuring out how i want the piece to look. i was redrawing a screenshot for this piece so it looks a LOT neater than what a lot of my other sketches look like, for example, here's the process of me figuring out my recent drawing of haise:
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(final piece)
in the first two steps, i was mainly working with showing myself what the piece was going to be. the last one was where i used references/technical knowledge to try and show whoever will be looking at it what the piece was
2. cleaning up the sketch + base colours. these two usually occur simultaneously because i will get bored cleaning up the sketch midway through and want to start adding colour LMAO. on a more practical note, sometimes putting down the base colours and having a better idea of what the finished product will look like might make it easier to refine things.
a note: cleaning up for me doesn't mean doing lineart. it mostly means erasing any overly messy lines on the sketch and redrawing small parts to make it look tidier where needed. i often leave it 'messy' at this stage, too. like here:
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(final piece)
3. light/shadow. this is my FAVOURITE part because it's where the piece starts pulling together. the method i used in the current piece was putting a multiply layer over the colours folder and filling in where light would be obstructed. after that, i used a luminosity layer to put in some bright sunlight. marc brunet has a great way of explaining it by advising to pretend that the light is the camera and you're behind the lens. this is such a good way to block in average light/shadow values! sometimes this looks a bit crazy because everything is still so messy but that is why we have...
4. rendering. this is where i fit all the remaining pieces of the puzzle together. i'll refine the colours a bit more -- e.g. colouring in the eyes, -- and fiddle a bit with the shadows to add some more variation to the hues/value. this is where i think a lot about light and shadow theory and try and make it look more realistic. marco bucci saved my LIFE with his videos about ambient occlusion and ambient light (part 1 / part 2) -- essentially, what i keep in mind the most is that if a plane in shadow is facing the sky (or is open to any other form of light that isn't the direct light source) it will contain ambient light. it is SUCH a game changer when you add it to your pieces, trust me, even if youre lazy about it. if needed i'll pull up some references to make everything look good!
5. rendering... part 2? honestly this step kind of blends with the last one as i tend to do it simultaneously. i basically clean up all the messy lines from before by painting over them! with the majority of the colours i need put down, i can just eyedrop them and paint over anything that's needed. this also comes in with the light/shadow, where, if i need a more subtle hue for either/or, i will eyedrop it and brush it in.
some further notes:
i very rarely use references during the first stages of my sketch. i think it tends to look quite stiff and unnatural if i rely too hard on the. and i personally prefer the creative room when the idea is still being conceived. references come in when i can look at what i have down on the canvas and have a fairly decent idea of what i want, including pose, composition, etc. it's essentially a first draft to guide me to where i want to go with the piece. it's when i'm done with this that i bring out references, and even then, they don't necessarily have to be the exact pose -- i'll usually get a couple of pics which show what i need to double check and keep them up as a guide. by the end of the 'sketch', i usually have a basic construction of what i need to continue, even if it's messy.
i use very soft brushes when putting down colour because it allows for more hue variation. like i said, i enjoy eyedropping and brushing in colours afterwards, so this really helps!
layer modes are ur friend! i try not to rely on them too hard during rendering because i like the freedom of painting over but they're very useful when you're blocking in your initial colours
sometimes, when i feel like i want to try something new with my art, i'll keep pieces that inspire me up in front of me. i have two of sui ishida's art books and sometimes i'll just flick to a page that oils the Art Gears in my brain and keep it open while i draw. i don't necessarily reference it, but i like having it there so i can glance over every once in a while. i don't usually make a conscious choice where i'm like "ok i want to render skin the way he does" but it's more like. my brain knows what it likes in his art and it'll try and push that part of my art in a similar direction.
honestly the best advice i have is that art is very much based on vibes. everytime i've tried to think too much about it, to do things 'correctly', to rigidly stick to art theory, my art has not come out nicely. i think the technical parts of art are important to know and understand but i also think it's important to let your knowledge come through naturally when it is needed instead of pressuring yourself to do things 'right'. tbh you probably already know that but it's something i forget a lot so maybe it serves as a helpful reminder?? sedsfhsl
ANYWAY SORRY THIS WAS SO LONG! i hope i covered what you needed and if you need anything else/want me to expand on anything feel free to drop me another ask ! <3
make sure to look after yourself and trust yourself and ENJOY!!! art is about having fun!
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mcugiggles · 1 year
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Temporary
TW: Mentions of mental health issues, insinuates Se*f Ha*m
A young girl in care of the Avengers feels different after talking to Stark about her mental health problems.
Bucky watches over her one day.
Word count: 682
Day 22. Her bedroom is dark, the artificial sound of a box fan grows more noticeable as she awakens.
She gets up, walks over to her bedroom light and flips the switch on. The tall ceiling becomes brightened immediately, a “natural sunlight” lightbulb giving off the essence of a spring morning just as the sun is rising. It’s 8:45 PM.
Her floor has just enough clothes and various nik-naks cluttered around to prove the room was clean not long before.
The pencils and pencil sharpeners no longer take space in her desk drawer.
Her sketch book and journal are perpetually filled by blank pages; the ghost of creativity taunts her as she glances at the desk.
The AI is aware of her discomfort somehow.
“Hello y/n. How are you feeling right now?”
The question from the AI would have startled the girl had she not been through this already.
“I’m fine. You don’t need to ask that all the time.”
“Y/N, safety protocols have been set in place for me to ask you how you are feeling in order to keep you safe. I can tell Boss that you requested them to be turned off if you’d like.”
“As if he’d listen.” she rolls her eyes as a sign of her frustration.
Without answering FRIDAY’s question, she sits back down on her bed.
After a few seconds of quiet, she feels her body still.
“FRIDAY… is anyone here?” Her voice is only a whisper, shame and fear swirling around her mind and body as she remembers how alone she felt before Stark found out.
“Yes. James Buchanan Barnes is here. Would you like me to alert him of your current state?”
“No.” She said, almost too quickly, gripping the sides of the bedsheet.
“No, FRIDAY, I’m fine.” She repeats, almost as if her first answer wasn’t what she meant.
Her eyes are trained on the floor, her mind completely unaware of who arrived in her doorway.
“You know, you don’t have to be afraid to talk to me.”
Bucky’s voice is startling, bringing the young girl back to her bodies perspective.
Bucky feels a tiny flame of guilt heat up in his chest for scaring her after all that happened.
“I don’t need a babysitter you know.”
Her tone is harsh, frustration and annoyance hiding her guilt.
“I know.”
“So why are you here?”
She made a good point; out of everyone in the group, why did they trust him to keep her safe and stable?
Maybe it was because he couldn’t do that for himself.
She and him were the same.
He shrugged his shoulders, the sadness in his eyes clearing just a little as he recognized their similarities.
“I think they put us together often because… I rely on you. I see me in you.”
Her gaze lowers, her eyes once again finding interest in the ground. Her fists are clenched again. She doesn’t reply.
“I guess we can just be… unstable together.”
That sentence. That sentence hits her in a hard spot. She had felt so alone for so long, she felt different and hurt. She was damaged.
When Bucky admitted to not only being broken as well, but also being broken with her, she felt something in her body she didn’t feel in a long time.
She felt safe.
Her eyes began to sting with tears at the single thought of him being with her, next to her, right there anytime she needed him.
He was quiet, always knowing when to say something, always knowing when not to speak.
She wiped her tear from her cheek, feeling the residue dry sticky, then to nothing.
Temporary, like her situation.
“Hey, wanna look at the stars?” He’d asked.
This was not a normal occurrence, the two of them gazing at the night sky, but neither was the girl speaking up or Bucky opening up.
On the rooftop, the cold concrete was covered by only their coats, but they felt no inconvenience by the harsh material.
It was nothing compared to the trust they felt in each other.
On the rooftop, the cold concrete was covered by only their coats, but they felt no inconvenience by the harsh material.
It was nothing compared to the trust they felt in each other.
It was nothing compared to the trust they felt in each other.
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herbofthyme · 2 months
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tips on drawing hands? u do it so good!
omg ty!
It definitely took me a while to become more confident with them, and it was pretty sudden when i realized “wait. this isn’t so unpleasant anymore”
I think the most important thing for me was learning not to focus too much on the specific shapes of the fingers, and think more about the vague shape of the hand as a whole. If you zoom in on my more recent stuff you’ll probably notice that often rather than actually drawing fingers, I sort of draw a suggestion of where the fingers are. If the hands do look more detailed and precise, I’ve just drawn on top of the suggestion where it Feels Right. It’s all about vibes! (And half the time the clean lines feel wayyy worse than the loose sketch i had before lol)
I threw together a little thing here:
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Basically, I rely pretty heavily on this funky little 3d trapezoid shape, because it helps me keep the 3d shape of the hand in mind. Then the fingers just kind of… happen. Usually with a fair bit of trial and error. This shape is super helpful to get the vibe of the hand across, but it’s important to remember that it’s a guide, not a rule. I often used to make my hands Way too stiff, because I was keeping the lines on the trapezoid very straight. Bend it! Warp it! Let your trapezoids be weird because hands can be pretty weird.
I’ve seen a lot of tips that say you should separate the pinky and/or index finger from the others, and I often do that. It helps keep the shape just a bit more dynamic, while still letting it be more natural.
An important thing to keep in mind is remembering that the fingers are 3d objects, even if what you’re drawing is still just a suggestion of a finger. I defffinitely used to struggle with this. I’ve placed some red arrows to show what I mean: the base finger should be connecting to the whole face of the trapezoid thing. They have a round base, they aren’t flat. (I know this sounds obvious but it’s SO easy to accidentally flatten them).
Depending on the angle I also will use circles to vaguely represent the joints in the finger, which helps a lot with foreshortening . I tried to show this in the bottom right.
Trial and error is also sooo essential for me. I’m going for the vibe of a hand, not a detailed hand. Lots of erasing and redoing until it feels like a hand. Most of my art is very sketchy in general, so this might not work well for people with more detailed styles or precise line art, but it helps me to keep in mind.
Anyway, don’t be afraid to look at your own hands for reference! Think about how your fingers intersect with the main part of your hand. I hate studying photos (it’s so much effort lol) but it can be VERY helpful. The more comfortable you get, the less you need to look at reference, but I still lift my hand up and contort it into silly shapes all the time! Hopefully I explained this coherently :)
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eilinelsghost · 1 year
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As a little indulgence this week, I sketched up one of my original characters from the Atandil series. Her name is Estreth, she is one of the Edain, and traveled over the Ered Lindon with the House of Bëor, though she was originally of another group, likely akin to the people of Marach. She is also the sister of Balan/Bëor's wife, who died in childbirth when Balan's sons were children, and Estreth is consequently quite close to both Baran and Belen.
For fun, here are a couple of my favorite Estreth interactions so far:
From A Shuddering in the Air, part 5 of Atandil
Belen grinned and set the flute to his lips once more, letting out a long, shrill pitch.
“Gods of vengeance,” Estreth exclaimed with an accusatory glance at Finrod, “what possessed you?”
“I thought it would be a diversion,” Finrod said, trying to hold in the laughter as he grasped his hair in clumps between his fingers. “I’m paid in full for it.”
Belen leaned back with a laugh and held out the flute. “I surrender. I rely on both of you too entirely at the moment to dare risk a feud.”
Estreth snatched it from his hand before he could reconsider and moved back to walk ahead of the cart. “There, Váya, we’ll have some peace at last.” The mare snorted in response and nosed her arm affectionately. Estreth smiled and reached up to rest her hand alongside Váya’s head, her voice lowered to a murmur as she stroked her fingers over the silvery hair. “You’ve no business dragging him about like this, you know. You should never have let that one talk you ‘round to it. Lovely girl, you’re meant to soar unburdened, or with one alone upon your back.”
“Do you ride?” Finrod’s question was quiet, curious.
“I learned riding before I learned walking, Nóm,” Estreth said with a laugh, then her voice grew soft. ”My people kept horses—East, away over the mountains upon the rolling plains. When I was a child, Esrid and I would ride together upon our own mare. Chestnut brown she was, fleet in her pace, and watching the grass wheel away beneath us was as flight to the hawk.” She was silent for a long moment, then added, “Balan’s people keep no horses.”
Finrod knew the wistful mourning in her expression and looked upon her in compassion as they walked. “My mother’s people dwelt beside the sea,” he said after a time, his voice quiet. “As you upon the horse’s back, so my mother taught me to swim ere ever my father taught me use of my feet on land. It too was like unto flight. I remember hovering in the water, one arm grasped within my mother’s hands, the other held in my grandfather’s, and they drew me along between them on pinions soaring through the reflected sky.” His voice fell away, then he added in a murmur, “I long for it still.”
“Do you no longer swim?”
“Nay, I swim,” he said with a laugh. “In rivers, streams, lakes…any bounded water. But the Sea will no longer have me. Not to ride upon her waves, not to perch upon the neck of a prow, not to know the flight of her waters. It is an ever present ache, that absence, is it not?”
“Yes.” Estreth did not meet his eye. “It is.” 
“We shall reach the casári road ere nightfall, and from thence Sarn Athrad and the plains of East Beleriand. If you wished it,” he said after a long hesitation, “Váya would bear you over their rolling grasses.” 
Estreth ran one hand along the dappled neck beside her, but made no reply. Rather, she turned her eyes back to the flute and studied the carved figures in greater detail. “It’s lovely for being such a thing of menace.” Her voice was quiet, but warned him back onto casual footing. “Is it a pattern only or something particular?”
Also from A Shuddering in the Air, part 5 of Atandil
“You and I are over here, Nóm.” Estreth summoned him with a shake of her head as he had begun making his way toward the gathered crowd. The bodies of the fallen Atani had been laid out upon the clean grass, washed and tended by the others and shrouded with thin blankets. “Only those within the clan take part.”
