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#so i’m very !!!!!!!!!! about it at the moment
crybaby-bkg · 7 months
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cw: babies!!!! you’re also referred to as “ma” once
okay but like,,,,,first time dad Bakugou giving his baby their first bath after coming home!!! you’re fluttering around the kitchen, trying to make sure you have your daughters towel ready, her baby safe soap, a tiny washcloth, that her teeny tiny pajamas are in the dryer.
it’s only when you take a second to ask Bakugou something do you finally just—pause. your gaze instantly softens, a lovesick smile inching on your face as you watch your big buff pro hero husband hunch over the kitchen sink.
your daughter is resting in the baby bath seat, lilac colored and reclined back. she squirms when Bakugou lets the warm water run over her naked, fat little belly. her face scrunches at the new sensation, fists balling up against her chest. he coos at her, gentle,
“I know, ya little princess. Feels weird on ya, doesn’t it?” he asks her, voice so small under the running water. he cups his hand, holds a handful of water, tilts her fat cheek up to let it slide in her neck rolls that always smell like milk. she whines at that, sniffles and hiccups before she cries. you go to take a step forward, to console her, but Bakugou is so patient.
“It’s alright,” he kisses her tears away. “Daddy’s just tryna help you.” he runs the water all over her body, and paired with his softly spoken words, does she finally quiet after a few seconds. her little body trembles with the aftermath, pouty lips puffy and he can’t help but smooth his hand over the softness of her face.
“Yer a crybaby, just like your ma.” he whispers to her, grinning when that breaks you out of your stupor to smack him on the shoulder. you both laugh at that, and you finally feel the peace that is your little family. you lean against Bakugou’s shoulder, pressing a kiss to his jaw before looking at your daughter again.
“You’re gonna be a great dad,” you mumble into his skin. he doesn’t say anything, but you can feel his shuddering breath, and the calmness that blankets the rest of your house.
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phoenixkaptain · 8 months
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My favourite part of Dick Grayson as a character is that he is never afraid of Bruce.
Like, Jason has his fear of disappointing him, Tim is a bit intimidated and has his hero worship, Damian fears that Bruce’ll kick him out the way he thinks Talia did, but Dick?
Dick is so unconcerned about Bruce at every possible moment. Even the earliest comics had Dick calling Bruce lame to his face. Dick works with Bruce and his partner for years and they understand each other on a deep level and Dick multiple times calls Bruce a fucking square.
Dick does not tell Bruce anything. He does not write home. If Bruce wasn’t in the room with him when Dick got called to go somewhere, I’m pretty sure Dick would not have informed Bruce that he was even leaving, let alone where he was going. The Teen Titans joined the Peace Corps, they were in Washington for at least a few days being trained, and Bruce finds out that Robin joined the Peace Corps from a newspaper. Dick does not tell him anything.
Dick and Bruce have such a fascinating relationship to me because Dick really doesn’t treat Bruce as his dad so much as he treats him like a particularly obnoxious older brother. Bruce treats Dick like his little baby bird who he cares about and doesn’t want to get hurt, but Dick is over there like “ugh, Bruce is so overdramatic” while he nearly drowns for the fifth time.
In early Teen Titans, there’s no question that Robin is physically the weakest member. Aqualad and Wonder Girl both have super strength, Kid Flash’s speed means that he doesn’t need super strength, but Robin is by far the easiest to capture. He gets caught very consistently through the early issues, albeit people can only catch him if they take him off guard, but it’s a lot easier to catch him off guard in early comics. Robin is the brains of the group, the others look to him for direction and depend on him to make plans that will work and panic when Robin gets nabbed because what will they do without Robin??
Robin gets captured a lot in early Batman comics too. Robin is the ultimate damsel, but he’s never really in very much distress? Like, Bruce and the Teen Titans are distressed, but Robin just looks maybe a bit surprised and bored. Robin never seems to take his own mortality into account when he does things, meanwhile literally everyone else does.
