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popculturebuffet · 3 years

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Top 20 Animated Episodes of 2020 Part 2 (#10-#1)

And we’re back.. The first part is HERE, which includes the first 10 and my thoughts on this past year in animation, so we can cut the long intro and get right into it. This is the best episodes this year had to offer in animation, and it’s , without meaning to, at least a third bojack horseman. On with the show.

10. I Am My Monster (Steven Universe Future) “We all had Steven when we needed him, but the only person who's never had Steven is Steven. He's always been there for us, so... how can we be there for him now?“ Oddly “The Future”, a finale I did really truly enjoy.. is not on this list. Really good episode, it’s just Future was easily one of Steven Univereses best season, tightining up the pacing without loosing what made the series feel special and really digging into some of more unhealthy aspects of steven’s life. And while the future is good and certanily the needed epilogue.. this episode is the climax, the cumilation of EVERYTHING Steven had done and gone though and something fans sadly saw coming and just had to simply watch, unable to help as Steven slowly lost himself. Previously on this list we saw him hit rock bottom and it only got worse: He went to home world, attacked white diamond due to his pent up trauma and once again ingored attempts to help him, this time from the diamonds and spinle, angrily refusing to listen to his own words she she sang Change at him. This only got worse in the briliant and sadly edged out of the list “Everything’s Fine’ A really damn painful episode where steven tries to assert he’s okay and act normal.. only he cant and he destroys everything around him, and even repeats pearl’s text trick from a single pale rose with a pained voice message to connie saying to help steven. But the pressure of the LONG overdue intervension and the fact it came too late.. means steven confsses his recent sins.. and instead of taking them for twhat they are, spur of the moment acts caused by a toxic influence and a fuckload of ptsd and unreseovled issues with white that while certanly not okay are symptoms of a larger issues takes it to mean “Im a fraud”.. and thus he horriingly corurpts. So here we are as Greg, Connie and the main gems all gap ein horor as Steven has corrputed himself, reduced to a monster whose not even malcious just.. sad.. so full of self loathing he can’t function and at risk of STAYING like that. And the relization hits hard.. and hits everyone who joins in hard. The auxilery crystal gems soon join but attempts from both groups to stop Steven do nothing. The diamonds arrive.. and not only are saddneed by what htey’ve doned but equally powerfless to stop him. Everyone breaks down, blaming themselves for not seeing this sooner and for speding YEARS piling their issue on the kids, everyone ready to give up as they loose the person they care about most.. except one. Connie proves to be the hero of the episode, rallying the others with the above, pointing out Steven would happily help them if he could.. and that’s the problem. He’s spent his whole life fixing other peoples problems and focusing on that.. but never had someone to be HIS Steven. Fighting him’s not going to work.. he needs to know he’s loved... in the end the final battle of the series is not some struggle of life and death.. but of love. What wins the day isn’t a fight, though our heroes various powers do come in hand to restrain steven.. but it’s all of them, one by one telling them they love him in easily the most tearjerking moment of the series, cumilating in connie softly playing a kiss on his nose... and it’s this that FIANLLY frees steven from his self made prison.. finally realizing h’es not alone and that no matter who or what he becomes.. his family loves and forgives him. While we REALLY needed the next episode to wrap things up after this swell of emtitions. this was the climax the series desrved: after spending 6 seasons trying to help everyone ELSE and fix their issues he never should’ve had to.. it’s eveyrone else who gladly pitches in to fix steven’s own issues, to help HIM when he’s at his lowest point like they’ve been, and make it so he can FINALLY heal and finally find himself once and for all. IT’s one of the finest episodes of the series and easily the best of future.

9. The Perfect House (Close Enough) “I’m this close to connecting garfield, TO JESUS” This one’s just really funny, charming and creative. Simple as that.. I could move on but eh i’m a wordy bastard. Once again we’re focused on Emily, this time as we find out an endearing hobby of hers: She likes visiting open houses and fantasizing about affording a better place she likely never will afford, one with trash can nooks, a kitchen and a living room that are fully seperate, and indivudal bins for tea and sugar... and when it’s pointed out she dosen’t drink tea it’s only because she has nowhere to put it. But after Josh and Candace get them thrown out, if adorably so, Emily is forced to face reality... i.e. Alex, in one of the series finest gags, in his underwear with conspiracy boards trying to connect garifled to jesus and having a jug of his urine around for some reason. Did I mention I love this weirdo because I do. Brigette is painting in the ktichen.. using her body as the canvas, though in a bikini because the show wasn’t streaming only yet. You’ll have to wait a season for possible boobs. Naturally this just stresses her out so she goes to visit more houses while Josh vows to buy a family bike, a large circular bike for the whole family, as an activity because of course he does and of COURSE he also has a recurring issue of being mocked by some random kid about not having one.

So she escapes and meets dave and caitlin, a husband whose family life is miserable and a child star who got emanicapted and they quickly form a psuedo family to look at open houses.. only to, as if to remind you what show your watching, instead end up in a tgif sitcom... and trapped in a styigian void, with only Emily desperate to get out. Also she’s been missing three days and Josh has some thoughts on that and goes after her. Naturally given she’s crashing in on her fake sitcom family, this oly has him seen as a plot element, and Emily’s attempt at cursing and everything she can , while hilarious fail.. but the climax is what makes the episode and what inches it slighlty above quack pack.. which itself was fucking awesome. Instead of FIGHTING the format... Emily is forced to play into it, and realizes a cheesy moment of emtional honesty is what’s needed. She apologizes to her fake family, saying their nice but she has to face the world and to josh and much like Donald, seroiusly this episode was made years ago and there’s no way in hell frank knew about it, she just needed an escape but it’s more healthy: instead of wishing for a life she never had Emily just wants a break from the life she does for five minutes. She’s happy where she is, with her loving husband, wonderful daughter, impulsive but still carring best friend.. and well okay maybe not Alex, there’s somethihng really wrong with him, but as much as I love the guy I admit he’s not for everyone. I’m also a borderline feral man covered in hair who wants people to know i’m smart. I get him.

IT’s this that sets her free.. and we get another amazing gag as Dave’s family shows up and Dave chooses the fantasy.. though instead of this being thorughly pogiant it’s just “classic dave”. COmplete with title sequence. And of course it ends on a family bike with Emily getting those tins from Josh. Their relationship.. is REALLY what makes both this show and this episode in paticular work. Here while Emily screws up, it STARTS innocently enough, simply faking being a family and spirals into tgif because while this show isn’t, possibly, in the regular show cinematic universe, it’s defintely in the same multiverse. She just wants some peace of mind from a chaotic life, but dosen’t resent her husband or anything.. he just frustrates her sometimes which is fair. But he’s never portrayed as an abusive asshat which you think would be a low bar to clear but.. you’d be suprised. Point is it’s a wonderfully weird and somehow still unique despite being one of three tgif parodies this year. Seriously that shit is a goldmine. It’s how Dashieel Driscoll got half a season out of full house and a good chunk of a very special epsiode as a whole out of it. Though a certain incident helped.

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Point is good show, jolly good show... and ew’ll be right back with the rest afte the cut

8. Agony of a Witch/Old Bodies, Young Souls (The Owl House) “You always thought you were better than me! That I could never Beat you at anything! “ “I AM Better than you!” “Then WHY WERE YOU SO EASY TO CURSE?!” The Owl House was a show I took WAY too long to catch up on after missing the second half of season 2.. minus Enchanting Grom Fright which I caught first run and we’ll get to that story shortly. Point is my procastnation did me dirty here as this show , which was already fantastic just got better and better, cumulating in this epic, heartdestroying, soul punching, beautifully animated finale that takes everything the show has built up thus far, blows it up in some places and uses it to beautifully end in others, leaving us with a new road for the future. So yeah naturally it’s been a long ride as one of Owl House’s strength.. is that no episode is filler. No really, each one has a purpose great or small in the larger narrative, and every major arc has been expertly paced and crafted, bringing us to this point. The only major arc or plot thread left out is Amity, and that’s honestly for the better. Make NO mistake, she’s a great character.. but like fellow great Donald Duck, she was left out because the episode had a LOT of emotional stuff going on, a lot of plot to fit in, and a lot to do and it’s simply better for her character and for the moment’s she’s bound to have in response to well.. everything happening here, to let it breathe next season rather than try to shove it into an already stuffed two episodes. But this episode is one long string of payoffs, and payoffs creating more setups: So all season Eda, our loveable witch, has been grappling with a curse that turns her into an owl beast, one that’s been getting worse as far back as the mid season finale Escape from the Palisman. She’s been needing more and more elixer to combat it, a harrowing parallel to some real world diseases: Sometimes your meds can only DO so much to combat something actively killing you.. thankfully this time.. not speaking from personal experince. And Luz finds out soon into the episode as Eda makes a cloak of witches wool, which can deflect powerful spells, to protect herself.. only to black out and go owl just as she’s saying she’s fine. Like most parents would Eda hid just how bad things have gotten and it’s gone from needing just one bottle of elixer to needing their entire suply, and even that barely worked. Despite her mentor’s assurances, Luz is now PAINFULLY aware her mentor is on borrowoed time... not helped by the fact the coven attacked earlier that morning and she finds out by finding hooty playing tea party with them, meaning Eda is outgunned, outmanned and while Lilith failed, again.. the emperor can now easily find her himself and send whoever he wnats and however many people he wants to fetch her.. and Eda can’t use too much of her magic or else. So while Eda and King, touched by how much Luz has changed them, decide to throw a suprise party with King making a big cake to jump out of and Eda using witches wool she intended for herself to make her a cape. Meanwhile as you’d expect Luz.. is plotting a dangerous and life threatning mission: with a field trip to the Emperor’s Coven that day, one she was going to sit out because you know they hate her second mom for dogmatic and vile reasons the episode fleshes out, she finds out they have an artifact called the healing hat that can seemingly heal anything. So she does what Luz does and comes up with an impulsive plan to heist the thing.. but for once her impuslivness isn’t played for laughs. Her mother figure is slowly sucumbing to a fate worse than death, for once instead of just acting rashly because Luz.. she’s doing so because she KNOWS, that she has no other choice. Nothing else in sight and she’s smart enough to know that if Eda had a cure she’d of told Luz about it. Even if it was dangerous or required a sacrifice or something Eda would’ve just left that part out. But the trip serves a few other purposes besides getting Luz where she needs to be for the plot that makes it work: it elaborates on just what the emperor’s coven is like and WHY Emperor Belos gets away with everything: He claims to speak for the titan, the giant dead monster whose body makes up the boiling isles and who, as Luz has discovered, is the source of the magic there. So when he bloodily, I mean it’ sa kid show so they dont’ say so but given how violent this one is i’m asssuming bloody, took power, he claimed they were doing magic wrong, killed any hertiics and set up the rigid coven system. It explains just WHY the boiling isles limits themselves, gives the whole thing a creepy dogmatic religion vibe.. something that i’m REALLY suprised disney let them get away with as they had to fight for gays in the series.. but at the same time shouldn’t be because hunchback of notre dame exists and Soul , released the same year, was a big gamble against the bible belt. So their not afriad of religious groups.. but they ARE afraid of homophobic groups.. which have a lot of overlap.

Point is it’s a good storytelling device.. and cathartic given i’ve been playing Fire Emblem: Three Houses as I finally bought it with some christmas money. Good game, probably will talk about it in the future, not the point here.

The point is that the visit gives us some worldbuilding that helps show just how much of a threat the coven is and why their so intent on capturing Eda. We also finally meet belos, god emperor and man tired of Lillith’s shit and giving her till twilight to get Eda.. or presumibly die. I mean he dosen’t say it but he sure is implying it as loud as he can. That’s when things go pear shaped for Luz who finds the hat.. and LIlith who has found her barganing chip to lure Eda to her, which works as well as you’d expect and leads to the best figh tin the series thus far and one of , if not it’s best scene; A duel between edith and lilith. And while they fought back in Covention this time it’s not a petty squabble between siblings masquerading as one trying to capture the other.. it’s fight NEITHER can afford to loose. Eda can’t loose her protege and Lilith will loose everything, dying at best being cast out of the coven at worst, if she fails not to mention loosing what she feels is her only chance at saving her sister. But it’s also VERY clear Lilith is groosly outmatched, and while no slouch herself Eda’s constant bragging about being “the most powerful witch on the boiling isles”.. is entirely backed up. Lilith barely is able to hold herself and only gets ahead by using a child as a shiled, going even lower than her sister. However the stress of this, the build of having been the older sister of someone who constantly outshined her then turned entirely against her, finally causes lilith to snap.. and reveal the curse is her fault. Cissy Jones delivery here.. is jsut perfect, showing a mixture of rage and pain, showing that she’s spent YEARS hiding this, years resenting her sister for constnatly being better desptie working harder and doing the right thigns. Even when she’s trying to HELP Eda, genuinely trying to undo her mistake as we find out and as we’ve seen genuinely sees the emperor as the wise and benevlolent god he portrays himself as.. she can’t let it go. SHe can’t see past her own bitterness to see her sister is right and if she could just let this go and work on Eda’s terms instead of forcing Eda into her world, then maybe it wouldn’t of gotten this bad. Maybe she could’ve told her.

Eda takes it about as well as you’d expect, and Lilith.. uses this to threaten luz’s life and force eda to use up her magic to save her, leading to the series most heartbreaking moment and Wendy Mallick’s best acting so far as she bids her appretnince a tearful farewell. Luz RIGHTFULLY and angrily lashes out at lilith calling her a monster while Lilith takes Eda and urges luz to go home... and after a tearful ending with king realizing something’s deeply wrong.

So thus next episode after a history lesson from king and some suprisinging caution as he KNOWS what Luz is up against.. Luz still decides she dosne’t care. Eda’s sacrificed herself, to Luz it’s her fault she’s in this which while KINDA accurate missues some fine points such as her sister’s stubborness or the fact had lilith not shown up she could’ve taken the hat. And the fact LIlith saying the hat was junk was pretty unreliable. What i’m saying is maybe the child shoudln’t blame herself for being kidnapped while genuinely tring to reach the same goal.

But Lilith soon learns to her horror her sister was right. While Belos restores Eda’ss sentience even fully owled.. he has no intrest in helping her, eveyr intrest in publicly petrifying her, and not even the slightest hint of remorse at betraying lilith this deeply. After all her faith in the man.. Belos spat in her face and told her to like it. Meanwhile Luz goes on the warpath, and we see just how far she’s come.. and WHY Belos is probably so restrictive with magic and put it on such a tight leash: we see that with her natural power and just a handful of spells, the four she’s pciked up over the season, she easily curbstomps the conformotrium staff, gets to Eda fairly easily.. and fines sshe can’t free her and eda wants the door destroyed so whatever Belos wants with it, he can’t have it. Luz heads home, ready to destroy the door.. onlyt of ind two things. her magic dosen’t work there.. and Lilith followed her and grabbed king. After a breif fight and Luz angrily and rightously confroting the asshole, wish she was in Eda’s place.. Lilith admits luz’s right and gives her backstory: That her insecurity was so great that on the day before a duel with Eda to determine who got into the emperoror’s coven, she curfsed her own sister, with no idea it’d last this long or get this bad. And with no idea Eda had lost intrest in it and WILLINGLY gave her sister teh spot.. It’s very clear despite her masssive flaws that will need to be adressed.. lilith never stopped caring about her sister, and it took all this to make her realize that trying to fix the mistake on HER terms without including her sister.. instead has almost cost her it. So Luz and King relucntnatly take her help, though the other two are quickly capatured when theyt ry to get to hte exceution platform and thrown in the cage with Eda.. which dosne’t help the coven’s reputation as gus and willow try to make a case for Eda. Meanwhile we get the SECOND best fight of the series as Luz challenges Bellows.. and it’s UTTERLY chillling and while he’s had scenes before this it’s here we get the true scope of who he is ..and that like eda the god complex is something he can back up. Whlie Luz proves just how strong she’s gotten by keeping up with him it’s barely, and it’s clear from the moment go, and one of the series best shots, with Belos creeply materlizing behind her before announcing “sure, i’ll play” that this is a game. She’s no challenge to him and he simply wants to see waht she can do and is mildly impressed if a tad annoyed at her actually damaging his mask. But with Eda, King and Lilith’s lives in the ballance the only way Luz can save htem.. is to give him waht he wants.