“Are you not?” he asked in surprise as he joined her.
“No. I would not be broken from my kin. Balan offered to scorn custom and take the blood bond without a renunciation, but I wouldn’t have it. I would sooner rely upon charity than belong to any but my own folk.” Her eyes followed Balan’s people as they ordered the bodies upon the grass. Each was now surrounded by an outline of gathered wildflowers: yellow, white, and pale blue. “It is a small stubbornness now, but one I cling to. For in all other ways I am more of their folk now than of my own. Still, I hold what ties I may.”
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spoofyleaf · 10 months
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Tell me more about your lmk oc please they look cool!
So I’m currently working on their design (as you see in the sketch below) and just,, them as a character in general! So things are subject to change ^^
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Im cringe (but I’m free) buuuuut this character is a prince/ farmer. “Dragon Farmer Prince” or “Prince of the Dragon Farmers” he often gets called.
Like he comes from a loooooong line of royalty. His great, great, someodd great grandparents came into power because people relied on them so heavily, due to their ability to grow crops as well as they did. The respect and trust that was placed in them was so great, that the people had begun to trust them with things such as where to build homes, how to cook, hunt, etc., As the small community grew larger and larger, schools were built, a post office, court house, etc., were built under their instruction. However, their main role: feeding the town. The town may have grown into a city, but it still remained (mostly) peaceful. Workers were hired to help on these farms (mostly to harvest, altho some trusted to plant or maintain the farmland), and offered a life of luxury for them and their family
Generation after generation, these farming techniques were passed down. Eventually, as technology grew more abundant and cheaper, the amount of people needed to work on these farms grew smaller and smaller. And ya know, processed food. Their large royal family become smaller and smaller, and becoming kinda like modern farmers. Lowkey of the countryside for sure, but besides that basically no one cares. (And hella rich)
Now our prince here, is still required to work on their family’s farm. His parents don’t want these practices to die out.
For the most part, our dragon farmer prince is quiet and reserved, keeps to himself. Even though they don’t show it outwardly: they do care deeply for others, and wants to hear the whole story before making judgments. “Anyone can be a hero if you tell the story right” kinda vibe, has trust issues bc of that ideology. They have a couple really close friends, and that’s about it. And when said friends come over, they are excited to work on the farm (our prince doesn’t understand their excitement and often correct their mistakes. He doesn’t show it well, but having them around is a big joy, even when doing his chores).
Very quickly you can get them talking about random theoretical/ moral/ philosophical shit- and for the fun of it, they will argue stupid points that he knows aren’t true. And he’ll make the arguments believable enough where you’d question your own beliefs.
They like things to be Neat and Cleaned and Organized. His bedroom is horrifyingly spotless. Always has been. They will just spontaneously clean for the fun of it. Big fan of reading and art. His friends drag them out to the city (he pretends to hate it, but has loads of fun and they all know it).
Have that little word vomit ^^
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inazumaeveryday · 1 year
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Day 1
Location: Kidou’s house, the next day
Kidou: Good morning, mar.
How’s the room? Did you sleep well?
mar: (How was the room…)
Option 1
mar:Yup! The bed is sooo soft, I slept like a log!
Kidou: I see. Glad to hear it.
Option 2
mar: The bed was too big to be comfortable…
Kidou: I see. I’ll let Hakamada know.
*
Kidou: Alright, so for your first day here… Sorry, there’s a practice match today so I’ll have to be out by 7:15. I’ll be gone all morning but, well… I’m sure you’ll fit right in anyway. You need to leave the house at 8:15, so make sure you’re ready by then.
Location: school hallway
mar: (This printout I got has Teikoku’s schedule.)
(Lunch break's at 12:00, fifth period starts at 13:00… Looks like classes end at 16:30.)
(The next class starts at 9:30.)
Students: I saw the soccer club’s bus this morning! It’s still so cool no matter how many times I’ve seen it already!
I wish I was a regular on the soccer team, I want to get on that bus!
It’s more like a tank than a bus! Ahh, it’s so awesome~
A little later
Students: The score in today’s match is 10-0 so far.
Is the other team even trying?
Hahahaha!
A little later
Students: The match ended at 13-0. Hah, as expected of our Teikoku!
We completely crushed them! That other school’s sooo weak~ losers don’t deserve to exist!
Another school that loses to Teikoku, another school that gets destroyed…!
Boom! Here comes the demolition permit!
Hahahaha!
Time: 12:00
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Students: Ah, Kidou-sama is back!
I heard today’s match was an absolute victory for Teikoku again!
The losing school was destroyed? Heh, that’s just the way Teikoku does things!
Kidou: mar, I’m back.
I left you alone on your first day here… Were you able to keep up with the class?
mar: (Ah, that’s right…!)
Option 1
mar: Congratulations! I’ve heard you won your match today!
Kidou: Yeah. The other team wasn’t much of an opponent, so.
Option 2
mar:Um… Does Teikoku really destroy schools that lose to them…?
Kidou: Where did you hear that?
I can’t believe there are still idiots who say that…
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Sakuma: Yo, transfer student! Nice to meet you. I’m Sakuma Jirou.
Genda: Genda Koujirou. Nice to meet you.
Sakuma: Kidou told me you’re only staying here for a month? I’m on the soccer team too. It won’t be for long, but let’s get along.
Kidou: These are the guys I always rely on. Sakuma’s a striker and Genda’s our goalkeeper.
Location: school cafeteria
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Kidou: mar, do you watch broadcasts of soccer games?
mar: Yeah, I do! Pretty often, too!
Kidou: I see. It’s fun to analyze all the plays leading up to a goal, right? Looking at the match from another perspective is also a good way to train yourself to visualize different situations.
*
Kidou: Teikoku’s cafeteria is self-service, so take whatever you like. But don’t eat too much and fall asleep in class.
*
Kidou: I left you alone on your first day here… Were you able to keep up with the class? I’ll introduce you to the rest of the soccer team later.
*
Kidou: The next class starts at 14:00… There’s still time, so I’ll give you a tour of the school.
Location: English class
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Kidou: English class lasts 2 hours sometimes so we can focus on learning. Today’s one of those days.
mar, are you good at English?
After a break
Kidou: English conversation’s an easy class. All you have to do is talk.
I desire nothing but victory.[1]
Location: art class
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Kidou: There’s no right way to improve a drawing, huh…
The basics are important for every discipline. Sketching’s a good way to develop your observation skills.
*
Kidou: Club activities start at 16:30.
…Hm? What about cleaning? If you’re worried about cleaning the school, we’ve got staff taking care of that already.
Location: club room
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Kidou: Listen up, everyone.
This is the transfer student I mentioned this morning, mar.
Our fathers know each other. They’ll be staying at my house for the next month.
Henmi: Ehh~ so you’ll be living with Kidou-san, huh. I’m Henmi Wataru.
Gojou: Kukuku… I am Gojou Masaru.
Banjou: …Banjou Kazumichi.
Oono: And I’m Oono Densuke!
Jimon: I’m Jimon Daiki. Welcome to the team.
Sakiyama: Sakiyama Shuuji. Nice to meet you.
Doumen: I’m a first year, Doumen Shuuichirouuu~!
Narukami: I’m Narukami Kenya.
Domon: I’m Domon Asuka! I’m just a benchwarmer, but let’s get along~!
Kidou: mar’s an important guest. Even if it’s just for a short time, I’ll ask you guys to take good care of them.
I’ll have you meet the commander next.
Location: Kageyama’s office
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Kidou: This is the man who led Teikoku to victory for 40 consecutive years, and our coach.
Kageyama: So you’re mar. Welcome to Teikoku Gakuen. I’m Kageyama, the soccer team’s coach.
We normally do not allow transfers like this, but since Kidou’s father himself requested it…
I’d like you to take care not to interfere with Kidou’s studies.
That said, I hope this month at our school will prove worthwhile to you.
Kidou: Alright, next I’ll show you how practice goes at Teikoku.
Back to practice
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Kidou: So? What do you think of Teikoku’s practice?
You might find it interesting to compare it to the second and third strings’ practice as well.
Club activities end at 19:00, so you’ll have to stay with us until then.
Location: in the car
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Kidou: I know you must be tired after your first day here, but there’s still one more thing to do today.
We’ll be home by 19:15, so you can take a short nap in the car.
Location: Kidou's house
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Kidou: Dad will be home early today, so we’ll have your welcoming party at 20:00.
I’ll go take a bath first. Showering in the clubroom just doesn’t feel nearly as refreshing as a nice, proper bath.
Location: bath
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Kidou: Let’s try that formation next time…
Glubglubglubglub…
Location: dining room
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Father: Come, mar-kun. This is your welcoming party.
It’s been a while since we’ve last seen each other, so tell me a lot about yourself, okay?
Tell me, mar-kun. What’s Yuuto like at school?
Kidou: …………
mar: (Yuuto-kun at school…)
Option 1
mar:He’s like a different person when he plays soccer!
Option 2
mar:He’s kind, just like a gentleman!
*
Kidou: …………
Father: I see, I see!
Yuuto works hard to fulfill his duty as captain, too. He’s a child that takes good care of those around him.
He’ll take over the Kidou Zaibatsu someday, so he’s learning from Teikoku Gakuen’s commander, Kageyama-san.
Understanding people, influencing them, and leading them—he’s developing these skills through soccer.
Kidou: Yes. I’m only who I am today thanks to the commander.[2]
*
Kidou: mar, it’s your welcoming party, so take your time and have fun.
Hakamada outdid himself with the food, so go at it.
Location: Kidou’s room
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Kidou: …This is unexpected. Raimon, huh.
Oh, mar. What is it? If you have a problem, you can ask Hakamada.
I’m sorting through some data right now.
mar:(Sorting through data…?)
Option 1
mar:What kind of data is it?
Kidou: It’s about soccer.
Option 2
mar: Do you want some help?
Kidou: No, it’s fine. I do this every day.
*
Kidou: With all the data I’m receiving—from my own teammates’ individual data to data on other schools’ players, I get restless if I don’t at least take a look at the updated info.
Well, you could say data analysis is kind of a hobby of mine as well.
I still have a lot to look over, so don’t worry about me and go rest first.
*
Kidou: Even after I’m done looking through the data, I still have to check the videos of today’s practice…
Don’t worry about me. You can go rest first.
*
Kidou: …………
Oh! What is it? I was so focused I didn’t notice you.
*
Kidou: I have morning practice tomorrow.
I get up at 7:00[3] every morning. Think you'll be able to wake up, mar?
At night...
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Kidou: ............
...wake up at 7:00...
............
...this is...Teikoku's...
In English in-game
"I" is boku ボク here, instead of his usual ore オレ. Kidou uses boku when talking to his father and Kyougoku (his tutor)
The times in this post are all messed up because my in-game events are delayed by an hour, and I didn't fix all of them... By default, the day starts at 6:00.
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blue-kyber · 1 year
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So, I'm in round 2 of edits on the book, and this little weird thing about Yune popped into my head. So, I had to go back to put sprinkles of it into other places.
context: Yune got the shit beat out of him to an inch of his life. He'd been in a bacitin tank (healing solution) for a couple of hours before he woke up and negotiated for his freedom. They gave him 10 minutes, then he has to go back. He's still considered to be on the knife edge of critical. He hates it, but he agreed. Thus, he's now sitting on a hospital bed in a dimly lit room, still covered from head to toe in the slightly gelatinous fluid.
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“You know they won’t let you clean up. This,” Selka swiped a glob of the fluid off his skin onto her fingertip, “is still working, however weakened it might be.” She dabbed it onto the gash in his left arm, making him wince. “You’re not healed yet.” 
“I feel better.” 
“There’s a reason for that.” 
“Yeah, that reminds me; that red stuff they gave me… What was that?” His expression shifted to a plea, “Please don’t say ‘blood.’ You know how I feel about that.”
“I know; the thought of a transfusion squicks you out. I still don’t understand why you’re afraid of it.”
“What’s not to understand? It was in someone else,” he defended himself, gesturing out the door as though to a random stranger. “How is that not insanely disturbing? Part of the person could still be in it.” He shuddered at the thought.
“Well, yes, it contains their DNA,” she stated the obvious.
“You know what I mean.”
“I do, and that’s ridiculous.”
Irritation sketched across his face. 
She remembered the invisible shield that had saved them in the clearing. “The kids sent their power through you. That sounds like the same thing. I’m surprised that didn’t bother you.”
“Oh, it did,” he remembered each time, each energy transfer, and especially the lighrey. “But it’s different somehow. it’s only moderately disturbing, now.” 
Perhaps it was different for him. She wouldn’t know considering she’d never experienced that; only their attack power. She went back to cleaning the cut on his right arm. “I’ll take your word for it.”
“But that scak in the IV wasn’t blood, right?”
“It’s something you need.”
“You didn’t answer my question, and now I’m concerned.”
“Don’t be.” She exhaled a soft breath, giving him an explanation, “Doctor Anderan said it’s a mixture of elements given to severe cases like yours. Thanks to your unique physiology, you rejected all the usual stuff she had on hand.”
“I aim to overachieve,” he joked.
“Thankfully, she had access to a supply that your body would accept. You’re relying on it right now to keep you alive.”
“...Back up. You mean without this stuff, I’d be dead?”
“Likely. Or unconscious, but definitely not out here worrying about it.“
“I was that bad off, huh?” he said in a low, half-joking tone.
Her reply mirrored that humor as she continued treating his wounds, “A damn right mess.”
He winced from pain to the puncture wounds to his right arm as she cleaned them. “How long?”
“A while.”
“‘A while’ as in what?’”
“Two years.”
His heart nearly stopped, “Two years?!”
“She said for you, that’s how long it’ll stay in your bloodstream until you won’t need to rely on it anymore.” 
He sighed in relief. Now he knew it couldn’t possibly be blood. Blood cells didn’t live that long.
