Arlecchino is really THE Yandere platonic, would love for her to be my father-

But how/when do you think is she becoming Yandere ?

As a "father" Arlecchino loves her children, but her love is something that isn't normal. Her love is hard and stern and fiery, but for some of her children, it's the only love they have. So many of them, regardless of the life Arlecchino lives, find themselves attached to her, indebted to her, trapped with her. Many of them, like Lyney and his siblings do genuinely love her, but at least to me, it's more reverence than it is familial love. They love her because she saved them, and now, they have no other choice but to stay with her, but to them it's a sacrifice worth making because they feel as though they owe so much to her.

Anyway, I think she would become obsessed with someone who reminds her of herself in her youth. Someone who is so detached from the rest of the world, someone who is damaged. In a way, I feel like she'd behave like Silco from Arcane, seeing a child who is traumatized and broken, someone she wants to protect from the rest of the world. She takes you in and from the very beginning her relationship with you is different with the rest of her "children." She doesn't send you on missions or even lets you interact with the House of the Hearth at all. She's very protective in a way that is strange to everyone but her.

I don't know this is just first thoughts.

In every fandom, there will always be those that are quick to use the word "misogyny", in this case, some fans calling Toranaga misogynic. Either they have not been really paying attention or do not understand what the word really mean. So allow me to explain.

"Toranaga killed Mariko".

Mariko had always wanted to die since her family was persecuted. Possibly wanting to reunite with her family. And she sure as heck is not going to die for Buntaro or even with him. So Toranaga offered a death that satisfy her, a death for the greater cause which will save thousands, while getting her revenge against Ishido, a trusted vassal of the late Taiko that wiped out her entire family.

She was given a choice which she could refused, but she accepted it. Because she's a Samurai. She accepted her fate and responsibility to save others instead of running away to save herself. (Buntaro look down on Ishido for running away to save himself in Korea). Toranaga never intended to sacrifice her but had to as a last resort when he failed to get the loyalty of the Christian lords.

Crimson Sky cannot take place as he cannot siege Osaka with the enemy behind him (Christian lords from Nagasaki) or he'll be sandwiched between them and Ishido. That's when he resorted to an attack from within, with the help of Mariko. She expose Ishido's true intentions and make a fool out of him by showing everyone that he is no man to hold the women hostage and to even kill a woman.

"Toranaga killed Fuji's family."

Fuji's husband is a Samurai and knows his place, so when spoke out of turn when he shouldn't, the mistake was his. He not only show Ishido that Toranaga could not control his own men but he also show contempt to Ishido who would use it as a pretext to wage war on Toranaga and his supporters, as he's been waiting for an excuse to wipe them all out in a war that will kill thousands.

And to ensure that the child will not grow up to avenge the father's punishment, causing another civil war, the child was ordered to be killed, along with the father. Two lives sacrificed to save thousands, something a Daimyo (Lord) was to supposed to do, protect his people from war, if it can be avoided, which is what Toranaga have been striving for, to end conflicts without a war.

But who is to say, Fuji would not want to avenge the death of her family too? So instead of having her killed, he gave another form of punishment, to be a consort for the barbarian, Anjin-san, for a period of time, after which she is allowed to live but as a nun. Historically, many Samurai were pardoned provided they became a monk, as temples have no political affiliation that would pose a threat.

So it is not something that is exclusive to women, but to men too, which is common in the feudal era, not just Japan, but all over the world. That's why the medieval period is called the "Dark Ages" because things were messed up, that's how feudal system works. The right thing to do may not be the moral thing to do.

"Toranaga is hungry for power."

Well, yes. I mean how else can you end the senseless civil wars that have been going on for years without taking control of the country to unify it? If you do not become Shogun, someone else will. Someone else worse than you. Yes, they're all evil but Toranaga is the lesser of all evil. He does what he can to avoid a war while others like Ishido is constantly looking for excuses to start a war.

The Dictator killed monks, nuns and children. The Taiko invaded Korea, killing many and lost. Toranaga went to war once and he won. That's when he realized the horrors of war and is determined to avoid it. What if it means sacrificing your vassal and his family to save the rest of your followers and the people you're supposed to protect? The Dictator and Taiko took control because of greed.

Toranaga takes control because he wants peace.

The Dictator takes power because of greed, that he sees everyone as a threat that he starts killing innocents and even disrespects his own vassal, Akechi, Mariko's father which cause him to betray the Dictator to stop his madness. The Taiko takes power because of glory, he wants to show others that a peasant like him can achieve greatness to invade Korea and China.

There is a difference between taking power for thrill and glory, and taking power to protect your people from more wars.

One thing that amazes me about Dark is how it managed to portray Jonas and Martha as the darkest of villains (both committing mass murder by causing the Apocalypse, ordering several murders, kidnappings, lying and manipulating people) while at the same time portraying them as such selfless heroes.

Because when you think about it, Jonas and Martha are actually incredibly selfless and heroic. When they are told that they need to go to the origin world to save it and end the knot, and that by doing so, not only would they cease to exist but their entire worlds and the people they loved would also cease to exist, they both agree to sacrifice themselves immediately (Jonas agrees on the spot, and Martha only needs five seconds to compose herself and agree). And this moment is a very selfless moment for both of them.

