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#the fire never goes out
ech0ech0ech0 · 10 months
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Nothing matters // Everything's important
Mother Mother, Infinitesimal // Iain S. Thomas, How To Be Happy: Not a Self-Help Book. Seriously // Carl Sagan, Cosmos // ND Stevenson, The Fire Never Goes Out // @ falseknees on Instagram // Will Wood and the Tapeworms, -ish // @ lostinwildspace on Instagram, with “Evening of Ushibori” by Kawase Hasui in the background // Shaun David Hutchinson, We Are The Ants
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words-and-coffee · 2 years
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To everyone harboring their own fire and to everyone lost in the dark. May you see the sun again.
Nate Stevenson, The Fire Never Goes Out: A Memoir in Pictures
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an-adhd-infested-nerd · 3 months
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You ever have your life fundamentally changed by a book/song/movie/video game/etc and now you have to go about your life like nothing happened
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freakyvampirequeer · 10 months
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hi all new nimona fans i love you also please read the book it’s so good also please read the fire never goes out by nd stevenson it is also so good
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astudyinchocolate · 2 months
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a panel from The Fire Never Goes Out that I've been thinking of often.
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mad-world3 · 2 months
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I absolutely love when I accidentally stumble upon a Tumblr users while reading comics/graphic novels
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babyspacebatclone · 8 months
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I was at my local library to get some printing done (haven’t had a working printer since graduating), and decided to finally pick up The Fire Never Goes Out by ND Stevenson.
Which was - I’m just glad I went in when I had spoons.
The listing was just “YA Ste.”
I need you to understand: I literally volunteered at my high school library. I personally put away probably 90% of the returned books for my school for the better part of a decade.
But once you hit something with that kind of listing?? No Dewey Decimal or Library of Congress number? (That is, basically anything fiction??)
There is no shame in getting the librarian.
I went through Children’s graphic novels, Children’s fiction just in case.
Turns out while Children’s books on the first floor, Young Adult itself is on the second.
And, having helplessly explained the entire “It’s a graphic novel memoire??” to the nice librarian, I was ready to go check the separated Young Adult Biography section after the fruitless search in other YA sections.
Now - for the interesting experience of reading a biography of someone published before they came out as transmasc………
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lgbtqreads · 2 years
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Fave Five: Graphic Memoirs
Fave Five: Graphic Memoirs
The Times I Knew I Was Gay by Eleanor Crewes The Fire Never Goes Out by Noelle Stevenson Gender Queer by Maia Kobabe Welcome to St. Hell by Lewis Wilcox They Called Us Enemy by George Takei
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nicosbooknook · 2 years
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Yesterday's book haul!
Books included: Messy Roots: A Graphic Memoir of a Wuhanese American by Laura Gao and The Fire Never Goes Out by Noelle Stevenson.
I picked out both of these books as options for a prompt in TheStoryGraph genre challenge, but I couldn't figure out which one to actually read, so I got both!
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hitlikehammers · 2 months
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to die by your side (is such a heavenly way to die)
rating: t ♥️ cw: angst with a happy ending (which is actually kinda fluffy?), limbo/near-death experiences, post-S4/Upside Down-heavy, falling in love ♥️ tags: falling for each other in the space between life and death, happy ending
for @steddielovemonth day twenty-six: Love is a fire that never goes out (@sidekick-hero)
this is because of 1) this song being too close to the prompt for me to disengage it in my head, and the chorus therefore dictating this plot line, and 2) @hbyrde36 picked it and, again, I am very susceptible to people indicating they like a thing and would enjoy more, so @hbyrde36: I hope you enjoy what this became ♥️
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“Oh fuck, not you, too.”
Steve looks up—when did he sit down, he doesn’t remember sitting down, he doesn’t remember how even got here, and hey, actually, where is here—
“What?” Steve looks toward the voice; familiar. See the wreath of curls around a pale face.
“This is death, right?” Eddie’s crossing over to him, crouching just beside; “I’m dead, like, I am very sure I’m dead, but you’re here, so—“
“I don’t,” Steve breathes in sharp—tries to get his bearings, tries to see but it’s just black in every direction, his lungs feel like they’re halved in size all of sudden, everything feels tight and painful and hard like inhaling isn’t something guaranteed, and his heartbeat feels like it’s dragging the carcass of something with it when it pumps, laborious and—
He’s is breathing, though, even if it’s kinda half-assed; he’s got a heartbeat, even if it feels like it’s about to fucking give out.
