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#star wars created a whole universe so. suck on that
pyrochordis · 2 years
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shittiest take ive ever heard: “older people still liking star wars is just like millennials with harry potter”
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feybeasts · 9 months
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Was having a convo with friends, and we hit on an important thing that I think a lot of people nowadays forget about worldbuilding. Namely- do not explain everything.
You know what makes something like Warcraft nowadays miserable (from a story perspective, anyways, I could Go On about what’s wrong with modern Blizzard,) at least in part? Why Wookiepedia and the Star Wars EU are often joked about? Because everything, every character, every concept, every strange and mysterious force has been given whole paragraphs of lore at some point or another, and inevitably, a canon explanation of an unexplained thing will be disappointing once the mystery is gone.
You NEED weird background aliens with no purpose other than to be fun setpieces, you NEED strange magic with unclear or hazy rules, you NEED to have mountains not explored, caves un-plumbed, ruins untouched, because these places are where mystery lives, and the human mind eats mysteries up. I could talk about what exactly the process to create biogel is in Faye’s universe, tell you who created the Archives in Lena’s setting and why, and you know what? It would suck, because nothing I come up with is better than what your own imagination as a reader or audience could create.
In many ways, a good setting is a conversation with the reader- it invites them to fill in the blanks, to imagine why things are the way they are, and most importantly, it lets them have their own explanation. It’s why I love something like Armored Core or Elden Ring, even Minecraft- because they understand that anything they could say about where Creepers come from, the face of Greater Order, whatever, is not nearly as good as a rich fanon and healthy exploration of the mysteries they hand you.
Like so many things, friends, it’s a balancing act. As you write, consider not only what to say, but what not to say- your audience and your world will thank you when they’re presented with so many wonderful threads to pull on.
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davekat-sucks · 1 month
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homestuck's fanbase is really making me feel like giving up on the story as a whole... Jesus, I might just call it quits soon. Listening to idiots try to defend how shit Homestuck's story became is too exhausting. It reminds me of when I was listening to lectures of, people who hardly counted as, writers go off about how important it is to prioritize representation over all else. They never realized if you do a terrible job with writing a story, you do a terrible job of representing women, different racial groups, gay men, ext. They don't want to write female characters like they're people who make mistakes and grow. Those authors wanted women to always be perfect and always in the right and her biggest obstacle is that men don't believe in her. You can see that in Star Wars with Rei or Captain Marvel as an example of the mindset I'm talking about.
I liked homestuck because so many of the female characters had challenges and flaws. Aradia, Terezi, Rose... They had amazing stories and their flaws made them interesting.
Homestuck could have been a story about different people who have completely different mindsets coming together for a common goal. Homestuck is just... soap opera drama and shitty teen romance at the end of the story where the characters just wait for the story to finish and most of the audience left. In the epilogue, it feels like all of the characters gave up. I suppose Kanaya did put in effort to find Rose and make sure she is safe, I'll give the story credit there. Dirk wants something too. Dirk's goal is just to close the loop and create the first universe in the first place but all you ever hear people talking about is how his motivations have something to do with the shitty meta fiction gimmick the story has going on. "Gotta keep the story going or else the characters fade out of memory" That is such bullshit concept. Sounds like a justification for why there are so many Star Wars shows now. Sounds like milking an IP. Quantity of quality kind of excuse.
And, for the record, my beef isn't with how the fandom represents it's own headcanons or interpretations of the characters, my beef is with how people talk about the canon. Fandom and canon should be two different things. But people act like the fandom should influence canon. I thought the point of both of the cherubs were to show that is a bad idea. Fanon being in canon feels like it derails the story, even the homosuck part that Caliborn came up with.
I'm getting tired of trying to even find a space in this fandom. It's occupying too much of my freetime now. I have so much nostalgia for homestuck but now it feels like trying to get back on the swings of a playground, too old for this shit. Fuck, I adulted too hard and I outgrew fandom I guess. Shit sucks.
Ah well, at least they fans are having fun. But how much fun can you really have when Rose screwed over Kanaya in two timelines? Kanaya felt like a better character in the epilouge cause she's given a challenge to face that is unique to her and her relationship with her wife. Rose's dad brainwashed(?) her to leave her wife, wow, Kanaya that's some shit. Just sucks that she is getting cucked AGAIN. Is it a universal constant that Kanaya is just going to keep falling for women who don't respect her? Maybe she should have stuck with Vriska. All of this Kanaya Rose drama is a bad sign of what's to come. I think it's disrespectful to the fans that are still sticking around. I'm not really included in this bunch. My horse tapped out of the race years ago. People who are still holding out for hope this story is going somewhere are either the most optimistic people out there or the most beaten down.
It's no wonder so many people who worked on homestuck abandoned ship. Toby looks like he's having a good career and Hussie looks like he's afraid of what he created. Maybe there is poetic justice to be gleaned from all of this.
It had lot of creative ideas and talent. But through it, there are cracks and messes that can't be ignored. Even now, the same kind of messes appear again in present times and I think people are scared to talk about it in fear that the thing they love was not as great as they though it was. We really are suffering from Stockholm Syndrome. Even when moments in the series and narrative itself that tells the audience that we were stupid to even care, we stayed because we loved it for what it was back then before the meta shit kicked in. The whole revival of the series so it won't fade away and being comparable to Star Wars is a good way to describe it. The team not taking risks to actually go outside of the Homestuck cast, tell a new story, or even trying to focus on the base webcomic alone that made it popular in the first place. They can't even put more focus on Hiveswap just yet because they know people know Homestuck first before Hiveswap, despite said game could make a better introduction or entryway for people to get interested in the webcomic. I'm not sure what is going on through Hussie or James Roach's mind for all this.
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websitewizard2005 · 3 months
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A guide to my OCs!
hey guys, figured i’d make this post because i have a shit ton of OCs that i post a lot of and i haven’t really explained most of them. they’re all part of different stories/universes, so i’ll be listing them based off of that.
Rex Sucks at Bass
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Rex Sucks at Bass, or RSAB, is my webcomic. as of making this post, i’ve posted the entire first chapter! i’ve been planning this comic since late 2021 and i’m holding myself accountable to finish it no matter what. it’s a supernatural/coming of age story that takes place in 2009 about young adult named Rex who has to deal with relationship issues, worries about his future, sexuality crises, and of course, the impending apocalypse. also all the characters are anthro animals but that’s mostly because they’re easier to draw than people. some prominent characters from RSAB are Rex Xavier, Frederick Zhansky, Henri Bal, Sylvia Rose, Alex “Cowboy” Lorenzo, Lola Ramon, Scott “Spott” Simmons, and Marvin Xavier.
We’re Just Young
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We’re Just Young is a fake sitcom about teenagers making bad decisions and friendship. it has a bunch of storylines i’ve planned out, but i mostly just draw the characters out of context. its main character is Gilbert Quarters, who is a gay bass player just like every single other character i’ve ever created. its main story takes place in 1997-98, during the characters senior year of high school. there’s also a “spin-off” to We’re Just Young, which follows Gilbert and a few others in college as they form a band called The Halloween Goats and gain some mainstream success as both musicians and ghost hunters. some prominent characters in We’re Just Young are Gilbert Quarters, Gerry Dawson, Marzy Lee, and Jackson Jefferson. some more prominent characters in the spin-off are Raymond Emerson, Wallace Waxman, Leo Hall, Jimmy Nickel, and Sebastian Ingalz.
Untitled Space Story
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when i was 13 i read The Hitchhikers Guide to the Galaxy and thought “I need to write my own sci-fi story” and then this past summer i got really into Star Wars and ELO and decided to revamp the whole thing. Untitled Space Story follows the adventures of a small crew assembled by infamous space pilot Sonya Blasmo, who is essentially the butch lesbian version of a cross between Zaphod Beeblebrox and Han Solo. she was “retired” because she accidentally turned her wife into a robot but nobody knows that! all they know is that she’s taking to the skies again! the other characters in Untitled Space Story are Alexis “AL3X15” Goldberg, Mindinoma Lycentine, Mariella Young, Sheldon Spinelli, and Casper “Capers” McFarlin.
Max Dallas is Not a Lesbian
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a really shitty, simple love triangle story about lesbians at some sort of shitty boarding school in the mid-2000s. the only three characters are Maxine “Max” Dallas, Phoebe Jean Weathers, and Francesca “Frankie” Knight. i created this one like a week ago.
Friends of Daisy Harrisson
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Friends of Daisy Harrisson is a musical i wrote, and i don’t draw the characters too often, but i figured i’d still put it on this list. it’s got a really vague story, essentially Daisy goes missing and her wife (Freyja Windsnap), ex-husband (Jim Hartley), and childhood best friend (Barneston Williams) are all brought together through her disappearance.
i have a few other miscellaneous OCs that i draw on occasion, but those are all the main ones! thanks for bearing with me on this long post. if you’re curious about these guys/their stories, feel free to check out their tags! i’ve posted a lot of other character/story info outside of this post. also feel free to send me asks about them like please send me asks about my OCs that is my dream.
fun fact: Rex Sucks at Bass, We’re Just Young, Friends of Daisy Harrisson, and Max Dallas is Not a Lesbian all take place in the same town! mostly because i do not want to create another town. the only reason Untitled Space Story does not take place in that town is because it takes place in space.
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corellianhounds · 1 year
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It’s worth pointing out that Gideon’s clones weren’t him. They wouldn’t have had his memories or personality or motivations. If Gideon had been a strong Force-user and had created bodies for his own consciousness/soul to transfer to upon death, it would make sense for them to be there, but since that specifically was not the case, the clones as they were presented to us— especially in suspended animation— weren’t him. They’re just humans, as individual as Jango’s clones were from him. Gideon may have had some way to mind control them to get them to do his bidding, but the show never said a single word about that, and the clones aren’t exact copies by nature, and it sucks that that’s the implication the writer/show gave us since they didn’t really delve into that whole storyline.
That entire subplot about Gideon’s experiments should have been (pun not intended) fleshed out over at LEAST one whole season (if not spilling into two since these seasons are so short), and now it’s both just wasted, but also wasted space, while also leaving the audience with the in-universe understanding that the main character/writers just killed off a dozen presumably blank slate guys simply for being potential physical copies of the bad guy. Saying “They’re just clones” is akin to the prequel trilogy characters saying Jango’s clones are just cannon fodder or meat droids. “Just clones” is insulting.
They’re also not really introducing a new concept. This is Star Wars. The audience knows cloning exists, and we know it persists to the sequel trilogy, and we know it’s being used for nefarious purposes. They didn’t have to put the concept of clones into the show to introduce us to or foreshadow anything that comes next in the in-world timeline. They also didn’t have to set up anything for the sequel trilogy because the original characters made for the show weren’t connected to them when they started in season 1. Not every bit of expanded media has to connect to everything that has come before it in the source material.