“You didn’t receive all of it yet. It has to be given slowly, so when you see it again, don’t - how did Will put it - ‘freak out.’” 
He laughed, then regretted it when the pain of his broken ribs and punctured lung argued back. “Ow.”
She dabbed delicately at the cut. “She said it won’t cause any adverse effects. You won’t feel any different. You won’t even know it’s there.”
“I guess I can live with that.” Regardless of her assurances, he was still slightly unsettled. “They couldn’t have made it another color?”
She left his complaint unanswered. Knowing exactly what that ‘unique mix’ was would acutely disturb him. He didn’t need to know every emergency measure taken to save his life yet; or who it involved.
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lesbiantalks · 7 days
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Beginners problems in art
I am looking for courses to improve my drawings, I am browsing through books. One of the books I liked is pretty basic and it feels that it was written for the beginner, but by a person who is very proficient in the profession, so advice placed on the page are basically: “Draw that like me, put a shadow here, sketch everything you see, you got this”.
What would I appreciate more:
- How to frame the view around me, so sketch will be composed better. Cause it is a misconception that reality is composed well. Even when you are taking photos, you need to find a good shot and of course, you need to clean it a bit, erase some stuff from background.
- Some angles are more common in drawing than others, and it is not easy to get at first. If you really look on still lifes, for example vases are usually placed straight and you can’t see the inside of them, but coffee cups are quite often are drawn a little from top, so you can actually see the beverage inside.
- To find good references that push you forward, you need to collect a lot of them and systematize them to doable and undoable. Then you need to select a good proportion of different topics - shapes, light and shadows, work with color (how in eerie and dark images you need to distinguish between a lot of shades of gray, for example), anatomy, animals, plot and composition. I would be glad to have assistance in that process, and usually teachers provide that, they help you to develop a versatile overview of techniques and forms. When you are self-taught by books, you need to rely on your own background. I have some of that, but I can’t find a book that dives in into that. Honestly, most of them just go “Draw everything around you!”.
- “Just draw everything you want” is good when you are surrounded by art for a valid chunk of time. And it is not about museums. I did a lot of that, but you need to actually redraw these paintings to really understand them. And also, you need a lot more than that - you need to know the story behind, the techniques, the limitations of time. So you logically turn to modern artists, you try to find different approaches, you start searching for travelers, for less known artists, for photo reports from galleries, and then - then your mind really start giving you ideas. You can’t generate ideas out of plain air. You need to know it beforehand, to be familiar with it.
- The reason though why they insist to turn to your life is that from some level of skill, the main thing is your own vision. Vision is everything, your experience is unique and your sensing of world around is what every other artist wants to know about. You want to see your colleagues to share more that inner magic and inner self and therefore, this advice is a constant component of every guide. Funny, that in writing where I am not so focused on my skills, cause I am somewhere on intermediate stages, I really take inspiration from that advice and I am pretty sure that I said it a lot of time to a lot of beginners. :) When they just needed some help with literally descriptions or character introducing, I would be like “Be yourself!” >) Cause really, the technicalities will come in time, yes.
- How hard should it be? How much do I need to push myself? Should I get every drawing to perfection? Should I try to do complex works? Should I try to mix materials and approaches? Should I try to draw people everyday? No one can tell you that. You need to rely on your instincts. Or on study group. But it is confusing, I can tell. I want to draw everything - a fantasy about mouse family tucked in their beds, a serious sketch with dreamlike dark forest, a replica of portraits of one of the artists I love, I want to try the textures of shells, I want to draw the slices of fruit in watercolor, I want to fill in my sketchbook with doodles and comics, with citations from songs, with random sketch on the train. I want all of that and I am just sorry I can’t do it all simultaneously. I haven't found a book yet that encourages that passion.
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snackhobi · 3 years
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min yoongi is the best shot in the business. you’re the best gunsmith in the city and the only person he trusts to programme his tech; to make his gear. 
he likes your work. it’s a shame, then, that he doesn’t like you.
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pairing: yoongi x f!reader / word count: 14.3k / genre + rating: NSFW (18+), cyberpunk!au, smut, frenemies (?) to lovers
warnings/etc: hitman!yoongi. black market dealer/gunsmith!reader. cursing/explicit language. whole lotta tension, sexual and otherwise. mentions of injury/violence. minor character death (no one important, don’t worry, this isn’t an angst fic). brief hurt/comfort. reader has tattoos. sexually explicit content. oral; fingering; multiple orgasms; overstimulation (f). unprotected sex (please take the necessary precautions irl). rough sex?. choking. creampie. brief mention of aftercare. I think that’s everything but please lmk if I missed any!
a/n: thank you SO MUCH to both @hobi-gif​ and @morndas​ for beta reading this and being so supportive, ily both so much and I owe you my life 🤧💕 as always what was meant to be a short fic turned into a huge one. also this is technically for my 1.1k milestone but it’s a billion years late, oops!​
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Yoongi really doesn’t like you.
You’re loud. Cocky. Arrogant. You needle him all the time, dig your fingernails in and squeeze, revelling in the way he sets his jaw, the muted spark of irritation in his eyes. You bat your eyelashes and tilt your head, throw it back whenever you laugh and reveal the easing column of your throat, dragging each interaction out with a kind of sadistic pleasure that has him gritting his teeth. Because you love annoying him, getting under his skin, tapping your fingers against the soft swell of your bottom lip as you eye him up, taking your time before you speak.
Infuriating. You’re infuriating and you know it.
It’s unfortunate, really, because you’re unavoidable. 
Jungkook had asked, once, why Yoongi doesn’t just go elsewhere. They’re more than familiar with the underbelly of this heaving city, underneath all the neon lights and shimmering holograms and towering skyscrapers and legal tech; the scuttling seams of back alley traders and illegal goods, tech or otherwise. There are plenty of black market dealers, after all, plenty of other vendors he could go to to get the equipment he wants. Plenty of other skilled crafters, artificers, artisans, people who would be more than happy to create the things that Yoongi asks for, that he needs. People who can get their hands on anything you want. For a price.
Yoongi’s answer had been short and succinct.
“She’s the best there is,” he’d said, and that had been that.
Because it’s true. You might be exasperating, maddening, laughing in Yoongi’s face where others might cower or genuflect, but no one is as good as you. All of Yoongi’s gear has been crafted by you; each and every single one of his weapons, his tech, the headpiece that fits so perfectly around the back of his skull that Yoongi often forgets that it’s there, hidden in his hair, unfolding across his eyes whenever he lines up a shot to make the kill—there’s evidence of your work across every inch of his body, hidden away under his clothes, day in, day out. Even when he’s not on a contract Yoongi never leaves anything to chance. 
(A walking armoury, Namjoon had called him once.)
(You’d phrased it differently.
You’re always packing, hmm? you’d hummed, rapping your fingernails in a steady beat as you’d leaned back in your chair, smiling with teeth. There was laughter in your words and your gaze, no attempt made to hide your amusement, but after your goading you’d made him a collapsible sword anyway. It’s a beautiful thing, this folding blade, bristling with plasma and energy if Yoongi needs it, lethal and deadly. One of his most prized possessions, something that’s gotten him out of multiple corners, and he owes it—you—his life.)
There’s no one on par with you. You’re a Renaissance woman, a fiercely talented polymath who doesn’t need to rely on anyone else to create the things you create. Low-tech, high-tech, no tech—you make everything from scratch, programme things yourself, hunched over each project in your own workshop with nothing but your mind and your own two hands.
It’s the only reason he puts up with you and your antics, the sharp jibes, the shameless flirting; you’re the most infuriating person he knows, but there’s no one else he would trust with the work that you do.
Unfortunately.
Which is why Yoongi finds himself here, again and again, as familiar with this studio as you are—he watches you work, sometimes, watches you sketch up blueprints and drag your fingers across your array of displays, your world cast in shifting shades of cyan and electric blue from all the tech in here, humming and alive. He likes to see how his equipment is made, after all. It can mean the difference between life and death. He takes this seriously.
It’s the one time you might be quiet. Might be quiet, because you still talk even when you work; flick your gaze between Yoongi and whatever’s set in front of you, that ever present smile spread across your lips, smug and amused. You’re only silent during the hardest jobs. Like right now, you’re intense and focused, a furrow dug between your brows as you survey his sniper rifle—almost shorn in two. (It had been the only thing to hand when he’d had to block a blow from a guard he’d somehow overlooked, no time to draw any other weapons before they’d started to brawl.)
You’d been unimpressed. You’d raised your eyebrows with all the severity of a disappointed mother, bitten words out at him with molten snideness, dripping heat and snark.
“It’s a gun, Yoongi. A gun. You know, something you shoot with? Pew pew? Blammo? I’m not sure what sort of shields and body armour you’ve seen in the past but this isn’t either of those things. Do you want me to sketch some diagrams up for you? Or maybe I could write you a book. Baby’s First Arsenal, Chapter One: The Difference Between Things That Are Guns And Things That Aren’t. Would that be helpful?”
No one else talks to Yoongi like that. No one else would dare. It’s only a rare few that know his birth name and it’s not often that he hears it, more used to the sound of Agust D falling off people’s lips. But that had been part of your price, part of the agreement when he’d first met you and asked for your services: his real name.
Yoongi had let it wash over him, had endured your tongue-lashing before putting the gun down with a heavy finality and thrust it over at you, tired of all your talk.
“Just fix it,” he’d demanded.
You’d laughed in his face.
“As always, your bedside manner leaves something to be desired,” you’d said, taking the rifle from him.
The D-2 Shadow isn’t just a weapon. It’s a piece of art, clean edges and slick lines, and Yoongi is grateful to have it back in his hands. There’s no other sniper rifle like it, made of super lightweight alloy and easy to handle; thermal scope, enhanced stabilisers for accuracy; superior kinetic coils for better shot penetration. Yoongi had asked for the best and you’d delivered. Gone above and beyond, crafted a weapon the likes of which no one else possesses, modified in ways other people can’t even fathom.
And you’d fixed it when he'd almost let it get destroyed. Made it better than new, even, layered it in more alloy to make it stronger without making it heavier, a new material of your own design. If he hadn’t known you as well as he does he’d have worried that it was beyond repair, knows that other gunsmiths would have taken one look at its crumpled body and shaken their heads, but you hadn’t. 
Of course you hadn’t. You never do.
You charge him a pretty penny for your work, make him pay through the nose for everything he asks of you, but Yoongi is more than willing to do so. More than capable of paying, coffers lined with more money than he might need, one of the best contract killers there is—the real price he pays is with his sanity, worn away each time you open your mouth. He can’t help but rise to your bait, as derisive as you are; it’s only the smallest things, a sharpness to his otherwise even tone, an angry spark in his eyes, but you pick up on it all.
He’s not your only customer. You don’t extend your services to many, only to the people you want to—Yoongi’s not sure what set of harebrained criteria you have that lets you choose who you’ll sell to and who you won’t but he can’t make heads nor tails of it. He knows he’s not part of your clientele because he’s got the credits to pay, nor is it because he’s one of the most highly regarded hitmen in his line of business. 
You don’t just choose people who can afford to pay or people who have a level of power and influence in this dark underworld you inhabit. You really don’t care about those things. You just pick and choose on a whim.
(Once, back when he’d first met you, Yoongi had discovered that you’d concocted an entirely new security system—practically incapable of being hacked, crawling with tech, a level of complexity even the richest elites could barely afford—for some small artist who’d worried that their paintings might get stolen. He was an unknown at the time, this V, squirrelled away in one of the dark corners in the lowest levels of the city, and you’d all but given him some of the best work you’d ever done, undercharged him something chronic.
You’d shrugged when Yoongi had asked why.
“He makes me laugh,” you’d replied.)
Yoongi isn’t your only customer but he’s certainly the only one you seem to treat the way you do. There’s a level of irreverence in everything you do, self-confidence settled across every inch of you like the obnoxious stench of a teenage boy’s body spray, but you seem to take particular pleasure in Yoongi’s displeasure. He’d brought Namjoon along, once, inquiring after an imitation greenhouse, how someone might set up the tech to raise tropical plants that wouldn’t survive otherwise (mostly above board, even; Namjoon might grow illicit plants, poisonous and prohibited, but he likes pretty flowers, too). And there had been none of the mocking that Yoongi receives. None of the wind ups. You’d been pleasant, despite your incessant snark, agreeing to take the job with a smile on your face that Yoongi never gets given.
(It had been infuriating, to know that you’re capable of not being an ass, but you just choose not to be. For fun.)
Yoongi really, really doesn’t like you, but he respects your work. Respects you, even if he’d never admit it out loud.
You keep your word. You don’t supply his competitors, although you claim it’s not loyalty to him and it’s only because they can’t pay as well as he does—winnings go to the highest bidder, you’d said sagely, as obtuse and irritating as always. 
But Yoongi knows other sellers will provide anyone who’s willing to pay, freelancers who peddle their wares regardless of affiliation or alliances. You’re beholden to no one and yet Yoongi knows you would never double cross him. Never supply anyone who challenges his work, even if they have the money, even if he’s on good terms with them (it’s not personal, it’s business; Yoongi has no issue with other hired killers as long as they stay out of his way). He knows he can rely on you, which is something to be treasured in these back-crossing back-stabbing backstreets.
So when he makes his way to your door, the details of a new contract still fresh in his mind, he instantly comes to a stop.
There’s something off. He can tell immediately, years of instinct causing the hairs on the back of his neck to rise, every part of him on edge. Everything looks normal, is normal, but there’s a burning in his gut that has Yoongi’s finger itching for the trigger even though there’s nothing to shoot. 
You’ve granted him the privilege of access to your workshop, to the other rooms, entered the scans of his hand and eye and voice into the security systems, keep him updated on the varying passwords you cycle through, so he can enter whenever he needs to. 