I've seen so many people argue that Martha/Eva is selfish, that she only does the things she does so that her son and the people she loves would exist, and yet this moment at the end pretty much disproves this. She is faced with the choice of either continuing the loop of suffering to let her loved ones exist, or saving the original world, and she chooses to save the original world and end the time loop, knowing full well she and everyone she loved would cease to exist. This just goes to show that Eva's goal was never truly just about her family and loved ones, but about preserving life, and when she learns that there's a way to end the knot and preserve life in the origin world, she readily sacrifices herself.

This moment is also an incredibly selfless moment for Jonas as well. One could try to argue that Jonas ending his own existence was something he always wanted, so his sacrifice in the end isn't really all that selfless. But I don't think that's true for the Jonas at this point in time. This Jonas isn't suicidal yet. This is the Jonas that a year ago cried before Elisabeth hung him, because he didn't want to die. This is the Jonas who gave Martha a goodbye kiss when he thought he would cease to exist and was devastated as he walked away from her. Sure, Jonas at this point in time was already seeking a way to erase his own existence, but it wasn't because he wanted to die: it was because he believed that by erasing his own existence, he would save the people he loved (Michael, Martha and everyone else). And sacrificing himself to save the origin world doesn't give him anything he wanted: not only he didn't want to die, but he definitely didn't want to erase the existence of Martha, Mikkel and everyone else. But he still chooses to make this sacrifice, because he believes that it's the right thing to do. At the end, he is not relieved to fade out of existence: he and Martha are both clearly terribly sad and devastated about the sacrifice they've made.

Which is why I believe that both Adam and Eva were never truly selfish: Eva truly believed that she needed to keep the loop to preserve everyone's lives, and Adam truly believed that the only salvation for humanity would be to not exist. We can question their beliefs, of course, but I truly do think they were both selfless and idealistic about what they were doing. And they both moved mountains to do what they believed was right.

I also think it's incredibly fascinating to think about how such selfless heroes could go down such villainous paths all due to the time loop. They are both good people at their core, so really, if it weren't for the time loop, none of them would have ever been capable of committing the atrocities they committed. Jonas only starts to become Adam after trying to change things and realizing that things would always happen no matter what he tries, and after believing that he needed to ensure his own past in order to finally end things. Martha only agrees to follow Eva and gives up on fixing things (like she promised Jonas she would do) because she learns what will happen to the version of her who does try to change things (she will get murdered by Adam) and because she believes she needs to keep the loop to ensure everyone's lives. Jonas and Martha would never do all the things they do (murders, kidnappings, causing the apocalypse, lies and manipulations, traumatizing their younger selves) if it weren't for the time loop that pretty much forces them to do these things.

Which is why their stories are such amazing tragedies and why they're such complex characters. It's a story that shows how two selfless heroes who would willingly sacrifice themselves to save the world can still be forced by circumstances outside of their control to do such terrible things.

in which mimi needs to find her voice to save reality from collapsing into dust and taichi needs to find his courage to save mimi from transforming into a star [michi au] ↪︎ for day five of michi karaoke week ♫ voice

dedicated to @ex-machiina​ who encouraged me to continue this project when i was about to give up

"i've already said. i'm prepared to do whatever is necessary."

"i don't accept it, laudna, not from you."

at first I thought that the game had sold my house to some random woman (thank u Clavia for sweeping but you scared the shit outta me) and then I was relieved to know that it was still link's, but then you get inside and all the stuff has been replaced w Zelda's stuff and her journal is in the bedroom and her secret well is down below. I know a bunch of people have said like oh they were living together and I thought that too at first (despite the one bed), but the more I hang around the village the more I'm convinced that Link just gave Zelda his house and kinda fucked off a little. it would go a long way towards explaining how everyone knows zelda but no one knows Link (though that seems to be a common theme), but the greatest evidence imo is when you talk to one of the kids from the school who's waiting for Zelda to return near the house. she asks link if he's going to "zelda's house" and says that zelda often leaves the village but always quickly returns. it seems based on this and the interior décor that the house now firmly belongs to zelda, and link was maybe a non presence in the village after the events of the first game. I wonder if he gave her the house as something of a retreat, a place where she could be alone and recover while also being close to Purah - one of the few other people she knows from Before - and the lab. meanwhile it doesn't seem like there's any space made for link in the house or the village. idk what it all means but I do have enormous feelings about Link giving up the one space that was really his so that zelda could have a home again after hers was destroyed

myyyyy goodness. that nahida quest

“Lockwood,” I said, “I need to apologize. About recently. I’ve not been myself.”

It was a tight corridor; we walked almost side by side, following the beam of light. His voice was calm and quiet in the dark. “Well, neither have I,” he said. “After what happened at the Wintergarden house, I’m afraid I haven’t treated you very well. I know I might’ve seemed standoffish. It’s just—” he took a deep breath—“I didn’t trust myself to be with you. I was too anxious about what might happen.”

I stepped carefully over a fallen stone. Water was pooling around our feet. “Um, what might happen in exactly what sense?”