Thing is, just like Lilith, just like everyone has, good an dbad all season.... Belos undereesitmated luz.. who left fire runes on the door, willnig to sacrifice ever seeing her mom again if it meant keeping him away from her. While he has no invasion planned whatever it is CANNOT be good. Luz saves them, and Eda flies them off with Belos saying the titan dismissed them. Also that Belos has a big penis.. super huge, size of a tractor that one. Yeah that’s the ticket.

But we get a happyish ending as LIlith does what she should’ve done a long time ago and apologizes, and Eda starts to fogive her, brought on by King earlier standing up to her as whle he’s not happy with her either, he realizes from her story she’s not a bad person.. just a very messed up one who couldn’t own up to her mistakes. One who belivied in the wrong person to fix her problem and finally takes repsonsiblity and part of the curse into her. So with the sequel hook of Eda having lost her internal magic power but still being able to use glyph’s like luz, we also find out the Emperor has the door and a mysterious masked minon,.. who i’m fairly certain isn’t amity only because it’s too obvious. This is simply how you end a season: It’s engaging, heartbreaking, well animated and pays off EVEYRHTING so far while setting up the season to come. It’s going to be a LONG wait till next time, mid-this year.. but I can wait. The high from this one’s going to last a while.

7. Good Damage (Bojack Horseman) “ That means that all the damage I got isn't good damage. It's just damage. I have gotten nothing out of it and all those years I was miserable was for nothing. I could have been happy this whole time and written books about girl detectives and been cheerful and popular and had good parents, is that what you're saying? What was it all for?! “

Bojack Horseman is one of the best shows of the last decade, and an important one to me. it was the first one I watched when we switched to all streaming. I really related to Bojack and his struggles with depresion and self loathing.. which backfired given he’s a much worse person than me and while I could relate, I also compared myself too much to a character who in retrospect is both far worse and has FAR MORE issues than I do and diffrent ones at that outside of the depression and self hatred. The point i’m framing is that the series and I have a complicated relationship and that coupled with how bad 2020 was meant it took until a few days ago to finally finish it, almost a year later. But I cannot deny how good the show is: it has faults, a bit of reptititon in some character arcs, casting a white woman as a Vietnamize-American woman (something both Ralph Paul Waskerberg and Alison Brie have apologized for to their credit), and .. I can’t think of a last one. They never brought Ralph back? Yeah let’s go with that one what the fuck there. So I felt I owed the show one last round and it payed off as the final stretch, while easily the hardest to get through due to covering the collapse of Bojack’s life, is easily one of it’s best.

But before the fall, we get Good Damage, which instead of focusing on BoJack focuses on Diane, said asian woman voiced by a white lady, neurotic writer and Bojack’s best friend, who has moved to Chicago to be with her boyfriend guy, a chill, charasmatic and likeable buffalo cameraman. Things are going better than they ever have: she’s in a supportive relationship and thanks to her antidipresenants, while still her loveably neurotic self, is now not obessing over shit as much and is solving her problems with applomb. Even the weight gain from her meds, which she dreaded in the previous half of the season.. has insteead only made her look healthier and happier, and more beautiful than ever.

The only problem is she can’t write her long promised Memoir, which Princess Carlolyn, her former boss, agent and loveable pink cat and single mother, has promised to a lot of celebrities. She TRIES, she puts lots of work into it, keeps trying to sit there but nothing comes out. And what makes the episode truly great is how this is presented. Bojack is no stranger to beautiful, visually diverse episodes, Stupid Peace of Shit being a notable example and one similar to this one but uniquely great in it’s own way, but this one is easly the bes,t using a squiggly crude style to show just how chaotic and uncomfortable diane is and how stuck she is. She’s TRYING, but she just can’t make her life’s story into anything GOOD, she can’t get the words out which as someone whose had reams of projects I never startd, even to this day and who has genuine trouble writing fiction.... I related to this like all hell. But even people who have never had an intrest in writng can just get the feeling thanks to the wonderful writing and animation, from cameos by the rest of the cast to Diane’s father showing up as a goblin to the word boxes showing what she’s writtne it’s just a treat. But what centers this amazing visual represtnation is Diane’s internal struggles as an encounter with a rude sales person leads her off on a tangent..and to Ivy Tran, a teen detective whose upbeat, optimstic, and in a great bit outlines who she is in jsut the right amount, and solves mysteries in a food court. It’s a genuinely good idea, one I honestly think could support it’s own series... seriously get on that Ralph-Bob. Get on that. Point is it’s good.. but Diane’s so hung up on what she SHOULD be making, she can’t see what’s right in front of her, despite guy saying the passages are good. Things come to a head when Diane makes a huge mistake and goes off her meds.. which from experince never ends well: for the entire episode she’s been under the impression she can’t write because of them.. only to be proven HORRIFYINGLY wrong. It’s a VERY necessary aseop: that your medication will always be with you and that going off it suddenly, or blaming it for writers block not only isn’t true but is DANGEROUS. Diane spirals, cries and her writing gets dark and full of self hate. It’s then Guy proves just how fucking majestic he is: he figures out what’s going on after she tells him, and helps her get to bed so she can rest, puke whatever she needs and they’ll talk about things after she takes her meds again and gets her head on straight, when she’s in a good place to do so. As someone with mental illness.. ti’s nice to see a character who not only supports someone fully, but knows how to handle it. Instead of a shitty third act breakup like many shows would do guy stands by her. He does however step SLIGHTLY over the line, if iwth good intentions and reason and send Princess Carolyn the Ivy Tran pages, because as he puts it he made an executive decision.. and when Diane is a bit annoyed by that as it does sound a tad douchey, he rightly points out she was in a really bad hole of a place, stuck in a loop doign something that even before going off her meds was clearly hurting her and going nowhere, and needed SOMETHING to snap her out of it, and did so not to hurt her or because he thought he knkew better or , like her ex husband, because he was oblvious to her needs; he did it because it was the hard but necessary thing to get her to seee she had something special and that she dosen’t have to constnatly tear herself up by diving into past traumas because of some internal obligation.

Naturally Diane dosen’t take it despite Princess Carolyn not only being impressed but PREFERRING the ivy pages, as she was genuinely unaware Diane had something so happy and charming in her. While Diane is worried about it when the two end up meeting in person, we soon find out why: If all the damage she went through wasn’t “good” damage, things she could writ eabout and use later.. what was it for? Could she of just been happy this whole time? Did she waste her life. And in a rare moment betwen the two PC helps Diane walk it back, explaning that she can do what she always wanted: write something that makes someone like her feel not alone. That she dosen’t HAVE to make her life story into something complicated, just make what makes her and other people happy. Something PC’s daughter could enjoy one day. So Diane finally accepts that maybe there’s something else for her.. and then we get a segue into the next episode with bojack having a panic attack and pasing out but that episode, good as it was didn’t make it so moving on. We also check in with Penny, the daughter of an old friend of bojacks who he nearly slept with and is stil haunted both by the decision and a drunken later visit to apologize... which isn’t helped remotely when max and page, two reporters inovlved in teh subplot that tears bojack’s life apart, start hounding her. While they have good intentions, exposing Bojack’s connection to Sarah Lynn’s death, the two’s methods still come off as creepy, following a, at this point , 21 year old girl whose been through ENOUGH home. While the two aren’t terrible people their actions.. are.. while getting hte story ismprotant is it truly worth genuinely harming this person. And penny wonders if she SHOULD air her story.. she ends up not.. but only because her mother, while lettiner he decide, poitns out it may not be worth all the pressure and possible trauma it digs up,especially since Bojack is getting what he deserved anyway. IT’s a decent subplot tha tties up a loose end but really makes our journalist characters feel like assholes for again, basically stalking and harassing a young woman who didn’t want to rehash the worst moment of her life. Otherwise top notch stuff.

6. Heart (Parts 1 and 2) (She Ra and the Princesses of Power) “Don't you get it? I love you! I always have! So please, just this once... STAY! Stay. “

Now we get to the gays winning.. and to one of the best series finale in recent memory. And given the other two titanic shows ending, one of which we’ll get to’s ending in a moment, last year, it’s a huge compliment. Heart is how you end a space opera... with big wonderful speeches, great payoff, a huge climax.. and a beautiful cathartic kiss paying off the relationship at the heart of the series that ends up saving the universe. So let’s just go ahead and crack open that pinata: The kiss.. was easily one of the best moments of animation this year and, at a time when the quarantine was starting, misery was spreading, and things looked pretty damn bad, having a major animated show, one of the biggest of the last few years, climax with an emotional moment between two women, one the series had been setting up since day 1... it was a huge step foward for gay representation in children’s animation, and warmed my big bi heart. And it’s not just good because of that: the fact it’s a giant pile of representation is wonderous, but it’s because it’s also well baked into the show. This is the conclusion of both their character arcs: Catra finally realizes Adora will not abandon her and her leaving the Horde was not choosing them over her.. it was simply doing the right thing. So instead of running or trying to escape she’s grown enough to fight for what she wants and fight for a future with Adora. Adora meanwhile finally overcomes her martyer complex, her determination, especially after Angela’s death, to make sure no one else is gone and she’s the only one that suffers and looses. To make sure there’s nothing else. It’s Catra’s confesssion that FINALLY gets it through her thick skull that she dosen’t have to be alone or bear anything alone.. she’ll always have someone with her to do that.. and even before Catra.. she’s always had friends for that. She dosen’t have to be alone. So the two embrace and it’s fucking beautiful..and gives adora the full power of the doomsday device they went to shutdown in the first place, restoring the planet.. and allowing her to destroy horde prime’s fucking soul. I just want to reiterate that because it understandably got lost in the shuffle of the gays winning, but our heroine fucking tears out the main villian’s soul.. and it is SO damn satisfying given what a truly repulsive , irredemible, asshat Prime was. So the two finally get a future together, a chance to build and to stop letting the past define them. It’s wide open. But while that alone would probably net it on this list but it’s damn good otherwise, an epic final struggle between our heroes and the horde for the fate of not just their planet but ALL of htem as Prime prepares to finally wipe everything else out in egomanical genocide. There are just.. tons of awesome moments in this one: Bow and Glimmer’s suprising but welcome love confession, Seahawk annoying mermista into fighting her chip, the people of etheria fighting back.. and the reason they do is easily the second best moment of the episode. With the chips down, not literally, and things looking bleak Bow hyjacks Prime’s egoamnacial hologram.. and broadcasts for everyone to fight, to fight back, and to END THIS. After spending most of the series as the one trying to keep his friends together, the glue of everyone.. it’s bow’s heart, courage, and voice, the one that lead his friends through some rough times and severed as reason when they needed it most wether they listned or not.. that frees the world and with Entrapta turns the tide at long last. It’s just a hell of a moment. And the only other moment equaling it is Hordak freeing himself and deciding he is his own man, he made himself tha tway for better and worst and kills prime, at least before adora finsihes the job with the badass “I am HORDAK and I DEFY your will. “ It’s just a wonderful, epic finale that pays off most of the shows major arcs, gives our heroes a MUCH deserved happy ending after spending their lives at war, and let it be said one last time, gave gay representation in children’s cartoon one hell of a win.

5. Nice While it Lasted (Bojack Horseman)

“ No, I need to tell you... thank you... and... it's going to be okay... and... I'm sorry... and... thank you... “

Back to back finales here and honestly both are REALLY close in quality, both satisfyingly paying off their series. But both take equal and opposite routes: Heart is an epic finale in scope size and impact... while Nice While it Lasted is a very stripped down character piece: there are other characters in the background but after the intro the only voiced characters in each segment are Bojack and one of the main cast, each one both showing how much said relationship has evolved since the show began, and giving Bojack time to reflect on his possible future. I say possible because one of Nice While it Lasted’s best aspects it that there’s no real concrete ending for Bojack. Ther’es still closure: after his life emploded and he nearly died, more on that in a bit, Bojack ended up in prison, offically for breaking and entering but unoffically for all the shitty things he did with him glumly accepting it. So one year later he’s out thanks to Princess Carolyn for her wedding, sober again thanks to prison and even started his own acting class at the prison he’s geninley invested in, inteding to continue it once he gets out. But otherwise.. his future’s in flux. HE’s sober for now, but he’s painfully aware that could change again, his friends while, with one excpetion, still having a place for him in their lives, have moved on, and his career is on the upswing again despite being a pariah a year ago because as I mentioned earlier and as PC brilliantly puts it

So he could become a better man, get his career back, make amends for what he did and stay sober.. or backslide and fall down into the same traps he always has. It plays into an aseop the series has always preached: There are no real endings, life just goes on. Even for the rest of the cast hteir lives aren’t over.. their just in a good place.. maybe bojack will, maybe he won’t. Tha’ts up to the indvidual viewer and I like that. While ambgious endings can be frustrating and I get while some preferred the more concrete if still somewhat ambgious ending of a view from halfway down, I feel this fits the series better: Bojack, like the end of every season is moving on to something new, but this time we don’t know what, and that’s okay. IT’s time for us to move on. Well okay not from this entry as each vingette deserves some praise: Our first has Mr. Peanutbutter pick up Bojack from prison, and even get him a new suit.. and then another one offscreen because predictably for his life BOjack got meatball all over it. He also calms our hero down when he wants to go back to jail, letting him know it’s okay and he’ll be there for him.. unless his friend Erica shows up but what are the odds... 1:1. But what’s nice about it is while Bojack still makes jabs, it’s clear he’s gone from truly hating and resenting PB for being the betterversion of him.. to truly seeing the guy as one of his best friends, his jabs having gone from hurtful and bitter to wry and warranted. I mean they were warranted a lot back then too he’s just a lot softer about them.

At the wedding Todd and Bojack finally reach some form of understanding after years of awkwardness, the two having reconclied but not being really remotely close or in each other’s lives hardly anymore after Todd’s understandable blow up at Bojack in “It’s You”. Here Todd has Bojack rush him to the beach to cary him on his shoulders.. to watch fireworks because he could tell he was overhwelmed, the two having found a rhtym again, with, like with mr peanutbutter, Bojacks jabs being a lot friendler and Todd having a respect for his own needs while actually being present for bojack instead of ignorant of how bad things were like he was at the start. He even helps BOjack see even if he DOES replase.. he can get right back on the horse, couldn’t resist that one sue me, and as the hokey pokey says turn himself around.

After, in one of the best payoffs of the series, finally trying Hondedew and finding it’s not so bad, Bojack dances with PC, admittingh e half hoped he’d have to help her go thorugh with it before the two run through the scenario, and PC expresses some honest fears with bojack helping her showing how the two hav egone from a horribly stiffing relationship.. to two close friends who are probably stuck with one another for life. Sunk costs and all that. And if bojack does want to act again she knwos some people. But for now PC finally really has everything she ever wanted:: A daughter, and a loving husband in judah.

Finally we have the most painful of the group because of course the Bojack finale wouldn’t be all sugar and would have to punch us in the gut. Bojack finds Diane again who hasn’t talked to him.. because he called her the night of his near death/sucidide and due to putting the blame on her due to being high out of his mind, made her feel like it was his fault during the 7 hours she could reach no one and thought he was dead. Diane is hurt, feeling betrayed that bojack promsied he’d be fine then possibly left her with the pain of his death on her concious forever. Thankfully she’s doing fine, as she’s now married guy and Ivy Tran is a huge success and probably a series now.. but it’s abudnantly clear her friendship with Bojack is over.. but even this bittersweet, and necessary, seperation, as Diane has moved past LA and Bojack needs to stop relying on her and stand on his own two hooves, still warms the heart as she thanks him and lets him know i’tll be okay, and endugles him in telling her one last story, a rathe rfunny one about prison movie night bfore the series ends on the melancholy and apporriate song mr blue as the two gaze out and they see each other and we see them for the last time.