(He’s woken you up on more than one occasion, roused you from sleep for last minute supplies before he leaves for another contract, appearing in the dead of night like a spectre of death, clothing dark and eyes darker, overflowing with weaponry. A looming silhouette edged in strokes of cyan and magenta from the ever present, low-level neon light in your room, so much darker than the bright lights of your workshop. Intimidating. 
And you always just roll your eyes and sigh and tell him to keep a better eye on his cache of equipment and climb out of bed for him. You’re so at odds to him in your sleep rumpled clothing and mussed hair, still unafraid even when he’s fully geared and ready to kill; shirt slipping off your shoulder, swathes of bare skin in the place of Yoongi's all-encompassing outfit, shimmering black light tattoos visible on your legs and arms and bare skin of your collarbones, geometric lines in the palest of blues and greens. You hand over whatever he needs and tell him the creds he owes you.
“I’ve already given you a key to my apartment and you haven’t even taken me for dinner once,” you sigh—dramatic and melodramatic—even as you hand over a bundle of crossbow bolts. The synthesised toxin inside the darts is your own concoction, of course, courtesy of the plant matter provided from Namjoon’s greenhouse.
“I’d literally rather be shot in the head than willingly spend time with you,” he replies.
“You wanna fuck me so bad it makes you look stupid,” you say, and just laugh in the face of his unimpressed deadpan. As insufferable as always.)
So he doesn’t need your permission to enter. He’s silent, light-footed as he makes his way inside, scanning each inch of this familiar interior; nothing’s wrong, not yet, but Yoongi can sense something in the air. Something heavy, settled bitter on his tongue, coating the back of his throat.
And then he walks into your workshop.
You’re meticulous. Even when you’re overrun with gear, with parts that have yet to be used, everything has its place. You prefer paper over datapads, too, tack sheets of designs and notes up on the wall, have clipboards and stacks of sheets set neatly in their place, a throwback to a time before tech ruled everything. Yoongi knows the layout of this room as well as he knows his own home, a mental map of straight lines and unwavering coordinates with you in the centre of it all.
Upheaval. Those neat lines of organised cartography have been pulled apart. Ham-handed work, to be sure, more of a statement than anything else; intent to instil fear rather than to destroy (although, Yoongi sees now that one of the monitors has been smashed, display sparking white and blue as it bleeds out electricity.). Even in the darkness of the room—overhead lights off and only emergency lighting on, painting things in shades of dark crimson and pink—Yoongi can tell that whichever interlopers have done this are already gone. The room is empty.
Then the sound of a clatter breaks the silence and Yoongi’s already got his pistol out, drawn without a thought as he approaches the sound that comes from the back room, fleet-footed and silent as he raises the gun and rounds the corner—
And sees you at the end of the barrel.
There’s a first aid kit on the floor. Packs of medi-gel and rolls of bandages and other supplies scattered around your feet. You haven’t even spotted Yoongi yet, in despair at the mess in front of you; he’s never seen you like this, never seen anything other than your veneer of enraging smugness and never-ending energy.
“Y/n?” 
You flinch even as your head snaps around, eyes wide—but the second you see Yoongi you visibly relax, even though he’s still holding a gun in your direction.
There’s a bruise blossoming across your left cheek.
“Ah, Yoongi.” The smile that paints itself across your lips is almost convincing despite the dark flower that’s unfolding on your skin, blood rising to the surface and painting it in hues of pain; you wince, a little, when the smile makes your wound ache. Soldier onwards as you act as though nothing is wrong. “I know you’re always desperate for my attention but do you mind giving me a second? I’m kind of indisposed at the moment.”
Yoongi’s lips are set in a thin line. He only has one question on his mind.
“Who did this to you?”
Your gaze flickers before you break eye contact, staring at the first aid supplies on the floor. “What, this? Have you never dropped something before?”
Yoongi ignores your deflection. It only takes a few moments to reholster the pistol, to step over to you, to grasp your chin and tilt your face towards him.
“Who did this to you?”
Yoongi’s tone is quiet and low, firm and undeniable. For the first time since he’s met you it seems as though you’re lost for words, lips parted around a silent sound of surprise as you’re subjected to the full force of Yoongi’s gaze, cutting through you; past every layer of self-inflated narcissism you put on, past every deflection you might make.
There's a beat of silence.
And then you slowly but irrevocably fold underneath the weight of his stare.
You let him lead you, sit you down, bowing to his hands and his directions. You’re silent throughout, lips an unfamiliar shape as they’re pulled down into the slightest of frowns. He’s only ever seen you smile, seen you laugh, self-assured. Never like this.
You seem surprised, startled when he sits across from you and cracks open a pack of medi-gel. Yoongi’s surprised too, although he doesn’t show it, lets his instincts take over and settles into auto-pilot as he reaches for your face. He’s never seen your eyes so round, so wide, watching the hand that descends on your cheek with all the single-minded intent of a man about to fillet a fish—careful and practiced but menacing, maybe. (He doesn’t like you but you don’t deserve to have been hurt and Yoongi can’t just stand by and not help.)
And you don’t shy away. You stare at him as he stares at his fingers, layers the gel evenly across the pain of your bruise, cool and soothing.
It’s only when he’s reached for more medi-gel and touched your cheek for the second time that you finally speak.
“It was one of the Tang cousins.”
Yoongi goes still, fingers resting across your skin, slick with purple gel. 
“One of the cousins?”
Yoongi doesn’t like you. But—and God knows what he did wrong in a previous life for this to be true—you’re one of his inner circle, one of the very, very few people he trusts. You’re not friends and he doesn’t like you, but he owes you, owes you a hundred times over, owes you for every successful kill, every silent infiltration, every averted detection. All thanks to your tech and the work you put into it for him. He’s indebted to you.
Yoongi always pays his debts.
“I didn’t even catch his name.” You sound dismissive. Normally you’d laugh, deride the person you’re speaking about, but instead you just sound tired. “One of the low down ones. New kid on the block; someone I didn’t recognise, with some lackeys or similar. Trying to make a name for himself, I think. He demanded that I build weapons for him. I said no.”
The Tang family is a big one, a criminal empire that has its tendrils dug in everywhere. You don’t deal with them, have no interest throwing your lot in with them intentionally or not; it’s a big, formidable family, but it’s not the only one around. You’d be dumb to get involved in that mess of generational, cross-family conflict. You’ll sell things to the highest bidder, shift illicit high-tech stock, build generic modifications that people can buy—but you don’t make bespoke weaponry for just anyone.
You don’t even sell to the heads of the Tang family directly, let alone to some back-alley sewer rat who probably barely has the faintest ties to the family, a single vein of Tang blood in his body, just enough to give him an in.
Whoever this cousin was he must be really fucking stupid to not know that. Stupid to think he could demand anything from you. Stupid to think he could hurt you when you laughed in his face and said no. Anyone with half a brain-cell should know not to fuck with you, know that it’s an honour to even be allowed inside your workshop, that to be told ‘no’ by you is a privilege.
Stupid to think that he wasn’t going to pay for that stupidity.
The pack of medi-gel is empty, the deflated pouch forgotten on Yoongi’s knee as he stares at you. The flecks of biomatter in the gel catch the light, sparkling like glitter in the lavender that’s seeping into your skin; all the surprise is gone from your eyes and instead you’re just watching him, stolid and steady. Analytical.
(You’re smart. Yoongi knows you are. For all that you talk shit and play foolish, he never forgets about that fierce intelligence. Never underestimates you or how perceptive you are. He only wonders what’s on your mind right now; what it is that you see in front of you.)
“Next time don’t let someone in unless you’re certain you’re going to sell to them.”
You scoff in his face. “Alright, Dad. Do you want to update my curfew while you’re at it? Make it ten p.m. instead of eleven?”
Yoongi blinks slowly. You’ve got both eyebrows raised, surveying him with a mixture of amusement and disbelief that he’s trying to tell you what to do (because no one tells you what to do; they wouldn't dare). But you don’t pull away, your knees still touching his, body bowed towards him from when he’d coaxed you closer so he could reach your face—so he knows you don’t mind. Not really.
(Knows you don’t care about anyone’s opinions or rules, only sticking to your own. The fact you’d been shaken from that place of confidence by some thug—even for a moment—doesn’t sit right in Yoongi’s belly. That bitter taste is back in his throat and it’s ice cold, icicles prickling through his blood.)
(He doesn’t like you but you’re one of his people and no one fucks with Yoongi’s people.)
The bruise is still there days later, after you’ve rearranged your workshop back to the way it was, sourced a new monitor to replace the one that was broken. You’re back to smirking, already ready for his request, more bullets for his weapons and super-charged plasma to recharge his sword, but the bruise is a stark reminder of what you’ve been through. So is, too, the new blueprint he spies half finished on your open displays: an automated security system that scans thermal signatures, guns unfolding from the ceiling whenever aggressive movement is detected from an unfamiliar person. Anyone who’s not listed as familiar in the security logs. 
(Yoongi used to wonder about that. Why you didn’t have security mechs set in place, programming their AI to protect you, but you don’t like to use mechs. Don’t like to use them, even if you could afford to build them, because you compare it to forced servitude. You’ve never needed them before now, anyway. Safe in your reputation, knowing that you’re in a position of power, that people come here because they know you’re the best of the best.)
(But it seems like you don’t trust that any more. Don’t feel safe.)
Yoongi keeps as silent as always, bites his tongue when you cut him off mid-sentence with nothing more than a raised finger.
“Ah, ah, ah,” you tut, wagging the finger back and forth like the slow pendulum of a grandfather clock. “No more crafting requests. I’m still working on the concentration mod you asked for and I’ll let you know when it’s ready. I don't rush for anyone. Patience is a virtue, baby. Did no one ever tell you that?”
“Don’t call me baby.”
“Okay, handsome.” Your reply is instant, unruffled, and Yoongi grits his teeth. 
But still. For all that you’re acting like normal, workshop set back into place, white lighting shining overhead, as neat and presentable as always—Yoongi can read uncertainty in the way you move. Discomfort. You don’t feel safe in your own space and it’s obvious, even if you don’t realise it.
“Come back any time,” you say coyly, and Yoongi, as always, ignores you. Transfers the creds he owes you in silence before he takes one last look at the bruise that’s still painted across your skin, dark eyes touching yours for the briefest moment before he turns and leaves.
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For the first time since you met, Yoongi buys from someone who isn’t you.
It’s not bad. Well made, decent tech, Predator pistol sitting easy in his hands when he brings it to the light and watches it unfold from its holstered state, the way plasma bursts to life in the barrel; weaker than bullets but easier to reload in the field. It’s no surprise that the Yeom family gets their stuff sourced from here. The body armour, too, isn’t bad, engraved with the family crest and cast in their colours.
It’s not bad, but it’s not as good as it could be. Not as good as Yoongi needs his tech to be, demands it to be—but quality doesn’t matter. Not today. He has a job to do.
It’s easy to find his mark. Scum gathers in stagnant water, in the dirtiest and dankest places, and this is where Yoongi finds Tang Lee. Finds him spilling beer and money in the backroom of some grimy strip club where the holograms flicker from age and the strippers are tired, trying their best to scrape a living from the seething riverbed of filth that runs underneath the bright neon lights of the skyscrapers in the levels above.
Lee isn’t alone but it’s so easy to take them out it’s laughable, men drunk from cheap alcohol; Yoongi catches one in a chokehold, smashes another’s face into the glass table with enough force it shatters, faces Lee once they’re the only two standing. The music outside is too loud and the room is sound proofed for privacy and so Yoongi isn’t interrupted as he brings Lee to his knees, thrusting his face into a smear of blood that drips from his now-broken nose, courtesy of a quick jab of Yoongi’s right fist.
It’s not a quick kill. It could be. Yoongi could have ended this in moments, caught Lee off guard and ended his miserable life almost effortlessly—but he doesn’t. He takes his time, makes it count, teaches him a lesson, has Lee on his hands and knees as he sobs out apologies and snivels for mercy before he takes the pistol and blows his brains out. Yoongi doesn’t feel sorry for the man, eyes the body impassively, not even worth his disgust—he only feels sorry for whoever finds the chaos of the room and the bodies inside, the distinct plasma burns he purposefully leaves in the wall with the Predator pistol, the entire scene he’s created here: a scuffle gone wrong, fast.
You’re not the only person Tang Lee has crossed but you’ll be the last. Yoongi checks the pulses of the other two men, finds one dead and the other still alive, barely, just like he’d planned—and his work is done. It’s the Yeom family’s problem now, any fall out from Lee’s death pointed at them, a repayment of a slight Lee had made to a Yeom supplier only a few weeks ago. (Yoongi wagers that neither family will care, will draw a veil over this moment and let this settle without raising arms, no one important enough to go to war over.)
He discards the pistol and armour once he’s done, incinerates it all, no interest in keeping subpar equipment. It’s not even worth dismantling for parts. Hoseok finds him in their basement, eyeing the blue flames that lick their way around the discarded armaments; he just watches Yoongi, inscrutable and calm as he eyes the blood on the clothing before it bursts into flames.
“Not a contract,” Hoseok says. (It’s not a question.)
“A job.” Yoongi replies, watches the cloth turn to ash through the thrumming display of the incinerator. “Something that needed to be done.”
He doesn’t tell anyone what he’s done. There’s no point in it. Yoongi decides something needs to be done and he’ll do it, whether that’s building a new chair for Jungkook after he broke his old one or killing a man who hurt you.
The next time he sees you your bruise is practically gone, faded into your skin. You’re intent on something on a monitor but when you notice him you turn, swivelling in your chair in one smooth motion as you lean back and put your hands behind your head, cross one leg over the other, dripping self-satisfaction, your smile sharp and full of teeth.
