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spookyheaad · 1 year

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New KenUno AU!

@p-riama @girlwiththepapatattoo

Ok, my fellow Kenpachi lovers, I need you to read this because I’m about to pass on (context: I’ve convinced my parents to watch The Mandalorian with me & I got them hooked):

Then read the caption here:

I lost my fucking mind.

I became very enamored with Mandalorian culture after finally getting towards watching season 2 of Mando, and I’m actually kinda shocked as to how much it is reminiscent of the whole Kenpachi lineage in Bleach (Much less severe tho).

So yeah, KenUno Mandalorian!AU

Mandalorians aren’t a species, they’re a creed, so anyone can be a Mandalorian. Their lifestyle revolves around combat, I just got more info abt this stuff the other day and I’m actively looking more stuff up. Admittedly as I grew up watching the clone wars animated series, I wasn’t too interested in the arcs that dealt with Mandalorians (mainly Pre Vizsla & Death Watch. Thought they were cool & all but I was still in grade school and wanted to see cool lightsaber fights).

But now that I’m older and much more interested in the lore of SW, I’m fascinated by them; I’m also going to rewatch all Mandalorian centric episodes because there was a lot that was put into both clone wars & rebels (for research, and because I still need to watch Rebels, this might give me my reason).

I’m still thinking on solid designs for Unohana and little Yachiru, I have an idea of Kenny’s armor and what he looks like.

My whole idea is that both Kenpachi & Unohana have been longtime Mandalorians, have followed the creed for years; found one another through the creed. They follow a branch of Mandalorian belief that allows them to remove their helmets (compared to Din Djarin, who was raised in The Children of the Watch, who refuse to remove their helmets to any other living being unless necessary). Bo Katan even Tells Din that The Watch is an old Mandalorian belief system, bordering on cultists. Zaraki & Unohana adhere to a more lenient form of Mandalorian lifestyle in that sense.

Of course, Unohana found Zaraki (not as a child, though, he’s an adult when they meet.) and she offered to show him the ways of the Mandalorian creed; he accepted. They grow an incredibly strong bond both on and off the battlefield, wandering the galaxy together. Eventually they fall in love, and declare themselves a clan of two (Mandalorians refer to family units as “clans”).

Then, they find a lost little girl, that being Yachiru. Knowing what this entails, they both accept that the child is their responsibility, and must take it to more of her own kind or raise her until she may choose her path. So then, they become a clan of three.

I’m still trying to determine what faction they both belonged to & some other AU related things but, uh yeah, I could cry rn at how perfectly this fits.

I’m probably going to stick to the short hair for him because it just makes it easier. With Unohana I plan to give her a typical pulled back braid; she doesn’t really have a need to wear it in the front, and also it would restrict her head movement if she wore her front braid and her helmet. Much more convenient.

More head studies for Kenny

Started planning his helmet design. I gotta give his helmet horns, that’s just a given. Not sure if I want to add any sort of designs, and I’m also unsure of what color both of their armor sets should be, I have to look up if the colors have any connotation.

Final head study. I plan to do more variations in expression digitally.

Very basic head study with helmet on

Mando Kenny defending his foundling, Yachiru!

I’m also gonna change what Yachiru is wearing, I just wanted to do something full body for Zaraki & I gave Yachiru the typical robe since it’s easy and drawing kids is a bit of a challenge for me (they just end up looking like small adults lmaoo).

#kenuno #unoken #kenhana #bleach #bleach tybw #Star Wars #the mandalorian #crossover #kicking my neurodivergent little legs at this AU because I’m feeding my KenUno obsession & my Star Wars obsession #I win #it’s just perfect #not the Mandalorians settling power disputes by fighting??? WOW KenUno Muken fight?#I can’t believe the Mandalorians are less severe abt it tho (as far as my knowledge goes) - they do fight to the death tho #but I feel Mandalorians also engage in simple combat as well - to see who receives positions of power & such #minus anyone dying - especially because they do have a code of honor so they don’t just go around killing without good reason #anwyay watch out everyone I’m becoming fucking annoying again #art #anime #manga

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orcelito · 1 year

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Honestly manga Midvalley and trigun 98 Midvalley are basically two different characters

Yea I wanna punch manga Midvalley constantly, but I also find him interesting & a compelling character. The times I've seen 98 Midvalley he just looks so sleazy lmao it makes me REALLY wanna punch him

Tough choices

#speculation nation #thinking about how i have midvalley with a significant role in my fic #& hes currently the character with the most scenes aside from vash bc of it #i have him based Solely on the manga characterization. bc i like him in the manga actually #but then i see 98 midvalley mostly acting as an accessory to Legato's murder sprees via sax solos #& it's like. where's the Realism? the Grumpiness! the utter hatred of his circumstances & fear of the higher powers?!?!?!#manga Midvalley is FASCINATING to me bc he's just like Wolfwood in a way.#caught between these two insane angels' brotherly dispute & hating EVERY second of it #but while Wolfwood rolls with the situation quite well (in large part bc he ends up aligned with Vash & we all know hes a sweetheart)#Midvalley decides he cant handle this anymore and rebels even though he knows it will crash and burn #better to try to live on his own terms than bow to that fucking angel for one more second #even though he knows it will probably kill him. and then it does.#that's fascinating to me!!!! but 98 midvalley feels so 90s anime villain hdkshfjdn #and i just Cant believe they gave him bitches. Midvalley??? with Women??? oh come on just look at him #that man's the kind of gay that refuses to flirt and then wonders why he doesnt get any action #he thinks he's BETTER than dating apps. and then he privately bemoans how alone he is #that or he just doesnt care about romance or sex at All. i could see that too lmfao #bottom line is. Midvalley does not get bitches. he DOESNT. thats just my humble opinion at least.#wow this turned into a ramble. may or may not be prompted by me writing him again. i just have many thoughts about him #trigun spoilers/

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meowyoi · 1 year

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Hi neo hope you're having a good day! hope this isn't weird but just thought I would share that you got me to re-watch mlp because of your post about the stickers you got a handful of days ago, very thankful for that honestly :D

YOOOOOO i'm glad :D i haven't seen the last 2 or 3 seasons either soo i might actually start rewatching it too when i have time.. shit's nine seasons long though 😭 but fun fact mlp was my very first fandom and i collected the toys but had a phase where i was pressured by my parents to act 'mature' so i gave them to my cousin... she's turning 13 soon so if she's ever at the age of 'too old for toys' i might actually ask her to give them back lol...

#asks ♧#mlp is such a W franchise ♡♡♡ all the fandom stuff too #do any of you remember lullaby for a princess? that animated music video that took the animator i believe 8 months??#like wow the animator must've loved mlp so much because that shit was so well made for an animated mv i still can't believe it

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daydreamerdrew · 2 years

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Gosh, I’ve been trying to speculate as to what disability/disabilities Darla could have and there’s really nothing I feel I could confidently propose simply because Darla hasn’t historically received an in-depth enough portrayal that shows her in enough of a variety of situations and showcasing enough of a variety of issues for there to be anything that I think she textually fits a good amount of the qualifications for.

