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#one of the first drawings i made with my new pen so this piece is dear to me
jztr-77 · 1 month
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Bunny date!!
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silkentine · 1 month
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spontaneous self portrait :) 17 March 2024
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u3pxx · 17 days
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“Thanks a bunch, Trucy,” Apollo muttered through chomps of his bagel. Her bounciness jolted to a stop, her stare locking onto Apollo. It was as if Apollo had grown another head. At this point, anything was possible. “You called me Trucy,” she plainly stated. “Yes, is that not your name?” He smiled the best he could at her, though Klavier could see the sweat pooling at his forehead. “It’s not that,” she continued. “You always call me Frau Wright, or Frau Magician. I’ve never heard you use my first name.”
new chapter update for @strawberricakeandpie's fic, turnabout on a friday! last time @taxkha drew the chapter art and now it's my turn once again! don't mind that the style changed from the first spot art i drew haha don't mind th
extra stuff under read more ;^P | like what i do? support me on ko-fi!
i can't think of much to say about drawing this, so many things have happened since this piece that i kind of, don't remember much of the drawing process ASKSKS
i did remember that i used a new pen for inking this one! watch out for that in future spot art made by me because i shrimply can't help myself. sometimes i draw with a pen for months and months and suddenly i hate how it feels, i'll have to not use it for a long time before my brain decides that that pen is okay again, it's weird pftt
i do enjoy the color's for this one!!!!! i'm so enamored with that shade of purple i used on klav and the light blue i used on trucy. apollo!klavier nervously eating his bagel in the background was so funny to me pftt
and a lil bonus thing, as you may or may not have noticed, i usually draw apollo with a yellow pupil, and since he's in klavier's body...
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klavier!apollo also has a yellow pupil! i usually give klav a blue one so teehees :^]
i think giving body-swapped characters little traits of each other is pretty fun! i've been doing it with klav!apollo's two strands of hair that keep sticking up and apollo!klav's bottom lashes pftt
if you managed to read this far and still have not read the fic, what're you doing man!!!
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chrollohearttags · 1 year
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containment • e. jaeger
synopsis: you’re the newest female guard at an all male prison. No one said it’d be easy but you were prepared for anything..except the new inmate on your cell block.
themes: forbidden romance/relationship, prisoner eren, modern au, correctional officer reader (black and fem coded) power play, lots of fantasizing and masturbation, consensual sex, he’s also a heavy switch and minors do not and i cannot stress this e-fucking-nough..interact!
cw:3.5K
📝: I’m up at 3am, letting my insane thoughts win again so please don’t hold this against me if it’s too long or just wild in general but this is just some notes/imagines to what will be a full, multi-part fic eventually, just wanted to mainly focus on the spicy stuff for now.
you were one of the only three female guards to ever work at the state’s all male maximum security prison. A facility notorious for housing some of the county’s most terrifying criminals..naturally, it was said to be no place for a woman and you were subjected to harassment, heckling and sometimes violence but you didn’t allow it to stop your goals. As physically strong as you were stubborn, you didn’t fear them in the slightest.
it was only six months after your assignment to the close containment unit that he was put onto your floor and things began to shift..an inmate by the name of eren jaeger; he was most certainly different from the other convicts you made contact with on a daily basis…
never gives you a hard time, always complied and is always in his cell either drawing or reading. If they didn’t give him time off for good behavior, you didn’t know who would get it. Also was super intelligent.
sort of intimidated the other guards and prisoners because of his eerie silence. They didn’t know why he’d been on a floor like this but act so well behaved. no one ever got on his bad side though..they knew better because he’d remind them why he was locked up in the first place.
has a slick ass mouth and every time you asked what he was there for, his response was “whatever they say I did.”
you didn’t make it your mission to be chummy with the prisoners, but he made the job a bit more tolerable. “good morning, officer (l/n)..” it was how he always greeted you..in addition to a little faint smile and telling you how pretty you were that day, whether barefaced or with some light makeup on and oddly enough, he always knew the scent of your perfume. “I can compliment my favorite guard, can’t I? Is that allowed?” the sarcasm and sweet gestures were something you had grown accustomed to. “You’re as cute as you are dangerous, Jaeger. Too bad for you, they don’t reduce sentences for adorable one liners.” although those words should have meant nothing come from a criminal…
it’s one day, however..when you were seeing him off to library cleanup duty that it went from harmless flirtation to a heated, forbidden love affair. “Not to be gross or anything but I gotta go take a piss, officer. I’ve been holding it since we left the cell.” he had been working diligently without a break for two hours so you’d allow it.