“Ah, Yoongi.” You look so smug that Yoongi has to resist the urge to roll his eyes. “Welcome, once again, to my laboratory. Is this visit for business or pleasure? Either way, you know I'm happy to oblige.”
“I’m here for the mod you promised me,” he says bluntly, and you just keep smiling, even as you hold out a hand for the sniper rifle, handling the D-2 Shadow with as much reverence as Yoongi does as you affix the mod.
It’s perfect, of course. All that Yoongi asked for and more. The software links with his eyepiece, biometric sensors that help him find his target, software to adjust to his pulse and breathing.
“You can even change the colour of the HUD,” you say, as if it’s some sort of buy-one-get-one-free offer, some fun little feature, rather than another helpful piece of software that you��ve created. Dismissive. An afterthought.
(You act like you take nothing seriously. Yoongi is your stark opposite, weighing everything in his hands and treating it with the level of attention it deserves, intent and focused.)
He’s staring down the scope when you speak once more. Light and easy, for once, rather than loud with your usual exaggerated exuberance or silken with unnecessary suggestiveness.
“I hear that they found a Tang family member dead.”
Yoongi just hums in response. Keeps his eye on the scope, wills the colour from dark green to white using the affinity link he has synced with his headpiece, watches the lines of the heads up display of the scope repaint themselves without even a single flicker, transition smooth and effortless. (Perfection.)
“It seems like the Yeom family did it,” you say, tone still conversational.
“Is that so.” Yoongi sounds disinterested, face impassive as he draws the gun away from his face, eye piece automatically folding away from his eyes. “Can I ask about other mods now that this one is finished?”
One of your brows rises, a perfect curve of discontent. “Say thank you first, Yoongi.”
Yoongi’s eyes cut into yours but you don’t back down, watch his blank face as he eventually says: “Thank you. Now I need more mods.”
You throw your head back as you laugh. “You’re insatiable,” you say, but you don’t say no. “What do you want now?”
(It’s not that you never say no to Yoongi. Because you have, and you do, and you will. But never because you can’t make what he asks for—and only because you refuse to make things that might endanger his safety, illicit bio-mods that other hired hitmen use, things that degrade the body from the inside out.)
Yoongi’s just holstered the Shadow, ready to go, when you speak one final time.
“Yoongi?”
He’s never heard you say his name like that, soft and quiet.
“Thanks.” You’re staring at him, regarding him steadily, solemn in a way that he’s never seen. You’re smiling, as always, but the expression is lightyears away from what Yoongi is used to—just the barest hint of an upturn to your lips.
Yoongi stares back at you. “I don’t know what you’re thanking me for.”
Your smile grows, a warm thing, unfurling like a flower. Almost affectionate. “Sure,” you say. “Of course. Silly me. Slip of the tongue.” And then, as if your brain’s only just caught up with what you just said, the smile turns salacious. “On the note of slipping the tongue—”
“Bye.”
Your cascading laughter follows him on his way out, cutting and shining with amusement. 
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Yoongi’s been getting more contracts. He’s finally buckled under Jungkook’s insistent whining and has agreed to get gear for him, too, to train him how to shoot. Hoseok has more than enough contacts in the underworld to get jobs for them both—he’s the most powerful information broker around, after all, sitting in the centre of a web he’s woven after years of work, all that sharpness and darkness hidden behind his deceptively bright smile.
(Yoongi’s lucky to consider him a friend and not an enemy.)
So that’s why he’s here with increasing frequency. That’s why he finds himself at your door more often than not. To get those orders in place, to make sure they’re progressing as fast as they need to.
You never react when Yoongi steps into your workshop. Well, you do, you lean into your hand and smirk at him, pursing your lips around each snide remark, each suggestive comment—but you never question his appearance. You just go with the flow, unbothered by his presence, even when there are other people there—other customers who eye him with unveiled curiosity and confusion (some Yoongi recognises, some he doesn’t, well-known faces and unknowns alike; none of them know who he is, though, unrecognisable as Agust D without his battle gear on). Yoongi keeps a close eye on their stances, any unchecked aggression or hostility towards you. Keeps a watch on the tension of your shoulders and spine, because of… habit. Battle instinct. Nothing else.
“You know my policy, Yoongi.” You’re analysing something in your hand. It looks like an antique spyglass, something from the decades before technology overtook the world, but it’s jammed full of tech; it doesn’t just magnify to a terrifying degree, it also amplifies sound, connected to an earpiece that’s sleek and easy to overlook. ‘A small project’, you’d called it, as if it isn’t something that people would pay a fortune to own. “If I’m making something for someone I have to meet them first. If you want me to make anything for this ‘JK’ then it’s not happening until you bring him here. Just like with your friend RM.”
Yoongi is lolling by your monitors, half-asleep in your chair (which had moulded to the shape of his body the second he sat in it, designed to be too comfortable for its own good). 
“I know you can’t pull yourself away from me,” you continue, glancing up from the scope. “But you have to spend time with your friends sometimes. I know they’re not as pleasing to look at as me—”
“Stop.”
You shift the spyglass to one hand and lean your chin on the other, regarding him with sharp eyes and an amused quirk to your lips. “I love that you think you can tell me what to do.”
Yoongi resists the urge to make a noise at the back of his throat, opting to keep mum instead.
He’s too tired to argue with you. He’d come straight after a contract, blood still on the edge of his sleeves (not his), watched the way your eyebrows had risen when you’d casually taken in the state of him before offering to wash his jacket. You know the reality of this world you both inhabit, operating in the shadows, survival paid for in blood; you might not be on the high ground, lining the shot up to take the kill, but you craft the trigger that Yoongi pulls.
(You might be aware of this reality but you’re far removed from it, shaken by violence on your own door. You never should have been faced with it. You’re an inventor; a creator. Not a killer. Not like Yoongi is. He’s not going to let that happen again. He doesn’t like you but you shouldn’t have been subject to pain—shouldn’t still have your motions edged with a held breath, as if you’re waiting for it to repeat itself. 
No matter how well you hide it, Yoongi knows that there's a part of you that's still scared.)
“I know you think you’re too important to need to remember things, but we’ve worked together for long enough that you know that I’d ask to meet JK first, Yoongi,” you say. “Did you really have to come straight after murking someone just to be reminded about that? Not complaining—you know I love seeing that pretty scowl of yours—but I just figured you’d rather be resting right now. Don't tell me the infamous Agust D missed me and decided to come here instead.”
“You were on the way.”
(He’d circled around, taken a longer route, descended into the familiar maze of the lower city. To throw off the scent of any potential pursuers. You just happened to be nearby, pure coincidence and convenience.)
You retract the spyglass, collapsing it in your hands. “Either you leave right now and go to your own place to sleep, or you’re going to sleep in my bed. Your choice.”
(If Yoongi took the time to think about it, really think about it, he’d notice that the words aren’t shrouded in suggestion or insinuation. Your brows are raised and you’re looking at him expectantly, waiting for him to decide what he’s going to do—unimpressed at how tired he is, how he’s come here instead of sliding into his own bed for the rest he so clearly needs.)
Of course, Yoongi leaves. He returns home without his jacket, strips his shirt off as soon as he’s in this safe place, this base, sheds pieces of his body armour as easy as anything (you’d designed it to be lightweight and easy to don and doff, the perfect defence for someone who relied on stealth and speed); he’s just removing the last greave when Hoseok appears, rapping his knuckles against the open door.
“You’re finally back.”
Yoongi looks up. Hoseok is dressed for work, Hope Broker persona in place, tailored suit that sits perfectly with the lines of his body, handsome and stylish and entirely put together. He oozes poise and power. Elegance.
“Yeah.” Yoongi lets the greave drop, silent as it falls to the floor. “Job’s done.”
Hoseok smiles. It’s a genuine one because it’s for Yoongi. “I know,” he says, even though scarcely any time has passed since Yoongi put a bullet in the back of the target’s skull. Nothing happens in this world of theirs without Hoseok finding out about it, always sooner rather than later. “Just wanted to check in and make sure you were okay.”
“All good.” 
“Good.” Hoseok is used to Yoongi’s blunt nature, his short responses when he’s tired. “Get some sleep.”
Hoseok’s elegant even as he adjusts his cufflinks. It’s just the briefest of moments, the crisp edge of his perfectly white sleeve contrasting with the shining silver, the design inlaid in them—but Yoongi recognises that design immediately.
Because it’s yours.
It’s the same emblem on each piece of his gear, small and understated, hidden away, easy to miss—but Yoongi knows it intimately. He doesn’t say anything. Lets Hoseok leave without a word. Each one of the men that Yoongi considers family, the tiny collection of people that stay in this same home as him, know that he only gets equipment sourced from you—but Hoseok had never mentioned that he’s been in contact with you, too. 
It’s not important. Hoseok might be his friend and a staunch ally but there’s plenty that he gets up to that none of the others are privy to, trading information to the highest bidders, head of a huge network that Yoongi can use to his advantage but isn’t technically a part of. The people Hoseok deals with—buys his information and resources from, keeps perfectly balanced in comparison to his own power—is his own business and not Yoongi’s.
Yoongi moves to gather his armour, the hardsuit he wears like a second skin, and spots that insignia that he knows so well branded into it. To have Hoseok wearing it at his wrist—the Hope Broker, renowned trader of secrets—is a statement. You could have made the cufflinks plain and unadorned. But you hadn’t.
When Yoongi climbs into bed that night, he finds that his sleep is restless.
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The smile on your face fades. “You know I don’t talk about business with other customers.”
Yoongi’s staring at you across your workbench, the light from its surface going dim as you take your hands off it, disassembled stun mine forgotten.
No one knows about his genuine friendship with Hoseok, but they do know that Agust D and the Hope Broker have an agreement; a professional working relationship. “I know the Hope Broker,” Yoongi says. 
Your eyebrows rise so far they seem to threaten to ascend into your hairline, you’re so incredulous. “Everyone does. What’s your point? Do you expect me to give you information about everyone you ask about? I get paid to keep people’s privacy, Yoongi. Do you think I sell the information of your equipment, how to dissemble every defence you have? Do you think I give your name out to everyone who asks?”
There’s no touch of amusement to the line of your lips, no sparkling irreverence in your eyes. You’re genuinely displeased.
“He’s wearing your symbol.”
You scoff. “You wear my symbol too. Why, are you jealous? Your armour has exactly the same technology. Better, even, because I can fit more tech in there.”
The cufflinks generate a kinetic barrier, then, a layer of invisible shielding that lays just atop Hoseok’s skin. But no one sees Yoongi’s armour; no one sees the workmanship of your weapons, no one except him. Your insignia isn’t emblazoned on his wrist for all to see.
Yoongi isn’t jealous.
“Hope is a powerful man,” you continue. “Everyone knows that. Even people who haven’t met him know that. Even people who aren’t sure he exists know that. If I want to sell to him then that’s my business.”
Everyone who’s anyone recognises your logo, no matter how rare it is to spot it (you only craft for a select few, after all). And Hoseok’s influence is far reaching and powerful; no one would dare cross him, dare to cross anyone who’s associated with him. 
“I’m looking for a new workshop.” You rise, moving away from your workbench to your monitors, touching a display with your fingers to bring it to life. Ignoring Yoongi’s presence, not even looking at him. “I haven’t got the space to modify the systems in this one as much as I want to. The walls are already full enough as it is. Do you know how hard it is to find somewhere with the specifications I need?”
Yoongi realises, then, why you’re doing this. The bruise is long gone and your skin is unmarred but you still don’t feel safe. You’ve always worked alone. Until now. Now you’re making moves to settle down, settle in, make a statement of allegiance to someone who can offer you a level of protection with their influence.
Someone who can offer you somewhere new, away from this inadequate place you’ve outgrown.
Hoseok laughs lightly when Yoongi asks about it, mentions it in passing as the two of them drink soju side by side, Hoseok in his suit and Yoongi girded in the armour under his unassuming clothes, both in the upper city for work; they stare down at the myriads of tall buildings and huge holo-boards and rainbow array of neon lights, far above the place they call home.
“Oh, yeah,” he says, utterly relaxed (and faintly amused). “I know you respect her work so I thought I’d reach out. I’m surprised she can make the things she does in that tiny workshop. You’re right; she’s very good.”
You are. The next time you meet, you give Yoongi his usual shipment and more besides, more than he’d ordered, reflected in the amount of creds he has to pay—because he won’t be able to just drop in for a while, your workshop dismantled and scraped empty in preparation for the move. Where to, he doesn’t know, but you say you’ll pass on the information once everything is up and running again.
“If you break any of your gear while I’m gone then you’re on your own,” you say. “I’m not shipping anything before my new workshop is finished.”
Two days later, Yoongi spies a new watch on Hoseok’s wrist. It looks low-tech, old style, metal strap and round clock face—but he sees the silhouette of your logo under those ticking hands and knows there’s more tech in there that meets the eye.
He looks away.
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It takes a week for the message to appear, encrypted: your new location. Levels above your former workshop, one of the higher strata of the lower city—still hidden and out of the way but away from the dirt and darkness. 
Yoongi goes. He finds the door panel, scans his palm, leans forward for the light to flit across his eye, murmurs a word, watches the door slide open. He’s already programmed in. New workshop, new security system, but he’s still allowed in, still one of the people you consider familiar, trustworthy. 
(He doesn’t know of anyone else who fits that category. Has only ever seen you manually allow people inside, granting your permission each time, rather than giving them free run of the place. No one has as many complex orders as he does, he’s certain. It’s for ease and practicality’s sake.)
He’s unfamiliar with the layout of this new building, first corridor already longer than he’s used to; he pauses for a moment but then hears something, faint—your laughter. Follows that sound, makes his way forward, through polished corridors with lines of light underfoot, leading him down some stairs and towards the sound of you.