4 The Wasteland (Infinity Train)

“I'm as good as dead, and if my last act is to bring you with me, sliver, I can't imagine a better way to go!” “Well, I can! “

So from a bittersweet ending to holy shit that’s depressing, we have our only entry from Infnity Train on the list. That’s not to say the series did bad this year. Season 2 was easily the series finest hour, taking the framework from season 1 and crafting a gripping story of a teenage mirror person who just wanted to live without assholes trying to kill her for what she fundementally IS, and be recognized as a person, with the help of a magical deer and a more optimstic teen grappling with his peer pressure issues. The series was still undoubtly silly with a parasite voiced by Bill Corbett, wonderfully so, and again a magical deer named Alan Dracula, long may he reign, it simply deconstructed the nature of the train and thus opened up the floodgates. By giving us a denzin who, after years of being someone’s reflection in both senses of the word, just wanted to live and how that clashed with the train and the racist assholes she met alnong the way, from the ones who wouldnt’ stop trying to kill her.. to humans who considered her as nothing more than a plaything at best and something to get rid of at worst. While Season 3 was not bad, if a bit way too strcuturally messy and trying to do too much at once, Season 2 still handled the same issues but in a much tighter frame storywise. And that’s why only one episode made it: Most of the episodes, espicially the later ones, are pieces of a large whole, with the show being heavily seralized. Which while a great approach intended for streaming, also means it was hard to find a chapter that worked that well on it’s own, steven universe future had similar issues. But I did and the wasteland is easily the darkest, harshest and most intresting episode out of the batch. The episode opens at MT’s darkest hour: The apex told the mirror police where she is, Jesse is gone, and MT is now running for her life from the sadstic assshole and his spinless partner who want her dead just for existing.. gee can’t imagine why a bunch of assholes refusing ot acknolwedge other peoples opinons, rights or even existance was a big topic last year.. or this year.

So while Mace, the main mirror cop, manages to handcuff her MT manages to throw him under the train. THe result is her trying to escape the train by wondering i’ts vast desert, forced to drag Mace along as he taunts her, bleeding out slowly from you know being bisected by a train. It’s a really moody peace as Mace mock’s mt’s dreams of escape and justify’s his own selling out, while MT pokes holes in that: he was so desperate to not nonexist.. he’s willing to kill others who just want the same. IT’s a damn hard watch but fuck if i’ts not compelling.

And the climax is what makes it. MT finds out she can’t leave the bounds of the wasteland, as it only projects so far and after escaping the ghoms ends up back on the train, with Mace, not long fo rthis world trying to kill her.. so we get a 13-14 year old GRINDING HER HORRIFYING ABUSER UNDER A TRAIN WHEEL. Just jesus.. I mean I kind of get HBO Max’s point that MAYBE this is a bit much for kids. I mean i’ve seen other really dark stuff but holy fuck a man died.. and we see his blood splatter. But it’s this horrible, harsh moment that makes the episode.. as is MT”s reaction.. not one of triumph.. but of exaustion and horror at what she’s done, before steadying herself to prove him wrong. A hard one to write about but damn it was good.

3. Enchanting Grom Fright (The Owl House) “Dear Luz, will you go to Grom with me- Amity” Now we THANKFULLY get to something lighter: the gays winning.. again. Coming out during pride month, phrasing, and only a month after the she ra finale we got this delightful episode. As I said earlier I watched this one first run: while I was super behind, I couldn’t resisit to the point I watched it before that week’s amphibia. I was that curious what was going to happen. See as i’ve given out about quite a lot.. and I mean a LOT, Disney dosen’t have the best track record with gay representation: they don’t do horrible sterotypes or anything.. but they also don’t do much of anything for the most part. Alex Hirsch has outright spoke about how much he had to fight just to get Blubbs and Durland firmly together in the finale, and how the symbols for the love god were widdled down to just male and female. And around the time this episode came Disney was coming out of a REALLY bad batch of pr stunt gay representation: They made a big deal about the first gay x in an x having gay characters in avengers endgame, star wars: Deep Hurting and onward.. but these were cameos AT BEST, with the endgame one being so minor I genuinely didn’t realize the character was talking about dating a man and only found out afterwords. Sure Ducktales had gay dads, which is awesome and always will be.. but none of the major cast was allowed to be openly gay. I mean we know webby and lena are gay but hell if disney would allow that. But miracoulsy.. shockingly and wonderfully.. Disney DID mange to finally just say fuck it and let some big gay rep in, something so obvious it can’t be ignored and that actually features the main character and one of the most major supporting characters. And what do you know, the good press and pats on the back outweighed the bad. It’s almost if giving up homophobic markets in exchange for doing the right thing.. is a GOOD thing while also being profable. Who’d a thunk. Point is via sheer perstiance, Owl House creator Dana Terrance got to not only make her lead bi, which Terrance herself is, but have her love intrest be a girl. And I find it genuinely wonderful that gay, bi, pan and what have you children can watch this and say “tha’ts me and this is okay”. But even minus Owl House saying gay rights.. the episode is just REALLY good and part of it is who it focuses on. Amity easily has the most character devleopment out of the cast going from someone who walls herself off from everyone, revels in her superiority.. to slowly opening up to heroine Luz, realizing Luz is not a bad person and that Amity herself dosen’t have to be, and right before this starting the road to patching things up with her former best friend willow. Allt hrough this said friendship had been prettty, prettyy, prettyyy gay. And that’s wonderful obviously, but part of why I watched this was while I HOPED they’d get to be couple.. I wasn’t convinced since see a fucking bove. But I was happy to realize that oh my god I was wrong, the gays won all along.

So with Amity a better person she’s naturally syampthetic when sh’es put front and center at hexside’s prom equvilent which while having a dance, gromprosals and a disco ball tha’ts also a sentient being, becuase boiling isles, it also has the queen or king forced to fight a horrifying monster that manfiests as your greatest fear. And, as we find out towards the end.. Amity’s is being rejected by Luz, having her love letter, which she fails to deliver due to running into luz.. and co (which is my faviroite gag of the episode and the adorable smiles gus and willow give in response are what make it). And . it makes sense. When you stop and think about it.. Luz is the best thing in her life. She got her to change as a person, genuinely cares about and adores her, just wants to be her friend and thinks the world of her. Given her siblings, while trying to be better, are two disaster bisexuals who just stopped a lifetime of untietonally harsh bullying and her parents are controlling asshats who made her abandon her best friend at a young age and she sees LILITH as a mother figure, just let that sink in given a few entires back.. yeah.. no wonder sh’es utterly terrified of rejection. Poor baby.

Of course WE know Luz wouldn’t. Luz may be many things, including oblvioius to thte freaking obvoius as this story line has revealed, but shes not cruel and even if she said no, which I higlhly doubt she would, she woudln’t be a dick about it. But being surrounded by cruel assholes for some time has made Amity a bit paranoid so Luz volunteers to sub in to both genuinely help her friend.. and to prove to eda she can do this. Eda is also chaperoning. and looks neat in a suit, while King and Gus get a wonderful b plot of mcing the dance with the egotisticl king having issues with stage fright. I will get more into that when I review the episode proper, come back in a month for that. But yeah while Luz does well when the time comes, and while sadly not wearing her otter suit does wear a wonderful tuxedo with a tutu.. she has her own repressed issues to adress as Grom takes the form of her mother, as Luz has been nursing guilt over not telling her the truth about what’s going on. Luz runs, and Amity ends up facing her fear to save her crush and the two get a wonderfully romantic, and desturctive dance together as they face hteir fear, untie as one and kill that motherfucker... well okay i’m not sure grom can die but it’s gone for now. The dance sequence.. is easily one of the best scene’s all year, beauituflly animated and painstakingly planned out, with wonderful music.. it’s just awesome and what takes the episode ove rthe top, with the two perfeclty in synch as they take grom out in less than a minute. Also king become prom king and queen, he is best of both as Luz’s own personal issues put a damper on things. Also someone’s been writing her mom.

Overall just a perfect episoe and a perfectly gay episode of one of the best shows going right now. Speaking of a perfect episode of one of the best shows going right now, tha’ts also on disney.

2. Escape From the Impossibin! (Ducktales) ”We have to keep them safe” “But not like this!” So from some emotinal torment mixed with some lovely shipping, we get a whole buttload of emotional anguish but with a robotic scrooge and the time loop room and the time loop room and the time loop room, and time l...

As I said in part 1, Season 3 is easily Ducktales best so far, having far better pacing, character ballance and bolder and more intresting stories than ever before. While the first two seasons are still excellent, this one has taken everything great and honed it and no episode shows off just how great this season is than this one. This one takes place in the fallout of “Let’s Get Dangerous!”, with the family dealing with finding out FOWL”s not only still alive, but is run by Bradford, head of scrooge’s board of directors former shush agent as we’d find out later, and asshole, who knows all their secrets. And given Scrooge is mildly paranoid on a good day and Beakly is extremley paranoid on her best day, it’s done a number on both as they’ve split the family minus launchpad, who just had a whole episode so fair enough, up: Scrooge has taken Della and Louie, wiht their see all the angels schtick, to test out his new security, while Beakly and Donald are securing the house while Beakly has webby throughly test the boys. Neither side goes well. The bin ends up locking our heroes out due to Scrooge’s password being changed, and forcing them to work past it. Louie rises to the challenge, as does della.. but as they beat a robot versoin of scrooge, because of course the final test would be a robot version of scrooge, Scrooge is instead of triumphant at not being dead, incredibly depressed and furious. Because when told he’s scrooge mcduck he tellingly replies “AND WHAT IF THAT’S NTO ENOUGH’. For once.. Scrooge is SCARED, up against someone who knows his every move and is one step ahead, iti’s how it’s always been, no matter what he’ll do, he’ll always loose and Bradford will always win. I REALLY need to watch spies are forever, point is he’s scared and Bradford PROVING the point by revealing he was behind it and taking over the robot dosen’t help. Our heroes win though in a damn impressive action sequence, but as it turns out.. it was just a distraction.. but we’llg et back to that. The other plot though is whyt his is so high. While the first plot is a fun romp with deep eomtional consequences.. the second plot is decidly far darker.. it still has some good bits as webby terorizes the boys and easily one of the best in the season when she horrifying imitates dewey, but its’ only when she does finally attack she realizes she’s taken it way toof ar. She’s terrorized her brothers, caused huey to break his leg and then turn her away when she tries to help.. all she’s done is turn them AGAINST each other and they can’t win this way. Beakly strongly disagrees and clealry lost in her own paranoia and fear, prepares to attack huey.. and thus Webby steps in... leading to one fo the most heartbreaking and tense fights in the series as grandmother and grandaughter fight one on one but both are outmatched.. but Huey and Dewey, despite everything, refuse not to help their sister and help pull webby up, with Webby panickidly realizing something’s VERY wrong and her granny usually isn’t like this when sparring... and is also chasing them. This leads to the roof, in a rainstorm no less, and Webby relcutnatnly ready to fight even though she clearly knows she both can’t win.. and dosen’t want to anymore. Despite her wilingless to scrap, fight and train.. Webby dosen’t WANT to hurt her granny she just wants to help her. Thankfully, the boys attempt to stop this, while failing horribly, catches donald’s attention as he catches them, ntocies what’s going on and furiously refuses to let this go on. While Beakly tries to ignore it and fight..s he instead slips and despite everything, the rest of the group rescue her, with Webby impressing on her grandmother that they aren’t fowl. They wont’ win acting like them and tearing each other apart.. they need to be the family they are. But if all that wasn’t enough turns out.. yeah, Bradford’s thing was a distraction and with the rest of the group distracted with Beakly, that meant his plan went off without a hitch: all the missing mysteries have been taken by FOWL, in a masterstorke that ties both plots together and brings what seemed like isolated adventures on their own in a tagnetally related plot into the fore. Everything so far has built up to this.. and despite the loss.. the family, having been through a dark night of the soul, is ready to fight back. They want the rest of the mysteries? Their going to have to fight clan mcduck in their elment. And it’s been glorious so far. A tense, well paced, hard hitting episode, this one’s a winner. and almost got #1.. ALMOST. But as much as I tried to not go with the obvious chocie, the one with tons of press and praise and that’s graced tons of best of lists... I had to go with what was honestly the best. So...

1. The View from Halfway Down (BoJack Horseman) “Oh BoJack, there is no other side. This is it. “ This episode was my main reason for catching up with the series and finishing it off once and for all. Awash with praise and hype I was curious about this one.. and my curiosity paid off. This is easily one of if not hte best episodes Bojack put out in it’s storied run: it’s creative, impossible to look away from and devistating: in short it’s the show in a nutshell.. and it’s a hell of a view.

Previously as mentioned before Bojack’s life blew up and he lost just about everything, from his friends, though as the finale bared out only one of them stayed away for good and for good reason, his only family in hollyhock, his house, even horsin around. He had nothing left.. so high on drugs and in his old house he passed out at the end of last episode.. and we wake up here with a recurring dream as Bojack has a dinner party at his mother’s house, another wonderful performance from Wendy Mallick. Everyone there is someone Bojack knew who died: his former best friend he betrayed Herb, Sarah Lynn his former child co start turned washed up 30 something he let die, Courdory, a co star who died trying to get off david caradine style, Crackerjacke, the uncle he never knew who die din the war and his parents, distant mother Beatrice as mentioned and his father, who is in the body of his hero secretariat who comited suiccide in this unvierse due to getting banned from racing, as that’s the kind of weird shit dreams do. Also Zack Braff, who has no real conncetion to bojack but still died during that time Mr Peanutbutters house sunk into the earth and his ex wife Jesscia bIel formed a death cult. The group play a game of best and worst, lay into each ohter and have some really intresting conversations with Bojack confident of when it’ll end: before the show their always mentioing. But this time, it’s diffrent.. Bojack is there for it so we get a trippy and horrifyimng stage show as Bojack watches the various people one by one vo into a black door, allt he while bojack coughts up sludge and is persued by it, unaware where he was before this. Sarah Lynn gives one last song, a reprise of a song from previous in the series, Courdroy does a ribbon dance and zack braff gets on roller skates. And bojack has a frank conversation with his dad, with his dad/secretariat revealing he DID care but was just so filled with loathing he coudlnt’ admit it to his son and thus was an abusive ass.. and then reveals to bojack he’s not waking up and bojack horryfigngly see shimself, drowning ina pool. And while he frantically, heartbreakingly tries to flee... he can’t. There’s no exit for him. As herb tells him, this isn’t the afterlife, this is his brain making sense of his last moments, and ther’es no way of knowing if he’ll get rescued, no way to do anything but watch.. watch as his father secretairat shows suicide in all it’s horror by letting it know he wouldn’t of done it if he knew “the view fro halfway down”, a horrifingly haunting poem that sells just how bad it was. As beatrice and crackerjack also go we’re down to herb who introduces bojack... before going in himself, claming there is no other side. Bojack tries not to go genle and runs, and in a horrfying sequence is surronded by the ooze as he tries his damndest to escape.. but in the end he can’t. As herb said.. he can’t do anything about this. So speaking to his min’ds version of diane he accepts he probbaly won’t be coming back and we hear a monitor as we fade out. While we know it’s not the end now... there’s no way of telling then.

The View from Halfway Down is a haunting, beatuflly animated, masterwork, taking 6 seasons worth of communinity and regret and shoving it in bojack’s face in an intresting way, while bringing back characters we thought we’d never see again for one last go round. It was patcually nice to hear LIn Manuel Miranda and Wendy Mallick again,, and Kristan Schaal is always great. The show ALWAYS had a horrifying habit of having it’s penutlimate episode be an utter gutpunch that broke you, with the finale picking up the peices and offering some hope.. and this was no exception. They literally saved the best for last, and it was worth the wait. The view from halfway down may be gahstly,.. but the view of this episode is hauntingly beautiful.

So that was the list, and it was.. a lot taking 2-3 days to finish all together over both parts. But it was worth it and hopefully we can get back to some regular stuff later today. For now, thank you for reading, and hopefully i’ll see you somewhere in the sunset.

#steven universe future #steven unvierse #the owl house #lumity #catradora #She Ra and the Princesses of Power #bojack horseman #close enough #infnity train #2020 #best of the year #animation #disney #cartoon network #hbo max #netflix #disney channel #lbgtq

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class1akids · 4 years

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hello! may i ask what are light novels? i recently got into anime so im not really sure what do these stuff mean 👉👈

Yeah, it’s easy to get completely lost in the forest of the different materials.

So the anime right now covers the story up until chapter 190 of the manga. (The current chapter of the manga is 283). The manga is the core canon of the story, but there are different spin-offs and other materials that complement the manga (which even if not canon, at least try not to contradict the canon in most cases).

There are two movies: Two Heroes (set between S2 and 3) and Heroes Rising (set in a part of the manga not covered by the anime yet). There are no major spoilers for the manga if you are worried about it; only smaller ones, and both can be watched as independent stories without catching up on the manga.