That doesn’t…that doesn’t sound like death.
“I,” Steve licks his lips; his mouth is so fucking dry but swelling kinda hurts and…he’s not as fucked up as he has a feeling he should be, he needs to think harder than he’s ready for just now to figure out what the last thing that happened between where he was, and where he is but: he thinks he should be more fucked up on, like, an instinctual level that knows he should be pretty fucked up, basically, and he’s not.
But again: he still hurts, and that…also doesn’t sound like death.
He swallows anyway; not that it helps.
“Max said there was this, black void,” Steve works through the first thing that comes to mind slowly, processes as he speaks; “with water,” and he looks down and sees the ripples in what he’s sitting in, moving around him but…but the reflections are right, and there’s no light so how are there even wrong reflections; he wasn’t good in his science classes but he feels pretty sure you need light to see anything in a mirror, plus—
“Water,” he flicks his hand from the standing pool around him up at Eddie without warning: “that wasn’t wet.”
Eddie splutters, but it dies down quick: it’s supposed to be wet. He expects it to be.
But it’s not. His eyes go so fucking big.
“It’s attached to the Upside Down,” Steve pushes on; “Eleven can like, come here, but,” he shakes his head and Eddie grimaces: she lost her powers.
“So it’s almost-death,” Eddie surmises, and drops into the not-water next to Steve.
“I guess so,” Steve shrugs, and draws his legs up; hugs his knees.
“Fucking great,” Eddie huffs, sneers, and it’s…Steve not sure why exactly, but it feels…targeted. Directed at him, because one, yes: he isthe only other thing here—as far as he can tell—but the words Eddie’d no-greeted him with float back into his consciousness:
Not you.
“Sorry to rain on your parade, man,” Steve bites out and shoves his head down between his thighs, maybe to breathe, maybe to think, maybe to hide, maybe to fucking cry, maybe to…fuck, he doesn’t even know.
He thinks he’s in the middle of trying to split the difference of every possible thing when Eddie’s voice breaks the still in the dark: “I didn’t,” and honestly, Steve’s never heard that voice sound so soft, so small; “that’s not what I meant,” and it’s an apology even if they words don’t add up exact, Steve feels it clear like a blow to the solar plexus. He turns to Eddie, who’s staring out at the nothing.
“I don’t want to be alone,” Eddie whispers, and his lip trembles, Steve can see that despite the lack of light.
Steve can see tears on that face, too, despite the lack of any light.
“But I hate that you’re here,” Eddie’s voice catches on kind of a whine, and Steve maybe would startle, when a hand reaches out and covers his; Eddie still does look at him, but he flattens his hand over Steve’s like a squeeze:
“That you’re here, too.”
And, oh. Okay.
Okay.
They’re here, then. Together.
Here.
___________________
It takes a while—he thinks; he thinks it’s a while, but one of the first things that makes itself plain in this godforsaken place is how times means absolutely fucking nothing, so; he think it takes a while to remember the vines.
They were coming back for Robin, and Steve would die before he let her get hurt so: that’s the last thing he remembers.
For Eddie, it’s the bats; Steve grimaces, hates even imagining like…swarms of them. More of their bites.
He’s the one who reaches for Eddie’s hand, this time—he wants to say it’s just a little comfort for the particularly bad things that are coming up as they sit here, as they draw patterns in the not-water and blow against it to make little waves just for shits, mindless and stupid: he wants to say that when it gets too much, and then keeps going, when it’s the worst, they’ve started to reach because what else can they do? Who else can they lean on?
Who’s gonna fucking know?
Actually: no. He doesn’t want to say that.
He wants to say the truth: the truth being they touch a lot. They reach a lot. They reach because it’s quiet. They reach because it’s dark. They reach because they’re frustrated. Or they’re scared. Steve could map Eddie’s calluses blind if he was asked to. Eddie traces his veins without being able to see close enough to know that he’s right.
He wants to say the truth: that he wants to touch. He craves it. And not just from anyone.
He craves this.
He doesn’t know what that fucking means.
But he’s the one who reaches, and covers Eddie’s hand, presses down to keep him when Eddie remembers the bats.
And he’s the one who leans, who rests their shoulders together and holds his breath.
But Eddie is the one who doesn’t move away, who leans in too, he tips his head onto Steve and breathes out slow so Steve can feel the warm damp of it on his skin and…
Steve’s heart’s fucking pounding, but then also it’s kinda like fluttering, and either way:
That’s not death.
