I think of Debbie Africa, who gave birth secretly in prison, how the other women prisoners used sounds to shield her birth process. They protected the two of them from guards so that she and the baby were able to share precious time together, undetected for days. I think of Assata Shakur too, impossibly conceiving and giving birth to her daughter while being a political prisoner, mostly in solitary confinement. And how she listened to her angry daughter, and the dreams of her grandmother when they told her she could be free. They could be together.

from Undrowned: Black Feminist Lessons from Marine Mammals by Alexis Pauline Gumbs

too many conspiracy theories about oil in gaza and not enough practical understanding of the fact that bibi netanyahu and his cronies have extreme personal reason to keep this war going as long as possible and at any level of civilian cost because the moment it's over he'll no longer be a wartime prime minister and will have to face the repercussions for being a massive reason why the october 7 attacks ended up with a body count as high was it was

everyone i've seen defending chris pratts performance is "ok, but you rather have a dramatic high pitched italian accent?" uh. yeah? that's mario. he's a goofy italian guy. it's a defining feature.

Consider for a moment: A slow-burn identity reveal “no one knows” AU with an emphasis on ghosts being taken seriously as an actual, world-changing threat.

Ghosts are treated as an exceedingly dangerous, but unavoidable force of nature. They can come and go without warning, through naturally occurring spontaneous portals. They're territorial, driven only by obsession and hunger for the living. Particularly powerful ghosts are on par with natural disasters.

Life goes on because there's simply no other option. All major buildings have varying levels of ghost shields, some stronger than others. Just about everyone has some form of personal shield, weapon, or general deterrent. For the most part, humanity takes this apocalypse in stride, barely keeping it all together because there's just enough safety to keep them all sane.

Which is why the rumors of Phantom being able to fully mimic a human body incites panic in Amity.

Phantom was already a nightmare as it was–one of the most powerful and intelligent ghosts on record. His territorial fights with other ghosts for haunting (hunting) grounds in Amity have made global news several times already. Powerful ghosts could appear more human–but to think he was transforming down to a cellular level? Hiding among them? Bypassing ghost shields and alarms? Picking them off one by one?

The focus is mostly with Lancer's class, and how the school deals with this new threat on top of everything else. Everyone is a suspect, no one is safe, and Danny Fenton in particular gets slowly more and more exhausted, apathetic, and… unnerving.

The stress, the lack of sleep, the fighting, no one to turn to, not even his best friends or family–it takes a toll on him. Starving himself doesn't help, but he refuses to do more than take small bites from the ambient life energy and emotion of the living around him. Nothing that won't actually do lasting harm. He begins to slip up more and more, which Sam and Tucker begin to notice but haven't quite connected the dots yet.

But, well. What else can Danny do when Pariah Dark comes knocking on Amity’s doorstep, and his whole class is in the line of fire?

our autism isnt professionally diagnosed and it definitely wasnt self diagnosed either, but a secret third thing :)

it's corroded coffin's first, proper world tour. they've skyrocketed into the public eye within the last few years, and they couldn't be fucking happier. it's all so amazing, so surreal.

they get to indiana. the crowd is electric, the venue bigger than any of the bars or crappy hole in the walls they used to perform in. eddie steps to the mic nearing the end of the second half of the show.

"indiana, it'a a fuckin' pleasure to be with you tonight." he says, a bit lowly, into the mic. screams fill his ears, thousands of smiling faces. but he's after one in particular. "i'm gonna need your help for a minute here, guys." he motions for the lights to go up, grabs the mic from the stand and crouches close to the barricade, squinting.

"i've got someone out there, mixed up in the crowd." he can't help the fond smile as he says it. "and i wanna find him before this next one. take a quick look around ya, if you're next to a guy about my age, fluffy brown hair, big brown eyes, probably in a preppy little outfit and glasses, give me a scream."

everyone's looking this way and that, eyeing the people around them. thirty seconds later there's screaming to his left. eddie crosses the stage, peers into the crowd. the big screens capture the moment he spots him; his eyes go bright, there's a crooked lovesick grin on his lips.