#like I think there’s a good case to be made for the ‘deficit’ in social communication part of autism #but there’s not really anything that could be pointed to for the restricted behaviors component #but I feel that arguing for social communication disorder is too limited #as then I don’t think it would properly account for what she has been shown to have #and doesn’t properly account for the fact that she’s disabled to the extent of requiring an I.E.P.#same issue with arguing she has ADHD #well- she could conceivably have ADHD but if so I don’t think that that would be all she has #issues with understanding social situations as well as either an issue with volume control or awareness of social norms around volume #are very recurring traits #her shouting excitedly in a scene where everyone else is not only speaking at a regular volume but treating it as a serious situation #and what she says demonstrating that she doesn’t fully understand the serious situation in the way everyone else does #is probably her most recurring character trait #I believes there’s also been a suggestion of her having memory issues #the first issue of the 2019 ongoing has her mention that she’s always told that she talks to much #as well as has her speak at the dinner table when Billy was specifically addressed #and the information that she volunteers there is something the other kids were trying to keep from the parents #so Mary has to cover for her and be like oh wow I can’t believe we forgot to tell you #it’s not that autism couldn’t be used to explain that so much as there’s a lot more to autism than just that sort of thing #hm I think her deep empathy for animals could also be interpreted as an autism thing tho #but again- still not really anything on restricted behaviors with regards to sensory issues or anything #highly possibly that there’s another relevant condition other than the 3 I mentioned here that I’m not thinking of #my posts

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yourfavoritehouseplant · 5 months

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I watched James Somerton's final video, and all I got was this 6 page document

As soon as I learned his final unreleased video was on Revolutionary Girl Utena, I knew I had to hate watch it. I didn't know that I'd spend the following 4 hours making a comprehensive doc on everything I hated about it. But here we are.

The TLDR (is this too long to be a TLDR?)

The intro section, as well as Part 2, are directly plagiarized from wikipedia. The rest is unclear.

He makes a “haha this show is so weird right guys” joke 10 different times

He reads Anthy as so emotionally stunted she literally has to be taught how to think for herself, and believes that being the rose bride makes her feel good

He says that his reading is ‘vastly different” from the rest of the community, before boldly stating that this is because he sees it as a “deeply allegorical and symbolic story”

He sees the sexual abuse as “not to be taken literally”

Insists that the show be separated into parts that are strictly literal and strictly allegorical for the entirety of parts 3 and 4, before making the contradictory move of analyzing characters as allegories during part 5

The only characters that get dedicated sections are Akio and Dios, who he doesn’t believe are the same person.

He says Dios gets his powers by “deflowering women”

He calls Akio, known child predator, a chaotic bisexual

Uses 14 year old SA survivor Anthy’s passive personality to make a joke about her being a bottom

His final point is that Utena was the real prince all along

There are no citations

Anyway, full version for people who hate themselves under the cut. With time codes, because I cite my sources.

Part 1: Intro

This entire section is almost exclusively quoted from the Wikipedia article for Revolutionary Girl Utena. Words have been changed, but the order at which certain topics come up is not. Highlights include:

0:56 In his introduction of Be-Papas, lists the founding members in literally the exact same order as Wikipedia.

1:40-2:00 His list of Be-Papas previous works is lifted entirely from wikipedia, only with the words changed. This leads to a strange moment at 1:52 where he claims Be-papas ‘lent their talents to’ Neon Genesis Evangelion, a show which started production at least a year before Be-papas was founded. On the wikipedia article for Utena, this is instead referring to the previous work of Shinya Hasegawa and Yōji Enokido

4:23 he uses a quote by Yūichirō Oguro describing the production as a “tug of war”. He seems to have lifted this in its entirety from Wikipedia, as he does not cite the actual source it is from (the box set companion book, btw)

As for James Somerton originals, at 0:44 he claims that out of all magical girl series,”none to my knowledge have been more discussed and dissected than the 1997 series Revolutionary Girl Utena” He will go back on this at 5:05, where he states that “Sailor Moon takes the lion’s share of discussion” in regard to influential magical girl anime

Part 2: Part 1

(At least I know I’m not funny, unlike James Somerton)

Speaking of which. Here is every single time he makes a “wow this show is sooooo weird you guys” joke: 6:00, 8:50, 10:40, 10:58, 13:46, 17:07, 24:16, 30:34, 41:19, 48:01

Here’s every time the punchline to the joke is the existence of Nanami, a character who he otherwise completely disregards: 10:56, 12:05, 16:22, 42:40

6:16 Claims that the “Apocalypse saga” and “Akio Ohtori saga’ are two names for the same several episodes, depending on the release. This is untrue. Instead, different releases either only have the Apocalypse saga, or split the episodes into an Akio Ohtori saga and then the Apocalypse saga.

7:58 Claims Utena intervening on Anthy’s behalf begins the first duel. While this happens in the movie, Touga intervenes in the scene he uses clips from (like literally right after the shot he uses in the video). Utena only gets drawn into the duels when Wakaba’s love note to Saionji is posted. Youtuber Noralities’ Utena video also gets this wrong, which makes me wonder if this was copied.

9:09 Claims Akio’s “End of the World” moniker is actually more closely translated to “Apocalypse”. In reality, the translation moves away from a more apocalyptic reading, with 世界の果て (Sekai no hate) apparently translating closer to “the furthest reach of a known world” or “edge of the world”. (Love the implications of this translation, but I digress)

9:10 As can be assumed from the previous point, this means I can’t find any sources that point to them not using the title “apocalypse” for religious reasons

10:10 Uses Anthy’s extreme passivity under her Rose bride persona to make a top/bottom joke. I’m gonna repeat this in case you’re just skimming. He uses a trait that likely stems from years of abuse, (possibly exaggerated by the persona Anthy uses to manipulate people), and uses it to call her a bottom.

He also just doesn’t seem to understand how the whole point of Utena constantly telling Anthy that she's just a normal girl who should make more friends is framed as Utena imposing her will on Anthy, just as much as the previous Engaged have done.

11:54 Apologies in advance for my most “um, actually!” point yet, but technically his statement that Anthy stops being host to the Sword of Dios is wrong. Akio literally pulls a sword out of her chest in the final duel. It's a more evil-looking sword of Dios, granted.

13:02 !!! CANTARELLA SCENE ALERT !!! He interprets it as them fighting over Akio?? Which like. I will allow people to have their own interpretations of vague and symbolic scenes. I will. I swear. This is not technically incorrect. It just makes me want to eat my own intestines.

14:44 Bad Anthy take #1: He states Anthy “is emotionally stunted to the point where she needs people to make decisions for her because she does not know how to think for herself” This ignores several moments of Anthy clearly making her own choices throughout the show, including the suicide attempt Somerton mentions about a minute prior. This also strips Anthy of what little agency she has throughout the story, usually exerted through messing with Utena or Nanami. (The fact that she repeatedly makes choices that contribute to her own abuse is, in my opinion, one of the most interesting parts of her character, and it's a shame that Summerton’s ‘reading’ of the story completely disregards that)

Additionally, he once again reads Utena ‘urging Anthy to think for herself” in the first arc as an unambiguously good move, and not as something critiqued in the show.

14:52 Summerton reads the Swords of hatred as symbolizing men’s hatred specifically. Again, I’m trying not to completely disregard differing interpretations to a show like Utena, but this feels very simplistic, especially considering the harm we see aimed towards Anthy by other women

16:42 Here he claims that his reading of the story seems to be “vastly different” from the bulk of Utena discourse. What is this reading? That the show shouldn’t be read literally. Or, in his words, “[we can interpret] Revolutionary Girl Utena as a deeply allegorical and symbolic story about the struggles of coming of age amidst widespread institutional corruption in a high school and which describes a passive culture of inaction in regard to brazen instances of domestic exploitation in which there is not only a question about the caporeality of the events transpiring but also which events can be taken for granted and which events are meant to signify abstract sociological institutions.” The idea that he believes this is in any way a new reading of the material honestly baffles me.

Part 3: Part 2

17:48 through 18:50 differently quotes the Wikipedia article for postmodernism. He even makes a joke at 17:55 about Wikipedia. Please kill me.