___________________
Steve likes that the not-water is…not water, because lying back in it doesn’t fuck up his hair. Which…feels cleaner than it should be he figures maybe that’s just the same as both he and Eddie not being riddled with the wounds they should be rights be covered in—he can run his hands through it and that’s really all he wants, his hands, or like, you know if other hands wanted—
Whatever; he’s not going to question the not-water. He’s happy it doesn’t make him a wet dog just for trying to lay back and pretend there are stars.
Which he’d still be doing, if a weird…flapping noise hadn’t started up over to the left.
He has to squint in the no-light to see what the fuck’s going on, something in Eddie’s hands, oh shit, flapping, is it one of those fucking bats—
“What the fuck?”
Eddie freezes, and turns. And Steve sees what’s in his hands.
Doesn’t change his question.
Eddie just blinks at him. And runs his thumbs over the desk of cards he’s holding, flicking them one by one: flapping.
“Where the hell did those come from?”
Eddie shrugs. “Pocket.”
Steve gapes a little.
“You’ve had them the whole time?” because again, even if the feeling’s shifted: what the fuck
“Lots of pockets, man,” Eddie grins cheekily as he shakes his jacket out, like Steve can see any pockets.
Then he’s walking over to Steve on his knees before dropping cross-legged and shuffling the deck before he taps them out on his thigh and leans in:
“Pick your poison.”
And Steve’s played his share of cards, is actually pretty decent at poker, but, like…
“I don’t,” he bites his lip and stares at the predictable red pattern of the face-down cards;“I don’t want to think,” he finishes, kinda fucking lame, but Eddie’s not deterred, flips a few cards off the top with a thump before balancing the rest on his knee, offering half the cards he’s still holding to Steve with a little wiggle of his eyebrows:
“Go Fish?”
And Steve, he, like—
This is not-death, right, but whatever it is, it’s probably not good, and yet here Steve sits, with five cards in his hand and…Jesus.
He feels his lips stretch and he doesn’t think he’s smiled like this in…
In a while.
___________________
“Three Musketeers,” Steve answers when they’re lounging in the not-water, heads lined up so sometimes Steve feels the tickle of Eddie’s curls.
“The fuck?” Eddie huffs a laugh; the question was just things they’d miss if they never get out of here; like, it’s a little morbid and also a little hopeful all at once.
They’ve been working deeper in the category of food for a bit now, and so it’s candy bars. And Steve does not see what’s controversial about his choice, honestly.
“I love those, shit,” Steve waves his hand in the air, dismissing Eddie’s very wrong opinion, here; “they’re just,” Steve hums, tries to figure out the best way to defend a genuinely fucking excellent snack food:
“They’re simple,” and that sounds like a weak defense but look at where they are, look at their lives, that is fucking high praise. “Not too sweet and like, light and airy and,” Steve tilts his head, imagines the mouthfeel:
“Kinda delicate when you bite into ‘em,” he feels himself grin a little: “like bubbles or something,” because…yeah.
They’re awesome, but then he looks over at Eddie, who’s already turned to look at him, his gaze…something. Weighty but not oppressive. Piercing but not painful.
“Sorry,” Steve feels himself flush and it’s no the first time, or the worst time, but he’s grateful just like he is every time that there’s no fucking light and whatever lets them see at all doesn’t give away a blush; “sorry, that’s—“
“That’s adorable,” Eddie says with something…equally undefinable in his voice as much as his eyes, but this thing makes Steve feel, like, warm and tingly, a little, under his skin, in his chest; “you’re right, they’re…” and Eddie reaches for his hand, which they do a lot, yeah, but not…not so often for good things and this feels…like a good thing.
“They’re really good,” Eddie presses his hand over Steve’s, like a blanket, all encompassing—Steve has broad hands but Eddie’s fingers are longer than he’d ever noticed and he—
Steve likes how they fit.
“Under-appreciated, I think,” Eddie’s voice has lowered, softened, and it kinda feels like he’s saying something that has nothing to do with candy bars at all: “because people aren’t looking close enough to see how amazing it is.”
Yeah, for how Eddie’s staring at him, and for how Steve’s pulse has ramped up all of a sudden: Steve doesn’t really think Eddie’s talking about chocolate at all.
___________________
“You’re really good company.”
Eddie turns and blinks Steve’s way.
“What?”
Steve swallows; he’s not sure what made him say it. Except that it’s true.