"hey, sweetheart." he coos into the mic. the crowd bursts into cheers and whoops and chatter. the camera cuts to someone at the barricade, having been pushed forward by others. he's exactly as eddie had described, leaning against the railing and smiling up at the star. for a few seconds they gaze at each other like they're the only ones in the room.

then eddie blows him a kiss, which he catches. eddie laughs a little, brings himself back to center stage. picks his guitar back up and settles mic back into the stand.

"this next one," he begins, adjusting the stand slightly. "is something you haven't heard before." there's unmistakable moisture gathering in his eyes. "i wrote the lyrics entirely myself. it's- it's for those people in my life who i couldn't be here without." his eyes stray back to where steve is, watching him with a watery smile. "those who were there, in '86. who pulled me back up from hell. the bravest fuckin' souls i ever met in my life." he takes a deep breath. hears the rest of the fuckers scream from the VIP area, dustin's voice unmistakable.

"this, my dearest indy, is 'knights of the upside down.'"

sending emails but sniffling and whimpering after typing each word

I’ve seen people talk about the main theme of the owl house being acceptance, and I think they’re completely right about that. But I haven’t really seen anyone look at the sub themes depicted in the show around the acceptance theme.

Specifically how the owl house is really advocating for child autonomy. Specifically in the ways of discipline, showing that communicating and talking with children ends up being a lot more beneficial and effective than punishing them.

The most obvious example comes with the collector, where instead of talking to him, King’s dad punished the kid by putting him in essentially time out, for the actions of his siblings. Which he would’ve learned if he had talked to the collector. And then following that, every interaction before talking with Luz, has the collector being used or placated in some way instead of being treated like an actual child due to the amount of power he has. The titan trappers revering him as some sort of god, Belos manipulating him, and even king attempting to appease the collector, instead of really talking to him. Though for king it’s a bit more understandable. Even so, the show showcases the collector’s change only after he’s talked to like a person, and then shown why his views were wrong.

Luz, who’s the main focus of the show, has her character arc and journey centered around being punished for her not fitting in at school. And while, yes, some of Luz’s antics that were shown seemed to be legitimately dangerous, the real solution would’ve been to talk with her and teach her about safety and why bringing wild animals and fireworks into a school building is dangerous. It should have also been that Luz should be able to talk and negotiate with her teacher about what would be acceptable for her projects with her endless creativity. The solution was not to essentially punish Luz for being creative, and what that only did was make her feel worse about herself and more isolated from the people she thought would be on her side. And then we were shown in thanks to them and for the future, Camilla’s growth into understanding that not talking to Luz about this, and essentially forcing her into normality, was not the way to go about things.

And we see this theme again, with Willow forced into the abomination track because her parent’s thought that was what was best for her, until she was able to showcase her skills and switch to what she was actually good at. Alador realizing he missed a lot of Amity’s growth by not talking to her, and then making it up to Amity by letting her set the boundaries and reestablishing their relationship. Odalia being controlling and not listening to her children which lead to actively harming their social development, until she was confronted and then shut out. Belos manipulating Hunter, isolating him, and abusing him, not even listening to what he had to say. And all of these situations were made better and more bearable when they were given the chance to take charge and be heard.

All this, in an attempt to showcase that children can be vulnerable and malleable, but they are also smart and understanding. And instead of deciding what a child needs, it’s important to communicate with the child instead, asking what they need and listening to what they’re saying. And implementing that by guiding and supporting them, not attempting to control them to what someone else thinks is right.

Children are smart and observant, they just need to be taught how to communicate, and viewed and thought of as actual human beings.

In a way, the owl house is attempting to advocate for it’s audience, and that’s beautiful.

only human

[ID: Two page comic in color of Vash and Wolfwood from Trigun Maximum. The first page has a black background and the upper half, behind the panels, is splattered with stylized red blood, scattered bullets, and lifeless hands. In the first panel, it focuses on Vash's boots, showing him stepping through the panel and into the bloody scene. The second panel shows his bloody footprints and the third panel shows his face, his down-turned eyes looking downwards. It's a neutral, vague expression with confliction. At the bottom of the page, the back of Wolfwood's head and shoulder is seen, blood dirtying the white color of his shirt and side of his face. Vash's hand reaches out to him from the right side of the page.

