STORIES TELLING: NED LOWE AND THE DEATH OF POOR REPRESENTATION IN OUR FLAG MEANS DEATH
In history, Ned Lowe was one of the most sadistic and violent pirates in the early 18th century, so he’s an obvious choice for a villain for season 2, episode 6 – Calypso’s Birthday. What is interesting is what the OFMD writers chose to do with him.
Lowe announces himself to the crew of the Revenge with great fanfare (cannon ball attack) and gets right to the point.
Ed is thoroughly unimpressed.
Cut to Ed and Stede tied up while Ned attempts to set the mood so he can monologue about why he wants to kill Ed.
Ed knows what’s coming. He is going to suffer but he still can’t be arsed to meet Ned with anything but vaguely bored dismissiveness (and Stede is happy to play along).
Up on the deck, Ned prepares the crew for his big, dramatic moment of symphonic torture.
Note that the Revenge crew is tied down, braced by vices and generally unable to protect themselves from imminent torture and possible death, but their spirits are up. They don’t seem terribly fussed.
Then Stede uses his people positive management style to happily orchestrate a worker uprising in Ned’s crew.
Ned’s crew responds instantly; severing their allegiance to Lowe and telling him off.
The crew sails away and talks profit sharing while Ned dully threatens to hunt them down.
Ned is now a prisoner of the Revenge crew and seems entirely disinterested in his own survival.
And Ned sinks to the depths, without struggling at all.
There is a lot going on in this episode: pay and labor equity direct action, gay love engagement bliss, kink humor, Stede being a hero and saving his crew by playing to his strengths, then having to decide whether to kill in cold blood and feel the consequences of that choice. Ed having one more reason to be done with piracy (while being so impressed with and fond of Stede), and then watching his man make a fraught choice and having to deal with the fallout from that. (And, damn, I haven’t even mentioned the passionate sex bit.) Anyway, back to the point.
Now for the the meta part
The Ned Lowe sequences are perfectly in keeping with OFMD’s signature blend of madcap violence, humor, and big emotional gut punches. But something about Ned Lowe just strikes me as off for this show.
Ned is seriously threatening the crews’ lives, so why don’t they take him seriously?
Why does Ned have such a boring, throwaway backstory?
Why is Ned so nonchalant about his own death; like it’s a foregone conclusion?
Why does Ned have a silver violin and silver spurs on his slip-on dress shoes?
Why is Ned sartorially monochromatic?
And then I realized who Ned reminds me of.
This guy,
Earnst Stavro Blofeld in the James Bond film Diamonds are Forever (1971)
And this guy,
Scar in Disney's The Lion King (1994).
And this guy,
Xerxes, 300 (2006).
And it sure seems like Ned Lowe isn’t just an episodic villain. He is an archetype of the one-dimensional, stereotypical queer-coded villain that has been endemic in film and television throughout history. The OFMD writers have a lot to say about what to do with this kind of character:
Don’t respect him.
Feel free to openly mock him.
Don’t let him take your joy, even though he will hurt you.
He won’t disappear on his own. You have to throw something at him (take action) to make him go away.
Once he’s in the water, he’s content to drown. He’s not into what he’s doing any more than you are.
Oh and, just to be clear,
The LGBTQIA+ community has a very long history of turning shit media into better stories. So, hey, big media, prepare to have your crap characters wrecked (improved).
Now, back to our transformative pirate show with rich, complex queer characters and a multi-layered plot that surprises me every week and makes me feel big feelings - most of all, joy.
Final thought: I do wonder if Ned Lowe is monochromatically silver as a tribute to/poke at, Hollywood and the silver screen.
This meta was written before OFMD season 2 has fully aired. No idea what’s going to happen in the finale (and I’ve generally fled social media to avoid spoilers). I’ll be back, looking at everyone’s fascinating posts after episode 8 airs.
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I’m so sorry you’ve been getting grimy asks! I want to give you a large and sincere thank you for this blog. I’ve learned a massive amount about snakes and seeing your posts makes me happy without fail. You are amazingly patient and good at what you do and I thank you from the bottom of my heart 🫶🏻💜
Thank you!! This and the other messages of support I've gotten are so kind and so far outweigh any negativity.
Fortunately, it looks like things have already calmed down. I think I wasn't a very fun target because I didn't get angry or curse and then stopped posting them once I realized what was going on, so emotional maturity wins the day yet again!! I think I got maybe 10 bad faith asks altogether.
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even though I've never read the books, i love how you handle the women in this series.
The utter lack of interest in the internal lives of women characters in WC kills me. If you don't read the series it's hard to put it into words, but it really does not value women on the same level as their male counterparts
I think the best example I can use is Turtle Tail. All of her choices, from going to live with Bumble, choosing a "cruel man" as a mate, and even her grief when Bumble dies, all only happen as accessories to Gray Wing's arc.
Living with Bumble was because Gray Wing was obsessing over a woman who didn't love him, neglecting Turtle who does
Choosing Tom the Wifebeater was also because Gray Wing didn't appreciate her enough
She accepts that her friend's murder was just an unfortunate accident and her emotions carried her away in the moment, because Gray Wing needs to be right that his brother is a good boy
In this way, Turtle Tail's emotions and motivations aren't allowed to really be about her. They're about how her romantic interest influences her. And then she's crushed by a car for his man pain after they've explored every other way her life could make him sad.
This does not happen with men. Even characters like Stemleaf and Larksong, whose primary narrative purpose is dying for their wife's pain, have functions outside of that. Stemleaf gives his life opposing the tyranny of the impostor in a rebellion, and Larksong has input on The Kin, SkyClan, and even serves as a source of comfort and support to a son who he's never met in contrast to the unreasonable mother.
There's just so much more respect and reverence to the toms in this series. You have to be in the POV of a molly to get depth, and even then, they nearly always (exceptions being mothwing and mistystar) include a major conflict over romance and/or parenthood
(And they usually get punished for their choices a lot harder than male counterparts. Directly contrast Crookedstar and Sparkpelt, who both distance themselves from their children out of grief, but only one has to deal with the lasting consequences of being a "bad parent")
Anyway, enough wistful analysis. It is MY kitchen and I get to choose the conflicts. It is my personal mission to write lots and lots of women persuing a higher education in STEM. Sadism, Torture, Evisceration, and Murder <3
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"grumpy grumpy"
okay but I love that grumpy pout face
that muppet frown is exactly the frown i give when you post emotionally angsty art
i adore it and its so good, but godammit i am muppet pouting at you
~-- --- .-. ... . / .- -. --- -.
Sometimes I forget that there's lil ol' you out there, morse anon, that can actually decipher and read my morse code notes like...with no problem.
I mean..
How could I forget?...
Hey hey wait...does this count as like...you know...not angst?
Bet you're not muppet frowning at me now...mehehe~
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