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#thats not how writing works
ride-thedragon · 3 months
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NETTLES AND RHAENYRA, CHARACTER FOILS.
Because I'm not an English teacher
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So the question is, How is Nettles Rhaenyra's foil?
1. Appearance .
Rhaenyra is a pretty standard Valyrian beauty. Silver locks, purple eyes, quite pretty, later on in life we get the change that she didn't lose the wait after giving birth to her kids and becùase of misogyny, her beauty has faded. Features like her long hair worn in the style of Visenya and so on are also mentioned. It's giving the Realm's delight in a real sense (not the weird sense).
Nettles, on the other hand, is juxtaposed as 'ugly'. She's brown, is skinny, has crooked teeth, a nose scar, and has short hair.
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The maesters like to play to damn much, basically. But they are described as almost exact opposites. Short and long hair, skinny and fat, white and brown skin, purple and brown eyes, etc.
The narrative purpose is to ultimately show their different upbringing and places in this society.
2. Status
Rhaenyra is shown to be the princess, heir to the throne and queen throughout the book. No matter what happens with her, the security and privilege she has almost always goes over what other women have. Her only real threat is the men (and book Alicent) who have personal stake in her not ascending her throne. She's also entirely spoilt as princess and heir by her father and more so her uncle.
Nettles, on the other hand, is introduced to us as an orphan from Driftmark. We're told she could've been a thief and a sex worker by the time we met her. She has no name, lands, titles, or family that we are presented with in the narrative and her backstory for better or less is a patchwork of what her life was possibly like on Driftmark.
Unlike Rhaenyra, we don't follow every salacious rumour and really don't know much about her past.
3. Dragons
Rhaenyra’s dragon Syrax was a cradle egg hatched to her, a Targaryen custom. She's also the youngest dragonrider at 7 I believe.
Nettles claims her dragon at no older than 16 years old. He is a wild dragon (a distinction given to hatched Targaryen dragons that haven't been riden and live away from the keep) and slaughters many before she claims him.
4. Virtue
The notion of virtue in asoiaf is extremely complex, especially with these two women and the vastly different backgrounds. But virginity and speculation also develops both their characterizations in the narrative.
Rhaenyra allegedly "sleeps" with Daemon to practise what she wants to do with Criston (she's 15-). In the show, it becomes obvious that she almost sleeps with Daemon and officially sleeps with Criston. Either way, promiscuity and naivety are written into her character. The only point of conflict is who is involved with what happened in these instances less than what happened. Later on her promiscuity is brought up when Ser Harwin Strong is said to be the father of her first three children.
On the other hand, Nettles' sexual promiscuity is given to her in the narrative. The claims of her being a whore or sleeping around with shepherds are claims made by men who don't know what she was doing at that time. Men who made similar claims about Rhaenyra and their involvement in her loss of virtue as well. Where these stories differ is in Maidenpool, where the assumption of promiscuity is given a different voice.
This time, maids are alluding to an inappropriately close relationship between Daemon and Nettles (yet again, he finds himself here).
5. Daemon
Speak of the devil, and he will appear.
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His dynamic is important to these women and their place in the narrative. Saving one dooms the other, leaving with one isolated the other. His decisions ultimately affect one while benefiting the other.
The cruellest example of this dynamic is him letting Nettles go after being the reason she is trapped in the narrative and ultimately dooming Rhaenyra by choosing to kill Aemond instead of going back to her.
His dynamic with both was also comparable with gift giving and quality time and even inappropriate relationship he developed with both of them, notably around similar ages. ( Both these relationships have significant power imbalances).
Between them both, his affection to one affects the other detrimentally.
6. Jace
Specifically in reference to his death, it's notable that within the narrative, while Nettles is described as crying by herself in response to his death, Rhaenyra is hardened by it.
Also, as symbols for legitimacy and legacy, Jace is the reason Nettles is recognised as a dragonseed, and Rhaenyra's line is secured as her first born, but in his absence, Nettles is delegitimised and said to be not a dragonseed. Around that time, Rhaenyra is beginning to be questioned by all the men around her as well, whereas before, Jace was a notable voice in decisions.