never had to worry about him trying anything as he had seen you take down men twice his size by yourself and even had subdued him once after a fight was incited by somebody else but he didn’t back down. (an ass whooping from you he’d soon never forget).
during that little bathroom break, you accidentally caught a glimpse of what he was working with…down south! You’d try to look away but really couldn’t help yourself. The man was hung like a horse. As a guard, you were to remain professional so the thoughts had to subside.
it was all but inevitable when you’d take him to the rec yard for exercise and you’d watch him do curl ups on the metal bars. His entire muscular back and arms riddled in tattoos; some professional pieces and others by the tip of an ink pen etched in prison. It’d be a huge violation if you’d ever acted on them and to you, that’s what made the fantasy all the more hotter.
on the trip back to finish up his last bit of library work, he utters something to you that made you freeze… “I know you were watching me earlier, officer..in the bathroom. I could feel those pretty little eyes of yours staring. Such a pervert.” Muttering sarcastically because his nasty ass loved the thought! To which you’d call his bluff and ask him so what if you were and he’d double down on it. “Then next time I’ll let you come help.” He always had a witty, smart mouthed comeback for everything.
it was getting harder to deny the sexual tension that was brewing though and as it were only the two of you left, the banter would become more and more risqué. Completely inappropriate and wrong but it felt so right..
“Can I get a good night kiss?” asks it every night when you take him back to his cell, to which you’d only ignore and instead, shove a stick of gum between his lips as a reward for his hard work..it was as close it were going to get for now.
it was when you got home that those disgusting desires could run rampant. In the solitude of your shower or bedroom, you were free to fantasize about this man and all of the things you wanted him to do you. Touching yourself, wishing it were him…a filthy criminal. From pinning your legs back and pumping you full of dick. Slapping, choking and tugging on your hair. Riding his pretty little face as you came all over his tongue. unbeknownst, he felt the same.
truthfully, it couldn’t be helped..watching the plump curvature of your ass sway in those black uniform cargos and your big supple tits tightly stuffed into that grey polo with the prison’s insignia on the left breast pocket every day drove him crazy. Those plump, juicy lips always covered in gloss that he wouldn’t mind shoving his cock between. Holding your head still while he throat fucks you into oblivion. And he just knew that pussy was fat with a mean grip. Many of nights had he lied in this cell, quietly stroking himself to the thought of his favorite guard bouncing on his dick, riding him before he’d take over and fuck up into you..smacking that round ass as he covers it in baby oil.
hearing you cry out his name..telling him how big it is as he forces all nine of those thick inches in you until it fits..just a few of the dozens of scenarios he’d play in his dirty, perverted mind. It had been years since he’d felt the touch of a woman so it was hard to restrain himself. He’d end up biting his sheets a way to gag his moans as his enclosed fist pumped until he’d splatter a giant nut all over his knuckles. Luckily he was alone in here.
when you returned to work a couple days later, that steamy tension had reached its boiling point and during day duty, you couldn’t take anymore. You needed him now! Favor was in your corner because he happened to be caught with cigarettes he smuggled from another inmate, which would have been a big infraction.
but instead, you snuck him off to a nearby closet where he’d become your personal fuck toy for the afternoon in exchange for your silence. It was his own damn fault..violating the rules and looking so damn good all the time. And he didn’t hesitate!
“You can keep a secret, can’t you, officer? I promise I won’t tell if you won’t.” taunting as he forced you back on his thick cock with his shackled hands. He’s made you squirt more times than any man ever has and it had been so long since he’d been in some pussy and especially one this tight so you had to keep him quiet because he was losing his shit. Didn’t hold it against him when he came too quick and..inside of you because you had been waiting a long time for it.
now, it’s become a regular occurrence. You can’t leave him alone and vice versa. Makes sure that no one else give you a hard time ever again and would handle it personally if they did. Guards included..in return you make sure he gets a little more on his commissary or drops him in a few cigarettes or snacks when it’s permitted. Even letting him get extra time outside, just so you could have him to yourself.