“I’d have liked it,” he starts, like, expands on the point rather than revisiting the simple part; “if we could have, y’know,” and he gestures between them; “hung out.”
Eddie tilts his head, and he doesn’t smile exactly, but it kinda feels like his whole face, maybe his whole body, is a smile.
“Well,” he huffs a little laugh, like a disbelieving sound; “we’re hanging out, now.”
And Steve smiles the normal way, which is probably lesser to look at, but he wishes really hard that Eddie could, like, slip under his skin and see how it feels on the inside. “Yeah,” Steve grins at the darkness for a second, chews his lips a little, suddenly kinda…bashful, fuck:
“Yeah we are,” and then he breathes in deep, and makes himself be brave with something he doesn’t wholly understand:
“I like it,” and that’s an understatement.
And then Eddie hums, and covers Steve’s hand as he murmurs:
“Me too, sweetheart.”
And Steve’s heartbeat catches on that word, or more, reaches for that word, that name, greedy and wild and it pounds out that same desperate mantra blood-in-blood-out unwavering:
not-dead, not-dead, not-dead, not—
___________________
Eddie’s smile is so fucking pretty.
He didn’t know what Speed was, like the card game, so they’ve each got a pile balanced on a knee as the flip and they’re pressed up tight at their crossed legs to make a little table from their limbs for the discards and Eddie’s just…
It’s not just his smile.
“My grandpa taught me to play,” Steve comments idly, mostly just for something to say when it looks like they’re stuck and need to flip from the sides.
“It’s chaotic,” Eddie looks up and meets Steve’s eyes, his own fucking glittering when the lack of light should make that impossible but Steve thinks Eddie is kinda impossible so probably it fits.
“I like it,” he proclaims, as he reaches for another card to start the momentum back up, raises an eyebrow at Steve and waits for him to follow suit like he’s the expect, like Steve didn’t fucking just show him this game—
“You would,” Steve snorts and Eddie?
Eddie just beams bigger, and that catches in Steve’s pulse, nudges it to sing something that’s more than just not-dead; that’s more…
That feels more
___________________
It’s the more-feeling that breaks him, in the end.
“You called me big boy.”
Steve doesn’t really have control over his mouth, when it happens. Or else, like, he doesn’t think before the words tumble out, and the lie in the not-water and stare at the absence of the starts in the not-sky.
His heart’s jumped up to his throat, now.
Eddie’s quiet, for a while, even if time doesn’t mean anything here; Eddie’s quiet, and Steve’s heart wants to jump out of his fucking mouth but if it does than it’s got two destinations: it can’t drown in the not-water so that’s fucking useless, and then there’s Eddie, Eddie’s hands, Eddie’s chest and—
“I,” Eddie finally speaks, and his voice is rough, far away;“I, yeah.”
Steve doesn’t know what he was expecting. He wasn’t planning on saying anything so there weren’t any expectations built in.
“You looked at me,” Steve’s whispering, but it wavers, it moves with the force of his blood; “like you…” Steve licks his lips, swallows a whimper because what is he doing, what is he doing—
“Being almost-dead is really going to take the thunder out of your backlash on this, Harrington,” Eddie cuts into his panic and Steve’s head snaps over to look, to try and read Eddie’s expression: scared. Bracing for impact. Like Steve would, like Steve could ever—
“No, no, I,” Steve raises himself up and scoots over to Eddie, grabs his hands and presses them together in his own, never once looks away from Eddie’s eyes as they stretch wide.
“What did you mean?” because Steve’s started this, and Eddie’s anxious for it and…he needs Eddie to understand he’s not upset, he’s confused, his heart’s all swollen for it, he just, he—
“With the, with calling me that, and with leaning in like you did in the woods,” his breath’s shaking on the exhale: “with all the looks,” and he tries to leave it all in his eyes, on his face, open and clear for all that he doesn’t understand, but also for all that he…that he hopes.
Eventually, Eddie sighs, and squeezes his eyes shut tight, almost like a wince.
But he doesn’t pulls his hands away.
“You’re not stupid, Steve.”
Steve shakes his head, even if Eddie can’t see it.
“I’m very stupid.”
And Eddie’s eyes fly open, look wrathful, look offended on…Steve’ behalf, what the fuck?
And yeah, yeah, he’s opening his mouth now to fight him, to fight Steve about Steve and…no. No, that’s not the point.
“I’m stupid,” Steve says again, but quick so he can get it out; “about like,” he tries to find the right words and remembers Robin’s point on it once:
“About, you know, matters of the heart.”
