It's Supposed to Be Fun
(a letter to my friends in the twst fandom)
I've been wanting to make this post for a while and these thoughts may seem scattered but I’m gonna try to express them.
Lately, I have seen many friends and moots that either are leaving the fandom or feel guilty over not having posted in a while or losing interest in twst. On the other side, I also have friends being harassed.
This a reminder to remember why you joined this community to begin with. I know that keeping up with the fast-moving pace of fandom and comparing ourselves to others, can skew our perspective on these things.
It’s supposed to be fun.
Why do we post art or write? Sure, partly for recognition, there's no denying that. But, why do we create, I mean really? For enjoyment. Not for others, not to be “popular” FOR JOY.
So, whether you’re dealing with people critiquing you or feeling guilty about not creating. My question is this: Why waste so much of your time on something that makes you miserable?
Did it stop being fun? Why? Haters? Loss of interest?
To my friends who feel guilty for not creating and not sure if they lost interest in twst:
Don’t feel guilty. At one time, the creation of your twst content was natural. It's what you did for fun with friends or for yourself. Revisit that mindset and think - if creating twst content now will bring that same joy it did before.
If the answer is no, then maybe it’s time to pivot. It’s okay for interests to fade. It doesn’t mean that time, memories, or the friends you made are lost. Connect with your friends, we will understand! We still love you! It's not a race there's no time limit, just pick up were you want to. Draw fanart of old events or OCs.
To my friends who have been harassed:
I say this with sincerity…. People who harass others over fictional characters are fucking losers.
Like… There’s no other eloquent way to encapsulate it. I’m starting to not care for the reason anymore - If you harass or be shady to others over a ship or fictional character. CONGRATS! YOU ARE A LOSER.
We all join fandoms as a hobby, for fun. We’re all just kids in the sandbox playing pretend again… and if you are the type of person to go up just to “kick the doll out of someone’s hand" or make commentary on how “their way of playing is wrong." You’re a loser. I have a life outside of twst, we all do. Someone saying my ship is wrong or cringe is just so laughable to me. We have to make fun of these people more for being so goddamn lame.
Imagine being so unhappy that when you see someone having fun you HAVE to comment on it. By all means, if it gets you through the day...talk shit to close friends or even post about it on your own blog. (THAT WAS ALWAYS ALLOWED.) Don't bother creators directly. Don't be a loser.
I sure see tolerance leave people’s bodies when they see a fandom opinion they don't like. (And this is coming from someone who has lots of opinions on these things! But that's why I always put the disclaimers that, hey this is just MY opinion.)
Discussion is one thing, unhelpful comments are another. We shouldn’t give these people the time of day. Curate your online space. Yes, when you post things online you are subjecting yourself to scrutiny. But, we as creators need to stop letting these people have power over us. Period. We do this for free!! FOR FUN. The best thing you can do is create shamelessly.
Delete weird replies, block whoever you need to do to rid yourself of these people who have nothing better to do. Keep your peace. It’s supposed to be for fun. You don’t owe anyone a response.
The twst fandom is like a little family to me and I guess I feel protective over the people in it? I have made many friends and memories because I joined it. And even dispite a handful of the negative experiences (AKA: A couple of “losers" that I’ve had to deal with.) I’ll always look fondly back on this time.
The key for me has always been to just…create for myself. I originally made bunnwich for me and one friend to make fun little arts about our Yuu’s and now I get to have lots of friends to share it with! I’ve transitioned from an OC blog to probably more of an Oc x Canon blog…but I don’t care tbh. I just…draw what I feel like. I know there are people who probably dislike me for that or feel strange about my content and that’s fine. I’m still gonna keep drawing it, loser.
And I just want you guys to do the same, twst or not.
I can’t forget that all my followers and friends are a bonus, if I had never joined tumblr I’d still be drawing the silly shit I draw in peace. And while yes, I do want to grow as an artist and sell more merch and keep growing... I can’t forget my initial excitement for this silly little game. I like to talk about it. I like to write about it. It inspires me.
It’s supposed to be fun. Please remember that. I know it can be discouraging to have others being shitty to you. Or going through a creative drought. But, try not to let this stop you from creating what you love.
