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#that makes a lot of sense actually!
somnimagus · 5 months
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My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.
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uncanny-tranny · 11 months
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One of my biggest pieces of advice for those taking injectable hormones is to make sure you're injecting at the right angle
For intramuscular (IM), you inject at a 90° angle.
For subcutaneous (SQ), you inject at a 45° angle.
Here is a graphic depicting what the angle of your injection should look like:
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An image description is provided in the ALT text.
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bivampir · 1 year
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it's SO funny that when asked what he had to do to prepare for his role in IWTV Sam Reid says he had to learn how to play the piano, learn to speak French, Italian, and English with a French accent. Bailey read IWTV religiously and added her own comments, and kept an actual fucking journal she wrote entirely as Claudia. meanwhile Jacob Anderson, when asked the same question, just responds with “oh nothing, i was already emo”. icons and legends only
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molinaskies · 7 months
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An interesting “side effect” of the canonization of the “classic era” meaning “younger era” is that the classic era now reads as “cute fun times” before the core cast became teenagers/tweens and things got super, super complicated.
Because the characters are “younger,” there’s an air of “little rascal innocence” to everything they do now. The new releases like Mania and Superstars now feel like little throwbacks to the young heroes just learning how to work together and make a difference in the world.
I don’t think this is a bad thing at all.
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lonicera-caprifolium · 8 months
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Body-swap theory!!
okay, just putting this all together for ease of access, since it's been spread out across several posts now--
The day after it aired I watched the ending like actually 30 times and I became fully 99.999999% certain they switched places. I was initially thinking during the kiss, cuz of how the camera angle changes, but after watching an additional 20 times a few days later, I'm personally leaning much more towards them stopping time in the instance after "no nightingales".
Before the kiss, Aziraphale is saying "nice" things about the Metatron, but his face and voice keep switching to broadcasting distress, and they make it a point to show in ep 1 that Crowley can read him just from tone of voice
As they're pulling away after the kiss, they lock eyes and "Aziraphale's" expression shifts in the teeniest tiniest way, like a confirmation glance, before they shift back (and Michael Sheen is a master, so no chance it's not on purpose)
---(Like really, go back and watch how Aziraphale's expression shifts literally *a second* before "I forgive you" cuz the change is SO minute, but entirely different emotionally.)
Also the way he moves his jaw right after he pulls his hand away from his lips, is a bit from MS's Crowley (you can see it in the very last two seconds of this vid- link)
Aziraphale's hands -stay by his sides- after that, he doesn't clasp them at all, and it's particularly noticeable while he's walking to the elevator with Metatron. The way he walks is very stiff and precise, similar to after the swap in S1.
We don't see the underside of Crowley's jacket collar after the kiss, at any point (it is for sure red at the beginning of the ep, you can see it right before he changes in Heaven)
The Bentley drives away SLOWLY, which is how Aziraphale drives, and we're specifically shown that it only plays other music for Aziraphale
the seats in the Bentley are black as it drives away. They're usually brown, and the only other time they're shown to be black is when Aziraphale drives (@picturesque-about-it broke down the times so you can see-link)
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---extra pic for anyone saying it's "cuz Aziraphale is lighter"-- the seats are still brown behind Crowley when he wears white
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there's people wearing yellow in -every- part of the scene showing the Bentley both before and while it drives away! (link for pics/credit)
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Aziraphale's smile in the elevator looks more like MS's Crowley. It's very similar to the trial during S1, but also (link)
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This also explains why they're on opposite sides than they're usually shown while the end credits roll
Extra points--
many good points made by other folks here, about cues and snakes in beehives and swap motifs throughout the season-- link
The clock! Someone mentioned how the scene is so quiet you can hear it ticking, so I watched the ending a further 50 times to double check----I need to preface this by stating, I don't think this is a working clock, mainly cuz the hands aren't 100% where they should be between the minutes and the hours, like -a person- moved them to that time manually
When they're talking, the clock is at approximately 9:25 (?, again the hour hand isn't precisely set), then they walk across the room, and kiss, and immediately after that the clock is set about 15-ish minutes later (link to timestamps)
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thanks to these bts shots, we can see that the clock on the opposite side of the room registers the SAME time difference before and after the kiss (link)
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the first time Aziraphale looks "towards the window", I'm petty sure he actually looks further back towards the clock, *focuses on it* as Metatron walks up to him, and then spends the ENTIRE REST OF THE EXCHANGE blocking the Metatron's view of the clock
we're shown earlier in the season that Crowley can localize his time-stopping to a certain extent, like when he stopped the doctor and the rest of the room kept going, so it is possible he only stopped everything -outside- of the bookshop
---I KNOW Neil said it's a continuity error, but he also fully said "No" about there being a season 2 just days before they announced it was already written and in production, so. Take him at his word if that's what you wanna do.