Dick only ever really gets annoyed with Bruce. He bever gets mad at his teammates, even when they question his ability. For the most part, Dick doesn’t even respond when they underestimate him to his face. I have no idea what’s going on in Dick’s head, but he isn’t a part of Aqualad and Kid Flash finding each other and him annoying in their first team ups and he never gets upset when they don’t believe in him.
Then, on the other hand, Bruce calls the music Dick is listening to noise, and Dick immediately is annoyed. Dick and Bruce having a turbulent relationship is more apparent later on in the comics, but Bruce is truly the only one in all the galaxies who gets under Dick’s skin as much as he does.
And it’s funny because fandom likes to paint Dick as bitter that Bruce didn’t adopt him, while I think Dick would have blown his top if Bruce even tried to adopt him. Dick had parents, he never views Bruce as a parental figure. Don’t get me wrong, Dick loves Bruce. Bruce does so much for Dick and Bruce is protective of him and Bruce is open about his affection, but Dick just doesn’t view him as his father.
I really think Dick views Bruce as more like a guard dog than a father. He talks so casually to Bruce, but he’s more formal to other adults. He complains about Bruce not trusting him, but doesn’t care when his teammates don’t trust him either. He views the rich billionaire vigilante who can take down a god in a fight as fucking lame.
Their relationship is amazing. They get along great. They’re a perfect duo, they work in tandem, they’re absolutely unstoppable together. If Bruce talks too much Dick will roll his eyes. They trust each other with their life. Dick is never telling Bruce anything. Bruce says “I guess I can spare Robin for a minute” and Dick is like “I would be perfectly content to never return home for the rest of my days.”
Of all the Robins, Dick is absolutely the one who respects Bruce the least. He loves the guy, but he just canNOT take him seriously.
(Do you think it was the time Bruce sent a box of bats to someone? Or the times Bruce gets captured and has to be rescued by his damsel side-kick? Or the way Bruce is like an overprotective mother, coming this close to reminding Robin to wash behind his ears? Or the way Bruce lets Robin say whatever he wants and never gets upset or offended or even hurt?
Or, maybe, Batman tripped on his cape once, and Dick just can never forget.)
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turtleblogatlast · 25 days
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Unironically think that each of the bros (+April) don’t actually get how impressive their feats really are so they just do what they do and on the off chance someone comments on those feats they all react like:
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#rottmnt#tmnt#rise of the teenage mutant ninja turtles#no but really#I love thinking that they’re actually way more prideful about the stuff that does not even hold a candle to their other feats#like yeah Mikey can open a hole in the space time continuum but that’s nothing have you TRIED his manicotti??#yeah Leo has outsmarted multiple incredibly intelligent and capable people AND knows how to rewire AI but eh did you hear his one liners?#donnie accidentally made regular animatronics sentient but that was an oopsie check out his super cool hammer instead#raph was able to fake his own death to save the entirety of New York and then be the one to bring about his brothers’ inner powers-#but forget about that did you know he can punch like a BOSS?#and April can survive and THRIVE against a demonic suit of armor alongside literal weapons of destruction as a regular human-#but her crane license is where it’s really at#(not to mention all the other secondary talents and skills these kids all just sorta have like - they are VERY CAPABLE)#honorable mentions in this regard go moments like#donnie ordering around an entire legion of woodland critters to create a woodsy tech paradise#or Leo being able to avoid an entire crowd’s blind spots in plain sight#and also being able to hold a pose without moving a millimeter while covered in paint and being transported no I’m NOT OVER THAT#Mikey casually being ridiculously strong and also knowledgeable enough about building to help Donnie make the puppy paradise for Todd#Raph literally led an entire group of hardened criminals like that entire episode was just#basically they’re all so capable????#and at the same time prone to wiping out at the most inopportune of moments#love them sm
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otaku553 · 2 months
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Thinking very hard about an AU idea of mine. Reluctant king Sabo AU!
In which Sabo isn’t saved by Dragon, but survives long enough to drift ashore and be saved by the doctors of Goa Kingdom, who do so only to ransom his medical bills from Sabo’s parents. Sabo’s parents take him back, thinking that his amnesia makes him a clean slate, but Sabo, young and stubborn and unsure of his entire identity, knows that everything is wrong and runs again, and again, and again.