7. Dragons in the End.
They both meet their 'end' in the narrative with Dragons. Rhaenyra is killed by her brother's dragon Sunfyre burns and eats her, killing her in front of her son.
Nettles, however, escapes the narrative on dragonback, with the stories that follow explicitly explaining how dragon fire protects her and leads her to become a deity for the burned men.
8. Children
In the narrative, Nettles has no children. Children would explicitly be a burden in her described circumstances as a mouth to feed and someone else to care for. Effectively, children would trap Nettles in a cycle of poverty and inability to experience ethe freedom presented in the narrative.
Rhaenyra is expected to have children to secure her legacy and reign. Children, especially sons, would be her greatest benefit to ensure her ascension to the throne. They are her biggest strategy and losses throughout the war because of that reason.
This dynamic carries out to a head with the death decree for Nettles. The possibility that she would have a child by Daemon is a definitive reason that her 'treason' calls for her head. A child would give her a claimant but also be proof of infidelity by Daemon. It would be a slight to Rhaenyra’s pride and grief as she at this point has lost 4 children during the war.
9. Loyalty of men
This is one of the most interesting for me because the disloyalty of men for Rhaenyra meant the loyalty of men to Nettles. When the Mootons decide not to kill her, they are traitors to Rhaenyra. When Daemon lets her leave, he's a traitor to Rhaenyra. When Corlys stands up for both her and Addam, he's treated like a traitor. Furthermore, the Mootons turn to Aegon’s side directly after because they did not obey her for two reasons, Nettles being accused and sentenced without trial, and Rhaenyra wanting them to break guest right.
Within the narrative, at that point, loyalty to Rhaenyra was a sentence on Nettles' life, and loyalty to Nettles was treason to Rhaenyra.
Conclusion.
In other ways, like the impact of their legacy, the symbols of their identity (dragons), other ways that their narratives with Daemon (the stories) play out and so on juxtapose these women against each other in the narrative. Age and innocence in both a meta and narrative sense also play into Nettles being a foil for Rhaenyra’s character. Personally I think the reason ts written that way is for Nettles to cause a Stark difference in behaviour with men like Daemon and the Mootons as well as to show the contrast of what is expected and what is to be done and what actually happens.
Hope this helps 🩷🤎
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hailsatanacab · 5 months
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Family Dinners - dpxdc
"Holy shit, you're Bruce Wayne!" Danny gaped, jabbing a finger at the man sitting at the head of the table.
The bustling dining room goes silent as everyone turns to look at him.
"Danny, who did you think was going to be here?" Tim asks, disbelief plain in his voice and Danny feels his face flush red.
"Sorry, I, uh, I guess I just never put it together. Tim Drake-Wayne. Wayne Manor. It, uh, makes sense now." He laughs sheepishly and scrubs at his neck before slumping back down into his chair.
"Well," Tim says with an indulgent sigh, "at least I know you're not just friends with me for my connections."
"Yeah, I'm really sorry, I just never thought about it, I guess."
Danny sinks lower as everyone around him laughs. Come to dinner, he said, the food is the best, he said, ignore the family, he said. Danny really wishes he'd listened to Tim and just ignored them—almost as much as he's regretting accepting the offer in the first place—but... he's having dinner with Batman.
Ancients, that's so weird!
The last time he saw Batman was in the future and, suffice it to say, it was not going well. There hadn't really been time for family dinners there.
Wait. Family dinners?
He peers around the table, openly gawking at everyone as it all clicks into place.
"Everything alright, Danny? Now realising who everyone else is?" Tim asks with a roll of his eyes.
"Uh... something like that..." Danny mumbles as everyone laughs again.
From further down the table, the smallest Wayne scoffs and clicks his tongue.
"I thought you said he was smart, Drake?"
"So, you all do it, too, then?" he asks, ignoring the jibe. Danny's only a little bit jealous as he thinks of how much easier they must have it, how much easier it'd be if his family had been on his side, too. "You all work together?"