“In an operative situation, when our lives were in danger. Your Talent is just so extraordinary, Lucy—yes, we go left here; I know it looks like sewage, but it’s algae, mostly—I mean, I heard you talking to that thing just now. It’s getting easier for you, isn’t it? It’s not just the skull anymore. It’s unique, your Talent, but it makes you so vulnerable. And I have to look out for you.”

Something knotted tightly in my chest. In the dark of my mind I saw again the palely smiling face. “No, Lockwood, you really don’t. You mustn’t. It’s not your responsibility to—”

“But it is, Luce. Look, I know I don’t talk about it, but it’s happened to me before. Losing someone dear to me. I can’t let it happen again.”

i get why people would take this perspective since at the time everyone thought it was The End Of Adventure Time Forever And This Is Where Everyone’s Stories End. Forever but in retrospect its kind of so funny that after CAWM there were ppl like….. “wtf so now simons just Cured just like that and now he’s just normal :/“ Why would you think that, though. not having curse induced insanity anymore isn’t gonna change the fact that he survived a nuclear apocalypse. his last lines of dialogue in adventure time are him on the ground sobbing over betty

EXPLODES. I HAVE WATCHED THE 3 EPISODES

I FEEL SO FUCKING DERANGED I HAD TO CHANGE MY THEME TO VAX BECAUSE OF IT. IT'S *THE* SEASON. ITS CHROMA FUCKING CONCLAVE.

who in house of anubis would survive the hunger games go

akali ur so half viet to me

Grim being determined to change fate in TCWGANV to the point that she refuses to accept that she can't save everyone even when she fails vs Grim not trying to change the ending in ALATL but that doesn't mean she's not going to stop saving who she can, even if it isn't everyone

At her very core, she is the very definition of “jack of all trades, master of none”. She has a acquired a multitude of skills—dance, inventing, song, penmanship and composition, combat, strategy, and investigation, among others—but there is always someone within the Snake Eyes group who will always surpass her in some regard. So why does Ozzy keep her around?

Well, if there’s something she has above everyone else, it’s her tenacity and her daring

the responses i’ve seen to shiv’s ending seem very quick to write her off as just another sad victim of the cycle, which isn’t without truth BUT!!! that is not even remotely the summation of shiv’s story.

i don’t think she votes yes to “save kendall” or to try to finally set her brothers free. and i don’t think her main concern was that ken was becoming their dad. she absolutely noticed and didn’t love it, but that was not her motivation in betraying him. she was thinking about herself.

it’s tempting to make a martyr out of her as she is the only female child and we see her suffer the onslaught of misogyny that comes with that. but to make her into a saintlike figure who got beat takes away the power and intelligence behind her decision.

at this point she’s stuck between two non ideal choices, but she recognizes that they have accidentally made her the single most important player in the game. because while she can’t have the outcome she’d prefer, she has the power to decide the fates of everyone else. the written off lone woman now holds in her hands the fate of every man in her life.

so she thinks about the long term benefits of both options and realizes that one side leaves her completely without any leverage.

her brothers have proven to her multiple times in the last few days alone that they will cut her out and walk all over her the first chance they get. siding with them leaves her nothing to bargain with. she would just have to hope that ken would actually take care of her. and that level of vulnerability is not only unacceptable to her, it’s stupid. and shiv fuckin roy is not stupid.

so she thinks about the other side and about what she actually wants for her life. and against her better judgment, it’s becomes unfortunately clear that she wants tom. the way she wants him is not altogether loving or even good but it is necessary to her. she sees relationships as having winners and losers and she chose this man specifically so that she could be confident in her ability to win. except now he’s grown some balls and made himself unavailable to her.

she may not like the way her husband is evolving but she already placed her bets on him, so she’s sure as hell not losing to him now. there’s also a part of her that feels intrigued by this new man she’s married to. it’s interesting to have a sparring partner in him instead of having to looking for excitement outside of their marriage.

so for maybe the first time ever, she processes what tom has said to her and thinks about what he actually wants.

he needs her to prove that she cares. he needs to know that she is capable of sacrifice. if she can’t find it within herself to do this for him, then she will lose him, and by extension, she will lose.

siding with tom gives her the opportunity to once and for all make a grand-stand gesture of love, but more importantly, it creates leverage for her. never again will he be able to hold the moral high ground over her head. never again can he say she doesn’t love him. never again can he call her selfish or uncaring. above all, he can never betray her again, because she just removed all of his moral justification for turning on her. he doesn’t realize it yet, but she’s just taken back all the power in their relationship. just in a more subtle way than she’s used to operating.

and just like that, she has the ceo of a multi billion dollar company in her pocket, while situating herself as the only descendant of logan roy to still be playing the game, having removed her brothers from the equation permanently. she may still be far from the top but she’s creating a path for herself to climb.

so yes, she’ll let tom play king for a day, and she’ll have his baby and say “congratulations,” and play the gracious wife, but tomorrow is a new day with lots of room to maneuver. and when her husband puts out his hand, she’ll place her own on top. but she won’t grasp it because she doesn’t need to.