Your new workshop is beautiful. There’s enough room in here for everything, no need for a backroom: a central worktable, benches lining the walls, tech displays built in, everything edged with lighting, dark surfaces shining bright, large floor panels underfoot emitting a low glow. Your former home had been that underground workshop and a locked door to a ladder to your micro apartment up top, tiny kitchen and single bed in a small room with a shower cubicle in the corner. Yoongi already knows that this building is far, far bigger, and you have more space than you’ve ever had before; you’d never been discontent with your smaller home, comfort from familiarity, until that comfort had been stripped from you.
You’re smiling. The snark woven into your words that Yoongi is used to is muted, light comment falling from your lips as you sit on that central table, perched on its edge. And Hoseok, he laughs, grinning so widely his teeth are on show—he’s wearing a suit but his jacket is resting on his shoulders, tie undone and cast around his neck. A stance of relaxation, one Yoongi’s never seen from him, not when he’s working. Not when he’s The Hope Broker and not Hoseok.
He’s still smiling when he notices Yoongi, the two of you looking over when the hitman speaks.
“Didn’t expect to see you here, Hoseok.”
That ever-present smirk freezes on your face for a split second, eyes widening at the sound of Hope’s real name. Hoseok just takes it in stride, his smile not dimming even for a second.
“Hey, Yoongi.” His greeting is as warm as it always is. “Just checking in. Have to make sure everything is up to scratch. What’s the verdict?”
You’ve hidden your surprise, wiped it off your face, eyes on Hoseok as you answer him. “It’s perfect.” A pause. “I take it you two know each other?”
“Sure. Yoongi is an old friend of mine.” Hoseok is still smiling, looking at Yoongi with creased eyes. Unafraid of revealing this information to you, still at ease despite the tension that’s bubbling in the air, Yoongi’s impassive face. Hoseok is always an unshaken pillar of positivity. “I didn’t realise he was coming. Am I interrupting an appointment?”
You stare at Yoongi. “No, you’re not. I wasn’t expecting anyone.”
(You’d sent the message less than an hour ago. Yoongi had taken one look at the address, memorised it, pulled on his jacket and headed out; clearly you hadn’t anticipated how fast his arrival would be.)
“A happy coincidence, then.” Hoseok sounds like he genuinely means it, is pleased to see Yoongi here, his smile unwavering. There’s a languid set to his body, the easing line of his spine, hands in his pockets. A glittering in his eyes. (No one ever gets the drop on Hoseok, never surprises him, catches him off guard, no matter what they do.) “But I’ll let you conduct your business and we can catch up another time.”
He takes a hand out of his pocket as he walks past Yoongi, pats his shoulder amicably. His palm is relaxed against the tense set of Yoongi’s shoulders before he ascends the stairs and disappears out of sight, the sound of his polished shoes fading until he’s gone, one of the monitors on the wall flickering to indicate the front door is shut once more.
You’re still staring at Yoongi. The atmosphere had been heavy, even with Hoseok there—and now that he’s gone there’s nothing to alleviate that pressure, nothing to dissolve the strange twist to the air.
“Who,” you start, measured but sharp, “do you think you are?”
Yoongi returns your stare, looks back at you with his dark eyes. Doesn’t respond to your question; an unnecessary, unprompted thing, razor-edged for a reason he can’t discern. 
“Can’t you hear me?” You slide off the table, stalk towards him. “I said—” you raise a hand— “who? Do? You? Think? You? Are?”
You emphasise each word with a sharp jab to Yoongi’s chest, driving your finger forward with so much force it must hurt. You keep it in place, keep it dug into the centre of his ribcage. There’s no laughter hidden in the corner of your lips. He’s annoyed you again, somehow, a familiar guest turned unwelcome interloper.
“You say that you know Hope and yet I just watched you treat him like dirt.” Your eyes are piercing, cutting through the soft frame of your curled lashes, boring straight into him. “You come into my workshop as if you’re meant to be here; like there’s something you’re owed. Do you want me to treat you like a child, send you to your room? Not let you back in here? Because I will.”
“You sent me your address,” Yoongi points out.
You let out a bark of laughter. “Please.” Your hand drops back to your side and you turn, stepping away. “I’ve sent this address to all my business associates. I can’t sell or buy unless people can find me. You’re the only one who’s taken this as an invitation to just turn up and waltz in. At least when Hope turns up he warns me beforehand. Oh, and he doesn’t say stuff like he’d rather blow his own brains out than be forced to see me. I know you just love being contrary but has it ever occurred to you to be more polite to people? You’d make a terrible waiter. You’d get fired on your first day.”
You’re in front of one of your cabinets. You reach inside for something, hefting it in your hands before returning, handling it in a way that’s completely unceremonious, dropping it to the bench at his side like you want to be rid of it. Like you don’t even want to hand it directly to him, to interact with him. “There. Nothing but a pleasure doing business with you, Yoongi, even if your customer service still needs improving.”
It looks like a flat, hexagonal panel, the same colour and material as his armour. Something to be locked into it, wired in, trailing veins of unattached tech spilling from it. He’s seen you working on this for a while, seen you draw up blueprints with a bruise fresh on your cheek, seen it turned in your hands as that mark had faded and left your skin. 
It’s not something he ordered.
“What is this?”
You wave a dismissive hand. “Auto medi-gel distributor. It syncs with your armour and senses when you’ve been hurt and disperses gel in the affected area. Your armour’s always been too lightweight to have extra mods on but I’ve been working on this for a while.”
It’s an astonishing piece of tech. Usually one that’s reserved for heavier armour, restricting and hard to move in but easier to mod—but this thing is slim, compact, the same technology crammed into a smaller package without losing any of its punch. He doesn’t know what materials you’ve had to use to circumvent this, the level of tech you’ve layered into this, the amount of time and thought you’ve put into this.
“How much is it?”
The wrong thing to say. The smile that spreads itself across your lips is an echo of its usual curve, brittle and flaking around the edges, a baring of teeth.
“It’s a gift, Yoongi. Usually when someone does something for you, you return the favour.” Your lips are still upturned but your eyes are unsmiling even when your tone seems whimsical and light. You’ve got on your usual flippant façade, but there’s a pointed undercurrent to it. “You know, I don’t understand you at all. You remind me that you don’t like me but then you always hang around. You kill someone who threatened me and pretend that you didn’t do it. You say you don’t like me, but I thought you at least respected me, and yet here you are. Lying to me and treating me like I'm a fool.”
“I do respect you,” Yoongi says. 
(Because he does, and as much as he would hate to inflate your ego, he doesn’t shy away from telling the truth.)
“Sure you do.” An unimpressed eye-roll, cutting under his words, knocking his feet out from underneath him. You don’t care to believe him. “This is my fault for not treating you the same as all my other business associates.  Next time you come in you’ll have to have an appointment, just like everyone else. It’ll minimise the amount of time we have to spend together.”
Yoongi doesn’t like you. He finds, though, that he likes the sound of this even less; finds it pulling at his brows, his mouth, impassive expression turned to one of disapproval.
And his mouth opens. The word falls from his lips before he has a chance to think—years of battle intuition, years of following instinct, moving as he needs to in the moment.
“No.”
A raise of the brows. A purse of the lips. Incredulous. “No?” you parrot it back, mocking. “Oh, okay, sure. Never mind. You’re welcome to come in whenever you want and act like you have free rein of the place. There’s nothing I enjoy more than your scowling presence.”
Sharp tongued, sharp eyed, narrowed at him: a confrontation. For all that you needle him you never mean it, really (even if it’s still infuriating, aggravating). But right now? Right now each of your words is barbed, your sarcasm a defence, an offence. You’re running your mouth not just to rile him, but to ward him away. 
“You’re really not as smart as you think you are, Min Yoongi.” You wield his name like a weapon. “You tell me right now why I should listen to you. What do you come here for? And don’t say it’s for my work because it stopped being just that a long time ago. And if it is just for my work then take it and go. Then I’ll take you off the security system and we’ll only see each other as much as is strictly necessary. In fact, you could pass your orders along via Hope—then we won’t have to even see each other at all. ”
“And then he’ll be the only one allowed free rein?”
It comes out before he’s even really thought about what he’s saying, which isn’t like him at all. Yoongi is two parts: pure, honed instinct, and careful, wary vigilance. He’s not like you, saying the first thing that comes to mind—not normally, anyway—but the words jump from his lips, from some near-silent part of him that balks at the idea. Of Hoseok stepping into your space the way that Yoongi does, appearing without warning, to be greeted with a curled smirk and glittering eyes.
“You’re a fucking idiot if you think that you’re not the only person with security clearance. My God. You’re infuriating. Seriously? I didn’t realise you were genuinely this dense. You’re the only one I’ve ever allowed in without prior agreement.” You emphasise this statement with another jab to his chest, your finger a sharp knife that cuts into him as you stab it forwards.
He catches your wrist. His grasp is firm but there’s no pressure to it; doesn’t squeeze, doesn’t tighten his fingers, just holds you in place. You’re staring at him with a challenge in your eyes, one that he finds himself rising to match, never one to back down.
“Is that so?”
Your hand unfurls, fingers splayed across his chest; he’s still holding your wrist, shifting with your movement. “Don’t be obtuse.” An irritated exhale. “Normally you complain whenever I talk and now you’re trying to get me to repeat myself. Again with the inconsistency, Yoongi. Make up your mind.”
He could do what you do whenever you’re feeling particularly aggravating. Play dumb, ask more questions, drag out the interaction until you’re bordering on snapping—but he doesn’t. He looks at the set of your jaw, the way you’re staring at him. Unflinching. You’ve never been scared of him, and you aren’t now, not with how he’s got a hold of you, how close he is to you.
He toes the line. Shifts closer. Notes the way your pupils dilate, how the tips of your fingers dig into the fabric of his shirt; how the air grows heavier, a frisson of electricity crackling through it. Yoongi doesn’t like you, but he likes that feeling—how the tension in the air shivers from indignation into something different.
Because you’re still staring at him, and there’s still that hard set to your jaw, but there’s not just anger in your eyes. There’s that warm thing he’s grown used to seeing, smouldering in near silence until he’d coaxed it to full flame, thrown gasoline onto the coals when he’d shot plasma into the back of Tang Lee’s skull. He’d protected you even though he hadn’t needed to, doesn’t need to, but does anyway—because he trusts you and there’s no one else he trusts to keep you safe.
And there’s no one else you trust, either.
“You talk too much,” Yoongi says, like he so often does—but there’s no irritation in it, touched instead with a simmering heat, the faintest edge of a bite.
You tilt your head. There’s a provocation etched into the twist of your mouth, the way your lips lift. Because no matter how much you needle him, dig your fingernails into every crack of his armour and twist—no matter how annoying you are, how angry you make him—you know that he’s not mad. Not really. Not in a way that makes you afraid, but in a way that thrills you, makes you want to see him snap, to wipe away that level facade he maintains.
“Maybe you should shut me up, then,” you reply, a murmur. A challenge.
A beat. Yoongi’s fingers tighten around your wrist. A warning.
And in response?
You just smile.
The way your eyes widen just seconds later is delicious, though, when Yoongi lets go of your wrist—because he’s moving faster than you expected. Your surprise melts into delight, a spark of glee that says you’ve gotten exactly what you want when Yoongi threads his fingers in your hair, tilting your head back to bare the column of your throat. He holds you firmly in place, crowds you back against the workbench so hard its edge must be digging almost painfully into your back but not once does that glee dim, written over every line of your smile, eyes bright and teeth sharp.
Yoongi likes to take things slow. There’s the part of him that never steps into a situation without knowing every angle, every escape route, each one of his kills planned meticulously. But, he thinks, the two of you have been waiting long enough, and he’s never been patient around you—has found his composure worn thin faster than anywhere else, by anyone else. It’s this part of him, frayed into non-existence by you, that rises to the surface now, makes him move as quick as he does.
And you respond just the way he knew you would. When he presses his mouth to yours you kiss him back like you have a point to make (you always do), fast and almost reckless, all lips and teeth and tongue. There’s no finesse to it. When he presses his tongue into your mouth you part your lips so prettily, let him take his fill, slide your tongue against his and tilt your head to get even deeper—and just like always, you're vocal, letting out small noises that are caught and muffled in the kiss, lust filled. But when you try to nip at his lip with the edge of your teeth Yoongi tightens his grip in your hair and swallows down your gasp before he pulls away, holding you in place so you can’t chase after his mouth. Your lips are kiss swollen and under the bright lights above they shine, slightly parted, pupils blown as you stare at him. 
(You look good like this.)
Your eyes slide shut when Yoongi lowers his lips to your neck, across your throat. There’s nothing gentle about it. He moves with single-minded intent, lips and teeth harsh against your sensitive skin—and you take it all, little sounds falling from your lips as Yoongi drags his teeth towards the hollow of your neck. And when he takes his hand from your hair, takes both hands and digs his fingers into your waist and lifts you, you go so easily; a mimicry of your earlier position when he’d stepped in, perched on the edge of the table. Legs spread so Yoongi can stand between them. He’d be surprised at how pliant you are if it wasn’t so obvious that this is exactly what you want: lifting your hips so he can strip your lower half bare. 
Your bare thighs press against the surface of the workbench, tech displays coming alive under your body heat. You’ve shrugged your cropped jacket off and you’re just reaching for your top when Yoongi stops you; splays a hand in the centre of your chest and presses you back, slow but undeniable. You’re not the one setting the pace. He is. He’s the one in control, with you spread out in front of him, only a thin layer of fabric keeping you from being completely bare—thin cotton underwear, dark and damp between your legs, betraying your arousal.
“Wet,” Yoongi murmurs.
Your retort stutters on your lips when he drags his fingers upwards over your slit, barely dulled by the material in the way. “No shit,” you say, and then suck in a breath when he presses the pad of his thumb across your clit.