"Nah," Dick says from across the table with a brilliant grin. "Tim's the only one that works with Bruce, we all have different jobs. I'm a police officer in Bludhaven."
"Disgusting." Danny blurts out without thinking—because seriously, what kind of self-respecting vigilante would also be a police officer?—before clapping a hand over his mouth. "Sorry."
The whole table laughs again, the loudest being the blonde girl a few spaces down from Dick. Look, Danny wasn't really paying attention to names when they were all paraded in front of him. Dick only gets remembered because his name is a joke.
Come on, Danny, recover!
"That's, uh, not what I meant, though."
"Oh?" Dick asks, cocking his head slightly to the side. Is it Danny's imagination or does his smile tense slightly?
"Yeah, I mean like, you know, in costume. It must make it so much easier to have everyone together like this."
"Costume? What do you mean?"
Yeah, Danny's not imagining it, everyone tenses up at that. It's really only now that he's realising that this probably isn't how he should bring up that he knows about their... night time activities. In fact, he probably shouldn't be bringing it up at all.
"Uuhhh..." Danny looks wildly around the table as he continues making his stupid noise. Think, think, think! There must be a way out of this!
"Danny?" Tim asks, looking concerned.
"Oh, Ancients, this isn't how I wanted it to go at all," he mutters, slipping even further into his chair. He's almost on the floor now and he so, so wishes it could just swallow him up.
His real first meeting with Batman was meant to be cool! He had planned to be Phantom, maybe save them from a tight spot, prove his worth as a mysterious and powerful ally as thanks for the help Batman gave him in the future.
"Danny, what are you talking about?" Tim starts tugging on his sleeve in an attempt to pull him back up from his pit of despair.
Eventually, Danny relents and sits up straighter, hiding his face in his hands and whining all the while.
"I'm sorry, I just didn't expect him to be here and it threw me off so now I look stupid and it's so embarrassing!" he wails, flailing his arms wide. "Why wouldn't you warn me that Batman was your adopted dad, Tim? Couldn't you have let me know?"
"I'm sorry, what? Danny are you alright? There's no way Bruce can be Batman, look at him!"
"Yeah," the blonde girl laughs from the bottom of the table, "look at him! That's a wet noodle of a man! Batman can actually do things, B is incapable of pretty much everything."
"Thank you, Stephanie," Bruce sighs, massaging his forehead.
It's... Those are the first words Danny's heard Batman say since everything went down and it's enough to knock him out of his embarrassment.
It's really good to hear his voice again. Especially now, when it's strong and healthy and full of personality—even if that personality is little more than a tired father right now—far better than how it had been, at the end.
Danny sits up, back straight, and grins. He's got this. He remembers it perfectly. Some people count sheep to fall asleep, Danny repeats his mantra to be certain that he'll never forget it.
"Gamma alpha upsilon tau iota mu epsilon, 42, 63, 28, 1 colon 65 dash 9."
Once again, the whole table falls into silence.
"Holy shit..." breathes the other D name (Duke? Danny's pretty sure he's Signal) from opposite Stephanie. "Isn't that...?"
"The time travelling code." The littlest Wayne says stiffly. "We have met in the future?"
"That's not just the time travelling code, Dami." Dick says, looking between Danny and Bruce. "That's the family time travelling code."
Danny's grin freezes in place.
"I'm sorry, what?"
"1 colon 65 dash 9." Dick explains, still flicking between him and Bruce. "It means you've been adopted into the family and we should all treat you as such, no questions asked."
"Tell you what, I'm about to ask a question." Danny says, dumbstruck. "You just told me it was a code to identify time travellers, not anything about being adopted! What the hell, B?"
Bruce looks about as shellshocked as Danny feels.
"We must have been close," he says finally, after opening and closing his mouth like a fish out of water a few times.
"No! Not that close!" Danny reels back, taking a deep breath ready to refute it all, but... "Well, I mean, you found me when I first got stuck, and you helped me get better despite being... And then we fought together against the, uh, bad guy, before he, um, he... before you couldn't."
An uncomfortable beat passes while they all pick up on what Danny tried so hard not to say.
