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#the foundation is already there
badboysteve · 7 months
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Steve really looked at these severely traumatized kids regularly giving him shit, threatening to prosecute him, dragging him into danger left and right and said:
'Yeah! Yeah, give me six of my own. I want to do this for the rest of my life.'
And I think that's beautiful.
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zivazivc · 3 months
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how did floyd meet his ex band mates?? what did he think of them?
It was actually completely on accident. Les was getting firewood for their campfire when he heard a barely audible distressed sound nearby and found Floyd wrapped up in a spider's cocoon. Poor guy was fighting for his last breath when Les rescued him.
Les invited him back to the camp to check over his injuries, which then became a meal and overnight stay (they live in a bug RV), and then a longer stay to mend, and then Floyd was invited to join their band and just stayed for good (mostly because Les was worried what could happen to the kid if he was left alone again (Floyd was pretty malnourished when they found him, after about a year since he left the troll tree, and pretty touch starved too.))
As for what Floyd thought. It was pitch dark in the woods when Les pulled him out of that cocoon so he couldn't get a good look at the guy. The only thing he could tell was that he was insanely huge. But he thought that he must have been just a really big rock troll in a fluffy sweater. When they finally got to the fire he had quite a shock. He was disturbed and intimidated by everyone for sure, since in this AU he'd only met rock trolls so far and hadn't even heard of other types. Add the fact that he had been sure he was going to die not long ago, I'm positive he was in shock for most of that night.
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floyd is like a wet shivering kitten left out in the rain, who wouldn't want to take him in??
too bad none of them know how to take care of kittens...
bonus:
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royalarchivist · 6 months
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Cellbit: Yeah, [Bobby is] our son.
Roier: What?
Cellbit: He's our son, no? Or not? Am I not?
Roier: I mean… he's already dead. [...] By the time we got married, he was no longer around. So in theory, in theory-
Cellbit: But in my heart, he is my son.
Roier: Oh, that's fine, in your heart, yes. In your heart, yes. But actually-
Cellbit: He could have been my son, he could have been.
Roier: But actually, he is my son and Jaiden’s.
Cellbit: Yes yes, definitely, of course.
Roier: [Smacks him] Exactly. Well, you're the step-father, you know?
[ Full Transcript ↓ ]
Cellbit: Hey Tina, have you met Bobby? I don't think you did, right?
Tina: I met him a little bit earlier, he's so cute!
Roier: Aww
Tina: I told him I like StarBobby.
Cellbit: Yeah, it's our son.
Roier: What? But-
Cellbit: He's our son, no? Or not? Am I not?
Roier: I mean... he's already dead.
Cellbit: That's true, that's true.
Roier: By the time we got married, he was no longer around.
Cellbit: That's true, true.
Roier: So in theory, in theory-
Cellbit: But in my heart, he is my son.
Roier: Oh, that's fine, in your heart, yes. In your heart, yes. But actually-
Bagi: Am I the auntie?
Cellbit: He could have been my son, he could have been.
Roier: But actually, he is my son and Jaiden’s.
Cellbit: Yes yes, definitely, of course.
Roier: [Smacks him] Exactly. Well, you're the step-father, you know?
Bagi: So I don't think I'm your auntie, sorry. Unless you want to!
Cellbit: Yes, fake dad, fake dad. Fake father.
Roier: But it's ok. It's ok.
Cellbit: It's ok, it's ok.
Roier: It's this dumbass' fault he died anyways.
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strawberrybyers · 19 days
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i truly would not be mad if nancy breaks up with jonathan and tells steve to move on. and for vickie to tell robin she’s not interested but is willing to be friends. so nancy and robin decide they need to hang out after a long day of heartbreak and throughout their convos of explaining everything that’s been going on, they realize they have feelings for each other. i truly would not be mad at that. in fact, that’s exactly what i want to happen 😌
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autism-alley · 3 months
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hi originally posted this at the end of a long thread of back and forth, here’s the og post if you want full context but i feel like this needs to be its own post especially bc i keep seeing this argument being made—the argument that the kids (in this case it was annabeth) SHOULD just know the monsters are monsters and who they are and how to defeat them before ever encountering them, that it’s a problem if they don’t.
the problem is not if 12 year olds should recognize a trap when they see one, even if they’re smart 12 year olds, and if that’s realistic. that is entirely beside the point.