The first three themes he lists at 19:11 are just the three main themes listed on the Revolutionary Girl Utena Wikipedia page. What was that about a “vastly different” reading, James?

You’re gonna have to take my word for it, but this section is so short because it's just him talking about the various ways the story can’t be taken literally. He does, ironically, call this a hot take.

Part 4: Part 3

Here’s where the reading falls apart folks

At 23:15, he states that some things in Utena are allegorically coded, while others are to be taken literally. This is true. However, he seems to take this to mean that some parts of the show are Strictly Literal, while others are Strictly Allegorical for things going on in the Literal World.

This is apparently why he prefers the Anime to the Movie, where there basically is no separation between the Literal and Allegorical

This take is bizarre to me for several reasons, but here is my favorite. At several points, he mentions how Revolutionary Girl Utena is a work of Magical Realism. Magical Realism is literally defined by its blending of the “literal” and “allegorical”, the mix of fantastical elements in a mundane, realistic setting. This idea of the impossibility of a blurred line, that Utena must either have lore where the magic is all real and means nothing, or dedicated allegory segments quarantined from the rest of the story, is contrary to the very idea of Magical Realism.

I can’t help but wonder if Somerton took his mentions of Magical realism from a previous work, due to how little it is consistent with his final argument. Either way, this section suggests a great lack of creativity in his analysis, a shame for such a creative work.

24:36: Shiori slander, for those who care

After this he gets really worked up about people assuming symbolism in everything, even when the author ‘doesn’t make it clear something is symbolic’. He shuts down a reading of a shot in the Lord of the Rings. Miley Cyrus is there? Very The Curtains Were Blue of him.

28:22 Claims that Wakaba is the key to telling where the Strictly Literal segments end and the Strictly Allegorical segments begin. He states that, under this lens, deeply personal moments of character suffering such as all of the sexual abuse and Anthy’s suicide attempt (which he literally cites) should be read as symbolic and be “approached with uncertainty rather than confusion”. (28:24-29:13)

This also somewhat falls apart when you consider Wakaba is the jeep in the movie's car chase

And then he rants about people not liking his Attack on Titan video for a bit. Since its potential symbolism also doesn't follow hard enough rules to be symbolism. Once again, the separation of “fact vs allegory” I haven’t watched AOT, so that's all I’ll say.

Part 5: Part 4

Thank god this part is short. Much like Dios’ on-screen presence.

32:55 Makes the extremely bold claim that Dios is not Akio. As in, never even became Akio. because Dios is Strictly Allegorical.

Just to be a pedant, this is pretty explicitly disproven in the show

Confusingly, both earlier and later he will address these two as the same character.

33:04 he also explains the root of Akio’s name in a tone that suggests this is supplemental information and not like. Literally something he explains out loud in the show?

Part 6: Part 5

This section is nearly entirely about Akio Ohtori. I would like to note that him and Dios are the only characters with dedicated segments.

38:30 The part where he states that Dios gets his powers from deflowering women.

38:46 Claims, once again, that Akio’s abuse of Anthy “may not be literal”.

38:59 “the instance of exploitation here is used because assault has deep roots as indicating that akio's gender is the source of his imbalance” THE ASSAULT IS ABOUT AKIO NOW???

39:45 Bad Anthy take #2: “Anthy’s conformity to the Rose bride is based around the fact that she feels good being subservient because this is the only thing in her life that has ever brought her any kind of positive reward”. This is a direct quote. Anyway, I can’t think of any instances in the show where Anthy’s subservience gives her a positive reward, except maybe when she’s intentionally using it to manipulate others. As for her feeling good being the rose bride. She tries to commit suicide. Dude.

Side tangent, but isn’t this exactly what Akio says during the final 2 episodes? That Anthy enjoys being a witch? Is the main villain, who consistently says things during that very episode that are blatantly false, our source of information for this take? I guess so, since this is the dedicated Akio section.

At 40:20 he decides to introduce the concept of Anthy, Akio, and Utena as stand-ins for wider concepts, which is antithetical to his approach in analysis beforehand

Part 7: Part 6

42:40 he finally acknowledges that he’s been spending too much time talking about Akio, and literally no time on characters like Nanami

46:10 states that Utena’s exclusive motivation “is to protect Anthy from the predatorial intentions of the other dualists”, which disregards the fact, which she states herself, that she was largely participating in the duels and protecting Anthy to feel like a prince

48:04 The part where he says that Akio has ‘chaotic Bi vibes’ in regards to him sleeping with Touga, who is 17 and implied to be a long-term victim

Part 8: Part 7

54:01: His concluding point is that Utena was the real prince all along.

In true Somerton fashion, the video then ends over a scrolling wall of patrons, with not a single citation in sight.

#the autism won again you guys #revolutionary girl utena #james somerton #shoujo kakumei utena #utena #anthy #hbomberguy

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artsekey · 5 months

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Disney's Wish

Look, Disney's Wish has been universally panned across the internet, and for good reason.

It’s just…kind of okay.

When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:

The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.

Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--

I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.

First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.

So, what went wrong between Asha & Magnifico in terms of narrative structure?

Act I

In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”). She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.

Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.

As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.

Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.

… Until she asks him to grant Saba’s wish.

This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”

This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.

Well, wait, is that really Asha's goal?

While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too! Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.

So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.

Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:

Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.

... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.

What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.

But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.

In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.

While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.

Act II:

His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).

But then… he opens the book.

Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.

I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.

This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”

It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.

But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.

Act III

Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?

It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.

They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.

I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.

Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.

The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.

This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.

All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.

Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.

What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.

Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.

#wish #disney #review #magnifico

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kaivenom · 1 month

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Party Animals

Summary: you were drunk on a party and doing crazy things, next morning you think you made a huge mistake, but ends up being that it was the push you needed.

Pairing: Spencer "Spider" White x reader

Warnings: drunk people

A/N: conmemoring the release of season two of this amazing show (Heartbreak High) i have the need of writting about Spider and Ant, so expect about them the next days.

Masterlist

Like always, Spider was being the soul of the party, drinking, dancing, laughing and being an absolutely pain in the ass. He was going around with Ant while you were in your corner drinking. He had been giving you small glances all night, it was frustrating because he will surely get to you and be an absolute asshole.

As if he had read your mind, Spider started to get close to where you are. You can't deny that he looks really hot with the lights of the club and that look on his face. It looked almost like he was possesed while he walks towards you. His eyes didn't leave yours once he notices you watching him.

After what looked like an eternity, he laid himself on the wall next to you, he was probably drunk, just like you... maybe that's why you can't decide if you want to go and ignore him or stay here and see what happens.

"Hi." what a gentlemen you thought.

"Hi, why are you here?"

"Ant is my friend, he throws the party."

"I mean next to me, asshole, you don't quite like me."

"That's not right," he is looking at you so serious that you feel he is looking into your soul, "I may treat you a little bad but i treat everyone like that, the other thing is that you are different."

"Wow, that's your strategy to try to have sex with me?" clearly alcohol is kicking you both.

"Maybe."

"And why do you think i will be with you?"

"Nothing, but trying it's free and i know you wouldn't do it in any other situation."

His face is closer to you every second, looking to your lips with a dreamy glance. For the first time you considered kissing him, you already thought about it but know you were starting to see it as a real posibility. You both were now really close, you can almost feel Spider's heat body, he was radiating an exciting warmth.

You don't know why but started to lift your hand and touch slowly his face, he closed his eyes almost instantly, savoring every second of your touch. Suddently his hand wrapped your waist and push you fully on to his body, now your lips are brushing and your breaths start to mix together.

