watching grown adults be like i'm not sure i am enjoying this tv show about twelve year olds made for twelve year olds that i read about when i was twelve is really good. you're twenty if you don't like it get off disney plus !

What do you like about the Diasomnia boys if I may ask?

I always love hearing about the different reasons people enjoy characters.

I mean, c'mon. he has split custody over Sebek okay

also, Lilia in particular has maybe the best timeskip character development of all time

i've never really made a comic before, well, i have, but nothing i had intention to show anyone else

I have seen people question whether dios apate minor really needed to happen the way it did. it's the 'this could have been an email' of htn. 'augustine this did not have to be a threesome', I hear people saying. and boy do I have an obnoxious amount of things to say to protest this perfectly sensible assertion so here we go haha

1) yes it absolutely had to be like that. It says so on this piece of paper *hands you a piece of paper that says "because I said so and also it's narratively and thematically Sexy"* in my half-legible handwriting. seeing tamsyn muir describe harrow the ninth as a book about being a kid and realizing your parents probably had sex has given me such validation, I am unstoppable now. (to be serious for a moment, harrow the ninth is essentially a bildungsroman, and the threesome scene does a whole lot of thematic heavy lifting around harrow glimpsing elements of adulthood, relationships, and sexuality she clearly finds at the same time repulsive, bewildering and fascinating, and around opening her and especially our eyes to how much john is just a man with human longings still, under the god stuff. dios apate is crucial plot- and character-wise too -- it's a loadbearing threesome in terms of delivering the clues you need to piece together the mystery plot of the book, which is simply delightful -- but even more so thematically. and then the scene at the end where they confront john gives gideon some of that same opportunity to peek into adulthood and go '...well shit I guess', as a sort of mirror, just without the french kissing that time and more murder. the things magnus and abigail model for the girls about love and adulthood? mercy and augustine are providing the opposite-day batshit insane version of that fhdskjfa, you know, for contrast and spice)

2) listen... it gets lonely out there in deep space with your 'legendary unamorous' brother, two infant pathetic baby kitten sisters who you'll probably have to kill one day when you take another stab at god if they don't manage to get themselves killed along the way on their own, and the two people you've spent the last ten thousand years having separate yet connected married & divorced arcs with and also btw one of them is god... honestly a threesome over the dinner table is probably The most well-adjusted reaction one might hope for under those circumstances

3) on a characterization level I think Augustine is actually doing something incredibly deliberate with it: he's presenting John with yet another chance to admit what he did. which is notable especially since the deal he and mercy agree on as a condition for the threesome to happen at all seems to be that they're going to give the ol' godslaying another game try sooner rather than later. (I get the sense that it's not so much that he disagrees with her ultimate goal so much as that he thinks she's being dangerously indiscreet and hasty going about it, before. “though I think it will be the death of us,” huh.)

notice how he's structuring the whole thing: he's invoking the intimacy and love in their strange little threeway relationship and how long it's been by truly playing along with john's 'we're a happy family really when we're at home! :)' delusion (helped along by lowered inhibitions via enormous amounts of alcohol and what I've previously described as a joint mercy/augustine leyendecker themed thirst trap. ah, a classic). he brings up alecto and what happened to her -- or rather, he is clever enough to make john bring up alecto and how she is totally dead, right?? by seeming to make a careless statement that leads there and then acting contrite about it after. he (helped along by mercy, who I think realizes exactly what he's doing -- this is very much a two-man con) brings up how much they all loved their cavaliers, and wow funny how that's been haunting us for ten thousand years now huh :) wow, a lot of our other lyctor friends slash family sure are super dead in the name of some unknowable greater reason neither of us quite grasp and that you won't fucking tell us, aren't they. these are all the main grievances he and mercy confront john about at the end of the book, but put forth much more subtly and not phrased as an accusation -- he's baring his and mercy's vulnerabilities as bait, essentially. if john had, say, a conscience where his conscience should be instead of a black hole, it probably should have stirred something in him.

(also let me just say... the way augustine just takes a pneumatic drill to the TWO tender spots g1deon seems to have and then has the audacity to be like 'oh dear. did that upset him. ooof my bad *loooong dead-eyed slurp of his wine*' is just sooo... he's such a bitch!!! he's the only person who could ever have held their own in a ten-thousand-year bitch-off with mercy and I love him so much. well even if it wasn't all to get g1deon into murder range for harrow I think he wouldn't enjoy sticking around for the 'getting our tongues on god' part of the evening so maybe it's a kindness, really, and totally not pent-up aggression from the last twenty years or so breaking through)

he is all but shaking john by the lapels begging him to just... come clean about it already, to stop thinking he's still kidding everyone else along with himself. it's clear throughout the book that augustine knows exactly what john is at this point -- and all of the most cynical things he does say about it turn out to be distressingly right. john is always less sentimental than you'd think. john wouldn't forgive mercy, he will abandon in a heartbeat anything that isn’t necessary to him anymore, whether emotionally or in some other way. and still he seems to hold out some desperate absurd hope that the man he wants, the man he thought was there, is in there, somewhere deep deep down, if he just gives him the chance to show himself.

