We need to talk about this moment more!

When Shuri is confiding in Namor about her grief and her anger, she turns to him and asks (can't remember the exact words) "what is the point of it?" Namor pauses. You can tell he's thinking of the right thing to say, the wise thing to say. He says- "I do not have the answer for that."

He does not manipulate her emotions to his own cause, persuade her to take his side, or fan her anger. In fact he shows vulnerability in admitting that he, A 500 year old GOD, does not have the answers.

If Namor was a villain or selfish or manipulative from the beginning he would not have given her such an honest answer. He treated her as an equal from the start you cannot convince me otherwise!!!!

Phantom, the newest addition to the Justice League, pulls Wonder Woman aside.

He has...a strange request.

He's nervous, flustered, fading in and out of the visible spectrum. It's clear that what he's about to ask of her is important to him, and even though she has an uncomfortable voice in the back of her head telling her this young hero is about to ask her out, she resolves to listen before she jumps to conclusions.

She's glad she did.

"Can...can you put a grave for me in Themyscira? I know it's just for women, but it's the safest place I can think of for it! I just...I don't have a grave, and Clockwork says it's starting to stunt my growth as a Ghost, and I have too many enemies on American soil, so. It's okay if you say no, though, I'll figure something out, it's fine."

Diana lets him ramble to the end, already knowing what her answer is going to be.

"We would be honored to host your grave, Phantom. Do you have any remains I can take home? Do you require a funeral service?"

Phantom looks...he looks beyond grateful. Close to tears.

"No, no remains. A symbolic grave is fine, it just. It has to have my real name on it, my mortal one." He says, looking hesitant. "Please don't reach out to my family, Wonder Woman. They don't know."

With that, he hands over a small slip of paper, torn from a notebook and clearly folded one too many times.

She takes it as though he were entrusting her with the rarest diamond in the world. She wants to, but she does not ask how they could not notice the death of someone so very bright.

Instead she nods, tucking the paper away.

Phantom will get a grand grave, one worthy of a friend to the Crown of Themyscira. She will ensure it.

My biggest beef with the way Annabeth was written in the show is that I think Rick fell into his own trap. Like his whole thing with Annabeth is that just because someone doesn’t look smart doesn’t mean they aren’t. And while it’s about their literal looks for both the show and the book, book Annabeth also sometimes acted in ways that people wouldn’t stereotypically associate with “smart” because I think we’ve all be condition to think bbc sherlock no emotions genius is the only way to be smart. Book Annabeth acts super flustered around Luke because she's a kid and she has a crush on him, she's afraid of spiders, and wanted to see the arch just because she thought it was cool. In general book Annabeth is allowed to be sillier and have a wider range of emotions than show Annabeth without it detracting from the fact that Annabeth is smart. I find this whole "stoic genius" idea is often used to put down teenage girls for being dumb and superficial just because they show emotions and the only way to beat it is to be cold, calculating, and emotionless and most people just aren't like that.

It's interesting to me that, while Dean is very respectful to Lorelai herself, he is at several points pretty disparaging about Rory's relationship with her. "Well, you just feel that way because your mother feels that way," and "I say I love you, and you want to think about it? Go home and discuss it with your mother?"

And Jess is less respectful to Lorelai herself, but he never says anything against Rory's relationship with her, never seems annoyed or resentful of it. He sometimes expresses resentment about Lorelai's hatred of him, but never about Rory's closeness to her, even though he could have at various points and even though he probably doesn't understand it. And it's interesting to me, because Jess antis would probably assume that he's the one who would be saying things like the quotes above, trying to drive a wedge between them, but he never does. It's the "nice" guy that Lorelai likes so much.

The (Not) Normal One...

So

I LOVE the stories where Danny is deaged and later found by one of the bats and taken in as a son or he's Bruce's bio son and is either Damian's twin or half brother or little/big brother BUT I don't see a lot of reborn/reincarnated Danny into the batfamily (I can think of two but one of them he is Dick's son?clone?somewhat clone? And the other is an amazing story where Danny is reborn as Jazz and Jason's kid and I love it to bits)

So let's change that a bit and have some fun.

Here's the idea

Danny, either from finally aging to his death (it was slow and long aging but he is still partly human too don't forget that) or dying at the hands of GIW (or by his parents if we go the Bad!Fentons route), is reborn into the batfamily.

He could either be Bruce and Selina's kid after they finally tie the knot, or be a one more attempt by Ra's or Talia to get the heir they want but is immediately found out when Tim notices certain labs active and they find baby Danny. OR Danny can be an oops baby to Bruce's one night stands OR one of the batboys baby. EITHER WAY, Danny is reborn into the family from the start.