"So, you're not from the future, then, you travelled there and came back?" Tim asks, breaking the tension and leaning forward with a glint in his eye.
"Yeah, it was a whole end of the world thing, but don't worry about it," Danny says with a hand wave, "It's all kosher now, won't ever happen."
"What did happen?"
"Seriously, don't worry about it, we cool."
"How long in the future was it?"
"About ten years? You were pretty spry for an old man, B," Danny laughs, wishing they'd get off the topic of what happened and get back to the adoption bit.
Everyone shares degrees of a cautious smile as they relax out of the shock, and Dick—whose grin is the biggest—says, "No wonder you got the family code, you're already riffing on him like one of us. How long were you there for?"
"A week, before I managed to get back to my present and stop him then."
"A week? Jeez, B, that has to set some kind of record, seriously."
"Oh!" Danny says, sitting bolt upright and blinking in surprise before pointing at Dick and bouncing in his seat. "You're Nightwing!"
"What?"
"That's exactly what Nightwing said when Batman told me the code! Makes so much more sense now."
Dick laughs and claps his hands, delighted.
"You were not formally adopted?" The grumpy small one—Dami?—asks, his face pinched.
"I didn't even know I was informally adopted."
"And your parents? Are they alive or dead?"
"Damian, stop—"
"They were dead in the future, but they're alive now." Danny says, looking down. He fiddles with the tablecloth, twisting the fabric around his fingers as he fights down the pang of sadness that he always feels when he thinks of them now. He forces a bright smile on his face and hopes it doesn’t look too strained. "I just, uh, can't talk to them much, anymore."
"Damian," Dick warns, "1 colon 65 dash 9. Treat them as family, no questions asked."
"This is Damian treating him as family, the little turd has no manners." Tim scoffs, rolling his eyes, but he gently bumps shoulders with Danny to knock him out of his funk. Danny can't help but send him a watery smile.
"I have the most exemplary manners, Drake, unlike some people." Damian spits, crossing his arms with a pout. "I was merely ascertaining his status to see how he could possibly fit into the family."
"I know this is all a bit sudden, Danny," Bruce smiles, ignoring Damian and reaching out to lay a warm hand on his arm, "for all of us. But if I felt strongly enough to give you that code after spending a week with you in the future, then you are more than welcome in this family, if you so choose it. I think I can speak for all of us when I say we'd like to get to know you a bit more."
"I know a threat when I hear it, Bruce." Danny snorts. "But, yeah, I get it. I'm sorry this is all so weird, it really wasn't how I wanted to find you again, but... I'm glad I did."
"So are we, Danny." Dick says, with a warm smile. "And formally or not, 1 colon 65 dash 9 means you're family. Welcome to the fun house! No take backs or refunds, sorry. You're stuck with us."
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bolithesenate · 4 months
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i just really love designing togruta montrals
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and thinking about how the patterns change as they grow
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they are very shapes
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super-nova5045 · 9 days
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sylvia plath, todd anderson and virginia woolf (aka ACTUAL tortured poets) watching taylor “im breaking up with my boyfriend for his intense depression and blaming it on him, im dating a racist who enjoys watching woc being brutalized and harasses young woc artists, i sent my fans out on a hate train to attack a young woc actress for a line she had to say as part of her job to show how mentally ill her character was, im dating a maga supporter, i refuse to say anything about a current genocide despite being the most influential person in the world right now, i am a billionaire, i fly 13 minute flights and have the highest carbon emission of any celebrity, i am a known white feminist who only speaks about issues when it affects me and has constantly let my fans get away with extreme racism and even encouraged it by associating myself with known racists” swift call herself a tortured poet (her writing sounds like a bunch of thesaurus words slapped over gabba hanna and rupi kaur-esque poetry that was created purely as a trinket for an edgy pinterest board)
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ikeasharksss · 1 year
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hey im curious
feel free to rb & explain your answer in the tags!