Can’t exactly communicate via cell phones so he writes you love letters that he hides in areas around the prisons for you to read when you get home. Full of filthy detail of how he’d be fucking you if he were a free man, how much he adores you and of course, all the trouble the two of you will get into the next time his beloved CO comes into work.
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thenerdysewist · 6 months
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I made a Moonshine Cybin Flannel to see NADDPOD Live at Carnegie Hall (featuring an embroidered PawPaw)
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Read more for details on how I made this
Making the Shirt:
Like a week before I left for New York, I decided that I wanted to make my own NADDPOD clothes to wear since I don’t have a lot of merch. I remembered that JoAnn Fabrics had this mushroom flannel and so I ran out and bought two yards.
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I used this button up shirt/lined jacket pattern from MCall’s:
The problem is that I’m right in between the largest boy’s size and the smallest men’s size. So I had to make some adjustments. I cut out the pattern, then shortened it at the waist because there wasn’t room for my hips in the original pattern. Then I cut out all the pieces: shirt front, shirt back, sleeves, pocket, collar, and cuffs.
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I knew from using the pattern before that the sleeves were too big for the armhole, and I don’t like the look of gathered sleeves. So I trimmed 5/8” from both arm holes.
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Once those adjustments to the pattern were made, I stitched the sides together.
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Next up was the collar. I cut two collar pieces, stitched them with the pattern-side of the fabric facing each other, trimmed the excess at the edges and flipped it right side out and ironed it.
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I pinned the collar in place around the neck and stitched it in place.
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Next up was the sleeves. I stitched each sleeve together, leaving a gap open at the bottom so that the sleeves could be unbuttoned. I hemmed the opening of each sleeve so no raw edges were visible, the gathered the top of the sleeves so they fit into the arm hole.
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I pinned the sleeves into the arm hole and stitched them in place.
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I cut two cuff pieces, and turned down one edge so that once it was stitched in place, there wouldn't be any raw edges. Then I pinned it in place so the right sides were together and the excess fabric of the cuff was pointed towards the shoulder. I stitched it in place, then folded the cuff in half, right sides together and stitched the ends. That way when the cuff was folded out the right way, all the raw edges would be held inside.
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With that, the main construction of the shirt was complete.
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Next were my first attempts at embroidery. I found a reference image online that reminded me of PawPaw and printed it out in various sizes. I stitched together a breast pocket, and pinned it to the shirt. Then I was able to use that and my printed images to decide how big I wanted the embroidery.
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Once I decided on the size, I unpinned the pocket and transferred the drawing to the fabric using transfer paper. I pinned the drawing and transfer paper in place, and traced over the image. It left a carbon copy on the fabric, and I traced over that with heat erase pen so it wouldn't rub off while I worked.
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After that, it was lot of stitching with embroidery thread. Have some in progress pictures.
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With the embroidery done, it was time for the finishing touches. Using the guides on my pattern, I marked off the places where buttons and buttonholes were meant to go.
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I used the buttonhole foot attachment and setting for my sewing machine to install the button holes, then I sewed the buttons in place by hand.
To secure the embroidery I cut out a patch of white flannel and ironed heat and bond to the back. Then I placed the patch over the thread on the backside of the embroidery, and ironed it in place. The patch prevents the loose threads from getting snagged on anything.
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After that, I hemmed the shirt and it was finished!
I literally finished this project the night before I flew to New York. It ended up being a huge hit at the fan meet up in Central Park.
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my-own-walker · 10 months
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OMG I got an idea. How about Kit Walker x Reader during the asylum and like maybe Kit learned origami to probs keep himself sane. But also like he made little presents for the reader like paper hearts, sweet secrets messages, PAPER RINGS.
Paper Rings
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note: a person after my lil taylor swift heart 🥺
warnings: just like fluff, kinda mentions of sadness/abuse bc asylum ofc
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Kit's POV
My neck ached. After hours of being hunched over on my bed, my shoulders cramped and my head felt heavy.
It was for a noble cause, though. I sat, cross-legged, folding a piece of paper desperately. An attempt at a present that was all too important. It was quite possibly the only thing keeping me sane anymore.