Until at some point, he meets the Revolutionaries, and realizes that he can be useful to them, provide them information, make something good of an inescapable situation. From then on, he starts acting the noble that he was born as, in order to be a more useful informant to the Revolutionaries, until sunk cost fallacy hits and he believes that being a noble is the only way that he can be useful to the Revolutionaries. So at that point, why not take it all the way?
At 17, Sabo becomes one of Princess Sarie’s suitors, and at 17, he has doubts about using the princess for his own goals. Sarie is a romantic, and she wants a dramatic fairy tale of a romance, and she was already charmed, but the moment Sabo opens up to her about not wanting to use her to get to the throne, having lofty ambitions of helping the people (just not the people she thinks he’s talking about), Sabo becomes the one she simply must marry, because surely if she tries hard enough, she can make him love her back.
Soon after, the king and his son die. Sarie’s father and brother die. And while Sabo conveniently ascends to the throne, he also swiftly implicates his father, Outlook, in the assassination of all heirs to the throne, resulting in Outlook’s arrest and subsequent execution. And thus, at 18, Sabo becomes king, and begins to gradually institute great changes to Goa Kingdom.
Design-wise, Sabo wears an eyepatch because his damaged eye is considered a grotesque sight by nobles’ standards. Under the eyepatch, he wears heavy makeup to hide the burn scar. These are both at the behest of his birth parents, who spin a story about Sabo having been born half blind to hide the fact that Sabo had been shot by a Celestial Dragon and save face. To those who have seen his scar, they fabricate a second secret story that he was unfortunately kidnapped as a child. Sabo never does find out, until he regains his memories, where the burn scar is actually from.
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katiebell · 11 months
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you know, I actually think the moment byleth steps in front of that blow meant for edelgard, an action that changes EVERYTHING about their fate, really is monumental, especially after warriors came out and added context
you have this mercenary who’s known for being stone cold, emotionless, and who can annihilate entire mercenary camps in minutes blank faced, as we saw with shez - by all means, they should never, WOULD never take a blow like that so carelessly for someone they don’t even know, much less with such an angry, determined expression - and yet.
the game draws some clear parallels between byleth and edelgard, and in all routes they have a connection that seems unbreakable - all of this starts at that very moment, when the merciless demon gets swept by a wave of emotion so strong that they throw rationality out of the window.
idk, one of my favourite fe3h analyses mentions the ‘literal divine intervention triggered by edelgard’ and that’s exactly what that moment is. not even because of sothis, but because that’s exactly when byleth takes their first step towards humanity and their freedom - i honestly think that byleth only fully regaining their humanity in crimson flower is the only outcome that makes sense, since that’s exactly what we see in one of the first scenes in fe3h. excellent foreshadowing, I’d say
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hazelnut-u-out · 3 months
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Somehow never caught this before, but does this imply Birdperson’s mom killed his dad and he remembers seeing it?
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The fact this memory is somehow tied to Blood Ridge in his mind makes me wonder if that’s part of why he didn’t accept Rick’s advances— maybe even subconsciously. If that’s what this implies, no wonder he had commitment issues. Makes the shit with Tammy hit differently, too…
I know it’s a throw away moment, but I really hope we get a follow up on that… Regardless of what that memory is, it’s dark shit.
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honorthysalad · 2 months
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Seems like Yoshiki’s eyes are starting to lose shape whenever he’s stressed out, starting with his left pupil getting more jagged when he’s putting back ‘Hikaru’s head in ch22, and then in ch24, his left iris moves to the side.
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pepperpixel · 1 month
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+ Butch 4 Butch +
(Except neither one of them is rlly that butch but holy fUCKING SHIT THAT SONG IS LITERALLY THEM… the version of them I made up in my mind palace… it’s them.)