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heartorbit · 2 days
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the star you've longed for
#PLEASE WATCH REVUE STARLIGHT!!!!!!💥💥💥💥💥#project sekai#revue starlight#pjsk#emu otori#nene kusanagi#emunene#prsk#proseka#yuri win. i make my fav pairing fight tothe death#HAPPY EMUNENE WEEK LOOOOOL#Can i be hinestni think this sucks it took way too long cause i forgot how to draw for a week#im seeing demons and stuff. i feel more normal now. Also you may recall emu has a big hammer for revstar#thats the bottom of it the gem thing all the weapons have hers is sharp#i remember seeing meta post abt how mahiru has a blunt weapon because she never actually aimed for the lead role#rather she only wanted to be by karen's side. so her weapon wasnt capable of cutting anything in the first place#Fastforward to the movie and well LOLLLLL#though i think its funny in the movie her mace is still mostly used for i timidation againstbhikari.. bc again shes not winning for a lead#revue starlight youre neat. maybe i like revstar.#<- has been insane for 4+ years#Needed their pose to be smth where nenes weapon isnt visible because I DONT KNOW WHAT WEAPON TO GIVE HER. OOMFS HELP. I NEED A NENE WEAPON.#i thought some sort of polearm/spear/halberd etc something with range but that can be ambitious#but i feel like smth with that much footwork needed doesnt suit her.. And she cant hsve a sniper i dont think thatwould fucking work#aruru gets pistols in the revue but aruru also is Ummm well shes uhhh. [screaming] [car crash]#throwing knives would be funny wouldnt it. Put that gamer aim to use#idk if the emunene week tag is on here but i'll donit anyways#emuneneweek2024#i remembered to switch which account this pists to for the first time in like 3 pists. so you get to see all my tags this time#rather than accidentally posting it to the wrong account and having to dekete and repost andngoing IM NOT WRITING ALL THAT AGAIN.
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aka-indulgence · 9 months
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I’m a very city girl and now I’m imagining going to the country side and meeting farmtale Sans…
You moved there for some reason and need a place to stay, Sans was kind enough to give you somewhere to stay with some chores to do to lower your rent. You’re not experienced and you’re not that good with the chores- sometimes farm animals freak you out (cows are big, theres so many chickens, what iS THAT GIANT SPIDER?!), you can’t move heavy stuff around, even the tools are heavy for you.
And… Sans thinks you’re cute. He can do the work you do much faster than you could, but he likes your company. Every time you drop a stack of hay and panic he can’t help but chuckle and throw it on top of the pile in his arms. He likes how you’re impressed by his skill with tools and the fact that he can drive tractors. You may not be good at your job, but he likes that you want to learn anyway. You like the animals when he teaches you how to read their behavior better.
He really likes it when he saves you from a giant bug and you give him “my hero” eyes…
“those darn eyes are gonna be the death of me.”
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b4kuch1n · 4 months
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glorioso from last years twitterin
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jemmo · 3 months
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Making sense of love for love's sake: the game
Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:
'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'
And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".
When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.
And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.
And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:
"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."
Then a bit later in ep 1 we go back and its expanded.
"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."
And then all the way on in ep 6, we get this new dialogue.
"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."
And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.
And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.
And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.
The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.
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bookshelfdreams · 6 months
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#Op I need u to know I thought this was about his post-coytal bedside manner when I read the first line#was fully expecting you to wax poetic about how Ed's mediocer attempt at making breakfast was actually a heartfelt attempt to make sure#he didn't feel like he was a One And Done type of thing#I was vibrating#and then it was s1 meta 💀 RIP LMAO (@zo1nkss, on this post)
No, absolutely, let's talk about it. Because this?
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This is terrible. Comically bad. The worst anyone's ever done it, I'm sorry to say. The toast looks like it's covered in coal dust. The tea (? I hope it's tea, might as well be Ye Olde Cuba Libre) has clearly gone cold. Ed spooned the marmalade directly onto the tablet instead of just leaving it in the jar like a sane person, for fuck's sake!
Of course that's deliberate; they even make sure we know what the platonic ideal of a nice breakfast tablet looks like with the title card.
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It's like an Expectation vs Reality meme. There's a flower, there's porcelain, there's even a plate! Ed, I know you've had breakfast before, why are you so bad at this?