the problem is rick riordan wrote a book series whose formula is bringing myths to the modern age and he’s not sticking true to that in the show—percy jackson and the olympians’ Shtick is taking these classic, ancient threats and giving them a new face. these traps work because these kids are not walking into a cave marked with Get Out and getting ambushed by monsters—the monsters are disguised as harmless mortal human beings, in harmless mortal human being places (for the most part) and i think we—and more importantly, the show—are all forgetting the mist, the magic involved here. it’s not just that medusa is a “creepy lady with her eyes covered” it’s that there is ancient magic at work here, magic that, like the systems of abuse pjo exists to criticize, has been evolving and continuing its malevolence for millennia. it’s formulaic, that’s the point. it’s the same trap you’ve learned about all your childhood, the same trap a thousand children before you learned all their childhoods, and still, it works. you fall into the trap. because that’s how generational abuse works. it’s a trap. it isn’t enough to learn monsters exist, what they look like from a second hand story that originated thousands of years ago. if you want to escape alive, you have to adapt as quickly as they do, recognize their face, and ultimately, beyond any individual trap, the game itself has to change. real, generational change.
so. the problem is rick riordan wrote a series with a formula for action that perfectly captures the overarching, systemic conflicts he was commentating on, and then threw that formula out in the show because it was “unrealistic”. i don’t give a damn about realism when it works to the detriment of the story. this is a story about generational abuse, yes, but it’s told through ‘a tale as old as time’ and that’s why it works so fucking well. and when it comes to basic storytelling, if your characters know the threat before they even walk in and you do practically nothing to then make up for the stakes you have removed, that’s a flaw. now you’ve lost the entertainment value for your audience, on top of also lessening your themes.
something else that is so. honestly soul-crushing as a writer and a creative, is that to me this is reflective of the way we are now afraid to tell earnest stories. stories where we care not for listening to the people who want to pick apart fictional, mythical, fantasy stories for not being “realistic” instead of aligning with our target audience who acknowledges reality is not what makes a story. think of your favorite movie, show, book, comic, what have you—has the reason for your favoritism ever been because it is the most reasonable, the most grounded, the most practical out of any you’ve seen? or is it because of the emotion? the way it speaks to you, to your life and the person you are? the journey it takes you on? is the percy jackson and the olympians book series so good because it’s inherently realistic?
the secret to storytelling is, very simply, focus on your story. everything else is secondary. if it’s written well, it doesn’t matter to me that the characters walk into a trap that, to the audience, is obviously a trap. because i can understand how the characters don’t know it, and how the story falls apart if the narrative just tells the characters it’s a trap from the jump. that’s what dramatic irony is—first used in greek tragedies! this is literally a tale as old as time in every sense except for the end—where it’s happy. and it’s not earned if we don’t first see, over and over, the status quo as a tragic trap.
it’s not about if annabeth (or the other kids) is “smart enough” to not walk into a trap, or about if she’s just too prideful to not walk into what she knows is a trap (or any reason that could apply to the other characters), it’s that annabeth, at the end of the day, is a character. she is a storytelling tool for the messages of the narrative. that doesn’t make her any lesser. in fact ignoring it reduces her, because it reduces what she represents. it’s about how rick riordan, or whoever else at disney, has fumbled the storytelling bag so ridiculously hard that they can’t take the simple, effective formula outlined from start to finish (by good ol 2009 rick himself) and adapt it to the screen without answering the most unimportant, derailing, anti-story questions.
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drawbauchery · 4 months
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thought we'd check in on the Lost in the Hallway(tm) crew
SO it's still the same with the og survivor group joining, but more of the class is hopping aboard too (taka, chihiro, and sakura jumped at the chance). i think the only reason ff relented and allowed the remnants to use their hospital was because all of the thh class pulled sad puppy eyes & promised to take care of them. it's not all roses, but i think whatever wariness/resentment 78 feels towards 77 won't make them turn their backs. they are makoto's class after all.
no no the lil remnants have a more punch-on-sight adversary to watch out for. if not just to make their lives a little more difficult than they need to be ヾ(*´ ∇ `)ノ
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fountainpenguin · 6 months
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From 17:50 of Skizz's Secret Life Ep 4 POV:
Skizz: I'll put in three more raffle tickets for you. What it means, though, is that if you don't win, then you become one of the people who gifts to whoever the winner is, so they would now they get 4 hearts or whatever.
Etho: What if I... What if I make the condition that I'll only gift to Joel?
Bdubs: /speaker flashes as he starts to speak, then holds his tongue
Etho: Does that buy me anything?
Skizz, trying not to laugh: No, that does nothing... That means nothing to me.