---also I DID go back and look it over, and the clock IS consistently specifically set the entire rest of the episode as far as I can see. From the shots when you have a clear view of the clock, the angels and demons enter the shop at around 6, Maggie and Nina leave at around 7, the Metatron comes in at 8-ish, Aziraphale comes back in at that approximately 9:25
(insight from someone who works in production- link)
the music right before the kiss scene is the same leitmotif (Life After Death) used when they originally started formulating the swap in season 1! (link)
the movie Stairway to Heaven (1946) is featured as a poster in both the opening credits and in Maggie's shop (link)
the climax of the film has one of the leads willing to "take the place" of the other in heaven
(they also used a time-stopping mechanic, and the chess book Gabriel tests gravity with also plays a key role in the film)
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and one last mention, extra food for thought--- the season's focus on their trusting one another, their history of performing "death (and heaven/hell) defying" feats together, and how they always get the trick right when it truly counts the most
that's what I've got so far!
If I'm right, they're apart now, but are actually more together then ever, and I find that terribly exciting. (And if I'm wrong, that's okay too! I'm just here to have fun.)
I'm not particularly concerned with very specific reasoning (that's for season 3 to tell us!), but I do think this theory is extra fun cuz pretty much any of the others could be the "why" driving it.
I'm not trying to convince anyone, or put down any of the other theories, so if you're not feeling it, that's okay! I'm just sharing what clues I'm seeing, so you can check if you see them too. 💕
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inkskinned · 1 year
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one of the things that i think we should pay attention to, socially, about the disney v. desantis thing is that it is really highlighting the importance of remembering nuance.
in a purely neutral sense, if you engage in something problematic, that does not mean you are necessarily agreeing with what makes it problematic. and i am worried that we have become... so afraid of any form of nuance.
disney isn't my friend, they're a corporate monopoly that bastardized copyright laws for their own benefit, ruin the environment, and abuse their workers (... and many other things). this isn't a hypothetical for me - i grew up in florida. i also worked for the actual Walt Disney World; like, in the parks. i am keenly aware of the ways they hurt people, because they hurt me. i fully believe that part of the reason florida is so conservative is because it's been an "open secret" for years now that disney lobbies the government to keep minimum wage down, and i know they worked hard to keep the parks unmasked and open during the worst parts of Covid. they purposefully keep their employees in poverty. they are in part responsible for the way the floridian government works.
desantis is still, by a margin that is frankly daunting, way worse. the alternative here isn't just "republicans win", it's actual fascism.
in a case like this, where the alternative is to allow actual fascism into united states legislation - where, if desantis wins, there are huge and legal ramifications - it's tempting to minimize the harm disney is also doing, because... well, it's not fascism. but disney isn't the good guy, either, which means republicans are having a field day asking activists oh, so you think their treatment of their employees is okay?
we have been trained there is a right answer. you're right! you're in the good group, and you're winning at having an opinion.
except i have the Internet Prophecy that in 2-3 months, even left-wing people will be ripping apart activists for having "taken disney's side". aren't i an anti-capitalist? aren't i pro-union? aren't i one of the good ones? removed from context and nuance (that in this particular situation i am forced to side with disney, until an other option reveals itself), my act of being like "i hope they have goofy rip his throat out onstage, shaking his lifeless body like a dog toy" - how quickly does that seem like i actually do support disney?
and what about you! at home, reading this. are you experiencing the Thought Crime of... actually liking some of the things disney has made? your memories of days at the parks, or of good movies, or of your favorite show growing up. maybe you are also evil, if you ever enjoyed anything, ever, at all.