Eddie’s features slacken, and his mouth drops open as he blinks at Steve before he eventually chokes out:
“Heart?”
But Steve can hear it. He can hear the confusion, like his own, but also just like his own:
He thinks he can hear the hope.
“You held that bottle to my throat and all I wanted was for you to lean closer,” he confesses, and it feels amazing, like he can breathe again, or see in color even though there’s so little color, here.
“And slit it?” Eddie croaks, incredulous, still a little slack-jawed and Steve laughs, because he can breathe, and—
“And kiss me, you dick.”
Eddie’s mouth snaps shut, and his eyes somehow get bigger, and his chest’s heaving and Steve wants that not to be for fearing, he wants Eddie to be anything but scared, he wants Eddie to be hoping—
“Stevie,” Eddie barely breathes and…it’s not scared, or else, not like it could be. It’s hesitant. It’s…full, of something Steve thinks might be incredible.
“You call me sweetheart,” Steve leans in, pushes the point, leans more until he’s close enough where he can feel Eddie’s breath on his face; “here. Now.”
Eddie nods immediately, doesn’t try to hide from it.
“Yeah, I do,” he breathes, and watches Steve so careful, unblinking.
“What does it mean,” Steve pushes, angles his lips without even thinking, without making the choice but Eddie?
Eddie makes the choice, and he kisses Steve so fucking sure and sweet and still wild somehow and Steve never wants to not be here. Never wants to not have this mouth under his, never wants to not have Eddie’s hands in his own: he doesn’t wholly understand it, where it comes from or what all it means but…his heart’s fucking dancing, the joy’s almost sore for it’s size and when Steve breathes between them, when they break for half a second to breathe and stare and marvel and Eddie looks like he’s entranced, like he’s overjoyed, and the only other thing here is Steve?
Fuck. Fuck.
If this ends up being death, that’s okay. That’s okay, as long as there’s also this.
___________________
He’s on top of Eddie’s chest, curled so so close, when it starts to feel…different. In his body. Like something pulling him.
The dark is still absolute but it almost feels like they’re on the brink of something, like dawn could come.
Steve fucking hates it.
“I don’t want to die alone,” Eddie whispers against his head, kisses at his hair.
“I don’t want you to die,” Steve grits out, almost violent, because isn’t this how it started, wasn’t that what Eddie meant, that he didn’t want Steve here, too—but Steve won’t accept that.
He cannot fucking accept that.
“I don’t want you to die at all.”
Eddie drags the tip of his nose back and forth against Steve’s hair some more as he breathes, breathes, breathes—
“To die by your side,” Eddie murmurs low; “would be my privilege,” and Steve chokes on a whine, a sob—it’s too much. It’s too much, and he needs this man, he needs him so much, he think he fucking loves hi—
“Maybe it’s not dying,” Steve tries, looks out into the abyss and he can’t see what’s on the way but he feels it; they both feel it: “maybe we’ll,” and he grabs Eddie’s hand and brings it to his lips.
“Maybe we’ll wake up.”
Maybe. Maybe.
“Kiss me,” Eddie exhales and Steve pulls back, slides up Eddie’s chest and hovers over him, makes to claim his lips but then Eddie lifts a palm, pauses Steve as he presses it over his racing heart and blinks at him, makes the tears fall from his lashes:
“Kiss me again when we wake up.”
And Steve will, he will, but.
He’s gonna kiss Eddie now, too. He’s going to kiss Eddie always.
He thinks his heart’s going too fast to beat out words but that, in itself, has to mean something that isn’t…death.
So he pours that conviction, and all the hope he’s got left, into Eddie as he devours him, breathes into him like they can melt together, like if Steve’s air lifts Eddie’s lungs they’ll be one person, one living soul and whatever happens…
Whatever happens will take them both.
___________________
Eddie splutters, clutches his chest; his heart’s racing, it feels like his blood’s on fire because every beat fucking burns, and the tear of his shirt where it’s stuck to his skin—dried blood, fucking hell—all up his side is absolutely disgusting, Jesus fuck—
“Eddie!”
He turns and that, that’s Henderson, and he squints; that’s Henderson running toward him, less than a minute away at that pace and Eddie doesn’t know if he can sit up but he’ll try, he digs his fingers into the mud and makes to lift—
And then something crashes into him, pins him right back down.
Covers his hands. Presses.