Anywayyyy. Yeah! Have a tagr art dump..! aka, those vibes when you, out of a series of moments of temporary insanity, end up finding, taking in, nursing back to health and eventually falling into a tangled messy yearning situationship w the asshole tsundere alien who tried to destroy your entire planet… rlly extremely relatable vibes!!
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ebonytails · 2 months
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Hey everyone! this is where the zebra is currently with the design.
It has knee braces!! I will most probably be drawing the zebra usually with them on, but it’s no requirement, for example if anyone else wants to draw the zebra :-]. I always like to make sure an animal design has official colors underneath any clothing and accessory anyway. I think this will be final! thank you everyone for your feedback!
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As a reminder, aside from why the zebra was requested for this flag, this is also just a zebra with the disability pride flag on it. It’s just a deisgn to fit the flag, with input from other disabled people in our community. It doesn’t mean other animals can’t have designs with these colors, too! I don’t mean this design to be the only mascot for all disabled people. It’s just a silly series i do of pride animals, and at the time, during disability pride month, I wanted to see what everyone wanted me to start off with for this flag!
the goal with my pride animals is to take requests and make people feel happy and seen.. that’s all <:-)
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crismakesstuff · 2 months
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everytime I see someone bitch and moan about “the animation in invincible sucks” “they should treat the animators the same way MAPPA does”
i just ,,,,,
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maybe we should sit YOU down in front of the computer and id like to see YOU animate smoothly and cleanly at 12-24 fps since y’all want that so bad !
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youngpettyqueen · 8 months
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I think the reason Charles never refers to Hawkeye by his name is because it’s a nickname, because he’ll call BJ, Margaret, and Klinger by their names without issue, and I could write up an entire post about Charles’ approach to names and nicknames and I might come back and do that tomorrow when it’s not so late
For now I just want to make the point that there’s a scenario in my head where Charles tried one (1) time to call Hawkeye Benjamin in casual conversation and the entire conversation ground to a halt because they both got incredibly uncomfortable about it because it sounded so WRONG and they agreed to never talk about it again
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crybaby-bkg · 1 year
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a slight continuation of this
no caller ID pops on your screen, pulling your attention away from your previous task at hand: not fucking up your eyeliner. you typically wouldn’t care if it was a little uneven, but you’re going on a date tonight, for the first time in so long, and you want everything to go as smoothly as possible.
which is why you groan when you end the call, and that same no caller ID pops right back up seconds later. you know who it is—who else would it be? you figured he’s already seen your story of being excited for going on your first date in a while, on the only app you hadn’t blocked him on. petty? perhaps, but it’s on him to be keeping up with you despite you cursing him out for wasting your time and then blocking him right after.
you watch it ring though, contemplating for a while longer than you should. you blocked him for a reason. no need to entertain his same shit that he always spews to you when he realizes that he might be losing you once more?
….but it doesn’t hurt to hear the hero beg for you.
“What do you want, Bakugou?” You sigh irritably as you finally answer his call, putting him on speaker as you go back to even out your eyeliner. You hear him huff on the other side of the phone at the use of his surname, but he doesn’t say anything about it, instead, quickly telling you what he’s been bothering you for.
“Who’s the fuckin’ loser that’s gonna drool over how good your tits look in that stupid green dress you love so much?” Bakugou grunts, and you instantly feel your face heating at his crude words. You glance over with a frown at that same green dress that makes your tits look good, where it hangs on your closet.
“None of your damn business, Bakugou.” You snap at him, wondering if it’s too late to find something else to wear. “Not like you ever took me out in my stupid green dress.” Your voice holds a level of bitterness that only he can bring out of you, and you hear his sigh through the speakers.
“I told you this before, I’m always—”
“Busy.” You cut him off, voice suddenly thick as you think back on the countless rejections he’s splattered at your feet every time you tried to further your relationship with him. “You reminded me of how busy you’ve been since you first started this whole situationship.”
“Situation—? Huh? We were dating!” Bakugou protests with a huff, and you can hear how he paces the floor quickly. You glare at your phone, setting down your liner to instead pick of your (his) favorite lipgloss.