And he has his memories. (He has little hints of his powers btw, they dont fully come in until his 14th bday)

And his new family all swear to give him a proper and happy childhood (as best as they can seeing how it's Gotham)

Only I want Danny milking being a baby then toddler/kid and later a teen for all its worth. He's going to enjoy this new life with everything he gots.

Like imagine the chaos and shenanigans he gets into as a toddler. He's the king of hide-and-seek. He uses his tears to get away from whoever annoys him. He's mastered the puppy dog look to get away with things (it holds no effect on Alfred though, man is immune to all tricks).

But then of course there's the... odd things that happen around him. Sometimes they catch him talking to no one. Sometimes they spot a ball or a toy rolling to Danny despite him not touching it. Sometimes they think they see or hear someone in the room with Danny only to go busting in to find nothing. (One time someone busted his nursery door down they heard on his baby/toddler monitor the distorted voice of a woman singing him a lullaby (it was Martha who was soothing him to sleep after a tiny nightmare, boy was Bruce not ready for one of his kids to hum the tune in the morning)).

Danny asking for an extra drink and the newspaper after Bruce is done before he runs off to one of the many sitting rooms the manor has. There he leaves the drink and the newspaper near a chair, hops into another chair nearby and chats to someone (they all think its his imaginary friend but that honestly doesn't explain why the drink seems to slowly disappear without anyone touching it. (btw its Thomas, Danny is talking to they like chatting in the morning)

OR when Danny gives hints to cases his family is working on, how he knows? No one knows. Sometimes they chalk it up to a kid randomly saying stuff or seeing it from a different simple outlook but sometimes it seems a little too on the nose and they think Danny might know about their night jobs... (He does know, but he gets some info from Lady Gotham who visits him and gives him little hints to pass onto her fav Knights)

Basically what I want is a reborn Danny trying to get a decent childhood/teenage years before his powers kick in full swing, his family trying the same but they got no idea about the powers (maybe), and ghosts like to visit Danny. The shenanigans that follow will be amazing.

I love that Elizabeth and Darcy are so ready to effectively tell each other they're full of shit. This happens a bunch of times, but I was re-reading their conversation at the Netherfield Ball and they're both kind of refreshingly Done.

[Darcy:] “Do you talk by rule, then, while you are dancing?” [Elizabeth:] “Sometimes. One must speak a little, you know. It would look odd to be entirely silent for half an hour together; and yet, for the advantage of some, conversation ought to be so arranged as that they may have the trouble of saying as little as possible.” [Darcy:] “Are you consulting your own feelings in the present case, or do you imagine that you are gratifying mine?” “Both,” replied Elizabeth archly; “for I have always seen a great similarity in the turn of our minds. We are each of an unsocial, taciturn disposition, unwilling to speak, unless we expect to say something that will amaze the whole room, and be handed down to posterity with all the éclat of a proverb.” “This is no very striking resemblance of your own character, I am sure,” said he.

It's also pretty funny, because I suspect Darcy is thinking of this sort of thing in a later conversation at Rosings:

“You mean to frighten me, Mr Darcy, by coming in all this state to hear me. But I will not be alarmed, though your sister does play so well. There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises with every attempt to intimidate me.” “I shall not say that you are mistaken,” he replied, “because you could not really believe me to entertain any design of alarming you; and I have had the pleasure of your acquaintance long enough to know, that you find great enjoyment in occasionally professing opinions which, in fact, are not your own.”

UM... HEEHEE (starts crying)

yuuta exhibits such previously abandoned, recently adopted dog behavior. incredibly anxious all the time, even though nobody’s out to get him or leave him behind. waits for you to return home or from school or from work excitedly, just to see you when you walk through the door. follows you around senselessly, hovering in your space just for the sake of companionship. initiates affection in prodding ways—starts off next to you, then a hand on your thigh, then deems it safe to lay all the way down, then slowly pushes his head into your lap. gets up whenever you need to get up, and resumes his position as soon as you’re ready. brings you gifts as a sign that he’s thinking of you, and maybe because he likes the affection it brings out in you, maybe because he likes the gentle affirming touches of a hand in his hair or a pinch to his cheek. rests his head on your stomach or his chin on your shoulder when he’s sleepy, stays there, immobile, and will not move unless absolutely necessary. sometimes he gets surprised when he hears you calling for him, there’s a moment of disbelief as he thinks “me? really? you need me?” but it’s very quickly overshadowed by this compulsive need to show up, to please, to do anything for you, which is why he always answers when you call. he doesn’t realize that he has puppygod eyes, especially when he’s excited or confused, but he does and it’s incredible endearing. very reluctant to share your space or attention after a while, considers that to be sacred and he won’t risk being let go or lost again, so as a safety precaution, he keeps himself right by you, waits for you always. 