See, when I was thrown into this place, I never thought I'd find a purpose in life again. My determination to escape dwindled by the day and I feared it would never come back. They were making me weak. Complacent. Altogether incapacitated.
In my spare time before the asylum, I wrote. I liked to keep a journal. I wrote down my thoughts. Sometimes I'd draw funny pictures for Alma. It was calming to me. At Briarcliff, though, writing was banned. Fountain pens and pencils were considered weapons. In a place like that, it could turn bad. So I had to find something different to occupy my time.
After receiving my pills one morning, I kept the small paper cup they were handed to me in. I folded it into a little triangle while sitting idly in the common room. I folded the corners down, and it kinda looked like a penguin. I chuckled softly to myself before an orderly came and stripped the paper out of my hands.
It became a daily routine after that. I would take my cup and stash it for later. Hide it in the waistband of my pants. I started shoving them in my pillowcase, or in cracks in the walls. When I'd lay in bed at night, unable to sleep, I would grab out one of the cups and begin to manipulate it into different shapes.
When Y/N got admitted, I was amazed to find that my mind felt clearer, and more and more reasons to try to get out made themselves apparent to me. She was light. Her soft skin, the way her hair bounced as she walked, and the glint in her eyes, all made me fall for her. She was a total doll. A marvel.
I watched her from across the common room. She tied her hair up messily as she looked down at the chess board before her, engrossed in thought. Strands of hair fell into her face and her brow furrowed. Her perfect soft lips pursed in concentration. I wanted to attack her and take her right there on that table.
Always the gentleman, though, I formally began a friendship with her. Over the weeks following, we found that we had more in common than I expected. She gave me a reason to want to live.
I fell in love with her quickly and wholly. I kissed her for the first time in a tucked-away supply closet in the women's wing. I was alive.
My nightly routine gained a new meaning. Every scrap of paper I collected went toward daily gifts for Y/N. She loved birds. She would always talk about she wished she could hear the birds sing outside again. So I figured out how to make all kinds of birds.
This present was different, though. Very different. I was very focused on the daintiest little project. One that was more important to me than anything I'd ever done up to that point. Finally satisfied with my handiwork, I tucked it into my pillow and curled up for a restless night's sleep.
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The next morning, I rose with a start at the wake-up call. I couldn't bear to wait until common room time to see Y/N. Nevertheless, I persevered. The passing hours moved so slowly. But at long last, it was time to see Y/N.
She moved with such grace and beauty into the room. Her head was held high, eyes searching for me. I couldn't help but crack a smile when we finally met eyes. She made such a bleak place fill with air.
'Hiya doll,' I smiled, standing to greet her.
'Hi Kit,' she replied brightly. We both flopped down onto the small sofa in front of the window. I took her hand in mine and placed a gentle kiss on her cheek. 'Today has been such a drag.'
'I couldn't agree more,' I sighed. 'But, I have somethin' for ya.' Her eyes brightened at my words. I let go of her hand and reached for my left pocket. I stopped before taking out my newest craft.
'Another bird?' she laughed, looking expectantly at my hands.
'No, beautiful. This is somethin' a little different. I gotta tell ya something first, though,' I explained. I removed my fingers from my pocket and placed them in my lap.
'Oh? What's that?' she asked, smile fading slightly.
'I know we haven't known each other for long, but Y/N, you mean the world to me,' I began. 'I'm not very good with my words, so. you'll have to bear with me.' I chuckled softly, putting my head down suddenly embarrassed by my feelings. 'I'll just come right out and say it. I think I love you, Y/N. I hadn't known the type of peace you give me until I met you, a-and I wanna show ya how much I mean this.'
My hand fumbled into my pocket and fished out a paper ring, perfectly smooth and thick enough to last.
'Oh, Kit,' she breathed.
'I wanna give ya this because I can't give ya anything more right now. But know it's a promise from me. When we get outta this place, I'm gonna buy you a real one a'these. A beautiful gold one. I love you,' I gushed.
'I love you too, Kit,' she smiled, tears forming in her eyes.
'I know it-it's kinda stupid but,'
'No Kit, it's the nicest thing anyone has ever done for me. Thank you,' she assured me. I slipped the paper ring onto her ring finger and it fit perfectly. I sighed inwardly in relief.
'Paper or gold, whatever it's made of, just know that it's a promise to you that I am for you. I love you. And we will get out of this place,' I continued.