Because, of course, this was doomed from the start.
Ed is panicking, because he knows falling into bed together right after everything that happened in 02x06 was a mistake, and he's desperately trying to salvage the situation.
Ed wanted to take things slow, because he wants stability. He wants to pursue happiness. He wants to build a beautiful life with someone he loves! Breakfast in bed every day!
Instead he to watch the love of his life be tortured in front of him, because of him, and then had to watch him intentionally kill a guy for the first time in his life - also because of him! This is the opposite of what he wanted, for himself or for Stede.
He wanted them both to be safe and happy, but instead they had an evening of horrible experiences and then had sex about it. It's all coming crashing down. Aside form the worst breakfast spread in known history, look how the scene is shot and coloured: The slightest green tint, just enough to turn the light harsh and cold, how far apart from each other they are. Tons of empty space in the frame. How they are backlit, so they are in the shadows, their faces barely discernible.
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This isn't a happy Morning After. This is them standing at the ruins of what was supposed to be a beautiful moment, but the violence of piracy broke into it and destroyed it.
Ed knows he needs to leave it behind, once and for all. Throws out his Blackbeard kit to make his decision to abandon the pirate life irreversible. Tries to have a soft, domestic moment, shares the lovely story about Merstede coming to rescue him, in an attempt to salvage his dream of retirement with Stede.
But Stede? Oh, Stede is on an entirely different page. He just had his first real taste of the power violence can grant him. While the torture wasn't fun, in the end, he triumphed! Defended his love, defended his crew! And topped it all off with what was probably the first positive sexual experience in all his 40whatever years of life! He's patronizing and kinda bitchy about the whole spread, because he doesn't get what Ed is trying to tell him. All he sees is Ed being terrible at this domestic bullshit, but that's okay because he thinks he's terrible at it too!
They'll just sail the seas, terrorize the various empires and have adventures together, forever and ever! That's the dream, right? Right???
(Wait, what do you mean Last night was a mistake?)
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itsdefinitely · 4 months
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i wanna know more about the jerries/jeris
do you want to know the most horrific thing about them?
the lords did nothing to make them the way they are.
yes, the jerry jr was turned into the axeman because of the witchwood, which does what it does because of the lords, but everything leading up to that is just human nature. i see the "girl jeri is nibbly" or "they were influenced by a lord to do the thngs they do" and i need people to understand that that's just. not true. they're just like that. they were taught to be like that by their parents and, more accurately, their church. it's horrifyingly accurate how religion has shaped them into non-functional human beings, who would rather potentially lose their child to the many, many dangers of the literal woods than admit that they had sex outside of marriage.
it's only because it's hatchetfield that jerry jr grew the way he did. there was no lord's intervention in their decision to keep the baby, or to drop out of school to care for him, or to keep him seperated from any other people, or to revolve their lives around the idea that they'd committed a sin and needed to pay by pushing celibacy rather than. i don't know. properly raising their child. it was the way they were taught. the toxic pushing of overexaggerated christian ideals is what molded them. can you imagine being in their place? being a scared teenager and knowing that if you told any of the people you care about most your secret that they would shun you and disown you?
the only people they felt any kind of safe around were each other; of course they're going to be codependent. and even then, they're disgusted by each other for leading them to sin. they're stuck together unwillingly, because without the other, they're alone.
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buwheal · 21 days
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We can't hear it Spam, but it's real to you. I get auditory hallucinations a lot, and usually what helps me is a distraction. Maybe... name 5 things you can see? Or make paper airplanes with old messages, or draw some pictures. Otherwise, I'm sure someone has a crossword or story they can send you to help you out!