to some degree, the binary idealization/vilification of individual motive and meaning already exists in the desantis case. i have seen people saying not to go to the disney pride events because they're cash grabs (they are). i've seen people saying you have to go because they're a way to protest. there isn't a lot of internet understanding of nuance. instead it's just "good show of support" or "evil bootlicking."
this binary understanding is how you can become radicalized. when we fear nuance and disorder, we're allowing ourselves the safety of assuming that the world must exist in binary - good or bad, problematic or "not" problematic. and unfortunately, bigots want you to see the world in this binary ideal. they want you to get mad at me because "disney is taking a risk for our community but you won't sing their praises" and they want me to get mad at you for not respecting the legit personal trauma that disney forced me through.
in a grander scheme outside of disney: what happens is a horrific splintering within activist groups. we bicker with each other about minimal-harm minimal-impact ideologies, like which depiction of bisexuality is the most-true. we gratuitously analyze the personal lives of activists for any sign they might be "problematic". we get spooked because someone was in a dog collar at pride. we wring our hands about setting an empty shopping mall on fire. we tell each other what words we may identify ourselves by. we get fuckin steven universe disk horse when in reality it is a waste of our collective time.
the bigots want you to spend all your time focusing on how pristine and pretty you and your interests are. they want us at each other's throats instead of hand in hand. they want to say see? nothing is ever fucking good enough for these people.
and they want their followers to think in binary as well - a binary that's much easier to follow. see, in our spaces, we attack each other over "proper" behavior. but in bigoted groups? they attack outwards. they have someone they hate, and it is us. they hate you, specifically, and you are why they have problems - not the other people in their group. and that's a part of how they fucking keep winning.
some of the things that are beloved to you have a backbone in something terrible. the music industry is a wasteland. the publishing industry is a bastion of white supremacy. video games run off of unpaid labor and abuse.
the point of activism was always to bring to light that abuse and try to stop it from happening, not to condemn those who engage in the content that comes from those industries. "there is no ethical consumption under late capitalism" also applies to media. your childhood (and maybe current!) love of the little mermaid isn't something you should now flinch from, worried you'll be a "disney adult". wanting the music industry to change for the better does not require that you reject all popular music until that change occurs. you can acknowledge the harm something might cause - and celebrate the love that it has brought into your life.
we must detach an acknowledgment of nuance from a sense of shame and disgust. we must. punishing individual people for their harmless passions is not doing good work. encouraging more thoughtful, empathetic consumption does not mean people should feel ashamed of their basic human capacities and desires. it should never have even been about the individual when the corporation is so obviously the actual evil. this sense that we must live in shame and dread of our personal nuances - it just makes people bitter and hopeless. do you have any idea how scared i am to post this? to just acknowledge the idea of nuance? that i might like something nuanced, and engage in it joyfully? and, at the same time, that i'm brutally aware of the harm that they're doing?
"so what do i do?" ... well, often there isn't a right answer. i mean in this case, i hope mickey chops off ron's head and then does a little giggle. but truth be told, often our opinions on nuanced subjects will differ. you might be able to engage in things that i can't because the nuance doesn't sit right with me. i might think taylor swift is a great performer and a lot of fun, and you might be like "raquel, the jet fuel emissions". we are both correct; neither of us have any actual sway in this. and i think it's important to remember that - the actual scope of individual responsibility. like, i also love going to the parks. Thunder Mountain is so fun. you (just a person) are not responsible for the harm that Disney (the billion dollar corporation) caused me. i don't know. i think it's possible to both enjoy your memories and interrogate the current state of their employment policies.
there is no right way to interrogate or engage with nuance - i just hope you embrace it readily.
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humbuns · 1 year
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birds of the same feather?
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ink-the-artist · 3 months
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blood animals
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redysetdare · 4 months
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I don't think a lot of people realize that lot of their advice to disabled people often boils down to "Get over it." they are trying to be helpful but their idea of helpful is "Just do the thing" because that's what they do. for them they just do things. It comes naturally to just do it.
They don't know how to bridge the gap between you and the task. For them the bridge is already pre-built and stable. For disabled people the bridge is run down, not well kept, it feels unsteady and is hard to get across without being slow and cautious - hell for some people there is no bridge and we need to build it ourselves but we don't have the bridge building tools and no one gives them to us.