There are OVAs - anime only stories that are not in the manga. The last OVA that came out in August (Do-or-Die Survival Training) takes place before the Provisional Licensing arc in S3.

The Light Novels are books of short stories (called School Briefs) that give you little slice of life stories in the gaps of the manga (things like Todoroki visiting his mum, or a parents’ day in school, or the teachers getting drunk, but for example the story based on the S3 fantasy ending in the anime is also in the light novels). They are in a normal story format not written by Horikoshi, but he does the sketches for them. There are currently 5 volumes - the first four roughly correspond to the first four seasons in the timeline and are available in English. The 5th just came out in Japan, so there are only fan translations for the moment. The stories time-wise take place around an arc not animated yet.

Deku & Bakugou Rising - this is a two-parter comics from BKDK middle school years, that was released together with the Heroes Rising movie.

There are the Smash! Comics - these are little, funny manga strips that are not canon at all and often make fun of canon.

There is a spin-off called Team-Up Mission - they are comics pairing up pro-heroes with UA (and other students) on different missions. There is one with Bakugou and Deku paired with Hawks, Momo and Iida with Fat Gum, one focusing on Hatsume Mei and Melissa Shield, one with Bakugou, Deku and Uraraka with Mirko and chapter 4 is with Todoroki, Kaminari and Inasa at a soba restaurant. These are also not canon and not drawn by Horikoshi.

There are the official Drama CDs (only in Japanese, but voiced by the Japanese VAs), that are also slice of life, but fans have made fan-translated videos. This one is a TodoMomo-focused one around a festival, and there is a hilarious TodoBaku one.

Finally, there is another Manga series, called Vigilante: Boku No Hero Academia Illegals. This is not written by Horikoshi, but he oversees it, as this spin-off develops a lot on the worldbuilding of BNHA. The main characters are not in the main BNHA series, but you get a lot of glimpses into regular characters like All Might, Tsukauchi, Endeavor, Iida’s brother and it has Aizawa’s entire backstory.

So once you finish the anime, there is still a lot of official content to enjoy. They will not really move the story forward, but a lot of times, they are kind of fun details.

#bnha #i think this is it #but i may have forgotten something #bnha spin-offs

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charmspoint · 3 years

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Top 5 characters that live in your head rent free 🤔

For this ask meme

Oh god ONLY five??? GOOD QUESTION. This is gonna be hard to both decide on and rank fairly uhoh lets see, this ranking his shifty as hell depending on what I’m into atm obvs

5. Tsurugi Kamiya from Servamp

Does he look like a knock off Izaya? Yes. Is he? Very much no.

Tsurugi is like my no 1 reason for getting back into Servamp, I left right in the middle of his arc and I ;-; IS HE OKAY??? DID HE GET AWAY FROM TOUMA??? DID HE BECOME WRATHS EVE??? NOBODY TELL ME I’LL FIND OUT ON MY OWN.

Servamp was one of those shows where I didn’t really have a fav main character for a good while until this guy showed up. This guy is an absolute crazy little monster I can’t overemphasize on this, his coat is used as a fucking straight jacket I’m not even kiddin

You get introduced to him and he’s scary and terrifying because he’s so strong, like he’s one of those strongest in the series characters and since he and the heroes are on semi opposing sides he is a serious threat. So you get introduced to this guy who seems borderline crazy and feral and then...you get to see him goofing off with his two boyfriends and their kid and it’s just

The domesticity!!!!Look at it!!!! It’s so fucking cute aaaaaaaaaaaaaaaa, they are so cute together OT3 of C3 ftw, MY SON. Like Tsurugi had a horribly abusive childhood and was basically raised like an attack dog and his previous partner :) well he do be trying to seriously kill him don’t he. But look! He found his own little family he can be semi normal in!! Until is torn apart by his abusive adoptive father figure :D!!! I ABANDONED HIM IN THE MIDDLE OF THAT ARC AAAAAAAAAAAAAAAAAA

im sorry this got so long on this particular character none of the others will be so long i just miss him TSURUGI ILL CATCH UP FOR YOU!!!! Maybe he should have been no 1 hbjhbjh fucking sleeper agents am i right

4. Izaya Orihara from Durarara

Ah yes, the og queen bitch. Has my taste for villains ever recovered from Izaya? No. If your villain isn’t at least a bit like Izaya I’m not interested. Durarara was one of my first serious fandoms and Izaya was the first character I ever wrote for and I think you can explain me as a person if you consider Izaya was my all time fav at 13. I can’t really say anything about Izaya that hasn’t been said thousands of times before, I love how goofy and overperformative he can be, I love how there’s so much in him once you crack him open, I love how good of a villain he is for a messy story such as DRRR, puppeteer villains are really a league of their own. We need more puppeteering twinks, maybe then I’d be more into villains yaknow.

3. Hawks from Boku no Hero Academia

To no ones surprise!Him! I’ve been drifting off from BNHA recently what from catching bad case of JJK what from just reading n watching more other stuff and honestly that’s probably good because I’ve been into BNHA for a couple of years now as my main fandom and I really could have used a break. Not to say I don’t like BNHA anymore tbh I think right now BNHA is the best it’s ever been just ya know, drifting. That being said my love for Hawks will never die, god what a good boy and we got his backstory too aaa ;-;. BNHA was just like Servamp, something I liked but didn’t really have a fav character in until this random support character strolled in and won my heart. God I love how much we got on Hawks. He’s completely different from his initial impression and his unrelenting strive to do good despite being thrown from one horrible situation to the next is just ;-; HES SUCH A GOOD BOY. He’s selfless to a fault, literally putting everyone before himself and putting himself down for not being able to achieve more than is humanly possible I’m just ;-; I WANT HIM TO BE HAPPY. He just makes my heart happy, he’s good and warm and hardworking and in a manga where trauma plays such a major role in so many characters it’s so good to see Hawks there, having been through three different types of hell and still coming out unnerving in his goodness. All I want for him is to have a good life and to one day be able to smile for real.

2. Gojo Satoru from Jujutsu Kaisen

Again no surprise since I’ve been so into jjk lately. Satoru is p high up rn cuz I’m mainly into JJK now but god knows where he will actually settle. He’s not even really my favorite character in the show, that goes to Inumaki, but this is a list of who I think about the most (tho all of these characters are either no 1 or no 2 for their shows) and boy my brother and foxy can tell you I’m constantly thinking about this bitch. I didn’t really care about him that much at the start but then I got to Hidden Inventory and OH BOY MUCH TO THINK ABOUT. Satoru is such a wonderfully complex character whos evolution you can clearly follow through the years. He’s under so much pressure as the strongest sorcerer to deal with everything and he has to operate in that system trying to change it for the better while at the same time trying to make sure his students arent sacrificed in the name of that change. He has a very goofy disposition but along side with Nanamin who’s a lot more explicit about it, it’s clear he cares about mental state of his students a whole lot. He knows this world is terrible and that the will come out of it with scars and that he can’t protect them from all of it, but he balances protecting and letting them grow as much as he can. They need to grow so jujutsu society can change after all, but they also need to be protected so they don’t fuckin die before that can happen. This is without all the many many opinions I have on Hidden Inventory and SatoSugu as a whole, how they influenced each other, how differently they reacted to their shared trauma (Funny how everyone on this list is fuckin traumatized) and what resulted from it. How their fucking love story is dramatic enough to be a Shakespeare play. Also I like it when he’s long and goofy ahahah

1. Chuuya Nakahara from Bungou Stray Dogs

Not to objectify men on main but I couldn’t choose a picture

If there is ever a day when I don’t go feral over Chuuya I’ll probably be dead. He not only lives in my head rent free he owns the place.

HES SO UNDERUSED.

BSD has such a great setup with Chuuya, like he’s ex partners with the mentor of the main character who got betrayed and abandoned when the mentor left shared evil organization. Sounds like grounds for drama right? YOUD THINK SO. Like Chuuya and Dazai have such a great and interesting dynamic and you can feel how strained it is from the distance and betrayal and they bicker and fight as their defining relationship trait BUT there is such a strong underlying trust to all the fighting. These two trust each other with their whole lives and that hasn’t changed despite everything, despite how much time has passed and how much that trust had been tested. So you’d think he’d be an important character :) HES STUCK IN SUPPORT HONESTLY HES STUCK IN BACKGROUND UNLESS HES NEEDED TO DO SOMETHING COOL AAAAAA. Chuuya is literally one of a kind, I’ve never seen a character with such a good design and such an cool power and such an interesting relationship to one of the main characters and such a love and support from the fandom BE SO UTERLLY AND COMPLETLY WASTED. Even when we get Chuuya scraps they rarely build on relationship he has in canon but just throw in new random ones at him (tho that’s a broader problem of Kafka throwing new characters at the plot instead of developing the one he already has really). We get a hint of a cool fight with him? Completely cut out, More often then not it just feels like he is benched because he’s so damn strong there would just be no plot tension if he went in and broke some heads (which is also a problem with Satoru, guys stop writing op characters if you’ll just put em on the bus aaa). Anyway he’s completly and utterly wasted by the plot.

And it’s such a waste because he’s such a good character. Like he’s a member if the villain organization and is obviously by that very vicious and violent but also so empathetic and kind to people he considers his friends. He and Dazai have the brawn and brain thing going on and stg Chuuya is like the only brawn I can think of that is classier then their brain. Look at how this guy dressed, he’s high class gay, hat, choker, coat, gloves, he is bringing in the looks. I love how he can actually be completely calm and rational and put together but then put him with Dazai and it’s back to ‘we are 15 and we will scream out heads off at each other’, they are so childish.

Anyway I love Chuuya he deserves to be treated better and I will never stop screaming about Chuuya ever

#anon #lucy rants #ask game #this one was the most fun so far aaa i like to geek out #sorry it took so long anon but i had lots of fun with it <3

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icharchivist · 3 years

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first: WAHHHHHHHHH 😭😭😭 I got so emotional!!! so emotional!!!! so much that I can’t even do this first second pattern bc I have SO MANY thoughts!!!!!!! I’m writing this in my notes instead of straight into the askbox so u know it’s serious business™

ok so debut night!!! I was like ahah yeah it’s a tragedy whatever it’ll be fun to start out with and then the voice acting was SO good that it knocked me out of the park and I almost cried haha. it’s crazy how good the voice acting in a3 is like I love how the dialogue and voice acting works well together bc like it’s limited but so effective!! u can so very clearly see and understand the style they’re going for. especially like tsumugi’s death scene... the Talent jumped out it really did... uh and ok so. I think I may be a littleeee confused abt the play bc I had always interpreted tasukus last lines as raphael to be like abt his being secretly in love with michael. but now that I’m actually reading the line that’s like oh don’t fall for a human it only ends in misery I know that all too well or whatever... ig the implication is that raphael was in love with another human / the same lady michael was in love with in the play. side note I had to go back and edit the proper names in instead of tasuku and tsumugi lol... but speaking of!! speaking of the voice acting and the play itself I 1) love how blatantly obvious it is when tsumugi goes for that grander, tasuku like style of delivery!! like u could just so easily feel the difference it was wild... and 2) tsuzuru is once again spot on with his writing, lol... I felt that like raphaels inability to save or help michael really parallels how tasuku feels abt tsumugi so well, and it’s wonderful that they r able to resolve things and tasuku can properly compliment him on his acting where the angels fail to do so. it’s very good. and I think the play rly highlights (for me at least) that like. to tasuku, it was tsumugi who was sort of an unreachable existence. like were he to idolize and respect someone’s acting, it would be tsumugi. and I think that like caring carries over into their roles really well, because I think in michael’s love for a human tasuku sees like... tsumugi’s style of acting. the heart that he’d lost while within the god troupe. mb I’m losing my mind a little but ah. the play rly works with their relationship so well!! im very excited to see the other winter ppl get main roles tho—same for all the troupes!!! now this ask is too long so I’ll have to do another part lol

going to start off this second part of the ask abt hisoka bc oh my GOD. hisoka. like I was just thinking “hm where r the winter troupe cgs anyways” and then BAM. hisoka CRYING???? especially since he doesn’t seem that emotional it was a really hard hit!!! and who tf is august.... ok well actually theory time!! skipping ahead to the end theres that note that like mentions December and April and. not to expose my friend but very many years ago (a couple years before a3 was launched, at the very least) she wrote this story where there were like 12 orphan assassins and they were all named after months. I remember the main dude was named dec lol. coupled with my “hisoka is capable of murder” bit? listen.... I’m not saying anything but I’m also not not saying anything if u feel me. also I feel like assassin / thief with mysterious background is a common trope!! that was silver from the pokémon adventures manga too... why is this my reference point lmao. anyways I’m unclear if assassins would make it into a3 but like.... if the yakuza and supernatural stuff makes it in...

okay moving away from conspiracy theories and into emotions!!! the quotes from like EVERY mankai actor before the final production made me SO emo... and yay!!! they won!!!! (though admittedly I almost had a heart attack when no one clapped) but they won!!!! that ending cg!!!! and I adore how sakyo immediately goes after god troupe man (I know his name is reni I just don’t feel like calling him that) for the money lol it’s just so sakyo-like. also I love the lil mixed troupe interactions!! I found the game night ch so fun.... ahh, now I wanna reread that ch since it was so good lol

all in all I was super satisfied ahh!! I am SO excited to start up spring troupe again (HELLO character development!!! and chikage) and I’m even MORE excited to get thru all the act 1 events!!!! as a final note, is there any way to reread or replay the flair conversations? I didn’t want any spoilers for the plays while I was doing the practices for them so I kinda sped thru the first time ahah...

HELLO FRIEND IM SO HAPPY TO GET SUCH A LENGHTY ASK ABOUT WINTER IM LKDJFLKDJFLKFD Winter makes me feel shrimps emotions (i know the whole “shrimps can see more colors than humans can’t comprehend” thing has been disproved but i’m not letting go of that expression, i REALLY feel emotions humans can’t comprehend anymore and i’m going to make it everyone else’s problem)

1) First about the voice acting, rIGHT this is just so fascinating to me!!! I remember after act 2 i came back to reread the main act 1 chapter and i was so thrown out by how GOOD the voice acting was, especially for the first few troupes having to convince you they’re not comfortable or good at acting yet. Winter whole thing is that they’re more subtle and mature and you really feel that with their voice acting, Tsumugi’s voice especially knock it off the park anytime he’s on screen.

2) Second: what does it say about me that i’ve never, ever considered your reading a possibility because i was so set on “oh Raphael you’re in love with Michael sooooo bad you see it as a tragedy already because you can see him throw his life away” i didn’t even consider “maybe Raphael went through that too”. Though i guess if we’re going with that reading i can totally see “The Woman” they let themselves consumed by easily be a representation of acting or even more the God Troupe, with Raphael/Tasuku knowing to step away before it consumes him completely while Michael/Tsumugi, by his love and passion, pushed himself until he broke, which fits and it hurtsssss god Winter plays hits so hard.

3) Third: oh god yeah when Tsumugi goes for Tasuku’s acting it’s just. It makes me SO uncomfortable, i’ve experienced this scene like three times by now and the third time i was just “can i skip it i can’t go through this again i can’t Tsumugi i love you i can’t do this”. It doesn’t match the play at all and it just throws everyone off balance, and Tsumu you could have told theM YOU WANTED TO DO THAT.... god

4) Fourth: I LOVE YOUR READING SO MUCH I LOVE IT I LOVE IT YES YOU’RE RIGHT!!! Just as we follow Tsumugi let his passion consumes him until he breaks, Tasuku’s character arc really jumps out in Raphael, like, everything you say!!! The way Tasuku/Raphael knew how the feelings Tsumugi/Michael felt would hurt him on the long run but he didn’t know what to do about it until it was too late, the regrets and the way Raphael voices his frustrations.... Tasuku struggles to be honest without acting (Tasuku pls i love you) but having such a role really help him expressing all he feels about Tsumugi and i’m HHHH this is so good so so good!!! but yeah i also love that Tasuku finally manages to actually compliment Tsumugi naturally, that he understands he can’t let him destroys himself again and it’s just gnhhhhh Tasuku is so kind and considerate and i care about him so much....!!!

5) Fifth: “i’m losing my mind a little” winter mood, winter mood winter mood- (though every troupe’s mood tbh but Winter is gnhhhhh kdhd hdhjf??? you feel me) (i am BIASED i can’t help it TwT) but yeaH i’m looking forward to see how you react to the others plays because the roller coaster juST BEGUN!!!

Onto part 2... Winter Troupe Chapter Feels... 2!

6) Sixth: DLFJDFKLDF HISOKAAAAAAAAAA I LOVE HIM SO MUCHHHHH. Hisoka crying fucked me up so bad!! so so bad!! Like on my first read i didn’t know what to think of him as he starts out very apathic to his troupe and then the more it goes on the more you can feel he starts to open up and i’m soft for this sort of slow burn, but then this whole scene happened and it HIT ME IN THE FACE, he was crying, i was crying, we were all crying, the Unopening Door opened a flood of emotions i can’t cope with. He sounds SO VULNERABLE during that scene and i know all of the Winter Troupe united on “taking care of him” but that’s really the moment i went “i care you and i will keep taking care of you” and look at me now. Thanks funky little scene for ruining my life. I’m glad you liked it i’m aldhjflkjdfkd Hisokaaaaa.....

7) Seventh: I am not commenting on the theory but 👀 that’s so highly specific your friend has a galaxy brain i love it. and i love the idea of “well we have yakuza and supernatural entity what’s an assassin adding himself to it” dLKFJDLKF i know everyone in Mankai calls Izumi out everytime someone joins but that’d be peak. I’m not going further about what December and August and April are all about but i love this plotline sO much, the few mentions of August when Hisoka regained his memories for a minute still haunts me, the guilt he seems to feel and this pain i’m just... godddd such a good set up. I love this plotline.

8) Eigth: EMOTIONS!! Oh GOD YEAH THE ENDING WITH ALL THE OTHER ACTORS... I cried so hard it’s just. It really shows you it’s not just the culmination of the Winter chapter but of all the act 1 main plot and it really makes you feel how much of a journey you’ve been onto!! A3 is so good at showing you the growth of its characters that especially by the end of Winter you really saw how all of them grew in their respective chapters and how cozy they felt in their new home in the remaining chapters, and the fact this chap has those defining character arc’s lines really drive home “oh my god that was a journey” i love them sO MUCH....

9) Ninth: wE WOOOON!!! They’re all so good i just. i’m gonna cry just thinking about it dlfdjlfk i know like, the game has so many content so you know it can’t end at the end of Winter but the suspense really was there. BUT YEAH LMAO I LOVE SAKYO DOING THAT IMMEDIATLY, man sure has the eyes on the prize and we love him for that. AND THE GAME NIGHT SCENE they are all sO CUTE and sWEET and they’re a family now and i’m hHHHHH i love a3 a normal healthy amount that isn’t just making me cry thinking about how all of them grew so close even through mixed troupes.

10) Tenth: I am SO happy you were satisfied with the plot so far!! I’m genuinely so happy that you decided to take that journey with us and that you shared all of this with me, and i’m so so happy you liked it!! There is still so much content and all of it is so worth it!

11) Eleventh: Yes!! The flair conversations are all readable on the Mini-Chat tab! So they’re easily accessible and they’re sorted in a way that’s easy to read so you can feel comfortable skipping the flairs if you want until you have seen the stories the flairs are all about. They’re all kinda set during the rehearsals (except for some crosstroupe conversation that wouldn’t make sense if they were like how the Summer Troupe talks with the Spring Troupe in their Flairs DKLFJDF but it’s okay what is a timeline anyway) so some of them are set pre-development and it’s wild to get back to them. I love rereading Flairs i get emotional everytime.

ANND That’s it for this ask! i had a blast reading through your thoughts and i’m so happy and excited!! i’ll send you the drive now so you can start digging through it whenever you feel like it :3c good luck grinding for act 2, meanwhile i hope you’ll have fun with all the act 1 events i compiled for you!!

(side note i need to update the drive too but it’s mostly act 2 content anyway, the only two act 1 things i need to update on it is Sakuya’s birthday card i think?? i think Itaru’s is already in act 2 so i’ll try to get around to it eventually but it’s so far away anyway) (edit: i forgot that the three cards i got for the latest revival are from act 1 DLKJFD okay so i’m missing three cards -)

The drive has backstages and event stories and it may be a lot and overwhelming ahah. Focus on the event stories for the plot and go back to the backstages whenever you feel like it, no need to read them at the same time, unless you want to in which case everything is set up for you :3c and there’s a file with cards that aren’t associated to events too so... lots of goodies hanging around. I’ll send it to you in DM ;O

Take care and thank you so much for all your thoughts! my inbox remains wide opened for any others thoughts you may have as you go further into it :3c

#ichafantalks a3 #i love the winter troupe SO MUCH it's unreal this ask made me cry i was just LDKJFDLK WINTER!!!!!!!#i love your thoughts so much thank you for all of it <33 #sonnets-of-beauty #ichareply #long post for ts

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cheekbites-moved · 3 years

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ok i still havent gotten the secret ending but farming for it might take me a bit so im gonna make a thoughts post for age of calamity now:

Major spoilers obvs so ill put it under a read more

things i enjoyed:

revali beatdown simulator

the controls for the divine beasts are a bit clunky, but i think the angles they used for them did an excellent job at really making the player feel like we were actually controlling a divine beast. so i think it was done well.

link’s personality really gets to shine full force in this game with the amount of cut scenes and it was wonderful to see

every character clearly had a lot of love put into how they operate. they truly all feel unique, & all of their play styles fit them really well in my opinion

the game does a really good job of making you understand what a real threat the monsters are. like in botw they’re intimidating at first, but once you’re far enough into the game they become just an inconvenience to work around if anything. this game managed to actually make certain monsters intimidating for me again, and i think that’s a real accomplishment

the blight battles are actually somewhat challenging in this game and that is truly a commendable achievement lol i think all the bosses are good tbh. i didnt rly dislike or not enjoy any of them.

the way daruk and link’s friendship & urbosa’s motherly relationship towards zelda got to shine was. so good. it’s all i could’ve ever wanted

seeing the descendants again was really nice & it was awesome to see the champions interacting with them!! especially sidon and mipha omggggg. that was. really fucking good shit

kohga. just. kohga in general. getting to see more of him was really rad, he’s such a fun guy! and his english va was Excellent. you could really tell he was having a lot of fun playing him, and it was lovely to see! :)

zelda getting to really shine in this game was also lovely to see. and her being so assertive and badass by the end? omg. it was so wonderful especially after botw. man.

the combat is done very well imo. im rly glad that they took so many elements from botw, but also added their own flares to make it feel fresh. it was rad.

sidon’s tagline is “winning smile” and his power is “boundless optimism” and i think that’s beautiful

the music in this game is SOOOOO good oh my god. multiple times during playing i had to pause to just appreciate it. it’s pretty much all remixes of botw with a few originals for the new characters, but they all slap. there was not a single song in this game i didn’t like. it is definitely one of my favorite video game soundtracks officially. maybe one of my favorite overall soundtracks in general tbh.

the visuals obviously look just like botw, but it still looked fucking gorgeous at some points. like. man. they really went off to make it look not only faithful to botw as far as appearance goes, but also as far as capturing botw’s beauty and it was. excellent to see!

if anything is true to botw’s backstory, it’s definitely how op link is. cause he was established to be op in botw, & when u finish botw he is also op as hell. he is so fun to play as the higher leveled he gets. he absolutely kicks ass. especially with a two-handed weapon??? daaaaammmmnnn. thats my badass baby boy!!!!

link eating rocks not once, but TWICE. just showing PEAK gremlin energy. 10/10 for those scenes they were great

the ending was really beautiful actually and i did cry like a little baby for it what about it

things i didn’t like:

obviously first and foremost.. this is not the game we were advertised. and no matter how much i overall enjoyed the game, it will always have some layer of being tainted attached to it due to the false advertising. this is not the prequel we thought we’d be getting. & not using “prequel” specifically doesn’t matter when all the advertising, including the box art talks about this being the story of what happened 100 years ago. with no indication it wasn’t the story of what happened 100 years ago in the botw timeline, but a separate universe/timeline entirely. i do hope we get dlc for the game at some point giving us what we were advertised, but at the same time... rly wish that the story that’s in the final game was dlc, & the story we were promised was the original :/ or just having the game have two separate storylines originally would’ve been cool. i just wish it wasn’t falsely advertised.

fort hateno can fucking eat my whole entire shit WHY is that part so needlessly obnoxious compared to everything else oh my god

being forced to fulfill revali’s power fantasy TWICE hurt my soul

fuck any mission where you have to protect the useless hylian guards. i hate them. they suck.

the ai for player characters when you aren’t playing as them can also be pretty useless. it was really frustrating failing missions because my fellow party members weren’t helping me, and i was basically expected to be in two places at once to get shit done myself. :/ ik you can just switch between characters to make it easier, but like. i like playing as link the most. he’s my favorite character, & ofc since he’s mandatorily played for most of the story, he’s gonna be the most leveled up character regardless so he’s just the best to play as in general especially for harder missions. it was annoying to be forced to play as other people Solely cause the ai was so useless.

king rhoam’s attempt at a redemption arc. i’m not sorry that i just fucking hate this man. i don’t mind him entirely in botw bc you can see clear, genuine remorse during the cut scene at the end of the great plateau. but the redemption arc he gets in this game? after all the fucking shit he does in this game? especially when after his ~redemption arc~ i had to sit through a cut scene of him being an absolute fucking asshole to baby zelda after her mother just died????? absolutely fuck that shit. i don’t appreciate that crap at fucking all. he’s a verbally abusive piece of shit and i hate his guts.

obviously there was gonna be some retconning of how certain things worked in botw in order to make this kinda game work but the way sheikah technology works in this game is so goddamn confusing i do not get it. the works of botw are never outright said or explained completely, but it’s straightforward enough that it doesn’t really matter. this game does try to explain certain things and it just becomes. really clunky and confusing very quickly.

the story is alright, i guess, but..... really confusing/convoluted as hell at times to a point that it’s. really fucking distracting. especially in comparison to how straightforward botw’s story is. like..... cannot help but be annoyed that such a problem wouldn’t have been a thing if they stuck to botw’s story.

i was sad when the egg thing died but i dont like the egg thing.... it is the MAIN reason shit was retconned so much & i just. dont get its purpose. but i did really like the reveal that zelda made it herself. that was good shit!

also the egg glitched out like. a LOT. idk what the fuck was going on with the poor thing but there was multiple times during a cut scene or when i was just sitting there that it was freaking out in the background and it was rly weird

elemental overworld boss monsters................. obnoxious. especially elemental guardians like goddamn bro what the fuck

i know warriors’ games aren’t about exploring anyway but the limitations for exploring was really sad/frustrating. this is still somewhat the world of hyrule before the calamity, which is something we’ve always wanted to see. not being able to explore even the immediate area at certain points because of shit like timed missions was really upsetting, man. :( i just wanted to see hyrule castle Before the calamity why was did they have to rob us like that.....

creepy corrupted egg’s transformation. why. what was that. what the fuck

even though i did enjoy the boss fights, it did get. incredibly taxing eventually to have to fight the SAME bastards so many times. like yeah botw is also guilty of this with the blights, but goddamn.... at least i have a choice to avoid certain encounters with them? this game has you fighting the same bitches like upwards of 3-4 times. it was. really annoying tbh. like the fights themselves are enjoyable, but damn we added new characters and it still inevitably lacked variety in boss fights.

no playable kass >:( if he’s available later in dlc then fine but i wish he was playable in the original game. so many random choices you’d never expect are. why couldn’t he also be there >:(

overall:

it will forever have that sour taste for the false advertising attached to it unfortunately, but that aside, i overall did enjoy the game! i think it has a lot to love in spite of the issues i encountered. as someone who has this as their first warriors game as well, it did lend itself to letting me see the appeal of them. idk if i’ll get more, but i do get why they’re so beloved/popular now. it was an alright time, with some amazing highlights that i’m gonna think back on very fondly for a very, very long time. if i had to rate it..... 7/10

#hw #aoc #hw aoc #hyrule warriors #age of calamity #legend of zelda #botw #danni plays hw aoc #mine #long post #v long post sorry lol i have so many thoughts/feelings

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kendrixtermina · 4 years

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Further reactions to "The book of lost tales":

I appreciate that Idril canonically wears armor and does swordfighting.

I feel like I can actually imagine adult!Idril much better now like in armor and with open hair, distraught but ready to fight while babby Earendil does not yet realize the danger...

My first thought is that Earendil was probably cute in that baby chainmail. My second thought is OUCH, Idril and Tuor always made sure their growing baby had fitting chainmail cause they felt the apocalypse might get them at any moment. Imagine that, imagine them having the baby armor fitted every year or so :(

Its fun how much of the basic structure already exists but most of what you'd consider the main characters doesn't exist or is scattered across various minor roles The only Prince anywhere in sight is Turgon - Except for Team Doriath, theyre all accounted for. I suppose Maeglin is kinda there in name only with vaguely the same role & motivation, but looks personality and background all did a 180 since. Luthien is still pretty much "princesd classic" at this point, not quite the fearless go-getter from the final version - markedly this version tells Beren that she doesnt want to wander in the wilderness with him whereas the final one says she doesnt care and its Beren still wants to get the shiny so as not to ask this of her and also for his honor.

I mean in the finished version Id consider the 3rd and 4th gen royals to be the main characters (well, alobgside Team Doriath and the varioud human heroes) and theyre hardly here. Imagine the silm with no Finrod!

Feanor had no affiliation with the royal family whatsoever, and is also generally less super. He's just the guy who won the jewelsmithing competition, not the inventor of the whole discipline. Still seems to have been envisionad as a respected member of the community who gets called to the palace for crisis meetings and is listened to when he stsrts giving speeches. From the first he already has the backstory of going off the deep end (or at least growing disillusioned with Valinor) after a family member is killed by Melkor and theyre still the first to die, but its just some other rando unrelated to the royals

The situation regarding the humans is different - instead of Melkor leaking their existence, its Manwe who explains that the other continents were supposed to be for them eventually. So Feanor goes off on a tirade about weak puny mortals comes off as a more of a jerk unlike in the final version where Melkor barely knew about the humans and described them to the Noldor as a threat. On the other hand in this one, also very much unlike in the finished product, Melkor dupes even Manwe into being unfair to the elves as a whole. In this the final version is a definite improvement, both Feanor and the Valar come off as a lot more sympathetic and though still deceived he's partially right in some things at least, so you have more of a genuine tragedy rather than a simple feud

There is something to the idea of Commoner!Feanor tho. I guess some of this survived in his nomadic explorer lifestyle and how both his wife and mother (who arent mentioned here) eventually were the ones to get that background of being not especially pretty ladies who are not from the nobility but got renown, respect and acclaim for their unique talent and contribution to society, with each having invented things and Nerdanel also being renowed for her wisdom. Hes sort of an odysseus-like Figure in that sense. I suppose later developements necesitated that Maedhros & co. have an army not just a band of thieves, which means they needed to be nobles/lords. That said this being a society where artisans are very respected and half the lords have scholarly/artistic pursuits going, the gap was probably not as big to begin with as it might have been in say, medieval England. Esoecially since Nerdanel's father had been given special honor by one of the local deities and that the social order might have been a very recent thing in Miriel's time. One might speculate that the first generation of Lords started out as warriors during the great journey, or perhaps just Finwe's friend group.

Also found that bit intetesting where the Valar have to deal with the remaining political tensions and effects of Melkor's lies on the remaining population in Valinor... - i guess with the change of framing device it was less likely for news of something like this to reach Beleriand. That, or the existence of Finarfin and his repentance made this go smoother this over in later cannon

Turgon's go-down-with-the-ship moment reaaly got to me. Im half tempted to write a fic where his wife, siblings and dad glomp him on arrival in Mandos. I dont care that none of them exists yet in this continuity i want Turgon to get hugs

I love all the additional Detail that got compressed out in the shift from fairytale-ish to pseudohistoric style especially all the various Valinor magic insofofar as it is compatible with the final version - particularly love the idea of the connection between the lamps and the trees that is now integrated into my headcanon forever

Its actually explained what the doors of night are

If I had not already read unfinished tales or volumes X to XII where this is also apparent, this is where I would say: Ah so the Valar were supposed to be flawed characters. Manwe has an actual arc; by the time he sends Gandalf he finally "got" it. I think in the published silm the little arcs of Ulmo and Manwe are mostly just lost in compression/ less apparent when only some of the relevant scenes got in but not all

It occurred to me way too late that the "BG" chars are the most consistent because theyre at the start and most stories are written from beginning to end. Finwe doesnt get a dedicated paragraph of explicit description until HoME X but my takeaway was that he's described pretty much like I always imagined him anyways/ same vibe I always got from him... charismatic, thoughtful, enthusiastic, sanguine temperament, brave in a pinch but at times lets his judgement be clouded by personal sentiment (though that last bit is more apparent/salient as a character flaw once he became the father of a certain Problem Child) ...i guess this would be a result of jrrt having had a consistent idea of him in his head for a long time.

This means Finwe's still alive at the time of the exodus which is just fun to see/interesting to know... Interestingly he sort of gets what later would be Finarfin's part of ineffectually telling everxone to please chill and think it over first while Feanor simply shouts louder (which is consistent with his actions before the sword incident in later canon where he initially spoke out against the suspiciozs regarding the Valar) - but its not exactly the same, he's more active than Finarfin later in that when "chillax" availed nothing he said that then at least they should talk with the other Kings and Manwe to leave with their blessing and get help leaving (This seems like it would have been the clusterfuck preventing million dollar suggestion in the universe where Feanor is related to him and values him) but when even that falls on death ears he decides that he "would not be parted from his people" and went to run the preparations. I find it interesting that the motivation is sentiment/attachment (even phrased as "he would not be parted from [his people]" same words/ expression as is later used for the formenos situation), not explicitly obligation as it later is for Fingolfin (who had promised to follow Feanor and didnt want to leave his subjects at the mercy of Feanor's recklessness )

Speaking of problem children. It seems the sons of Feanor were the Kaworu Nagisa of the Silmarillion in that originally all they do is show up at some point and kill Dior as an episodic villain-of-the-week. And then, it seems their role got bigger in each continuity/rewrite... probably has something to do with the Silmarils ending up in the title later making it in the sense their story that ends and begins with them. They have zero characterization beyond "fierce and wild" at this point, though in what teetsy bits there is we already have the idea that Maedhros is the leader and Curufin is the smart one/shemer/sweet-talker, though not the bit where Maedhros (or Maglor, or anyone really) is "the nice one". Which I guess explains why "Maglor" sounds like such a stereotypical villain name.

"The Ruin of Doriath" was purportedly the patchworkiest bit of the finished product, but I never noticed and it actually left quite an impression of me upon first reading, the visual of Melian sitting there with Thingol's corpse in her arms contemplating everything thinking back to how they met... she had the knowledge to warn him not to doom himself but couldnt get him to understand it because he doesnt see the world as she does.... After reading this though I wish there was a 'dynamic' rendition that combined all the best bits like, youd have to adapt it to the later canon's rendition of the dwarves, have Nargothrond exist etc. But i mean that just makes Finrod another dead/doomed relative of Thingol's whom bling cannot truly replace, like Luthien and Turin. In the Silmarillion you could easily read it as just an "honoured guest treatment" but here and in unfinished tales I get the impression that Thingol actually did see Turin as a son.

Already you see the idea of trying to make the stories all interconnected but there is less than there will be (the human heroes aren't related yet and there is basically no Nargothrond, which is later a common thread for many of the stories - a prototype shows up in the 'Tale of Turambar' tho complete with half baked prototypes of Orodreth and Finduillas

O boi im not even through yet

#silmarillion #the book of lost tales #history of middle earth #baby reads HoMe

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natsumiheart · 5 years

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im asking this out of genuine curiosity, and not to be rude or anything- could you explain what there is to like about oumasai, to someone who really doesnt like it? i played the whole game, free times and bonus modes included, and i dont get it. most posts about reasons to ship it are aimed at people who already like the ship, so they just dont make sense to me. i hope this wasnt too rudely phrased, and thank you in advance for your time

Oh no don’t worry about it! You were completely respectful, and I’m really touched you’d come to me about this! ;; I think you don’t need to force yourself to ship something you don’t get, your feelings are very valid and don’t let anyone tell you otherwise! But honestly it’s so awesome how you’re open to hearing reasons from their fans instead of painting them all in a bad light like what a lot of people in the dr fandom usually do.

I actually have a couple posts where I rant about Saiouma so to list everything this will take forever XD

I made a 100 reasons post which you can find here, it’s just me fangirling so you don’t have to read the full thing but the most important points are numbers 22 and 100.

22. In chapter 4 Kokichi referred to Shuichi with the phrase “Suki ni natta hito” “the person I fell in love with” while alone. and it’s not even a bonus scene or event, the line is 100% canon and the player will come across it no matter what.

100. Their relationship is very realistic, it is focused on how two characters try their best to understand each other, how even someone like Kokichi can come to trust in someone and want someone to trust in him, how he wants that someone to be able to understand him. Kokichi went from being interested in Shuichi to falling in love with him (literally referring to him as the person he fell in love with, using the same phrase that Maki says to Kaito later on), in a freaking killing game. he forced himself to cut their ties and died thinking the only person he cared about hated him. while Shuichi started off interested but wary of Kokichi, tried reaching out to him but failed due to Kokichi pushing him away, to getting mad from him for making Gonta a murderer and trash talking Kaito when he seemed in a really bad condition (after getting punched by Kokichi too) to hitting cold hard realization to what Kokichi has been trying to do the whole game after his death. and then appreciating his help, using the clues he left behind for him, clearing his name, calling him a friend, and grieving his death with the rest of his friends who died in the killing game. He then uses everything Kokichi gave to him and taught him, ends up understanding Kokichi and his lies, and uses the tactic he taught him where he said “sometimes you win a game by not playing it” to end danganronpa. then you’re left wondering how things could’ve been different if Shuichi didn’t already have so much on his back and tried harder to reach out to Kokichi. you start wondering what could’ve happened if Kokichi didn’t push him away, you start thinking about all these possibilities. and then salmon team comes along and wraps everything up with a ribbon. putting direct throwbacks to what happened in the killing game and the free time events, Kokichi BEING the one to reach out to Shuichi, asking him to stay by his side. Their relationship is like one huge arc that starts the moment they met to their graduation in salmon team, and it leaves you with the fact that after they graduate they will stay together and learn more about each other, just like both of them wanted but couldn’t do in the killing game. if this isn’t a beautiful realistic relationship, I don’t know what is. Honestly, everything about this ship is so very beautiful, and I will support it with my life.

About point number 22, a lot of people deny that Kokichi’s feelings even exist that’s why I ranted about it once in a post that you can find here!

I answered this ask about it being technically one sided in the main game, because the main story is just the worst outcome for their relationship in my opinion (due to Kokichi’s plan having Shuichi hate him after chapter 4, ouch) but Kokichi’s feelings are shown to be reciprocated in Salmon team.

Then there’s this ask where I just summarised all my favorite things about the ship XD

I’m not saying that everyone who supports the ship has a bunch of deep reasons, some might just ship it cause it’s cute, and some might just like the fanon pregame version of the ship only because it has a totally different dynamic. But this is just the case for me because not only have I been questioned my feelings for this ship multiple times, but I went from actively disliking it at first to having it as my otp! (Which led me to even questioning myself multiple times, why did I got from dislike to like?) As I played the game I just kept noticing things, it probably all started after Kokichi’s “I stole Saihara-chan’s heart so I don’t need to take his life anymore.” and then solidified after Kokichi saw a detective Shuichi chasing after him in the love hotel scene, and the “Man I fell in love with.” line in chapter 4, and then the entirety of Kokichi’s Salmon team route.

The main story had such a tragic outcome for their relationship, but in another reality where Kokichi didn’t have to make everyone hate him including Shuichi, where he didn’t have to die being hated by everyone, and where Shuichi didn’t have to discover his true intentions after Kokichi was dead and consider him a friend again after he was gone. They really could have the wholesomest relationship as friends or more! And many amazing well-written fanfictions I read really shows it ;;

They just complete each other, at least that’s just how I see it XD I love them so much to the point I’ve been shipping them for two years now and it’s still going strong, amazing writing like this really hooks me, they have so much potential that you can’t stop thinking about all the what if scenarios. To me I love their relationship even if it was just platonic, I just love seeing them interact.

Still I totally understand that not everyone will see their relationship the same way as I do! These two are just two characters that I’ve analysed to death and liked their dynamic. And I think it’s totally alright to ship them with other characters (Shuichi is so shippable istg), but when I see people attacking their fans and calling their ship one sided or unhealthy it seriously ruins my day considering all that has happened to me before, and how it’s blatantly not true. It’s not true to the point I ranted multiple times about it in those essays-

But yea this on top of all those essays pretty much summarises why I ended up shipping them, they have this dynamic where they can make each other develop as a person, and at the same understand each other’s problems and the anxiety of how they look like in other people’s eyes. They have so much angst and the same time so much fluff, and I think many people who are into the yin yang *together we balance each other* dynamic will really have fun shipping them! Hope this somehow showed what I saw in them!

#asks #oumasai #saiouma #hope all the links work!#Why am i so bad at explaining to the point i just ramble-#i had so much fun answering this hhh #i just have fun ranting about them which is why ive done it so many times before to friends 😂#thank you for your ask ;w;

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littlemisssquiggles · 4 years

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Hi! So I know that at the beginning of the vol Whitley stans were very adamant about NOT having Whitley a villian but right now I'm a little open to the idea. His set up could go down the villain origin route and it would likely make a lot of sense. We didn't want Whitley to be a villain bc we thought he would be written as a mini Jacques. What would your thoughts be if Whitley was turned a villain, but bc of what's happened to him, and not bc he's a mini Jacques? Do you think it could happen?

Hello anon-chan. Here’s the thing with that idea. I used to be open to thethought of Whitley potentially playing villain…but only as an accomplice to Jacques in his crimes.

Once upon a time, I shared a Whit-tyheadcanon describing a scenario in which Whitleyhad unlocked his Schnee family semblance, giving Jacques a golden opportunityto exploit his son’s newfound abilities and his grandfather’s powerful familybloodline for his own selfish gain. Since the World of Remnant episode on theSchnee Dust Company teased a secret criminal underbelly connected to thebusiness involving nefarious schemes against competitors and abuse of Faunuslabour, I was banking on the story delving more into that for Weiss’ side ofthe story for the Atlas Arc.

Unfortunately, the PLOT for V7 neverreally touched upon the topic of Faunus abuse or any of the other crimes of theSDC.

As a matter of fact, all that was previousestablished groundwork seemed to have been rolled into Jacques one plot to workwith Watts in order to gain a seat for himself on the ruling Council of Atlasand…that was it. Sure, we got to see Jacques get his just desserts by beingarrested but that was mostly for assisting Watts by granting him access toAtlas’ and Mantle’s key mainframe. Even now, there still hasn’t been any moreproper acknowledgement of the Faunus abuse under the SDC as teased last seasonby Adam Taurus’ revealed scar.

The conclusion with Jacques is anotherexample of the PLOT providing the audience with an outcome without anot-so-good build up to it. It’s like eating a cheeseburger without the meatand cheese. All you get is the two dry buns. While it’s edible and serviceable toyour hungering appetite, it’s still not as good as it could have been if youhad the filling to complete the full burger you were expecting; y’know what Imean? This is how this subplot felt to me. I got the intriguing beginning andthe befitting ending but the middle that should’ve better sold ending for meleft more to be desired, in my opinion. But that’s just me.

Anyways, going back to Whitley, why Ibring up the Crimes of the SDC, I was originally opened to the idea of Whitleytemporarily playing the villain role as a means of helping his father. Heck Ieven had one idea that I never shared in which Whitley was blackmailed intohelping the villains capture our heroes as a means of protecting his familyinclusive of his father.

However given how the show has wrappedup this subplot, I’m not for Whit temporarily playing villain anymore. What Imostly wish for Whit right now is for himand Weiss to reconcile their relationship and start things on a new page. With the PLOT having Willow urge Weiss to look out for heryounger brother, I’m banking on them delivering on that; possibly going forwardtoward V8.

Like imagineif…by the end of V7, with Jacques now inthe custody of the authorities charged for his crimes, Willow decides to checkherself into rehab so that she could finally get help for her alcoholism. Sonow with all of his family leaving him behind, Whitley is even more alone thanhe ever was before and it takes a toll on him emotionally. During this time,Weiss attempts to extend an olive branch to Whit. However each time Weiss makesan attempt for her and Whit to finally connect, Whit shoots down Weiss’propositions; metaphorically slamming the door on the two potentially sharing agood relationship. I likedthis idea since it synonymously hearkens back to the timeduring V4 when Whitley extended help to Weiss only to have her use hersemblance to slam the door on his face. While I know Whit approaching Weiss backthen was right after she had been punished by Jacques and accused him ofmanipulating her, nonetheless, I’d still like to think that Whit genuinelywanted to help his sister back then only to have her refuse him.

So if Weiss were to do the same withWhit right now, I’m certain he would slam the door in on her. As a matter offact, I can even picture Whit being less willing to have any kind of associationwith Weiss especially since she was the one responsible for their father’simprisonment.

Instead of there being a villain subplotwith Whit, I’d much rather watch Weiss try and be a better, more supportive bigsister for her little brother and have the plot focus on her working to repairtheir bond; possibly even with flashbacks to their childhood together.

Plus I don’t want Whit to be a villainsince it would more or less lend to the impression that folks originally had ofhim. As a Whit myself, I’d like to believe that part of the reason why Whitleystans don’t favour the villain angle with him is because it plays into the FNDMassumption that Whitleywas going to turn out exactly like his father–-as you said, a mini-Jacques Schnee.

It is for this reason why I fell inlove with the idea of Whitley unlocking his family semblance. It could give himsomething to connect with his sisters on since Whit’s original belief was thathe was exactly like their father. It’d be interesting if in the end, Whit isactually no different from his sisters as he shares in their power. Who knows?Perhaps this could’ve even lent to Weiss training Whitley on how to use hispowers, similar to how Winter taught her.

I’d also loved to think that growing upWeiss was also trained by her grandfather: Nicholas Schnee. As a matter offact, I like the idea of Weiss originally being trained on her powers by Nickbut after he passed away, Winter—who had already joined the military at thetime—returned to take over her sister’s training in Nick’s place and that’show the two were able to bond.

I also have this idea in my head where whenWhitley was younger, he used to be more like Nicholas in terms of personalityand thus this lent to him and Weiss originally being close as children untiltheir father forced a wedge between them the instant Nick has passed away. Orsomething like that. I just thought it would’ve been nice to see Whitley beingtrained to use his powers, gaining a different impression of his family powerand his sister’s desire to become a huntsman. While Whit still doesn’t become ahuntsman himself, his main takeaway ends up being his newfound appreciation forthe huntsman and what they represent as inspired by his older sister. I likedthe idea of Whitley taking over as CEO of the SDC but through his time withWeiss, he is reminded of the side of him that had more in common with NicholasSchnee than all the Schnee Siblings. So basically the SDC undergoes a return toform with Whit as its new head; mirroring the same level of brilliance andcompassion that his grandfather once had. That’s one idea.

As a Whit, part of the reason I eventuallylatched onto his character was because I felt sympathetic toward Whitley. I never really pegged him as the manipulativelittle bastard that the PLOT wanted me to believe he was after V4 especiallysince I reviewed that whole volume and realized that Whitley had done nothingto deserve the backlash he received from both his sister and the FNDM.

I always liked to idea of Whit beingmore of a misunderstood character and even now, I still believe that. If I had to picturethe villain card being played for Whitley, I can only see it from the angle ofWhit being a pawn— manipulated by other more antagonistic characters preying onhis vulnerability and insecurities surrounding his relationship with his familyto use Whit to achieve their own selfish desires. At least as a pawn Ican still empathize with Whit over him just going flat out evil.

This is why I liked my original headcanon of Whit unintentionally unlocking his own abilities and Jacquestaking advantage of his semblance to bank on more success for himself. But sinceJacques’ out, so is that idea.

The one concept I’m willing to chum up to now asan alternative is one where an emotionally vulnerable Whitley; starved forproper support and attention by the women in his life, is seduced byNeopolitan and manipulated into helping her and Cinder somehow.

I’m still waiting for that so-called “super-duper irredeemable thing” that Neo does to shock the FNDM that was teased last V6. Still notsure where folks heard that rumour but I’m waiting on it. It’d be interestingif Neo gets her mittens on Whit and preys on him especially if he is very vulnerable right now.

I don’t know how old Neo is supposed tobe. I keep hearing people imply that she’s supposed to be young, probablyaround the same age as our young heroes. Cinder even called her ‘girl’ backin V6. If I had to guess Neo’s age, she’s probably around 18-19 years old for theyoungest.

And if I had to guess Whitley’s age, I’vealways pegged him as being around the same age as Ruby. Some folks peg Whit tobe closer to Oscar’s age but for me, I more placed Whitley between Ruby and Oscarleaning closer to Ruby’s age. So if Ruby’s currently 17 years old, I peg Whitto be probably be around 16-17.

That being said, I’m picturing ascenario where Cinder convinces Neo to chum up to Whit; play into using herfeminine wilds to makefriends with Whitley especially now that he’sall alone with not even mommy dearest to really look out for him. Not saying this willbe a possibility. I mean I can’t even picture a prospective PLOT motive for Neoand Cinder to even need Whitley.

Outside of Ruby, the only other personI can picture Fire andIce-cream targeting is the Winter Maiden. Andunless the hospital facility Fria is currently housed in is somehow connected tothe Schnee Dust Company then I can’t really see a reason to have Whitley beaffiliated with Neo and Cinder. If Weiss Schnee had been Neo’s target insteadof Ruby then I could’ve easily seen Neo getting to Weiss through manipulatingher little brother; sparking furthertension between the Schnee Siblings.

However that’s not the case. I dunno.

I think for now I’m just going to stickwith my earlier aspiration. Just having the PLOT more focus on rebuilding Weissand Whitley’s relationship and let that be the focal point of their conjoinedstory. Toss in the idea of Whitley unlocking his semblance and being unable tocontrol his powers leading to Weiss having to help him get that under controldespite their tension and that could be a cool subplot to see play out. I’drather that than Whit being a villain entirely.

A pawn, maybe. But not a villain. Even with all that’s happened to him now, I wouldn’t expect that of Whit. That’s my verdict anon-chan.

~LittleMissSquiggles(2020)

#squiggles answers: rwby #whitley schnee #weiss schnee #rwby neopolitan #cinder fall #rwby theories #Anon-ninja #squiggles answers

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strawbrymilkshake · 5 years

Text

i just watched the first six episodes of the mp100 netflix show for no good reason other than that i apparently hate myself, so to not put my pain to waste here’s a half-review half-rant thing

i guess ill start with the good and make my way to the shit i hated about this show, but as you can probably guess there’s hardly any good

tome was fun, i guess. she’s got that same chaotic™ energy and had some of the only lines i genuinely laughed at, but also she’s the only member of the telepathy club for some reason? and they merged her character with mezato’s, so i guess she’s got more to do. but judging by the sfx i doubt they had the budget for even one (1) more actor, so ig i can forgive them for that. overall probably the only adaptation that both wasn’t painful to watch and actually warranted the changes they made

teru (from the little i saw of him) was also pretty good. the fight had some....changes, but on his own i thought he was fine, pretty harmless adaptation overall. i stopped watching once i realised that they weren’t gonna go all in and give him the cactus hair so points deducted for that

and the last thing i liked about this show: ritsu! they got a young actor who was good and i didn’t have many issues with him. there was one interaction he had with tome that i liked when she introduced herself and he said ‘oh! tome’s my grandma’s name!’ and tome was like ‘...yeah you and mob are definitely brothers.’ the reason why he’s lower than tome and teru is because. for whatever fucking reason. he is in every. goddamn. scene. like even when it doesn’t make any sense. when mob joins the body improvement club? he’s there. when mob is taking down the lol cult? he’s there. the teru fight? he’s there. i lost count of how many times i was asking myself ‘why the fuck is ritsu here?’ he was inescapable. his presence in those scenes didn’t even add anything to the story. also he’s friends with tsubomi for some reason....i guess to give him more things that mob can be envious of?

speaking of tsubomi.....god. not to be like ‘they didn’t understand the source material!!1!!11!1!!!’ but like. please. it hurt. i get that they were probably trying to lean into the ‘guy gets the girl/high school romance’ type show more but uhh....way to horribly misunderstand the source material, guys. the problem with her is that she is in it so much that it almost entirely defeats the point of her character & what she’s supposed to mean to mob. they interact like every other scene! she’s a pretty close friend to ritsu, so that means they interact even more! she’s their next door neighbour ffs! i only watched the first six episodes and i think i still saw more of her than her entire screen time in the anime put together

and apart from her being so close to mob that it completely destroys the point of him idolising her, it also meant that the writers had to come up with a full personality for her and an actual dynamic for her and mob. and hoo boy they really went and decided that the two of them would have the most awkward, unappealing dynamic ever, huh. like there’s this running gag where she always messes up the words to common phrases, and mob has to correct her, and it’s painful every time. which, i guess (????) makes sense for what their relationship is in the manga & anime, where they’re not close anymore and mob doesn’t even know what she’s like/what he likes about her, but in this show, they were trying to push them together to lean into the romance tropes, so their uncomfortable dynamic doesn’t make sense anyway??

the stageplay got it fuckin RIGHT when they went and cast NO ONE for tsubomi. like. the legend jumped out. they got mob pining for a silhouette. chef’s kiss

holy shit this got long fast. ok the rest is under the cut

i guess im just going character by character now so: dimple. weird guy. the cgi was awful, but you knew that already. but he was just....so weird. and by that i mean he was awkwardly,, never there? when teru exorcises him it’s supposed have at least some impact, but in this show he had like three (3) scenes before it (rather than a couple episodes leading up to it) (and also they cut a shit ton out of the middle of the lol cult arc for...whatever reason) so when he gets exorcised here it’s like...oh no.....that guy...........did mob even speak to him more than once.....

speaking of the pacing of this show: it’s horrendous!! good lord i hate it!! the pacing is shit awful, and it feels like they’re just throwing in ‘’’’’’’’interesting’’’’’’’’ scenes that should take place later in the story bc they know that the audience isn’t going to want to stay around for the atrocious writing! case in point: we see the flashback of mob and reigen meeting in the second episode. the second fucking episode. the reason why it’s delayed so much in the anime (and even more in the manga) has a lot to do with the unfolding of reigen’s character depth and they just?? throw it in so early?? it feels like they’re just going ‘oh by the way, he’s good, or whatever. yeah, he’s totally complex and interesting. just trust us, okay, keep watching the show’ and the pacing of that completely throws off reigen’s character arc

i can’t really remember which episode(s) this was in but they also have this weird subplot with reigen going to the bar alone (yknow..like....s2 scenes...) and lowkey being friends with the bartender guy?? i gotta be honest i wasn’t paying much attention during these scenes but suffice it to say: god i hated reigen. like sure, he’s a sleazy character, but they just made him disgusting. netflix reigen does not drink his respect women juice, and that’s all i wanna say about that

also why is he like 40 years old

anyways back to the pacing, apart from throwing in scenes from wayyy later in the plot, this show also tried to have like four or five plot threads going at once. the place that this hurt the most was probably the teru fight, where the anime spends like two episodes entirely on it and nothing else, but in this show it keeps cutting to the start of the big clean up arc (probably just so they could keep showing ritsu) and reigen’s weird subplot

and there’s other stuff like that, where they kept cutting to the awakening lab & the scars doing psychic stuff or whatever, i guess trying to entice the audience like ‘we swear there’s plot stuff!! it’s not just slice of life!! there’s evil™ people!!’ and i guess they were gonna pull the ol’ switcheroo™ where the audience thinks the awakening lab and the scars are working together but oh no!! only the scars are evil!! the awakening lab was actually on our side!! but i can’t be bothered to watch that far

also in the teru fight, they got most of the message across (don’t use your psychic powers against other people....mob and teru are the same...) but because they kept cutting away from it they lost the dramatic impact of all of it. the choreography and sfx weren’t as bad as they could have been i guess, but they definitely showed the budget. it also didn’t take place in a school (which...fine, whatever) but it led to something i actually did like: teru attacked mob with glass shards instead of knives, and although i do like the knife metaphor + imagery, you could also argue something about the destructive nature of his power use coming back to hurt him in the shards of glass, and also something about reflections or...something. i just thought it was neat, although i don’t know why they changed the setting from the school in the first place

also in the teru fight: it was raining and ???% stopped the rain katara-style mid air, and even though the cgi still wasn’t all that good, i thought that was a rad concept. but then he just made a tornado instead of ripping buildings apart and you get the idea not a lot of it was good

back to things i hate because i don’t have a good segue!! the writing!! bad!!

i see the writers of this show engaged in the age old storytelling practice of ‘tell, don’t show’

when reigen tells mob to be a good person: “ok, i won’t show off my powers or use them against other people. i’ll become a good person”

when mob loses control of his powers and hurts ritsu as a kid: “these powers are awful and cause nothing but trouble. i’m not going to be using them again”

god i wish i was exaggerating

and, going back to the lol cult, for whatever fucking reason they decided to have that latter line of dialogue to be the full explanation of mob’s complex. like i get that there’s a time for exposition and a time for subtly, but take some cues from the original author and maybe fucking explain the main plot device of the show and not the protagonist’s sad vague backstory rather than the other way around. want to confuse and alienate your audience? good fucking job!! you’ve done it!!

and just because this was my favourite episode in the anime and im fucking bitter!! they cut out so much of dimple’s monologue and just had mob get to 100% pretty much after all dimple says is ‘get a clue.’ like. he puts the mask on, it doesn’t work, ‘get a clue,’ 100%. yeah im totally gonna care when this character comes back to try and manipulate mob later.

also....mob...........

i havent talked about him that much here, have i?

okay specifically w the lol cult first, the whole thing where they put the mask on and he’s not smiling is completely devoid of any impact because!! he’s full on emoting throughout the rest of the show!! like he’ll look worried, embarrassed, he’ll cringe or smile or whatever, and the most it looks like is that he’s just slightly uninterested, but otherwise has a pretty good grip on his emotions. unlike the anime + stageplay where it’s clear that he’s (seemingly) completely unemotional. the reason why i bring up the stageplay is bc, while i know that setsuo ito is 10ish years older than the guy that plays mob in the netflix show, i kinda wish that they just....cast him anyway.....bc they clearly didn’t have any hangups on casting adults for all the other middle schoolers, and ito did such a good job in the stageplay. he’s the only guy who is mob to me lmao (kyle mccarley is on thin ice but he can stay)

i mean mob just straight up showing emotions through the show could have been down to the directing as well. also i’m pretty sure a majority of it is bc he’s constantly around tsubomi, so. stupid decisions lead to stupid outcomes!

and that’s basically it for my weird review/rant on this show. the writing’s bad, the pacing’s bad, they didn’t care at all about the source material, i’m not entirely sure if they cared about the audience either, there was maybe two (2) changes i liked, if that, and everyone should go watch the stageplay. there were probably way more points that i wanted to bring up but i think my brain is already repressing the memory of it for my own safety

if i ever try to watch the rest of this show, shoot me

#not to bring up the netflix adaptation of mp100 on main but #also as the episodes went on it kind of just went from bad in an infuriating way to bad in a boring way #mp100 #gonna be honest idk who i was aiming this at

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lovelytonys · 5 years

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The Official Lovelytonys Guide to Iron Man Comics

Not to toot my own horn, but I’m about to save some lives. Buckle up.

Six months ago, I was asked for comic recs. I’m posting those recs today. Why so long? Because I couldn’t just make a rec list, no, I’m too extra for that. I had to go and make, to the best of my ability and knowledge, my own entire personal guide to Iron Man comics. I also have a tendency to start projects and not do them. But I did this one! And now I share it with you.

For your assistance, I’m going to link this Comic Book Herald article which is a full Iron Man reading order (LIFESAVER) and has links to amazon to buy the collections & arcs being talked about if you are so inclined.

You can find comics on amazon, ebay, the marvel website or Marvel Digital Comics Store (you can buy digital versions of comics), or just find a local comic shop and see what they have. You can easily find any comic you want free to read online, but the websites are a little shady. I’ll leave it to your discretion.

Disclaimer: Remember that these are all my personal opinions. Often, they will not line up with popular opinions. You might really like stuff that I didn’t care for. You might dislike my favorites. You might agree with my opinions. If any comic fans read this and are offended by any of my opinions, please don’t be!! Opinions on comics are SO subjective, just find out what you like and stick to it. I just figured I’d lend my own personal helping hand for you get started, because doing so can be intimidating.

WITHOUT FURTHER ADO, let’s begin under the cut! (If you are on mobile...I am so, so sorry about this)

Short version (the recommendation-y part)

Recs because I like them:

Iron Man Volume 3 (1998)- #1-25 (my actual absolute FAVORITE RUN of all time and my number one recommendation. It’s by Kurt Busiek, Roger Stern, and Sean Chen), #26-30, #62-63, #73-78. Iron Man Volume 4 (2005) #1-35. Invincible Iron Man (2008) spanned many years so you should read at least some, and it has many fans, but I am not one of them, so I’m not gonna rec too much. Issues #1-6 and its epilogue, #7, are worth a read and the arc spanning #8-19 is probably the best from the era, I would say that I enjoyed that arc. Next is Brian Michael Bendis’ stuff, which has a pretty bad rep and while I don’t hate it as much as others do, I wouldn’t say I love it. It is, however, the most recent completed run & important stuff happens, and there’s some good stuff here and there, so yeah. I don’t really have any specific recs from here...just read the whole thing and see what you get out of it or scroll down to the guide section and see the highlights I picked out. Invincible Iron Man (2015) #1-25, and Invincible Iron Man (2016) #1-600 (they changed the numbering halfway through, it’s not 600 issues it’s only I think 19).

Recs because important stuff happens even if I don’t necessarily like them:

Civil War I (occurs during the Iron Man run starting in 2005), Civil War II (occurs during Brian Michael Bendis era), Iron Man (2012) #9-17 “The Secret Origin of Tony Stark.”

Long version (the guide-y part)

First off, I’m going to tell you that my suggested starting points are Invincible Iron Man (1998) which was my starting point, and Invincible Iron Man (2005). Much more on those below.

I haven’t read Mr. Stark’s classic adventures yet because there’s a daunting number of them and I still need to find a starting point, so we’re gonna start with...

Volume 3 (1998):

Okay I have SO MUCH to say here because I’d die for this volume!! It’s considered by many to be nothing special but there’s a lot to appreciate if you’re a fan of Tony in the way that many are here on tumblr- caring about character development & character moments first and foremost. I’ll break down my favorites for ya

#1- does a good job of setting the tone for Tony and this era of Invincible Iron Man. Some nice Tony character details are in there. Volume 3 is started with Kurt Busiek writing (later joined by Roger Stern) and Sean Chen on pencils. I LOVED this team, this is my FAVORITE run of Iron Man that I’ve read, PLEASE read all 25 issues. I thought Busiek understood Tony really well and I just loved the way Chen drew Tony (and everything else), and their first issue is surprisingly enjoyable for mostly existing to set the groundwork for a fresh start.

#4-5- I think this is where the run starts to kick into gear. Tony’s on-and-off girlfriend for the era, Rumiko, is introduced and she’s fun (but as the years went on, deserved much better writing). Tony kicks some butt & is a hero.

#6- an awesome Iron Man/Black Widow team up. It shows a really nice friendship between Tony & Nat. Also, Nat kicks butt & it’s great

I’m recommending every issue that builds Tony’s relationship with Carol Danvers (at this time, she was Warbird, not Captain Marvel). #7, #11-12, #18, #19, #21, and #23-25. Their storyline details Tony’s endeavors to help Carol overcome alcoholism. At least read the Carol parts of the issues she’s only in a few panels of. Major highlight of the Iron Man comics I’ve read. Also- knowing this background will definitely make Civil War II have more weight

#8-12- Tony gets the actual daylights beaten out of him and then some, leading into a compelling 2-issue Mandarin arc, this then leads into an interesting 2-issue team up with Warbird that gives us an answer as to why his injuries were so bad. It hurts but it’s good

#13- an actually really compelling single-issue story that involves some trippy, creepy mind control stuff and takes a look into Tony’s head- specifically questioning whether or not being Iron Man has become an addiction. You can’t tell yet but I’m trying my hardest to not recommend every single issue

#26-30- The Mask in the Iron Man arc. This is the first issue without Busiek writing- Joe Quesada steps in and it’s good stuff. It’s also Sean Chen’s last arc. It starts with Tony punching a guy in the face to protect Rumiko but getting punched back and having to wear a nose splint- it’s really cute. Then Tony and Ru run into relationship problems. Then the Iron Man armor becomes sentient, basically falls in love with Tony, and kidnaps him on a remote island. Wait-what? Yeah, it’s really weird in hindsight, but while you’re reading it, it sure does pull you in. One of the biggest standouts of the whole era and something of an instant classic. Also, the first few pages of #31 give you a little aftermath.

