asking and receiving (bonus below readmore)
[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.
The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.
Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"
More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"
In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."
A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]
[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]
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Alicent being ignored as a parent during those first few years. Alicent being expected to take care of aegon, while also allowing Viserys to take him whenever he so pleased, to show off and pass around like a model toy. Alicent being denied her child whenever lords and ladies were around. Alicent only getting him back when she was at her wits end, stressed after being separated from him for so long, watching people hold him wrong, play with him wrong, touch him wrong. Alicent only getting him back when he is fussy and no longer a source of entertainment for Viserys and his guests. Alicent holding her baby close to her chest during outings or events, stiffening when people ask to see him, hesitant to release her grip on him. Alicent biting her tongue when people ask to "give her a break" when she really wants to tell them that it's her baby and she's perfectly capable. Alicent being so exhausted from guests and Aegon being so little and full of energy, and her second pregnancy, causing her to doze with Aegon in her arms, only to nearly lash out when someone tries to slip him from her arms, engulfing him in her arms as if to fend him from hungry wolves. Alicent carrying him around, even as she grows tired, her arms burning and back aching, so she knows he is safe, away from prying hands and acrid whispers, away from his father's attempts to use him for amusement purposes. Alicent feigning a smile, feigning composure and enjoyment, when really, she just wants to be home, in her chambers with her son, where no one can bother them, where they aren't props meant to smile and wave for a man who does not love them.
(inspired by this reblog of my post from earlier. cause yes, @squgs [hope you don't mind me tagging] is right, she would very much go to war for her baby)
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There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.
That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.
However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.
“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:
The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).
Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”
1.) The side of you that suffers; Heart.
He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.
2.) The side of you that so desperately wants you to get over it; Mind.
Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.
3.) This album is about inner compromise and acceptance; About being whole.
Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.
What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.
This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.
Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.
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i also don’t want to portray myself as faultless. my work isn’t ai and it isn’t copied. but nk will say i Had old pieces that were copied and referenced ai. Yet it isn’t good faith when i apologize, state how i took accountability, and explain thats definitely not the case today because i learned my lessons- to respond with well you made these mistakes in the past so how can i believe you, you are lying, and have not changed.
so i quit. how can i prove myself then besides what i mentioned in the last post. my question is will you even ALLOW me to prove myself. each time i must explain, i place a spotlight on something that was resolved agreeably with the artists, resolved by removing the works, and resolved within myself by learning from it. but by not saying something i also allow You to concoct narratives and have to watch people spread them around and come to me demanding apologies. it is a very uncomfortable very distressing process that has worn me down completely.
never mind that other artists who have copied have not nearly been requested to apologize as much as i have been. never mind that they were forgiven when they removed the works or even when they just say sorry and don’t remove the work at all. But you still choose to hound me afterwards for doing just that?
nk has stated that i have not fixed this. and that i must address it. how many times though? for how long also? who on this planet starts the conversation by recounting all their mistakes, especially when they know they are resolved.
i have had to learn my lessons through cruelty like yours. trust me its a trauma i have to bear and they are not lessons you then forget.
my anger and my feelings of defeat come from the fact that even after nk was still talking like i had not even attempted to make progress. just look at your tone here.
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Entry #7 : Vox and Blackouts, Connection, etc.
A/N / Disclaimer : Fanfic is fanfic, and people are allowed to make things as OOC or just in their own image as possible, so I'm not shitting on that at all. Everyone has the right to make whatever tf they want and explore concepts and stuff.
This is just me vomiting ideas that have been plaguing me for a while.
If I'm proven wrong by the show, then I'll eat my hat and apologise for this one, but for now I'm trying to think about this stuff like - as logically in the frame of what's canon as possible.
It's funny to say that when this is the topic but yeah haha 💀
Ah yes, theorising about the goddamn TV Man again.
Cw: SFW to NSFW/18+ (below cut)
- So, let's establish some things before I begin to truly dig into this haha.