My point is, if that story hook wasn’t going to be substantially explored or satisfactorily concluded (they wrapped it up in one episode with an out of place exposition monologue), and if it wasn’t needed to establish something we don’t already know, then it’s entirely unnecessary and should have been cut out from the beginning. Pershing could have just been experimenting on the kid with ways to directly give Moff Gideon Force-sensitivity via the kid’s physiology
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2023 Movie Journey #7: Ant-Man And The Wasp: Quantumania
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ant-man and the wasp: quantumania. wow, these titles just keep getting longer, huh. pretty soon they’re going to be listing every character in the name.
i saw this one in the theater, and saved the following as a note while i was waiting for it to start:
omg, i wondered why they recast cassie in the third movie with an actress that's much more prominent, featured in everything from big little lies to detective pikachu. and then very helpfully, while i'm waiting here, one of their pre-movie features was a game with the actress who will be starring soon in are you there god, it's me margaret...and she is the same actress who originally played cassie!! i didn't know that. so now I wonder if she had a scheduling conflict, rather than just getting replaced. that would be better imo since the actress who took over the role is great but i liked the original too and i don’t like when an actress is dumped from the role she originated for reasons like ‘we need somebody more well-known now that the role is more important’
gosh, i have a lot to say about this one i think. i always intended to watch the ant-man movies because they seemed fun, but it was the release of this one that got me to finally, actually do so. by the time it was coming out and jonathan majors was going to be the new antagonist and i was a huge fan of his (all things that weren’t true a couple of years ago) i was really happy to be able to catch up on the others and then see this one in the theater. and it was a great time. spoilers ahead.
ETA: i wrote this whole review, and saw this movie twice in theaters, only days before the news broke about jonathan majors being arrested. i have big, complicated feelings now about what he’s accused of and the consequences he’s faced versus how so many white men have been treated when they face similar accusations; about how it changed my opinion of him and destroyed my desire to see him in creed iii; about how talented an actor i still think he is and how much it sucks that people can be both talented and behave in ways that horrify me when i don’t even know them; how he was the beating heart of lovecraft country and i’d never seen a black man in a TV drama get to be that before, especially when surrounded by such a scene-stealing, strong cast; and how i may never be able to watch that series again, the same way i doubt i’ll ever rewatch this movie. but i reviewed this movie not knowing any of that yet, so my thoughts about him were true for that moment, and i’m leaving them in like a time capsule for my own experience.
it was NOT what i was expecting, though, so that made the first part of the movie really hard for me to get through--i was probably at least a third of the way in before i started enjoying it. there was just a ton of worldbuilding and what felt like a huge genre shift, from the action-comedy (with a hint of scifi) of the first two to suddenly a lot of scifi-fantasy. i couldn’t help being reminded of star wars, and how much the details of the whole ‘alien world’ part of it bore me, when i just want to watch carrie fisher exist. here, i was thrilled to see michelle pfeiffer have a much bigger role, but i didn’t need it to be happening inside a world we didn’t previously know existed in the ant-man universe, one where even the ants that had originally been the point were absent during all that worldbuilding.
however, i felt like the setup did pay off enough in the end that i enjoyed it, and i don’t think it would bother me so much in a rewatch. part of what had me so off-balance in the beginning is that each movie occurs inside the larger mcu with a huge time gap between ant-man installments, so they expect you to know what happened offscreen (they include minimal descriptions, but it can still be confusing as a standalone viewer) and the offscreen happenings create real effects on the story you’re jumping into. for example, knowing that the snap happened at the end of the last movie (and even knowing vaguely what the snap was) didn’t stop me from wondering what cassie’s life was like while the others were gone. was she raised by her mom, or were all the adults in her life vanished? if so, what happened then? i know i could try to look that up with mcu research but i wish instead it had been more directly a part of the movie since she was a more central character this time--or that there had been an ant-man movie that fit between this one and ant-man and the wasp, somehow.
but anyway, this movie was very clearly setting up a new antagonist, which they did by further developing the backstory of michelle pfeiffer’s time in the quantum realm. once i got into it, i enjoyed it a ton, because it meant a ton of screentime where she was working opposite jonathan majors, and all of those scenes felt like gifts just for me--they’re both so unbelievably talented and they’re also actors who can do such great dramatic work, it was hard for me to wrap my mind around them being in this marvel movie with all its action and cgi and creatures.
the family dynamics in this one were also important, and we got great interactions between the two couples, but it really did feel quite different than the first two movies, and i think that’s why--the ultimate focus of the story was kang, the new villain, even when it came to how scott’s burglar talents would be called into action. his sudden existence drove the action. i feel like my opinion was backed up by the very end of the movie, too, when the movie flashed a closing card like the first two had. that was one of my favorite little parts of the sequel, when the closing card added a question mark because the snap had left scott stranded and we would have to wait to see if he returned. but whereas the other ones ended with ‘ant-man will return’...this one ended with ‘kang will return.’ 
and i can understand why, since scott was left feeling uneasy about kang’s death but otherwise his life--and therefore his story--was neatly tied up. even if they bring him back for other mcu appearances, there’s no part of this movie that requires a next ant-man installment. which further points to how much of this film was an extended setup for kang to move on to other mcu battles, even though i think they fit it all into scott and hope’s families and lives and overall development well enough. 
there is one question i found myself left with after seeing this, that may have been explained in the movie--it was such a long movie with so much happening, i might have just forgot that they addressed it. but scott was stranded in the quantum realm for years after the snap. even though he was stranded for less years than michelle pfeiffer, i wonder why he never discovered any hint of the other worlds she roamed through? was it just that his suit tech kept him in one layer of that space, and she had moved through so many of them, she ended up in a place he couldn’t get to? did he just stay put and try not to move for five years and thus wouldn’t have seen anything? another thing i could probably research but won’t, lol. 
overall, i don’t think the ant-man world was necessarily improved by being moved to space (even if they call it the quantum realm)--but for me personally, that was heavily outweighed by my enjoyment of michelle pfeiffer and jonathan majors getting to fill the spaces they were in like the talents they are, and the rest of the characters and cast being just as great as always. living so intensely in this world for a couple of days really left an impression on me, but it was a super fun impression and i’m glad i visited.
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purplemoonfox · 9 months
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Captain Obvious is Obvious...and Star Wars thoughts overall
So, in mythology, Sköll and Hati are the two wolves that chase the sun and the moon. K cool I love Baylan Skoll and Shin Hati.
Only, when they catch their prey and devour it, that day marks the beginning of Ragnarök, the end of the world of gods and men, buuuuuuut, apparently, after that, the gods and the evil die, and the world is repopulated by two people...and the surviving gods make a new pantheon. Cue a new era ig.
In any case it's not like the Christian Apocalypse; many traditions focus more on cyclical time rather than linear time with an endpoint (Mayans, for example, reaching back to another Apocalypse scare in 2012), and it's become such an assumption in Western society that time and progress HAS an end, and an ultimate goal to which it's building up, that it's pretty much an assumption everyone in it makes. But it's not the only thought on the matter.
The thing I find so interesting about Baylan is that he seems embittered by the past, and thinks that somehow he's going to end the cycle? By starting another war? I mean the New Republic does suck. They're a weird combination of toothless and autocratic. Then again Baylan and Shin are mercenaries...?
Yeah I'm just going to sit here and read TS Eliot's The Wasteland about another "war to end all wars" and wait to see how this goes.
I'm so sad Ray Stevenson passed; he's been absolutely excellent.
On a side note, at this point, I need a dedicated show about the post-Order 66 Jedi that survived. Episode 6 of Ahsoka brought up "Bokken-Jedi," a bokken irl being a wooden practice katana. I beg your pardon, it's enough of a concept that there's an in-universe term for it?
I want to see the Service Corps go into hiding. I want to see networks of survivors being created. I want to see people finding some kind of peace in the galaxy...or not being able to do that. We got a hint of it in Obi-Wan and I'm getting cheated out of it right now.
Look, if Filoni wants to torture us with more Order 66, that's his golden opportunity. Please, Filoni.
But anyway--
General thoughts about this buildup of para-sequel-era shows, like The Mandalorian, The Book of Boba Fett, Ahsoka, and the upcoming Skeleton Crew. That don't really build up a goddamn thing, really, with the exception of Ahsoka.
The more it's created, and the more Thrawn and the whole plot of Ahsoka creates a whole conflict (while skirting addressing the issues of the New Republic) the more marginalized the ST actually is. They already felt like a rump mop-up of a larger conflict, or else something that just didn't involve the rest of the galaxy at large, and that was a criticism leveled at it even at the time.
Problem is, while the movies are seen as the crowning purpose of the Star Wars universe, we're moving away from them as being the central focus and I'm not sure that's being very well communicated or very well perceived. And I'm also kind of miffed that we're getting a short Haydennaissance only to be told we're moving away from the Skywalker story.
And it's fine that we're moving away from the Skywalker story (they literally said they would be doing that) and I'm alright with it, but that's not a reason to ignore Luke or Leia's characters when it makes sense to be involved with the overall plan.
Shit man, I'd be up for a somewhat Andor-style show about Leia's activities in the Senate, putting her in a similar position as what Mon Mothma occupies in Andor. The contrast of having Mon Mothma in one role in Andor and in a different one in that show would be a fascinating one. You could catch similarities and differences in the Empire, the New Republic, and even the pre-Imperial Republic; you'd even the perspectives of the people, like Mon Mothma, who lived through all three. It would be a damn good introduction to the political landscape of the sequel trilogies, and add a lot of depth to any attempts to get into sequel-era time periods.
Side note when the fuck is Andor season 2 being released I need more. Top 3 SW shows for me, that one.
Anyway, to sum up, what I think they ought to do is build up a plot line through shows, and use the opening crawls in the movies to bring movie-watchers up to speed, making it possible for them to have sufficient context, kind of like what they're doing with the MCU, but with more explanation. That way you double dip: people watch the shows but casuals are still willing to watch a Star Wars movie in theaters and know they're going to be watchable.
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spock-smokes-weed · 1 year
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I’m just gonna vent my feelings about Star Wars for a bit cus I’ve been overwhelmed by them and I don’t want them to bleed over when talking about the franchise with other fans. ie. get really in my feelings mid conversation and just rant at them. Cus that can be awkward
I find myself overwhelmed at the saturation of Star Wars media that we have rn. Overwhelmed to the point where it hurts my brain and I find myself souring on the originals. There’s just so much. So much where every corner of the universe is being expanded upon and explained and I can’t help but feel like it’s unnecessary. I watched the originals first and there was this certain kind of magic to the fact there was a lot you didn’t know. You were plopped into this world with no explanation and the story just happened. The need to pick at every detail in Star Wars like a scab, to create a whole new thing about of it really takes away from that.
I try so hard not to sound like one of those shitty fucking fanboy who’s like “new Star Wars is RUINING the ORIGINALS” because those people suck, and I don’t want to make other fans feel put down for liking the new things. Or put the original up on a pedestal. It’s not that new = bad. Or what you saw in those movies getting expanded upon is bad. It’s just the capitalism of it all I guess. Disney is going to wring all the blood they can from these stones and I feel like I’m just kinda drowning in blood. Disney being the one who is now dictating what is an isn’t “canon” is always going to be upsetting to me on some level.
The great thing about the legends comics in novels is that it was passionate people who were coming up with ideas one what they personally thought would come next. It was all disjointed and uncohesive by design. There was also the clone wars which was a passion project paid for by Lucas’ own dime. It felt like an infinite possibilities that you could take the universe. But now this Disney, they fully control the narrative on the universe and idk that bothers me. Don’t get me wrong, I’ve loved a lot of these projects. The animation of The Bad Batch gets to be as stunning as it is because of Disney’s money. But I think about the recent season on Mando, and the new Ahsoka show, and all the new movies that have gotten announced, and I just get a fucking headache.
I like when stories have endings, and if I’m being fully honest with myself, Star Wars did end in 2005 with revenge of the Sith. I’m never going to want to think past what happens in return of the Jedi because I don’t need to know. If I want to know I’ll make something up myself. And I guess that’s the whole rub here. I feel completely overwhelmed and paralyzed by the sheer volume of this story that refuses to end, that it’s hard for me to be creative with it. It’s hard for me to care about the main six movies because like, in the shadow of all the new stuff they don’t matter anymore.
I know that’s making me sound like a shitty fanboy again, but I guess what I’m trying to get at is like. It can be hard to carve out your own creative vision for the world of Star Wars when the biggest company in the world is making that creative choice for you. It’s hard for me to get the same kind of creative excitement the first few times I watched the originals, because now when I see Luke I think of CGI mark hamill or bitter old man Luke.
The oversaturation of Star Wars and Disney milking every corner or it makes me feel kinda bad while watching the main six because like. What’s even the point now. If you’re going to make Luke a deadbeat and even end the fucking story, when what’s the point of story the two trilogies were trying to tell in the first place? That’s my most bitter and cynical part talking. But it is something I grapple with
This is a stream of consciousness style ramble, just me getting some of my feelings untangled about the pew pew space movies. I think the things I always come back to is that anything disney makes is not considered “canon” to me. As in the sense I don’t consider it part of main story George Lucas was trying to tell. I don’t say this to mean I hate these things, I love a lot of these shows, but I’m going to take what I like and not consider anything from them set in stone. I don’t want to make it look like I’m sucking Lucas off either, I have my problems with him, but he told a complete story with a beginning and an end. You had the clone wars too, but that’s still supplemental material. I can only view the main six movies as fully canon because they tell a full story that’s really good and is the only thing I really care about. I’m sorry if I suck for that but this is to keep me sane.
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lokidokeyartichoki · 1 year
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Top five fandoms and foods???
ooooh like the experience of being in the fandoms??
Top 5 Fandoms For Experiences:
NBC Hannibal. Literally you can not top being part of the Hannibal fandom. The show has been over for like 7 years and we’re still out here making shit like it’s gonna come back. Also because the subject matter is so dark there’s a rampant hysterical crack part of the fandom to balance it out. Being a fannibal is an experience i have not yet found matched.
uhh actually that’s the only fandom i can recommend or even say i enjoy being in tbh. I dabble around but like the Fannibal community is the only one i’m regularly engaging and enjoying.
But I can say the top 5 fandoms I’ve been in during specific times!
Supernatural during the 2020 election and technically season 15. That. That was performance art and nothing could match that. I was actively part of the SPN fandom from like 2012-2014 I think but I ended up ditching the show and just kind of kept up with it via tumblr and what was on my dash. Season 8 was an experience as it aired but season 15? The pandemic? The election? that was something else.
The 2012-2015 Avengers Fandom. This was before we found out we were all found family baited. There is something so whole and wonderful about what we created then. Everything from Hawkeye lives in the vents to an entire universe made just for Darcy because she’s that cool. That was like the height of things and it was great.
Star Wars when The Force Awakens came out. This was it for me. This was where my Star Wars nonsense started. Poe Dameron sucked me in, and now I can read and write in Aurebesh. I would say also Star Wars during the Mandalorian seasons. The amount of all of us wanted this dad to get some sleep is too much. There’s something to be said for how dividing the experience is with Star Wars because there are some serious arguments that make no sense to me, so sometimes it’s not fun. But most of the time it’s a lot of fun just thinking about that shit in space.
Good Omens when it first came out was a breathe of fresh air. It still is, but the fandom was perhaps one of the most interesting and diverse experiences I’ve ever had. I’ve never seen more positive amounts of ace and nonbinary rep in my life, and there is something so personal about that experience for me. There’s of course the fact that it was a long standing fandom to begin with but the show coming out really breathed a lot of life into it and the amount of art! the stories! the fact that these two genderless beings are in love with each other despite everything! top tier shit.
Pokémon. The world of pokémon is such an interesting experience and universe to explore and games like Arceus have really opened that up. Every time a new game releases I know tumblr will be ablaze with memes and stories and lore. There’s something so homey about it because I was in first grade when pokémon made it big in the states. This is a life long thing for me and the extrapolations people have made on the universe beyond what being a trainer means are so fucking cool.
Top 5 foods!
Cheeseburger with waffle fries
trail mix
cottage cheese pancakes
steak burrito from the mexican place near me
pizza bread (family recipe)
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reginaldqueribundus · 3 years
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Things about One Piece that crack me tf up
not one single character has worn an eyepatch in over 20 years of this 1,000+ chapter pirate manga
there's like… laser guns and cyborgs and CCTV but everyone's still using sailboats to get around (with square sails no less)
there are canonically three different kinds of furries
Luffy hangs around all day with the only person in the world who knows where the Death Star is, but he doesn't give a shit
Eiichiro Oda has spent more than half of his life so far writing and drawing One Piece. at age 22 he created his first ever manga series and it became the bestselling comic book in history and when it finally ends he can probably just retire
Oda planned One Piece would last about five years. This was in 1997
Oda just casually confirming his universe has SECRET ANCIENT MOON CIVILIZATIONS with ROBOT ARMIES and FUCKING SPACE PIRATES, and possibly ACTUAL ALIENS… in a fucking chapter cover story. And then never mentioning it again for 14 actual real-world years
eat a devil fruit. is it the one that makes you a godlike indestructible force of nature, or the one that makes you a rubber band who can't swim? welp
Sengoku is one of the most serious characters in the whole series, he runs the military, but he has a giant stupid afro and a pet goat that follows him everywhere and he can turn into a giant buddha with an even bigger afro
Chopper was just vibing as an animal and then one day he ate a weird fruit and woke up with self-awareness and hopes and dreams and anxiety and now he has a medical degree? the reindeer, he walks like a man
Dr. Hiliruk is basically one of those hippie moms who tries to cure measles with essential oils and shit but he's also one of the most heroic characters in the entire series
it's one of the goofiest wackiest manga out there but when you look closely the setting is actually a morally grey hellworld mostly run by a corrupt government built on secrets and lies which only exists to support cartoonishly evil aristocrats who live on a mountain beating slaves all day, and the rest is either lawless wastelands or controlled by 10 foot tall invincible psychopaths who could easily take over the rest of the world if they didn't all hate each other
the Celestial Dragons commit horrific atrocities every 0.001 seconds but they all dress like fucking idiots and have Dr. Seuss haircuts
there's a guy named Dragon who has dedicated his life to destroying them
Luffy meets people and goes "you're my friend now" and they have like no choice in the matter
Luffy: I'm not a hero! also Luffy: I will not rest until I crush this cruel tyrant who is taking food away from little kids
his grandpa is a world-famous war hero and his dad is trying to overthrow the entire government but Luffy doesn't even care
characters will show up and be like "I'm an 800-year-old time traveler from a lost period of history" and the story is like "that's neat. time for fifty pages of men crying"
Buggy the stupid fucking circus clown with blue hair and a flying penis, who spent his formative years with the literal greatest pirate in the entire world and yet somehow completely sucks shit, has more screen time than the main character's mentor and beloved elder brother combined. love it.
now that Jinbe has joined the crew Robin finally has another person with more than one brain cell to talk to
Brook became a global rockstar while being a skeleton and his fans just rolled with it
the Marines show up at his concert and accuse him of being a random pirate from 50 years ago and he's like "yes I am that pirate and I'm quitting the music gig to go back to being a pirate, also I work for the guy at the top of your shit list!"
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gch1995 · 2 years
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Out of curiosity, do you have any good star wars fic recommendations that are pro Anakin? I've been trying to find them. Like I don't hate Obi-wan as a protagonist, but they're so ubiquitous and it gets old. it would be nice to read a fanfic that treats Anakin better.
Oh, yes, there are a number of fanfics out there that treat Anakin/Vader as a really great protagonist. My favorite ones are the time travel fix-it canon divergent AUs and the ones where he see him trying to be a dad to Luke and Leia. People in this fandom know how to make it both heartwarming and terrifying when he’s Vader, and it’s great.
The Truth by MJ Mink - This is probably my favorite canon-divergent AU fic. In this fic, Luke Skywalker is an essentially goodhearted, but rebellious 15 year old boy when meets his father Darth Vader. After losing his Aunt and Uncle Beru, he goes to live with his father. Of course, this fic takes place in the series after Anakin has become Darth Vader in the story, so he’s not always a good dad to Luke. There are some instances where he goes into the abusive parent territory, even if it’s not premeditated. While there’s no excuse for it, he has become so used to just being Palpatine’s deeply and horrifyingly angry, disillusioned, domineering, and merciless attack dog/galactic dictatorial enforcer/murder servant Darth Vader.
Understandably, it’s not just this easy cycle for Anakin to break right away after spending 37-40 years as both the perpetrator and/or victim of systematic abuse of power, crime, manipulation, oppression, and violence to deal with problems and threats under corrupt male toxic authority figures from whom healthy support and safe escape was always highly risky. However, Anakin’s greatest morality pet is his son Luke and family in general. That’s true in this fic too, which is why he gets better at being a good dad to Luke over time the closer they become.
While never putting up with his dad’s shit, Luke also does learn to ultimately forgive and love his father, the more Anakin softens up towards him, and the more he learns about just how tragically fucked up and unfair his dad’s entire life has been.
It’s a really great story with plenty of really great angst, character development, and humor. This Luke isn’t pro Sith because I mean, look at the crimes they commit! However, after hearing his dad’s story, he’s not really pro-Yoda, Obi-Wan, and the old Jedi Order’s way either. He’s neutral, which I really like. Although the Jedi started out as the good guys in the SW universe, it quickly became apparent that most of them only got to hold that title because the Sith were their only competition who were far worse. It always bugged me that we could never get a SW canon story that had more characters pointing out that both sides suck, and deciding not to be either as a result. The closest we got to that in canon was Ahsoka Tano, but the Mouse ruined that too.
Test of Time Book 1: A Father’s Son by AngelDesaray - This is a whole story of Luke Skywalker being thrust back in time by the force, learning about his father, bonding with his father, and changing the entire future by stopping him, Obi-Wan, and the Jedi Council from falling for Palpatine and doing all their other bullshit. It’s followed up by Test of Time Book 2: The Past Meets the Future and Test of Time Book 3: Blood, Sweat, and Tears. The sequels follow the Skywalker family in the alternate future that Luke created after going back in time, particularly Anakin and Luke. The first two fics in this series are complete. The third one still hasn’t been marked as complete yet. There’s also a series of cute, fluffy, and funny one shots that talk about the years in between the alternate timeline with Anakin, Padme, Luke, and Leia as a happy family called Life as a Skywalker. Yeah, Obi-Wan makes appearances as Anakin’s and the Skywalker family’s friend, and, occasionally the twins irritated babysitter, considering the fact that this version seems to have learned from his mistakes with Anakin, but he’s not a main character.
Future Imperfect by TheRealThing - A time travel fic where Anakin is sent 19 to 23 years in to the future to witness the consequences of his and the overall Jedi Order’s actions.
Ambient Dreams by sohna - After his dream of Padme dying in childbirth, Anakin has another dream of what will happen if he pledges himself to Palpatine to try to keep her from dying in childbirth. Obi-Wan and Yoda are there, but Anakin’s the main character, not them.
There are a lot more on ff.net and ao3.org in the Star Wars sections, but these Anakin/Vader fics stick out the most to me.
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lady-divine-writes · 3 years
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Good Omens - “At Midnight” (Rated G)
Summary:
Crowley is devastated by how smoothly the world continues on after he loses Aziraphale to the bookshop fire. Adam stops the war between Heaven and Hell, and things go back to normal for everyone... except him. Crowley goes from demon to ghoul, haunting St. James's Park every night, caught up in his memories of his angel. Until one night, he comes across something unexpected that makes things a little better... (2416 words) ... and a whole lot worse.
Read on AO3.
The hands on Aziraphale's grandfather clock have crept dangerously close to eleven by the time Crowley steps out the door of the bookshop and into the night. He's not closing up. The shop was never open. 
Not for anyone but him. 
He’d spent the day lurking in the shifting shadows, coiled around the leg of angel's favorite chair, keeping guard. 
Watching for movement. 
Praying for change.
For resolution.
He marked time by the tolling of Aziraphale's clock, the ebb and flow of the commuters outside, and a single ray of sunlight carving its path across the floor, disappearing out the window at the stroke of seven. That’s when he came out of hiding, became his demon self once again.
Crowley pops his collar against the wind and locks the door behind him. He takes one last look at the pane beneath his fingertips, running them lightly over a ridiculous note affixed to the glass. It’s a note he wrote on Aziraphale's behest, proclaiming when customers can expect the shop to open. 
The long and short of it being - don't. 
I open the shop on most weekdays about 9:30 or perhaps 10 a.m. While occasionally I open the shop as early as 8, I have been known not to open until 1, except on Tuesday...
Crowley had written it to irritate his angel - a demonic dig, as it were. But after reading it, Aziraphale couldn't have been more delighted.
"Brilliant!" he'd said. "Masterfully convoluted! Now I can finally relax and finish my crossword puzzle in peace! Thank you, my dear."
Crowley had gone warm at Aziraphale's words. He had never felt so overwhelmed by praise. 
But now, the sign makes him bitter. 
It should have long been replaced with one that reads on holiday, circling the globe, or living the happily ever after life in Mayfair with my husband.
But that wasn't in the cards for Crowley and Aziraphale. 
Crowley snaps his fingers to lower the blinds and snuff the lights, and takes off at a brisk clip to the park.
Alone.
He does this every night - haunts St. James's Park close to midnight when he'd rather be at home asleep. Crowley had planned to sleep the next seven millennia away, wait until the world started over again before he showed his face to the sun, but infuriatingly, he couldn't. It's impossible for him to get comfortable in his bed when there should be someone else beside him, sitting up and reading by his damned holy light.
Crowley never thought he'd miss that stupid light piercing his eyelids and interrupting his slumber, but he misses it more than anything.
There was nothing left for Crowley after he lost Aziraphale in the bookshop fire. 
He'd always felt that if they went their separate ways, it would sever his heart, but nothing more. He'd go on. But the assumption had been that Aziraphale would still be - exist, just not in Crowley's life.
When Aziraphale went, everything good went with him - love, hope, color, and taste all vacated Crowley's world. But Crowley was too much of a coward to call it quits and join him in oblivion, since, as far as Crowley was concerned, that was where immortal beings ended up if they were eliminated from Earth. Heaven and Hell only existed for humans. Aziraphale and Crowley were created for this world. 
For them, this was it.
He thought he would get into his car and drive, but he couldn't make himself leave. He would get as far as Kent or Surrey, then his Bentley would stop.
Whether he was the one pressing the brake or his car - it varied.
Either way, he'd take a deep breath, toss off his glasses, rub the blur from his watery eyes, and the next thing he knew, he was home.
Couldn't sleep. 
Couldn't leave. 
Couldn't escape. 
Yup. This was Hell. Undoubtedly.
Since he couldn't stay put and he couldn't run away, he spent night after night roaming the park - a ghoul shrouded in shadows of the past. Selfishly, he did everything he could to make the park inhospitable after dark, the same way Aziraphale did for his bookshop to deter customers. He made the place dreary, filled it with suspicious shadows, cold spots, and feelings of dread. In his attempt to get rid of anyone who might bother him, he unwittingly thwarted a few mugging attempts and a handful of assaults, which eliminated crime in St. James's Park for the most part. 
Otherwise, he kept to himself. 
It didn't matter to Crowley one bit that Adam had saved the planet from Heaven and Hell's blasted war. Or that, in doing so, neither side seemed interested in Crowley anymore. 
Without Aziraphale by his side, Crowley wanted none of it. 
These nightly walks, re-visiting the spots where they'd met up through time, didn't help. His memories of Aziraphale had begun to erode what was left of his soul.
His regret over the one thing he had left unsaid.
But there was a handshake exchange afoot.
His late-night trips to the park were how he noticed the light, blooming, growing on the bench smack dab in front of the duck pond.
Their bench.
A thread of silver light that lasted one solid minute from beginning to end.
It was spectacular. Unbelievable in its brilliance. Of the few souls who braved Crowley's shield of demonic influence, only Crowley seemed to notice it. And he couldn't avoid it.
It called to him.
Crowley stalked the light for over a week, never getting too close. It seemed like the kind of thing Gabriel might conjure up to trap him. Heaven may not give two shits about him, but archangels have been known to hold serious grudges.
He resisted its pull, but Crowley is a curious demon, and curiosity got the better of him. Besides, what did he care if Gabriel got the drop on him? Crowley was up for a fight, even one he might lose.
He had nothing better to do.
Crowley walked straight to the bench and sat down the moment the light appeared. He stared at it, into it, trying to sniff out its origins, what it was doing there. Being this close to it, he realized he was wrong. It didn't appear out of thin air. It was a consequence - evidence of a seam ripping in the universe, and on the other side...
Crowley only saw him for a second, but that was all he needed.
Aziraphale.
They locked eyes. Aziraphale's face lit up as if he were seeing the stars for the first time. 
Stars Crowley created.
He was quite a distance from the tear. Like Crowley, he avoided it as much as possible. But seeing Crowley on the other side, he ran toward it, calling out a single word. It was all he had time for before the rend closed, and he was gone again.
The word he managed was Crowley.
Every night after, Crowley would arrive at the bench with plenty of time for the two of them to speak. As best as they could deduce, something bizarre happened during that fire in Aziraphale's bookshop. Unprecedented. Crowley assumed, at first, that the flames that devoured his angel's pride and joy had come from Hellfire. But they didn't. And Aziraphale, standing in the center of the transportation portal in his corporeal form, never made it to Heaven. He got caught in between. 
Purgatory. 
A place that many supernatural beings consider scarier than Hell. 
A railway station with a way in but no way out. For immortals, that is. Mortal souls can earn a place upstairs depending on how they behave in this celestial waiting room. But as humans and demons don't concern themselves much with Purgatory lore, there is no book in Hell or on Earth that can help. Crowley has tried finding one - traveled to libraries and broken into collections he would do only on Aziraphale's behalf. But for all of his lofty capers, he found nothing. There might be a book in Heaven, but Crowley has no way to access it.
And Aziraphale is trapped.
Wouldn't Crowley know it, but even under these circumstances, Aziraphale found ways to continue his insufferable good deeds, helping mortal souls trapped with him to move along. Though Crowley believes Aziraphale has an ulterior motive.
Peace and quiet.
Aziraphale has one of those faces that attracts people to him, people who long to share their woeful life stories. So he listens, and then he counsels. When that soul moves on, he earns the most sought-after prize of all - an additional measure of silence.
Crowley and Aziraphale thought Heaven would notice his absence by now. Gabriel’s memos were piling up on Aziraphale's desk, untouched. Or by the massive influx of souls arriving at the pearly gates. 
But no luck.
The angels in charge of the prisoners in the bottomless pits of Hell are more on the ball than the ones who keep an eye on the poor souls stuck in between.
This boundary between Earth and Purgatory dissolves at the stroke of midnight but zips up as soon as the clock strikes 12:01. Then Aziraphale disappears, not returning again till the following day. They are permitted one minute to tell each other everything, and they do their best to get it all out. 
There's one thing Crowley hasn't gotten to yet. Hasn’t for 6000 years. 
His one regret.
He plans on telling Aziraphale tonight on the off chance they can't come up with a solution to this.
Crowley feels the light before it appears. It tugs at something deep inside, ushers him to his seat on the bench. It arrives with a clap like thunder, so loud he’s surprised when it doesn’t shatter windows and crack foundations. Air whooshes by him at hurricane speeds, sucked into the impending rend. 
A second later, Aziraphale appears beside him. 
In a different dimension but beside him, framed by the light as if he's a reflection in a mirror. 
Crowley inches his hand close, knowing without seeing that Aziraphale’s hand rests similarly on the opposite side. They cannot touch. They’ve tried. 
Neither can cross the barrier.
“So, my dear,” Aziraphale starts, looking through the shimmer at Crowley, “how’s the bookshop?”
“Right as rain as always,” Crowley replies. He used to mutter, “Hello, Crowley. How are you? You’re looking well this fine evening,” but realized how immature and hurtful that was when Aziraphale heard him, and his face fell. Aziraphale wasn’t disregarding Crowley by not asking after him first. It was too painful for Aziraphale to acknowledge how far apart they were from one another. “How have you been, angel?”
“Can’t complain. Although I could really go for a plate of crepes. Or perhaps a nice, hearty gazpacho.”
“Don’t you worry. The moment I have you free of there, I’ll take you to dinner. Anywhere you want to go.”
“I’m holding you to that,” Aziraphale says, the longing in his eyes heartbreaking. “It wouldn’t be so bad over here if I had a book or two.”
“I did try passing you one over, but… “
“Yes, yes, I recall.” Aziraphale sighs at the memory of a favorite Wilde hardcover disintegrating into thin air. Luckily, that didn’t happen to either of them when they attempted to cross. “Valiant effort. Disastrous outcome.” 
“Meddled in anyone's affairs today, have you?” 
“As a matter of fact… ” Aziraphale smiles brightly. “A charming lady named Agatha. Lived a good long life. Died at the age of 93, I believe she said.”
“Wot in the world did she do to make it into Purgatory?”
“The usual. Attachment to sin.”
Crowley nods, lips twisting with a knowing grin. “Let me guess… the premarital variety?”
“That’s the one. She also poisoned an abusive stepfather, not her own, broke into a research facility to rescue rabbits, and stole a petty neighbor’s tomatoes on the daily until the day she died.”
Crowley chuckles. “Ah, yes. You’ve got to love old ladies.”
“Indeed.”
“Wot did you do?”
“Same as always. I had her give a proper confession. I forgave her for the poisoning, of course… “
“Of course.”
“... and the rabbit liberation. But we talked through the issue with the tomatoes. I explained that trespassing on her neighbor’s property is wrong even if the woman did dye all her delicates on her drying line puce.”
Crowley makes a face. He has no idea what puce is, but it sounds vile. “Probably justified there.”
“But that wasn’t the crux of her dilemma.”
“Wot was?”
Aziraphale turns, eyes wandering in the direction of the pond even though he can’t see it. “She misses the love of her life.”
Crowley's eyes widen. “Oh.”
“I assured her that her lover would be with her soon. After that, she was fine moving on.”
“Is that the truth?”
“Yes,” Aziraphale says wistfully. “He beloved misses her very much. They make a lovely couple.”
“That’ll be nice. The two of them reuniting.”
“Yes. It will be… for them.”
Silence falls between them. They steer clear of silence when they can, seeing how short their time is together, but it can't be helped. Aziraphale could work from here till eternity joining lost souls, but he can't help himself do the same. 
The weight of that overwhelms them.
Crowley's phone vibrates in his pocket, signaling their minute together coming to an end. The silver frame phases, its light dimming, sputtering like a candle about to go out. As with every time before, Crowley tries to stop it, tries to stop time to keep Aziraphale with him longer. But it doesn’t work. Either this rend works outside of the laws of time, or time has had it with Crowley’s antics, but this can’t be stopped. 
Crowley’s imagination isn’t strong enough.
“We only have a little time left,” Aziraphale says, “and we’re no closer to solving this puzzle!”
“I know,” Crowley replies. “I'll keep working on it. I promise. But before you go, I just wanted to tell you… ”
The air crackles as the rip begins to mend, the noise drowning them out.
"Yes, my dear?"
"I need to tell you... "
“Oh, Crowley!” Aziraphale starts to fade as the gap sutures shut. “I’m so sorry… "
The tear closes, his angel gone, and in the ensuing silence, Crowley’s last words hang in the air, having escaped his lips a second too late for their recipient to hear.
“… I love you.”
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mrpenguinpants · 3 years
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hellooo this is not a request but what do u think of the new upcoming character (he'll probably get release like... at least after 2 years ig TAT) Dainsleif?
Major spoilers for Kaeya’s Character Story and Khaenri'ah Lore. 
TLDR: I like the potential Dainsleif has plus his design is really nice. He might be a catalyst or sword user with empowered auto's or he might be similar to Zhongli that uses field effects and has a delete button for his elemental burst. 
I have many theories on who Dainsleif is and that he is either some type of traveler/god/homunculus and he has the element of ash or quintessence. The opposite of dendro and nature. I'd like to believe that the lore of Khaenri'ah relates to his story and his attitude (since he's from there originally) and it's a desolate place with no archon blessings so the people themselves had to develop their own methods to survive, hence the art of alchemy Khemia. When Dainsleif get's introduced, mostly likely towards the very end, we might find out why Scaramouche said the sky and the stars was a gigantic hoax and the truth behind Kaeya. 
---
ANON. YOU. YOU GET A COOKIE. I LOVE TALKING ABOUT STORY AND CHARACTER LORE SO MUCH.
Please, if any of you wanna talk about this I’m totally on board. I love Dainsleif and I’m so upset he’ll probably be released towards end game so yeah two years at least;; 
Okay, so level with me. I’m about to bring out the whiteboard for this. I tried to format it so it was easier to digest but this is pure word vomit and I went overboard again. 
What do u think of the new upcoming character Dainsleif?
I’m very excited. I think his design is beautiful and I want those lore bomb drops. 
Firstly, I can’t wait for him to drop. I’m always a sucker for lore and he’s been dropping hints from the start since he narrates all the character’s collected miscellany. He does remind of me Dimitri from FE3H but I’m excited for more Khaenri’ah lore. 
I have some theories about where the story will go with him and  Khaenri’ah but those are some major spoilers so I left a read more tag if you’re interested. 
Tumblr won’t let me upload his splash art but just google it lol.
Which weapon will he use? 
Catalyst or Sword. He might have empowered autos like Diluc and Razor or he might apply a mark like Childe. 
I can see him being a castor since his right arm is glowing. But he might also be a sword user that uses empowered auto’s like Diluc and Razor. Since the name Dainsleif was King Högni's sword during the battle of Hjaðningavíg. According to the reliable source of wiki, whatever wound the Dainsleif sword cause could not be healed. 
I think it would be cool if his auto’s apply a stack/mark (similar to Childe’s riptide mark), and after 3 auto’s the mark is consumed and the enemy gets dealt heavy damage. Or maybe you can apply debuffs like “defense down” or maybe even a blind, based on the number to stacks you have on the mark. 
What vision will he have?
A hydro vision or a custom one (similar to a delusion). Or he doesn’t have a vision at all and uses alchemy or is secretly a “god”.
As for vision, he might be a hydro character since his splash art appears like he’s coming out of a ball of water. I’ve heard people say he might be cyro also, which wouldn’t be extremely off if visions actually correspond with their user. 
Or he might be introduced with an entirely new element (perhaps a new type of alchemy?). His star is a dark blue too so he might have the element of black mist/dust or ash/shadows as a potential power. 
In the Albedo trailer he mentions:
"But I know it well. It hails from Khaenri'ah: The Art of Khemia. Soil and chalk, the universe and earth, pure dust and the birth of life.”
Perhaps this is the vision/power that Dainsleif has? Maybe even the creator or maybe he even taught Albedo’s Master how to do Khemia. I don’t think he really encompasses the Geo vision (I will seriously write an 11 page essay on how vision’s correspond with their holder). We don’t know a lot about Dendro but I think he might be related to it. But just like Khaenri’ah, he’s reflects the opposite. Instead of “birth of life” and tree’s, he’s the “death of life” and ash. (wow doesn’t that sound deep lolol sorry I don’t really know how to explain it). The way he talks in trailers, he says “mortals” a lot but does vouch for them so it makes me wonder if he might actually be a god. 
Also his title is the “Bough Keeper”. A bough means: a main branch of a tree. This makes me believe that he can either do something similar to what Albedo showed us and can create life or he does the opposite and creates ash. Honestly, a part of me believes he might just have generic moveset’s like everyone else but let me dream lol. 
Or he might not even be a vision holder since we don’t see him holding one, but we only have this angle and art to go off on. He might even use stars haha. If anyone remembers, during the falling star event, Scaramouche says the sky and stars were a gigantic hoax. I would not be surprised if the world is actually upside down or the “sky” isn’t even a sky at all. More like a sheet over Teyvat or some kind of illusion. 
Or another theory, perhaps Dainsleif is the god of time since he says in Travail during the Traveler chapter:
“Defeat me, command me to step aside, show me that you are worthier than I to rescue her. Then, the threads of all fate will be yours to re-weave“
It would explain how he knows so much about the other characters and what happened in the past since he brings up “the war” a lot. I’m assuming it’s either the Archon War or something before that. 
Or mihoyo could shred my thesis paper and Dainsleif has nothing to do with this and he’s some random guy from Khaenri’ah with plot convivence. 
---
I just want to mention at the bottom of this, but the classical elements are water, earth, fire, air and (later) aether. I find it funny that the male MC shares the name. 
“Aether, also called quintessence, is the fifth and highest classical element. It’s a material that fills the region of the universe above the terrestrial sphere.” 
“It permeates all nature and is the substance composing the celestial bodies. The essence of a thing in its purest and most concentrated form,”
Or this is just a hint to the traveler’s power since the traveler is the only one that can use all the elements. 
Possible moveset?
He might use stars or air/anemo in his moveset. He could be a very good dps with a lot of trapping potential. Or he might be a field effect support like Albedo, but can still do a lot of damage. 
Imagine Dainsleif uses stars haha, throwing them to do damage like Ningguang’s rocks. The splash art of him shows two stars in the top left. He might have a teleport (similar to Keqing + Mona dash), or maybe he could even have some sort of telekinesis with his right arm. I’m just getting Xayah from league of legends vibes where he can throw the star, it places itself at max range, then he can recall them and the star does damage on the way back. Similar to how Keqing’s elemental skill works but instead of teleporting to the stiletto, the stiletto comes back to you when you press e again. (Sorry I play on keyboard). 
The opposite of nature is void or cosmos so that could be relating to his power as well since the only animation we get of him is in Teyvat Chapter Storyline Preview: Travail (I’m just gonna say Travail) and this black mist comes from his hand and he says: 
“"We will defy this world with a power from beyond.”
Could be interesting hehe. He might even be a field effect character like Albedo. He doesn’t really strike me as the guy that likes fighting but in the Albedo trailer he says: 
“I am content to watch most crises play out from the sidelines. But if Albedo were ever to make a single wrong move...I could not let myself ignore it.”.
Seems to be that Dainsleif is pretty powerful or at least has some type of influence. It could be interesting if he’s similar to Zhongli and has a giant delete button for his elemental burst haha. Or he has some type of imprisonment power like Mona’s burst. Or as I mentioned earlier, it would be fun having telekinesis but this is just me taking liberties haha. 
(and yes I totally understand that I’m forcing the story to support my theory BUT IGNORE IT OK.)
Black Mist/Dust and Ash/Shadows?
Uh I gave up on these summaries lol 
I touched on it briefly but I say black mist or shadows since I believe that Khaenri’ah is probably not a good place to live originally. Similar to how Mondstadt was in the past, it is probably surrounded by some type of barrier (hence the mist or even the sky) that both traps and makes sure no one get’s in or out. Khaenri’ah is quite the opposite of most regions besides the whole “no archon” business but in “Travai”, when Dainsleif brings up Khaenri’ah this shows up:
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It seems like a star to me in some hidden pocket in the sky and what not. This is what I would assume Scaramouche saw (possibly, we have no idea) and therefore there are people and an entire region that’s in the sky. But why would  Khaenri’ah be above Celestia? Since you can see Celestia in Teyvat. I would like to think that Teyvat is either upside down and Khaenri’ah is actually below everything or this pocket in the sky isn’t even in Teyvat and is similar to how you reach spiral abyss. You have to go through this circle in Cape Oath and you get sucked into this worm hole thing and you make it to Musk Reef. Where we saw Scarachmouche and he tells us the sky is a hoax. 
This idea kinda supports my idea that Teyvat is either upside down or the sky isn’t real since how could Dainsleif know who all these people are (since he narrates all the 5 star character’s trailers). Either the man is just really smart and travel’s around a lot but he’s aware of who Zhongli is, an archon from 6000 years ago. This makes me believe he is either a god himself or if he is also a homunculus. Or he’s in the third category and perhaps he’s also a traveler like the main character’s.
I don’t believe he’s an archon but it would be interesting if he was a potential candidate for becoming the Khaenri’ah archon. Since I believe vision holders (human) can become archons and rise to Celestia but Dainsleif refused or he was capable of becoming an Archon
“A human with a Vision is an allogene — one with the potential to reach godhood; however, it isn't clear if having a Vision is a requirement, or simply makes a person more likely to meet the qualifications to reach Celestia.”
But going back to the state of Khaenri’ah, I’d like to think that since the art of Khemia is from Khaenri’ah that would mean that they had to learn how to make their own food and life since they didn’t have an archon to bless their lands. Barbatos had swept the snow and land away in the region of Mondstadt but Khaenri’ah doesn’t have that luxury. Naturally, I would imagine that there are some downsides of Khemia when it was first being practiced, hence the ash. But ash isn’t a bad thing, in fact you can use ash to amend soil and boost your lawn. 
But obviously having a vision would be a whole lot more useful since it’s literally god given talent/blessing so if you have a vision, you might be able to break out and go to the “above” world of Teyvat. If you have a vision you’re seen as being blessed by the gods and you might be able to ascend to Celestia itself. I believe that Khaenri’ah is secretly the abyss and doesn’t see the sun so it’s always dark and it’s hard to grow anything so the people of Khaenri’ah had to find ways to make their own food, hence alchemy. This could be why Dainsleif is so adamant about humanity and questioning the Archons and visions. 
If we are going on the theory that Dainsleif is actually a normal human, then I’d like to imagine he was one of the people that prayed for a vision or some type of blessing and finally got it. But an incident happened and he lost his faith or resolve in the Archons. He mentions it a tiny bit in the Diluc trailer but this is just me spit balling. 
Also, Kaeya’s talents also mention about an abyss and void before the change. I don’t think abyss was made to relate to the abyss order and more the actual definition of abyss but it’s still interesting. 
What is Khemia?
Well I don’t know and I don’t know how accurate google is but let’s try and go through it together. I have no idea if what I’m about to type is offensive since I do not have a history degree and I’m pretty much paraphrasing what google tells me.
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So Khemia, is an Egyptian sacred science. When Egypt was occupied by the Arabs they added “al-” to the world “Khemia” and “al-Khemia”. Al-Khemia means “The Black Land” and is now seen as a possibly origin of the world alchemy. 
Not gonna lie, I did not know al-khemia meant the black land so idk if my hindsight is 2020 or it was just super obvious for my monkey brain. 
As for the world “Chemeia”, it was used to designate the art of metal-working, specifically changing base metals into gold and silver. The Arabs later prefixed it with “al” and the world “alchemy”. Alchemy came to signify the art of chemistry in general. However the word "Chemeia” was probably derived from the Greek word “chemi” which means “black”. This could be because: 
In the sense of "dark" or "hidden", since the Dark, Hidden or Divine Art was the only name by which this science was known to the ancients.
However, the word chemistry might have had a Chinese origin.  It may have been derived from the Hakka term KIM-MI or the Cantonese term KEM-MAI, which signifies "gone astray in search of gold" or "secret of gold". 
Assuming it’s from Egyptian origin, the ancient Egyptian word khēmia means the transmutation of earth, thereby the science of matter at the atomic to molecular scale. According to some etymologists, khēmia or “preparation of black powder” ultimately derived the name from Khem or Kēme, Egypt, the land of black earth. 
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So if we are going with the Chinese origin, I’d like to think that this is a hint towards the story and people trying to find the “gold” or perhaps a vision. This could explain why Kaeya was sent to Mondstadt to hopefully require a vision and come back. 
What is the lore behind Khaenri’ah then?
So, why do I think the people of Khaenri’ah are looking to be saved or want a vision so badly? Well, time to go through the entire Khaenri’ah lore with you lads. 
The Khaenri’ah lore goes as this:
At least 200 years ago, the Eclipse Dynasty threw the kingdom into chaos (meaning it was the last Dynasty).
The people were cursed and transformed into monsters.
Mondstadt’s Knights and Grand Master Arundolyn went on an expedition to Khaenri’ah to fight off the monsters.
In the present,  Khaenri’ah is still struggling against the effects of the curse. Kaeya was sent to Mondstadt as their last hope and for the sake of the “ancient plot”.
1. For those not aware, China’s time periods were separated into Dynasty’s (sort of). The Chinese characters of “Eclipse Dynasty” are [古国黑日落] or "The Ancient Civilization of the Black Sunset". There is probably some type of history or connection to this since Zhongli’s voicelines are full of them but this post is long enough and I don’t know if people want to or care about hearing Chinese history but um let me know? Cause I’m really into that and I will gladly write about it.
2. We’re not completely aware if the people transformed into Hilichurls or were apart of the Abyss Order. But since the last dynasty was literally called Eclipse I would like to believe this supports my idea that Khaenri’ah isn’t someplace you can easily reach and you have to entire a fucking worm hole to get to. I’m in love with the idea that Khaenri’ah is the spiral abyss or at least part of it, that Childe fell into when he was a younger. Perhaps even the spiral abyss is where he landed since time technically doesn’t pass in spiral and it’s just a wave of enemies. I would 100% not be shocked if we have to enter the that wormhole to get to Khaenri’ah or something similar. 
3. Arundolyn was a previous Grand Master and while he did not possess a Vision, he was naturally gifted through intense training. He was formerly one of the Four Winds and had the title of “Lion of Light”. So Khaenri’ah is possible to get to and someone from Mondstadt has done it, but without a vision. The Traveler also doesn’t carry a vision so it might be interesting to see. Kaeya didn’t get his vision until he was 18? 17? When he had a falling out with Diluc. 
I would like to think that perhaps the Archon’s betrayed Khaenri’ah or someone fucked up in their pursuit to develop Khemia to it’s fullest potential or wanted to make their own vision, hence the delusion and how it transforms Childe into a foul legacy form. The Dragonspine lore could point to how Celestia has the power to seal away Khaenri’ah. This also might have been where Dainsleif lost his resolve (assuming he’s a human and just happened to get some sort of power or is really good at Khemia he saw the past or fate or whatever lol)
“Murals, Record of Serial No., and other lore bits in Dragonspine indicate that those who dwelled there attempted to fight against Celestia but lost. As punishment, the Skyfrost Nail was dropped, and the area was turned into a frozen wasteland.
Therefore, people with visions cannot enter Khaenri’ah because of the Archon’s and people that receive visions (which I still think is highly unlikely if you’re in Khaenri’ah) might be able to break out. Think of spiral abyss as some sort of “purgatory” except to enter Khaenri’ah you go down. To get out, you start AT FLOOR 12 and make your way up. Similar to Kid Icarus and how the hardest level was at the beginning and as you went up, it slowly became easier. 
4. I like the idea that Khaenri’ah is a land that either doesn’t have vision holders or the people that do have visions aren’t seen the same way as other regions. People are are actually cursed by the Gods or people that require visions leave Khaenri’ah because they now have the power to. In Travail Dainsleif says this:
"Some say a few are chosen and the rest are dregs, but I say we humans have our humanity. We will defy this world from a power from beyond”
Naturally these are his ideals and I’d like to believe that Khaenri’ah is actually split on this. Some believe in Dainsleif ideals while the other half doesn’t. If we’re going on the theory that Khaenri’ah is actually the abyss then the abyss order makes a bit more sense. 
Plus the idea that Lumine/Aether (I think the story is just going to stick with Lumine being the “villain ”) working for the abyss, it could be because their twin was separated by an unknown god. Aether was asleep and plagued by nightmares with his sister saying “it was too late”, perhaps he lost his memory since he doesn’t know what he was late for? Maybe this is what she meant since I’d assume the story has you going from place to place and the Archon’s stepping down like in Liyue and the Tsaritsa collecting all the gnosis. 
Why is the Tsaritsa collecting all the gnosis?
“She is a god with no love left for her people, nor do they have any left for her. Her followers only hope to be on her side when the day of her rebellion against the divine comes at last."
I can imagine that Tsarista or the Cyro archon is collecting all the gnosis because she believes in the Khaenri’ah attitude and is apart of the ancient plot or is trying to protect them somehow since she isn’t an evil person based on Childe’s voicelines:
“Her Royal Highness the Tsaritsa is actually a gentle soul. Too gentle, in fact, and that's why she had to harden herself. Likewise, she declared war against the whole world only because she dreams of peace. And because she made an enemy of the world, I had the chance to become acquainted with you.”
Or maybe even more interesting, she was actually a citizen of Khaenri’ah since the Tsaritsa wasn’t apart of the original seven but this is a huge stretch. Maybe she’s collecting all the gnosis to finally break the seal on Khaenri’ah? Plus the people of Sneznaya strike me as “I don’t care if you’re blessed by the gods or have a vision, if you can fight then you’re good in our books”. Plus the people of Khaenri’ah are probably pretty mad at the Archons so when the rebellion does come I’d assume the Tsaritsa wants them on her side. 
What happened to Kaeya?
Now Kaeya’s character story goes into how he met Diluc and Crepus. It’s hinted that it was on purpose since Kaeya’s father left him there specifically. 
"One afternoon near the end of summer a decade ago, my father and I passed by the Dawn Winery."
This matter-of-fact description hides a carefully constructed lie. Kaeya has never once spoken the truth about what happened that afternoon:
"This is your chance. You are our last hope."
Kaeya would never forget the look of both hope and hatred in his father's eyes as he uttered those words.
Now you can interpret this as many things, either collecting all the gnosis and obtaining a vision to hopefully come back to save Khaenri’ah could be what he meant or he want’s Kaeya to stop the Abyss Order from literally setting Teyvat on fire. You can probably sympathize with the Abyss Order if we are following the theory that they are actually the mutated monsters of Khaenri’ah citizen’s during the Eclipse dynasty but it’s also like, how about we not set the world on fire ya know?
But interestingly, the reason why Kaeya’s father left him with Diluc’s family is because they have a long history of participating in the rebellion against Decarabian 2,600 years ago and Vennessa’s rebellion against the Aristocracy. 
What will happen when Dainsleif get’s introduced?
So, I’m fully on board with the “Kaeya being the secret prince of Khaenri’ah” theory. I like the idea that Dainsleif is Kaeya’s servant or trusted advisor but I think that’s mainly rooted in the ship. Dainsleif strikes me more as someone who observes and only steps in if he has to because it might affect fate or whatever.
“I am content to watch most crises play out from the sidelines. But if Albedo were ever to make a single wrong move...I could not let myself ignore it.” 
I don’t think Dainsleif is the King of Khaenri’ah that Jean mentions in her hobbies voiceline but perhaps he was related to them somehow. Maybe the first King or the King that Jean mentions was real and Dainsleif was his friend or the God that helped him become King, then the Eclipse Dynasty happened and everything went downhill. Since I believe in Kaeya being a secret prince from  Khaenri’ah, Dainsleif would still be somewhat loyal to the Kingdom or perhaps he had lost faith after what happened and how so many people got corrupted and turned into monsters. 
I was talking about this with my friend but what if genshin pulls an fgo and “kills” Kaeya? Similar to FGO where Leonardo “died” in a car accident and when we visited a shop, there was just a hologram. What if genshin’s story kills Kaeya in a cutscene, and we can no longer use him since Kaeya was a free character, only to return as - THE 5 STAR WE WERE ALL WAITING FOR - the prince of Khaenri’ah.
When will we see Dainsleif?
According to the “Travail” the order of appearances is this: 
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I believe part 1 is finished with Zhongli and dragonspine was just an add on for Albedo. But this makes me believe that Dainsleif and Khaenri’ah will be after we go to Snezhnaya. Also side note, the music for Natlan slaps hard. 
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But yeah, I kinda went a bit off track and started talking about the story haha. I really love lore so if anyone has any questions about other characters or want’s to discuss the genshin story I am all ears^^. Also, if any of this becomes true in two years time I WILL BE BACK TO SAY I TOLD YOU SO. 
Or genshin prepares to rip this post apart and none of it is true. If you actually read my word vomit I appreciate you and you get a free cookie. If you’re wondering where I’ve been, it was writing this haha. 
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dalekofchaos · 3 years
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Harbinger and The Illusive Man
Something I think would’ve fixed Mass Effect 3 while also keeping the plot and the dynamic of The Reapers and Cerberus as the main threat is making Harbinger the big bad and The Illusive Man as his puppet or as The Illusive Man could’ve put it his “partner”
My other ME3 metas
ME3 mistakes
ME3 ending fix
I cannot state how much I hate that Harbinger is almost nonexistent in this game. 
The thing that annoyed me most about ME3 is the fact that Harbinger is not the main threat. The Illusive Man is. Harbinger has been built up as the big bad since ME2. "YOU HAVE FAILED. WE WILL FIND ANOTHER WAY." He says as he discards the Collectors. Then his speech to Shepard as the base blows up. "Human, you've changed nothing. Your species has the attention of those infinitely your greater. That which you know as Reapers are your salvation through destruction. You will surrender your potential against the growing void. We return, and you will rise. We are the harbinger of your perfection. We will bring your species into harmony with our own. Your species will be raised to a new existence. We are the beginning, you will be the end. Prepare for our domination. Prepare for our coming." Then in Arrival, he came pretty damn close to unleashing quick subjugation and harvest upon an unprepared galaxy. Upon Shepard foiling his plans. "Shepard. You have become an annoyance. You fight against inevitability. Dust struggling against cosmic winds. This seems a victory to you. A star system sacrificed. But even now, your greatest civilizations are doomed to fall. Your leaders will beg to serve us. Know this as you die in vain: Your time will come. Your species will fall. Prepare yourselves for the Arrival." The perfect final villain right? Unfortunately, Cerberus was more focused on than The Reapers. My problem with Cerberus and no Harbinger is Too many Cerberus, too few Reaper forces in plot. We fight Cerberus more often than the reapers. Hardly any boss fight and the one with Reaper Destroyer on Rannoch was more an interactive movie than fight. During the Horizon mission in Mass Effect 2, Harbinger was solidified as the Big Bad. It was menacing and ominous, with just the right amount of annoying. It taunted us throughout the game, telling us how insignificant we were, and how our actions were pointless. It was willing to posses drones through the Collector General to fight us personally, and when we killed the host, it tossed them aside. Harbinger even gave the typical “You haven’t seen the last of me!” villain rant. It made any fire fight frustrating, and that made me want to kill it even more; I hated Harbinger. Many games fail to do that. Harbinger was an enemy which I looked forward to defeating. I had the desire to annihilate. In Mass Effect 3, I got a codex entry and a cameo. Harbinger just swoops in at the last second and blows my friends and I to hell(and lets the Normandy save them), then flies off. Personally, I would have loved to hear Harbinger’s menacing monologue, it drove me on. I would have felt a deeper motivation to take the fight back to Earth if it told me how much destruction the Reapers were causing, how many lives were lost. I felt cheated when I got to the final mission, only to suddenly realize it was largely absent from the game. Harbinger has been replaced. Replaced by the Illusive Man and Kai Leng. The former is an old acquaintance, albeit one now controlled by the Reapers. The latter is a space ninja from a terrible book.
I will admit. The Illusive Man is a worthy foe and someone worthy enough to be Harbinger’s Saren. Kai Leng however is a terrible counterpart for Shepard. 
Kai Leng. Sucks. Period. Here is a long in depth version on why he sucks. Even in the novels Leng is a terrible character. He’s a edgelord racist.  He couldn’t even kill Anderson, he almost got taken out by an aging Drell with stage 7 Drell cancer. Oh but he has snarky one liners and he sent that stupid fucking email after Thesia. KAI LENG SUCKS! He is not even interesting. I genuinely fucking sighed when he was introduced. When he killed Thane, all I could think of was “really?”. When he sent that little email I just rolled my eyes. When I saw him at the temple all I could think of was “not you again”. When he “beat” me on Thessia(I would have unloaded my N7 Typhoon and sent his whiny ass into oblivion, but game mechanics said I couldn’t) I just felt angry that such a stupid character ever made it past the writing board. Oh and BULLSHIT. Thane and Kirrahe would have killed Kai Leng. Even near his death bed, Thane could still kill Kai Leng. Kirrahe is a hardened veteran, he is AN STG MAJOR! Kirrahe would have killed Kai Leng in a blink of a fucking eye.  Here is my take on Kai Leng. He should have been killed on Priority:Citadel. If you do not save Kirrahe or don’t talk to Thane. Shepard should kill Kai Leng. If you saved Kirrahe but don’t talk to Thane. Kirrahe comes out of cloak and bombards Leng with Scorpion rounds and Leng blows up. If you talked to Thane, Thane would blow Kai Leng’s head off. The only reason why Leng is presented as a threat is cutscene logic and bad one liners. 
But back to The Illusive Man and Harbinger
To make Harbinger work as the big bad, we need to have Harbinger constantly “ASSUME DIRECT CONTROL” 
Near the end of the first mission, before Shepard contacts the Normandy, we would see Harbinger’s hologram appear like it did in Arrival. Harbinger taunting Shepard. that the harvest begins. 
Instead of suggesting Control, The Illusive Man is basically saying The Reapers can uplift Humanity and ascend them and dominate the other races. With Harbinger’s help, Humanity will be the ultimate force in the galaxy
Everytime we fight Reaper forces, Harbinger is there to “ASSUME DIRECT CONTROL”
Kai Leng dies on The failed coup on the Citadel. The Illusive Man does not care as he is close to finding The Catalyst 
On Rannoch, instead of a Destroyer Reaper talking to Shepard, Harbinger’s hologram will appear. Harbinger will continue to taunt Shepard, but Shepard shows that everyone is coming together to end the Reapers once and for all. Harbinger would not say that the Reapers are needed to keep synthetics from killing organics. He would say The Reapers are there to ascend and are your salvation through destruction. Harbinger’s end quotes from ME2 is basically the premise of The Reapers end goals. That's all it needed to be.
On Thesia, The Illusive Man will explain to Shepard that Harbinger chose him. After The First Contact War, TIM found a Reaper artifact. In that artifact, he was contacted by Harbinger. He lost his human vision, but awakened to the truth and because of Harbinger’s guidance, he founded Cerberus. Strength for Cerberus is strength for humanity. TIM believes he and Harbinger together they could uplift and empower humanity over the lesser races. The Illusive Man is to Harbinger, as what Saren was for Soverign. He will then tell Shepard, he plans on using the Crucible to finish what the Collectors started. Completing the Human Reaper. Then TIM sends a group of Phantoms, Nemesis and Cerberus Dragons to face Shepard in place of Leng. Thesia falls. 
Sanctuary is used to create Husks and harvest humans to help create the Human Reaper
At Cerberus Headquarters, TIM says Harbinger knew more about the Citadel than Soverign. There is more than one Conduit and he found it. Vendetta will reveal that the Citadel was moved by Harbinger and taken it to Earth to complete the harvest
The confrontation between Shepard, Anderson and TIM happens but we know how TIM is on the Citadel and if you read my ending fix, you will know that Anderson would’ve went to the beam with Shepard and they are transported to the same place
Shepard will ask “Why didn’t Harbinger kill me?” “Because, we need you to understand and we need you to believe”
Same confrontation ends with either Shepard shooting TIM dead or TIM killing himself after Shepard uses paragon or renegade to reveal that Harbinger used him all his life
After Anderson passes. Harbinger “Assumes Control” over TIM’s dead body. Harbinger will explain the purpose of the Harvests. The explanation is the original ending of Dark energy. The Reapers as a whole were ‘nations’ of people who had fused together in the most horrific way possible to help find a way to stop the spread of the Dark Energy. The real reason for the Human Reaper was supposed to be the Reapers saving throw because they had run out of time. Humanity in Mass Effect is supposedly unique because of its genetic diversity and represented the universe’s best chance at stopping Dark Energy’s spread. We have a choice either Sacrifice humanity, allowing them to be horrifically processed in hopes that the end result will justify the means or use The Crucible to destroy The Reapers and find a way to stop the dark energy from spreading and it shows it is hopeful with a united galaxy. However, if we choose destroy, Harbinger will attempt to stop Shepard. A Reaperfied TIM appears and Shepard fights him, while The Normandy fights Harbinger. If we choose sacrifice humanity, Shepard will be the final catalyst to completing the Human Reaper.  But obviously no one will choose that choice as the entire point of the trilogy is to destroy The Reapers. So we get a hopeful ending. The united galaxy will work together to stop the spread of dark energy, as Hackett said “If we can put aside our grievances long enough to stop The Reapers, imagine what we can do together” 
There, I came up with a way to have the best of both worlds. Harbinger and The Illusive Man as the big bads. 
I also made The Reapers motivation to actually work. They are there to control the chaos. The harvests end with a creation of The Reaper and The Reapers are the pinnacle of evolution Harbinger’s speech at the end of ME2 was enough for a motivation. The Reapers are our salvation from the coming void. They want to ascend humanity to perfection. That makes complete sense and makes more sense than destroying everyone to save everyone????? WHo fucking wrote this Starchild garbage???
The point is, The Reapers and The Illusive Man could’ve worked as the big bads collectively together. 
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thedevilsmemes · 3 years
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    PINTEREST QUOTES I USE IN MY MUSINGS BOARDS                           ~ A SENTENCE MEME - PART 1
                        Change pronouns as / when needed to preferred pronoun.
“I prefer to distance myself whenever I’m in a bad mood because I’ll become the most heartless person you’ll ever meet.”
“I can’t be held responsible for what my face does when you talk.”
“And yet, despite the look on my face, you’re still talking!”
“Master the art of observing.”
“You have to present yourself in such a way that people don’t even feel right approaching you with bullshit.”
“If you want to be strong, learn how to fight alone.”
“Move in silence; only speak when it’s time to say CHECKMATE!”
“My biggest problem? I notice everything.”
“Sometimes it’s better just to remain silent and smile.”
“She has a way with words, red lipstick and making an entrance.”
“Don’t play games with a girl who can play better.”
“My touch is power.”
“Let me distract you.”
“You can’t do epic shit with basic people.”
“I honestly don’t know anyone like you. Except for me, You’re a lot like me; which I absolutely love.”
“The secret to a well balanced life is a cup of tea in one hand and a book in the other.”
“Dangerous but fun.”
“I’m not in danger, I’m the danger.”
“ ‘You look unapproachable…’ and yet here you are… approaching me.”
“I’m not the good guy, remember? I’m the selfish one. I take what I want, I do what I want. I don’t do the right thing.”
“Admit it, life would be so boring without me.”
“I love being me. It pisses off all the right people.”
“Is my soul too dark for you?”
“We all have demons; I just choose to feed mine.”
“Here comes trouble.”
“What I create is chaos.”
“I’m not a thief, I’m just really good at accumulating things that aren’t mine.”
“A grin as sharp as a knife.”
“He was pretty cute for a monster.”
“You’re a psychopath!”
“I prefer creative.”
“Crooked grins, sly hands, and one dangerous voice.”
“I’m the tall dark stranger, those warnings prepared you for.”
“He was beautiful; beautiful like the Devil before his fall.”
“What doesn’t kill me, better run.”
“I’m everything you can’t control.”
“Who are you?”
“Demon to some; angel to others.”
“He will do what it takes to survive.”
“Nothing stands between a girl and her coffee.”
“She wasn’t just pretty. She was otherworldly and vaguely threatening.”
“And what could be more beautiful, than bringing new life into the world?”
“My body is basically a filter. Coffee goes in and sarcasm comes out.”
“I love the way your eyes light up when someone says ‘It might be dangerous!’ ”
“With OCD, little things become all that you can see.”
“I chose medicine because I can think of no other professional avenue more challenging, evolving and noble.”
“Insert coffee to begin.”
“Stressed, Blessed and Coffee obsessed.”
“I love it when the coffee kicks in, and I realise what an adorable badass I’m going to be today.”
“Follow your heart but take coffee with you.”
“I have sea foam in my veins, I understand the language of the waves.”
“The waves of the sea help me to get back to me.”
“Because I am my mother’s daughter, I can do anything. My mother’s strength lives in me.”
“I’d rather be dancing.”
“Where there is kindness, there is goodness and where there is goodness, there is magic.”
“Have courage and be kind.”
“Gentle and loving and very patient.”
“Having a soft heart in a cruel world is courage, not weakness.”
“She didn’t need to be fixed, just loved.”
“I wasn’t ready for half of the shit I’ve been through, but obviously I’m built for it.”
“I dance because there is no greater feeling in the world than moving to a piece of music and letting the rest of the world disappear.” 
“Don’t fashion me into a maiden that needs saving from a dragon. I am the dragon and I will eat you whole.”
“Don’t worry mother, your daughter is a soldier.”
“Sometimes you just gotta lay on the floor with your dog.”
“I am a fate worse than death.”
“She doesn’t need a hero, she is the hero.”
“You should never make a dance mad. They can kick your face, no matter how tall you are.”
“A well-read woman is a dangerous creature.”
“And one day she discovered that she was fierce, and strong, and full of fire, and that not even she could hold herself back because her passion burned brighter than her fears.”
“Note to self: Let shit go.”
“Beautiful girl, you were made to do hard things, so believe in yourself.”
“I’m a monster.”
“My sadness turns to anger and that’s one of my worst toxic traits I have.”
“I don’t know where my head is at anymore… one minute I’m happy and the next I feel broken.”
“Me shutting down is far worse than me blowing up, I promise.”
“When the Devil falls in love, it’s the most hauntingly beautiful thing ever. And you should be terrified, because he will go to the depths of Hell for her.”
“Hello, I’m rich, nice to meet you.”
“Fifty shades of tired.”
“I’ll get over it, I’ve just got to be dramatic first.”
“Of course I feel too much. I’m a universe of exploding stars.”
“If I’m not hurting myself, I’m hurting everyone around me.”
“It’s not okay. Nothing about me is okay.”
“For a star to be born, there is one thing that must happen; a gaseous nebula must collapse. So collapse. Crumble. This is not your destruction. This is your birth.”
“It doesn’t matter what I do or what I choose because I’m what’s wrong.”
“Why should I apologize for the monster I’ve become? No one ever apologized for making me this way.”
“I’m terrified. I’m always terrified. I act like I know what I’m doing but the truth is I don’t.”
“You wanna know what I’m scared of? I’m scared of everything. I’m scared to move, I’m scared to breathe.”
“What does it matter if I say it? It’s not going to change it. It’s not going to make me good.”
“You are not your father.”
“A man with charm is a very dangerous thing.”
“I think he’s lonely. Lonelier than he lets on. Maybe lonelier than he realises.”
“Rely a bit too heavily on alcohol and irony.”
“Do I look like someone who cares what God thinks?”
“I hope you’re proud of me, dad.”
“Me? Sarcastic? Never!”
“Hands up if your dad sucks”
“My sisters. My responsibility.”
“He’s a badass with a good heart. Soft, but strong. Unapologetic and honest. He’s the type of many you go to war beside, not against.”
“Because I’m the big brother. I’m sorry I wasn’t better at it, until now.”
“There’s a special place in Hell, reserved just for me. It’s called the throne.”
“Always protect her.”
“A gentleman takes actions when others are too scared to do so.”
“Your smile is your logo, your personality is your business card. How you leave others feeling after having an experience with you becomes your trademark.”
“Rebellion is the only thing that keeps you alive.”
“Haven’t eaten much lately, not getting enough sleep, constantly horny and mentally unstable.”
“You can’t protect everyone.”
“I have to try.”
“The Devil is and always will be, a Gentleman.”
“I’m a bad influence, but damn I’m fun.”
“I am not who I was.”
“That sounds illegal, I’m in!”
“Original family disappointment.”
“Feel like making a deal with the Devil.”
“A king with no crown.”
“You don’t understand. It’s not that he can’t love… it’s that he’s afraid.”
“Him! Ah, there he is, that motherfucker. What a tool!”
“There’s still light in him.”
“I stopped being a kid the day you sent me down here to die.”
“I’m a reckless mistake. I’m a cold night’s intake. I’m a one night too long. I’m a come on too strong.”
“I don’t like what I’m becoming.”
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felassan · 3 years
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Over the last few weeks, I’ve spoken to a variety of developers who worked on the Mass Effect trilogy, including several who specifically worked on Mass Effect 3. On a few occasions, I thought it was worth asking what people thought of the ending, as well as the polarizing response from players that followed. The results were almost perfectly mixed.
“I mean, it would be easy for me to say ‘I knew it sucked the whole time,’ but... I did have misgivings,” Mass Effect 2 and 3 writer Jay Turner tells me. “By the time that was all set in stone, I was at another EA studio and hearing second-hand from a friend who was still on the project, but what I heard just didn't feel right.
“When I played the game, I was pretty OK with the ending, since I considered the whole of Mass Effect 3 to be the ending for the trilogy, but after I replayed it and realized that my decisions only really changed the color of the explosions in the ending cutscene, I was pretty upset.”
Other devs share this sentiment. Mass Effect 3 senior gameplay designer Patrick Moran was also disappointed when he found out how the trilogy was going to end, and even mentions that himself and several others actively asked about changing it.
“A good number of the Mass Effect team pushed back against the ending,” Moran explains. “I remember reading the story beats, [and] getting upset because it felt like all the decisions I made no longer mattered. I sent an email off challenging the ending and received no reply. The Mass Effect team was run like a Navy ship, with strict reporting lines, scopes of responsibility, and team leaders who had been there awaiting their turn for promotion for years and years. You followed orders and tried to not be too squeaky or uppity. The Dragon Age team was definitely more of a pirate ship at the time.”
Others are much more optimistic about how the ending was ultimately handled - especially after the Extended Cut. Mass Effect 2 and 3 development director Dorian Kieken agrees with Hepler about the Extended Cut, but also thinks that Mass Effect 3 as a whole was designed to be the ending, as opposed to just the final choice you make when you encounter the Catalyst.
“I think overall, people did not appreciate how much Mass Effect 3 was the end journey in itself,” Kieken says. “And how many stories that started in [the first] Mass Effect and evolved in Mass Effect 2 were being tied [up] during the game. Add to that the integration of [the first] Mass Effect and Mass Effect 2 saves, and I think Mass Effect 3 was a great ending in itself.
“But there are lessons to be learned as well. We often say that the first and last minutes of a game are critical, and this was a great reminder of that. Releasing a [free] DLC that focused on the ending was the right thing to do. When a franchise reaches a certain level of success, it starts to have a life of its own thanks to fans. Star Wars and its expanded universe is a great example of that. When that happens, you need to balance creating original and surprising content with integrating feedback from people who sometimes live and breathe the universe more than you do.”
Ultimately, the mixed responses listed above are fairly indicative of the general reception to Mass Effect 3 across the board. Some devs were disappointed, while others actively wanted the ending to be changed. On the other hand, some people thought the Extended Cut righted some of the perceived wrongs BioWare had made. In the end, though, definitively concluding a trilogy this beloved, and this inherently founded upon cause and effect, was never going to be an easy endeavor.
“I'll say this, when you've given the player three massive games where they've been able to make complex decisions that help to shape their version of the story/galaxy/character, the prospect of definitively ending such an epic and wide-ranging experience is never going to be able to ring true,” Mass Effect 3 senior writer Neil Pollner tells me. “There's no way to tightly ‘wrap up’ something that has been accumulating and branching and growing for so long like that. When you give people deep choice throughout the experience, I think any ending that doesn't allow for an incomprehensible amount of variation is going to disappoint.
“To my knowledge, most of the team didn't know how Mass Effect 3 was going to end. And as far as I know, the vision for it was not set early on.”
[source]
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