"Tomorrow we can forget about this," he said before smashing his lips to yours.

His lips were soft and tasted sweet, you didn't spected that at all since you two were drinking for so long. Your hands running all over each other's bodies. Suddently you were trapped between the wall and Spider's embracing body. His lips traveling all the way up and down your neck, you were thankfull that the music was drowning your sounds.

You continued like that for a bit longer, lips pressed and bodies grinding onto each other, you didn't want that to end but suddently Darren appeared on scene.

"(Y/N)!!! we have to go, Amelie got us in problems," both of you were slow at processing what Darren said, "let's go, if you go now i won't say about this."

Darren's face showed their disgust really well, but hearing those words made you restart you breain and realize your actions. You got out of Spider's grip while he was still in shock and runned with Darren. At the end you didn't know if you run because of Amelie or because of your actions.

-----------------------------------------------

You spent all weekend coping with the embarrasment of what you've done and when the monday came, you decided to avoid Spider. That worked for three hours until he cornered you outside class.

"Hi."

"Hi, i need to go," this time you couldn't get away from him.

"No, we need to talk."

"You said we could forget it and i hope to do that, because we were drunk and we made mistakes."

"I don't consider it a mistake," you couldn't believe him but he was looking at you again, with those glowy eyes, "I know what i said but it was mostly to get you to kiss me but i... i can't forget about it and i don't want to do it because i dream about it a lot."

"You are saying you already thought about it?" his face was really red.

"Ye-Yeah..." he apparently doesn't know how to continue, you kissed his cheek, that was the only thing you thought of doing.

"I dreamed about it too." his face lightened up, before passing to a prideful smirk.

"So we can go out and take it where we left off."

"No, we will take it right and slow, and if we are going to start dating or something, you need to stop being a pain in the ass."

"I will do it if you give me a incentive to do it."

The bell rang and you surely know that your friends will be seeking for you, you kiss his cheek again and give him a little peck on the lips that left him static on place.

#heartbreak high #heartbreak high season 2 #heartbreak high 2022 #heartbreak high imagine #hearbreak high x reader #heartbreak high x you #heartbreak high 2024 #spencer white #spencer white x reader #spencer white imagine #spencer white x you #spider x reader #heartbreak high spider #spider imagine #spider x you #spencer spider white #spencer spider white x reader #spencer spider white imagine #spencer spider white x you

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harunayuuka2060 · 1 month

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Twst Unveil Event Part 2

*In the Mirror Chamber*

*Yuurin, Jack, Ruggie, Malleus, Silver, Sebek, Rook, Epel, Floyd, and Jade are already there.*

Malleus: Seems that everyone is here.

Sebek: It's a pleasure for us to be in a trip with you, Waka-sama!

Malleus: Yes. Thanks to Yuurin who graciously invited me.

Yuurin: Don't mention it, Malleus-senpai.

Ruggie: Um, Rook? Is that a camera?

Rook: Oui!

Jack: Why?

Rook: To take photos of Monsieur Tranquille, of course!

Ruggie: ...

Ruggie: No, Rook. That's our job.

Jack: Yes. We need to update Leona-senpai every hour.

Epel: When did Leona-senpai become such a worrywart?

Floyd: Ne~ Ne~ Damselfish~ Are we going to have a sleepover~?

Yuurin: Yes. I believe so.

Floyd: You can share a bed with me and Jade~. You'll be our pillow~.

Silver: You can't.

Floyd: Eh~ Why not~?

Jade: Is there a problem, Silver?

Silver: Yuurin needs a good night's rest.

Jade: Ah, now that makes sense. *chuckles*

Floyd: Eh~? But I sleep like a baby lamb~.

Them except Yuurin: We all know that's a lie.

Yuurin: It's time for us to go.

Yuurin: We have arrived.

*The fresh breeze immediately welcomes them.*

Them: *sigh in contentment*

Jade: I like this place. *chuckles*

Silver: It feels like a good place to sleep in...

Sebek: Silver! Don't fall asleep!

Yuurin: I'm glad you find the place relaxing.

Yuurin: Though it's good while it lasts.

Jack: Hm? What do you mean by that, Yuurin?

Yuurin: Here she comes.

*The ground started shaking*

Epel: Eh— Are we having an earthquake?!

Yuurin: No.

"YUURIN!!!!!!!!!!!!!!!!!!!!!"

Them: Huh?

*A giant buff woman comes charging at them; or more likely towards Yuurin.*

Yuurin: Good morning, Philomela.

Them: That's... PHILOMELA?!!

Ruggie: Yuurin! Move aside!

Philomela: YUUURIN! *sweeps her off her feet and gives her a big, tight hug*

Philomela: Oh look at you!

Yuurin: How are you, Philomela?

Philomela: I am doing GREAT! *laughs*

Them: ...

Philomela: Oh. And these are your schoolmates, no?

Philomela: They look promising!

Them: *all of them smiles*

Yuurin: Philomela, can you put me down?

Philomela: Ah, yes, yes. Of course.

Floyd: Wow. She's as huge as a whale.

Epel: What the— Why would you say that?!

Philomela: A WHALE?!

Philomela: Did you hear that, Yuurin? He called me a whale!

Yuurin: Yes. I heard it loud and clear, Philomela.

Silver: She looks happy. Was that a compliment?

Yuurin: Yes. The best one at that.

The others: Oh...

Ruggie: *mutters* Wow. If it were in any other places...

Jack: *mutters too* You would have been slapped.

Philomela: Have a tour of the place while I assist the other schools.

Yuurin: ...

Yuurin: Didn't you say no one wanted to participate?

Philomela: Well, after making an announcement that Night Raven College will join, different schools have shown their interests.

Yuurin: ...

Yuurin: I see. In that case, we will see you later.

Philomela: *takes her leave*

Floyd: So~ What should we do now~?

Malleus: I want to hear the beliefs and culture of this place.

Yuurin: There are tons of them.

Rook: Can you give us an example?

Yuurin: Hmm...

Yuurin: If you happen to lock eyes with an animal and it starts to approach you, run.

Epel: Huh? But why?

Jack: Is it because it's attacking you?

Yuurin: No. It means a god has taken a liking on you.

Them: ...

Rook: And why is that a problem, Monsieur Tranquille?

Yuurin: Kingdom of Heroes have records of wars and long-time disputes just for this very reason.

Ruggie: Yikes.

Floyd: Oh...

Floyd: There's a bald eagle staring at Guppy right now.

Epel: ...

Malleus: You are being liked by a god.

Yuurin: Oh. A bald eagle.

Yuurin: That's not good.

Epel: *panic noises*

*Later, Yuurin has to convince Epel that it was only a myth to stop him from crying*

Leona: How is everything there?

Yuurin: Not a problem so far.

Leona: Good. That's all I have to say. I'll hang up now. *ends the call*

Ruggie and Jack: ...

Ruggie: In 3... 2... 1...

Ruggie: *Leona is calling him*

Ruggie: *answers*

Leona: No sleeping in the same bed.

Ruggie: Yes, boss. Copy. *then Leona hangs up*

Jack: Aren't we sharing beds already?

Ruggie: Shh. You're going to attract the strict brother energy, Jack.

#twisted wonderland #twst yuurin #twst jack #twst ruggie #twst floyd #twst jade #twst rook #twst epel #twst malleus #twst silver #twst sebek #twst oc philomela #twst leona #twst unveil event

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sinnersweets · 3 months

Text

DogDay x Reader

part 2 ----->

A/N: My HC is that DogDay has an adult inside of him, unlike Catnap.