#37-40- this wasn’t my favorite arc but I’m recommending it just because of how wild it ends up being. These were the days when IIM wasn’t afraid to have a big imagination. And I mean big, like, who thought of this? Well, Frank Tieri is writing at this point (he’s okay, not my favorite of the volume), and Alitha Martinez & Paul Ryan are on pencils (it’s fine, but you’ll miss Sean Chen) (you’ll always miss Sean Chen). Also, a major player in this arc is Tiberius Stone so maybe read it to know who he is.

#50- “Tinman”. Issue 50 was meant to be a place for new readers to jump in. Mike Grell & Michael Ryan are at the reigns as writer and artist. Grell’s characterization was fairly solid, my favorite next to Busiek in this era. His version of Tony is more in touch with his emotions, I guess, than some like to characterize him. Sometimes he gets aggressive when he’s angry but there’s also a lot of really sweet moments and they portray him as doing a lot of good, like funding a rehab/safehouse for kids on the street. Grell’s stories are generally grittier and more violent but Tony himself doesn’t really take a dark turn. Issue #50 has both action and a VERY SOFT Tony, definitely recommend it

#53-55- “Book of the Ten Rings”. Again, it’s grittier than the stuff that came before it, but it’s good. Once the main story wraps up, something really important happens at the end. Also, it’s important to note here for people that weren’t previously into comics that at this point, Pepper and Happy are a thing, not Pepper and Tony as seen in the MCU

#59-61- “In Shining Armor”. Tony travels back to Medieval times and it’s not exactly a good time for him but it’s a wild time for us. Gotta love a good old fashioned time travel arc

#62-63- “You Can’t Always Get”. Oh god PLEASE read this one, if you only listen to one of my post-Busiek & Chen recs this is the one, the Tony content is so precious

#73-78- “The Best Defense”. The arc detailing Tony’s journey to becoming Secretary of Defense because yes, that happened. A very interesting concept to watch Tony go through and one of the most notable stories in this era.

Volume 4 (2005):

This is the last of what I consider the Really Good Stuff (except for Civil War, but we’ll get there). These comics defined Tony Stark as we know him today, and you’ll notice that MCU Tony was definitely influenced by them. If you’re starting here, it’ll be Iron Man as you basically already know it. If you’re coming here off of Volume 3, then you’ll notice the tone of not just the stories but of Tony himself get darker. For whatever reason, writers looked at Tony and said “let’s find ways to bring his morals into question bc that’s Interesting!” It’s not bad (the Iron Man title, that is- Civil War is bad) but it doesn’t really reflect what came before it, I guess. I’m recommending all 35 issues bc why not but I’ll break it down for ya & make sure to point out my favorites

#1-6- “Extremis”. A must read. One of the most iconic Iron Man stories in 21st century comic history. It’s on everyone’s list. You are, as an Iron Man fan looking to get into IM comics, legally obligated to read this. This would also be the arc where I believe the MCU looked for inspiration for Tony characterization. Also Extremis obviously ended up in the MCU but it’s like way different in the MCU than in the source material

#7-12- “Execute Program”- Basically, Tony is screwed up post-Extremis. Poor guy. Please read this. Directly leads to Civil War…

Civil War (2006) #1-7- Ugh. So. Civil War. In my personal opinion- not a fan. I actually like the movie MUCH better and imo the movie is the way this should have been written. Unfortunately, you’ve gotta read it because it’s an important event. You’ll see people calling it “Tony Stark characterization murder” and THAT’S VALID. Like. Tony suddenly became...a villain?? literally the worst?? under the poorly written guise of “just doing what I have to do” but the stuff that happens….it just can’t be explained with “doing what I have to do”. Honestly it reads like the writers just wanted to pit Tony against Steve and didn’t care about keeping him in character. Tony basically had to be turned into a villain to make the story work because In-Character Tony would not have fit their needs. It sucks and I don’t want to recommend it but you have to read it because it affects so much that comes after it.

THE ONLY CIVIL WAR ANYTHING YOU SHOULD SERIOUSLY CONSIDER are tie ins and oneshots and I will tell you a couple

Invincible Iron Man #13-14- IIM’s CW tie ins. Issue 13 comes after CW #2, issue 14 after CW #5. Read these

Captain America/Iron Man: Casualties of War- oneshot to be read after Civil War #4. Tony offers Steve the chance to try and talk it out. Both explain their positions and a lot of comic history between them is brought up.

Civil War: The Confession: SO after CW, SPOILER SPOILER poor Steve is assassinated in Captain America #25 (it’s actually more wild than that bc superheroes don’t just die but whatever) and this is a oneshot with two halves, the first takes place after Steve is dead and is Tony-centric and I LITERALLY CRIED and the second takes place when Steve is imprisoned before he is killed. PLEASE read this

There’s more tie ins involving Tony that you should read but I’m sick of talking abt CW

BACK TO THE IRON MAN SOLO TITLE

Sooooo the title now changes from Invincible Iron Man to Iron Man: Director of SHIELD but it’s the same book

#15-18- It’s Tony’s first story arc as Director and it ends up being kind of wild actually

#21-28- ‘Haunted’. Starts out as a sort of murder mystery thing, spirals into something much bigger. Also, poor Tony is so screwed up in the head but what’s new. Definitely read this one

#29-32- ‘With Iron Hands’. Basically, an entire arc of Tony feeling guilty about his past?? Pretty much. There’s also a terrorist and a giant weapon and more fun stuff. The last you’ll see of Tony for the volume bc stuff goes down in the Secret Invasion event and War Machine takes over for the last 3 issues of the title. Wish I could be of help in regards to Secret Invasion, but I haven’t actually read it because I haven’t been able to find it. Just, idk, google search the plot of Secret Invasion like I did and you should be able to get by

Invincible Iron Man (2008) AKA Other Volume 4:

Okay lots of comics fans think this is one of the best Iron Man runs in history and I respect their opinions and perhaps you will share them but I’m gonna cut to the chase here: I am not one of those people. Look, I read all 62 issues so I have a fair opinion, and I’m just not a huge fan. Matt Fraction is writing and Salvador Larroca is drawing. In my experience, the stories drag on and it gets to the point where you’re just bored. I think I read the 89 issues of volume 3 faster than I read the 62 issues of this because I was just so bored with it. Also, I’m really not a fan of Larroca’s work on the book. I really disliked the way he drew Tony and the more I looked at it, it almost made me...uncomfortable? Some of his art is kind of gross imo. Plus, I didn’t love Fraction’s Tony characterization. I can’t quite articulate why, it just didn’t sit nicely w me. There were some moments where I thought “oh yeah that’s Correct” but many other moments where I thought “No Why Did You Write That”. He was good at writing some wild and intricate stories but sometimes I felt that character got lost in the midst of the action. That’s just me though, you might really like Fraction’s run, and there is some stuff worth pointing out.

#1-6- ‘The Five Nightmares’. A fairly iconic modern Iron Man story. Tony’s worst nightmare comes true when the son of Obadiah Stane uses Stark tech to cause absolutely horrific acts of terrorism. It gets pretty serious, but it sets the groundwork for this entire era of Iron Man. As far as Fraction stories go for me, it’s one of the better ones.

#7- Five Nightmares Epilogue. A team-up of sorts with Spider-Man that I actually genuinely think you should read, especially for the ending (and because Peter & Tony clearly wish they could be buddies again in this post-Civil War world).

#8-19- Okay it’s really long but I remember it stood out to me, all I remember is that it’s basically Tony Stark Brain Annihilation over the course of 12 issues and it hurts like heecckkk. Actually I’m gonna say definitely read this one. Also Rescue happens and that’s A Thing you should know about. Stuff gets fixed in the next arc, #20-24, but it’s not worth recommending imo so don’t read this if you’re gonna read it but if you’re not just know that SPOILER SPOILER Tony is fine except he accidentally erased Civil War from his memory (god I wish I could do that). SPOILER OVER

I think I’m gonna end it there for Fraction issues of interest. There’s probably more in there I should be recommending but I just. Can’t be bothered to comb through Fraction’s volume sorryyyyy I’m just not a fan

Iron Man (2012):

So this run is by Kieron Gillen and I don’t really want to recommend anything from it. I didn’t love it as a whole. Gillen laid way too heavily into the idea of “Tony Stark is a walking ego”. The stories were kind of interesting in theory but I thought the execution was mediocre for some reason. Although, not necessarily the art but specifically the coloring was nice- very vibrant. The actual art was by Greg Land who comic fans really seem to hate. I didn’t think his work on this was too bad idk. Again I don’t really want to recommend anything so there’s only one thing I’m putting on here and it’s:

#9-17- “The Secret Origin of Tony Stark”. So here’s the thing. Kieron Gillen said to himself “I need to do something that turns Tony Stark’s identity on its head. I need to redefine him”. And he actually kind of succeeded in that. And it’s actually annoying and it actually feels like something that should be retconned…. but hasn’t been?? And since it hasn’t been, it’s going to be important going forward so you should probably know about it. You could also just google it.

Invincible Iron (2015) by Man-Brian Michael Bendis

Yes, the infamous BMB. So, what’s the truth about his run on Iron Man? Is the amount of hate warranted? Well…that’ll be for you to decide. Personally, I think it was generally...meh. Not necessarily terrible just. Meh. Many fanboys act like this run is the bane of their existence and I don’t think I dislike it to that extent at all. I mean, it gets boring after a while, but the good moments are really enjoyable and I think it’s worth reading. Bendis’ characterization was sometimes weird because it felt notably inconsistent. However, the moments when he nailed it, he really did nail it. His Tony is a bit of a dork, a bit of a hot mess, a little vulnerable, and the moments when that’s at the forefront are great. There’s also some notable stuff going on here- Civil War 2 falls under this era (I hate it less than the first one but Marvel could do 50 Civil War events and I will probably not like any of them), and so does Riri Williams (who I love, just to get that opinion over with). Finding recs for this era is kind of weird for me because the things that stood out were almost never actual issues or stories, but rather specific character moments, so like, the volume is only 14 issues so tbh you can just trudge through them all and savor the good moments, but I’ll try to pull some recs out for ya

#2, #3- just for some character moments. These two are a part of a larger arc so it might be a little confusing to read them on their own but who cares

#4, #5- Tony fights ninjas and visits kids at a hospital and MJ Watson & Doctor Strange make appearances so it’s kinda cool idk

#9-11- only because you meet Miss Riri Williams, the other parts won’t make sense since it’s in the middle of an arc but eh. Honestly the actual story didn’t strike me as being very special so like unless you’re into it you can just skim for the parts that Riri is in since she’ll be important later

Aaaand CIVIL WAR 2

Civil War II #0-8- okay I don’t dislike it as strongly as I dislike the first CW but I still?? Don’t like it?? Like at all? But something really important to Tony’s stories happens at the end and Tony is one of the main characters in the event so like. You should read it. The main problem I remember is that the pace felt so slow. This event is Iron Man vs Captain Marvel which kinda hurt me bc of how much I loved them from 1998’s volume but it’s fine!! They never address their past in the actual event but there’s a tie-in that does so that’s good I guess. Just get through it idk what to tell you

Back to Invincible Iron Man

#12, #13, #14- tie-ins to Civil War II. #12 and #13 I think come after CW2 #2?? Maybe?? And I think #14 comes after CW2 #6?? Anyway #14 actually acknowledges Tony & Carol’s past so you should give that a read while going through the event.

Invincible Iron Man (2016)

Sooo some Serious Stuff happened in Civil War II that’s going to have an effect that lasts a while. I don’t wanna spoil it, though. When you do get to the end of CW2, you can rest assured that Tony will still have a major presence as a character in this title, but Riri Williams takes the spotlight. Opinions on her are mixed, I personally love her. This, like its 2015 sister, can honestly just be read all the way through, it’s only 19 issues, but I’ll try to find stuff. Also, Tony & Riri’s banter is ALWAYS golden so just read to enjoy it tbh. On we go!

#1, #2- gives you the background on Riri now that she’s taking center stage. She’s just so darn endearing.

#11- It’s basically an issue about everyone reflecting on how Tony is a good person and different from how the public perceives him. He holds orphaned babies from around the world. It’s good stuff.

#593-600- the numbering changed, there’s obviously not actually 600 issues lol. So yes this is kind of long for an arc, but it’s important because it resolves what happened to Tony in Civil War 2. I remember getting bored with it after a few issues, like it wasn’t bad I just remember it feeling slow. Idk. It’s important. Just read it.

Stuff that I don’t think is worth your time:

Invincible Iron Man volume 2 (1996)- I think Marvel was doing some kind of reboot or something because Iron Man’s origin was redone as well as The Hulk’s. It’s amazing how a run that was only 13 issues felt like such a large waste of my time. I didn’t think there was anything of note. I basically don’t even remember what happened in it. Also the sexualization of women was so casual and constant on top of the run not being particularly remarkable so yeah don’t waste your time

Superior Iron Man (2015)- I dislike the idea of this so much that I don’t even want to explain it ugh it’s a spin off of an event called Axis that involved some psychic type stuff that altered the personalities of those involved, boosting Tony’s worst qualities and making him evil. Marvel then decided to make a series about it and it’s only 9 issues but wow it’s amazing how hard it can be for me to get through 9 issues. I could barely read it I just so strongly dislike this idea ok so basically Evil Tony creates Extremis 3.0 which is an app that lets a person make themselves physically into the person they wish they were (In the pages of Axis, Tony personally made himself not an alcoholic because that’s not disrespecting an incredibly important character detail and there was one particularly awful panel of him drinking alcohol in front of a crowd of cheering people and saying “I missed you, sweetheart”). He is testing this app on San Francisco and effectively creates two classes of people- the “perfect” people who could access the app and the “imperfect” people who can’t and that goes about as well as you’d think. Then he makes it obscenely expensive to use which also goes about as well as you’d think. And more stuff happens. Here’s the thing. I’m sure many people thought the concept of a villainous Tony Stark was cool, but I just don’t like the implications of it. The way it’s written kind of gives the idea that, with his personality, Tony could easily become a villain. Given that some people already think of Tony Stark as a villain, reading it just made me cringe. And the WORST thing about it is that, while this is a result of Axis, it’s still Tony himself. According to the writers, he has “surrendered to his id and his legendary ego” (god I’m about to gag) after the mind-altering events of Axis brought those things out in him. Despite my qualms, was the book well-written? I will never be able to read it that objectively, so I can’t say. But clearly, as you can see by the size of this here rant (sorry), I dislike the very idea of it enough to put it on my “do not touch” list.

Okay. Wow. I finally did it. Wow. Six months and it’s done.

I am simply the mentor figure in your hero’s journey. As you get used to navigating comics and reading orders, you’ll find it easier to venture out, and there’s so many ways to go. A character crossed over into something you read and you liked them a lot? Look up their reading order. A writer or artist really impressed you? Do a google search and find what else they’ve worked on. There’s a whole world of comics out there. Go have some fun.

I leave you with 3 rules of being a comic fan:

1. No one hates comics more than comic book readers. We’re bitter because we care. You’ll be like a jaded war veteran who writes a thousand word rant about why a certain author’s mischaracterization of your fave offended you personally way faster than you’d think.

2. Follow the trail of what interests you and, while acknowledging what may be widely believed, proudly own your personal opinions.

3. It’s addictive. Embrace it. You start with one issue, and before you know it, you’ve read 200 issues and know 20 years of history on one character in less than a year. That might be how it goes for you. Just go with it.

Happy reading!

#lovelytonys guide to comics #tony stark #iron man #marvel #marvel comics

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