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warnings: few people being rude with reader, love obsession mentions
reader's gn
You were in need of a job, a job related with the kitchen, your greatest love ever since you learnt how to make the basics from your direct family.
They'd inspired you and helped you pursue your dream to become a cheff. You graduated from a pretigious university with the help of a scholarship that you managed to sustain sacrificing some relations in the way. Not that it really mattered to you—you now needed a job.
As if the universe heard you, as you walked your way to your small department, you read a flyer requesting people with high knowledge in kitchen, either cooks or waiters/waitress. It was emitted by a three-star-michelin-ranked restaurant at your city's heart.
This would be your greatest opportunity to shine right away!
You applied for a cheff position, managed to pull off everything you knew perfectly fitting the restaurant's strict conditions and overwhelmingly severe environment.
It was difficult to adjust, first—by your schedule changing drastically as some days you'd have to stay longer than expected—then, because of the harsh politics to do not miss any piece of the uniform any time you were working, you had to be spotless and use gloves while plating certain dishes or washing your hands as soon as you touched a vegetable to grab another.
But as your passion for cooking could only grow wider, everyone around you seemed to respect and slowly you made a name of yourself—as an equal of the main cheff but maybe a little bit more compassionate—some coworkers would tell you.
You never really asked about him, you were focused solely in completing flawlessly with your daily routine and as you reached your first year working there, you were free to experiment and create new dishes you seemed suit to the restaurant's theme.
Nonetheless, Ender, had unequivocally heard about you, and even if he couldn't be as present as he wanted to because of the many events he was invited to attend in different countries—he did his best to know at least a little about each and every one of his employees.
'How ever could his restaurant reach that recognition if he couldn't form the perfect team for success?'
That's how he found himself enamoured by you, your hard work had gained countless of new regulars which surely were worth the headaches by some encounters some waiters have had from their rude behaviours, 'how did you handle them so well? How could you see your companions best working conditions and abilities to exploit them just as well as you could?'
Even if he surely tried his best sometimes to get along with some costumers—if someone ever dared to judge his cooking—he'd send them straight out of his restaurant.
About his teammates... that's one of the things about being alone that he was mostly happy with now that he'd reached the highest ranking out there as a cheff—he didn't have to deal with annoying people who could only intervine with his impecable work.
Yes, he had to form the dream team of the restaurant by himself, but he didn't need to speak with those people directly, he only read about their qualities and pair them up as he seemed fit.
Until his curiosity won the best of him and decided to pay a visit to meet you, specifically.
Once he sees your sweet smile while teaching a new recruite how to take care of the pans and pots properly, when you were smiling while hearing complaints straight to your face—apologizing and coming back with an improvement in the dish some dickhead ordered—he'd get in a trance.
𐂐 He could now only think about you and how much he wanted to put an end to his long run as a lonely cheff and be his companion.
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I must say something because since I attended the Eras shows I feel this and I need to say it.
I've been a fan since crazier came out and she appeared on the cover of a disney magazine that my mom got me because I liked the song and wanted to know more about her, around 2010. Since then I've respected her and her work and came more and more in love with her writing and music.
Lately, I've seen on social media and at the shows of the eras that many people who attended recognized to have had hated on her in the past, but they now "adore her". Something about this feels wrong to me.
Literally, "the old taylor is dead" was made to win over the general public. She had to metaphorically kill all her previous versions that people didn't trust or tolerated; these versions of herself with which she managed to make her name in the music industry AND those are the same ones they all rejected and now they sing with their mouth full.
She was FORCED to get the approval of people like these who pointed and criticized every little nonsense*¹ about her in order to be able to do what she does now: succeed, fill stadiums with thousands of people and create a legacy which will be in the music History books.
What I want to get at is that Taylor Swift, in order to continue growing in the industry, has had to overcome and prove wrong all of you who were at hater position 2, 3, 10 years ago.
In order to be valued and respected for her job which is creating music and for her is specially writing her own songs, she was forced to learn how to dance better to beat the "she doesn't know how to dance" allegations; she had to change her dressing style and many other things like that to be what people wanted her to be so she can have the recognition she deserved previously and all.
To this day I think many don't like Taylor Swift for what she is and has been. Many people attending the Eras are people loving the results of her growing into something different to earn that respect and admiration. And most of those love the performance of a (now considered) cool girl on stage that she puts on every night on the Eras more than her for what she is and more than the music.