“Congragulations! Your application was chosen, and you are now part of the Playtime Co family! Please review all the following information provided in this email.” was all that was said in a recent email I had gotten. Finally, after weeks of job hunting, I heard back from someone, and it only took them a day to respond! I briefly skimmed through the email, knowing it was just boring company policies. At the very bottom it said that my first day was tomorrow. Wow, they sure do not waste time. I set an alarm and went to bed early, excited about my new job.

----------------

When I applied, I put down that I did not mind working anywhere in the factory so imagine how surprised I was when I showed up, they told me I would be working down below in a room called ‘Playcare.’ In fact, it was highly requested that I was to be stationed there. They told me it’s where they house orphans. It’s fascinating that a factory that builds toys for kids has its own orphanage here, right in the factory! I was given a uniform to change into and the uniform was honestly quite cute! The shirt was a golden-brown color that smelled like vanilla, I was given a nametag with a sun pin attached and... a headband with dog ears the same color. I didn’t think much of it and just went to change before heading off to Playcare.

---------------

I stared in awe as I looked down below at Playcare. This place was huge! I still could not believe that little kids lived here. I looked around at all the buildings. There was a school, a circus tent, a few more buildings and right up top was where all the orphans lived. Seeing all of this gave me the vibe of that one anime called ‘The Promised Neverland’ but I soon laughed at the thought. Kids do not die here, no demons feed on their brains, they get adopted. Adopted.

---------------

As I exited the cable car, I was instructed to meet my boss inside of the Playhouse. While walking to the playhouse some kids would run up to me and call me ‘girl DogDay’ whatever that meant. I just smiled and waved at them before entering the Playhouse. I was not given a name for who my boss was but was just told that they would know what I looked like and would spot me. Lots of kids were in this area. All screaming and chasing each other. One of them grabbed my hand and said, “Hurry we have to hide before he finds us!” I had no time to protest as I was led behind some foam building blocks. “Um, who exactly are we hiding from?” I whispered back to the kid, might as well play along. “Shh. He has good hearing.” was all that the kid said before peeking over the blocks we were hiding at.

---------------

Two minutes went by before we both heard some footsteps approaching. “He’s coming! Run!” and then the kid ran into a slide and started to climb up. I laughed at the kids' action and started to get up before I felt breathing coming from above me. I slowly lifted my head up and was shocked to see a giant dog hovering above me. “Hiya Angel!” I didn’t say anything. I couldn’t say anything, I was in shock. This enormous dog that looks like a plushy is speaking to me. “I found you which means now you get to help out with catching everyone!” The dogs tailed wagged. I stood up and got a good look at this...dog thing. He was tall, around 8 ft. He had a pendant in the shape of a sun, and he smelled like vanilla. Oh, that’s what the kids meant earlier by ‘girl DogDay,’ this is DogDay. “Come on Angel, I know if we work together, we can find all the kids before time is up” and then DogDay ran on all fours like an actual dog, in search of the other kids.

---------------

I think it was safe to say that DogDay found the rest of the kids while I just knew of the one that was with me before was hiding at. As we made our way back to the entrance, I noticed the kids laughing and trying to climb onto DogDay. Maybe he’s been with them forever and that’s why they don’t seem terrified by a dog that stands 8 ft tall. DogDay looked over and saw me and the last kid approaching and waved at us. The other kids stopped what they were doing and looked in my direction. In unison they all screamed “Girl DogDay is here!” I smiled sheepishly and waved at them. “Hi there....” Did these kids know about me? DogDay then put down some kids that he was holding and walked over to me. “Sorry about that Angel, I told them that I was getting a helper the other day and they have been wanting to see you.” “Oh, that’s fine. Hey um DogDay was it? Do you happen to know who my boss is by chance? I was told to meet them in here.” The kids behind Dogday started giggling. “You’re looking at him Angel!”

Huh? He’s joking right? This dog looking mascot is my boss?! DogDay then picked me up and hugged me tight. “We’re going to have so much fun working together Angel.” I could hear his tail wagging back in forth. He put me down and led me to the rest of the kids. “Kids, we have a new face joining us today. Why don’t you introduce yourself to us Angel.” I suddenly felt nervous. All these little eyes staring at me so excitedly. “O-okay, um well hi, my name is Angel- wait no” the kids started laughing. That wasn’t my name but hearing DogDay call me that this whole time just slipped out. DogDay was even laughing. I blushed in embarrassment. I cleared my throat and continued. “My name is Y/N, but I guess you could also call me Angel. I like to read, draw, um I guess sing, but I haven’t done it in a while. Umm, I’m 20 years old and my birthday is on November 14th and that’s pretty much it I think.”

DogDay clapped and soon the other kids followed his lead. “Well put Angel, now it’s my turn, though I think I’ll let the kids introduce me.” All at once the kids started yelling over each other to tell me about him. “He’s the leader of the Smiling Critters!” “He smells like vanilla!” “Super strong!” “DOGDAY CALLED YOU PRETTY!!” “Okay! Thank you, Damian, no need to shout now friend.” The shift in DogDays attitude changed, he was the one that seemed nervous now. The kid that was hiding with me was named Damian. Dogday then cleared his throat. “Let’s all go outside and wait for KickenChicken now alright?” The kids yelled in delight and pushed their way out of the Playhouse.

It was now just me and DogDay. “So, um I’m guessing you picked me to work here?” I tried breaking the awkward silence between us. I decided to not bring up the fact that he called me pretty, too awkward right now. DogDay then seemed to snap back into his cheery self. “Yep! I looked through a lot of applicants, but yours stood out to me.” It’s amazing that a toy factory lets a toy pick out an employer. DogDay then grabbed my hand and led me outside. “Come on, I’ll give you a tour of the place Angel.” I smiled and went along with him. I could see myself liking it here.

A/N: part 2 anyone?

#sinnersweets #poppy playtime #poppy playtime chapter 3 #dogday #x reader #dogday x reader

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enkvyu · 10 months

Text

8:12am — gojo satoru ;

your sneeze cuts off your sentence and you sigh, apologising into the phone. “sorry, i really don’t think i can carry out the mission.”

you can imagine yaga rubbing his temples on the other side of the line. “just worry about getting better. we can always have someone else fill your absence.”

“thanks, yaga. i’m really sorry for this.”

“don’t worry about it. take care.”

you end the call and sniffle, shoving your hand and phone deep into your pockets to try and conserve heat. the sniffle does little to clear your nose so you do it again, inhaling harder. by the end of it, your airways are no clearer than before.

a doorbell interrupts your suffering and you need to clamp your mouth shut to stop from groaning. dragging your feet behind you, you painfully walk over to your door. when you peer through the peephole, you’re met with a bright blue eyeball peeking through lifted black fabric.

“what the fuck.” you pull open the door. “gojo?”

your colleague stands on the other side, adorned in his typical work uniform with a white bag of something hanging off his arm. “you took so long to open the door i thought you might have died!”

“don’t sound too upset.” you roll your eyes.

gojo pauses and leans in, causing you to take a step back. his face falls into something you’ll call the equivalent to serious considering that you were talking about gojo, and he tilts his head to study you further. “is that a new makeup look? can’t say it flatters your features.”

you growl and it sounds sickly. “i’m not! i’m—” you shake your head as a migraine threatens your sanity. “doesn’t matter, what are you here for?”

“we work together! do i need a reason to come over and hang out?”

“at eight in the morning? yeah, you kind of do.”

“it almost sounds like you don’t want me here.”

“what gave it away?” you say, drily. of course, either gojo doesn’t get the nuance behind your words or he finds pleasure in testing you because he keeps bothering you with his presence.