And he can’t get a word out, can barely fucking breathe before his lips are covered, before he’s being kissed so fucking desperate and giddy and all these feelings being fed straight into him, his heart leaping up in his throat to steal a taste but it doesn’t need to, it doesn’t need to because he feels…he feels it all everywhere, and he looks up and he shakes, he laughs, he’s gonna fucking cry—
“You woke up,” Eddie whispers, marvels, thinks his whole face is going to split open with, with joy and Steve, Steve is here, and he’s smiling back, and he’s breathing and they’re, it’s—
There’s light here. Steve’s eyes are like molten copper, they flicker, they shine.
“Promised,” Steve murmurs close, his lips moving Eddie’s lips with each syllable and the taste is, is…sweet and soft and light and perfect and Eddie almost doesn’t ask because it feels so right, so unquestionable but also he wants, something fierce and unwavering, and he needs to be sure where the water’s real, and the ripples mean something when you shift the whole fucking world, when you feel this big you know it’ll move the earth breathe your feet, so he has to ask:
“That the only reason?”
He still feels the hope from wherever they were, though; he feels it still, here, and he believes in it more in the light, he thinks, and he looks at Steve, takes him in, sees his chest rising and his pulse at the neck: real. Real, and so beautiful, and so, so—
Steve leans and kisses him hard, almost painful but it’s divine, Eddie will bask in the sting of it for the rest of his fucking life if he’s allowed, and then—
Then Steve pulls back and pins him with his eyes, now, fierce and on fire and they steal Eddie’s breath with feeling, with intent as Steve grabs at his shoulders, pulls them flush together and growls against his ear, like a vow almost:
“Only reason?” Steve huffs, shakes his head. “Not even close,” and he drags his lips over Eddie’s skin, catches Eddie’s hair, weaves into Eddie’s heartbeat:
not-dead, not-dead, not-dead
in-love, in-love, in-love—
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tag list (comment to be added): @pearynice @hbyrde36 @slashify @finntheehumaneater @wxrmland @dreamwatch @perseus-notjackson @estrellami-1 @bookworm0690 
♥️
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asoftepiloguemylove · 11 months
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some days i want to spit me out, the whole mess of me, but mostly i am good and quiet
Heather Havrilesky Ask Polly: Help, I'm the Loneliest Person in the World! / unknown / unknown / The Smiths There Is a Light That Never Goes Out / unknown / unknown / Marina Tsvetaeva On Love / Christa Wolf (tr. Jan van Heurck) Cassandra: A Novel and Four Essays / Celeste Ng Little Fires Everywhere / Camille Rankine Emergency Management
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ech0ech0ech0 · 9 months
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Love your younger self and let them die
Bears In Trees, Fresh Concrete // Jeff VanderMeer, The Strange Bird // @ CryptoNature on twitter // ND Stevenson, The Fire Never Goes Out
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words-and-coffee · 2 years
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Do you even remember a time when you didn’t feel like you were on fire Whether it lit you up Or burned you apart It keeps you warm. I eats you alive.
Nate Stevenson,  The Fire Never Goes Out: A Memoir in Pictures  
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kinokoshoujoart · 5 days
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romeo!! or rock….? idk he’s the ds guy. y’know
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honeydots · 3 months
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i love olivia's flying dancer alt so obviously inigo needed an outfit too.....
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sidekick-hero · 2 months
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(steddie | mature | 2.1k | cw: major character death (temporary, as in reincarnation) | tags: soulmates, starcrossed lovers, reincarnation | summary: In every life, in every universe, they will find each other again. What's a lifetime if you measure it in eternity? | @steddielovemonth prompt Love is a fire that never goes out | AO3)
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Troy, 13th century BCE
Achilles often marveled at the serenity of the sea at night. His mother is tempestuous by nature, unpredictable and untamed, and most days the sea reflects her nature. But not tonight. Tonight the waves are shallow, a gentle rocking of their ships that had lulled Patroclus to sleep in his arms.
The lone candle on his bedside bathes the room in a warm orange glow, casting shadows across the naked skin of his lover. He can see his marks on the alabaster skin, pale as the moon to Achilles' sun-kissed skin.
Many people have said that they are a study in contradictions, one the perfect antithesis of the other. They're not entirely wrong, but they miss the point. The most important fact of all.
Patroclus is the other half of his soul, and they only make sense together.
The war rages on, and deep down Achilles knows he can't sit this one out forever. Everyone thinks he refuses to fight out of spite, a bruised ego and a prideful, stubborn nature, much like his mother's, that keeps him away from the front lines.