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sleepanonymous · 6 months
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fortheloveofexy · 1 year
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I'm thinking about how like, aside from perhaps Renee, none of the Foxes had ever truly tried to connect with Andrew before.
Sure, there were people who wanted to connect with him - Aaron, at first, then Nicky. Even Kevin, in his clumsy way, is trying to build an emotional bond with Andrew. But nobody is able to fully reach him because nobody is speaking to him in a language he understands.
Nobody, that is, until Neil comes along.
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luzho · 1 year
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zukka acting normal... the real zukka ;D
when i saw the top left photos of this magazine spread, i was instantly reminded me of them because... that IS them! so, in order to adapt them to a photobooth in a contemporary au, i used @peachieflame’s tattoo artist/skater boy zukka designs... which are an absolute beloved classic for the zukka nation that i was recently reminded of <3 i will never get over them!
[ID: These are two digital drawings of Sokka and Zuko, drawn in warm colors against a pink background. In the first one, a serious Zuko (sporting a sweater with a flame design in the sleeves, two piercings in his lower lip and a mullet) hugs a smirking Sokka (wearing, apart from his traditional necklace and wolf tailr, a blue tank top and light blue earrings), who is giving him bunny ears behind his back. In the second image, Zuko is sticking his tongue out while giving a noogie to a laughing Sokka. End ID]
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they-call-me-haiku · 6 months
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hot take: gustholomule was way better developed and had more chemistry than huntlow, despite not being a canon ship
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grandwretch · 4 months
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im also obsessed w the idea of sonetto and vertin bc the way they're presented as kids is that vertin so desperately wanted to be friends with sonetto, always bringing her presents and things, and sonetto wanted nothing to do with her or her troublemaking. now it's switched. vertin keeps sonetto at arms' length, and sonetto desperately wants to get her approval and be close to her, and has to watch her instead always choose to be by someone else's side--
even vertin's childhood memories of sonetto are now coloured by her loss of schneider.
idk why everyone leaves sonetto out of the doomed yuri thing, because imo it is really a doomed yuri love triangle.
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aethellren · 9 months
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losin my mind over them
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screaming. "stop the 'quirked up gay-boy tim drake' propaganda" at the top of my lungs !!!!!!!!!!!!!!!!!!!!
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magpie-trove · 10 days
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I just don’t think the truth divides. I think the lie does
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perseas-wellyboots · 1 month
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People are like Rick Riordan is such a great author who's not afraid to change status quo and ignore major flaws in his stories like JK Rowling and I'm like are you sure?
That sentiment might have worked if PJO was the only series in Riordanverse but with the addition of HOO and ToA it rings entirely false.
In PJO the major problem that needed to be tackled storytelling wise was Gods not claiming their children and their neglectful nature along with rise of Kronos.
Both those issues were ignored by Zeus and then in the end when they swore an oath on Styx, we assumed that it will be better.
However straight into HOO series from The Lost Hero, we see that Zeus did not change at all and instead made a bigger mess of events by closing Olympus and forbidding Gods from leaving Olympus. So we learn that not only does he ignores a problem that could potentially end the Gods twice???? but he's actively part of the problem.
The Gods could be better as a whole if they had someone competent in charge.
The Trials of Apollo series however changes the status quo entirely, the previous both series were from POV of demigods, so they and along with them we could only assume how Gods work and that the Gods neglecting demigods is a choice by them. But in ToA, Zeus goes from zero to hundred, not only is he a incompetent paranoid leader but he's also a tyrant and abuser. He abuses all his children and any disrespect results in huge punishment.
The Gods like a human family are stuck in a cycle of abuse but unlike in human family their abuser would not just die naturally one day. He is with them forever.
Apollo even identifies himself with Meg and thinks Zeus as a Beast for himself and yet no resolution is found at the end of the series and we just go on.
The Sun and the Star and The Chalice of Gods only continues the status quo.
True change of status quo and revolution would be Zeus being overthrown. In the root of both wars the major issue that causes high casualties is Zeus's carelessness.
I would love a book from Apollo's POV where he recruits his siblings and plans a revolution to overthrow Zeus because the immortal and mortal world and demigods, all of them would benefit being free of him.
TL;DR: Most of RR's writing has very similar problems as JKR's writing and even though I enjoy the PJO series more than HP series, I think RR fans should stop preaching holier than thou attitude.
JKR is problematic outside of her poor writing in HP (racism transphobia) and so is rick (with his neutral stance on genocide in palestine and playing both sides card, using this to promote his book, his islamophobic writing and not to forget how badly piper was wrote in TLH and she did not get much better until ToA)
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