“my feelings are hurt.” he sulks.

"i don't give a fuck about your feelings."

gojo's eyebrows shoot up. "wow, are you mad at me?"

you shake your head, sighing. “no, i'm not."

"right? after all, i haven't even done anything."

when he doesn't elaborate and the conversation dies, you ask, "was that everything?"

“why do you want me gone so fast? are you hiding something in there?”

you open your mouth to retort when a pulsing pain in your head cuts you off; the migraine was here. you groan, rubbing your temple as gojo’s voice zones in and out. “listen gojo, i am way too sick to banter with you right now. if it’s nothing important, can you talk to me another day?”

“you’re sick? how bad?”

you try to give him patience. “bad.”

gojo hums thoughtfully. “well it’s lucky for you that i’m super great at taking care of sick people.”

you stare at him. “you? really?”

“yeah! i’m incredible at it.”

you level with him a stare before slowly closing the door, intending to shut him out. his foot comes in a blur, holding it in place and you huff.

“you don’t believe me?” he says, looking the part of a wounded animal.

“if i say i do, will you leave me alone?”

gojo tuts, shaking his head. “this won’t do, we can’t have you believe in a false truth. i’m crazy good at taking care of people, i’ll prove it to you now!”

“no, that’s okay gojo, i don’t need your help— and you’re already inside. great.” the door closes behind you with a soft click as you stumble to your living room. “just stay out of the way, okay? and for god’s sake, keep quiet.”

"it'll be like i'm not even here. i promise."

"i don't believe in your promises." you grumble, stomping over to the bathroom. you notice, notice very clearly in fact, that the tall white-haired man follows after you. you stop at the entrance, looking back at him. "are you seriously following me to the bathroom?”

"i was going to stand guard outside!"

"i don't need you to. all i need is for you to leave." you hiss, entering the bathroom and slamming the door in his face. when you come out, he's still standing there, guarding.

you scrunch your nose up at him but leave anyway. he wasn't worth it, you remind yourself.

you make it to your next destination safely, thanks to your new and improved guard dog. checking out the fridge in your kitchen, you realise there was nothing to pop in the microwave and eat whilst wallowing in self-pity.

you do the next best thing and place a pot over your gas stove. bending over, you turn the small knob and watch as the blue flame arises. you let go of the knob, and the flame dies.

this was not something you needed right now but the emptiness of your stomach is all too prominent. so you try again, bending over and rotating the knob over the small fire symbol and watching as the stove flares up. carefully, you release the knob. the flame dies again.

“you okay?”

you grit your teeth into a smile. “yes, gojo. i think i might be better if you could stop looking over my shoulder.”

“the stove does not like you.” he ignores, side stepping to try himself. and because he’s so irritatingly perfect in every way, the blue flame rises and stays when he lets go.

gojo turns to you with a bright smile.

you sniffle and nod. “thank you.”

“what are you making?”

rummaging through your pantry, you remove a packet of instant noodles. the bright red icon on the packaging causes gojo to raise his eyebrow.

“super spicy?”

“i can’t feel anything in my nose right now. i’m thinking of flushing it out with something else.” you go to fill the pot with water but he stops you. “what?”

“you’re sick, you shouldn’t be eating something like that.”

“do you have a better idea?” you ask. “this is all i have in the house right now.”

gojo grins. he lets the white bag he was still holding onto slip down from his arm to his hand and he opens the two handles with enthusiasm. because it was so contagious, you can’t help but feel excited, peering into the bag.

you blanch. “is that medicine, creamed corn and one single egg?”

“yes!”

“that isn’t a meal either, gojo.” you think again, flickering your gaze up to his eyes. “but that’s sweet, thank you. i’ll take the pills after.”

you start to move around but he stops you with his arm. “didn’t i say i was here to take care of you? i’ve got this, just go over and relax on the couch.”

“the last thing i’ll be doing is relaxing if you’re in the kitchen.” your migraine disagrees so you eventually nod, shuffling away. casting one last glance, you point at him. “don’t start a fire.”

he gives you a cheerful wave and you stumble to your couch. you fall into its cushions and exhale, deeply.

time passes in a blur as your illness takes a hold of you, digging its finger into your brain and shaking it, displacing your cerebral spinal fluid. with your face deep within a pillow, you almost miss the scent of smoke.

almost.

you spring yourself up on your arms and dart back into the kitchen, almost running into a wall. coughing, you fan away a puff of smoke as you enter, finding the culprit wishing a tune and stirring something in a pot.

"gojo?" you choke.

gojo spins around and you find that he'd somehow pulled out the "kiss the chef" pink apron shoko gifted you on your birthday which you had immediately hid. it fits him terribly, straining to cover his torso. "you're up! why are you up?"

you cough again, stepping closer. "can't you see past that blindfold? you're starting a fire! i'm surpised my smoke alarm hasn't gone off!"

you reach over and turn the exhaust fan on, something he hadn't even done, and squint through the fog to look at what he was making.

"what is that?"

"it's soup! i heard soup is good for you when you're sick."

you look between the lump of black coal in the pot and gojo's smiling face. "soup has water in it."

"i know, i added that! it just all disappeared." gojo stirs the pot, and you're no longer sure what exactly, he was stirring. "i even added the pills you wanted to take so it'll be easier."

you wordlessly reach down and turn off the gas stove.

he lets you. "thanks, i was just about to plate this."

gojo begins manoeuvring your kitchen with a familiarity you weren't sure how he obtained. he opens the overhead pantry and takes out a bowl, pulls out the utensils from its respective drawer, and uses your favourite spatula to transfer the black lump of something.

he places the bowl in front of you. "here you go."

you stare at it for so long, you start seeing black. eventually, you begin registering the item. "wait a minute, is this a cursed object? did you infuse your cursed energy into this?"

gojo has that stupid grin on his face, the one that he uses when he knows he's in the right. "it is! this should make you better in no time. i used to give this to megumi all the time when he was sick."

"but it looks so..."

gojo digs through his pockets, pulling something out and hiding it in his fist. he holds it out to you. "if you're good and eat it, i'll give you this."

"what is it?"

"it's a secret." gojo says. "c'mon, be a good girl and take your medicine."

you huff, pulling your gaze away from his hand and towards the black lump. it looks edible, maybe if you squint at it, and it didn't seem all too big. you could probably get it down in two big bites. so with the determination of a seasoned warrior, you square your shoulders and break off a chunk, throwing it into your mouth.

your face immediately scrunches up as the taste hits you.

gojo coos at you from the side. "you're almost done."

you glare at him through tears, gulping the substance down when you're able to, and stuff the remaining bit into your mouth.

when it's travelling down your oesophagus, you thrust the bowl back into gojo's hands. "you better give me that thing in your hand."

gojo places his fist in your hands and opens it. a single candy stares up at you. "it's strawberry flavour, your favourite."

you murmur curses at him under your breath, something about him treating you like a child, but take the candy anyway. when you pop it in your mouth, the sweetness is almost enough to make you forget the taste of the cursed object. gojo's sweet smile fills in those absences as he gestures you to follow him.

perhaps the cursed object gets to you, or gojo’s presence has wormed its way into being comforting because you find yourself following.

"where are we going?" you ask as he leads you around your own home.

"to bed. the medicine will only work if your parasympathetic nervous system is working and considering who you are, you'll never know true relaxation if you're awake."

"hey." you sniffle indignantly. "i know how to have fun and experience leisure."

he hums but doesn't answer, leading you into your room. thinking that a nap would indeed do you good, you start to pull off the shirt you were wearing and wriggle out of your pants. perhaps the sickness had done more to you than you realised, because you forget gojo's presence, whipping your head to find him still standing at your door, his back to you.