And I meant every word.
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GOD I think this sucks I'm so sorry haha. Love y'all hope you're doing well and are safe and happy.
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eileen-crys · 9 months
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"The Black Queen" and "the Black Queen Holds Aerial Court" by James F. Beveridge
Following this analysis post I made about the Black Queen Holds Aerial Court artworks that are up for auction at Sotheby's, I found and contacted the author on Facebook to ask him more about it, and it turned out he had no idea that his art was at Freddie's, let alone being auctioned! That's how he managed to ask Sotheby's to update the "Unknown Author" to his actual name.
He now made a post on Facebook telling the tale of these illustrations, shedding some light on them:
Well, it seems that I have had some of my art found in unexpected places but what has me rather excited is that apparently two of my fan art drawings of the band Queen have been in the possesion of Freddie Mercury since 1975.
The picture that I posted was one that I had doodled in Bic pen, a fantasy vision of the band based on Freddie's magnificent song "The March of the Black Queen" that I called "The Black Queen Holds Aerial Court" with each member of the band as her courtiers in a landscape of very vert tall unuque mushrooms, for almost obvious reasons. The difference between the picture on Sotheby's and mine is the date in blue ink in the lower left corner.
John was the Court Scholar, Roger, of course, was cast as the Court Jester with Brian as the White Knight riding a white dove and Freddie naturally, was the Court Magician. I drew that one while on a "blotter trip" as a stream of consciousness piece one day. The other picture was worked a little a little more. It was of the Black Queen as but the band was directly attending her with Freddie and Brian conjuring her a new crown.
I was, at first, a bit perplexed over as to how it ended up with Freddie. I then remembered that I was considering getting at least a copy of one of the pictures I'd done to Queen somehow at one of their concerts in Detroit. I think that it was perhaps their Cobo Hall concert but that was such a hectic time and I'd also attended their Ford Auditorium and Masonic Temple Theatre concerts prior to that big one so I wasn't positive until I dug a bit deeper into my visual memory. A friend, whose identity eludes me right now, who also attended that show mentioned that he could help to have it sent backstage to the band. So, I quickly dated and put the two pictures that I presumed were photocopies into a big brown envelope and went to the concert. It seems that the Black Queen in the Q picture that Freddie had was actually the original ink drawing. The lower right side is missing a part where I knew that it was weakend by my vigorous inking to make the Q flat black. The right edge of the Q's ink was a bit weakened from pressure and repeated lines and was going to separate sometime. I thought that it too was a photocopy but apparently in my rush I neglected to grab that one. I was a bit disappointed in myself that it wasn't the photocopy but I shrugged my shoulders, hoped they liked it and went on to draw new work.
Here now for the first time that I've posted this old 1975 oil painting that never made it to the band but hopefull might see it here. It is also the same characterization I was developing of Freddie's lady, my "Moonlight Flight of the Black Queen with her Blue Powder Monkeys" I'm also including my photo of the Aerial court drawing.
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hannuhbee · 2 years
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𝗺𝘂𝘀𝗲
eddie gives you drawing ideas when you're experiencing art block. [wc; 2.3k]
pairing; eddie munson x fem!reader
warnings; swearing and fluff, i think that's literally it (written on my phone so mistakes too)
a/n; is this completely self-indulgent... maybe... i will edit this when i wake up i swear
"i'm at a loss, eds," you say, throwing yourself onto his bed, arms and legs splayed out.
"why's that?" he was fiddling with the strings on his guitar, not looking up at you.
you sigh. "my sketchbook is like, empty and i have to turn it in by friday."
"that's in two days," he states.
"wow really? i didn't know that."
"teasing." he laughs, putting his guitar down, finally looking at you. "all outta ideas?" you nod. "draw me."
when you sit up, your face is so close to his, noses almost touching. "i can't draw you, i'll mess it up."
"then it'll be abstract. c'mon, i'll sit like a statue, i promise!”
you laugh so hard you throw your head back. the thought of eddie munson sitting still, like a statue no less, was wild. he couldn't stop fidgeting as if his life depended on it.
looking over at him, you noticed that he would make a good subject. his hands were really nice after all, the rings the cherry on top. you loved his eyes too, and his hair, and his nose. everything about him.
