The fact that La'an learned how she can open her heart with Alternate Kirk only for the one person she learned to love to die before her eyes is heartbreaking.

They were both so adorable together, from the way they wore the same outfit when they went inside the roots to when they made fun of each other's names. They fell in love and then at the end of the day La'an went home alone. And she couldn't even tell ANYONE.

Tomorrow and Tomorrow and Tomorrow is a such a sad episode. But I love it so much.

has anyone realized that "tonight im gonna dance / for all that we've been through / but i dont wanna dance / if im not dancing with you / tonight im gonna dance / like you were in this room / but i dont wanna dance / if im not dancing with you" is literally nina after matthias died?

Just broke things off with a loved one😭👍😭😭😭😭👍😭👍😭👍👍👍😭👍😭☠️

Good Morning, World.

[First] Prev <–-> Next

YOU THOUGHT THAT YOU COULD OUTSMART THE VERY THING THAT RUNS THE BLOOD OF YOUR KIND?

last art of the year ✨

Stop squirming!

Neanderthals finger combing the tangles out of each other’s hair after washing

goodness gracious

ARC TROOPER ECHO | The right thing to do “No matter what, we are united. Rule one: We fight together.”

Bonus:

i've been thinking about that scene in ep 3 when annabeth apologizes to percy before pushing him into the lake. and on the surface, it seems like she's apologizing in advance for her actions. but what if she's actually expressing sympathy toward percy for how his life will change once his father claims him? once he has to suffer through the same torment as thalia did? once he becomes the outcast amongst the group of demigods who understand his struggles but will do little to help him through it?

man I mean just. the SMFS album lettering is made of clay. the cover art is an actual physical painting. there's a lot less fx on the album as a whole than Mania (which is NOT a knock on my bbg Mania btw, just pointing out the different approach) or even SRAR and ABAP. the songs sound basically the same live as they do on the record because the production is so minimal. they have a huge vinyl dog head onstage with them, that they touch and interact with and talk to (and, in Pete's case, get eaten by). the attic scene is made by lowering a piece of rigging to literally make the stage smaller. there's actually a LOT of sets especially comparatively to their previous tours, the rigging around the stage is done up almost as a physical frame for it. they only have one screen onstage and it's small, its purpose is to be the 8-ball and to add a little bit of texture to the wider design. the backdrops, even the new desert scene for 2ourdust, are physical backdrops — one of which was made by one of Pete's kids — not LED or projections. the album title is made of clay. it's about existing in the world, making things so you feel alive, making the world a little more fuckin weird! do you get it yet?

is blowing up a volcano after ur first kiss couple goals

Whenever I feel bad I remember that Peter B was depressed af but he found joy in shipping Gwen and Miles and that he was the first person in the whole multiverse that shipped them

WAIT hang on, so. Connecting this post (suggesting that ep7 was an attempt at a Mass Ritual and that the military group stopped it) with this one (suggesting that 'Catalyst' from ep9 might refer to someone capable of performing a ritual) with my own post and other theories that the tapes from tma/U1 might in some form be in U2, here's a theory:

the tapes entered this world when the Fears did. maybe not complete, but with enough information to let everyone who was looking for it know, for sure, without needing millenia of trial and error, the exact steps needed for a succesful ritual:

- you need subjects (the victims);

- agents (the 'avatars', more or less);

- and, a catalyst.... an Archivist. Someone who can experience all the horrors without being used up, able to let them flow in them, through them, and out into the world.

The faction shutting down ep7, the OIAR response team, maybe the existence of the OIAR at all, is because the threat of a Ritual succeeding has had to be actively foiled for this universe to still exist without an active apocalypse. which would also mean that this world, at any given moment, is teetering on the edge of a successful ritual, and a new apocalypse

They are watching a movie  ☆  

the lords in black are so interesting to me because. they’re so us. we’re watching the citizens of hatchetfield suffer for our own entertainment just as much as they are. we’re their accomplices in all of it

pokotho made hatchetfield into a musical because musicals are entertaining. and we ate that shit up! it’s soooo fun watching a little man scramble as the world around him bursts into song. the musical genre is satirized because pokey knows how the genre conventions work just as well as we do. we like watching musicals so much that black friday and npmd are musicals, too, even though they don’t revolve around pokotho’s plans as much as tgwdlm. we want them to sing. pokotho does too.

bliklotep is the audience and the audience is bliklotep. trail to oregon calls the audience “the watcher with one thousand eyes” and that’s not all, in watcher world blinky seems to be able to see through the eyes of anyone and everyone who loves spectacle. he wants to see the characters go through angst because WE love angst. it’s fun to watch alice and bill express their buried frustrations. blinky wants it to end in bloodshed because he loves tragedy, and let’s face it, so do we. it’s like that one post about how hamlet is aware of the audience and is angry that we don’t do anything to intervene because we want to see how it plays out. personally, I think blinky could have stopped the woodwards if he really wanted (he’s an elder god, after all) but alice shooting him shifted the narrative so that the emotional payoff would be more fulfilling if they escaped. and blinky loves a good story.

t’noy karaxis has blorbos. we joke about it, but that’s really what it is, isn’t it? he’s the fan who watches the movie again and again and again and again to see his favorite character’s dramatic death scene. he’s the guy who writes and reads angst fics by the hundreds because he likes to see his faves cry. he’s the hatchetfield enjoyer who’s on the edge of their seat waiting to see how ted kicks the bucket this time. the bastard’s box is pretty much just an ao3 account filled with whump and hurt no comfort. he’s sadistic AND he genuinely adores ted, because we fans are often cruelest to the characters we love the most. he puts ted through character growth— the realization that his life went the way it did because of his own mistakes, his inability to be vulnerable with jenny before it was too late— and he does that by writing a 56-chapter angst fic that’s still updating to this day

nibblenephim is the fan who voraciously devours every scrap of content that a creator produces and demands more, more, more. let’s face it, the fandom will never let starkid rest until we see this story through to its end. and then someone will demand a sequel series. nibbly is hungry because we will never stop yearning for more stories. he’s simple because that desire itself is simple— as humans, we need creativity like we need air to breathe. nibbly wants more because we want more. and we will never be satiated.

wiggog y’rath is the ruler and the king because he’s the self-inserting writer. I think jon matteson plays paul *and* wiggly for a reason— wiggly is the only lord in black to be played by the same actor in every single show, and that actor also plays the protagonist of tgwdlm. wiggly wants to be the protagonist. he tries to force himself into the human world of hatchetfield because he wants to participate, dammit! he wants to be the bestest ruler that the earth has ever seen! everyone has to love him because he’s going to be their bestest fwiend! when he appears in human form he’s gonna be the prom king! he’s the ebony dark’ness dementia raven way of the hatchetfield multiverse. he wants every human character to bend to his whims and to love him and to put him at the tippy-top of planet earth because he’s the writer and the writer’s main character, you fuckheads, and he can make whatever story he wants, whether the other characters like it or not! if you’ve ever written a self-insert story? congratulations! you’ve been wiggog y’rath.

and the funny thing? I don’t think the lords know that they, too, are as fictional as anyone else in hatchetfield. maybe blinky knows— he sees through the audience’s eyes, after all— but I don’t think the others do. if they did, maybe they’d be a little less tyrannical. a little bit nicer.

but then the starkid writers wouldn’t have much of a story to tell, would they?