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#reality movie
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It's time once again for the Lo-scars! My awards for the best films of 2023:
Best Director
Daniel Goldhaber – How To Blow Up A Pipeline
Dean Fleischer-Camp – Marcel The Shell With Shoes On
Hirokazu Kore-eda – Broker
Paul King – Wonka
Tina Satter – Reality
Best Actress in a leading role
Rosy McEwan – Blue Jean
Lee Ji-eun – Broker
Olivia Colman – Empire Of Light
Sydney Sweeney – Reality
Thomasin McKenzie – Eileen
Best Actor in a leading role
Harris Dickenson – Scrapper
Nicholas Braun – Cat Person
Song Kang Ho – Broker
Best Actress in a supporting role
Bae Doona – Broker
Marin Ireland – Eileen
Rachel McAdams – Are You There God? It’s Me, Margaret
Best Actor in a supporting role
Forest Goodluck – How To Blow Up A Pipeline
Josh Hamilton & Marchánt Davis – Reality
Simu Liu – Barbie
Best performance by a child or animal
Abby Ryder Fortson – Are You There God? It’s Me, Margaret
Im Seung-soo – Broker
Lola Campbell – Scrapper
The Pigeon – Empire Of Light
Seeza Saroj Mehta – Jawan
Best Original Score
Chris Roe – Blue Jean
Disasterpiece – Marcel The Shell With Shoes On
Gavin Brivik – How To Blow Up A Pipeline
Jung Jaeil – Broker
Trent Reznor & Atticus Ross – Empire Of Light
Best Picture
Avatar: The Way Of Water
Broker
Guillermo Del Toro’s Pinocchio
How To Blow Up A Pipeline
Wonka
Worst Title:
Ant Man & The Wasp: Quantumania (just call it ‘quANTuMANia’!)
Eileen (because I get the Dexy’s Midnight Runners song in my head)
No One Will Save You (generic; nothing to do with the film)
Best Title:
Cat Person (because it works on two levels!)
Extraction 2 (for keeping it simple)
How To Blow Up A Pipeline (because I get a little thrill every time I google it)
Best running theme:
Cute little creatures who’ve lost their families – Guardians Of The Galaxy Vol. 3; Marcel The Shell With Shoes On
FBI interrogations about security clearance – Oppenheimer; Reality
Getting a working vagina – Are You There God? It’s Me, Margaret; Barbie
Getting revenge on environmentally disastrous industries – How To Blow Up A Pipeline; Jawan
Home invasion – Accused; No One Will Save You
Korean adoption – Broker; Return To Seoul
Making a bomb – How To Blow Up A Pipeline; Oppenheimer
Moving to the coast with your mixed-race family – Are You There God? It’s Me Margaret; Avatar: The Way Of Water
Setting fire to rich people – The Menu; Nocebo
The Runtime of Shame:
Avatar: The Way Of Water (3hrs, 12mins)
The Golden Scissors Award for Shortest Runtime:
Fallen Leaves (1hr, 21mins)
…And The Best Movie Moment!
The final confrontation – Cat Person
“I’m a lesbian” – Blue Jean
No Sleep Til Brooklyn – Guardians Of The Galaxy Vol. 3
Possession montage – Talk To Me
Zinda Banda – Jawan
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rickchung · 11 months
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Reality (dir. Tina Satter).
Sydney Sweeney stars more than capably as the eponymous [Reality] Winner in a truly unsettling, naturalistic performance. She starts off as a seemingly unremarkable office worker and Air Force veteran before slowly unravelling under questioning as we learn more about her role in altruistically releasing classified government materials to the media.
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batfamfucker · 10 months
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What About The Kens?
I'm already seeing guys complain about the Barbie movie end, how they wanted Kens to be equal in Barbieland but were only given a small part on the Cabinet.
That's the point.
You're meant to feel bad for the Kens. Believe me, women aren't partying over the 'Returns to Matriarch' ending. Some will be, but the ones who also clocked the meaning behind it won't. Most women will also feel bad for Kens. Because it's an exact parallel to how women are treated in reality.
Men, you're meant to be upset. You're meant to question it. Because you're meant to feel it, and feel what that is like, so you can finally understand women. You're upset at seeing it in a movie, now imagine living it in reality. That's being a woman.