- Vox is not wireless, and thus does not get effected by things that are not directly connected to him. This is seen with him directly plugging into his set-up before being able to control all the TV's and devices connected to the main-frame.
- This would most likely mean that when the whole system goes down, he isn't affected by it and vice versa if he's not directly plugged into it. So yeah- if he blue screens or glitches out like he does just casually while not plugged in, then the whole city most likely would not blackout.
- An anon asked me about whether he would just go offline if the WiFi was down or if he would be just fine and yeah - he'd be just fine if he wasn't plugged in. If he was, however, then he'd most likely lose reception. He'd probably blackout/shut down.
- For an example: if he's plugged in and it's storming outside and lightning hits the main tower, then he'd probably be pretty injured because his system would be fine. But if he wasn't plugged in he'd be absolutely fine.
- I also could see his face dropping to low resolution and voice doing the blocky-glitchy thing audio over calls does if he's plugged into the system and the reception goes to absolute shit.
- Think 180p quality display and audio Vox lmao.
(Here's the other post as well)
- Having said all that, I also don't think that there wouldn't be any effect at all on surrounding technology if he starts glitching out.
- If he's near things like phones, laptops, lights, etc. Etc. He'd likely effect them, but on a way smaller scale then what most people seem to write about.
I'm gonna start going into directly NSFW below the cut
- So yeah, if you're just casually fucking Vox really hard and he starts glitching or goes to the point of bluescreening while coming, the whole of Pentagram city isn't going to experience a blackout because he's not plugged into the system.
- However
- He would most likely start effecting the direct surrounding technology.
- Think lights blinking on and off or getting brighter and then dimmer to the pace you're screwing him at. Think surrounding devices turning on and off.
- Think light bulbs and phones and clocks in the room - anything electrical or running on batteries - exploding into shattered bulbs, being destroyed, getting fried, etc. When he comes.
- Bro basically starts doing what ghosts/poltergeists start doing to mess with people lmao.
- The trope of him causing whole city-wide blackouts when hes fucked so hard is funny as hell in theory, but going off of canon that wouldn't happen that way.
- And maybe you're saying 'okay - but what if Vox is plugged into the system' That would also not happen.
- Yes, if you did screw him into bluescreening while he's hooked up to everything then yes it would most likely happen.
- but, it goes against literally everything we know about Vox to have that ever happen.
- He is all about appearances and looking perfect 365 days 24/7 to the public.
- I keep seeing these fics where that happens and he's all embarrassed and cute about it, but if that ever happened with what we know about canon Vox he'd be mortified and fucking pissed as all hell around it.
- I feel like if you're in a relationship with Vox, the first thing he'd make abundantly clear is how important his image is to him.
- So if reader was riling him up in his office while he's around all the machines and stuff or actually directly plugged in - he wouldn't be going 'no, stop it' as a kind of bratty thing, he'd be seriously telling you to stop.
- Like, to push him to causing a city-wide blackout by having sex would absolutely in my mind based on all we know about Vox; be violating his boundaries to one of the highest degrees there are.
- His public image is everything, and you would be let know that from day one. Hell, dude would probably jeaprodise/push your relationship to the side if it fucked up his image. Thats how important it is to him. The boundaries around doing something to fuck his image up would be set in stone from the second you enter his life.
- So doing that and causing that to happen wouldn't really be?? Like the cute fanfiction trope it is, he'd be rightfully angry as fuck that that's happened because it's what not to do 101 to not screw up his image.
- The 'blackout' you'd be able to cause and not have him absolutely hating you afterwards would be with your house, hotel room or wherever you're doing the do.
I'm way too passionate about this, i know, but like I see it so frequently, and it just makes like absolutely no sense to me at all, haha. I liked it the first time i saw it but after actually thinking about it I just find myself raising my brows and cringing each time I see it in fanfics because it just feels inaccurate asf 😭
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