"i didn't see anything." he says, immediately.

you grumble, throwing yourself into your bed and sliding under the covers. only then does gojo turn to you.

"you're really docile when you're sick."

"i'll put my foot in your mouth."

gojo laughs, turning around to head out when you call his name.

"are you leaving?"

he smiles, peering over his shoulder. "miss me already? i'll be back, i promise."

"i don't believe in your promises." you say again, but let him go, sleep taking over you. you slip in and out of consciousness as the fever reaches its peak, time slipping away from your knowledge.

every now and then, you hear footsteps, and the sound of a chair being dragged across the floor. one time, you open your eyes and find gojo standing over you, a towel in his hands. "good morning."

you mumble out something that even you couldn't understand, and slip into another fever-induced sleep.

the next time you open your eyes, you're relatively more lucid. you sit up slightly and something wet falls off your forehead. you catch the towel in your hands.

gojo looks up from his spot in your chair, placed beside your bed. "you're up again. here, hand me that."

you wordlessly pass it over to him and he replenishes it in the basin he'd placed on your bedside table. you say without thinking, "maybe you really are good at taking care of sick people."

gojo grins, lightly pushing you to lay down again. "i told you so. you're alot less of a handful than megumi was."

the warmth of the towel soothes you and you close your eyes against the sensation. you hear gojo flicking through a book in his hands, and the sound of paper against fingers lolls you into another comfortable slumber. a nagging thought tickles the back of your mind and with effort, you peer up at him.

when you mumble something incoherent, gojo looks over at you. “what?”

“i said.” you lick your lips and try again. “what did you come here for? you never told me.”

he gives you a slight smile and reaches over, adjusting the towel. “you said you were sick. i wanted to check up on you.”

“but—”

“you can’t fall asleep if you keep talking.” he reprimands. “shall i sing you a lullaby so you can sleep quicker? megumi never lets me.”

even before you can reply, he starts beatboxing and you realised in your sick state that it was the intro to twinkle twinkle little star.

regardless, having gotten an answer, you close your eyes again and let the sleep drag you under. vaguely, you realise gojo must have arrived at your apartment immediately after you had informed yaga that you were sick, stopping only to grab the ingredients to his cursed object cure. you'd have to thank him when you wake up, if you remember.

with a soft exhale, you slip away, gojo's rendition of twinkle twinkle little star your escort.

guess who is sick. guess who is sick studying anatomy. guess who is sick studying anatomy and with a gas stove that is out to get her. the answer may shock you!

#gojo x reader #gojo x you #gojo satoru x reader #gojo satoru #jjk #jujutsu kaisen #gojo imagine #gojo drabble #fushiguro megumi #gojo satoru x you #ieiri shoko

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wileys-russo · 3 months

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katie mccabe, “are you blushing?”, any place 🫶🏻

hot in here II k.mccabe

"oh gosh its a bit much isn't it?" your mum spoke with wide eyes and a wince as your girlfriend went tumbling to the ground, up on her feet within seconds and shoving at the chest of the player who'd taken her down.

"thats it katie! get into her girl!" your dad cupped his hands around his mouth and shouted supportively as you smacked him on the shoulder. "dad! don't encourage her." you groaned, pulling him to sit back down as both katie and the other player were awarded yellows.

"mccard strikes again." you heard someone chuckle behind you, shaking your head as your dad turned around to speak with them. "she gets a lot of those is all." you explained to your mum who seemed hopelessly confused.

"wait why is there more time?" your mum frowned as they announced there would be three added minutes of injury time. "its extra time to make up for the time where the game isn't played. like if a player falls down and needs medical attention the game is paused, so this is the time added for that interruption." you explained as she exhaled in understanding.

"go on katie! rip in!" your dad shouted as your girlfriend readied herself for a throw in, catching your eye with a wink and a grin before turning and lobbing the ball towards steph. "i hope you know the more you fluff her ego the more insufferable she gets." you sighed as time ticked down.

"ah she's confident! you need confidence to be successful. she's good at what she does and she knows it, that should be encouraged!" your dad patted your knee as you only hummed. "you should try living with her then." you chuckled with a shake of your head.

"oh! theres that lovely song again." your mum beamed as katies chant started up, your dad yelling along as katie took off down the right hand side. "go on katie! go girl!" your dad boomed as suddenly she side stepped the last player in her way and hit the ball with aloud thud, sending it hurtling forward toward alessia who tapped it in widening arsenals 3-0 lead.

you grinned as your girlfriend raced past you and your parents blowing you a kiss and giving them a wave as there was barely time for villa to kick off before the final whistle blew.

"oh that was exciting. i still don't understand much but i see why you like it!" your mum pulled you into a hug making you laugh. "she appreciates you made the effort to come, but she was nervous this morning." you revealed, watching as katie did her laps thanking fans, stopping every now and then to sign something.

"katie? nervous? thats something you need to see to believe!" your dad laughed patting you on the back as you chatted away with them, introducing them to leahs mum who made her way over to say hello, all four of you speaking until you heard a familiar whistle.

"we'll be down in two seconds darling." your mum nodded for you to go as you left them with amanda and made your way down to your girlfriend.

"well aren't you a sight for sore eyes stranger." the irishwoman teased, having been away the last week visiting your parents before they returned back with you to spend the next few days in london.

"wow its been so long when was the last time i saw you? oh was it maybe...this morning in bed?" you teased, having returned last night. "i'd almost forgotten what your face looked like." you winked, pressing a kiss to her cheek.

whatever smooth one line she intended to quip back with was interrupted at the arrival of your parents, katie hopping over the barrier to greet them properly as your dad launched into a very animated recap of how well she played.

"oh and that yellow? load of horse shit you were only defending yourself!" your dad bellowed as you winced, his voice carrying far beyond your small huddle. "dad!" you hissed, katies arm wrapping around your waist as her hand grazed the small of your back in a wordless comfort.

"i warned you they wouldn't let you pay baby." you laughed as you and katie stepped inside your shared home, unwrapping the multitude of layers which had been keeping you protected from the bitter chill of a winter evening in london.

"i'm callin ahead next time and settin up a tab!" your girlfriend scowled, having been easily shut down by your dad who'd paid for everyone's dinner despite both you and katie trying to protest it.

"watch it mccabe, at your age you'll get frown lines and crows feet." you teased, reaching up to smooth the wrinkles from her furrowed forehead. "oi! watch it cheeky i'm only a year older than ya." the defender warned as you sent her a wink and made your way to the living room.

"my parents really enjoyed the game baby, and you certainly gave them a show to watch." you grinned, pulled into your girlfriends lap as she sank into the lounge beside you. "i'm glad they finally got to see one, we'll get em to a national game next and then they'll really see a show!" the brunette smiled wolfishly as you laughed and pressed a tender kiss to her lips.

"i think my dad might actually contend me for your biggest fan, he was going on and on and on about you long before kick off. mum said he stayed up watching a bunch of your highlights in the hotel, she had to take his phone to force him to sleep!" you laughed, a slight pink flush coating your girlfriends cheeks at your words.

"are you blushing?" you gasped, grabbing her face as she frowned and shook her head. "no! its just...warm in here. me cheeks are red from it being so cold outside!" katie dismissed with a wave as you smirked.

"you're blushingg, you're so cute baby." you cooed, pinching her cheeks mockingly and shaking her face side to side teasingly. "aih lay off! i am not and i don't blush." katie scoffed with a roll of her eyes, shoving you off of her causing you to yelp.