Kens were shit on so you could feel what it was like for women this entire time. Kens were being used as a placement so you could see yourself in a woman's shoes. A world dominated by the opposite sex. When Ken leaves, and sees male presidents (All men) for the first time, men being doctors and lawyers, etc, realising he is more than just a prop for Barbie, that was on purpose. Because that is the feeling that Barbie gave to women. It's why you cheer for him at first before he goes a little overboard.
It's exactly why the real world was an exaggerated Partriarchy and Barbieland an exaggerated Matriarchy. Neither wins. Neither is equal. None of them change for the better. It's why you should want women in the real world to be respected, and Kens in Barbieland to be respected.
The thing is, women also didn't win. Not in the real world. In Barbieland, yes, but not anywhere else. The real world didn't change. But you didn't notice, did you? That Gloria (The mother that helped Barbie) also didn't get a position on the Mattel board? It was still all men? Her idea was ignored until it made a profit, and the men will likely get the credit? She'll still just be the receptionist? The women representing the real world didn't get anymore opportunities, neither did the men in Barbieland.
I was hoping that Gloria would be offered a position on the board, and that the Barbie Cabinet would introduce another entire Cabinet to represent the Kens, but neither happened. They're complete mirrors.
But which one did you actually notice? Which did you actually care about? Now tell me again the ending was unfair. Because it was. For both parties. That's the point.
The difference is, Barbieland is fictional. You will walk out of the theatre with the reassurance that at least it's not real. Women won't. Women can't. Companies not giving women equal opportunities or voices isn't fictional, and that was just one example. There are no women presidents (USA at least) for us to go look at in the real world. We don't have somewhere to go to realise it could be different for us like Ken did. Barbie and make believe is all we had when we were kids, or even now.
You're supposed to be mad, just not at the movie.
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daily-spooky · 5 months
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i lose 80% of respect for a movie the moment a female protagonist wakes up in bed with artfully tousled hair and a full face of unsmudged makeup what is that mcfuckery
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horang-07 · 7 months
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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pandadrake · 5 months
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Horses. I really like that other movie that Hobie's voice actor was in.
IDK why I ended up putting so much effort into the rendering this was just supposed to be a shitpost.
Hobie's pose is heavily referenced from a shot from the movie Nope (2022). The background texture is also from the same frame.
Miguel is cast as the stressed-out, half-Latino, tech guy with an angel name who watches camera feeds all day and bitches about his life to people he just met.
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rian johnson took all that time, put in all that effort to make glass onion a fantastic period piece to the first four months of pandemic, a prescient narrative that anticipates the stupidity of rich billionaires, and then pulled the rug from under us because the world of benoit blanc just straight up doesn't have the mona lisa anymore
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lesbianshepard · 1 year
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me reading a post about non-existent fictional mobsters from a movie that has never existed
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scipunk · 20 days
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Johnny Mnemonic (1995)
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My ★★★★ review of Reality on Letterboxd https://boxd.it/4lF97N
OBLIGATORY 82-MINUTE-RUNTIME BONUS POINTS. You’d think this being based verbatim on an FBI transcript might handicap it as a drama. And while the first half hour’s mired in small-talk, once our three leads get down to brass tacks it’s riveting. Director Tina Satter somehow turns three people talking in a bare room into a nail-biter, using blocking and occasional creative flourishes to portray a woman both figuratively and literally backed into a corner. For fans of ‘Silence Of The Lambs’.
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ventablxck · 6 months
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I think it’s funny but also very wholesome that Josh Hutcherson was open about how he’s bicurious/flexible.
“Maybe I could say right now I’m 100 percent straight,” “But who knows? In a f**king year, I could meet a guy and be like, ‘Whoa, I’m attracted to this person.’”
Because yeah he’s right who knows. It be like that sometimes! It’s okay to just be like wow! I like this person regardless of gender!
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cassettemoon · 1 year
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How exactly did the movie ninja meet again?
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secondbeatsongs · 1 year
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makerrcat made me watch John Wick, and my hot take about it is that the entire plot of the movie is impossible, not because of the action sequences and cool fight scenes, and not because of the awesome mob hotel run by a dude named Charon, but because it's illegal to pump your own gas in the state of New Jersey, so John never could have had that interaction with Viggo's son at the gas station
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theactioneer · 1 year
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Cyber Vengeance (J. Christian Ingvordsen, 1997)
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