"Just cross the bridge." They say before walking over their pre-built bridge. They never gave you the tools to build a bridge to cross.
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tmntkiseki · 2 months
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This entire scene makes me laugh harder than it should.
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pbnmj · 1 year
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fun fact: the reason that they did not take noir’s mask off for longer than 0.5 seconds in itsv is actually because sony pictures animation was trying to protect the general public from me becoming insufferable to be around
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willyhoos · 4 months
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the mikes.. the michaels, even...
#fnaf#fnaf movie#mike schmidt#michael afton#michael schmidt#does any1 call him that.. besides william lol#i like the hc that game!mike is freaky tall like his dear old dad#so movie mike being a certified shorty is soooo <3 appreciated.#i really appreciate that movie mike is#like. sane.#hes disturbed definitely but he is still Trying to live functionally hes just. struggling to succeed in that regard#game mike? not a chance. hes an identity-hopping arsonist#i guess thats the difference elizabeth (abby) makes.#if game mike had somehow managed to save elizabeth#maybe he would have turned out ok#movie mike shows us what would have happened if michael DID actually have something to live for#game mike has nothing at all no one . no desires no family no friends nothing. just a death wish and a lot of regret.#btw movie mike is michael afton .. in the sense that he is the movie-adapted versoin of michael afton.#they have different stories obviously but they are INTENDED to be the same person#gnerally that is#i mean. lil sis. responsible for lil bros death. the weird offputting rude pushy personality.#so ill take it as proof that in the games mike=michael#OK I GOT OFF TRACK UM SORRY#now ill never get over how game mike and vanessa never met.#i mean theres the glammike theory but. that is an extremely altered version of mike who arguably isnt awake hes possessing a robot. hes Dea#but according to the movie... they woulda gotten along.#brings a tear to me old eye#my nyart#i miss queue#ah yes.. 4:34 am again garfie baby
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festering-bacteria · 10 months
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some more shippy drawings :33 some polycule stuff n some w/ just abe n confucius bc i haven’t drawn just them yet.,,.
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buggachat · 1 year
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can't stop thinking about how Félix was seen as "a cold, calculating, intelligent character. yes, he made some weird decisions (how did shoving cheese under adrien's pillow fit into his plan? why did he bully adrien's friends when all he was there to do was shake gabriel's hand? etc) but, ignoring that, he definitely carefully considers all his actions" and then Emotion dropped on us "uh yeah so Félix is actually deeply emotionally unstable" which is both counter to how everyone saw him and actually perfectly explains his character in ways the fanon version of him couldn't
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years later someone buys the plot, turns on the lights and is suddenly worshipped as a sun god by a bunch of puppets falling apart at the seams
pov you break into the spooky abandoned Playfellow Studios building for shits and giggles
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#lore tidbit! the plot is not available for purchase#the building is only Technically abandoned. its still very much Owned private property!#actually ive been thinking about the Other side of this au. the people's perspective#cause in this au at least they all Knew the puppets were alive#many employees - especially the ones working 'closest' to the puppets - put up a huge fight when the show got canceled#but it was either Disassemble (kill) Them or Lock Them Away#and honestly? killing the neighbors would've been somewhat of a mercy#but the employees had no way of knowing just how Bad things would get#wh lights out au#scribble salad#and i mean. the building's electricity bill remains paid.#the employees that felt really bad kept it paid over the years - devoting a bit of their income each to it#thinking the puppets would a) be awake & b) be able to figure it out#yeah that's actually a lil fun tragic tidbit as well - if any of the puppets had found the breaker....#or found it and Messed with it a lil... flipped the right switch...#they would've gotten the lights back on no problem#but yeah anyway ive been Thinking about the employees' side of things a lot#might tie that in with act two. it'd make sense considering the shit that happens#well either they'd help the puppets out or they'd get shoved into one of the sinkholes by barnaby. so.#bc if we're talkin seriously here. the puppets are more likely to kill a person than worship them for any reason#they'd go full 'THREAT!! THREAT!! ELIMINATE THE THREAT!!! WE'RE NOT LOSING ANYONE ELSE!!!' mode
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poorly-drawn-mdzs · 3 days
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Poorly Drawn Cats 2: The Squeakwail
(Part 1)
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