Oh god, oh fuck, oh no; the parallels between Jean at the beginning of tsc panicking and telling Wymack "I want to go home" and Jean at the end of tsc falling apart after finding out his baby sister has died, telling Neil the same thing.
"I want to go home."
He is only nineteen
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I think ultimately if DC had Pride in the 90s we would have been given some of the most bold and compelling meaningful queer stories compared to today bc DC is a simpering coward about this. I love how we're in a time period where never before we have had such diversity, but the cost is hypersanitization doubled with feeling patronized at multiple turns.
I don't like feeling talked down to in any story, even more so in stories that are supposed to celebrate Pride.
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Is there any actual story to the Nicktoons Unite games? I'm thinking of watching some playthroughs to understand your art more. If not, I'll just enjoy your art and whatever story comes from that ^^
There is! The story and interactions are just really fun and cute, and the games aren't that long either so its pretty easy to follow :) But thank you for enjoying my work regardless of the canon plot haha!
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The full list of every Todoroki family panel:
That's it. That's the list. 7 panels. Not a single double spread or even a full-page image. Actually, there is no panel where all their faces are visible.
I don't think there is any other prominent group / dynamic in the manga that got an endgame of nothing but low-quality, tiny panels without a piece of art emphasizing them as a unit. It's just really weird... That after more than a decade, the family is finally together, and that moment after the long build-up doesn't get a single "impact" art. A framing that shows that something big happened here.
And if this is about Shouto "becoming who he is meant to be" why is there no double spread or a big page art to emphasize it?
I'm not sure if that last panel is supposed to be Enji's "father" moment - but it's certainly not framed like it. You need a magnifying glass to even see what's happening, in a chapter otherwise full of gorgeous art.
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has anyone written a Loki series fic where Don the Jet Ski Salesman comes home one day to find his boys hiding something in the garage, and is tiredly like "is it snake? I better not go in there and find out you guys robbed a zoo--" only to open the garage door and see an injured, bewildered frost giant Loki prodding cautiously at a bag of doritos (the boys attempted to provide sustenance) (could be angst or good just be the version from the What If? episode trying to recover from a bender with Thor)
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I hope the more we learn about the source dragons the more they suck. Like morally
But I mean in the same way FSM sucks. I really really really like it when godlike beings are so detached from the reality they created that they're not INTENTIONALLY doing anything bad or harmful, but they simply don't conceptualize right and wrong the same way mortals do
Like. FSM did not talk much to his kids for literal years after the scroll of forbidden spinjitzu incident. That is a canon thing that happened because he's p much god! He's a shitty parent because he has no point of reference! The concept of parenthood is like not a thing for him in the same way, honestly would not be surprised if his main intention for having Wu and Garm was to have someone protect his realm when he died. That's really bad in hindsight! But he was born and there was immediately a war fought for his favor he does not know anything else because he is not mortal!!
Idk that level of detachment when it comes to godlike beings especially those who are meant to represent the concept of "goodness" and creation and all that is far more interesting to me than when they are objectively good and do only good things
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you know existing in the modern media landscape is funny cuz like
i genuinely love adaptations. like as a concept. they're transformative works, right? ideally, it's the same soul that drives all fandom write large
you go 'how do translate this story?' how do you take words and make them into images? how do you take images and turn them into film? how can a film use a score the way a book used narration? do you cut this character, prune that plotline, like a bonsai? or conversely, do you need to lay a new bed for under explored story-beats to grow?
a well told adaptation is amazing. it deepens the story, it expands your understanding of both texts.
but as more and more of the stories i love get adapted the more i realise the vast majority of the studios and/or the people they hire for these jobs don't give a shit of any of that, and are just looking for a new IP to toss into the Content Regurgitation Machine
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