It’s no good, the fact you’re still talking. But that’s okay. Yoongi’s planning on changing that.
It’s lewd, the way your legs are spread, parting further at the urging of his hands. Your hands slide across the bench, papers scattering, palms flat on the work surface and white light shimmering on dark blue in reaction to your touch; an unnecessary distraction that you both ignore. There’s nothing graceful about this, the peel of underwear away from your core, already slick even with the barest of attentions; he drags his fingers down the inside of your thighs, all that soft skin, and then under, urging your hips up and towards his mouth. No foreplay to this foreplay, no dragging out this moment—he bites at that soft skin of your inner thigh, sinks his teeth into it and listens to the way you gasp in surprise—and before you have a moment to ground yourself, he presses his mouth to your cunt.
You’re wet and warm under his tongue and the smell of you surrounds him, musky and heavy, and he feels how your entire body goes tense as you arch your back. He’d normally take his time with this, have you strung out and begging, but he has different plans today—knows exactly what he wants from this, sucking your clit between his lips and feeling your thighs tighten around his head, legs slung over his shoulders as he listens to the way you moan. Each sound shudders out from your mouth like you tried so desperately to keep it in but couldn’t help it. Yoongi loves eating pussy anyway but this is even better, the way all your witty ripostes die in your throat before you can shape them on your lips, turned into breathy gasps instead. 
The taste of you fills his mouth and it’s so fucking good. You’ve been watching him, how his head moves between your legs, but he can tell you’re close; you’ve given up, eyes shut as you lean into the sensation building up in you, and Yoongi thinks he likes you better like this. Forced into speechlessness under his hands and tongue. Your pretty mouth softened from sharpness into urging noises of pleasure. He slides one arm across your stomach and holds you in place, a hard line that you can’t overpower and you’re left squirming in place, hips trying to kick up each time he draws his tongue over your slit, every part of you sloppy with your own arousal and Yoongi’s spit, flushed and lovely. One of your hands is in his hair and you’re pulling, pulling hard, unaware of how tight your grip is as you try to buck your hips and sob. 
You’re so sensitive, and it only takes one, two fingers pressing into you and curling just right as Yoongi slides his tongue over your clit before you’re cumming, hot around his fingers as you come apart all wet and messy. He’s never seen you so undone, back arched as you ride out your orgasm, hair swept away from your forehead as you throw your head back. Keeps his mouth open on you, feels you under his tongue, until you’re flopped on your back and your chest is heaving, legs untensed and loose over his shoulders.
You shift an arm. Your fingers barely brush the medi-gel mod you’d made him, a loose sheet of paper sliding away and joining the others on the floor.
“Just moved in and it’s already a mess,” Yoongi says, and he doesn’t just mean the paper; fingers and chin and mouth covered in your slick, your core soaked. He’s still knuckle deep and when he curls his fingers again your entire body jolts, your mouth parting almost wantonly before you seem to struggle back to reality, surfacing from a haze of arousal and post orgasmic bliss.
“That’s your fault,” you say, voice weaker than usual. “I’ll send you the cleaning bill.”
“Mm. Not my fault you’re a messy girl.”
“Fuck you.” The blunt words are softened by your breathlessness, your bonelessness; the way your breath catches in your throat when he calls you a messy girl, even if you try to hide it. Trying not to let him in on exactly how much power he holds in this moment. 
“I was planning on it,” Yoongi says, as calm as ever, even if arousal is simmering through his veins and gathering in his gut—has been this entire time, the taste of you on his tongue and the heat of you under his lips and the sound of you in his ears. “Want to make your workshop even messier?”
You dig your balls of your feet into his back, legs still over his shoulders. His fingers shift inside you and you shiver. “I don’t think so,” you say. “Bedroom.”
“So you’re giving me a tour, then?”
You don’t dignify him with a response, although the noise you make when he finally pulls his fingers out of you is more than enough to satisfy him. He’s still fully dressed and you’re only half so, and it would be comical if the sight of your bare legs and slick on your inner thighs wasn’t so hot, barefoot on the glowing and pristine (papers notwithstanding) floors as you reach for his hand and lift it to your lips, sucking his fingers into your mouth and licking your arousal off his fingers with your tongue, warm and wet, before you grab his wrist and pull. 
He watches the movement of your hips as you lead him, your bare ass. Shameless as ever. Confident in yourself, even now. It’s not until you’ve stepped over the threshold and into your new bedroom that your tattoos become visible, as bright as the low lights in the room, those geometric lines and stylised circuitry on your legs shifting as you step forwards.
Even with the relative darkness Yoongi immediately notices something. Cast over the back of a chair near the bed, there’s his jacket, blood stains at the edge of the sleeves gone. Cleaned. Yoongi shifts his hand so you don’t have your fingers wrapped around his wrist any more. Instead he’s the one shackling you, holding you in place as you look over your shoulder.
“Were you ever going to return that to me?” He tilts his head at the chair. 
You pause. Glance over. Look back at him, all amusement and provocation, recovered from your earlier breathlessness. “But Yoongi, I get so cold.”
There’s something about the idea of you in his clothes, clothes that you know he’s worn when he’s been getting his hands dirty—he ignores the curl to your lips and moves you towards the bed, ignoring the sound of your self satisfied laughter when he reaches for your shirt and pulls, with you lifting your arms to help him, grinning at him the whole time. Even when he’s thrown your bra aside and kicked his boots off and pushed you onto the mattress, trapped you underneath him, completely naked against his completely clothed body you’re still smiling, like the cat who got the cream.
You’re stunning. There’s no doubt about it. You always have been, annoyingly so, even when Yoongi’s wanted to wring your neck; not just because you’re pretty but because you’re intelligent and confident and in control, staring up at him without a lick of fear or concern, even now. Never with him, never. He can see your tattoos in all their glory, nothing hidden away from his gaze; he sees one he hasn’t been able to see before, a sunflower bursting across your ribcage, curved under the swell of your breast, glowing red and orange in the midst of all your other cyan and teal lines, glowing in the black light. He’s pressing you down, trapped under his body, and you’re just waiting. Waiting and still smiling, smirking, letting him take you in, preening under his attention.
He wants to eat you alive.
So he does just that. Shifts back down the mattress on his knees, keeping his hands on you, pulling his hands down the easing lines of your ribs and waist and hips, before a firm tug has you lifting up—your smug facade shakes when you’re left with only your shoulders and head against the bed, the rest of your body pulled towards Yoongi’s waiting mouth once more, held in place with fingers that dig into your hips, thighs soft against his ears, your hands scrabbling at the linen underneath you when Yoongi’s lips press into the crease of your thigh, off balance.
“Safeword?” He murmurs into your skin, and you pause.
“Hoseok,” you answer, and Yoongi responds by biting into your thigh again, soothing it with his tongue when you squeal.
“Shameless.”
You’re still wet from before, slick with cum, and Yoongi doesn’t hesitate before he dives back in. He can hear more than he can see the way your fingers curl into your sheets and rumple them in your hands, anchored helplessly into place by Yoongi’s mouth and the fingers cupped under your ass, digging into the soft skin, undignified and at his mercy. 
“Yoongi!” You gasp, almost a whimper as a breath gets caught in your throat. “Y-Yoongi—”
You’re so helpless like this. It’s a little hard for Yoongi to breathe, your legs tightening around him, but it’s worth it for the way he can see you shaking apart. He presses his tongue as deep into you as he can, sucks your swollen pearl between his lips and circles it with his tongue, notices the way you jolt at those wet kisses, still sensitive from before, and he doesn’t let up. Keeps going and going and going until you’re gasping for air, sensations rippling through your body as you buck and writhe; you’re trying to keep yourself together, he can tell, but you’re unravelling, smirk wiped off your face and your mouth in a pretty little circle whenever you choke out oh, oh.
You cum faster than he expects, shoulders lifting away from the mattress as you arch your back so far it must hurt and tighten your legs and he feels the way your pussy throbs under his tongue, practically gushing when you reach your peak. Your eyes are unfocused when they flutter back open but you’re reaching for him, for the waistband of his trousers, trying to touch the hard length of his cock—he’s been ignoring it, how he’s leaked so much precum he can feel how wet it is in his boxer-briefs.
He keeps ignoring it now. He catches your hands, stops you in place, stares you down with an unimpressed tilt to his brows.
“What,” he says levelly, “do you think you’re doing?”
“Want you in my mouth,” you say. You seem almost desperate for it, fingers flexing in his hold, letting your tongue linger against your lips longer than necessary. “I want your cock in my mouth, Yoongi.”
He tightens his grip around your wrists. And then, for the first time all night, he smiles.
“No.”
You look stunned. Just for a moment. Then you’re squirming in his hold, but you’re trapped, nowhere to go. “What do you mean, no?”
Yoongi’s still smiling, mirroring the self satisfaction that had been written all over your face earlier. “I mean no. You don’t get what you want. You get what you’re given.”
There’s nothing he’d like more than to sink into that wet heat, to see your smart mouth put to good use, lips spread over his cock, but this is better. Seeing the genuine frustration and disbelief written across your features. 
He doesn’t give you time to line up another angered retort on your tongue. Doesn’t give you time to breathe before he’s flipping you over, the wings of your shoulder blades and curve of your spine emphasised by the lines that are traced symmetrically and shining across your skin. They shift when you move, hips lifted from the mattress by Yoongi’s hands, on your hands and knees as he fumbles his waistband and zipper and pulls his cock free. He’s painfully hard, flushed head with precum that beads at the tip, and when he tugs you back he watches the way the head drags across the curve of your ass, leaving a shining line of wetness on your skin.
And when he sinks into you he barely gives you time to adjust, barely has time to adjust himself, to all this hot tight wetness after his cock’s gotten no attention at all—you let out a moan that almost sounds like you’re singing, long and high with pleasure, the slide eased from all your cum.
 You take it so well, always so good to him no matter how irritating you are, so lost in the sensations that you don’t say anything about the hard edges of Yoongi’s clothes whenever he drives his hips forward and it presses into the soft skin of your thighs. It’s messy and choppy and fast and you slump onto your elbows, entire body shaking as you take everything Yoongi is giving you. Caged underneath him when he follows you forwards, presses his front to your back, feels the way the sweat on your skin is caught against the fabric of his clothes. Grinds his hips deep and feels the way you gasp, sucking in a shaking breath, your entire body lost in it. He bites his lip and keeps his own sounds caught behind his teeth, not letting you know how you’re pulling him towards his own edge.
He’s not done with you yet.
Your clit is slick under his touch when he lifts his fingers to touch you, to layer another sensation on top of the cock inside you, and you’re sobbing. You don’t ask him to stop, never know when to quit, face every challenge thrown at you—and Yoongi can tell that you love it even if your body is crying out, that you love this oversensitivity, pulled taut and strung out. You’re beyond speech, words slurred, barely recognisable as his name and pleas of more, please, more. He can feel when you’ve crested the wave of too much sensation and fallen back into that rippling sea of pleasure, and when you cum it’s with a soundless moan, mouth wide open but no noise escaping. No more sharp retorts, no smart words, fucked into incoherency, trembling and quivering as you go tight around him and Yoongi struggles not to lose himself then and there, in your scorching, wet cunt, fluttering around him.
The noise when he pulls out is slick and lewd, just like all the other noises that have been filling the room, the slap of skin on skin temporarily halted when Yoongi rolls you onto your back. There’s sweat beading on your skin, shimmering, tears gathering in the corner of your eyes and glistening like tiny jewels in the multi-coloured low light of this room. Your lips are parted and your gaze is bleary and you’re everything Yoongi has never seen from you before, fuzzy and quiet, entirely pliant. When he reaches for you again, runs his hands over the rise of your hipbones and down the side of your thighs, you whimper.
“One more,” Yoongi says. “One more, you can give me one more.”
You’ve never known when to quit, and now is no different, even if you’re on the verge of being entirely fucked dumb. Those tears pool in your eyes and stream down towards your hairline, but you let Yoongi move you, try to help by lifting your hips but almost too gone to move at all. Yoongi almost cums when he sinks into you, your willing body; he thinks you’ve never looked better than you do now, smelling like sweat and sex and so soft under his hands, taking his cock like you were made for it, and you’re so gorgeous when you’re falling apart. 
The attitude you wear normally—the one that chafes at Yoongi’s nerve-endings—has been entirely wiped away, forced out of you by mindless pleasure. But still, you know what you want, even now, even when you’re barely coherent—Yoongi feels your hand slide across his and pull weakly, guiding it across your chest and up, circling his fingers around your neck.
He swears. Snaps his hips forward hard, watches the way your eyes roll back when he gives an experimental squeeze around your throat. Yoongi’s choked people before, knows exactly how much pressure to give, how much it takes to cut someone’s airways completely or how to just leave them reeling; he lets you linger on the edge of breathlessness, feels the way you go tight around him. When you orgasm it rips through you, your thighs tightening around Yoongi’s hips as you hit your peak and cum hard, and the feeling of it has Yoongi cursing and bending forwards to shove his face in your neck and kiss the salt-sweat taste he finds there as he falls off the edge. He cums wet inside you, keeps rolling his hips through it all, lets his cum mix with yours and watches the way you just keep taking it, even when your whole body is trembling from how much it is.
And when Yoongi calls you a good girl, you don’t snap back like you normally would, don’t deride his praise. You bask in it, as tired as you are, letting out a soft noise when he pulls his softening cock out of you, unbothered by the wet patches on your sheets and how the whole room stinks of sex. When he moves to lift you, to get you clean, you go easily and without argument, every one of your honed edges dulled, and you make no move to sharpen them again, to drag them over Yoongi in the way he’s so familiar with by now. Even when you’ve lifted out of your haze and you’re back in the moment, the way you watch Yoongi is no less calm than normal, but still different.