"we've got mccabe! who? katie mccabe! who? i just don't think you understand!" you started to cry out, standing to your feet as the footballer stared up at you unamused. "she plays out on the wing, she blushes at every little thing, we've got katie mccabe!" you sang out, squealing as she grabbed at you and pulled you down back to lay across her lap.

"did you not like the remix babe? i think it'll go down a treat at the emirates." you smirked, your girlfriend glaring down at you though you saw the usual sparks of amusement and mischief present in her eyes.

"you're bloody lucky you're so cute darlin or i'd have dropped you a long time ago." "oh god and she's a charmer too? the full package you are love, i'll try to work that into the next verse."

#woso x reader #woso #woso fanfics #katie mccabe x reader #katie mccabe #woso community #woso imagine #woso blurbs

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himehomu · 7 months

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With Walpurgisnacht Rising coming in 2024, I want to talk about something that has been bothering me since Rebellion. It was never the “plot twist” of Homura separating Madoka from her godhood nor her taking those godlike powers for herself thus becoming the devil. It was always people's reactions to Homura doing this and the way they based her entire character around this specific moment that really rubbed me the wrong way. Saying she's a selfish monster who's trapping Madoka in a fake world for her own personal gain or that she's taking Madoka's agency away from her and making decisions for her that directly rebel against what Madoka wants... And, to that, I just want to know.... do literally any of you know what Madoka actually wants or are you just basing her character around her sacrifice?

Yes, it was for the benefit of all Magical Girls and yes it freed them from their cycle of selling their souls in the name of hope just to die at the hands of their own grief and despair, but Madoka didn't plan to abruptly cease to exist at the cost of it?? She didn't want to be stuck between life and death only existing as a deity meant to eradicate Witches for all of time. Madoka wished to erase Witches before they are born from the past, present, and future. Going back years upon years in time, destroying Witches and mercy killing Magical Girls; fighting forever, past and future, for all time. Ceasing to exist as an individual, only able to materialize and interact with someone when they're dying of grief and sadness and pain; relieving them of that pain so that their last moments won't be in agony, so they can die in peace, but there's none of that for Madoka. There's no death, no closure, no release, no freedom from this hell of being a weapon and nothing more.

But, Madoka would never voice these struggles and frustrations. Because Madoka isn't that kind of girl. She's the kind of girl who shoves all of her problems down and bases all of her self worth on how much she can do for others, how happy she can make others, and how useful she can be. She forces a smile and masks her pain because she doesn't want to burden anyone with her problems. She puts herself down constantly, risking her life trying to help others because she cares so little for herself. Without being useful, she believes her life has no value. And Homura knows this. Because Homura knows her. I feel like most people take Madoka's bright pink colors and smile at face value and don't realize she's chronically depressed. That's why in the first timeline, she and Homura naturally got along so well: they were both girls who hated themselves and based their self worth on how they made others around them feel, both self-loathing girls who deem themselves worthless if they're not useful in some way. Madoka was just better at hiding it than Homura was. And she still is by the 100th loop.

But, in Rebellion, when her memories of being a god are taken away from her, and she's given a hypothetical scenario of her fate, she says "wow that sounds awful and scary and lonely and I would never do something like that." The Flower Field scene is one of the most brilliant and misunderstood scenes in all of anime. Majority still to this day argue that, since Madoka doesn't have her memories, her words hold little to no weight, and Homura is simply hearing what she wants to hear. So, naturally, they disregard what Madoka is saying, assuming it's just Homura being selfish. And that's where they mess up. Because, the fact that Madoka doesn't have her memories here is the whole point! Homura is already well-aware that if Madoka had her memories, her self loathing would result in her caring so little for herself that she sacrifices herself every time which is why immediately after Madoka's words, she assures Madoka that she is indeed "strong enough to make that decision." Homura just wanted to confirm if Madoka would still miss her life pre-godhood in spite of that, which she outright says she does.

There are also arguments that Homura was somehow influencing Madoka in the labyrinth aside from just not remembering becoming a god, but Shinbou already stated in an interview that this wasn't the case, and that these were Madoka's honest words. In fact, Madoka's true feelings regarding her godhood are revealed for the first time within the lyrics of Madoka's character song (sung by her VA Aoi Yuuki) that played as the ep 1-2 ED titled “Mata Ashita”. The song is about Madoka post-series which consists of Madoka wandering around aimlessly, quietly observing as humanity resumes without her, lamenting on the life she lost after becoming a god and wishing she could have been more honest about her feelings to Homura in ep 12, asking her to realize she's lonely.

[I'm pretending that I'm used to being alone, but I'm not really that strong.

The scenery is the same as always, the city is the same as always.

Even though I think everything will stay unchanged.

I still feel like I'm the only one who's tiny. Instead of "See you later."

I should've said, "I'll stay for a little longer."

I wanted and hoped that you would realize it.

But with the words "See you later,"

I lie to myself again.

And hide my true feelings beneath my usual smile. Saying, "See you later," I wave my hand.

Cracking a smile, yet I'm feeling lonely.

The truth is, I still have more to talk about.

But even my voice saying, "See you later"

is so near yet far from you that it can't reach you.

So let me say this like I always do, just once more: "See you tomorrow"]

This is definitive proof that even BEFORE Rebellion, this was already confirmed to be Madoka's true feelings.

The second time Madoka's true feelings post-godhood are adressed is via Madoka and Homura's concept movie quotes explaining that the God (Madoka) is clearly suffering in her “heaven”, which is more like a prison of isolation. The lizard girl (Homura) takes pity on her and separates her humanity from her godhood, thus making her human once more. Here are also some direct quotes from Magia Record which provides even more context for what Madokami is experiencing:

All of this, with the addition of Madoka's words in the Flower Field scene being confirmed to be her real and honest feelings, puts the whole “pulling madokami down from heaven” scene into a different perspective. Considering the entire reason why Madoka even became powerful enough to become God in the first place was because Homura's 100+ time loops linked multiple parallel universes together with Madoka at their center, and it's confirmed Madoka was suffering as a god, I would think people would be happy to see Homura reverting Madoka back to a human being and rewriting the entire universe to be a world where Madoka is happy and free, surrounded by her friends and family???

The fact that Homura's love for Madoka was so strong throughout 12 years of 100+ time loops, it turned Madoka into a goddess but when Homura was able to see just how isolating and lonely godhood was for her, she took her godlike powers for herself because she loved her and was willing to take on the exhaustion and isolation of immortality as the devil to spare her of anymore pain and sadness. Homura freed Madoka from a nonexistential purgatory prison and a decade later she's still demonized for it, how insane is that??

#pmmm #pmmm rebellion #pmmm walpurgisnacht rising #pmmm walpurgisnacht no kaiten #puella magi madoka magica #madoka magica #madoka magica rebellion #madomagi #mahou shoujo madoka magica #madoka kamane #homura akemi #madoka x homura #homura x madoka #madokami #homucifer #akuma homura #ultimate madoka #i dont want to see not ONE “oh but she still shouldn't have done it because it's not her decision to make it's madoka's” argument #what the fuck is madoka meant to do?? she is literally stuck.#“b-but what about all the other magical girls??” what about madoka. it seems like homura is the only person to consider madoka's feelings #and yet ppl villainized her for it. called her a perverted freak who was trapping madoka in a cage like how fucking dare you #for an entire decade homura has been demonized for loving madoka when the entirety of madoka magica is homura's love letter to her #homura did nothing wrong gang this is for you and for me #homura did nothing wrong #and i stand by that idfc #court is adjourned #madohomu #cw long post #not tagging this as an analysis bc this is all material straight from the source and it doesn't get more canon than that

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