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puppyeared · 5 months
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its so hard to watch time pass when things like careers and assignments exist. what do you mean im supposed to take that seriously
#I have an assignment that was due a week ago and I really really dont want to do it. I have to but i dont want to#im probably making it worse because my brain has built a wall around it so now i can’t do literally anything else until thats done. but#because I don’t want to do it I’m just kinda stuck. turns out this is what they meant when they said emotional regulation is part of#exec dysfunction.. I’ll have a thought like if I get a little bit of it done now i can get it over with. I can just submit something#and then not even 5 minutes later itll be like ugh but I have to draw all the assets out. I have to write things and make spreads ugh#and its just flopping between those two things. i hate it when ppl are like well how much time do you need to work on one thing#because BOY id love to know too. I’d love to know exactly when my brain wants to cooperate with me and work around that but I cant#even my period can’t decide when it wants to punch me in the stomach. which is kinda funny in the grand scheme of things but still#its so weird im just lying on my bed thinking abt all this like damn.. the time will pass anyways no matter what I decide to do.. damn….#if I submit that assignment now and take the L I literally won’t die. it’ll just be a deduction on an assignment nobody will ask me about#I know this but I’m still stressing myself about it so my thoughts aren’t really connecting to my body. weird#maybe its because Im having a hard time looking forward to things. theres definitely a lot I should be living for but I don’t really feel#a strong attachment to it I guess? it’s been like this for a while with holidays and meeting with friends so I just don’t#I kinda figured its because im pretty passionless and its more like passing interest. but it’s not very fun when it feels like I’m going to#be living distraction to distraction for the next 70 years or so lol#idk it kind of feels like slowly bleeding out. which is funny because I actually did experience blood loss this week#had a 30 minute nosebleed and literally could not stand. also it felt like someone was pinching the back of my brain which was interesting#yapping#does this count as vent#vent#Ive just been making an oc carrd and contemplate changing my blog header for the past 3 days honestly
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quillthrillswriting · 12 days
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sooo.... anyone else ever wondered how different ATLA would have been if aang had been frozen at age 16 instead of age 12?
yeah... me too 😌 my new fanfic "the teenager in the iceberg" follows the events of the show, but with only aang aged up, while everyone else remains their canon age.
also...cmon....how funny is it to switch zuko and aang's iconic dialogue to "you're just a teenager!" "...so are you?"
this idea was originally inspired by the talented @allgremlinart's aged up aang drawings, so please go show them some love!!:)<3
enjoy the excerpts from chapters one and two!
⁎⁺˳ ✧༚ ˎˊ˗ ♡ ˗ˏˋയ ✩
Aang chuckled, pushing himself up with his hands on his knees. He was… taller than Katara had realised, taller than Sokka. He rubbed a hand on the back of his neck, turning to look over his shoulder at the remains of the boulder-sized chunk of ice he had just been blasted out of.  “Aang. My name’s Aang.” He hesitated, momentarily seeming to puzzle something over. “And honestly? No clue. Don’t remember how me and…Appa!” He yelped, suddenly scrambling back over the hill of ice and snow. Katara followed him without thinking, and Sokka, grumbling under his breath, followed moments later. 
⁎⁺˳ ✧༚ ˎˊ˗ ♡ ˗ˏˋയ ✩
“So, you’ve brought a monster to invade the village, then? You’re some incognito Fire Nation soldier sent in as an undercover scout? Well, I’ll have you know that I’m the village’s strongest warrior, a-”
“The only warrior,” Katara chimed in, lightly elbowing Sokka’s side, earning herself a responding glare. 
“The strongest warrior.” Sokka reiterated. “And I don’t much like firebenders.” He added the words pointedly.
“Ah.” Aang titled his head. “That’s a shame. Some of my closest friends are Fire Nation.”
“Of course they are,” Sokka glared, hunching over into a defensive position and adjusting his fishing spear until it pointed directly at Aang.
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Katara still wasn’t quite sure what to make of Aang. The Water Tribe boys had always been all flashy muscles, seal-jerky breath, and overconfidence, so Katara had never seen someone move, carry themself, the way Aang did. 
⁎⁺˳ ✧༚ ˎˊ˗ ♡ ˗ˏˋയ ✩
Katara had admittedly forgotten how much fun penguin sledding was. “Spirits, I haven’t done this since I was a kid!” she called to Aang as he raced past her, surprisingly skilled considering that he’d never even seen a penguin until half an hour before. 
“You still are a kid!” He called back over his shoulder. “A kid who’s losing this race, badly !”