The second page shows the entire scene in full, half the page in light and the other in solid black. At the center, Vash leans down onto his knees as he wraps his arms around Wolfwood's shoulders into a hug. Wolfwood's back is turned away from the viewer, his left arm holds onto his bloodied punisher and his right hand sits on his lap. Light casts from the left side of the page, showing the bloodied surrounding, but the held up punisher casts a shadow on the both of them, shielding them from the light. END ID]

Continuing with my Avatar generation swap, here we have a group of teenage assassins coming after Korra

Ming-Hua, now a combustion bender. Zaheer, a spiritually-attuned wanderer, P'Li, a lavabender, and Ghazan, their plant (and blood) bender.

I will not apologise for Ghazan. He grows into... all of it.

What does it look like to be intolerant of colonialism ? What life would spring up, what recovery is possible if the colonial force actually shuts down ? I'm asking for a sister of mine, wherever she is now. Three million years ago she taught me something about us. I haven't forgotten. We deserve to be free.

from Undrowned: Black Feminist Lessons from Marine Mammals by Alexis Pauline Gumbs

i am inconsolable

the sonic twitter takeovers are canon when they say something i like and not canon when they say something i dont like hope this helps

hilarious mpreg zosan thought, sanji has a kid that has green hair but its not zoros kid. he has in fact never disclosed who the other father was (choose ur own adventure dead beat dad edition) and his siblings already have amazing technicolour hair so its not outside the realm of possibility for his biological children to also have weird hair colours. but when the kid pops out with green hair everyone immediately connects the dots that hey, doesnt the strawhats first mate that sanji famously doesn't get along with also have green hair? is this why sanji never said who the other father was? hes a fucking dead beat! get his ass!

this misconception integrates into everyones mind bc it makes too much sense to not be true and everyone is suddenly deadset on "protecting sanjis honour" and making zoro "take responsibility"

sanji is screaming crying throwing up disgusted bc no!!! the shitty mosshead is not the father!!! stop saying that!!!! but since he still wont say who the actual father is, everyone is just like its ok sanji, you dont have to defend a deadbeat even if he is your crewmate and sanji has no choice but to kill himself and also zoro for daring to have green hair

when the strawhats show up for sanjis baby shower they also unanimously come to the misunderstanding that sanji and zoro totally boned. franky goes as far as to call the kid mini marimo. brook makes a hundred innuendos, chopper is upset at the implication of them having unsafe sex, and robin alludes to "knowing all along" in a very ambiguous way. usopp is the only one who refuses to connect the dots and he is sanjis favourite strawhat fr. jinbei pats sanji on the back and says he hopes they work through their differences for the sake of their kid. sanji is dying, youre killing him, you're killing your cook

even more shenanigans ensue when zoro shows up 3 whole days late to the baby shower and is gaslit into thinking hes the father by everyone in attendance despite being Pretty Sure that he and sanji never fucked. zeff gives a pretty good shovel talk and nami gives an even better one (debt increment is involved) while zeff nods approvingly behind her and then luffy slingshots in all parents should be married right? and doesnt wait for an answer

anyway, like 2 hours later zosan find themselves standing at a makeshift altar on the thousand sunny, saying their vows. sanji insists to the very end that zoro is not the father so they dont need to get married but alas luffy isnt giving him a choice in this (he wants to eat wedding cake)

to sanjis eternal despair, the kid grows up to really like swords

additional zosan thought, sanji does not help things by shouting "this is all your fault!" the moment he sees zoro. zoro is futher gaslit

I'm not sure why, but Orin, of all people, took a place in my heart

Whenever she calls Durge "sweet slaughter kin" I just-

I can't-

I want to save this girl-

What are you looking for here? Scroll back up.

Just kidding, here’s a treat: