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tteokdoroki · 2 months

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𐙚 🪷 TRUTH OR DRINK katsuki bakugou .ᐟ

⋆˙ᝰ about ! “you love me, you take care of me. that’s the most romantic thing you’ve ever done f'me." with the release of your husband's newest album and the announcement for his latest tour, the two of you are invited on set to film a special kind of promotional video for newlyweds. hopefully, this married couple leave without a hangover. ( 4.8K )

warnings ! minors blank and ageless blogs do not interact. sfw, fluff, suggestive, angst if you squint, celebrity!au, all characters are aged up to 20s, mentions of sex, mentions of alcohol, drinking, newlyweds, exes, some family issues, long-distance, idol!bakugou, fem + model!reader - not beta read!

aali’s love letter ! happy birthday bakugou! another splendid year for our lord saviour dynamght !! i posted this late boo but its out!! i hope you guys are still able to enjoy <3 ty to @cuntcure for helping out n motivating me !! - m.list ⋆ read on ao3 ! ִ ࣪𖤐₊ ⊹

“fuck, we’re really doing this, huh?”

across from you, katsuki bakugou shifts uncomfortably — ruby red eyes darting around the plain white set. studio lights glare from all directions, illuminating the slight sweat that beads at the blonde’s hairline. artificial lighting, bright and made to capture everything, refracts of the pearling perspiration and almost creates the illusion of a halo around the crown of your partner’s head. almost as if he’s an angel.

reaching over the small table that the producers have set up between you both, you grasp at katsuki’s rough fingers, toying with them as if to test the waters before you hold them fully — once he’s comfortable enough to accept your physical affection. his palms are warm and a little sweaty, but that doesn’t stop you from giving them a gentle squeeze.

“it’ll be fun,” you whisper, keeping your voice low and calm as the production crew continues to contrastingly flit around you in preparation for the shoot. “and it’ll be great promo for your album!” lifting his hands, you press a kiss to the blonde’s knuckles as though you’re sealing a promise, ensuring that they’re not empty. you smile reassuringly and bakugou returns it awkwardly, drawing back just a tad when a member of production sheepishly approaches the table to set down three different bottles of alcohol, two shot glasses and a pitcher of pineapple and coconut juice as your mixer of choice.

glass bottles of whisky, rum, and vodka glit under the white light too.

“we can back out at anytime,” comes your soft reminder once the crew member retreats to check the sound mic and cameras along with some other staff. “i want you to be comfortable.”

bakugou shakes his head, this time, bringing the backs of your hands to his lips — pale blonde lashes fluttering as he shuts away ruby framed eyes and takes a breath to calm himself. “wanna do it. like y’said it’ll be good. fun.” when he opens his eyes again, he’s looking at you with a toothy smirk that never fails to send a shiver down your spine and butterflies in a flurry through your tummy. “besides, we haven’t been able t’do somethin’ like this together in a while.”

nothing beats your grin after that and with a few more touch ups to your make up ( the both of you ) — you’re ready to begin filming.

“okay guys!” the director on set claps their hands. “wanna start us off? who are you and what are you doing here today?”

you give katsuki’s hands one last comforting squeeze before his crimson gaze slinks towards the camera that’s now rolling, fixating on its blinking red light as it matches his stare. “‘m katsuki bakugou ‘nd this is my wife,” he juts his head over to you gently, muttering your name with love laced between each of its syllables.

you too turn to face the camera, award winning smile settling gracefully on your lips. “and today we’re playing truth or drink!” you squirm excitedly. “we’re really happy to be here! thank you for having us!”

“i’m not.”

“katsuki!”

with a laugh behind the camera, the producer speaks again. “so, you’re some pretty special guests. what do you guys do? how long have you two been married?”

bakugou rolls his eyes at the enthusiasm. “i’m a singer-songwriter slash idol or whatever you wanna call it…and i’m on tour right now. so buy my album or you’re shit.”

“and i’m a fashion model slash content creator. we’ve been together for like…five years? married for half a year? a year?” musing out loud, you switch your gaze from the camera to katsuki — letting him know with your eyes that he’s doing a great job.

“eight months, three weeks ‘n two days.” he corrects you seriously, causing sweet laughter to bubble up on your lips.

“sorry, folks. eight months, three weeks and two days.” you retort jokingly. bakugou rolls eyes ruby framed eyes again.

“okay, so still pretty new. let’s start with a shot, shall we?”

ever the gentlemen, your husband pours you a decently sized shot using a drink he knows you like without even asking. he even tops it off with a mixer because he knows that sometimes you can’t get past a bitter aftertaste if the alcohol is too strong. once done with yours, he fills up his own glass before clinking it against yours — both of you knocking back the shot with practised ease.

“god, that shit’s strong.” the pale blonde grimaces.

despite having a facial expression to match, you somehow make light of the situation. “really puts hairs on your chest, doesn’t it, kats?”

“you like my tits naked and juicy, shut the hell up,” smirking cockily, katsuki slides your shot glasses to the side and toys with the stacked white question cards in front of him. “her words not mine.”

“anyways…first card please.”

doing as he’s told, katsuki flips the first card over — skimming the letters written in bold on the other side before he slams it back down. “‘m takin’ a shot.”

the shoot has barely begun and you already find yourself bursting into fits of adoring, amused giggles. “no! it’s not even your question to answer! you have to read it, it’s the first card!” you whine playfully.

“alright, fine,” flipping the card over again with a dejected air about him, bakugou announces the question to both you and the camera. “when was the last time we had sex and where did it happen?”

“oh god.” you pinch your brow.

“told ya. no shots, it’s the first card. y’gotta answer it, babe.” bakugou teases as he casts the card aside, leaning back in his chair slow and sexy like while he watches you hungrily. it’s like making you embarrassed has made him forget that he’s on camera.

sighing through your nose, you pout at the camera and producers who watch eagerly. “on the way here.”

“on the way to this shoot? oh my god!”

“yes! omg. shut up, this is so embarrassing. katsuki don’t laugh!” you practically wail as the set bursts out into laughter. “god, okay. it was on the way here and in the back of the SUV with the partition up. don’t ask me how we had time. katsuki always makes time.”

said katsuki wiggles two fingers towards the camera knowingly and chokes back a raspy chuckle when you frown in response, scooping up your own card. “next question,” your say as your gaze skims the card. “who is your least favourite parent in law? oooh, spicy.”

“definitely her dad,” your husband points a thumb in your direction without hesitation but mouths his words straight into the camera. “you’re a piece of shit by the way.”

the producer pipes in. “can we elaborate?”

“my dad was never the most supportive of my career…but claims everything i have is because of him. it sucks, he's a narcissist and we don’t really speak because of it.” you answer truthfully, attempting to shrug the weight of your familial situation off. you know that most girls dream of having their father walk them down the aisle on their wedding day…but it’s just not in the cards for you. sensing your anger, your hurt and your pain beginning to rise to the surface, katsuki takes the card from you and grasps at your hand — eyebrows raised earnestly into his hairline while he checks to see if you’re okay. a small, wistful smile plays at your lips and you give your partner a gentle nod. “it’s okay though, my mum, mitsuki and masaru have been great parents. katsuki’s mum and dad kept me grounded throughout our engagement, pretty much designed all of my wedding outfits. they were all custom.”

“outfits? as in multiple?”

“ah yes! mitsuki insisted that i had changes throughout the day.” you beam, a giddiness replacing any negative emotion you once felt. your future mother in law had done everything in her power to make you feel like a princess on your wedding day — to this day it made you feel extremely grateful for your positive relationship with bakugou’s family.

“they still fuckin’ spoil her, ma styles her for a lot shoots,” the blonde scoffs but the adoration dancing in the almost brown flecks of his carmine eyes tell a different story. “no seriously, ma ‘n pa love you so much. you’re like the daughter they never had.”

“aw, that’s so cute. i’ll cry.”

katsuki’s turn to pick a card rolls around again, but he doesn’t let go of your hand the entire time — index finger toying with your engagement ring. “what’s was the most stressful part about planning a wedding?” he reads. “oh, definitely the micromanaging from other people. shit pissed me off,” your husband answers almost straight away, already preparing to fix himself a shot when the producer asks him to elaborate.

he shakes his head and the producer turns to you. “our managers thought that they could have a say in our ceremony since it was like the celebrity wedding of the year,” shrugging, you fix your own shot which makes your spouse grin. “we ended up having one public and one smaller, private wedding to say fuck ‘em. and no, they didn’t fire me for this.”

“so a follow up, when you announced your engagement to the world what was a difficult thing you dealt with publicly?” someone from behind the camera asks.

pursing your lips, you look to katsuki for an answer. “the fan wars? some of my fans were…are still caught up on my ex and others think the great singer katsuki bakugou is too good for an influencer like me.”

“they don’t know shit. you’re too good for the world baby, i don’t deserve you.”

“corny ass,” you snort directly into the camera’s shot. “i’m sure that’s one of his song lyrics.”

“is fuckin’ not!” bakugou pouts, though he’ll deny that he was later. “pick another damn card.”

he pushes the pile towards you once more and you cheekily swipe one from the middle to make the video a little bit more interesting for those watching from home when it comes out. hopefully the viewers get a laugh out of bakugou calling you a cheater and you sticking your tongue out at him in retaliation — he pinches it back.

“ouch! owie, okay! okay, let go!” flipping the card so that the text is facing you, you begin to read it out loud slowly — nearly bursting out into an incredulous fit of giggles at the question printed in thick black letters. “this is so ironic, baby you’re gonna love this one,” katsuki raises a brow, intrigued by the coy smile you’re barely trying to hide now. “i dare you to call an ex and remind them that you’re happily married.”

a small silence echoes throughout the studio as you stare at one another, waiting and waiting, until a loud, raspy and haughty laugh rips through bakugou’s throat.

“what’s so funny?”

the blonde sat opposite you, still as handsome as the day you first met him — with glittering gem eyes that sparkle under the studio lights and a toothy smile that never fails to melt your heart, suddenly grows shy. a rose tint spreads its way over the bridge of his nose and his cheeks that have lost their youthful roundness, katsuki blushes softly but laughs with his entire body — only just embarrassed by the secret he's about to reveal to his most dedicated fans and the rest of the world.

leaning forward on the table, elbows on the edge, while you tuck your chin in the seat of your palm — biting your lip in amusement. “do you wanna tell them or should i?”

“i wanna take a fuckin’ short first. can i?” katsuki asks, almost innocently. he knocks back a glass of dark, bitter whisky once he gets the go ahead. “she’s my first. my first everythin’. girlfriend, time, wife—“

“i sure hope i’m your first and only wife, kats.” you cut him off swiftly, a mischievous lilt layered thick on your tone.

he slings an arm over the back of his chair, waving you off lovingly. “—you know what i mean, sweets.” bakugou shrugs in the direction of the producers. “i don’t have an ex to call.”

“okay, we’ll have your wife call one.”

at the film crew’s suggestion, your voice raises an octave, notes of surprise littered through out your melodic voice. “me? who would i even call?” you can’t help but snicker, trying to reach for the juice used for mixer so you can plan your escape route out of the dare.

your husband snatches the bottle from your reach, holding it protectively against his broad chest. “call shindou.” he grunts out low but highly amused.

“oh no, i’m not doing that. let me take the shot katsuki.” comes your instant response, tone turning slightly serious.

“who’s shindou?”

“her ex.”

“my ex.”

the both of you announce in unison, though you’re a little less entertained by your menace of a blonde husband — still guarding the drinks as he chucks the used question card to the side.

“why not?”

“cause it’ll be mean? he still hasn’t recovered from finding out i’m dating the idol he used to train with. yanno, the one who debuted over him.”

bakugou clicks his tongue cockily. “he’ll get over it. call him. c’mon, it’ll be funny and you love making me laugh.”

“alright fine but you have to swear you’ll answer the next one.” you turn to the camera. “he’s right though, his laugh is the prettiest in the world.”

bakugou blushes as you pull out your phone and scroll to the bottom of your contact list, surprised at yourself for not blocking and deleting the number. holding up the sleek device for everyone to view, you jab a thumb into the speaker button and watch with baited breath as it begins to ring throughout the studio.

“hello, yo speakin’,” a voice a little higher pitched than your husband’s filters through the speaker. it’s familiar, but doesn’t hold any of the comfort that bakugou brings. it’s been years since you ended things with your ex, the relationship was rocky and full of miscommunications and mistrusts before either of you skyrocketed to fame. there’s no malice between you both or a reason to cause katsuki why worry, you hope, but talking to yo shindou nowadays is akin to talking to a stranger.

giving the camera an awkward thumbs up, you reply shyly. “hi shin, what’s up?”

“oh hey sweetheart, this is a nice suprise.” your ex purrs through the line. you click the buttons side of your phone to turn up the volume — making sure his every word is picked up by the mics in the room.

bakugou chimes in, clearly looking for an opportunity to show off. “hey asshole, don’t get too excited.”

“hello to you too kats, what can i do you for princess?”

“shin, don’t call me that. also we’re shooting truth or drink right now — newlyweds edition with kats. they wanted me to call, tell you i’m married or something… which i’m sure you know by now.” explaining in a rush, you push at bakugou’s forehead, right between arched, dark blonde brows to keep him and his laughter at bay.

“it’s all anyone can talk about these days, especially when i’m on set. married couple of the year.”

the producers mouth to you to ask shindou a question, in which you almost miss underneath the sounds of your newlywed husband suppressing snarky jokes and giggles. “they’re telling me to ask you if you’re happy for me ‘n kats. you don’t have to answer—“

“i am. happy for you. katsuki, as big as of an asshole as he is, makes you way fucking happier than i ever did. he’s good to you, but you’re better to him. the world wants to see you guys grow old together… i hope it stays that way or else i’ll have to swoop back in—“

cringing along the millions that will be watching in the near future, you slice through his words politely before bakugou can blow a gasket. “thanks, shin. you’re sweet.”

“anything for you, sweetcheeks—“

“alright, alright. you’re pushin’ it now, freak. r’member i’m the one clapping these sweet cheeks and i’ll always be a better fuck than you—“ abruptly, your newfound husband snatches up your phone — growling possessively down the line as if to ward your ex off.

“okaybyethankyou!” squealing you hang up the phone and breathe a heavy sigh of relief, head banging on the table in front of you as you try to hide your flustered face. “that went better than expected.”

the blonde before you shrugs nonchalantly as if he wasn’t seconds away from reaching into the phone and tearing shindou’s head from between his shoulders. “i do love an opportunity to show you off, rub our marriage in people’s faces.” alas, he pours you both a shot, adding a mixer to yours, sort of as a reward for making it through the call. “kay, next card,” he swipes one from the top of the pile once more, carefully murmuring its contents into the studio’s cool air. “can the both of you name one person you would have invited into your marital bedroom on your wedding night? see if you’re both thinking of the same person. easy. on three?”

“sure! one, two—“ you count, the temperature of the room raising as it awaits your big reveal. “kirishima.”

“kirishima.” katsuki says at the same time before smirking cockily at the film crew. “next!”

you join him just as your foot flirtatious slides up his leg from underneath the table. “kats says eijirou is packin’, by the way.” your husband’s smile fades into an embarrassed look, everyone in the room laughing along with you. of course he’s seen it. of course you’ve talked about this before. “anyway, my turn! most romantic thing i’ve ever done for you? c’mon now kats, you can think of something. i’m pretty sweet.”

reaching for your hand for the nth time during the shoot, bakugou laces his fingers with yours — decadent dark red eyes instantly drawn to the big rock on your engagement ring and the simple gold wedding band that sits above it as he recalls everything you’ve ever done for him. every gesture; every text, every act of physical touch or service. it would be hard to choose just one romantic thing.

the silence as he ponders almost fills you with dread, a nervousness fluttering about in your chest like a butterfly whose wings are beginning to fail them. they’d have to edit this part out if he couldn’t think of anything.

but then, those plush pink lips that kiss you and call for you, part gently and a soft sentiment escape’s from between them. “you love me,” is all bakugou can say, eyes wide and genuine. “you take care of me. that’s the most romantic thing you’ve ever done f'me…and, if we’re talkin’ specifics, you remember that time just before my album came out? before our wedding? i was fuckin’ stressed ‘n i was always locked up in the studio, trying to figure out the track list, the final song…”

you nod slowly, exhaling deeply through your nose. “yeah?” the background noise from the crew, cameras and mics wither away until it’s just yourself and bakugou in the room — holding hands as though you’re one another’s life lines.

“it was three am ‘n you were in another city for a shoot but…you still made the drive over to have dinner with me. to make sure i ate,” the tip of katsuki’s rough and calloused thumb brushes over the bumps formed by your knuckles. “just to help me run through things even though i was freakin’ the fuck out and you had a flight to milan the next day. you ate with me and that meant a lot.” he seems wistful as he talks, forgetting that the world will be able to see his heart beating all tender like when the cameras are put away and the footage is polished up.

perhaps he doesn’t care if the world sees him being so vulnerable with the woman he loves on screen. they’ll usually find such openness hidden between the lyrics of his songs. so, perhaps it’s the little alcohol running through his system. nevertheless, quiet love and appreciation seeps from katsuki bakugou’s pours into the quiet atmosphere of the set, the emotions crash over you in waves that you welcome — almost reducing you to tears brewed just for him.

“you asshole,” you sniff, lacking all the spite the insulting nickname carries. “i didn’t think that night meant so much to you… i just wanted to see my baby. wanted to make sure you were okay.”

cocking his head to the side fondly, the blonde singer uses the back of his hand to wipe at your free falling tears you hadn’t realised were there. bakugou doesn’t let go of you the entire time. “don’t cry sweets, you know i hate t’see you cry.”

watery laughter bubbles up on the seam of your lips. “don’t tell me what to do,”

“you said she drove from another city, would you guys say that distance made things difficult for you?”

“sometimes,” you answer the director truthfully. “while we were engaged we’d plan our wedding across different time zones. when i was awake walking for fashion week he was sleeping in his studio making songs.” you explain, looking to katsuki to confirm.

he nods along with another squeeze of your hand. “it was hard yeah, but we got through it. now she has my ring on her finger ‘n she’s stuck with me.”

“send help.” you mouth to the camera.

resuming the game, you snatch up a card and secretly hope that the question is a little more light hearted than the previous. “has my line of work ever made you jealous? oooh, good one,” adding the card to the ones already discarded, you squirm in your seat — excited to know your husband’s answer. “no shots! i want you sober and honest.”

“i’ve hardly had anythin’ to drink!” katsuki snorts. “what’s the sayin’? a drunk man’s words are a sober man’s thoughts? let me have something.”

“no! i want sober words and sober thoughts, that’s the aim of the game, stink.”

katsuki rolls his eyes so hard you fear they might drop out of his skull. “spoiled brat,” he mumbles begrudgingly, sucking his teeth. “okay before anyone says anythin’, i’m a secure guy. i trust and value my girl’s word above anyone else’s. i love seein’ her on billboards in every country i visit, on magazines at every airport I’ve ever flown from…”

“it feels like there’s a but coming.”

“wait for it…” you hum gleefully.

“but i hate that one cover shoot you did with that nerd, izuku, for vogue. that’s it. never do that shit again.” bakugou finishes, crossing his arms over his chest like a petulant child.

nearly leaping out of your seat, you point at your husband — bewildered. “i knew it! you said it didn’t bother you!”

“of course it did! he had his grubby arms wrapped around you! he stinks.”

“you did not just call izuku stinky, he’s got a feature on your album!”

“his feature can kiss my ass,” you know that bakugou is only half serious, the two have written some beautiful songs together and the cover hardly meant anything — izuku models from time to time as well. it just so happens you also work for the same brands. “my turn again, rate my proposal on a scale of one to ten. how good did i do?”

“nine point five.” you nod assertively, speaking to your audience with love bursting through your heart. “he proposed to me at his first sold out concert, like literally stopped singing and apologised to all of his fans because he had something important to say. that’s when he asked me, in front of his entire world. kats’ is real private so it meant so much to me…”

the blonde leans back in his seat but brings your hand to his lips, pressing a kiss directly to your wedding rings. “only nine point five? cheeky fucker.”

“it’s only ‘cause your genius-self decided to chuck my ring into the crowd?” you scoff.

“oi! i have good aim, you’re just shit at catchin’ things!” katsuki scoffs back, nudging you with his foot under the table.

“back to the game love birds.”

the two of you put your playful little spat on the back burner and you grasp the next card. “how many years into our our marriage do you think we’ll stop having sex—?”

“never,” katsuki cuts you off, looking directly into the lense as he jabs a thumb in your direction. “i can’t ever get her off my cock. she’s fuckin’ insane.”

heat flares up underneath the surface of your skin in embarrassment. “fuck you.”

“right after this shoot, sweetheart.” he winks right back at you before nodding down at the cards. “last two, yeah? did your life turn out as expected?”

chewing on your bottom lip, you give the question some thought. life has an unpredictable nature, no matter who you are or where you come from. if someone had told you a year into your college degree, that you’d be in front of sorts of cameras as a profession for the rest of your life — you wouldn’t have believed them. if someone had told you that you’d find the love of your life shortly after, you would have called them a liar too. your past has been heavy, a dark cloud you never thought you’d be able to escape — hauntingly daunting.

and even though you know that it’s a burden to place the weight of your happiness on someone else’s shoulders — but you know that katsuki has always been your golden, blinding light at the end of the tunnel. he’s something you never expected, but someone you entirely deserve after everything life has thrown at you.

“no, it hasn’t,” you whisper softly, ever so slightly distinct. your lover leans in, watching you curiously from over stacked question cards and bottles of barely touched alcohol. “i never expected to be so famous so young, that a silly little dream of mine could come true. that i never expected, i still can’t believe it…but, it’s like… meeting you. falling in love with you, on top of all that? it’s like i was destined to be with you, kats. you’re my soulmate. i knew that from the start.”

just like you earlier, emotion wells up inside katsuki. it breaches the cavity of his chest, slows down the rate of his heart and lungs and brings a slight shine to his beautiful blood red eyes. he sniffs but doesn’t dare look away from you — reading deep into your soul despite knowing the pages of it off by heart. “i feel the same,” he mumbles, reaching over to cup your face even with all of the cameras around. “i never expected to go on tour, sell albums and make music…but i feel like my heart always knew you were waitin’ for me.” quietness fills the space between the two of you, neither of you needing to say much. you cup the wrist of his hand that touched your face, leaning into his palm and pressing a kiss to it. “we’re so fuckin’ corny.”

“you love it.” you reply instantly. “i love you.”

“see?” katsuki asks the production crew as he draws the last card for both of you — holding it out for you to read. “cornball.”

“it’s cute! she’s cute and corny!”

“what about the rest of our marriage do you look forward to most?” since the video shoot is coming to an end, and you hardly want to cry any more, you both decide to make your answers short and sweet. “i look forward to spending forever by your side, taking over the world one continent at a time.” you gush, meaning every single word, smiling adoringly.

“ditto, can’t wait to grow old with you, brat.” bakugou mirrors your expression and finally, finally ends the shoot by pressing the ghost of a kiss to your awaiting lips. you feel warm knowing how comfortable he’s grown over the course of filming, even more so at all of the truths he’s given you tonight.

“that’s a wrap! thank you so much guys!”

katsuki salutes the camera, finishing up for you. “we’ve been the bakugous playin’ truth or drink. buy my album, see me on tour, buy a magazine with my wife’s beautiful face on it. like and subscribe.” all the while, you reflect on everything that you’ve learned about your husband whilst filming — that he loves you a lot more than he lets on, that you have his heart for all of eternity, that nothing in this world and cause his love for you to waver,

and as your matching wedding bands continue to gleam beneath the dimming studio lights, you only hope that he knows that you feel the exact same way about loving him too.

2K notes · View notes

rosyblooom · 2 months

Note

I just finished watching Daisy Jones and the Six and I wanted to ask if you could write a Charles SMAU where his wife passes away from illness and leaves a video behind for him to find happiness. They can have a little child together please. Thank you😊❤️

when i die, i want you to live | cl16 smau

PAIRING: charles leclerc x wife!reader SUMMARY: after battling illness, y/n unexpectedly succumbs to it much sooner than expected, leaving behind her husband and their daughter. 8 months later, charles is not coping very well, so your best friend hands him an envelope addressed to him from you. WARNING(S): mentions of death, sad A/N: ooh i love that show!! anyway, this is my first ever request (!!), so hope it's as u imagined 🫶

creds to @classiclitfreak for proofreading!! <3

yourusername posted to her story!

[ caption 1: I sure hope so!😌 ] [ caption 2: my heart is so full🥹💕 ]

charles_leclerc

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charles_leclerc Today, 27 years ago, is the very special day that brought me my beautiful wife and best friend. Forever grateful for that. Happiest of birthdays to you, Mon cœur ❤️

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Three weeks later...

tmz_tv

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tmz_tv Tragic news emerged in the early hours of this morning as Y/N L/N-Leclerc, a renowned fashion designer and philanthropist, passed away unexpectedly, just three weeks past her twenty-seventh birthday. Her untimely passing has left her family and friends in shock and disbelief.

In a statement released by her family, it was revealed that Y/N had been battling illness for an undisclosed duration. However, medical professionals had initially estimated a longer prognosis, making her sudden passing even more devastating.

During this profoundly sorrowful time, we extend our heartfelt condolences to Y/N's family.

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username wow and to think she was always so smiley even with all this going on behind the scenes

username a literal ray of sunshine🥹

username I can't imagine how charles feels right now omg, please take care charlie🫶

username this doesn't feel real...

username y/n was always working with charities all across the globe, she was an absolute angel. her impact will live on 💛

username is it just me who's thinking about their little girl in all this?? she must be so heartbroken :(

username I think bc she's so young she probably doesn't even understand what's going on😭💔

username y/n, you were a great addition to the paddock, always smiling and just all around lovely to fans. we won't ever forget you!💕

username sending prayers to the family 🙏

scuderiaferrari

liked by username, username, username and 594,752 others

scuderiaferrari Due to personal matters, Charles Leclerc will not be continuing racing for the remainder of the season. Ollie Bearman, our reserve driver, will take his place instead.

This was not an easy decision, and therefore we ask that you handle this news with respect and sensitivity.

Our thoughts and support are with Charles Leclerc and his family during this challenging time. 🙏❤️

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8 months later...

Charles enters the living room, ensuring the door closes softly behind him to avoid disturbing his little girl. Running his fingers over his beard, he examines the envelope in his hand and sighs. Y/N’s best friend pressed it into his hand at a dinner party the previous evening, insisting he watch it as soon as he finds the time. And here he is now, holding the thin envelope.

If someone had told him when he was younger that he’d get emotional over something as simple as seeing his wife’s handwriting on paper, he would have scoffed in disbelief. Not him, that would have seemed absurd. Yet here he is, feeling a lump form in his throat over mere black ink on paper.

As peculiar as it seems, he brings the envelope to his nose, and memories of Y/N flood his mind. He can almost feel her soothing touch as she works the knots out of his back after a gruelling day of racing. Inhaling, he feels Y/N’s sweet scent—it is as comforting as her smile.

A smile tugs at Charles' lips as he pictures that infectious grin that lit up his wife’s face at the most unexpected moments. It was one of the things he loved most about her—she had a way of bringing brightness to even the darkest of days.

Shaking his head, he snaps out of the trance, shifting deeper into the living room until he sinks into the welcoming embrace of the couch. There, he retrieves the laptop resting on the coffee table, feeling the weight of the moment as he opens the envelope and extracts a flash drive from within. Rolling it between his fingers, he inserts it into the side of his laptop with a determined motion.

Once all is in place, he watches a file labelled “To my dearest Lover, brightest Heart, and deepest Soul” materialise in his list of files. The sight catches him off guard—his throat constricts, making each breath a struggle, and his eyes well up, though he fights against the tears. Not now. He can't afford it. Allowing himself to be consumed by grief would mean losing precious time, time he needs for his daughter waiting in her playroom down the hallway.

He takes a moment to regain composure, squeezing his eyes shut, focusing on the rhythm of his breath until the tension in his chest begins to ease. With a sharp intake of air, he opens his eyes wide and taps the file, revealing a video. Running his teeth over his lower lip, he hovers the pointer over the play button, then taps the mousepad with a steady hand.

The video opens with Y/N seated on the very same pale couch he’s currently occupying. He places both hands onto the soft sofa, yearning for a connection, a way to feel her, even though he knows he can’t—touching the past is impossible.

Y/N walks toward the camera, readjusting it before taking three steps backward and retaking her seat. Inhaling deeply, she hesitates, her mouth opening, then closing again, like a fish out of water.

“Mon cœur,” Charles whispers, moving the laptop onto the coffee table.

“Hmm,” Y/N drops her hands into her lap and smooths down her flowery dress. She stares directly at the camera, tilting her head sideways with a crooked smile. “I don’t know where to start.”

Her eyes widen. “After all this planning, I still don’t know where to begin.” She lets out a few chuckles and then purses her lips. “Well, I suppose greetings are in order?”

Her expression softens as her brows furrow. “Hello, my darling, my world, my everything.”

“Hey,” Charles whispers, his throat tight with emotion, barely allowing sound to escape.

“Although I'm very happy to see you, if you’re watching this, it means you're not living as I want you to,” Y/N's voice trembles, causing her to pause and swallow. “I know it’s hard, baby. I don’t expect this to be easy on you, but I don’t want you to spend the rest of your life looking back at us in sadness, you know?”

Charles leans forward, elbows on his lap, eyes fixed on the screen, his face tinged with a faint shade of red.

“Remember our first date, when we had to cancel our reservations at that restaurant because you felt sick on the way there?” Y/N bursts into laughter but quickly stifles it, her hand covering her mouth.

“No, no,” Charles pleads softly, shaking his head, “please don’t hide your beautiful smile, my love.”

“It’s not like there was anything you could do about being sick, but I remember feeling miffed because I already had a stressful day, so for you to cancel just like that, it irritated me,” she reminisces with a nod. “But you were quite pale, so I wanted to make sure you got home alright. And we walked, barely talked,” she giggles, the joy reaching her eyes, “but then this little kid appeared, his name was…”

“Benny,” they both say simultaneously, a faint smile tugging at one corner of Charles' lips.

"Boy, was he excited to meet you, his idol. It was like seeing a completely different person. You became someone entirely new for this little boy whom you didn’t even know. Nobody forced you to take time out of your day when he came running, his arms wide open," Y/N says, extending her arms along with the words. "You could’ve just walked away. I mean, you had a reason to: you were sick."

Pausing for a moment, Y/N sits up straighter, leaning forward and shaking her head. "But you didn’t. You put on a brave face, and you turned into Benny’s hero and so much more. I think we stood there with his parents for about half an hour, and you didn’t complain once. And that’s when I knew."

Y/N nods, crossing her legs and slinging one hand behind the sofa. "That’s when I knew you could be the man I was going to marry. And turns out you were," she says, smiling sheepishly. "The love you have for people, for our daughter, it’s… it’s so profound, it’s boundless. So don’t limit it. Don’t you dare limit yourself just because I’m not around anymore."

Her expression turns serious as she exhales. “You’re such a bright light. You bring happiness and purity into people’s lives—into my life,” Y/N presses her hand against her chest. “I don’t want you to dim it. I want you to shine for as long as that candle burns. Don’t let it die prematurely because of bad happenings. There’s so much more to love, to live, to enjoy. And while you may not see me at your side anymore, holding onto D/N, I’m right here.”

Charles sniffles, folding his hands over his mouth as he swallows his sobs, while Y/N points to her heart.

“I’m with you forever and always. I’m protecting you and D/N, and I’m watching over you, making sure everything’s alright.” Y/N releases a sigh before chewing at her bottom lip with a wistful smile. “And part of that means making space for more love, for you. You have a big heart, you know? There’s enough room for you to find happiness with someone new. There’s no shame in it, and there’s no guilt in it. It’s what makes being alive such a beautiful thing: your love is yours, and it’s not confined to just one or two people. You can spread it, and still, our love will remain unchanged.”

Tears stream down the sides of Charles' cheeks as he struggles to maintain his composure, his eyes fixated on the screen as if afraid that if he peels his gaze away for one second, his wife will disappear.

Y/N briefly looks off to the side, her attention seemingly caught by something in the room, before snapping her head back to the camera with a bright smile.

“It seems I have to go,” her shoulders sink.

Charles leans forward, the screen mere inches away from his face, as he strokes the outline of Y/N’s face on the screen, whispering desperately, “Please don’t, mon cœur…”

“I love you so, so much. You and D/N are the most precious gifts, the greatest joys I have had the privilege to experience, so please, please,” she claps her hands together, moving them back and forth, “please…when I die, I want you to live.”

Y/N rises from the couch and walks towards the screen, her eyes unwavering for even a moment. “Give my little girl all my love, and kiss and hug her extra tight for as long as you can, for me.”

Offering one final smile, she blows a kiss at the screen. “I love you. Please don’t stop. Don't stop loving and don't stop living.”

The video freezes with Y/N frozen in place, a beautiful smile etched onto her lips, filled with the purest form of love.

Feeling suddenly overwhelmed, Charles collapses, the weight of the world pressing down on him. He drops his face into his hands and releases all of it: sob after sob after sob. There’s something liberating about finally letting go; the burden pours out of him, leaving behind a fragile yet tranquil Charles as he gazes at the still shot of his beloved wife, whom he adores so deeply.

A soft click draws his attention to the door just in time for it to creak open slowly, revealing his little girl standing there, her favourite yellow teddy bear clutched tightly in her arms.

“Papa,” her voice floats like a gentle breeze.

Charles smiles, opening his arms wide as she runs towards him. He's momentarily winded as she reaches him, but he quickly regains his composure and lifts her onto his lap.

“Hello, my love,” he whispers, touching his forehead to hers.

Her tiny hand pats his cheek, her expression filled with concern. “You’re crying?”

Charles shakes his head, trying to reassure her. “Happy tears,” he explains, “look.” He points at the screen, where Y/N's serene face is frozen in time.

“Maman!” D/N exclaims, slipping from his lap and heading towards the screen. Her small hands tap the screen eagerly as she calls out, “Maman! Maman! Maman!”

“Yes,” Charles swallows, ignoring the pang in his chest as he shifts his focus to his little girl. “You want to see Maman, huh?”

He rises from the sofa and lifts D/N into the air, settling her on his hip. “How about we go take a look at the photo albums, okay? There are lots of beautiful pictures of Maman in there, alright?”

“Maman! Maman! Maman!” D/N continues to exclaim, squirming excitedly in his arms as they walk through the door and down the hallway into the living room.

f1gossipofficial

liked by username, username, username and 14,296 others

f1gossipofficial Nine months after the tragic passing of his wife, Y/N, Charles Leclerc has been spotted for the first time on a beach in Spain with their shared daughter.

Witnesses who captured the photographs above mentioned that he appeared to be coping well, and fans respectfully gave them space while appreciating the sight from afar.

We're glad to see Charles out and about again, and we extend our best wishes to him and his family as they continue to navigate these changes.

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username im so glad the fans kept to themselves

username right?? so respectful🫶

username charlie🥹❤️ it's been so long but we'll always be here whenever he's ready

username tbh I was very worried during the radio silence but I think him being out there is a step in the right direction🥲

username still can't believe y/n is no longer here... i miss her sm😭

username omg there's a vid on twitter of them playing ball and u can hear their daughter giggling 💕

username I can't find it could you pls send the link?🙏 username dmed u! username me too pls

username it must be so hard to grief y/n while also trying to be strong for their daughter :( sending him all the strength!!

username 😭😭😭

4:44 ────────────ㅇ 4:44

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tiredmamaissy · 7 months

Text

Ralak te Sepwan ieyk’itan: Special Episode III

Calm After the Storm

An Illustrated Collaboration with @zestys-stuff

Masterlist ; Rut/Heat/Knotting Info

🔞 minors, do not interact 🔞

Hyperlinks are attached to specific paragraphs that when clicked on will lead you to its illustration by Ralak's creator @zestys-stuff.

Characters: Metkayina!Ralak (24) x Sully!Omaticaya!Reader (19)

Warnings: nsfw, smut, fluff, profanity, age gap, rut cycle, heat cycle, extreme knotting, marking, scenting, territorial/possessive behaviour, breeding kink, p in v, mating/bonding, multiple climaxes, creampie, belly bulge, actual breeding, let me know if I forgot anything?

Word Count: 6.3k

Requested: Yes || No

Author’s Note: Happy halloween guys! I know I literally fell off the face of the earth and I will make another post to address that. But I know I haven’t participated for @pandoraslxna ‘s kinktober event (I’m so sorry bby) but if I could only participate for one of the days it would be today for sure. So I definitely wanted to get this out before midnight. It’s not purely a/b/o but honestly entails all the aspects of it. I think we can all definitely tell who’s the alpha and omega here (Ralak is alpha material hands down, ofc). I hope you guys enjoy this one, and I apologize for such a wait <3 Also I feel like I’m a bit rusty, so apologies for any typos, errors, or just plain suckish writing.

ALSO a big happy birthday to my babe @neteyamsoare <3 love you and hope it was a good one!!

Synopsis: Your heat starts to subside, but Ralak’s rut is only getting stronger. What could possibly go wrong?

<- Previous -> Next

——

Only an hour has passed before you feel your not-so-gentle giant stirring behind you, waking you from your sleep. You’d both been on your sides for too long now and everywhere seems to ache. You whine when you feel his hips shift against you, tugging at the immense pressure between your hips. The bulge protruding from your lower abdomen has barely gone down and you feel almost as full as you did when he initially emptied his load inside you.

Silken strands of his hair fall onto your prickled skin as he props himself up on his elbow from behind you, perching his chin on your throbbing shoulder. He inhales deeply – longingly. His hot breath gently blows against your neck just as you feel his arm snake under your leg and yank it back in one rough tug.

“Ralak.” His name falls from your lips through a nearly inaudible croak. “‘m so full.” You barely mumble out, rolling your head to the side. Yet, the flame within you is without a doubt reigniting with a vengeance.

And he can sense it.

Simply by the way you push back into him, making that bulge in your belly protrude a little more. His large hand resting on your stomach can indubitably feel it. And the smile that it puts on his face is almost baleful, bearing his lengthy canines that yearn to sink deep into you once more. “Sorry, tìyawn [love].”

He just can’t help it.

No matter how hard he tried. The desire—no, the need—to fuck into you and claim you as his time and time again is… irrepressible. In this moment, nothing else felt better than your little, used cunt hugging his cock so tightly that it almost hurts. He yearns to fill you over and over. Again and again until your womb is overflowing with his seed. The mere thought has his balls pulling tight to his body, firming up by the second all just to flood your womb again.

“Muntxate [wife].” Ralak growls into your neck, sliding his hand down to your inner thigh. “I will try to be–” He groans slowly, his pointer finger now burrowing itself between your tied pelvises, “–flrr [gentle].”

The final accented word comes out roughly, and if it weren’t for his finger slipping past his knot and into your cunt, you would’ve probably heard it clearly. You yelp out when he traces his finger around his knot, stretching your already taut skin, attempting to work a little space to allow his bulge to slip out.

It's all consuming and you’re simply too overwhelmed with his size that you fail to realise how your body is synced with his and bearing down to push him out. All whilst he’s struggling to fight the snap of hips to avoid hurting you. But the tugging is nothing like you’ve felt before adn you can finally understand why he was so insistent in the first place.

ut there was no getting out of this now, not that you even wanted to.

“It–it’s…” You brace yourself by grabbing onto his forearm, “...t-too big.”

“Ngaytxoa [sorry]” He huffs out his fourth apology, losing himself once again as his hips finally jerk back out of his control.

Pop.

His knot slips out of you with such force that the squelch it makes is as loud as your whimper. It’s so wet and slippery that his cock follows behind his knot, sliding out of you effortlessly. He’s more than half-hard yet so heavy and hung it rests close to your knee. Then you feel it. His cum dribbling down your thigh, still warm and sticky as if he just filled you up seconds ago.

It’s such a conflicting feeling — a mixture of relief and pent up frustration. Your heat is still in full bloom, despite it being so quenched until you’re almost nauseated. It’s as if you were two pieces perfectly linked together, allowing nature to run its course with no second thought. He grunts when he feels the crisp night air against his groin, his cock now springing up to its full length in just a few seconds.

He, too, feels some sort of feverish way now. Itching to be back inside your warmth, enveloped by your gummy, slimy walls. He opts to pepper wet kisses along your neck, and then up to your jaw, lingering there as he tries to distract himself from the ache to shove it back inside you.

Until it becomes too much.

“Tanhì.” He moans into your ear, heavy lidded eyes struggling to stay open as his tongue trails the skin on the back of your neck. “Need you.” It’s his way of begging for permission. Permission to slam his cock back inside you and hammer into you until the annoying itch deep in his core goes away again. You were the only one to make it go away. To stop the hurt. “Please.” He whines out a plea of desperation, now gritting his teeth from the way his stomach is tensing. “Now.”

But that last plea wasn’t much of a question, no. It was more of a demand. A way of saying, ‘give it to me, or I’ll take you on my own terms’.

“Fuck.” You mumble under your breath, sliding your free hand down your side to hook it under your leg. You pull it back and reposition your hips to give him access to your cunt. “P-Put it in, ‘Lak.”

Ralak’s hips begin to stutter — the leaking, mushroomy tip of his cock now repeatedly prodding between your puffed up folds. His breath turns raggedy as he tries to guide himself back inside you handsfree. Your slick is overflowing, making it even more difficult for him to align himself with your entrance. The frustration brewing within him bubbles over when his cockhead glides past your swollen clit instead of sinking in your cunt. So he pulls back in one swift move and —

Thrust.

Your body jolts from how quickly he slams every inch of his cock inside you, forcing you split-open. Ralak huffs a shaky sigh of relief, his breathing growing a little steadier now that he’s deep inside his mate. Meanwhile, your mouth hangs agape yet no sound falls from your lips. Your eyes well up with tears and your ears lay flat against your skull. Your body is in complete submission to the beast dominating it and there’s nothing else you can do but give in to the pleasure.

“Your scent.” He whispers open-mouthed, tips of his canines grazing the nape of your neck. “It is driving me crazy.” You release the breath that you didn’t even realise you were holding. You didn’t even know what to say. Not like you could really say much right now anyways. You’re too lost in the fog of your own heat. For once, Ralak is doing most of the talking. “It makes me…” He snaps his hips back, only leaving half of his length inside you. “...lose myself completely.”

A deep roll of his hips.

A lewd moan dripping off your lips.

“How do you do that?” He huffs, pressing his teeth against your neck. You don’t answer yet again. You just can’t find the words. Not right now. Not when he’s so deep inside you. “Hm?” A deep growl vibrates up his throat, his teeth just barely piercing the first layer of your silken skin.

“I—” You’re cut off by your own squeal when you feel the sting of his bite. Your breath catches in your throat and he immediately unlatches, lapping at the nicked skin to soothe it. “Sorry.” He whispers breathlessly, planting a quick kiss on each of your marks. “Sorry. Sorry.” A few more apologies flow from his mouth, as if he were drunk off of too much fermented fruit. Somewhat lucid but still so spaced. “I cannot —ngh— help myself.”

Thrust.

“‘M sorry.”

He knows he went a little too deep just now. But you feel so fucking good around his cock.

Chomp.

Another mark. Right on the bend of your shoulder, next to your first.

“Ngaytxoa [I’m sorry]”

A small cry from your quivering lips.

“S-Stop. No more apologies. I am yours to do what you p-please with.” You finally get out in one, weary breath.

Ralak’s languid, deep thrusts are laced with desperation. And with each stroke they become harsher and harsher. Faster and faster. Now he’s got your full permission he lets go once more, falling into the thick fog of his rut.

Within seconds his cock is pumping in and out of you, his half-deflated knot continuously prodding and poking at your entrance. The tip of his cock drags against your walls, putting an immense pressure right on your sweet spot. Yet still, sounds barely fall from your flushed lips. You’re too out of it. Too focused on the raw sensations rippling through you all at once. His overwhelming pheromones. His marking. His relentless pounding.

Rather, hot tears well over your eyes and stream down your face.

He can’t stop slamming himself inside you. He doesn’t want it to stop. It’s absolute rapture and he’s unapologetically drowning in it.

“Tanhì. Tanhì.” He groans needily. “y/n.”

He only says your name when he’s serious about something.

And hearing it drip from his tongue onto the nape of your neck has your hairs standing high and your clit throbbing.

“Eywa. Yes, ‘lak? T-Tell me what you need.” You blubber out, tightening your grip on his forearm.

“Haa — spread yourself.” He demands, prompting you to tuck your leg back as far as you can. His pace quickens, hips striking you with a sinful vengeance. But no matter how hard he fucks you, or how deep he buries himself inside you — its just not enough. He needs to be closer. To be deeper. To really be inside you. To knot you.

“More.” He grunts, slowing his thrusts into rocking, grinding himself inside your slippery, tight cunt.

You go to tug at your leg and meet nothing but resistance. “I-I’m trying.” You can feel it now. Perhaps it’s the bond or maybe it’s the way his knot is working you open but he’s growing more and more frustrated by the thrust.

“Mmmh. Wider.”

“I can’t. I can’t.” You’re quick to answer, feeling nothing but pressure from the way he’s trying to shove more of himself inside you.

“Agh.” He growls in frustration, pulling out of you and grabbing you by the ankle to flip you onto your back.

Ralak situates himself between your legs without hesitation and pushes them so far back your knees graze against the tips of your ears. You can barely breathe in this position and are having a hard time seeing anything else but his raging cock at your entrance. You can feel the burn in your thighs from how far back he’s shoving your knees but that sting is masked by the pleasure of him plunging himself back into your pussy.

The moan that rips from your lips is obscene and like no other. The crown of his cock is drilling itself directly into your sweet spot, causing it to swell with unadulterated pleasure. And each time he pulls out just to sink it back inside you he winds you in the process – making you sputter out absolute nonsense. Even he knows you're close, despite being in the thick of his rut.

But frankly, he doesn't care.

All he’s concerned about is satisfying his own urges.

“Not enough.” He grits through his teeth as his eyes shift to an even deeper shade of mauve. “‘ts not enough.” He pants, voice laced with something of worry. Panic that this feeling won’t go away. It makes you panic too, wondering if you’re doing enough for him. If he’s going to take even more from you. If you can manage it.

“You’re okay. Do what you need.” You try to reassure him, grasping your feet and holding them back–opening yourself up even more. But fuck, that only made things worst for you.

And by worst, you mean better. It feels like you’ll burst any second now, especially with how much pressure is on your bladder. “Fu-ck me. God, fuck–ahaa-fuck me.”

His brows bunch together as he peers down at you, beads of sweat rolling off his face to drip onto your chest. His jaw is so tense it looks as if it may fracture. He’s grunting with every push and huffing with every pull.

“Right there! Fuck. I’m close. I’m so fucking close. I-I need you to cum i-inside me. Oh—please ‘lak. Please!” Your cries are choked and muffled, breaths short and raggedy. The heat pooling in your core is unbearable. It needs out. Now.

Ralak swallows. Hard. Through his own haze he can see that you’re in need too. He shuffles closer to you, tucking his feet under him to assume a squatting position. Now he’s all but on top of you, folding you into a merciless mating press. This one shift in position has you coming undone on his cock, coating it in your thick slick as you sob from the white hot pleasure. The force of your climax has you pushing him out and only has him drilling himself further inside you. If it’s not for the way your pussy walls tighten around him surely his knot would have popped inside you by now.

He’s still fucking into you, right through your orgasm and towards his.

“Say what you need.” He panics through a tightened jaw, grinding himself inside you – pushing his knot against the resistance.

You know what he’s actually asking from you. To say something. Anything to tip him over the edge. To rid him of this maddening itch.

“Breed me.” You whisper, locking eyes with him. You watch as his pupils blow into thin rings and then constrict into nothing but dots. You try to swallow what spit you could, attempting to clear your throat. “Breed me. Please.”

“Then take it.” He lets loose a sinister growl, putting all his weight into his final push. For the first time, you feel his knot pop inside you, veiny and as thick as can be. You let out a high-pitched whimper, and feel your teeth begin to chatter. That doesn’t make him ease up, though. He continues to grind himself inside you until you feel the familiar, warm sensation of his sticky seed spraying inside you – filling your womb to the brim. His cock throbs wildly, in perfect synchrony with his own heartbeat, and soon yours too as the bond equilibrates your souls once more.

Strangely, you thought you’d be sore and overstimulated by now, but your body has never felt better. You’re full and content and more than satiated. Ralak heaves a sigh — one of pure relief. It’s glued to his face. All panic washes away and he’s feeling more at peace the longer he remains inside you. He’s rigid, firmly holding his position on top of you — ensuring he empties every single drop inside you. Yet, his heavy lidded eyes begin to close.

“I can’t breathe.” You mumble, snapping him out of his tranquil trance. His eyes meet yours and the corner of his mouth pulls into a little smirk. He exhales a breathy chuckle and carefully manoeuvres you both into a more comfortable position. He settles himself on his back and supports your body whilst positioning you on top of him.

“Better?” Ralak husks, drawing circles into your back with the tip of his finger.

You take a deep breath, filling your lungs to full capacity and then slowly release it. “Much.”

“Nga yawne lu oer [I love you]” His accented words slur together as he dozes off.

“Nga yawne lu oer, Ralak [I love you].”

——

Ralak woke repeatedly throughout the night for his fill. If it wasn’t him, it was you. Waking up in a clammy state, shaking and nuzzling into his chest from your heat. You honestly thought that the more time passed — the more rounds you went — the more he would calm down.

But, you thought wrong.

He’d start by leaving tender kisses wherever he could, whispering he’d do his best to be as gentle as he can be. Then, he’d slip a finger inside you, stretching you out in attempts to pull his knot out without hurting you. But it would always sting, even just a little bit. After that he’d beg. Pleading with you to let him back in, and apologize right after plunging inside you regardless of your answer—which was always yes.

At this point your own foggy haze would take over. Perhaps it was your body’s way of coping with the overstimulation, but you pined for every single second of it. Sometimes it would last for a few minutes. Where he’d be quick to fold you in two and growl in the shell of your ear, ‘you’re mine, haah — fuck, take me’.

Sometimes it was closer to an hour. Where you’d both be so tired you’d take breaks, lazily taking turns fucking each other, telling him to ‘put it back in’ whenever he’d slip out. But one thing remained the same every time. You’d sob when you’d cum and then beg him to breed you. And he would, without a doubt, breed you.

Mercilessly.

And with each breeding, he’d lose himself a little deeper. Knotting you over and over. Marking you repeatedly until your body’s littered with bites. Until you were so fucked out you’d lost the feeling in your legs. Until your throat was so dry you could barely speak. Until you needed a break.

——

“Wait.” You crawl towards the bedside table with wobbly knees. “Just need some water, Lak.”

Ralak pounces on you, knocking you onto your stomach and pressing himself against you. You extend an arm out, fingers splayed out and shaking from you trying to reach the cup of water Ka’ani left there more than a day ago. Ralak grabs your hips and hoists you up onto your knees and elbows, and mounts you from behind.

“Water. Water, Lak.” You beg with a hoarse cry, only for him to line the crown of his cock up with your sopping cunt. He growls next to your ear as he stretches over you and reaches for the cup of water, filling his cheeks and putting it back down within a couple seconds. With a quick grip of your jaw, he turns your head and meets his lips with yours.

Before you can process what’s going on you’re gulping down water as fast as you can. And when he pulls away, you’re yet again met with the hazy eyes of his rut. That’s when it dawns on you that whilst your heat is coming to an end, his rut is only getting stronger.

Rather than looking away, he locks his gaze onto you, just so he can watch your face screw as he slams his cock inside of you in one, hard thrust. It works a sudden, breathy moan from your mouth, eyebrows pinching together from the stretch. He holds his position, basking in the warmth and tightness of your cunt as his breath goes shaky.

“Wait.” You mumble weakly, shoving a hand behind you to push against his lower stomach. “Please.”

For the first time, you were telling him to stop.

His jawbone flutters as his eyes search yours. Restraint plasters to his face, and the only audible thing is his heavy breathing. He nods. Just once. A firm and intentional nod. He swallows the residual water left in his mouth and tenderly pulls out of you. You hear the thud of his footsteps quiet down as he nears the marui door, and then the splash of the water when he dives into the rough sea.

It’s pouring outside.

Storming, actually. Thundering and lightning. Yet he feels this is the only way he’d be able to resist the urge to storm back in and fuck you. But the instinct to protect his mate, even if it’s from himself, is more than enough to give him the willpower to walk away.

You take this moment to just breathe, turning your head to face the plush bed beneath you as you gather your thoughts. Did he just show that much restraint? Enough to walk away from a female na’vi during her heat cycle… all whilst in the height of his own rut cycle?

“Lekye’ung [insane]” You mutter, using your trembling hand to grab and bring the cup to your lips. They, too, are sore and chapped. Having gone so many hours without any food or water, you knock it back, shaking the cup to get out every drop. Finished already? You think to yourself, looking inside the cup with hazed vision, confirming it’s indeed empty.

After setting it back down onto the table, you slump back into the bedhead, relaxing your body. You’re sore. Actually, sore is an understatement. Every single muscle and fiber in your body burns—and that isn’t entirely due to your heat either now that it’s finally subsiding. Perhaps you should be taking this time to have a look at your… condition, but you’re finding it harder and harder to keep your eyes open.

So you give in, sinking further and further into the bed as you doze off.

—

A few hours go by and Ralak returns with a net of fish thrown over his shoulder and a bucket of fresh water perched on his hip. He carefully sets down the bucket and rests the net next to the fire pit. He’s cautious not to wake you, nor come too close to you. Ralak ignites the fire and fans the flame. As quietly as possible, he prepares and cooks the fish, setting them aside to wrap in the leaves of a spartan tree.

Since coming to Awa’atltu, one of your biggest adjustments—despite the obvious—has been your change in diet. Fish weren’t uncommon back home, but they certainly weren’t the main source of food. You prefer the other foods here, your favourite being what you call ‘inland boar’, which is an animal that resembles what your father calls a ‘pig’ from his star.

But not even that, (boar) could smell better than this (fish).

The aroma alone rouses you from your sleep.

Your eyes open to a dark room and a glowing fire pit. The fire is out but the wood remains hot, shifting among different shades of orange and red. Ralak sits beside it, with his back leaning against the support beam of the pod. His arms are crossed over his chest and his knees are slightly bent. It’s hard to see more than just his silhouette with the lack of moonlight.

“That smells good.” You rasp. Ralak’s eyes fly open to reveal a familiar shade of deep blue. Like the sea. They glow and flicker before you, examining you now that you’re sitting up out of bed.

Crack.

A bolt of lightning strikes in the distance, illuminating the room. For a moment, you were able to see every single bike mark, scratch and bruise you’ve given him. It also reveals that he’s shaking. Trembling from being wet and cold, or possibly from the strain he was putting himself through from just being in the same room as you.

Ralak moves quickly, shuffling to his feet and going right for the leaf that holds a few sloppily rolled fish. He brings it to you, setting it slowly on your lap, being overly cautious not to touch you. Grabbing your cup on the table, he dunks it in the bucket and sets it beside you.

“Eat.” He whispers, backing away to sit next to the pit. You watch as he slides down the beam and into a sitting position, and then glance down at your food. Saliva pools in your mouth from the aroma wafting up your nose.

You’re hungry.

“Thank you.” You say quietly, hastily stuffing an entire roll into your mouth.

You moan as you chew, nodding your head from how good it tastes. It’s hard to swallow, given that you bit off more than you could chew—literally—but when it finally goesdown you feel your stomach grumble for more. Ralak watches you intently. A wince screwing his face with every swallow he witnesses. And when you finish, you chug down your water and wipe your mouth with the back of your hand.

Another crack of lightning strikes, and then a low, lengthy rumble of thunder follows.

“That was… one of the best you’ve made, lak.” You say with a wobbly smile, slowly getting on your feet to wash your hands. The bucket is nearby your mate, who is still fixed in position. Although he remains unmoving, his eyes follow your every move. You shake your hands to dry them and shuffle over to Ralak and sit next to him.

“so… how do you feel?” You ask quietly, raising your hand to check if he’s feverish. He turns his head before your hand can make contact with his skin and his gaze locks onto the charred wood in the fire pit.

“Fine.” Ralak mutters.

Eyebrows pinching in confusion, you tilt your head to try and look him in the eye. Your brows relax when you come to the realisation that he’s already taken care of himself. And only Eywa knows how many times.

“You know, you didn’t have to do that. I would have—”

“Ma’ muntxate [my wife]”He croaks, swiftly turning his head to look directly into your eyes. “Oeru txoa livu [please forgive me].”

“Txoa? [forgive?] What for, ma’ muntxatan? [husband]”

“I have… neglected you.” He’s struggling to speak. You can hear it in the strain of his voice.

Regardless, none of his words are really making any sense to you right now. How has he been neglectful? Despite the circumstances, it’s obvious he’s been trying his hardest to be good to you. Somehow, even conjuring up the strength to pull out of you and walk away.

“Ralak. You have not. Please, I—”

“Look at yourself.” He snaps, taking a quick glance at your body before dropping his head in his hands.

Crack.

Conveniently, another strike of lightning and boom of thunder, revealing exactly what he’s talking about. For a few seconds, you’re met with the sight of your battered body—scabbed and bruised. You lift your head, staring at his shameful demeanour. But the more you stare, the more you see your own reflection.

“And have you looked at yourself?” Your words bounce as you shuffle closer to him. “I bet you can’t even feel all that damage I’ve done to you.” You coo, using your thumb to gently graze past an easy six-inch scratch mark on his bicep. “I haven’t been so gentle with you either.”

Ralak shakes his head, allowing it to sink further into his hands. “You were starved.” He mumbles into the palms of his hands.

You sigh, pulling your knees to your chest and resting your chin in the dip between them. Your eyes wander over to the fire pit, catching sight of the outline of a few fish rolls.

Has he really punished himself by not eating?

“Have you eaten?” You ask, resting a gentle hand on his back.

“No need.”

“You should, you know. Don’t want you starving on me, lak.” You say lightheartedly, allowing your hand to slide up his spine and to the base of his skull.

He lets loose a quiet groan, fighting the twitch of his ears. Your fingers smooth over the base of his kuru, playing with the braid encasing that covers it. “If you do that—”

“Do what?” You whisper coyly, quickly running your hand down the length of his kuru.

His spine immediately straightens, his head lifting from his hands. The tips of your fingers gently make their way to his tendrils, carefully teasing them as they try to wrap around your digits. He sucks in a sharp breath and closes his eyes, allowing a shiver to run through him. It feels like your fingers were inside his skull, tickling his brain in the best way possible.

Reaching for your kuru with your free hand, you bring it up and over your shoulder. You lean into Ralak, your lips only inches away from his. You pull away your fingers to grip and pull his queue forth. The loss of contact has him sitting up straight, opening his eyes to look at you.

“I will not let you suffer alone.” You whisper, lessening the distance between the two of you, tilting your head to the side ever so slightly. He stills himself, even limiting his own breath so as not to make any sudden moves. “Okay?”

You wait for just a moment. For him to say something. To move away. But he remains stock-still, waiting for you to initiate this. You smile, your top teeth briefly rubbing against this lower lip, and lock your lips with his. He exhales through his nose, coming to life from your kiss and returning it full force. You take this as a good sign. A sign that you’ve broken through that wall once again, and bring your kurus together — making tsaheylu [the bond].

Both your eyes fly open, blown pupils staring into one another as your spirits unify. You both pull back, shoulders and chests heaving from your quick, unsteady breaths. You feel all that he feels – the frustration, the panic, the tension. It’s all fading, now finally nearing the end. He feels your subsiding heat, your soreness, your overpowering urge to care for him.

Before another second could pass, your lips crash into each other again—tongues intertwining as they explore one another’s mouth. Using his hand to support your upper back, he slowly lowers you onto the woven floor, parting your legs with his free hand. He situates himself between them, pressing his crotch firmly against yours. He’s warm, just like the toasty fire pit next to you.

I will try to be gentle. Ralak thinks to you, just like he’s been promising to be night after night.

I know you will. You smile, moving your kisses down his jawline as he slides his hands between your sticky pelvises.

——

It hasn’t even been two full weeks since the synchronous heat that had you and your mate locked away in your marui pod for a little over two days. Your back and thighs–and honestly everywhere else– still ache but outside of that, you feel like a brand new person. You weren’t able to confidently say that Ralak feels the same way, however.

Of course, he was adamant on limiting intimacy until you were ‘healed and recovered’. But, he had a bounce in his step. As if he were physically lighter. As if the weight of six years of pent up sexual frustration and self neglect melted off his back when you satiated the ‘insatiable’.

The constant aftercare was almost sickening. Even after most of your marks had faded he remained adamant on treating them with your own omaticayan herbs from back home. He praised them at every use, thanking your people for making such exceptional ’umtsa [medicine].

But as you entered the second week, after tons of reassurance, things dissipated and went back to normal. Ralak went back to his usual routine—fishing, hunting, responding to a few calls to Tonowari and your father. Ralak, without a doubt, made a vow to you and himself not to initiate anything until you were more than healed. But nonetheless clung to you in the nights.

He even, in fact, added a new step into your usual nighttime regimen. As usual, it began with the snuggles and tucking you under his arm just right, providing you with enough warmth to endure the cool night air. Then, he would release the perfect amount of pheromones to get you drowsy enough for bed.

But recently, he’s spent the past seven nights delaying the nightly routine until he’s had his fill of your scent. He’d lay himself down on your chest, nuzzling his face into your bosom and just breathe. You allowed it, thinking it was his own newfound way to wind down for bed.

Yet, the real reason was much different.

——

Right on the two week mark, Tsireya had roped you in with helping her with some of her Tsakrem duties. You were always happy to help her though, as it meant getting away from the marui pod for a little even if it meant being poked and prodded at.

And it certainly didn’t take long for that to happen.

Tsireya lets out a frustrated sigh and plops the medicinal pouch she’s weaving in her lap. “I can no longer ignore it, y/n. You smell different.”

You lift your head, tearing your focus from your task of weaving and look at her with a puzzled expression on your face. You bring the end of your tail to your nose and sniff, but smell… nothing. “Like what?” Her brows lower and her eyes glisten with concern. She purses her lips and unsheathes the lengthy pin from its casing and grabs your hand. “Here we go.” You mutter to yourself, squeezing your eyes shut as you anticipate the sting.

Prick.

“Sss—ah! You need to be careful with how deep you go with that, you know. You could really—” The tsahik in training puts the wooden stick to her tongue and stares at you wide eyed, mouth agape. It’s as if she wants to speak but the words are lodged in her throat. “What? What is it?”

“You—perhaps I am wrong.” She stutters, quickly sheathing the tool back into its casing. “You should see my mother, y/n.”

“What? Why? Just tell me.” The words come out in a haste, and your voice is laced with panic. Do you have some sort of disease of the sea? Is there a cure?

“You — you are with child.” Her lips tremble as she says the words in an uncertain tone of voice.

“What?” You stare at her dumbfounded, a little caught off guard by her choice of words.

“Pregnant. You’re pregnant. But I am likely mistaken. I am only in training. Which is why I said you should see my moth—”

“Oh. No. You’re… you’re probably right, Tsireya.” You swallow the spit pooling in your cheeks, avoiding eye contact.

“H-How? I mean. I know how. But how? Surely Ralak knows not to do such a thing during your heat. He can control himself. R-Right?”

“Right. If I were the only one… in heat.” You say the last few words under your breath, fixing your shawl before picking back up your task.

“What do you mean?” Tsireya leans in with a tilted head, looking a little closer at your covered shoulder. “Did you help him with his rut?” Tsireya asks bluntly. “He’s been unmated for six years, y/n. Did you reall—”

“I am his mate. Of course I did.” You nearly snap, baffled by the tone she’s having with you.

“H-How did that even work?” Tsireya shakes her head, slowly raising her hand towards you.

“What is that supposed to mean?” You finally lift your head to shoot her a puzzled, yet offended stare. “It worked like it would for any other Na’vi.”

“Y/n…” Tsireya quickly grabs your shawl, pulling it off your shoulder to reveal a large, deep and scabbed up bite mark. It looks almost infected because of the strange omaticayan herbal concoction smeared over it. “You should have just let him ease you into it. Look at you, you’re all bruised and—”

“Tsireya.” You interject, “thank you for the concern, but—” you aggressively pull up your shawl, “I feel just fine. Besides, being in heat was the best way to ‘ease me into it’…He was as gentle as he could be.” You mutter, twiddling with the twine as you think back to the way he tried to handle you with care.

“By the looks of it, he was anything but gentle with you.” Tsireya seethes, angry that the man she grew up looking at like a brother would do something like this to you.

You wince at her words. They’re like a knife to the heart.

A long, awkward silence fills the space between you and Tsireya. She reflects on everything she’s said, realising that perhaps she was a little more harsh than needed. She softens her gaze, “I’m sorry. I should not have said that. I just hate seeing you hurt.”

“I get it. I know you’re just looking out for me. It’s alright, ‘reya.”

You exchange lighthearted smiles.

“You are definitely pregnant then. After six years, he must have really filled you—”

“Tsireya!” You laugh, giving her shoulder a light shove.

Tsireya’s grin morphs into a more serious expression. “See mother to make sure. Okay?”

Your smile also fades into something softer as you nod your head in agreement. “Okay.”

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gottaluvharry · 9 months

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family

carlos sainz jr x pregnant!reader

summary: your son has a few questions about why his little sister is in your belly, and carlos is happy to explain

———————————

Lazy mornings with your little family were your favorite. You smiled to yourself as you woke to the hushed whispers of your husband and your son. As you turn to face the other side of the bed, you’re met with 2 pairs of brown puppy dog eyes and 2 identical smiles.

“Buenos dias, mama!” good morning mom your son screeched, proud of himself for using Spanish. “Buenos dias baby” you say through a smile. He latches on to your neck and you feel Carlos’ hand rubbing patterns on your stomach. “Morning hermosa” beautiful he says going in for a kiss. “How is little girl?” he asks. “Sleeping I think. She must be tired after all the kicking she did last night” you groan, recalling the many hours you were woken due to the relentless kicking in your stomach. “lo lamento, se amable con mami” i’m sorry, be nice to mommy he says leaning to talk to his unborn daughter. You just laugh and shake your head at the pout he has on his face, guiding him up by his chin to give him another kiss.

“Papa,” your little boy starts, breaking you and Carlos apart. “How did baby get in mommy’s belly?” he asks as he puts his hand over Carlos’ on your stomach. “Well hijo” son Carlos starts. “Me and mommy love each other, and we made your sister together because we love each other” he says, hoping it’s enough to settle your sons curiosity. “Like when you and mommy make pancakes together?” he asks, now moving to sit in his fathers lap. “No, not like when we make pancakes” he laughs. “He is just made out of love, baby. When 2 people love each other so much and want a little baby like you, they will make one. That’s all I can tell you” he says, avoiding a heavier subject. “But mommy, did it hurt when baby went in your tummy?” he now turns to you with fear in his eyes over the thought of you hurting. “No buddy it didn’t hurt” you assure him, ruffling his hair; but you don’t miss the smirk Carlos sends your way remembering the night in question. “So why does baby stay in mommy’s belly for so long?” he asks, now turning to look at Carlos for the answer. “That’s just where they grow buddy. Babies need lots of space to grow and the only place there is enough room is in a mommy’s tummy” he responds. “Oh” he hums, taking in all the information he’s learning. “But how does baby come out?” he goes on, his eyes lighting up when he gets another question. “When he is ready to come out me and Mommy will go to the hospital and the doctors will help her come out” Carlos answers. “But does it hurt?” your son asks, once again scared of you being hurt. “Only a little bit” you say, “but it is worth it because then we get to hold your little sister”.

As your son continues asking questions and Carlos continues tracing patterns across your stomach, you can’t help but smile at the little life you’ve created. Who knew one bed could hold so much love on a random morning.

—————————————

hope you guys enjoyed this short little blurb:) sorry it’s been so long since i’ve posted, there was a lot going on and then i started school but in honor of Carlos’ birthday AND pole today i figured i’d post something!! might clear my drafts out and post some more in the next week or so<3

also my inbox is open, so request anything if you have any ideas! or if you just want to talk to someone, feel free!

okay last thing, thank you all for the support, it’s so special to me to have people with the same interests reading and liking my work, i want to give you all hugs<333

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turnstileskyline · 6 months

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The Oral History of Take This To Your Grave – transcription under the cut

The pages that are just photographs, I haven't included. This post is already long enough.

Things that happened in 2003: Arnold Schwarzenegger became governor of California. Teen Vogue published its first issue. The world lost Johnny Cash. Johnny Depp appeared as Captain Jack Sparrow for the first time. A third Lord of the Rings movie arrived. Patrick Stump, Pete Wentz, Joe Trohman, and Andy Hurley released Take This To Your Grave.

"About 21 years ago or so, as I was applying to colleges I would ultimately never go to, Fall Out Boy began as a little pop-punk side project of what we assumed was Pete's more serious band, Arma Angelus," Patrick wrote in a May 2023 social media post.

"We were sloppy and couldn't solidify a lineup, but the three of us (Pete, Joe, and I) were having way too much fun to give up on it."

"We were really rough around the edges. As an example of how rough, one of my favorite teachers pulled me aside after hearing the recording that would eventually become Evening Out With Your Girlfriend and tactfully said, 'What do you think your best instrument is, Patrick? Drums. It's drums. Probably not singing, Patrick.'"

"We went into Smart Studios with the Sean O'Keefe... So, there we were, 3/5 of a band with a singer who'd only been singing a year, no drummer, and one out of two guitarists. But we had the opportunity to record with Sean at Butch Vig's legendary studio.

"Eight or so months later, Fueled by Ramen would give us a contract to record the remaining songs. We'd sleep on floors, eat nothing but peanut butter and jelly, live in a van for the next three years, and somehow despite that, eventually play with Elton John and Taylor Swift and Jay-Z and for President Obama and the NFC championship, and all these other wildly unpredictable things. But none of that would ever come close to happening if Andy hadn't made it to the session and Joe hadn't dragged us kicking and screaming into being a band."

Two decades after its release, Take This To Your Grave sits comfortable in the Top 10 of Rolling Stone's 50 Greatest Pop-Punk Albums, edging out landmark records from Buzzcocks, Generation X, Green Day, The Offspring, Blink-182, and The Ramones.

It even ranked higher than Through Being Cool by Saves The Day and Jersey's Best Dancers from Lifetime, two records the guys in Fall Out Boy particularly revere.

Fall Out Boy's proper full-length debut on Fueled by Ramen is a deceptively smart, sugar-sweet, raw, energetic masterpiece owing as much to the bass player's pop culture passions, the singers deep love of R&B and soul, and their shared history in the hardcore scene as any pioneering punk band. Fall Out Boy's creative and commercial heights were still ahead, but Take This To Your Grave kicked it off, a harbinger for the enduring songwriting partnership between Patrick Stump and Pete Wentz, the eclectic contributions from Joe Trohman, and the propulsive powerhouse that is Andy Hurley.

The recordings document a special moment when Fall Out Boy was big in "the scene" but a "secret" from the mainstream. The band (and some of their friends) first sat down for an Oral History (which doubled as an Oral History of their origin story) with their old friend Ryan J. Downey, then Senior Editor for Alternative Press, upon the occasion of the album's 10th anniversary. What follows is an updated, sharper, and expanded version of that story, newly re-edited in 2023. As Patrick eloquently said: "Happy 20th birthday, Take This To Your Grave, you weird brilliant lightning strike accident of a record."

– Ryan J. Downey.

A Weird, Brilliant Lightning Strike Of A Record. The Oral History Of Fall Out Boy's Take This To Your Grave.

As told by:

Patrick Stump

Pete Wentz

Joe Trohman

Andy Hurley

Bob McLynn - Crush Music

Sean O'Keefe - Producer/Mixer

John Janick - Fueled By Ramen

Tim McIlrath - Rise Against

Mani Mostofi - Racetraitor

Chris Gutierrez - Arma Angelus

Mark Rose - Spitalfield

Sean Muttaqi - Uprising Records

Rory Felton - The Militia Group

Richard Reines - Drive-Thru Records

"To Feel No More Bitterness Forever" - From Hardcore to Softcore, 1998-2000

PETE WENTZ: When I got into hardcore, it was about discovering the world beyond yourself. There was a culture of trying to be a better person. That was part of what was so alluring about hardcore and punk for me. But for whatever reason, it shifted. Maybe this was just in Chicago, but it became less about the thought process behind it and more about moshing and breakdowns. There was a close-mindedness that felt very reactive.

TIM MCILRITH: I saw First Born many years ago, which was the first time I saw Pete and met him around then. This was '90s hardcore - p.c., vegan, activist kind of hardcore music. Pete was in many of those bands doing that kind of thing, and I was at many of those shows. The hardcore scene in Chicago was pretty small, so everyone kind of knew each other. I knew Andy Hurley as the drummer in Racetraitor. I was in a band called Baxter, so Pete always called me 'Baxter.' I was just 'Baxter' to a lot of those guys.

JOE TROHMAN: I was a young hardcore kid coming to the shows. The same way we all started doing bands. You're a shitty kid who goes to punk and hardcore shows, and you see the other bands playing, and you want to make friends with those guys because you want to play in bands too. Pete and I had a bit of a connection because we're from the same area. I was the youngest dude at most shows. I would see Extinction, Racetraitor, Burn It Down, and all the bands of that era.

WENTZ: My driver's license was suspended then, so Joe drove me everywhere. We listened to either Metalcore like Shai Hulud or pop-punk stuff like Screeching Weasel.

MCILRITH: I was in a band with Pete called Arma Angelus. I was like their fifth or sixth bass player. I wasn't doing anything musically when they hit me up to play bass, so I said, 'Of course.' I liked everyone in the band. We were rehearsing, playing a few shows here and there, with an ever-revolving cast of characters. We recorded a record together at the time. I even sing on that record, believe it or not, they gave me a vocal part. Around that same time, I began meeting with [bassist] Joe [Principe] about starting what would become Rise Against.

CHRIS GUTIERREZ: Wentz played me the Arma Angelus demo in the car. He said he wanted it to be a mix of Despair, Buried Alive, and Damnation A.D. He told me Tim was leaving to start another band - which ended up being Rise Against - and asked if I wanted to play bass.

TROHMAN: Pete asked me to fill in for a tour when I was 15. Pete had to call my dad to convince him to let me go. He did it, too. It was my first tour, in a shitty cargo van, with those dudes. They hazed the shit out of me. It was the best and worst experience. Best overall, worst at the time.

GUTIERREZ: Enthusiasm was starting to wane in Arma Angelus. Our drummer was really into cock-rock. It wasn't an ironic thing. He loved L.A. Guns, Whitesnake, and Hanoi Rocks. It drove Pete nuts because the scene was about Bleeding Through and Throwdown, not cock rock. He was frustrated that things weren't panning out for the band, and of course, there's a ceiling for how big a metalcore band can get, anyway.

MANI MOSTOFI: Pete had honed this tough guy persona, which I think was a defense mechanism. He had some volatile moments in his childhood. Underneath, he was a pretty sensitive and vulnerable person. After playing in every mosh-metal band in the Midwest and listening exclusively to Earth Crisis, Damnation A.D., Chokehold, and stuff like that for a long time, I think Pete wanted to do something fresh. He had gotten into Lifetime, Saves The Day, The Get Up Kids, and bands like that. Pete was at that moment where the softer side of him needed an outlet, and didn't want to hide behind mosh-machismo. I remember him telling me he wanted to start a band that more girls could listen to.

MCILRATH: Pete was talking about starting a pop-punk band. Bands like New Found Glory and Saves The Day were successful then. The whole pop-punk sound was accessible. Pete was just one of those guys destined for bigger things than screaming for mediocre hardcore bands in Chicago. He's a smart guy, a brilliant guy. All the endeavors he had taken on, even in the microcosm of the 1990s Chicago hardcore world, he put a lot of though into it. You could tell that if he were given a bigger receptacle to put that thought into, it could become something huge. He was always talented: lyrics, imagery, that whole thing. He was ahead of the curve. We were in this hardcore band from Chicago together, but we were both talking about endeavors beyond it.

TROHMAN: The drummer for Arma Angelus was moving. Pete and I talked about doing something different. It was just Pete and me at first. There was this thuggishness happening in the Chicago hardcore scene at that time that wasn't part of our vibe. It was cool, but it wasn't our thing.

MCILRITH: One day at Arma Angelus practice, Pete asked me, 'Are you going to do that thing with Joe?' I was like, 'Yeah, I think so.' He was like, 'You should do that, dude. Don't let this band hold you back. I'll be doing something else, too. We should be doing other things.' He was really ambitious. It was so amazing to me, too, because Pete was a guy who, at the time, was kind of learning how to play the bass. A guy who didn't really play an instrument will do down in history as one of the more brilliant musicians in Chicago. He had everything else in his corner. He knew how to do everything else. He needed to get some guys behind him because he had the rest covered. He had topics, themes, lyrics, artwork, this whole image he wanted to do, and he was uncompromising. He also tapped into something the rest of us were just waking up to: the advent of the internet. I mean, the internet wasn't new, but higher-speed internet was.

MOSTOFI: Joe was excited to be invited by Pete to do a band. Joe was the youngest in our crew by far, and Pete was the 'coolest' in a Fonzie sort of way. Joe deferred to Pete's judgement for years. But eventually, his whole life centered around bossy big-brother Pete. I think doing The Damned Things was for Joe what Fall Out Boy was for Pete, in a way. It was a way to find his own space within the group of friends. Unsurprisingly, Joe now plays a much more significant role in Fall Out Boy's music.

WENTZ: I wanted to do something easy and escapist. When Joe and I started the band, it was the worst band of all time. I feel like people said, 'Oh, yeah, you started Fall Out Boy to get big.' Dude, there was way more of a chance of every other band getting big in my head than Fall Out Boy. It was a side thing that was fun to do. Racetraitor and Extinction were big bands to me. We wanted to do pop-punk because it would be fun and hilarious. It was definitely on a lark. We weren't good. If it was an attempt at selling out, it was a very poor attempt.

MCILRITH: It was such a thing for people to move from hardcore bands to bands called 'emo' or pop-punk, as those bands were starting to get some radio play and signed to major labels. Everyone thought it was easy, but it's not as easy as that. Most guys we knew who tried it never did anything more successful than their hardcore bands. But Pete did it! And if anyone was going to, it was going to be him. He never did anything half-assed. He ended up playing bass in so many bands in Chicago, even though he could barely play the bass then, because simply putting him in your band meant you'd have a better show. He was just more into it. He knew more about dynamics, about getting a crowd to react to what you're doing than most people. Putting Pete in your band put you up a few notches.

"I'm Writing You A Chorus And Here Is Your Verse" - When Pete met Patrick, early 2001.

MARK ROSE: Patrick Stump played drums in this grindcore band called Grinding Process. They had put out a live split cassette tape.

PATRICK STUMP: My ambition always outweighed my ability or actual place in the world. I was a drummer and played in many bands and tried to finagle my way into better ones but never really managed. I was usually outgunned by the same two guys: this guy Rocky Senesce; I'm not sure if he's playing anymore, but he was amazing. And this other guy, De'Mar Hamilton, who is now in Plain White T's. We'd always go out for the same bands. I felt like I was pretty good, but then those guys just mopped the floor with me. I hadn't been playing music for a few months. I think my girlfriend dumped me. I was feeling down. I wasn't really into pop-punk or emo. I think at the time I was into Rhino Records box sets.

TROHMAN: I was at the Borders in Eden's Plaza in Wilmette, Illinois. My friend Arthur was asking me about Neurosis. Patrick just walked up and started talking to me.

STUMP: I was a bit arrogant and cocky, like a lot of young musicians. Joe was talking kind of loudly and I overheard him say something about Neurosis, and I think I came in kind of snotty, kind of correcting whatever they had said.

TROHMAN: We just started talking about music, and my buddy Arthur got shoved out of the conversation. I told him about the band we were starting. Pete was this local hardcore celebrity, which intrigued Patrick.

STUMP: I had similar conversations with any number of kids my age. This conversation didn't feel crazy special. That's one of the things that's real about [Joe and I meeting], and that's honest about it, that's it's not some 'love at first sight' thing where we started talking about music and 'Holy smokes, we're going to have the best band ever!' I had been in a lot of bands up until then. Hardcore was a couple of years away from me at that point. I was over it, but Pete was in real bands; that was interesting. Now I'm curious and I want to do this thing, or at least see what happens. Joe said they needed a drummer, guitar player, or singer, and I kind of bluffed and said I could do any one of those things for a pop-punk band. I'd had a lot of conversations about starting bands where I meet up with somebody and maybe try to figure out some songs and then we'd never see each other again. There were a lot of false starts and I assumed this would be just another one of those, but it would be fun for this one to be with the guy from Racetraitor and Extinction.

TROHMAN: He gave me the link to his MP3.com page. There were a few songs of him just playing acoustic and singing. He was awesome.

WENTZ: Joe told me we were going to this kid's house who would probably be our drummer but could also sing. He sent me a link to Patrick singing some acoustic thing, but the quality was so horrible it was hard to tell what it was. Patrick answered the door in some wild outfit. He looked like an emo kid but from the Endpoint era - dorky and cool. We went into the basement, and he was like, trying to set up his drums.

TROHMAN: Patrick has said many times that he intended to try out on drums. I was pushing for him to sing after hearing his demos. 'Hey! Sing for us!' I asked him to take out his acoustic guitar. He played songs from Saves The Day's Through Being Cool. I think he sang most of the record to us. We were thrilled. We had never been around someone who could sing like that.

WENTZ: I don't think Patrick thought we were cool at all. We were hanging out, and he started playing acoustic guitar. He started singing, and I realized he could sing any Saves The Day song. I was like, 'Wow, that's the way those bands sound! We should just have you sing.' It had to be serendipity because Patrick drumming and Joe singing is not the same band. I never thought about singing. It wasn't the type of thing I could sing. I knew I'd be playing bass. I didn't think it'd even go beyond a few practices. It didn't seem like the thing I was setting myself up to do for the next several years of my life in any way. I was going to college. It was just a fun getaway from the rest of life kind of thing to do.

STUMP: Andy was the first person we asked to play drums. Joe even brought him up in the Borders conversation. But Andy was too busy. He wasn't really interested, either, because we kind of sucked.

WENTZ: I wanted Hurley in the band, I was closest to him at the time, I had known him for a long time. I identified with him in the way that we were the younger dudes in our larger group. I tried to get him, but he was doing another band at the time, or multiple bands. He was Mani's go-to guy to play drums, always. I had asked him a few times. That should clue people into the fact that we weren't that good.

ANDY HURLEY: I knew Joe as 'Number One Fan.' We called him that because he was a huge fan of a band I was in, Kill The Slavemaster. When Fall Out Boy started, I was going to college full-time. I was in the band Project Rocket and I think The Kill Pill then, too.

MOSTOFI: After they got together the first or second time, Pete played me a recording and said, 'This is going to be big.' They had no songs, no name, no drummer. They could barely play their instruments. But Pete knew, and we believed him because we could see his drive and Patrick's potential. Patrick was prodigy. I imagine the first moment Pete heard him sing was probably like when I heard 15-year-old Andy Hurley play drums.

GUTIERREZ: One day at practice, Pete told me he had met some dudes with whom he was starting a pop-punk band. He said it would sound like a cross between New Found Glory and Lifetime. Then the more Fall Out Boy started to practice, the less active Arma Angelus became.

TROHMAN: We got hooked up with a friend named Ben Rose, who became our original drummer. We would practice in his parents' basement. We eventually wrote some pretty bad songs. I don't even have the demo. I have copies of Arma's demo, but I don't have that one.

MOSTOFI: We all knew that hardcore kids write better pop-punk songs than actual pop-punk kids. It had been proven. An experienced hardcore musician could bring a sense of aggression and urgency to the pop hooks in a way that a band like Yellowcard could never achieve. Pete and I had many conversations about this. He jokingly called it 'Softcore,' but that's precisely what it was. It's what he was going for. Take This To Your Grave sounds like Hot Topic, but it feels like CBGBs.

MCILRITH: Many hardcore guys who transitioned into pop-punk bands dumbed it down musically and lyrically. Fall Out Boy found a way to do it that wasn't dumbed down. They wrote music and lyrics that, if you listened closely, you could tell came from people who grew up into hardcore. Pete seemed to approach the song titles and lyrics the same way he attacked hardcore songs. You could see his signature on all of that.

STUMP: We all had very different ideas of what it should sound like. I signed up for Kid Dynamite, Strike Anywhere, or Dillinger Four. Pete was very into Lifetime and Saves The Day. I think both he and Joe were into New Found Glory and Blink-182. I still hadn't heard a lot of stuff. I was arrogant; I was a rock snob. I was over most pop-punk. But then I had this renaissance week where I was like, 'Man, you know what? I really do like The Descendents.' Like, the specific week I met Joe, it just happened to be that I was listening to a lot of Descendents. So, there was a part of me that was tickled by that idea. 'You know what? I'll try a pop-punk band. Why not?'

MOSTOFI: To be clear, they were trying to become a big band. But they did it by elevating radio-friendly pop punk, not debasing themselves for popularity. They were closely studying Drive-Thru Records bands like The Starting Line, who I couldn't stand. But they knew what they were doing. They extracted a few good elements from those bands and combined them with their other influences. Patrick never needed to be auto-tuned. He can sing. Pete never had to contrive this emotional depth. He always had it.

STUMP: The ideas for band names were obnoxious. At some point, Pete and I were arguing over it, and I think our first drummer, Ben Rose, who was in the hardcore band Strength In Numbers, suggested Fall Out Boy. Pete and I were like, 'Well, we don't hate that one. We'll keep it on the list.' But we never voted on a name.

"Fake It Like You Matter" - The Early Shows, 2001

The name Fall Out Boy made their shortlist, but their friends ultimately chose it for them. The line-up at the band's first show was Patrick Stump (sans guitar), Pete Wentz, Joe Trohman, drummer Ben Rose, and guitarist John Flamandan in his only FOB appearance.

STUMP: We didn't have a name at our two or three shows. We were basically booked as 'Pete's new band' as he was the most known of any of us. Pete and I were the artsy two.

TROHMAN: The rest of us had no idea what we were doing onstage.

STUMP: We took ourselves very seriously and completely different ideas on what was 'cool.' Pete at the time was somewhere between maybe Chuck Palahniuk and Charles Bukowski, and kind of New Romantic and Manchester stuff, so he had that in mind. The band names he suggested were long and verbose, somewhat tongue-in-cheek. I was pretty much only into Tom Waits, so I wanted everything to be a reference to Tom Waits. The first show was at DePaul [University] in some cafeteria. The room looked a lot nicer than punk rock shows are supposed to look, like a room where you couldn't jump off the walls. We played with a band called Stillwell. I want to say one of the other bands played Black Sabbath's Black Sabbath in its entirety. We were out of place. We were tossing a few different names around. The singer for Stillwell was in earshot of the conversation so I was like 'Hey, settle this for us,' and told him whatever name it was, which I can't remember. 'What do you think of this name?' He goes, 'It sucks.' And the way he said it, there was this element to it, like, 'You guys probably suck, too, so whatever.' That was our first show. We played first and only had three songs. That was John's only show with us, and I never saw him again. I was just singing without a guitar, and I had never just sung before; that was horrifying. We blazed through those songs.

ROSE: Patrick had this shoulder-length hair. Watching these guys who were known for heavier stuff play pop-punk was strange. Pete was hopping around with the X's on his hands. Spitalfield was similar; we were kids playing another style of music who heard Texas Is The Reason and Get Up Kids and said, 'We have to start a band like this.'

MOSTOFI: The first show was a lot of fun. The musical side wasn't there, but Pete and Patrick's humor and charisma were front and center.

TROHMAN: I remember having a conversation with Mani about stage presence. He was telling me how important it was. Coalesce and The Dillinger Escape Plan would throw mic stands and cabinets. We loved that visual excitement and appeal. Years later, Patrick sang a Fall Out Boy song with Taylor Swift at Giants Stadium. It was such a great show to watch that I was reminded of how wise Mani was to give me that advice back then. Mani was like a mentor for me, honestly. He would always guide me through stuff.

MOSTOFI: Those guys grew up in Chicago, either playing in or seeing Extinction, Racetraitor, Los Crudos, and other bands that liked to talk and talk between songs. Fall Out Boy did that, and it was amazing. Patrick was awkward in a knowing and hilarious way. He'd say something odd, and then Pete would zing him. Or Pete would try to say something too cool, and Patrick would remind him they were nerds. These are very personal memories for me. Millions of people have seen the well-oiled machine, but so few of us saw those guys when they were so carefree.

TROHMAN: We had this goofy, bad first show, but all I can tell you was that I was determined to make this band work, no matter what.

STUMP: I kind of assumed that was the end of that. 'Whatever, on with our lives.' But Joe was very determined. He was going to pick us up for practice and we were going to keep playing shows. He was going to make the band happen whether the rest of us wanted to or not. That's how we got past show number one. John left the band because we only had three songs and he wasn't very interested. In the interim, I filled in on guitar. I didn't consider myself a guitar player. Our second show was a college show in Southern Illinois or something.

MCILRITH: That show was with my other band, The Killing Tree.

STUMP: We showed up late and played before The Killing Tree. There was no one there besides the bands and our friends. I think we had voted on some names. Pete said 'Hey, we're whatever!'; probably something very long. And someone yells out, 'Fuck that, no, you're Fall Out Boy!' Then when The Killing Tree was playing, Tim said, 'I want to thank Fall Out Boy.' Everyone looked up to Tim, so when he forced the name on us, it was fine. I was a diehard Simpsons fan, without question. I go pretty deep on The Simpsons. Joe and I would just rattle off Simpsons quotes. I used to do a lot of Simpsons impressions. Ben was very into Simpsons; he had a whole closet full of Simpsons action figures.

"If Only You Knew I Was Terrified" - The Early Recordings, 2002-2003

Wentz's relationships in the hardcore scene led to Fall Out Boy's first official releases. A convoluted and rarely properly explained chain of events resulted in the Fall Out Boy/Project Rocket split EP and Fall Out Boy's Evening Out with Your Girlfriend. Both were issued by California's Uprising Records, whose discography included Racetraitor's first album and the debut EP by Burn It Down. The band traveled to Wisconsin to record their first proper demo with engineer Jared Logan, drummer for Uprising's 7 Angels 7 Plagues.

TROHMAN: This isn't to be confused with the demo we did in Ben's basement, which was like a tape demo. This was our first real demo.

STUMP: Between booking the demo and recording it, we lost Ben Rose. He was the greatest guy, but it wasn't working out musically. Pete and Joe decided I should play drums on the demo. But Jared is a sick drummer, so he just did it.

TROHMAN: We had gotten this great singer but went through a series of drummers that didn't work out. I had to be the one who kicked Ben out. Not long after, our friend Brett Bunting played with us. I don't think he really wanted to do it, which was a bummer.

STUMP: I showed up to record that demo, feeling pulled into it. I liked hanging out with the guys, but I was a rock snob who didn't really want to be making that type of music. The first few songs were really rough. We were sloppy. We barely practiced. Pete was in Arma Angelus. Joe was the guy determined to make it happen. We couldn't keep a drummer or guitar player, and I could barely play guitar. I didn't really want to be in Fall Out Boy. We had these crappy songs that kind of happened; it didn't feel like anything. Joe did the guitars. I go in to do the vocals, I put on the headphones, and it starts playing and was kind of not bad! It was pretty good, actually. I was shocked. That was the first time I was like, 'Maybe I am supposed to be in this band.' I enjoyed hearing it back.

SEAN MUTTAQI: Wentz and I were pretty tight. He sent me some demos, and while I didn't know it would get as big as it did, I knew it was special. Wentz had a clear vision. Of all the guys from that scene, he was the most singularly focused on taking things to the next level. He was ahead of the game with promotion and the early days of social media.

STUMP: Arma Angelus had been on Eulogy. We talked to them a bit and spoke to Uprising because they had put out Racetraitor. At some point, the demo got to Sean, and he decided to make it half of a split with Andy's band, Project Rocket. We were pretty happy with that.

HURLEY: It was kind of competitive for me at the time. Project Rocket and Fall Out Boy were both doing pop-punk/pop-rock, I met Patrick through the band. I didn't really know him before Fall Out Boy.

TROHMAN: We got this drummer, Mike Pareskuwicz, who had been in a hardcore band from Central Illinois called Subsist.

STUMP: Uprising wanted us to make an album. We thought that was cool, but we only had those three songs that were on the split. We were still figuring ourselves out. One of the times we were recording with Jared in the studio, for the split or the album, this guy T.J. Kunasch was there. He was like, 'Hey, do you guys need a guitarist?' And he joined.

MUTTAQI: I borrowed some money to get them back in the studio. The songwriting was cool on that record, but it was all rushed. The urgency to get something out led to the recording being subpar. Their new drummer looked the part but couldn't really play. They had already tracked the drums before they realized it didn't sound so hot.

STUMP: The recording experience was not fun. We had two days to do an entire album. Mike was an awesome dude, but he lived crazy far away, in Kanakee, Illinois, so the drive to Milwaukee wasn't easy for him. He had to work or something the next day. So, he did everything in one take and left. He played alone, without a click, so it was a ness to figure out. We had to guess where the guitar was supposed to go. None of us liked the songs because we had slapped them together. We thought it all sucked. But I thought, 'Well, at least it'll be cool to have something out.' Then a lot of time went by. Smaller labels were at the mercy of money, and it was crazy expensive to put out a record back then.

MUTTAQI: Our record was being rushed out to help generate some interest, but that interest was building before we could even get the record out. We were beholden to finances while changing distribution partners and dealing with other delays. The buck stops with me, yes, but I didn't have that much control over the scheduling.

WENTZ: It's not what I would consider the first Fall Out Boy record. Hurley isn't on it and he's an integral part of the Fall Out Boy sound. But it is part of the history, the legacy. NASA didn't go right to the moon. They did test flights in the desert. Those are our test flights in the desert. It's not something I'm ashamed of or have weird feelings about.

STUMP: It's kind of embarrassing to me. Evening Out... isn't representative of the band we became. I liked Sean a lot, so it's nothing against him. If anybody wants to check out the band in that era, I think the split EP is a lot cooler. Plus, Andy is on that one.

TROHMAN: T.J. was the guy who showed up to the show without a guitar. He was the guy that could never get it right, but he was in the band for a while because we wanted a second guitar player. He's a nice dude but wasn't great to be in a band with back then. One day he drove unprompted from Racine to Chicago to pick up some gear. I don't know how he got into my parents' house, but the next thing I knew, he was in my bedroom. I didn't like being woken up and kicked him out of the band from bed.

STUMP: Our friend Brian Bennance asked us to do a split 7" with 504 Plan, which was a big band to us. Brian offered to pay for us to record with Sean O'Keefe, which was also a big deal. Mike couldn't get the time off work to record with us. We asked Andy to play on the songs. He agreed to do it, but only if he could make it in time after recording an entire EP with his band, The Kill Pill, in Chicago, on the same day.

MOSTOFI: Andy and I started The Kill Pill shortly after Racetraitor split up, not long after Fall Out Boy had formed. We played a bunch of local shows together. The minute Andy finished tracking drums for our EP in Chicago, he raced to the other studio in Madison.

STUMP: I'm getting ready to record the drums myself, getting levels and checking the drums, pretty much ready to go. And then in walks Andy Hurley. I was a little bummed because I really wanted to play drums that day. But then Andy goes through it all in like two takes and fucking nailed the entire thing. He just knocked it out of the park. All of us were like, 'That's crazy!'

WENTZ: When Andy came in, It just felt different. It was one of those 'a-ha' moments.

STUMP: Sean leaned over to us and said, 'You need to get this guy in the band.'

SEAN O'KEEFE: We had a blast. We pumped It out. We did it fast and to analog tape. People believe it was very Pro Tools oriented, but it really was done to 24-track tape. Patrick sang his ass off.

STUMP: The songs we had were 'Dead On Arrival,' 'Saturday,' and 'Homesick at Space Camp. There are quite a few songs that ended up on Take This To You Grave where I wrote most of the lyrics but Pete titled them.

WENTZ: 'Space Camp' was a reference to the 1986 movie, SpaceCamp, and the idea of space camp. Space camp wasn't something anyone in my area went to. Maybe they did, but it was never an option for me. It seems like the little kid version of meeting Jay-Z. The idea was also: what if you, like Joaquin Phoenix in the movie, took off to outer space and wanted to get home? 'I made it to space and now I'm just homesick and want to hang out with my friends.' In the greater sense, it's about having it all, but it's still not enough. There's a pop culture reference in 'Saturday' that a lot of people miss. 'Pete and I attack the lost Astoria' was a reference to The Goonies, which was filmed in Astoria, Oregon.

HURLEY: I remember hearing those recordings, especially 'Dead on Arrival,' and Patrick's voice and how well written those songs were, especially relative to anything else I had done - I had a feeling that this could do something.

WENTZ: It seemed like it would stall out if we didn't get a solid drummer in the band soon. That was the link that we couldn't nail down. Patrick was always a big musical presence. He thinks and writes rhythmi-cally, and we couldn't get a drummer to do what he wanted or speak his language. Hurley was the first one that could. It's like hearing two drummers talk together when they really get it. It sounds like a foreign language because it's not something I'm keyed into. Patrick needed someone on a similar musical plane. I wasn't there. Joe was younger and was probably headed there.

HURLEY: When Patrick was doing harmonies, it was like Queen. He's such a brilliant dude. I was always in bands that did a record and then broke up. I felt like this was a band that could tour a lot like the hardcore bands we loved, even if we had to have day jobs, too.

"(Four) Tired Boys And A Broken Down Van" - The Early Tours, 2002-2003

STUMP: We booked a tour with Spitalfield, another Chicago band, who had records out, so they were a big deal to us. We replaced T.J. with a guy named Brandon Hamm. He was never officially in the band. He quit when we were practicing 'Saturday.' He goes, 'I don't like that. I don't want to do this anymore.' Pete talked with guitarist Chris Envy from Showoff, who had just broken up. Chris said, 'Yeah, I'll play in your band.' He came to two practices, then quit like two days before the tour. It was only a two-week tour, but Mike couldn't get the time off work from Best Buy, or maybe it was Blockbuster. We had to lose Mike, which was the hardest member change for me. It was unpleasant.

TROHMAN: We had been trying to get Andy to join the band for a while. Even back at that first Borders conversation, we talked about him, but he was too busy at the time.

STUMP: I borrowed one of Joe's guitars and jumped in the fire. We were in this legendarily shitty used van Pete had gotten. It belonged to some flower shop, so it had this ominously worn-out flower decal outside and no windows [except in the front]. Crappy brakes, no A/C, missing the rearview mirror, no seats in the back, only the driver's seat. About 10 minutes into the tour, we hit something. A tire exploded and slingshot into the passenger side mirror, sending glass flying into the van. We pulled over into some weird animal petting zoo. I remember thinking, 'This is a bad omen for this tour.' Spitalfield was awesome, and we became tight with them. Drew Brown, who was later in Weekend Nachos, was out with them, too. But most of the shows were canceled.

WENTZ: We'd end up in a town, and our show was canceled, or we'd have three days off. 'Let's just get on whatever show we can. Whatever, you can pay us in pizza.'

STUMP: We played in a pizza place. We basically blocked the line of people trying to order pizza, maybe a foot away from the shitty tables. Nobody is trying to watch a band. They're just there to eat pizza. And that was perhaps the biggest show we played on that tour. One of the best moments on the Spitalfied tour was in Lincoln, Nebraska. The local opener wasn't even there - they were at the bar across the street and showed up later with two people. Fall Out Boy played for Spitalfield, and Spitalfield played for Fall Out Boy. Even the sound guy had left. It was basically an empty room. It was miserable.

HURLEY: Even though we played a ton of shows in front of just the other bands, it was awesome. I've known Pete forever and always loved being in bands with him. After that tour, it was pretty much agreed that I would be in the band. I wanted to be in the band.

WENTZ: We would play literally any show in those days for free. We played Chain Reaction in Orange County with a bunch of metalcore bands. I want to say Underoath was one of them. I remember a lot of black shirts and crossed arms at those kinds of shows. STUMP: One thing that gets lost in the annals of history is Fall Out Boy, the discarded hardcore band. We played so many hardcore shows! The audiences were cool, but they were just like, 'This is OK, but we'd really rather be moshing right now.' Which was better than many of the receptions we got from pop-punk kids.

MOSTOFI: Pete made sure there was little division between the band and the audience. In hardcore, kids are encouraged to grab the mic. Pete was very conscious about making the crowd feel like friends. I saw them in Austin, Texas, in front of maybe ten kids. But it was very clear all ten of those kids felt like Pete's best friends. And they were, in a way.

MCILRITH: People started to get into social networking. That kind of thing was all new to us, and they were way ahead. They networked with their fans before any of us.

MOSTOFI: Pete shared a lot about his life online and was intimate as hell. It was a new type of scene. Pete extended the band's community as far as fiber optics let him.

ROSE: Pete was extremely driven. Looking back, I wish I had that killer instinct. During that tour; we played a show in Colorado. On the day of the show, we went to Kinko's to make flyers to hand out to college kids. Pete put ‘members of Saves The Day and Screeching Weasel’ on the flyer. He was just like, 'This will get people in.'

WENTZ: We booked a lot of our early shows through hardcore connections, and to some extent, that carries through to what Fall Out Boy shows are like today. If you come to see us play live, we're basically Slayer compared to everyone else when we play these pop radio shows. Some of that carries back to what you must do to avoid being heckled at hardcore shows. You may not like our music, but you will leave here respecting us. Not everyone is going to love you. Not everyone is going to give a shit. But you need to earn a crowd's respect. That was an important way for us to learn that.

MOSTOFI: All those dudes, except Andy, lived in this great apartment with our friend Brett Bunting, who was almost their drummer at one point. The proximity helped them gel.

STUMP: There were a lot of renegade last-minute shows where we'd just call and get added. We somehow ended up on a show with Head Automatica that way.

MCILRITH: At some point early on, they opened for Rise Against in a church basement in Downers Grove. We were doing well then; headlining that place was a big deal. Then Pete's band was coming up right behind us, and you could tell there was a lot of chatter about Fall Out Boy. I remember getting to the show, and there were many people there, many of whom I had never seen in the scene before. A lot of unfamiliar faces. A lot of people that wouldn't have normally found their way to the seedy Fireside Bowl in Chicago. These were young kids, and I was 21 then, so when I say young, I mean really young. Clearly, Fall Out Boy had tapped into something the rest of us had not. People were super excited to see them play and freaked out; there was a lot of enthusiasm at that show. After they finished, their fans bailed. They were dedicated. They wanted to see Fall Out Boy. They didn't necessarily want to see Rise Against play. That was my first clue that, 'Whoa, what Pete told me that day at Arma Angelus rehearsal is coming true. He was right.' Whatever he was doing was working.

"My Insides Are Copper, And I'd Like To Make Them Gold" - The Record Labels Come Calling, 2002

STUMP: The split EP was going to be a three-way split with 504 Plan, August Premier, and us at one point. But then the record just never happened. Brian backed out of putting it out. We asked him if we could do something else with the three songs and he didn't really seem to care. So, we started shopping the three songs as a demo. Pete ended up framing the rejection letters we got from a lot of pop-punk labels. But some were interested.

HURLEY: We wanted to be on Drive-Thru Records so bad. That was the label.

RICHARD REINES: After we started talking to them, I found the demo they had sent us in the office. I played it for my sister. We decided everything together. She liked them but wasn't as crazy about them as I was. We arranged with Pete to see them practice. We had started a new label called Rushmore. Fall Out Boy wasn't the best live band. We weren't thrilled [by the showcase]. But the songs were great. We both had to love a band to sign them, so my sister said, 'If you love them so much, let's sign them to Rushmore, not Drive Thru.'

HURLEY: We did a showcase for Richard and Stephanie Reines. They were just kind of like, 'Yeah, we have this side label thing. We'd be interested in having you on that.' I remember them saying they passed on Saves The Day and wished they would have put out Through Being Cool. But then they [basically] passed on us by offering to put us on Rushmore. We realized we could settle for that, but we knew it wasn't the right thing.

RORY FELTON: Kevin Knight had a website, TheScout, which always featured great new bands. I believe he shared the demo with us. I flew out to Chicago. Joe and Patrick picked me up at the airport. I saw them play at a VFW hall, Patrick drank an entire bottle of hot sauce on a dare at dinner, and then we all went to see the movie The Ring. I slept on the couch in their apartment, the one featured on the cover of Take This To Your Grave. Chad [Pearson], my partner, also flew out to meet with the band.

STUMP: It was a weird time to be a band because it was feast or famine. At first, no one wanted us. Then as soon as one label said, 'Maybe we'll give 'em a shot,' suddenly there's a frenzy of phone calls from record labels. We were getting our shirts printed by Victory Records. One day, we went to pick up shirts, and someone came downstairs and said, 'Um, guys? [Owner] Tony [Brummel] wants to see you.' We were like, 'Did we forget to pay an invoice?' He made us an offer on the spot. We said, 'That's awesome, but we need to think about it.' It was one of those 'now or never' kinds of things. I think we had even left the van running. It was that kind of sudden; we were overwhelmed by it.

HURLEY: They told me Tony said something like, 'You can be with the Nike of the record industry or the Keds of the record industry.'

STUMP: We'd get random calls at the apartment. 'Hey, I'm a manager with so-and-so.' I talked to some boy band manager who said, 'We think you'll be a good fit.'

TROHMAN: The idea of a manager was a ‘big-time' thing. I answered a call one day, and this guy is like, 'I'm the manager for the Butthole Surfers, and I'd really like to work with you guys.' I just said, Yeah, I really like the Butthole Surfers, but I'll have to call you back.' And I do love that band. But I just knew that wasn't the right thing.

STUMP: Not all the archetypes you always read about are true. The label guys aren't all out to get you. Some are total douchebags. But then there are a lot who are sweet and genuine. It's the same thing with managers. I really liked the Militia Group. They told us it was poor form to talk to us without a manager. They recommended Bob McLynn.

FELTON: We knew the guys at Crush from working with Acceptance and The Beautiful Mistake. We thought they'd be great for Fall Out Boy, so we sent the music to their team.

STUMP: They said Crush was their favorite management company and gave us their number. Crush's biggest band at the time was American Hi-Fi. Jonathan Daniels, the guy who started the company, sent a manager to see us. The guy was like, "This band sucks!' But Jonathan liked us and thought someone should do something with us. Bob was his youngest rookie manager. He had never managed anyone, and we had never been managed.

BOB MCLYNN: Someone else from my office who isn't with us anymore had seen them, but I hadn't seen them yet. At the time, we'd tried to manage Brand New; they went elsewhere, and I was bummed. Then we got the Fall Out Boy demo, and I was like, Wow. This sounds even better. This guy can really sing, and these songs are great.' I remember going at it hard after that whole thing. Fall Out Boy was my consolation prize. I don't know if they were talking to other managers or not, but Pete and I clicked.

TROHMAN: In addition to being really creative, Pete is really business savvy. We all have a bullshit detector these days, but Pete already had one back then. We met Bob, and we felt like this dude wouldn't fuck us over.

STUMP: We were the misfit toy that nobody else wanted. Bob really believed in us when nobody else did and when nobody believed in him. What's funny is that all the other managers at Crush were gone within a year. It was just Bob and Jonathan, and now they're partners. Bob was the weird New York Hardcore guy who scared me at the time.

TROHMAN: We felt safe with him. He's a big, hulking dude.

MCLYNN: We tried to make a deal with The Militia Group, but they wouldn't back off on a few things in the agreement. I told them those were deal breakers, opening the door to everyone else. I knew this band needed a shot to do bigger and better things.

TROHMAN: He told us not to sign with the label that recommended him to us. We thought there was something very honest about that.

MCLYNN: They paid all their dues. Those guys worked harder than any band I'd ever seen, and I was all about it. I had been in bands before and had just gotten out. I was getting out of the van just as these guys got into one. They busted their asses.

STUMP: A few labels basically said the same thing: they wanted to hear more. They weren't convinced we could write another song as good as 'Dead On Arrival.' I took that as a challenge. We returned to Sean a few months after those initial three songs, this time at Gravity Studios in Chicago. We recorded ‘Grenade Jumper' and 'Grand Theft Autumn/Where is Your Boy' in a night or two. 'Where is Your Boy' was my, 'Fine, you don't think I can write a fucking song? Here's your hit song, jerks!' But I must have pushed Pete pretty hard [arguing about the songs]. One night, as he and I drove with Joe, Pete said, 'Guys, I don't think I want to do this band anymore.' We talked about it for the rest of the ride home. I didn't want to be in the band in the first place! I was like, 'No! That's not fair! Don't leave me with this band! Don't make me kind of like this band, and then leave it! That's bullshit!' Pete didn't stay at the apartment that night. I called him at his parent's house. I told him I wasn't going to do the band without him. He was like, 'Don't break up your band over it.' I said, 'It's not my band. It's a band that you, Joe, and I started.' He was like, 'OK, I'll stick around.' And he came back with a vengeance.

WENTZ: It was maybe the first time we realized we could do these songs titles that didn't have much do with the song from the outside. Grand Theft Auto was such a big pop culture franchise. If you said the phrase back then, everyone recognized it. The play on words was about someone stealing your time in the fall. It was the earliest experimentation with that so it was a little simplistic compared to the stuff we did later. At the time, we'd tell someone the song title, and they'd say, 'You mean "Auto"'?

JOHN JANICK: I saw their name on fliers and thought it was strange. But I remembered it. Then I saw them on a flyer with one of our bands from Chicago, August Premier. I called them and asked about this band whose name I had seen on a few flyers now. They told me they were good and I should check it out. I heard an early version of a song online and instantly fell in love with it. Drive-Thru, The Militia Group, and a few majors tried to sign them. I was the odd man out. But I knew I wanted them right away.

HURLEY: Fueled By Ramen was co-owned by Vinnie [Fiorello] from Less Than Jake. It wasn't necessarily a band I grew up loving, but I had so much respect for them and what they had done and were doing.

JANICK: I randomly cold-called them at the apartment and spoke to Patrick. He told me I had to talk to Pete. I spoke to Pete later that day. We ended up talking on the phone for an hour. It was crazy. I never flew out there. I just got to know them over the phone.

MCLYNN: There were majors [interested], but I didn't want the band on a major right away. I knew they wouldn't understand the band. Rob Stevenson from Island Records knew all the indie labels were trying to sign Fall Out Boy. We did this first-ever incubator sort of deal. I also didn't want to stay on an indie forever; I felt we needed to develop and have a chance to do bigger and better things, but these indies didn't necessarily have radio staff. It was sort of the perfect scenario. Island gave us money to go on Fueled By Ramen, with whom we did a one-off. No one else would offer a one-off on an indie.

STUMP: They were the smallest of the labels involved, with the least 'gloss.' I said, 'I don't know about this, Pete.' Pete was the one who thought it was the smartest move. He pointed out that we could be a big fish in a small pond. So, we rolled the dice.

HURLEY: It was a one-record deal with Fueled By Ramen. We didn't necessarily get signed to Island, but they had the 'right of first refusal' [for the album following Take This To Your Grave]. It was an awesome deal. It was kind of unheard of, maybe, but there was a bunch of money coming from Island that we didn't have to recoup for promo type of things.

JANICK: The company was so focused on making sure we broke Fall Out Boy; any other label probably wouldn't have had that dedication. Pete and I talked for at least an hour every day. Pete and I became so close, so much so that we started Decaydance. It was his thing, but we ended up signing Panic! At The Disco, Gym Class Heroes, Cobra Starship.

GUTIERREZ: Who could predict Pete would A&R all those bands? There's no Panic! At The Disco or Gym Class Heroes without Wentz. He made them into celebrities.

"Turn This Up And I'll Tune You Out" - The Making of Take This To You Grave, 2003

The versions of "Dead on Arrival," "Saturday," and "Homesick at Space Camp" from the first sessions with Andy on drums are what appear on the album. "Grand Theft Autumn/Where is Your Boy" and "Grenade Jumper" are the demo versions recorded later in Chicago. O'Keefe recorded the music for the rest of the songs at Smart Studios once again. They knocked out the remaining songs in just nine days. Sean and Patrick snuck into Gravity Studios in the middle of the night to track vocals in the dead of winter. Patrick sang those seven songs from two to five in the morning in those sessions.

STUMP: John Janick basically said, ‘I'll buy those five songs and we'll make them part of the album, and here's some money to go record seven more.'

MCLYNN: It was a true indie deal with Fueled by Ramen. I think we got between $15,000 and $18,000 all-in to make the album. The band slept on the studio floor some nights.

STUMP: From a recording standpoint, it was amazing. It was very pro, we had Sean, all this gear, the fun studio accoutrements were there. It was competitive with anything we did afterward. But meanwhile, we're still four broke idiots.

WENTZ: We fibbed to our parents about what we were doing. I was supposed to be in school. I didn't have access to money or a credit card. I don't think any of us did.

STUMP: I don't think we slept anywhere we could shower, which was horrifying. There was a girl that Andy's girlfriend at the time went to school with who let us sleep on her floor, but we'd be there for maybe four hours at a time. It was crazy.

HURLEY: Once, Patrick thought it would be a good idea to spray this citrus bathroom spray under his arms like deodorant. It just destroyed him because it's not made for that. But it was all an awesome adventure.

WENTZ: We were so green we didn't really know how studios worked. Every day there was soda for the band. We asked, 'Could you take that soda money and buy us peanut butter, jelly, and bread?' which they did. I hear that stuff in some ways when I listen to that album.

HURLEY: Sean pushed us. He was such a perfectionist, which was awesome. I felt like, ‘This is what a real professional band does.' It was our first real studio experience.

WENTZ: Seeing the Nirvana Nevermind plaque on the wall was mind-blowing. They showed us the mic that had been used on that album.

HURLEY: The mic that Kurt Cobain used, that was pretty awesome, crazy, legendary, and cool. But we didn't get to use it.

WENTZ: They said only Shirley Manson] from Garbage could use it.

O'KEEFE: Those dudes were all straight edge at the time. It came up in conversation that I had smoked weed once a few months before. That started this joke that I was this huge stoner, which obviously I wasn't. They'd call me 'Scoobie Snacks O'Keefe' and all these things. When they turned in the art for the record, they thanked me with like ten different stoner nicknames - 'Dimebag O'Keefe' and stuff like that. The record company made Pete take like seven of them out because they said it was excessively ridiculous.

WENTZ: Sean was very helpful. He worked within the budget and took us more seriously than anyone else other than Patrick. There were no cameras around. There was no documentation. There was nothing to indicate this would be some ‘legendary' session. There are 12 songs on the album because those were all the songs we had. There was no pomp or circumstance or anything to suggest it would be an 'important’ record.

STUMP: Pete and I were starting to carve out our niches. When Pete [re-committed himself to the band], it felt like he had a list of things in his head he wanted to do right. Lyrics were on that list. He wasn't playing around anymore. I wrote the majority of the lyrics up to that point - ‘Saturday,' 'Dead on Arrival,' ‘Where's Your Boy?,’ ‘Grenade Jumper,' and ‘Homesick at Space Camp.' I was an artsy-fartsy dude who didn't want to be in a pop-punk band, so I was going really easy on the lyrics. I wasn't taking them seriously. When I look back on it, I did write some alright stuff. But I wasn't trying. Pete doesn't fuck around like that, and he does not take that kindly. When we returned to the studio, he started picking apart every word, every syllable. He started giving me [notes]. I got so exasperated at one point I was like, ‘You just write the fucking lyrics, dude. Just give me your lyrics, and I'll write around them.' Kind of angrily. So, he did. We hadn't quite figured out how to do it, though. I would write a song, scrap my lyrics, and try to fit his into where mine had been. It was exhausting. It was a rough process. It made both of us unhappy.

MCLYNN: I came from the post-hardcore scene in New York and wasn't a big fan of the pop-punk stuff happening. What struck me with these guys was the phenomenal lyrics and Patrick's insane voice. Many guys in these kinds of bands can sing alright, but Patrick was like a real singer. This guy had soul. He'd take these great lyrics Pete wrote and combine it with that soul, and that's what made their unique sound. They both put their hearts on their sleeves when they wrote together.

STUMP: We had a massive fight over 'Chicago is So Two Years Ago.' I didn't even want to record that song. I was being precious with things that were mine. Part of me thought the band wouldn't work out, and I'd go to college and do some music alone. I had a skeletal version of 'Chicago...'. I was playing it to myself in the lobby of the studio. I didn't know anyone was listening. Sean was walking by and wanted to [introduce it to the others]. I kind of lost my song. I was very precious about it. Pete didn't like some of the lyrics, so we fought. We argued over each word, one at a time. 'Tell That Mick...' was also a pretty big fight. Pete ended up throwing out all my words on that one. That was the first song where he wrote the entire set of lyrics. My only change was light that smoke' instead of ‘cigarette' because I didn't have enough syllables to say 'cigarette.' Everything else was verbatim what he handed to me. I realized I must really want to be in this band at this point if I'm willing to put up with this much fuss. The sound was always more important to me - the rhythm of the words, alliteration, syncopation - was all very exciting. Pete didn't care about any of that. He was all meaning. He didn't care how good the words sounded if they weren't amazing when you read them. Man, did we fight about that. We fought for nine days straight while not sleeping and smelling like shit. It was one long argument, but I think some of the best moments resulted from that.

WENTZ: In 'Calm Before the Storm,' Patrick wrote the line, 'There's a song on the radio that says, 'Let's Get This Party Started' which is a direct reference to Pink's 2001 song 'Get the Party Started.' 'Tell That Mick He Just Made My List of Things to Do Today' is a line from the movie Rushmore. I thought we'd catch a little more flack for that, but even when we played it in Ireland, there was none of that. It's embraced, more like a shoutout.

STUMP: Pete and I met up on a lot of the same pop culture. He was more into '80s stuff than I was. One of the first things we talked about were Wes Anderson movies.

WENTZ: Another thing driving that song title was the knowledge that our fanbase wouldn't necessarily be familiar with Wes Anderson. It could be something that not only inspired us but something fans could also go check out. People don't ask us about that song so much now, but in that era, we'd answer and tell them to go watch Rushmore. You gotta see this movie. This line is a hilarious part of it.' Hopefully some people did. I encountered Jason Schwartzman at a party once. We didn't get to talk about the movie, but he was the sweetest human, and I was just geeking out. He told me he was writing a film with Wes Anderson about a train trip in India. I wanted to know about the writing process. He was like, 'Well, he's in New York City, I'm in LA. It's crazy because I'm on the phone all the time and my ear gets really hot.' That's the anecdote I got, and I loved it.

O'KEEFE: They're totally different people who approach making music from entirely different angles. It's cool to see them work. Pete would want a certain lyric. Patrick was focused on the phrasing. Pete would say the words were stupid and hand Patrick a revision, and Patrick would say I can't sing those the way I need to sing this. They would go through ten revisions for one song. I thought I would lose my mind with both of them, but then they would find it, and it would be fantastic. When they work together, it lights up. It takes on a life of its own. It's not always happy. There's a lot of push and pull, and each is trying to get their thing. With Take This To Your Grave, we never let anything go until all three of us were happy. Those guys were made to do this together.

WENTZ: A lot of the little things weren't a big deal, but those were things that [felt like] major decisions. I didn't want 'Where Is Your Boy' on Take This To Your Grave.

JANICK: I freaked out. I called Bob and said, 'We must put this song on the album! It's one of the biggest songs.' He agreed. We called Pete and talked about it; he was cool about it and heard us out.

WENTZ: I thought many things were humongous, and they just weren't. They didn't matter one way or another.

"Our Lawyer Made Us Change The (Album Cover)" - That Photo On Take This To Your Grave, 2003

STUMP: The band was rooted in nostalgia from early on. The '80s references were very much Pete's aesthetic. He had an idea for the cover. It ended up being his girlfriend at the time, face down on the bed, exhausted, in his bedroom. That was his bedroom in our apartment. His room was full of toys, '80s cereals. If we ended up with the Abbey Road cover of pop-punk, that original one was Sgt. Pepper's. But we couldn't legally clear any of the stuff in the photo. Darth Vader, Count Chocula…

WENTZ: There's a bunch of junk in there: a Morrissey poster, I think a Cher poster, Edward Scissorhands. We submitted it to Fueled by Ramen, and they were like, 'We can't clear any of this stuff.’ The original album cover did eventually come out on the vinyl version.

STUMP: The photo that ended up being the cover was simply a promo photo for that album cycle. We had to scramble. I was pushing the Blue Note jazz records feel. That's why the CD looks a bit like vinyl and why our names are listed on the front. I wanted a live photo on the cover. Pete liked the Blue Note idea but didn't like the live photo idea. I also made the fateful decision to have my name listed as 'Stump' rather than Stumph.

WENTZ: What we used was initially supposed to be the back cover. I remember someone in the band being pissed about it forever. Not everyone was into having our names on the cover. It was a strange thing to do at the time. But had the original cover been used, it wouldn't have been as iconic as what we ended up with. It wouldn't have been a conversation piece. That stupid futon in our house was busted in the middle. We're sitting close to each other because the futon was broken. The exposed brick wall was because it was the worst apartment ever. It makes me wonder: How many of these are accidental moments? At the time, there was nothing iconic about it. If we had a bigger budget, we probably would have ended up with a goofier cover that no one would have cared about.

STUMP: One of the things I liked about the cover was that it went along with something Pete had always said. I'm sure people will find this ironic, but Pete had always wanted to create a culture with the band where it was about all four guys and not just one guy. He had the foresight to even think about things like that. I didn't think anyone would give a fuck about our band! At the time, it was The Pete Wentz Band to most people. With that album cover, he was trying to reject that and [demonstrate] that all four of us mattered. A lot of people still don't get that, but whatever. I liked that element of the cover. It felt like a team. It felt like Voltron. It wasn't what I like to call 'the flying V photo' where the singer is squarely in the center, the most important, and everyone else is nearest the camera in order of 'importance.' The drummer would be in the very back. Maybe the DJ guy who scratches records was behind the drummer.

"You Need Him. I Could Be Him. Where Is Your Boy Tonight?" - The Dynamics of Punk Pop's Fab 4, 2003

Patrick seemed like something of the anti-frontman, never hogging the spotlight and often shrinking underneath his baseball hat. Wentz was more talkative, more out front on stage and in interviews, in a way that felt unprecedented for a bass player who wasn't also singing. In some ways, Fall Out Boy operated as a two-headed dictatorship. Wentz and Stump are in the car's front seat while Joe and Andy ride in the back.

STUMP: There is a lot of truth to that. Somebody must be in the front seat, no question. But the analogy doesn't really work for us; were more like a Swiss Army knife. You've got all these different attachments, but they are all part of the same thing. When you need one specific tool, the rest go back into the handle. That was how the band functioned and still does in many ways. Pete didn't want anyone to get screwed. Some things we've done might not have been the best business decision but were the right human decision. That was very much Pete's thing. I was 19 and very reactionary. If someone pissed me off, I'd be like, 'Screw them forever!' But Pete was very tactful. He was the business guy. Joe was active on the internet. He wouldn't stop believing in this band. He was the promotions guy. Andy was an honest instrumentalist: ‘I'm a drummer, and I'm going to be the best fucking drummer I can be.' He is very disciplined. None of us were that way aside from him. I was the dictator in the studio. I didn't know what producing was at the time or how it worked, but in retrospect, I've produced a lot of records because I'm an asshole in the studio. I'm a nice guy, but I'm not the nicest guy in the studio. It's a lot easier to know what you don't want. We carved out those roles early. We were very dependent on each other.

MCLYNN: I remember sitting in Japan with those guys. None of them were drinking then, but I was drinking plenty. It was happening there, their first time over, and all the shows were sold out. I remember looking at Pete and Patrick and telling Pete, ‘You're the luckiest guy in the world because you found this guy.' Patrick laughed. Then I turned to Patrick and said the same thing to him. Because really, they're yin and yang. They fit together so perfectly. The fact that Patrick found this guy with this vision, Pete had everything for the band laid out in his mind. Patrick, how he can sing, and what he did with Pete's lyrics - no one else could have done that. We tried it, even with the Black Cards project in 2010. We'd find these vocalists. Pete would write lyrics, and they'd try to form them into songs, but they just couldn't do it the way Patrick could. Pete has notebooks full of stuff that Patrick turns into songs. Not only can he sing like that, but how he turns those into songs is an art unto itself. It's really the combination of those two guys that make Fall Out Boy what it is. They're fortunate they found each other.

"I Could Walk This Fine Line Between Elation And Success. We All Know Which Way I'm Going To Strike The Stake Between My Chest" - Fall Out Boy Hits the Mainstream, 2003

Released on May 6, 2003, Take This To Your Grave massively connected with fans. (Fall Out Boy's Evening Out with Your Girlfriend arrived in stores less than two months earlier.) While Take This To Your Grave didn't crack the Billboard 200 upon its release, it eventually spent 30 weeks on the charts. From Under the Cork Tree debuted in the Top 10 just two years later, largely on Grave's momentum. 2007's Infinity on High bowed at #1.

WENTZ: I remember noticing it was getting insane when we would do in-stores. We'd still play anywhere. That was our deal. We liked being able to sell our stuff in the stores, too. It would turn into a riot. We played a Hollister at the mall in Schaumburg, Illinois. A lot of these stores were pretty corporate with a lot of rules, but Hollister would let us rip. Our merch guy was wearing board shorts, took this surfboard off the wall, and started crowd-surfing with it during the last song. I remember thinking things had gotten insane right at that moment.

HURLEY: When we toured with Less Than Jake, there were these samplers with two of their songs and two of ours. Giving those out was a surreal moment. To have real promotion for a record... It wasn't just an ad in a 'zine or something. It was awesome.

MCLYNN: They toured with The Reunion Show, Knockout, and Punch-line. One of their first big tours as an opening act was with MEST. There would be sold-out shows with 1,000 kids, and they would be singing along to Fall Out Boy much louder than to MEST. It was like, 'What's going on here?' It was the same deal with Less Than Jake. It really started catching fire months into the album being out. You just knew something was happening. As a headliner, they went from 500-capacity clubs to 1500 - 2000 capacity venues.

WENTZ: We always wanted to play The Metro in Chicago. It got awkward when they started asking us to play after this band or that band. There were bands we grew up with that were now smaller than us. Headlining The Metro was just wild. My parents came.

MCLYNN: There was a week on Warped Tour, and there was some beel because these guys were up-and-comers, and some of the bands that were a little more established weren't too happy. They were getting a little shit on Warped Tour that week, sort of their initiation. They were on this little, shitty stage. So many kids showed up to watch them in Detroit, and the kids rushed the stage, and it collapsed. The PA failed after like three songs. They finished with an acapella, 'Where is Your Boy,’ and the whole crowd sang along.

WENTZ: That's when every show started ending in a riot because it couldn't be contained. We ended up getting banned from a lot of venues because the entire crowd would end up onstage. It was pure energy. We'd be billed on tour as the opening band, and the promoter would tell us we had to close the show or else everyone would leave after we played. We were a good band to have that happen to because there wasn't any ego. We were just like, "Oh, that's weird.' It was just bizarre. When my parents saw it was this wid thing, they said, 'OK, yeah, maybe take a year off from college.' That year is still going on.

MCLYNN: That Warped Tour was when the band's first big magazine cover, by far, hit the stands. I give a lot of credit to Norman Wonderly and Mike Shea at Alternative Press. They saw what was happening with Fall Out Boy and were like, 'We know it's early with you guys, but we want to give you a cover.' It was the biggest thing to happen to any of us. It really helped kick it to another level. It helped stoke the fires that were burning. This is back when bands like Green Day, Blink-182, and No Doubt still sold millions of records left and right. It was a leap of faith for AP to step out on Fall Out Boy the way they did.

STUMP: That was our first big cover. It was crazy. My parents flipped out. That wasn't a small zine. It was a magazine my mom could find in a bookstore and tell her friends. It was a shocking time. It's still like that. Once the surrealism starts, it never ends. I was onstage with Taylor Swift ten years later. That statement just sounds insane. It's fucking crazy. But when I was onstage, I just fell into it. I wasn't thinking about how crazy it was until afterward. It was the same thing with the AP cover. We were so busy that it was just another one of those things we were doing that day. When we left, I was like, 'Holy fuck! We're on the cover of a magazine! One that I read! I have a subscription to that!'

HURLEY: Getting an 'In The Studio' blurb was a big deal. I remember seeing bands 'in the studio' and thinking, Man, I would love to be in that and have people care that we're in the studio.' There were more minor things, but that was our first big cover.

STUMP: One thing I remember about the photo shoot is I was asked to take off my hat. I was forced to take it off and had been wearing that hat for a while. I never wanted to be the lead singer. I always hoped to be a second guitarist with a backup singer role. I lobbied to find someone else to be the proper singer. But here I was, being the lead singer, and I fucking hated it. When I was a drummer, I was always behind something. Somehow the hat thing started. Pete gave me a hat instead of throwing it away - I think it's the one I'm wearing on the cover of Take This To Your Grave. It became like my Linus blanket. I had my hat, and I could permanently hide. You couldn't see my eyes or much of me, and I was very comfortable that way. The AP cover shoot was the first time someone asked me to remove it. My mom has a poster of that cover in her house, and every time I see it, I see the fear on my face - just trying to maintain composure while filled with terror and insecurity. ‘Why is there a camera on me?'

JANICK: We pounded the pavement every week for two years. We believed early on that something great was going to happen. As we moved to 100,000 and 200,000 albums, there were points where everything was tipping. When they were on the cover of Alternative Press. When they did Warped for five days, and the stage collapsed. We went into Christmas with the band selling 2000 to 3000 a week and in the listening stations at Hot Topic. Fueled By Ramen had never had anything like that before.

MOSTOFI: Pete and I used to joke that if he weren't straight edge, he would have likely been sent to prison or worse at some point before Fall Out Boy. Pete has a predisposition to addictive behavior and chemical dependency. This is something we talked about a lot back in the day. Straight Edge helped him avoid some of the traps of adolescence.

WENTZ: I was straight edge at the time. I don't think our band would have been so successful without that. The bands we were touring with were partying like crazy. Straight Edge helped solidify the relationship between the four of us. We were playing for the love of music, not for partying or girls or stuff like that. We liked being little maniacs running around. Hurley and I were kind of the younger brothers of the hardcore kids we were in bands with. This was an attempt to get out of that shadow a little bit. Nobody is going to compare this band to Racetraitor. You know when you don't want to do exactly what your dad or older brother does? There was a little bit of that.

"Take This To Your Grave, And I'll Take It To Mine" - The Legacy of Take This To Your Grave, 2003-2023

Take This To Your Grave represents a time before the paparazzi followed Wentz to Starbucks, before marriages and children, Disney soundtracks, and all the highs and lows of an illustrious career. The album altered the course for everyone involved with its creation. Crush Music added Miley Cyrus, Green Day, and Weezer to their roster. Fueled By Ramen signed Twenty One Pilots, Paramore, A Day To Remember, and All Time Low.

STUMP: I'm so proud of Take This To Your Grave. I had no idea how much people were going to react to it. I didn't know Fall Out Boy was that good of a band. We were this shitty post-hardcore band that decided to do a bunch of pop-punk before I went to college, and Pete went back to opening for Hatebreed. That was the plan. Somehow this record happened. To explain to people now how beautiful and accidental that record was is difficult. It seems like it had to have been planned, but no, we were that shitty band that opened for 25 Ta Life.

HURLEY: We wanted to make a record as perfect as Saves The Day's Through Being Cool. A front-to-back perfect collection of songs. That was our obsession with Take This To Your Grave. We were just trying to make a record that could be compared in any way to that record. There's just something special about when the four of us came together.

WENTZ: It blows my mind when I hear people talking about Take This To Your Grave or see people including it on lists because it was just this tiny personal thing. It was very barebones. That was all we had, and we gave everything we had to it. Maybe that's how these big iconic bands feel about those records, too. Perhaps that's how James Hetfield feels when we talk about Kill 'Em All. That album was probably the last moment many people had of having us as their band that their little brother didn't know about. I have those feelings about certain bands, too. 'This band was mine. That was the last time I could talk about them at school without anyone knowing who the fuck I was talking about.' That was the case with Take This To Your Grave.

TROHMAN: Before Save Rock N' Roll, there was a rumor that we would come back with one new song and then do a Take This To Your Grave tenth-anniversary tour. But we weren't going to do what people thought we would do. We weren't going to [wear out] our old material by just returning from the hiatus with a Take This To Your Grave tour.

WENTZ: We've been asked why we haven't done a Take This To Your Grave tour. In some ways, it's more respectful not to do that. It would feel like we were taking advantage of where that record sits, what it means to people and us.

HURLEY: When Metallica released Death Magnetic, I loved the record, but I feel like Load and Reload were better in a way, because you knew that's what they wanted to do.

TROHMAN: Some people want us to make Grave again, but I'm not 17. It would be hard to do something like that without it being contrived. Were proud of those songs. We know that’s where we came from. We know the album is an important part of our history.

STUMP: There's always going to be a Take This To Your Grave purist fan who wants that forever: But no matter what we do, we cannot give you 2003. It'll never happen again. I know the feeling, because I've lived it with my favorite bands, too. But there's a whole other chunk of our fans who have grown with us and followed this journey we're on. We were this happy accident that somehow came together. It’s tempting to plagarize yourself. But it’s way more satisfying and exciting to surprise yourself.

MCILRITH: Fall Out Boy is an important band for so many reasons. I know people don't expect the singer of Rise Against to say that, but they really are. If nothing else, they created so much dialog and conversation within not just a scene but an international scene. They were smart. They got accused of being this kiddie pop punk band, but they did smart things with their success. I say that, especially as a guy who grew up playing in the same Chicago hardcore bands that would go on and confront be-ing a part of mainstream music. Mainstream music and the mainstream world are machines that can chew your band up if you don't have your head on straight when you get into it. It's a fast-moving river, and you need to know what direction you're going in before you get into it. If you don't and you hesitate, it'll take you for a ride. Knowing those guys, they went into it with a really good idea. That's something that the hardcore instilled in all of us. Knowing where you stand on those things, we cut our teeth on the hardcore scene, and it made us ready for anything that the world could throw at us, including the giant music industry.

#long post #lke. VERY long post #fall out boy #fob #take this to your grave #tttyg #patrick stump #pete wentz #joe trohman #andy hurley #if theres any typos lmk and i'll fix em this. hust took fucking forever to transcribe.

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peachsayshi · 5 months

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✧⋄⋆⋅⋆⋄ being wrapped in your arms feels like coming home ⋄⋆⋅⋆⋄✧

wc: 1,820

minors / ageless blogs / blank blogs - do not interact.

notes: here is a little drabble in honor of toji's birthday! this piece was originally titled as "adoration" but I changed it to this instead. I'm taking a small posting break, but I'll be back to my regular schedule within a week! I'm sorry if I haven't been responding to tags or messages, but I will do so soon <3 I hope you're all having a wonderful time and I'm sending all my well wishes out to you! xo

ˏˋ°•*⁀➷ tags: widow toji; age gap (reader is 30 while toji is in his early 40s); a little angsty; toji attempting to break up with you but failing because he's oh so in love

toji overstayed his welcome which was only supposed to last the scorching heat of summer, but he found himself lingering through the quiet stillness of fall. winter came in with a brisk chill and gloomy skies, and that's when toji knew it was time for him to end things with you.

he’s lost interest far quicker in previous relationships. they served their purpose of healing over the wound in his heart, of soothing away the ache of loneliness. he oftens forgets that he was once a loyal, loving husband whenever he abandons yet another fling.

the difference, however, is he at least had the guts to verbally cut things off before.

fucking pathetic, he thinks as he scolds himself. he's been a coward, reducing his actions to disappearing before the sunlight peeks through the horizon, and avoiding any chance of waking you up. he ensures that he is never there to see the way your brows furrow with concern when your hand meets the cold pillow, because otherwise he would falter in his attempt to escape.

this has been going on for over two weeks now but last night was the first time you've actually snapped at his cold, detached behavior. he approached the argument with nonchalance to wither you down, shrugging off the gnawing feeling in the pit of his stomach and then walking out halfway through the fight.

he stayed at a motel thinking that maybe you have finally taken the hint that he's done.

he arrives back to his apartment only to be met with unfamiliar silence. the entrance of his home is dark and lifeless, and it's so quiet he can even hear a pin drop. there's a tightness in his chest, followed by a wave of disappointment that runs over him like a feverish shiver.

despite his hard headed decision, he's still anticipating on hearing your lovely voice to greet him as he walks through the door.

he knows it's selfish.

toji expected many things to happen after last night's fight. he figured the reaction to him leaving you (again) would be far bigger. a screaming phone call or a string of cursing text messages to call him out on his shitty behavior.

after all he deserves it for acting like an insufferable asshole.

he tries to swallow his guilt but it remains lodged in his throat when he acknowledges that this might actually be the end.

the expression on his features falls.

it’s better this way, he consoles, dragging his feet across the floor to approach his kitchenette. he shrugs off his beaten up, oversized coat and tosses it over one of the chairs. he opens one of the cupboards, and grabs a mug to prepare himself a cup of tea.

she’s too young to settle for a guy like me, he continues. widowed with two kids who he barely sees anymore, working paycheck to paycheck just to make ends meet…

a deadbeat.

he exhales, swirling his brew in his ceramic cup. the aroma of sweet leaves dances up the spiral of steam to kiss his nose.

she deserves more than me.

he places the kettle down but stares at the cup mindlessly, losing all train of thought as his hands grip onto the edge of the counter.

he can acknowledge that his insecurities are clouding his judgement on something truly special, even though this was only ever meant to be purely physical.

except, the sex was growing more intimate. the experience wasn't about pleasure for him anymore. he would find himself losing all focus to the depth of your pretty eyes, stealing kiss after kiss like your mouth was the source of where all his happiness belongs.

belonged.

it’s over now, he thinks again. it has to be.

a faint patter of footsteps distracts him, prompting him to ease his hold on the counter as the muscles on his face relax. his heart steadies itself, and he draws in a breath when he feels two arms delicately twine around his waist.

“you’re...still here...” he points out in shock.

he feels you press your forehead into his back. “of course, where else would I be?”

he clears his throat to release the guilt then spins on his heel to face you.

"I thought you might have taken off," he bluntly states as he rests his lower back against the counter.

his heart swells, emanates flurries of golden sparks when he meets your gorgeous irises. the will to carry on with his decision crumbles when he catches the corner of your mouth tick into a slight grin.

"I thought about it," you reply casually, loosening your grip to place your palms flat on the side of his stomach. "but the truth is I'm worried about you and I just…want to talk things out…make sure you're okay...”

“I’m the one acting like a jerk and you’re worried about me?” he blurts.

you quirk your brow at the slip of his question. “so, you know you’re acting like a jerk?”

toji’s eyes widen slightly, a hint of pink tainting his cheek. “I asked the question first.”

you purse your lips playfully, aware of the crack that's been revealed and ready to swing once again with another blow.

“it’s because you’re acting like a jerk that I’m worried about you,” you explain, “you’re not yourself when you’re unsettled about something…”

his face warms, the hue of pink deepening into a stronger blush. the familiarity of pointing out his personal traits feels all too homely. seven months shouldn’t feel like a forever but in this bubble with you time ceases to exist.

you trail the pads of your finger tips up his torso, your hands clasping around the back of his neck as you press all your soft and sweet parts right up against the frame of his body.

the brush of your lips on his scar prompts him to flutter his eyes close. he fails to stop himself from holding you then, his firm hands reaching for the outline of your waist

“so,” you murmur with a tempting kiss as you return to your question, “you know you’re acting like a jerk then?”

please don’t make me say it, he thinks, please don’t make me unravel right in front of your eyes.

he squeezes your side, whispering a defeated “listen…”

“did I do something wrong?” you question, a hint of pain laced through every vowel which only makes his heart ache further. “did something happen?”

toji shakes his head.

“it’s not you,” he grumbles. “look, you asked me a couple of weeks ago if this thing between us was serious and…it shouldn’t be.”

you narrow your gaze, tilting your head with adorable confusion that makes toji want to kiss you right there on the spot.

he can feel you pluck at the fabric of his sweater nervously, “why not?”

toji drops his head and sighs.

“c’mon, doll, let’s be real. I’ve got nothing to give you other than a good fuck in this shitty apartment. you're better off finding someone else and I don't want to waste your time”

you press your mouth into a firm line. “your behavior…” you reply, nipping your bottom lip slightly as you gather your thoughts. “are you acting like this because you…want to end things with me?”

toji has never felt smaller. you’ve reduced him into a shriveled pea rolling around his scuffed up boot. “look, it’s better this way, alright?” he admits with a raise of his head, still refusing to outwardly say what you easily deduced. “it's better to move on before things get too complicated…”

the silence hangs heavy in the air, the tension so thick toji feels like he can’t breathe properly. his heart rattles with no restraint, and he finds himself suddenly lightheaded. an apology rests on the tip of his tongue, ready to take back everything he just bombarded you with but his throat simply tightens once more when your hands cradle his strong jaw.

“I like your apartment,” you quietly speak, “your bed sheets always smell so good, and you fixed the water pressure after I complained that it sucked…”

toji blinks back his surprise.

“I also notice that you burn the candle that I got you and that you switched laundry detergents when your old one gave me that weird rash,” you giggle and toji couldn’t help but huff out an embarrassed laugh himself. “the windows let in the best kind of sunlight, and it’s always so cozy in here…”

you press your lips against his mouth to leave a chaste kiss, “as for the company…” you add on, nuzzling the tip of your nose over his, “I consider you more than just a good fuck.”

toji can physically feel himself wilting underneath the heat of your gaze. “I’m just looking out for you, doll.”

"you can look out for me by making me breakfast instead of running away from me..."

he looks serious but his eyes are sincere, holding a level of tenderness that he only reserves for you. his palm moves to seek out your lower back, a hint of pressure pulling you back into his warmth.

your lover has stayed tight lipped about his past, but over his period with you he's found himself spilling out a few secrets here and there.

"I haven't done this in a long time," he vulnerably admits.

"I know," you reassure him, "but...the real question is, do you want this?"

he parts his lips ready to seal the last nail in the coffin, ready to give you the chance to walk out of his life for good. but you're gazing up at him from underneath your eyelashes, your determined stare an opening of your own mercy. your plush, supple lips summoning his cowardice into oblivion.

"toji?"

his breath hitches, his apprehension silenced by the urgency of his desire.

you're so lovely, he thinks. you feel like home.

"I want you," he reveals, his deep voice smoky and untethered, releasing enough sentiment in those three words that he can feel you tremble in his arms. "I just don't deserve you. I don't want you getting caught up in my bullshit..."

""you're a lot sweeter than you look, you know?" you run your fingers through the streaks of his black hair, combing it back to reveal his forehead. "you deserve to be happy, toji, and...and I think I can make you happy..."

your aura beams with delight when he flashes you a wolfish grin in return. a smile you've grown to adore so deeply. his apology comes in the form of a kiss, one that's gentle and slow. a stroke of fire burns up the back of your neck, making you quiver in places when he glides his tongue across yours. you hum softly into his lips while he releases a content sigh, the barrier he's been keeping up turns to ashes beneath your feet.

#toji x reader #toji x you #toji fushiguro x reader #toji fushiguro x you #toji x y/n #toji fushiguro x y/n #toji fluff #toji angst #jujutsu kaisen fluff #jujutsu kaisen angst #peach is {offline} ˚₊‧꒰ა ☆ ໒꒱ ‧₊˚

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imnameimswrld · 5 months

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╰┈➤ ❝ [𝐅𝐨𝐮𝐫 || 𝗠𝗩𝟭, 𝗩𝗗𝟮𝟵, 𝗥𝗛 ꒱꒱

━━ ❪ . . . maxverstappen x vincedunn x renhiramoto x vettel!model!reader ❫

━━ ❪ . . . description : world famous model y/n vettel celebrates her birthday and the internet blows up when 3 of the hottest sportsmen post about her, their princess ; ❫

━━ ❪ . . . smau, poly relationship ❫

━━ ❪ . . . warnings : language ❫

━━ ❪ . . . fc: gigi hadid ❫

━━━━━━━━━━━━━━━━━━━━━━

maxverstappen1, vincedunn, and ren__k1 added to their stories !

[ caption for all: our bday princess 💗 ]

ynusername

liked by vincedunn, tomholland2013, and 50 335 798 others

[ tagged: kendalljenner, zendaya, maxverstappen1, ren__k1, vincedunn ]

ynusername what a birthday weekend I had ! spent it with my special friends, my amazing boys, and some damn good dinner 💗. thank you for the stellar weather monaco, a huge congrats to my maxie on p1, and GO SEATTLE KRACKENS 3-0 !!!! 🏆

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user MOTHER SLAYS ONCE MORE.

user yn and seb were so cute at the race omg the way she was hugging him and squishing their cheeks together 😭

user I genuinely wonder what seb's reaction was to his little sis telling him she has not one, but THREE bfs.

⤿ sebastianvettel i fainted.

⤿ maxverstappen1 ah, good times

[ likes by ren__k1 ]

user miss girl has a f1 champion, a nhl player, a mma fighter, AND is the younger sister of a former f1 word champion – god has favourites.

user yeah, god, it's ME AGAIN.

user couple of the century idc what anyone says.

zendaya what a weekend indeed omg 😻

⤿ ynusername miss our midnight adventures already 🤭😫

[ liked by zendaya, kendalljenner ]

⤿ kendalljenner we gotta plan another girls weekend – but boy-free this time !!

[ liked by ynusername, zendaya ]

⤿ vincedunn hey, I can be one of the girls.

⤿ tomholland2013 same here !

user did ya'll see the videos of them in the restaurant ?? 😫😫

⤿ user yes omfg the way vince pulled her on his lap so they could all three hold her while they sang happy birthday PLEASE 😭😭

⤿ user yn gets to kiss these three everyday... are you guys looking for a 5th party to your relationship ? I volunteer 🙂 !

user bye they're so cute omfg.

vincedunn

liked by brandontanev, charles_leclerc, and 67 332 others

vincedunn life's been pretty perfect lately 💌

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user crying on the highway.

ynusername you three are the perfect ones 🥰

⤿ vincedunn don't start with me baby

⤿ ren__k1 I will headlock you again, and you know know it.

⤿ ynusername I do know it, and I'm waiting.

[ liked by ren__k1 ]

user OH- mother is bold damn

user yn wearing his jersey 🥺

user them>>> the world.

maxverstappen1

liked by danielricciardo, christianhorner, and 1 223 453 likes

maxverstappen1 loving this little life of mine :)

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sebastianvettel not ren and vince suffocating my sister

⤿ ynusername I'm alive seb

⤿ sebastianvettel are you though ? are you really ? cause girl, you manage three hotheads, and I don't know how you do it.

⤿ ren__k1 honestly don't know how she does it either seb, but I'm not complaining.

user seb being concerned for yn having the bfs she does is weirdly hilarious to me

user I pray for anyone idiot who ever tries to cross yn honestly

user one look in yn's direction and i bet they pounce.

⤿ ynusername I can confirm this statement.

⤿ zendaya scariest shit I've ever seen in ma life.

⤿ landonorris I'm a victim.

⤿vincedunn I APOLOGIZED for that lando, I didn't know you at the time !

⤿ landonorris and yet, I can still feel the remnants of the fire of your gaze burning into my head.

⤿ maxverstappen1 my god you're dramatic.

ren__k1

liked by yukitsunoda0511, sebastianvettel, and 566 335 others

ren__k1 この人生にとても満足しています

[ trans: so happy with this life ]

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ynusername aishitemasu 💗

⤿ ren__k1 watashi wa anata o motto aishiteimasu purinsesu 💗

user ya'll I saw them at the pride parade yesterday and I CRIED they're so sweet and I was able to get a picture with them 🤧

⤿ user the way they tools turns carrying her on their backs was so cute pls

⤿ user the princess treatment is unmatched.

⤿ ynusername 🏳️‍🌈🤘

⤿ user QUEEN !

vincedunn ren, will u come stream with me please ?

⤿ ren__k1 isn't it max's turn ?

⤿ maxverstappen1 nu-uh, I streamed with him last week.

⤿ vincedunn and max, I love you, but you talk too much and you keep telling me what to do in MY game.

⤿ maxverstappen1 you literally told me you loved having me ??? two-faced. you even said ren is too quiet and broody.

⤿ ren__k1 because I hate streaming and vince KNOWS that.

⤿ ynusername boys.

⤿ vincedunn sorry.

⤿ maxverstappen1 sorry.

⤿ ren__k1 gomen.

⤿ ynusername so who's turn is it to stream with v ?

⤿ ren__k1 ...mine

⤿ ynusername and, are you going to ?

⤿ ren__k1 yes ma'am.

user damn.

━━━━━━━━━━━━━━━━━━━━━━

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sofs16 · 6 months

Text

sleepy 16

writer x charles leclerc

sleepygirl

liked by 3,345,383 others sleepygirl Coffee is for the wise.

view all 324,564 comments

user72 yes but you know what’s wiser? GIVING US THE BOOK 😭😭😭😭😭😭

⤷landonorris agreed. no rush. but 😆

oliviarodrigo caption real!

gracieabrams stunner 🥹

june 1, 2023

sleepygirl

liked by kenzie, oliviarodrigo, charles_leclerc, and 5,696,494 others sleepygirl I actually had the book ready 2 weeks ago but anyways…

I’m trying something new and publishing my book “the sun and her flowers” with little poems I’ve created over the last 3 years on July 10. With a great timespan, it has lots and lots of emotions. I hope you enjoy it and you can pre-order now!🤍

view all 927,484 comments

thisispattismith This is too exciting! ⤷ sleepygirl i adore you

user72 YOURE WELCOME GUYS.

⤷ sleepygirl Yeah. Thank user72 because of their comment 😭

user2 okay but anyone see charles leclerc in the likes… what in the multiverse lewishamilton no text update?

lewishamilton 🧍🏾

⤷ sleepygirl Sorry, Lew. I only told one person about it, aside from my team. 🤭

⤷ lewishamilton i wonder who

⤷ landonorris Unfortunately, it wasn’t me.

⤷ sleepygirl “Skill issue”

⤷ user2 😨 july 3, 2023

sleepygirl

liked by charles_leclerc, and 2,697,707 others

sleepygirl ps. I’ll be having a little booksigning and early book access tomorrow at Waterstone UK just near Silverstone. Exact location coordinates are on my story and bio, see you there!🤎

view all 473,575 comments

user1 NEAR SILVERSTONE? WHAT? ssleepsgirl so excited to see you 🥹 ⤷ sleepygirl 🤍

landonorris See ya, mate! ⤷ sleepygirl I already have your copy saved.🏎️

⤷landonorris L lewishamilton

⤷ lewishamilton 🧍🏾

⤷ sleepygirl Did you just L Sir Lewis Hamilton….

july 3, 2033

liked by sleepygirl, and 3,363,363 others

charles_leclerc Releasing a very special video about a very special week for me tomorrow. Can't wait for you to see what it's like for me to be racing at home. Video will be live tomorrow at 5pm CET on my YouTube channel 😘

view all 827,384 comments

ssscud16 IS THAT SLEEPYGIRL IN THE LAST PIC.

⤷ f1mclerr so silly how we dont know her name and just call her sleepygirl 😭

user37 what the fuck is happening this week

july 5, 2023

sleepgirlfan1

liked by 3,373 others

sleepgirlfan1 FUCK???? WHAT

view all 265 comments

sleepygirl 💜💜💜

⤷ sleepgirlfan1 WHAT. ⤷ fffgirl MS MAAM. july 6, 2023

charleslsll

liked by 5,474 others charleslsll sleepygirl WE KNOW ITS U BBG. view all 744 comments

user1 WHERE IS THIS

⤷ ch16up charles’ new vlog:)

july 6, 2033

sleepygirl just posted on instagram stories !! caption: 😴 | Snooze by SZA playing

slpgirlupdates

liked by 5,383 others

slpgirlupdates sleepygirl at the silverstone gp with friends 🥹 view all 473 comments

july 6, 2033

thetonyabrewer

liked by 933,844 others

thetonyabrewer sleepygirl for the F1 Quali at Silverstone 🤎

view all 32,484 comments

user73 why did she eat more than anyone else at a gp😭

july 8, 2023

sleepygirl

liked by charles_leclerc, and 11,585,393 others

sleepygirl Hi! My name is Yn and I am irrevocably in love with this guy named Charles Leclerc ❤️

view all 3,383,292 comments

charles_leclerc ❤️❤️❤️

sleepylovve CALLED IT

useriee oh to be loved by a writer 🥹

july 9, 2023

charles_leclerc

liked by sleepygirl, and 8,696,383 others

charles_leclerc Happiest birthday, Amour! I know one day our house will be eaten by books but as long as I am with you, it is alright. I love you more than the alphabet can explain and can not wait for a lifetime with you. view all 3,585,585 comments

sleepygirl The book hallway at home 😭 sorry… I love you so much!! ❤️❤️❤️

pascale_leclerc Joyeux anniversaire sleepygirl ❤️🎉

⤷ sleepygirl merci maman 🥹❤️‍🩹

user16 sleepygirl speaks french?!?! ⤷ sleepygirl only learned the basics for maman 😝

[liked by pascale_leclerc, charles_leclerc, and 149,383 others]

⤷ charles_leclerc “maman” 😞

⤷ sleepygirl AND YOUUU!!!! STOPP

⤷ charles_leclerc Silly girl, love you

⤷ sleepygirl I love you too❤️

⤷pierregasly Blegh

⤷ landonorris PARENTS

july 16, 2023

#f1 fanfic #charles leclerc #formula 1 #charles leclerc fanfic #social media au #charles leclerc imagine #charles leclerc x you #f1 imagines #charles leclerc 16

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mziroe · 10 months

Text

national gf day!

ft. monster trio (separate)

National gf day was like 3 days ago… this is for us delulus with no one to post us :( it’s modern au sorta

Luffy

was probably reminded by Nami or Robin about it

honestly, i don’t think he’d even know, you’d be his very first girlfriend

but once he does know, he’ll do all sorts of things for you! Including dinner for the two of you (nowhere super fancy, but still special nonetheless ‘cause it’d be where you guys had your first date or something)

at first, he wouldn’t really understand why he would post you on his social media (honestly i don't think he uses social media often, probably has an acc w many followers but never posts)

maybe Nami had to explain to him why it’d make you feel special and happy, and he does so without question

probably a simple story post of you (probably a bad photo in your opinion, but he thought you looked cute) and he just tagged you with something like ‘happy gf day to my gf!’ and like some goofy emoji that doesn't even correlate like meat or something

Zoro

another absolutely clueless one, angry reminder from Sanji ‘YOU BETTER TREAT HER RIGHT TODAY IS NATIONAL GF DAY! YOU DO SOMETHING YOU STUPID MOSSHEAD!’ (u cannot convince me they aren't bffs.)

will take you on a date to your favourite place but will be very nonchalant about it, he will even bring you your favourite flowers as well. (you mentioned it a really long time ago and didn’t think he remembered ‘cause you thought he was sleeping but he actually remembered every single word you said)

afterwards, he will take you back home, cuddle up with you and take a long ass nap

will post at the end of the day, a picture of you from the date. It’s very ‘soft launch’ vibes tho, probably a mirror pic with you holding his hand or his arm around your shoulder

he’ll just have a heart emoji and you tagged

also i honestly think modern!zoro is an avid gym goer, the only posts he has is probably you and his gym pictures

Sanji

the only one out of the trio that knows about national gf day, has notification for every single important date regarding you (anniversaries, birthday and every miniscule day he can celebrate with you, is there.)

from the moment you wake up, he will be doting on you, even more so than usual, breakfast in bed, all your favourite little things lined up for you for that day, imagine the both of you cooking together at home as a date :(

every wish is his command, he will treat you like this every single important date as well, be prepared to literally be pampered like a princess

avid social media updater; will post you throughout the day. starting with a picture of you from when you wake up with your little breakfast in bed

people looking at his story will see so many stories of you on that day that they will scroll to the next person’s story once they see the 5th one of the day.

but right at the end of the day he will make a little collage of all the pictures of you he took for the day, as well as his favourite photos of you.

has the cutest love song on that story (probably in French hehe) along with the sweetest paragraph of how much he loves you

#one piece x reader #zoro x reader #zoro fluff #i had no one to post me ok #i was feeling sad and lonely #so silly and goofy #cutie patooties #one piece #vinsmoke sanji #sanji x reader #one piece luffy #luffy x reader #one piece fluff #one piece headcanons #headcanon #sanji fluff #luffy fluff

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neixins · 2 months

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he’s just like me fr, part 3 (part 1, part 2)

[ID: nine images of gija from “yona of the dawn”. (1) he’s lying down while injured and frustratedly saying, “i-i can’t get up!”; (2) he’s slapping jaeha’s arm in a panic, saying, “j…jaeha! jaeha—! a bug! there’s a bug!”; (3) he’s hugging a pillow with a content expression, saying, “sleeping under a roof…[heart] fluffy bedding…[heart]”; (4) he slumps against jaeha, woozy, and jaeha remarks, “good grief.”; (5) he’s sick, curled up on the ground and leaning against sinha; (6) he has his arms wrapped around jaeha and is screaming, “to a world without bugs! hurry!”; (7) he’s happily leaning against a pile of folded clean sheets; (8) he’s backed up against a cave wall, saying, “ah! it hid behind those human bones!”; jaeha, exasperated, says, “most people would be more distressed by human remains than bugs.”; (9) he’s sitting up in his sleeping mat and frustratedly says, “now i’m stuck here.”. end ID.]

#why does this cursèd website yet again hate the idea of me posting these as nine separate images :(#oh whatever. (<- furious)#special little guy birthday posting <3 #akayona

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yukoii1 · 5 months

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Can you do chubby reader x toji who loves to workout

·˚ ༘ 𝑰𝒏𝒇𝒐 ➪ fluff, small smutty activity’s, body worship, gymrat!toji, chubby!reader, black!reader

༉‧₊˚. 𝑺𝒚𝒏𝒐𝒑𝒔𝒊𝒔 toji is a gym rat. he loves working out but It upsets you because he never spends time with you. you wanna scold him, but end up getting distracted and he apologizes In a different way.

ミ★ 𝑵𝒐𝒕𝒆. hello my loves! jus wanted to say, I am so grateful for all the loyal supporters and love I’ve been getting and wanted to announce were so close to 1k followers! once we do manage to get to the goal I wanna do something special for you all. I want to do a little give away type thing. I’ll make a post following up on what It Is but other than that I hope you guys enjoy the story!

❝ 𝑮𝒀𝑴 𝑹𝑨𝑻 ❞ －𝑻𝑶𝑱𝑰 𝑭𝑼𝑺𝑯𝑰𝑮𝑼𝑹𝑶. 𝒓𝒆𝒒𝒖𝒆𝒔𝒕

₊˚ෆ 𝑻𝒐𝒋𝒊 - toji was an absolute gym rat. he loved working out, day and night he was always In the gym doing his work out routines, you would get lucky enough If you see him on the couch one day eating chips scrolling through his phone but other than that he's always In the gym. you do scold him every chance you get when you see him but you can never stay too mad at him considering he would always distract you by flexing his chest. It was 7:15pm, normal time you would start cooking dinner but you still haven't seen toji all day, since 12 this afternoon matter a fact. you haven't spent not one time with him. he told you before 3 he would be back to the bedroom to lay with you since It's your day off from work but you've been by yourself ever since, you barley get to see him considering your packed work schedule and his. you huffed pulling the blankets off your body walking out the shared room to go down to the gym. when you walked past by the gym, you could see him doing sit ups with his headphones on, back full of sweat as they flexed every sit up he did. you would say you had forgotten all about scolding him.

normally you would go off on him for always working out and making promises he never keeps but this time you stayed quiet and watched him. the small grunts and groans that left his lips every sit up made you bite your lip. the way his hair stuck to the back of his neck as his muscles twitched and flexed— fucking hell! could you blame yourself though? you had a hot boyfriend who has everything perfect about him. his back, his abs, his arms, his face.. how did you bag him? you always asked yourself why toji decided to go for you Instead of some other girl. but when you confessed to him and asked why he picked you, his answer had shocked you. from glances you would honestly think toji's type Is a skinny, long haired chick but In reality his type were bigger chubby girls, when he told you, you didnt buy It and thought he was messing with you till he had that look on his face. the look that tells you he's telling the truth. your eyes started to trail up to his bare arms watching as they flexed.

toji must've felt a presence behind him by the way he stopped his set, taking his headphones off turning his head over his shoulder to see you leaning against the frame. he clicked his tongue spotting you staring at him and the outfit you were wearing. It was an outfit he had bought for you on your birthday, which was only to be worn In the bedroom for his eyes only just In case company came over but obviously not. by the looks of It, It seemed you were trying to tease him but In reality you decided to wear It because It was the first thing you saw, and you thought he was going to be In the bed but he wasn't. so you didn't bother to change not thinking much into It till toji got up from his sitting position walking towards where you were with a grin on his face, your eyes followed each step of the way, keeping your focus on his with arms crossed. even If he has you distracted right now doesn't mean you forgot.

toji could know he did something to upset you by the small pout on your face as you looked at him. he tilted his head with a mocking pout of his own, "why you so pouty, hm?." he asked with a hand grabbing your jaw tilting your head a bit, you rolled your eyes scoffing. "you know why." he did but he wanted you to say It, toji shrugged his shoulders shaking his head. "I don't If you don't tell me sweetheart." cock sucker. you huffed. "why didn't you come up like you said you were?." he only shrugged, with a grin. "don' know." he wasn't really paying attention to what you were saying and only focusing on the night gown you had, he knows he messed up by not fulfilling his promise but right now he couldn't help but just stare and get lost Into his own little world.

you could see that he was staring at you, feeling slightly nervous under his stare. was It the outfit you were wearing? was It your stomach showing? so many questions went through your head as to why he was looking at you, maybe he's trying to throw me off. you furrowed your eyesbrows, "don't think you can-!" you went to question It but got interrupted by your gasp feeling him lift you, your heart started to pound against your chest, placing your hands on his shoulders as he took you somewhere, "toji! I wasn't done talking!." he didn't even mind your complaining as he kept walking to the shared room, pecking at your shoulder, squeezing your thighs. "be quiet." this man gave no shit about what you complain about, honestly he didn't even pay attention to you hitting his back to make him out you down. he only kept walking.

toji pecked and nibbled at your shoulder leaving small marks on your skin, opening the door with his foot, laying you on top of the bed towering over you trailing his eyes down the night gown you had on. the strap on your shoulder came lose slightly exposing your breast as you looked confused under him. fuck. you looked so cute, "so..fucking cute." he mumbled to himself leaning down towards your face to peck your shoulder trailing up to your neck then your lips kissing you rough. your eyes went wide but started to close leaning Into the kiss with a small moan, you were getting lost Into his mouth till you realized he was winning!. you grumbled pushing him back, hearing an annoyed sigh. "I'm not done with you yet." you said with a stern look, he rolled his eyes not paying any mind leaving down to kiss your neck, trailing across your t-bone to your breast, kissing down your stomach hearing your breathes go unsteady, you clenched the bed sheets feeling your pussy clench each peck he gave your stomach, "go on." you gulped down a giant lump In your throat clearing your throat.

you tried to talk but only gasps came from your mouth feeling his finger press against you, he raised a brow with a hum. "quiet now, hm?" you didn't answer. you could only focus on his lips that's were placed on your stomach, he always loved kissing your stomach. leaving his marks on them, groaning each time he would. he chuckled hearing your breathes Increase trailing your hand to his hair, raking your nails through his scalp. "why don't I apologize In another way? would you forgive me then?." he chuckled but groaned feeling you pull his hair staring at him with a glare.

"jus fuck me already."

#⋆·˚ ༘ * 𝒁𝒆𝒓𝒐 ˚ʚ♡ɞ˚ 𝒘𝒓𝒊𝒕𝒆𝒔: 𝒔𝒄𝒆𝒏𝒓𝒊𝒐𝒔 !¡ ✫彡 #black reader #{ 🖋️} writings #anime x black!reader #anime x reader #fluff #smut #jjk x black reader #toji fushigro x reader #toji x black reader #toji x reader #toji x you #jujustu kaisen #chubby reader #chubby black reader

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tteokdoroki · 1 year

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*ੈ🌩️‧₊˚— happy home day + eijirou kirishima.

૮˶ᵕ ༝ᵕ˶ა synopsis — exactly one a year after adopting from the pound, kirishima plans a special surprise for you, his special little puppy hybrid, on their birthday.

⭑ warnings — please read + mdni ! characters aged up, smut, fluff, hybrids, lingerie, collars, creampies, dumbification, possessiveness, pet-names, body-worship, orgasm-denial, dom-sub, unprotected sex, praise!kink, daddy!kink, breeding!kink, afab!reader, puppy hybrid!reader, pro hero + owner!kirishima.

⭑ words — 4.3K.

⭑ notes — hi !!! i wanted to post something so had you guys vote on what you wanted to see next. the winner ended up being kirishima <3! this was a birthday fic commissioned by my baby @eijirhoe ( who has given me permission to post ) and was beta read by the lovely @vagabondings!! i hope you enjoy !! kiss kiss - m.list ✩

“for fucks sake, kirishima, that is not a fuckin’ guard dog.”

only katsuki bakugou could be this miserable in an adoption centre for adorable hybrids— kittens, bunnies, mice and puppies alike. the redhead gives the employee standing nearby an apologetic mix between a smile and a grimace, the poor thing shaking in their boots at the proximity of the dynamight.

“katsuki, don’t yell. you’ll scare the ‘lil thing,” he pouts, sticking his fingers through the wire bars on the cage— coaxing the little hybrid inside closer. “and i thought you said german shepherds made great guards!” kirishima wiggles his digits again, pursing his lips to make those kissy sounds that are usually used to call to cats and crouches down to the height of the enclosure.

bakugou smacks him upside the head but takes a stance beside his rioting hero friend before signing dejectedly. “wrong sound idiot, you’re meant to whistle,” the two strong, and surely intimidating men spare a glance at the cowering hybrid as katsuki whistles in an attempt to gain some trust. “and they usually do, but this one looks like they might shit themselves if someone looks at them funny. not a guard dog.”

“but bakugou—“

“i hate to interrupt, mister riot. mister dynamight.” the employee from earlier steps in, steeling her nerves as she gestures to the cage the puppy hybrid is in. “but if this one doesn’t get adopted soon, i’m afraid they’re going to be put down. we don’t have the space for slightly quieter and apprehensive hybrids like them, no one really wants them if they’re not overly friendly or energetic and…if they do it’s usually for the like…”

“hybrid farms,” bakugou finishes for the kid, his voice thick with disgust. “just shut one of those down the other day. awful fuckin’ places.”

kirishima pouts again, peering into your cage— noting the gloss in your big pretty eyes and how you shrink in on yourself, tail pinned to the ground without the happy swish to it that other puppy hybrids in the centre have. “so…” he can’t imagine what you’ve been through, what you’ve seen to have ended up here. “if they don’t get adopted today, they’ll be put down? isn’t there any other way? that hardly seems fair.”

“to us it’s a little more humane than ending up at a hybrid farm or those indecent love hotels exclusively for sex with hybrids…” the employee trails off again, nervously fidgeting with their fingers. in the distance, a bell chimes with the notification of more customers— a mother and her child, probably looking to adopt one of the younger, nosier hybrids for their family. “if you’ll excuse me…”

“i’ll take ‘em!” red riot blurts without even thinking, the employee not having taken two steps away from him and his angry blonde friend who looks at him like he’s gone bat-shit crazy. “this is their only chance, right? i have to do something, they don’t deserve to go out like this.” the blonde closes his mouth, holding his protests thoughtfully.

he’s right. kirishima is right, his kind soul always is. “ai’ght, fine. but don’t expect me to train that thing, they ain’t nowhere near close t’bein’ a guard dog.” bakugou grunts, folding his arms across his broad chest with a faux look of dismay— not admitting how impressed he is with eijirou.

eijirou kirishima has a heart of gold, he’s always been like that— putting others before himself because he believes in them. he takes in strays, builds up their strength and their confidence, letting them know that he’ll always be the sturdy figure they can fall back on in times of need. katsuki was one of those strays, an unwanted dog just like you. he’d bared his fangs to the sweet redhead in fear of letting in someone that would hurt him, but as it turns out, becoming friends with someone as selfless as kirishima was just what katsuki needed.

the employee sighs, shoulders sagging with relief as they glance between the two pro heroes. “should i be getting the adoption papers then?”

with an enthusiastic nod, red riot peers back at you with affectionate eyes and a smile you can trust— one that only widens when you bump your head against his fingers over the bars of your pen and let the tips of them just brush your lush puppy dog ears. “yes please,” he says warmly, his gaze never leaving you. “don’t you worry about a thing little one, it’s you and me now, got it?”

and for the first time in forever, your tail wags happily, and you don’t feel worried at all.

being adopted by eijirou kirishima most probably saved your life.

he’d been eager to get you out of that shelter, with the promise of a better life written against his lips and lost under his tongue as he babbled about your new home and how excited he was to have a puppy hybrid of his own. a timid, sweet faced and jumpy german-shepherd hybrid nothing like their breed— with big eyes, a set of pointed and twitchy puppy dog ears and a tail that stays pinned to the ground with nervousness. there’s a lot for him to undo, a lot of trust to build up.

kirishima was patient when introducing you to his home that only big time pro hero money could buy— he let you sniff out the place, scenting areas that made you feel safe even having his comforting, large presence right beside you was enough to make your ears perk up and heightened senses go wild. he let you pick out the biggest spare room in the house and had even felt sad for you when you stated that you’d never had your own before.

“with me, i’ll make sure you have everything you want ‘n more, kay pup? things will never go back to the way they were for you.” the red head swore to you, crossing his heart — that was the first time you’d ever felt love like that.

the two of you quickly fall into an easy routine; kirishima would leave for work in the mornings after making sure he’d set out the perfect meal a growing pup, like you, would need— using all sorts of kibble that his explosive friend katsuki had recommended. occasionally he’d spoil you with pieces of turkey bacon that he knew you weren’t allowed to have, but what was the harm in spoiling someone who hadn’t experienced luxury before? plus he liked the way your German shepherd tail would wag and your pupils would dilate at the sight of the meaty meal.

eijirou made sure you had all the toys possible to play with while he was away for work— you didn’t like sitters and nearly chewed out the last one katsuki had recommended for a nervous puppy such as yourself. you didn’t like her scent and how it had gotten all over your owner. you preferred to be alone, surrounded by the pinewood and musky husk the redhead would leave behind. and, by the time he came home from being red riot, you’d be sitting right by the door with big bambi eyes to welcome him home, the little bell on your store-bought collar jingling as you rush to meet kirishima at eight pm sharp each day.

though you’re pampered with treats and pretty things and ear scratches 24/7– kirishima does have you trained by that awful bakugou. you’re by no means a guard dog, despite what your hybrid breed might indicate— but you’re disciplined with house rules and how to sit and act properly. bakugou is mean and he snarls at you from time to time, but the praise and kisses you get from your darling and sweet red haired owner make the training completely worth it.

nowadays, katsuki doesn’t even question when you scamper onto the couch or perch yourself on eijirou’s lap whenever they have their boys nights to watch the hero rankings live. “pampered fuckin’ pooch,” is all he grunts from over his can of beer.

“hey,” eijirou will huff, his hands on the fat of your waist or twirling through your fluffy brown and black tail. “don’t be mean, katsuki. they don’t know any better.”

even with all that house training— you still sneak into his bed when being on your own gets too much. his warmth calms you, and eijirou doesn’t seem to mind the brush of your thick and soft tail against his thighs in the morning. “pup, you’re not s’pposed to be on the bed,” he’d tried to scold you the first time it happened, he really did, but your ears lay flat against your skull and you gave him those eyes and kirishima was quick to dive in next to you— asking you what was wrong. “nightmares huh? of the pound? well, those can’t be very nice. maybe you should share a bed with me tonight. one night won’t hurt, will it?”

except one night, becomes every single night.

repeatedly, each night, eijirou scoops you up into his flexing, toned arms and carries you to his room instead of your own— tucks you under his weighted duvets not yours, and swamps you with his body heat. he runs like a furnace during the later hours, not that you mind, it’s nice to be close to him. to feel adored like that.

yourself and kirishima are touchier than most hybrid-owner pairs, you’ve noticed. bakugou thinks it’s because you have a clingy-attachment style, the red head because you’ve been deprived of the affection that most pups deserve. he goes beyond headpats and chin scratches, and the ones that itch right behind your floppy fluffy ears. kirishima keeps a hand on the slope of your waist when he takes you for walks on sunny days, he holds your hand instead of your leash most of the time and his lips linger against your forehead a little longer than normal for a hybrid that’s just a housepet.

you think it’s normal at least, you’ve never been cared for like this and having eijirou’s attention some, if not all, of the time feels like a dream come true. you know that he loves you when actions of endearment become more passionate— when innocent cheek kisses become sloppier lip-locks and when hugs turn into desperate attempts to grab at your flesh, also when your heat cycles become less about finding a mate and more about begging kirishima to ravage you against the nearest surface, soothing the instinctual ache in your bones and lower tummy.

he loved you, and you loved him— and you knew that you owed it all to kirishima for the better life he gave you. taking a chance on a shy little puppy hybrid at risk of being put down.

taking a chance on you.

“angel, ‘m home!”

the rustling of brown paper bags, heavy foot-steps and keys jingling in the front door make your puppy dog ears twitch and you perk up from your place deeper in the house at the sound of kirishima coming home from a long day’s work. you scramble up to meet him half-way into the kitchen, tail swishing a mile a minute behind you, nose wriggling in anticipation. “e-eji!” you breathe, fingers itching to reach out and touch him. “you’re back!”

you’re so cute, so loyal that it warms the pro hero right down to his core. kirishima nods once, giving you the go ahead to latch onto him since you’d waited so patiently and lets out a small chuckle as you tuck yourself into his side. “i always come back, don’t i?” setting the bags on the marble island, he frees up a hand to brush over your head softly, using a knuckle to rub behind your ear. “have you been good, baby?” moving to cup your cheeks next, he presses a gentle smooch to the tip of your nose. “‘course you have, you’re always good f’me…but, i gotta know— did ya miss me?”

“i always miss you,” you say a little too quickly, nuzzling into the palm of red riot’s large hand, tail wagging even faster. “can i…can i have a kiss, eiji? please.”

for a moment, a primal look flashes through the hero’s eyes before being replaced with something softer, something that mirrors the smile he gives you. “only ‘cause you asked so nicely, baby,” he says playfully, sliding his hands from your face down to your waist and tugging you nice and close, your hips flush against one another. “c’mere puppy, gimme some sugar, hm?” your body can’t help but bristle, keening into kirishima’s touch as he subtly lowers his voice and guides you into following his command.

you stand on your tiptoes without even realising it, tilting your head upwards as kirishima coaxes your mouth open with his mellow moving tongue—sighing sweetly against your lips until he’s captured them properly in a slow kiss, not giving you too much but pouring enough words into it to let you know how much he cares for you. he pulls away so things don’t too heated, but still keeps his hands on you before you can whine in protest.

“what’s that?” you ask softly, cocking your head to the side when you notice the bags behind him.

“oh those? well,” kirishima swoops down to your height, nipping your nose with pointed teeth— only serving to make it scrunch up adorably. “i heard it was a certain pup’s birthday today…and it also happens to be the one year anniversary of their adoption. so i got ‘em a lil’ somethin’ to celebrate.”

he lives for the way you smile, almost dies at how your eyes sparkle. “c-can i open it eji?”

“not all of it, pumpkin,” eijirou briefly lets you go and you really do whimper this time, knowing better than to claw at him to stay when you know he’ll be right back. the burly redhead turns to grab a perfectly wrapped package from within the brown paper bag and passes it to you with an eager grin. “go put this on f’me, will you baby? then meet me in the living room once you’re done, for the rest of your present, kay?”

“okay! i’ll be quick!” you practically squeal, vibrating in your place.

“good pup, i’ll be waitin’,” he turns you around with a grip that's barely there, handling you as if you’ll break with too much force and patting you on the bum softly as you go.

by the time you return to the living room, it’s been completely transformed.

the lighting is dimmed, a ruby glow filtering through and the soft hum of your favourite song reverberates against the walls and high ceilings. kirishima seems to be fixing a box on the coffee table by the couch before he notices you, a slick and sexy grin tugging at the corners of his lips as you approach him. “there’s my pretty puppy,” he rasps lowly, sending a shiver from the tips of your ears right down to your toes. “god, i think i made the right choice pickin’ that cute lil’ number out for ya, looks so good on you, hun.”

heat pulses under your skin like buzzing kinetic energy, making you tuck the swell of your cheek into your shoulder bashfully, fluffy ears flattening against your skull. “you think so?” said number is a darling little babydoll dress, made of black silk and red lace lace accents that tickle the backs of your thighs with hearts embroidered at the chest.

“it looks perfect on you baby, you’re breathtakin’,” kirishima tells you earnestly, holding his hand out for you to hold— which you take shyly. “c’mere, twirl f’me? wanna see all of you. show off for me, cutie.” every single one of his compliments has your tail swaying from side to side and blood rushing to your brain, making you dizzier than the cute little spins you do for him while the pro hero sinks into the couch to watch you.

he leans back, thighs spreading wide— and you have to fight the urge to drop your gaze between them. “that’s it pretty thing, my puppy’s such a fuckin’ stunner.” kirishima swallows thickly, ruby glossed eyes darkening with desire. “come t’daddy pup, wanna give you your other gift.”

you quickly shift to stand between his spread legs, quivering like you’re cold has large and rough hands swallow your waist and bunch your night dress up at your hips. he presses sloppy kisses to the softness of your tummy over the material.

“sit.” he commands simply, tugging on your hips to pull you down with him

“yes daddy,” your breathing is ragged as you sink into kirishima’s lap, thighs apart so that you can straddle him properly. you wonder if he can hear your heart racing from its place in your chest— your heightened hybrid senses can already pick up on his, kirishima’s pulse sky-rocketing now that you’re on top of him. “c-can i have my gift now?”

his calloused hand pushes the black silk up and over the curve of your ass, red riot digging into the fat of it to rock you back and forth over is hardening girth. “r’member your manners, puppy. yer s’pposed to ask daddy nicely.” nonetheless, he relents and snatches up the box on the coffee table— handing it to you to unravel. “open it up, baby.”

excitedly, you tear through the daintily wrapped package, revealing a red patent leather collar—decorated with red and black bows, and a heart shaped tag with the letters ‘EK’ inscribed into it. collaring was a big deal in the hybrid community, it meant a permanent mark, belonging to someone, being in love.

“let me put it on you,” eijirou simpers, readily slipping the leather around your neck and sliding two fingers underneath it to tug your lips up to his. “i love you, pup.” he confesses, licking into your mouth hungrily and grinding up into your dripping heat.

it’s embarrassing how wet you’ve gotten and so fast, dumbly following him to the forest fire of lust, sucking on his tongue like a parched puppy lapping at the first drink it can get. hybrids slick up faster when aroused and kirishima turns you on like no other— somehow finding your panty covered clit between your salacious bump and grind.

slumping against his beefy chest, your nails dig deep into his shoulders and whistle tone dog squeaks bubble up on the swell of your lips each time eijirou swipes the pad of his thumb over your swelling pleasures nub, encouraging your juices to gush over his hard on—glueing you both together by strings your arousal.

“i love you too…p-please e-eiji!” the air in the room feels heavier, tainted with the lust that clouds your logical thought. in fact, you can’t even think right with the way your owner toys with you. he drools against your puppy tongue, curses into your heated mouth all while you’re riding his fingers like your life depends on it, kirishima pinching at your sticky clit just to hear more of your needy whines. “p-please daddy,”

the hand that once sat lightly against your neck now trails over each dip and curve of your body, barely brushing over your nipples or digging into the meat of your ass and thighs. “you look so fuckin’ good in the things i buy you, hun, drive me fuckin’ insane,” kirishima fights back a moan, cock twitching against your ass, desperate to be inside of you. “so beautiful in that lil’ dress, with my name around your neck. fuck… ‘m so lucky. my pup, daddy’s sexy fuckin’ puppy.” he rambles and praises you all at once, giving you whiplash, making you clench and ooze sweetly around nothing.

you’re sure that the redhead is almost as brainless and as fucked out as you are just from dry humping his darling little pup… but through his own grunts and groans, hips wildly bucking up to meet yours— kirishima still manages to dominate you, make you feel like you don’t even have to think around him. “you want me, pup, is that it? want me to fuck you?” he hums huskily against the shell of your ear, pinging your collar against your neck when you nod your head yes wordlessly. “gotta—fuck— gotta use your words f’daddy, c’mon now, you know that.”

“y-yes daddy, want you. badly.” you slur, and suddenly, your world tilts on its axis. your back hits the sofa with a bounce and you're pinned against it by the weight of your owner above you, your knees being pushed into your shoulders.

“a-always such a good…obedient lil thing f’me,” eijirou groans at the sight of you beneath him. “so perfect, ‘m so lucky t’have such a beautiful puppy all to myself, shit!” your silk baby doll gathers at your hips, soaked panties tucked to the side and your glistening, pulsing mound on display like an attraction made just for him. he wastes no time in yanking down his sweats and boxers in one go— revealing his bright red and angry dick, covered in a thick layer of gooey white precum. all for you. kirishima slaps the length of himself against your slit once, twice before his forehead falls against yours.

“p-put it in eiji, c-can’t wait daddy…”

even though your cute little sex makes him a wreck, eijirou still manages to hold control over you— teasing you as he forces his fat tip past your tiny, creamy entrance. “so impatient, cutie, i should make you say please… but fuck, i need you so bad right now. might not last long…”

the pair of you let out strained moans as kirishima pushes in and he reaches the hilt—your sweaty bodies flush against one another, both of you covered in layers of each other’s arousal. your pussy flutters at being filled up so fast, clinging onto the pretty blue veins that spiral around his chubby, swollen cock— a low whine rumbles in your chest as the redhead sets a rough stream to his thrusts, milky cockhead brushing against each pulse point on your sensitive walls.

it’s almost like you’re being knotted, squelching as kirishima tries to pull out of your snug sex that grips him selfishly. all the while, he pounds you to hell and back. you're so full, you’re a slobbering mess already teetering on the edge of insanity. red riot leans over you, washboard abs pressed against the backs of your thighs to force you down into the creaky couch— each time he withdraws from your messy and wet walls, your ears fall back and your tail thumps hard against the cushions, coated in your viscous nectar.

“fuck, this puppycunt sounds so dirty, gorgeous…feels like fuckin’ heaven,” he whispers to you, words damp on your cupid’s bow. “my perfect puppy, a dumb lil’doggy on my cock…s’such a fuckin’ dream.” your brain empties, becomes a void that’s filled with only eijirou kirishima and the way he fucks you deep, hits every spot, touches your body like a man worshipping a higher power. “‘m so lucky baby, really am.”

your collar jingles, the pendant with his name on it bouncing every time kirishima’s cock bullies its way into your gooey insides until they give into him. you’re the lucky one, you think— lucky to be loved like this, to have been rescued from the pound and pinned down on a dick that aches to be inside you, wrapping around his pulsing length to the point where you’re practically milking him already.

“d-daddy!” you hiccup, big fat tears clumping in your lashes, your face a beautiful mess to the man above you. “i can’t…”

the pro hero reaches down between your bodies, close to cumming just from listening to you howl over the sounds of skin slapping on skin, and tugs at your soft slick tail—stroking it until your pussy quivers and gushes around him, painting your babydoll dress and his half rolled down sweats with a fresh wave of your essence. every time he pets the fluffy appendage, you get wetter and wetter, tighter and tighter and your moans loud enough to wake the neighbours.

heavy hips rock into you, even heavier balls clap creamily against your fleshy ass and kirishima lets his head drop to your neck—biting and sucking possessively at exposed skin just above where your collar lies. “yes you fuckin’ can, your daddy’s good pup right?” he slurs hungrily, writing his claim against your throat. “when you get close, hold it f’daddy, be obedient ‘n you’ll get your reward.”

you feel like everything’s on fire, every nerve ending in your body buzzing with anticipation— the knot in your stomach seconds away from unwinding. “b-but daddy—!”

“hold it.” eijirou warns sternly, though his breath stutters— every instinct that he has threatening to breed you up full with a load of his hot cum. “h-hold it, hon,” you sob at the pain and pleasure of holding off, thighs twitching, tail hitting the couch hard and puppy ears flopping over your face. you’re so adorable like this, jolting up the piece of furniture as the redhead languidly canters into you. he finally breaks when you let out a weak cry of his name, his first spurts of cum pouring into you. “f-fuck, let go for me puppy, make a mess on daddy’s cock—shit, thats it. so good, all over me, wanna see you cummin’ with me…”

white hot ropes of seed paint your insides just as your eyes roll back into your skull. he feels so warm, coating your insides with a layer of his cum as if to claim you from the inside out. there’s so much of it that oozes out of your entrance thickly, like a running tap of honey that ruins your pussy lips with opaque white—triggering your own orgasm. kirishima holds you close, whispers sweet nothings into your ear as your release crashes over you, rocking your world while your juices splatter out against his pelvis and all over your cute little gown in clear streams.

“happy birthday, beautiful,” the redhead mumbles to you sweetly, kissing his initials on your pendant and right up to your lips. “i love you.”

“t-thank you eiji,” you whisper back— a sleepy, full and content puppy. “i love you too.”

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