(mercy definitely has her own side of this whole thing, I'm just focusing more on augustine because this evening was like. his idea in the first place and I feel like we can Read Some Things into that fact lol. now that we have both ntn and htn to go from I sort of have this sense that the things augustine wants from john are more... personal? more interpersonal? they both love him equally, but mercy's love seems tinged slightly more towards the religious (augustine accuses her of knowing 'only worship without adoration', which like... also the eight house's entire Vibe lol) -- mercy at the end of that book is totally a person breaking up with GOD, not just with john -- while augustine's vibe is more like a man in the last not-with-a-bang-but-a-whimper days of a marriage that sort of felt like it could have been something real and good once but all your illusions about it have since been taken from you and trampled underfoot into the mud and you've had the divorce papers signed and ready in a drawer for over a year now, hell, as it turns out, is other people etc. lmao)

having a threesome over the dinner table with god is one thing, having a threesome over the dinner table centered on the one man and god who has yet again let you down in a way so fundamental it can barely fit into words and who you both still love in a way anyway, miserably, and also just reaffirmed your joint resolution to murder (all under the pretense that it gives your baby sisters the chance to murder your brother of ten thousand years yeah that's why this is happening no other underlying aching emotional motivations here haha)... listen mercy and augustine are simply on a different level, theologically. they've added horny shrimp colours to the religious spectrum. who else does it like them

So uhhhhh Meryl Stryfe amirite?

Hi still dying with uni (and a cold) but. wtf is fyodor's ability.

I spent way too much time on what is essentially a shitpost...

But anyways. Post-Meursault road trip AU because it's funny to me and I couldn't rest until I drew this. (Read right to left.)

Basically, Sigma gets the information needed to stop Fukuchi but Fyodor escapes with the help of Hohol. Cat thief is alive and the four of them escape the prison and have to chase after Fyodor, leading to an impromptu road trip none of them want. Along the way, they pick up Adam to help with tracking him down.

Chuuya speaks to everyone else but is very adamant about not talking to or responding to Dazai at all - giving him the cold shoulder, basically. Dazai can't decide if he is more insulted that Chuuya isn't talking to him or that he's resisting his attempts at goading him through sheer determination. Adam is concerned at how tired Chuuya is and keeps making occasional offers to drive but he knows Chuuya's driving because he needs a distraction. Sigma is terrified someone is going to snap and he's going to get caught in the crossfire. Cat girl is having the time of her life.

(If you can't read my shoddy handwriting, here's the dialogue:

Thief: "Did you know that even with seatbelts, people die all the time in car crashes?"

Thief: "I thought that was interesting."

Adam: "Master Chuuya, if you are getting too tired, I would be happy to switch -"

Chuuya: "Nah, 'm good."

Adam, musing to himself: "The majority of accidents are caused by human error. If human drivers were replaced by androids, the roads would be safer."

Adam: "By which I mean the latest autonomous models, like myself. Those 'self-driving AI' are a disgrace."

Dazai, muttering after flicking a crumpled paper: "Chuuya, pay attention to me.")

@single-use-ship-of-theseus You get it!!!

okay my darlings, you know what time it is…..SURPRISE SONG GAME TIME!!! except this time it’s extra super duper special because this post is actually queued because today is MY SHOW 🤭🫶 aka it’s atlanta n3 therefore i am BEGGING you to manifest the absolute best of your best picks and leave them in the tags or replies for me to see later and then give you an internet smooch if you win 💗 HAPPY GUESSING

i’m going to guess my absolute dream combo of hey stephen and dorothea

🖤🖤🖤🖤Another one for The Education of a Lady 🖤🖤🖤🖤

used this Pin as a reference

I was originally going to write on Twitter but character limits are too much of a bother so here I am. This will probably be very messy but I'm dealing with media that probably 10 people are familiar with, so... Whatever!

I've recently found this site: https://nervetower.neocities.org/analysis.html

It has a bunch of translations and essays on the game Baroque, originally released on the Sega Saturn.

This specific bit of info has made me OBSESSED with thinking about the game.

Sure the game was literally written in burst of inspiration by drawing tarot cards because the writers had a deadline and writer's block at the same time, and the protagonist being canonically trans was only in a draft for the prequel material, but the game is surprisingly consistent with its themes and the symbolism can still be read through a trans lens.

And because it's not confirmed and ambiguous, the protagonist can be read through multiple gender povs.