“You’d have to ask me out to be dating, Bakugou. You’d have to court me to be dating, Bakugou. You’d have to make time for me and take me out on dates and not hide me to fucking date me, Bakugou.” You spit at him, venom dripping off of your lips in waves. You don’t know why you answered, why you even entertained him. You shake your head with a huff when the line goes quiet, eyebrows quirking up when your date sends you a text to make sure you’re still on for tonight.
“I’m sorry.” Bakugou mutters pathetically, his voice suddenly soft. You hesitate, for some reason, when it comes to texting your date back. Why do you always hesitate when Bakugou is around?
“Let me make it up to you, court you, and shit. I can take you to one of my favorite places, you can wear that pretty green dress and that gloss you know I love.” His voice is pleading, thickening and sweet and suffocating. You shouldn’t respond, should reply back a yes to your date.
“Please? You know how much you mean to me.” Bakugou mumbles, and you can hear the earnestness in his voice. Why haven’t you said yes to your date yet?
“I’ll do better this time. Just one more chance, sweetheart.” Bakugou’s voice is so soft, you’ve never heard him this vulnerable before. You sigh with a shake of your head, slumping back into your seat in defeat.
Sorry, I can’t make it tonight. Something came up. Maybe we can reschedule for another time?
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goldensunset · 1 year
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a rather heavy destiny for someone so small, isn’t it?
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thirtyskeletons · 7 months
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making it in the world today takes everything you’ve got
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hephaestuscrew · 18 days
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“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens
TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).
Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc
Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate). 
With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.
***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***
Detective duos
Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other. 
Romantic assumptions
Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:
When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)
When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)
Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)
When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)
Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…
Proposal via door plate 
The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:
CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)
Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:
She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187). 
Anniversaries
In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon. 
When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”
“Miss Clara Entwhistle, my partner”
I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:
FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)
Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself... 
“Her ridiculous detective.”
When Clara fears for her life at the display of the Lanterns, the narration tells us:
“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172) 
The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”. 
Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.
Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.
“Settled”
When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:
"She's still living in hope that one day I'll settle down."  "You're not settled?" asked Fleet. "I am." (High Vaultage, p259) 
By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.
I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.
As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5: 
FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.
I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.
Inseparable 
Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says: 
"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)
Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.
Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)
“Like a friend might?”
At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.
“Maybe it'll just be my good luck charm.”
CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.
In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.) 
That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…
Thank you for reading all of this!
If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!
#victoriocity#clara entwhistle#inspector fleet#archibald fleet#high vaultage#I'm not really trying to persuade anyone who doesn't already vibe with Fleet & Clara QPR as a concept#I just enjoy digging into that interpretation#I don't have any lived experience of QPRs myself#I'm just an aro who occasionally yearns#which tbf is probably the demographic most likely to obsessively interpret fictional duos as QPRs#I tried to avoid straying into anything like ‘they are too important to each other to be *just* friends’#when writing this#because I deeply dislike that outlook#That's not what I'm getting at here#Friends can be that important to each other without being in a QPR#I just think Fleet and Clara are important to each other in a particular way that can easily be read as a QPR or QPR-adjacent#Ngl for me personally I was very happy that there was no explicitly romantic Fleet and Clara moments#in S3 or High Vaultage#I’m sure I would still love their dynamic if they did explicitly take it down that route#I’m sure it would be done well#But the fact that Fleet and Clara are platonic (or at least ambiguous) means a lot to me personally#A related thought to that bit on romantic assumptions is that under amatonormativity#even the denial of romance/attraction is so often treated as evidence for it#which can mean that there's no way to escape that implication#so that's another reason why I enjoy taking characters at their word#when they express discomfort over a dynamic being interpreted as romantic#I finished writing this on Wednesday and I've been so impatient about waiting until S3 is fully out to post it lol
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puppyeared · 3 months
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*through gritted teeth* sometimes. The way people go about their lives will clash with mine. And it will be harmless. And you have to be ok with that sometimes. You’ll learn to live with it. And if u can’t do that rn imagine grabbing them in a chokehold until it passes
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