It's interesting that when Keeley is telling Ted about the implications of that photo of him and her leaking to The Sun, she says "Jamie is going to go mental" but it's not followed up with "he's going to think i cheated on him" or "he's going to break up with me" or "it's going to ruin our relationship" it's instead followed up by, "there's going to be photographers all over us!" And later when she's talking to Rebecca it's, "My god, Jamie would've been so pissed off with reporters poking around in our love life." There's something to be said for like, she never once expresses doubt that Jamie won't hear her out on the truth or believe what she tells him. The major focus of her concern is just keeping their business out of the press. Their relationship in season one is far from perfect but there's a lot of implicit trust between them.

therapy sesh

the thing about eliot spencer as a character, right. the thing about him.

(and as always your mileage may vary on my analyses so if we disagree that's cool actually)

is that he is in fact a somewhat emotionally constipated idiot who is occasionally sensitive about his perceived masculinity and gets defensive about emotional intimacy around other men (largely hardison, who's much more comfortable expressing affection and embracing a softer kind of masculinity), but eliot displays enough emotional awareness and sensitivity and respect for women etc etc that anyone who's been subjected to that era of television will put on rose-tinted glasses without even looking twice.

(and he is, don't get me wrong, incredibly emotionally aware for a professionally punchy guy with enough trauma to sink the titanic. it still startles me to see.)

on top of which we have the layers and the accessories and the excellent hair with the secret braids and the way he barely has an ego and he's good with kids and protective of his team without taking it too far, and some of us never stood a fucking chance.

remembering how tubbo and cellbit being siblings was a pretty popular headcanon before bagi joined, and then people headcanoned the three of them as siblings. but i think that what we've ended up with is tubbo and bagi as siblings, removed from cellbit. i don't usually like to assign found family traditional family roles, but in this case, i think it being specifically a sibling role is important.

because bagi's spent so long chasing after a brother who doesn't want her. so she's gone "fine, then. i'll find myself one who does." and tubbo certainly wants her around! he doesn't mind her stealing from him. he chose her for his team the first time around, despite the one-sided tension they'd originally had.

she went to purgatory for her coach. she said she'd stick her hand in the fire for him. and they didn't win, but they get to walk out together, so i think bagi won, honestly. there's also the mutual bickering and the stealing, but that's part of it too. and there's so much mutual respect there as well.

anyway. i love seeing them hang out and i hope they hang out even more going forward, not just for themselves but also for sunny and empanada <3 because they're siblings too and i love them and i wish they got to see more of each other!

once again three cheers for Will Laurence parenting superior-officering Emily Roland under truly the wildest of circumstances for like 7 years and doing such a fantastic job of it. He was basically her primary caregiver from age 9 to 16 and no matter how she might gripe, he took his job so seriously and you can tell she appreciates it! She runs away from her official posting during the Invasion to come serve under him again because he treated her with respect and gave her responsibilities suited to her skills, and also he has modelled a set of principles that she clearly understands and agrees with even when she thinks he's going about it wrong. And she is so fully On His Side anyway, she's so righteously outraged on his behalf when people disrespect him, and like. that man is not her father but he is her dad. That night when she was 9 years old and afraid for her mother and Excidium and he was so gentle with her is so emblematic of his attitude to his "young gentlemen" in my opinion; he is firm and professional at all times but he pays attention, he knows his people's backgrounds and families and he is so invested in giving them the best possible chance at success, and it's clear to me that people respond to that! including the terrible teenagers he accidentally got roped into raising

just smile and nod y'all

LOCKWOOD & CO. 1.02

favorite underrated locklyle moment ↪ requested by @tinkchick555

love that rachel zegler is shitting on the original snow white movie as if it isn't the highest grossing animated film, ever. as if walt disney didn't use his own fucking house as collateral to finance it. as if a feature length colour animation wasn't revolutionary at the time and people didn't work overtime, invented animating mechanisms for the movie. as if it didn't win walt an oscar and make disney what it is today. as if snow white and the seven dwarfs (1937) wasn't a cultural milestone in hollywood history. as if snow white isn't worth anything today because she isn't Girlboss™. as if once upon a time, mirror mirror and red shoes didn't already make snow white an independent leader or whatever. as if it isn't the reason she's currently employed —