But like, why is this such a big deal? Well, Baroque and its prequel material just so happens to have one of the most incredible anti-bigotry narratives I've ever seen in a game. Specifically anti-ableism and anti-eugenics, among probably some questioning of organized religion and how corporations use it to further alienate the public into a cycle of oppression towards marginalized people. etc.

The protagonist is mass produced and manipulated by the Archangel to "purify" whatever he deems should be "purified", using guilt (the Christians/Catholics favorite thing) to do so as the protagonist is made to not remember anything besides their immense guilt over something.

For the game to progress the protag must regain their memories and find out they're a copy of who knows how many other copies, a human made into a product basically, made to feel special because they won't be distorted by their desperate delusions to escape a world destroyed by corporate greed like all the rest and have the power to "purify" things, when in reality they're just emotionally and genetically manipulated into being that.

A perfect pawn.

Now where is the trans symbolism? Well, aside from how little bodily autonomy the protagonist has, here's where things really get interesting:

In Baroque, God is presented as a woman. Before the Great Heat (aka apocalypse), God's Sense Spheres (her omnipresence, transferring data like the world is a body) assured that no great distortion would come to the reality humanity lived in, God would feel pain and know there was a wound to heal. Then the Archangel, who's really just some scientist, started fucking with the population's mental health on purpose because he wanted to kill God and create his own perfect little world. That's the short summary anyway.

At one point, with a lot of brainwashing using God's screams of pain, he created the Order of Malkuth to help him. But later the members woke up from the brainwashing and organized a desperate attempt to stop the Archangel: they would fuse Koriel number 12 (presented as a boy) with God so she could communicate in data that humans could understand. What they didn't expect however is that Koriel 12 had their own problems, and with Archangel interrupting the fusion, those problems were very amplified.

Koriel 12's guilt over being alive and God's suffering made shit hit the fan for good with the Great Heat.

And that's how the protagonist becomes mute and receives the power of God and anim- I mean, "purification".

The game begins and despite Koriel and God being now two parts of the same being, the Archangel tells Koriel to go to the bottom of the Nerve Tower, where the "Mad God" is basically imprisoned, and "purify" her with a rifle (with ammo made from the embodiment of her pain hormones).

The Archangel is literally making Koriel kill a part of themselves that's already literally buried deep into a mind tower that goes down instead of up but still has the image of a tower instead of a hole. He's basically forcing Koriel to bury the closet with them inside it because the closet isn't enough apparently.

Koriel also can't speak for themselves anymore but their thoughts can be read by the Horned Woman, which she just says out loud without explaining anything and unless you're thinking about it you won't even recognize those are "your" thoughts being spoken by another person.

Jumping ahead, when Koriel gets to the bottom of the tower, you can either do what the Archangel tells you or can just walk towards God and unite with her.

When you do this after some dying and finding out, you'll receive the true ending, in which it is made clear that while it is in a state at which it's harming everyone, the "distortion" is actually the natural way of the world, everyone needs to cope at least a little to survive, the Archangel's eugenicist campaign was the greater problem here, not the people "distorted" into representations of their suffering and coping mechanisms by his actions.

This is primarily focused on ableism and particularly the stigma around mental health.

With a trans reading, it forms a bridge so it can also just mean bigotry in general too.

Why? Well, since the 70s or something, trans people basically have to be diagnosed with a disorder to be granted legal access to transition, that's even truer for Japan, which literally puts it on paper as a disorder. And overall, transphobia and ableism go very hand in hand.

This game is now the closest I've come across to finding a game that's secretly about trans people too like The Matrix.

And this has greatly developed the brain worms 👍

I'm fully aware that it's not meant to be seen like this, but after the whole Zur fiasco I'm not sure if it's smart to go on a camping trip with your father, just you two, to the middle of nowhere and oh, please leave your gadgets and weapons at home, son.

We ARE going to bring up Captain Amelia. You have good taste! GOOD TASTE I SAY! *aka I just rewatched Treasure Planet and got hit with, "Oh yeahhhhh... that explains a lot!"*

honestly, the Meg/Jasmine/Amelia trifecta tells you 90% about me as a person. (the rest is covered by Sailor Jupiter and Sailor Uranus and, uhhh, I'll stop baring my soul to the world now)

and speaking of Amelia, this is tangential, but like -- there's one Twst comic I have been kicking at for a while where I needed an RSA sports/flight teacher and, uh, well

someday I will wrangle this stupid comic into coherency and she'll get to make an appearance (in the background of a single panel, half-obscured by a tall hat) (but I will know she's there and that's the important thing)

Rose: Dave! For the love of god, please turn down that music. I have a hangover. Dave: *blasting the mii theme at full volume* that sounds like a you problem, not a mii problem.

if you're wondering what ive been up to....its this

id probably make a better janitor than cashier though

Atsushi's back in the game!!! ۶( ˆ o ˆ )