Sure, it feeds his ego to know they're losing without his sword, but it's not pride that keeps him from joining the Greeks in this senseless war.
It's fear.
He's not afraid for himself, never has been. Achilles is a hero, he's destined to die at the hands of another. It's a cold comfort, this knowledge of the path that awaits him: Glory, honor, death.
It's what will make him a god one day.
No one ever asked him if he wanted that. No one but Patroclus, half his soul, all his life. Being a god, worshipped and admired by the masses, pales in comparison to the feeling of dark brown eyes looking at him with nothing but love and devotion. They don't see a half god, Achilles knows that.
They see the lonely boy who only ever wanted someone to see him and love him for that. For what he is, not for what the prophecies say he will be.
Tomorrow he will take up his armor again. Not to win a war for a man blinded by pride and greed and stupidity.
For the man whose love burns as warm and bright as the fire on Mount Olympus, and only for him.
2
England, 15th century
Public executions are Stephanos' least favorite of his princely duties.
He hates to see men and women die by his father's hand, no matter who ties the knot or sets the stake on fire. It might as well be his father's hand swinging the axe. The only thing he hates more is the cheering of the crowd, the spectacle. How they enjoy the suffering, the death, being played out before them. They're probably glad it's not them, but that's no excuse in his eyes.
Stephanos vows that when he becomes king, he will be a more just ruler.
It hasn't always been this way with him. When he was a young boy, he wanted to be like his father. There had never been any question in his mind that the people who were executed for public entertainment deserved their fate. They had it coming, bad people needed to be punished.
Edmund showed him that wasn't true.
Disguised as a commoner, he had taken Stephanos out of the castle and into town. He had shown him how the people of the kingdom really lived, and who the villains really were: his father's men, who tormented and abused and exploited the people they were supposed to protect and serve.
Edmund, who had lost his parents to King Richard's cruelty and still retained his kindness and warmth, and who had shown Stephanos what true love really meant.
Love for his people, who deserved a king who would rule them justly and kindly.
Love for the friends he made along the way, as Edmund taught him about the suffering that was happening right under his nose.
Love for another man, a man who found it in himself to love the son of the murderer of his parents.
It's the only thing that keeps him upright when he's forced to watch his love burn at the stake for having bewitched the young prince. Witchcraft, the only acceptable explanation for what they had caught Stephanos and Edmund doing in Stephanos' chambers.
As the flames die down, long after the painful screams of the only man, the only person, Stephanos has ever loved, the fire within him burns brighter than ever. He vows to avenge his lover and honor his memory by being a ruler Edmund would be proud to call his king.
3
Normandy, 1944
"God, they tell you about the bullets and the bombs, the blood and the death, sure. But they never talk about the rain and the cold and the bloody mud, do they?" Stephen knows it's a rhetorical question because Edward loves to ask them.
"Ever wonder if our commanding officer has a map, or does he just like sending us on scenic tours of enemy territory?”
" Wonder if the rats in the trenches have formed a union yet. Bet they're negotiating better living conditions than we are.".
"Do you reckon the General's war strategy involves a magic eight ball? I mean, that would explain a lot."
At first it had pissed him off. It was bad enough that they had to fight alongside a British battalion with soldiers who talked funny and were trained in ways Stephen didn't really understand. Most of what they did didn't make sense to him and he just wanted them all to fuck off back to where they came from. Maybe take some Germans out on the way, because even in his irritation he could admit that they could use all the help they could get.
That didn't mean he had to like the hand attached to that help.
It's just that during the last two months they've been hunkered down somewhere in the north of France, with rain pouring down almost constantly, he's gone and fallen in love with an Englishman.
How embarrassing.
Even the accent kind of does it for him now, all thanks to Edward ("Would you just call me Eddie for Christ's sake, you literally saved my ass.") and his charming, if slightly odd, ways. He was infuriating, but kind and funny, always trying to cheer everyone up even when he was barely holding it together. Eddie made him laugh and blush and curse up a storm and roll his eyes fondly and cry exhausted tears into his surprisingly strong shoulders.
Eddie makes him feel alive. He makes Stephen want to be alive, too.
Most of all, he wants Eddie to be alive.
The gaping bullet wound in his chest tells Stephen that he may not get what he wants.
Eddie's hand in his is wet from the rain and too cold, as if the life has already begun to seep out of his limbs and with it all his warmth. Which is ridiculous, because no one burns as warm and bright as Eddie, even on the darkest days he would be their beacon of light. A roaring fire of life and love and hope.