But to all those I must say, she's on the bleachers. That's how it was and that’s the narrative most of them rejected her for. It's not okay to me that they love her now that she's cheer captain.
If these people would have known taylor swift at that age when she wrote those and wasn't "cool" they may would've bullied her for the same things they claim to love her for now.
These are the same people who have bullied me and my other Swift's fans friends for decades just for us liking taylor's music. I had to battle and fight for tickets & a seat at The Eras Tour against people who used to bully me at school for liking her music.
In her own words: maybe you've reframed it and in your mind you never beat my spirit black and blue. But I don't think you've changed much.
I welcome those who discover her recently with open arms. But to the "haters to fans" that "now I can see how good she is" no thanks.
I've been here through a lot watching from a distance (tumblr, youtube) and I always dreamed about going to a Taylor Swift's show. I watched the videos of the speak now world tour when my parents wouldn't let me go because I was 13 years old. I watched the Red Tour while experiencing my first romantic heartbreak and the 1989 world tour when I was 16 and decided to not have boyfriends for a long period of my life. When I started uni and had the clean speech tied to my folder binder to see it every day, these people looked at me like if I was GREEN. And then at the Uni I watched the reputation stadium tour every late night before falling asleep wondering what it must felt like to be a part of it and I grew more into the desire of traveling to a show but couldn't afford it back then. The Eras Show was amazing, it absolutely blew all of my expectations, it truly is my once in a lifetime experience that I'm so grateful for. To have been able to experience all the past eras that I dreamed of in my past.
It feels wrong to see every person who once bullied me for dreaming about it out loud back in the day standing there making their own of the lyrics that for so many time were mine to scape real life and dream.
*¹nonsense: there was this time when every day we had a battle on twitter and other social media of people attacking taylor for the absurd fact that she was blonde, rich and famous and also thin. It was like that back then, they didn't had anything else to attack her for.
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Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much
He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks
He even parallels Hawks when they talk about that particular look in their eye
From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,
He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running
When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.
This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.
Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.
Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.
Kudo is a bit like Aizawa.
A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?
His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)
He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)
He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)
He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.
Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.
The first thing they perceive is a person's character.
When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.
Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.
Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.
If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."
Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.
Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.
It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.
When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.
Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.
The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.
When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive
He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*
En tried going first. Kudo rejected him, saying he would go first.
"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."
Too. TOO.
KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.
I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,
- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first
- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.
- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.
He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP
(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])
- "Too."
- Bruce's trust in him, but knowing when to pull Kudo back from going too far
Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is
1) Take away the recoil of his existence as a Factor on the boy
2) Reassure him that it's okay, so it doesn't weigh on his conscience
Even if only in thought, STILL!
KUDO LOOKED SO PROUD OF MIDORIYA!
I bet Kudo is suuuch a sentimental fool
> [Be me and watch your new friend die]
> [I have Yoichi's Factor]
> [It's like I carry his will now]
> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]
> [Hey Bruce, let's figure out how it transfers]
> [Bruce's common sense VS my rabid ideas]
> [I win]
> [Bruce was unwilling the whole time and still ends up with the Factor]
> [The Factor is named One For All, after something in Yoichi's favorite comic book series]
> [We pass it on to the future to carry forward]
> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]
> [Decades later, my sweet vaulted friend reminds me of when we met]
> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]
SEN - TIM - ENT - AL!
When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.
Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.
All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.
[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?
Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.
He explains
- the transfer of vestiges, and why he should go first
- his Quirk
- why Quirks are Quirks
- reports to Midoriya what's happening and what's next
- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"
When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.
Eye reflection. Kudo can really see people for who they are, and understands others, and himself.
I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes
It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.
AFO never reflected anyone.
But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.
"Yoichi?"
"He's gone."
"You killed him, Demon Lord."
And AFO hated that reminder.
Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.
And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.
Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.
He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.
Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.
Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.
Kudo's lying about the world being black and white.
Kudo and Bruce saw the world as black and white. This was mentioned in the void.
Kudo also says, "Victory meant life. Defeat meant death."
But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.
Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.
Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.
Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.
Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.
Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.
Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.
But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.
Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.
Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.
Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.
He wishes the world was black and white, because it'd be so easy. But it's not.
Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.
Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)
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