“Stay.”
He’s in the middle of reaching for his boots, discarded on the floor, a discordant note on the clear floor. You’re wearing clean underwear and a loose t-shirt and you’re looking at him with something verging on surprise, like you hadn’t expected to see him moving to pull his shoes back on to leave.
He hadn’t been planning to.
“Just moving them out of the way,” says Yoongi, putting them upright by the base of your chair, and then he makes his way back to you. You don’t attempt to hide your pleasure that he’s listened to you,  pulling him onto the bed despite the fact he’s still dressed.
“I don’t cuddle,” he says, even as you tuck yourself into the crook of his arm, and he shifts to make it more comfortable for you.
You press your face into the hollow of his neck, touch your nose against his throat, breathing in the smell of sweat that still lingers—because you’re shower soft and fresh but he isn’t, and weirdly enough, you seem to enjoy it. Seem to enjoy that contrast, the one that’s always existed between you, Yoongi immersed in blood and sweat and tears while you’re away from it, one degree of separation from it all. “You know, I like it when you do things for me.”
Normally he’d protest, say that he doesn’t do things for you, but the truth is that he does, even if he’s only just admitting it to himself. 
“Like that time you killed someone for me,” you say, and Yoongi’s fingers tighten, soft skin of your waist yielding under his touch.
“I kill a lot of people.”
You let out a laugh against his skin, quietly amused. “Just admit it. You like me, Min Yoongi.”
A pause. 
Then: “Against my better judgement, I do.”
And he does. Even if you’re irritating and maddening, he does like you, and not just because of the work you do for him. He thinks that even if you weren’t so good at your job that he’d find himself here anyway, caught in this push and pull you have, magnetised.
“No need to sound so begrudging,” you say, but there’s no real annoyance behind your words. 
Yoongi finds that he likes that note in your voice, like you’re indulging him and his stubbornness and you’re unmoved by it. He hums in response. Feels the way you shift back, lean on your elbows to look down at him, lips curled up at the corners.
“Kiss me.”
Not a question. A demand. Yoongi stares you down, just for a second, before he lifts a hand and weaves a hand back into your hair, tilting your mouth against his. He can feel your self satisfied smile against his lips and he doesn’t mind it at all, sees it spread across your face when you eventually pull back, all flushed lips and warm eyes.
You’re still sharp, a weapon in your own right, but you willingly hand yourself over to be held in his skilled hands, let yourself be worn smooth by his touch. He weaves his fingers between your own, your palm soft and warm against his, and he likes this. That you’re unafraid of what he is, that the fact he’s a killer isn’t something that scares you or thrills you.
Yoongi likes your work. He likes that he knows he can trust you. He likes that he knows of your loyalty, to the people you choose and to yourself, your unwavering principles, as unpredictable as they might seem. He likes that you’re unashamed to be yourself and to be confident, no matter how people react to that cockiness. 
What he likes even better than all that is this, though: the way you’re pressed against his side, evidence of his touch written into your skin. The feeling of your hand in his. Despite all the odds, all the months of drawn out and simmering exasperation and tension coming to a head like this, Yoongi likes you.
“I’m not going to give you a discount, you know,” you say suddenly, and for the first time since you met, Yoongi allows himself to laugh at you.
“I’d be offended if you did.”
(You’re loud. Cocky. Arrogant. You love to irritate him just for the hell of it, because you think it’s funny and you love knowing that you can rile him up—but he can rile you up too, and you both know it.
Yeah. Yoongi likes you.)
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tagging: @beyoncesdragon @vensulove @gyukult  @swinginpicklesuitcaseapricot @kpopheart2 @loveyoongles @muzikabijou  @katbonv @jaxx-7 @yeojaa
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hi raven !! do u have any moots who are people u looked up to before u became moots with them? just curious :-)
Hmmmm... 🤔 A good question!
When I first started out writing, my two inspirations were twstpasta (Mac) and panacea-wishes (Lily). Mac had a very clean and simple interface and a whimsical way of writing, whereas Lily edited together her own banners and focused more on pretty descriptions... I wanted my writing blog to have its own unique flavor like Mac's and Lily's did!
You'll notice that I wrote the last paragraph in past tense, and that's because both of those writers have since terminated their respective blogs and moved elsewhere💦 but to this day, I still really love them and the work that they do! If you’re interested in continuing to follow them too, you can find Mac at @mcdonaldsnumberone and Lily at @fairlyabookie. However, please note that they no longer take writing requests; they only write what and when they wish to.
Another predominantly text-based blog I enjoyed (and still enjoy!) reading is @pianostarinwonderland. It's mainly a dumping ground for TWST thoughts and theories, which I do also sometimes share on my own blog. It's a place I go to when I need to get my brain juices flowing, and sometimes the things they point out make me develop more of an appreciation for the details of TWST! (I also used to be an Azul stan, so I'd run to a fellow Azul stan to feel validated in my screaming, ahah~)
Back around the start of my TWST journey, I mainly relied on @kibadreams and jmee for story translations and rough summaries, respectively. Kibadreams does their best to retain the original “voice” of every character when they translate, and they’re very open about the potential translating mistakes they may have made and they’re striving to improve! Jmee really goes in on the details and the deeper meaning behind character relationships and TWST lore. I really appreciate the work that they have done for the community!
Special shoutout to @mysteryshoptls, whom I first got to know as a friend before they initially set up their translation blog. They’re a great source for vignettes and character lines; their translations really retain the spirit of the original characters in Japanese.
There are also a lot of artists in the TWST fandom that I admire! Seeing their posts always puts a smile on my face, and it inspires me to work hard at my own things too. I especially like seeing their own OCs and takes on certain scenes and characters from the game. It gives me confidence to share my own original works~
@4nimenut (They use very delicate brushstrokes that remind me of watercolors or traditional Chinese paintings! The lighting in their pieces is also very atmospheric~)
@airin-queenz (A very bright and cheery art style! The colors and the shading really pop out.)
@beth-lau (I love how they draw expressions! The arrangement and details... they really bring out the emotions that every character is feeling.)
@k0ushii (Their sketchy art style and color choice is very soft and easy on the eyes! They've also done gijinkas for Cookie Run and FNAF characters, which I absolutely adore the designs for!)
@lolitsleia (I love how dumb their OC Alex and Ace are together! lolitsleia really does a bit of everything, from nice fully rendered pieces to funny little sketches and comics of the characters interacting with each other!)
@myuunji (Their Yuu is really adorable and clumsy! It's lots of fun keeping up their shenanigans in the little doodles and comics they make.)
@pearlwhitecats (Their love for Silver is really pure! I can feel it come off in every Nahime x Silver work they make. I'm also a fan of their cutiepie OC Neviah~)
@renniecirque (Ren has a really unique art style! It almost looks like traditional art instead of digital because of how soft the colors and the line art is. It gives me cottagecore vibes! Very soothing to look at~)
@shimmeryspark (Kana's art is both cute and detailed! While their fully rendered pieces are a treat, I also really like their chibis--they look so round and squishy, I just want to pinch them with my fingers! Their shrimp-based OCs and Kana (the Yuusona) with Floyd and Ruggie are also adorable and pure~)
@stupidneko (I like how big and expressive their eyes are! I also really love the little details they add to accentuate various pieces, like tiny sparkles or little tuffs of cotton.)
@suiiseis (We share a mutual appreciation and intense brain rot for J word I like how dainty their style is, from the lithe forms of their characters to the way they draw eyes and hair!)
@teuffels (Their vibrant, bouncy colors really bring pieces to life! They also get really experimental with poses and compositions, which always keeps you guessing. Plus, their love for Lilia and Xiao is just so wholesome and endearing!)
@tinyfantasminha (I adore their OC Vic's sass and their breakdowns over Jack Howl! They're very talented with drawing poses and coloring in a way that mimics the TWST style!)
@yttrocen (An artist with a very soft and pastel color palette, mainly doing comics and doodles. If I'm not mistaken, they mainly do Tweels, which I can appreciate~)
@zariyen (Yuu Yumehara my beloved he's so cool and hot and-- I'm a huge fan of zari's work on alternate outfits for Pomefiore! Everything they do is really gorgeously detailed; I could stare at their pieces forever and ever!)
It feels like a really big honor when someone you look up to follows you back! It's like one of those "wow, senpai noticed me" moments you see sometimes in anime or manga. Of course, I'm not super close to everyone that I listed in this post, and I’ve also met a lot of amazing people and made friends that I didn’t include here (since they didn’t quite fit the parameters of the ask)!!
Please consider checking out their socials and supporting them!! Let’s keep exploring this twisted wonderland together 🎵
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pencilscratchins · 3 years
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the way u draw faces is so lovely & distinctive!! especially the blushes... do u have any tips to share? :D
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so i change my process for when i use a reference vs when i dont-- (more)
using reference- so with my iroh, i still need practice drawing older, wider faces so i rely on a reference (this case, being paul sun-hyung lee) i know a lot of people don’t like using references bc they feel it weakens artist integrity and i get that! but as someone who does this for free i find it super helpful when i have characters that challenge me, bc i rather use a reference and have iroh look like paul sun-hyung lee than not, and have iroh look skinny, ya feel? eventually, when i’ve drawn the character enough, i begin to move farther and farther away from the reference and incorporate more of my own design.
anyway, rant over: i begin by breaking down the shapes, starting with the forehead and working down. the forehead here is a pointed pentagon, that goes into a thick brow line. i separate the brow line from the eye line (i know not everyone does) because of how much i rely on brows for expression. i mark the beginning, the point of the arch, and the end. then i rough out the cage for the nose (see here) and use that as a point of reference for the cheeks. paul has round cheeks, so i sketch those in circles-- the bottom of which marks the beginning of the beard.
from those shapes, i define the features - eyes, lips, nostrils -- i do this all on the existing sketch. THEN, i start a new layer and draw those final lines from scratch, using that 1st sketch as a guide. 
not using references is a much easier process for me. again, i begin with shapes but far, far fewer. i use an oval to determine the width of the skull and the height of the forehead. the bottom of that oval is the beginning of the eye rectangle, and then i determine the bottom with another line. i also sketch the length of the nose with a simple square and define the cheekbones. ive been drawing for so long and i draw pretty fast, that i’ve found these are the only lines i need to sculpt out a face. then, i can draw the rest of the features in loosely.
the biggest difference is also, i do not use a new layer for my final lines. i like how messy and story book my style is, so i usually don’t do a new sketch layer for the lines-- instead, i clean that first sketch up. again, i know this isn’t for everyone, but what works for me and i love it! 
(for how i do blush, i have a coloring tutorial that is not that old! i also have a tutorial tag for some other tips)
i hope this made sense -- ive never been an artist with a well defined process, so its always hard for me when i have to put it into words lmaoo i mostly just trust where my hand takes me, which sounds pretentious lmao
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zeldadiarist · 3 years
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The Golden Chain Legend of Zelda AU FAQ! (Part 1)
First, huge thanks to all the people who have encourage me to keep going with this from day one (I’m looking at you my fave enablers through social media), but gotta give kudos too to @braidy-maidy @zeldaelmo @silentprincess17 @pastelsandpining from the Discord crew to finally make this happen.
What’s this about?
This fanfic began as a fragmented story for a Zelink Week in late 2016, which yielded a first draft that began taking shape in 2017, to begin posting on early 2018 (I also made this AU the theme of my 2018 Linktober). It narrates the journey of Link, a half Gerudo, half-Hylian young man, a Knight of the Royal Guard, appointed to be the guardian of Zelda, the spunky Princess of Hyrule who works as a history teacher in a public school in Lon Lon borough, in the outskirts of Castletown, Central Hyrule, and thus turning them into roomates. This story takes place around 500 years after the defeat of the Calamity, so many places are literally the same as of BotW. Modern Hyrule is an advanced society, which relied in Sheikah Technology to push forward after the kingdom was restored (it is used for literally anything, and since it has the advantage of being non-pollutant, it has been applied to provide clean sources of energy). That said, magic has gone obsolete, users are extremely rare, the known ones just a handful.
Who is who in this story?
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Link Farron, 25 - Overcaffeinated Knight of the Royal Guard.
At 6’6”/198 cm tall and 215 pounds/98 kilos, he is a giant among Hylians and Sheikah, but a teeny tiny man for the Gerudo (he kinda qualifies to be called a twink by their standards). He looks serious and intimidating (he just needs a nap possibly) and his skill backs him up, but he is an introvert softie who likes cooking, trekking, sleeping, his horse Epona, and playing guitar. He also cries over soap operas and movies about animals.
Link has a rather big family: his mom Riju, dad Alfie, and younger sister Aryll, plus three aunts and three cousins.
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Zelda Hyrule, 25 - Master’s Degree in History (and memes).
Excuuuuse me, Silent Princess? Not this one. She is a small gremlin full of dangerous curves, sass and facts - she is an actual historian! She also has “looks like a cinnamon roll, but won’t hesitate to kill you” energy. Link has determined she must never be allowed in a kitchen unless it’s for making pancakes, instant ramen or heating up leftovers in a microwave. Probably would trade her soul for fruitcake and ancient books.
She has an excellent relationship with her dad, King Daphnes (both are memetastic). Her mom, Amaya, is Sheikah - Impa and Purah are her aunts, Paya is her cousin, and Lady Impaz her great-aunt!
Strangely as it seems, they do get along very well despite being polar opposites... there’s another reason for it!
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They’re childhood friends, and still are, despite the ups and downs of their relationship. (NGL, Skyward Sword was another source of inspiration for this!)
Where can you read this story?
The fic has currently fourteen chapters, and it’s to be updated soon on my Ao3!
I share almost every weekend Q&A doodles/sketches on my instagram: check them here if you’re curious, I’ll add the most relevant ones in the next posts!
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