A fire that couldn't be put out just like that. They needed him, all those young soldiers, barely 18, if that, who looked up to Eddie and worshipped the ground he walked on. Who would look out for them now? Who would keep their spirits up, their will to fight and live?
Stephen couldn't do it, not without Eddie.
"I can't do it without you, Eddie." He is not ashamed of the way his voice breaks as he holds the love he has just found in his arms, only to lose it again.
Eddie's eyes are warm and soft as they gaze into his, even with the pain clearly visible in them. "Yes, you can, sweetheart. They need you."
"I need you," Stephen sobs, his tears mixing with the rain that falls on a face he knows will one day be a fading memory. The thought hurts. It fucking hurts.
With the last of his strength, Eddie squeezes his hand. "You have me, Stevie. You'll always have me. My love will keep you warm long after my body has grown cold, I promise. I'll always be with you, in every life to come."
4
Hawkins, 1987
"Hey Eddie, it's me. Steve." Rubbing his hands over his face, Steve sighs, a sound as tired as he feels. "God, this is so stupid. You barely knew me. I barely knew you. I shouldn't be sitting here mourning you like we were anything more than two strangers thrown together in this fucking mess. Not that you don't deserve to be mourned, man. It makes me so fucking angry how they still refuse to see who you really were. A hero. A friend."
It's cold where Steve sits on the ground in front of a slab of stone that reads "Edward Munson".
"It's just... I don't understand why it hurts so much. It feels like, fuck, like there's a fist in my chest, in my stomach, squeezing so hard I can barely breathe some days. We all miss you. Not just the kids, although it hit Dustin the hardest. He's not the same and I don't know how to help him. Christ, I can't even help myself. I sleep with your vest under my bed, right next to my bat, how crazy is that? Most nights I can only sleep for a few hours if I touch it."
He runs his hand through his hair and grips it tightly, as if the pain helps make sense of everything he's feeling.
"You'd probably call me crazy, a fucking nutcase. Or maybe not. I don't know you well enough to say for sure, but I feel like maybe you wouldn't judge me too harshly. What I'm trying to say is this: I feel like when you died I lost something I didn't even know I had. Like, ugh, I dunno, I'm not good at this, you should have seen my college essay, Nancy told me it didn't make any sense. But it's like your death should be the period at the end of our story, right? The sentence is over, the story is told. Only it feels like it's just a semicolon and part of the story is still coming. That doesn't make sense, does it?"
Sighing again, this time because he's annoyed at himself for not finding the right words to explain himself, he climbs to his feet and slaps his hand on the cold stone.
"Right. Sorry for disturbing your rest. You deserve some rest, Eddie. Thank you for saving us. For saving Dustin. And for, y'know, saying those things in the woods. I never told you that, but it still means a lot to me."
The you still mean a lot to me swings in the space between the living and the dead, the thread that holds both worlds together.
5
Chicago, 2023
Steve knows they should go inside. They're too old to sleep out on the cold, hard ground, even if the night air is mild at this time of year. Steve and Eddie aren't 20 anymore, they're twice that age, and he knows they're going to regret not sleeping in a real bed in the morning.
"We should go inside, it's getting late," he says to Eddie, but his husband just hums where he's nestled into Steve's side, his cheek on Steve's chest. Right over his heart, where he's carved out his own space in the two decades they've been together.
"Just a little while longer, love. I don't want to miss it."
Eddie sounds wide awake, as excited to be lying in the garden outside their little house on the outskirts of town as he is about anything else in their lives. It's one of the most endearing things about him. Every day with him is a new adventure, even if it's Sunday morning reruns of Friends.
"Miss what, babe?"
"The shooting stars. Didn't you listen to Dustin when he said there was a meteor shower tonight?"
Steve chuckled. Of course his little brother would know such things. He has to admit that he didn't listen to his ramblings when he stopped by for lunch, too distracted by the way the autumn sun had cast shadows on Eddie's face. Not that he'd say it out loud.
"Mhhh. Must have slipped my mind. So, what do we wish for?" It comes out more earnest than he intended, his teasing feeling oddly displaced in the face of the pure love and adoration on Eddie's face as he leans up on his elbow to look down at Steve.
"For another lifetime with you. What more would I want than more of what we already have, preferably an eternity of it."
Out of the corner of his eye, Steve sees the first shooting star streaking across the night sky, and as he pulls Eddie down for a kiss, he wishes for just that.
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