Katara’s competitive streak reared its head, her eyes narrowing as Aang stuck out his tongue. She sat up slightly, no longer gripping the penguin’s fur as tightly. “You wish!” She shouted back the words as she raised her hands, breathing deeply. Her hands moved through the positions she had practised from the few bending scrolls the tribe still held on to, and before Aang knew it, the snow in front of Katara turned to ice, and she shot past him as his own ice trail suddenly became dry snow with too much friction to slide on. 
She made it to the bottom of the hill, beaming, breathing heavily. The wind had whipped her hair out of her bun, and she knew without checking that her hair must have looked like a lion-turtle’s mane. She watched as Aang made a show of drying himself off with a gust of wind that he then redirected at her, messing up her curls even more. 
“You’re a cheater !” Aang gasped, mockingly clutching imaginary pearls at his throat. “I demand a rematch.”
Katara strode past him, only turning her head to cast him a smug smirk. “Maybe you’re just not as good of a penguin sledder as you thought .”
“Oh, not so fast!” Aang grabbed her wrist, tugging her back towards him, and she internally questioned why the momentary brush of their skin made her heart flip. He tried to trip her, she tried to flip him, and they both ended up on their backs in the snow, giggling, cheeks and noses bright pink from the cold. 
⁎⁺˳ ✧༚ ˎˊ˗ ♡ ˗ˏˋയ ✩
“Trouble sleeping too, huh?” Aang cocked a grin, tilting his head to Katara. She kept her eyes fixed upwards, trained on the moon and the stars, worried that if she looked away, she’d end up staring into his eyes like a weirdo. 
“I always feel so awake with the moon’s light on me. Sleeping under the stars has never really been a thing that works. It’s too energising, too… too much. It’s hard to explain.”
“No, no… I get it. I feel the same way in a windstorm, all those breezes and gusts of wind, it feels… exhilarating.” She watched through her peripheral vision as he looked up at the moon. “In times of war, I think we all tend to forget how spiritual bending is at its core. I’d say it’s a good thing that you’re in touch enough with the origins of your abilities to feel the moon’s pull tug at you just as much as it does on the ocean.” 
⁎⁺˳ ✧༚ ˎˊ˗ ♡ ˗ˏˋയ ✩
Aang smiled back. “Now is our time to try to make up for that. I can’t bring back everyone who was hurt in this war, and you can’t bring back your mother, but together, the two-, three of us can make sure it doesn’t happen to anyone else.”
“I’d like that,” Katara exhaled, her breath calming down and tears dissipating. The two spent hours talking back and forth, exchanging the stories of their respective childhoods. Katara learned that Aang had invented several new bending moves and had been a big fan of fruit pies, while Aang learned that Katara had always been the bossier one between her and Sokka and that she had almost chipped a tooth on seal jerky when she was six. They continued talking back and forth in increasingly hushed tones until the world faded away under the cover of clouds and sleep.
Katara awoke to the loud shout of her brother. 
“Wakey wakey, lovebirds!” he yelped, chucking a rock-hard stick of seal jerky at both of them. 
“Ouch, Sokka !” Katara snapped at him, rubbing her head at the spot where she had been hit, before realising that she was leaning against Aang and immediately jumping away, blushing furiously. 
♥ check out the two chapters of this (ongoing) fic & my ao3 here! ->
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beesechurgerzz · 1 year
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the flow of time is always cruel
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AU time :)
dan has to prevent his own creation
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metanarrates · 3 months
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its interesting to me that the common sentiment appears to be that han sooyoung intended for jang hayoung to be trans. I think there's room for multiple interpretations, but I view being trans in orv as being inherently tied to the themes of self-actualization, as well as the idea that a narrative is unable to be fully defined by either author or reader. put more simply, jang hayoung is trans regardless of either kim dokja OR han sooyoung's intentions in creating her, or in how they each interpreted her. maybe the version of her in the novel was meant to be something else, but in the reality of this world, she is a trans girl. han sooyoung's intentions kind of don't matter there because the text has moved beyond its author
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