"okay," you say, smiling. he leans in so your nose touches his, and smiles. "i can draw you."
"fuck yeah, babe! can you do it with a colored pencil? you have those right?"
you nod. "i only have red and blue though."
"red, red's my favorite color."
you nod again, confirming the color. eddie had taken you home, to his home, after school like always, so you had all of your art supplies with you. it wasn't much, a few hb pencils, pens, and two colored pencils.
inside, eddie was freaking out. he loved your art, and would shower you with compliments and kisses when you showed him a new piece, throwing in a few can you draw hellfire posters? too.
he'd never thought to ask for a portrait before. maybe it was because some part of him, something very deep down inside him, thought it would be scary to see someone else's interpretation of him. he was excited nevertheless.
you pulled out your sketchbook with almost twenty-five percent of it filled and sighed, letting your fingers roam around the cover - feeling the divots of when you pushed your pencil too hard in to make a mark, meaningless doodles, and words.
"you can go back to doing whatever, i can go from there."
eddie kissed your temple and leaned back to get his guitar. he started messing with the strings again as if they weren't perfect the first time around.
you looked around eddies room, which had somewhat become your room. wayne suggested you move in, to help keep it clean. eddie even made a stack of your clothes on his floor.
"what's the theme of this one? they all got themes, right?" he asked, half distracted.
"uh, not sure. think it's something like family or your idea of home."
eddie smiled to himself. "yeah? you're okay with putting me with that theme?"
you started sketching out his room, the perspective a little wonky but it would turn out fine. "'course eds, not to be all cheesy but you're kinda my idea of home." you are my home, you want to say.
"that's awfully sweet of you." he teases again, but neither of you can deny the blush creeping onto his face. it starts at the tip of his ears. "just so happens that you're my idea of home too. i mean, you put your shoes next to mine!" he repeats what you said, but leaves out the kinda.
you laugh hard again, but don't reply. you relish at this moment, of eddie doing whatever he does, back towards you, but still touching you, and you doing what you love, of who you love.
your focus is turned back onto the page as you start to slowly add in blocks, mapping out the clothes on his floor, the posters, and little trinkets. crosshatching is used to add depth and shadows and make it all look a little better, more real.
when it's finished, you write home at the top right and sign your name under. "look, eds."
"you're a modern da vinci, babe." he pretends to not see the title at the top but smiles like an idiot to himself when he turns away.
you move on to the next page. anatomy. it was never something that you were particularly good at, everything looking a little off.
eddie's backside turns out to be a great reference. you start out with the outline of his back and his hair, then you slowly add details in, carving them in. you don't offer to show him this one.
next, you draw the guitar, where it hangs in front of the mirror. eddie moved on to messing with his amp. you draw the pick on his nightstand, and the box of cigarettes, though you don't draw the label. it's just a box on paper, but you know it's more.
"s'it working?" he asks. you've gotten caught up in your drawing that you didn't realize he sat right next to you again.
you hum, nodding. "i'm tired already."
it was pretty late, and you were pretty tired. "m'tired too. you sure this burst of inspiration won't disappear by tomorrow?"
"nope, because you'll still be here, i hope."
he smiles wide again. idiot, you think. my idiot. "always gonna be here."
with that, eddie helps you get situated to sleep, and you're out.
when the birds outside wake you up, you're excited to draw, your hands itching. you're excited because you get to draw eddie. the entire day was going to be focused on drawing him, his features and his hands and his tattoos, everything that makes him eddie.
because of how the trailer is set, the sun shines bright through his window, perfectly highlighting eddie. the sheets have slid down to his lower back, so you can see the curves of his back and the few light freckles on his shoulders.
it’s perfect, he’s perfect. you have to draw him.
moving as slowly as you can, you reach down to grab your sketchbook off the floor, along with a colored pencil. you mark down the general shape of him, and then work on his face - half in the pillow with furrowed eyebrows and pouted lips. you wonder what he was dreaming about.
you make sure to get the way his hair falls into his eyes and over his shoulder, a few distinct curls on his cheek.
“freak.” he mutters, opening his eyes a smidge.
“you asked for this.”
he huffs, slowly getting up with a groan. “guess i did. can i see?”
you shake your head and move the sketchbook away. “not yet, when i get it back. monday.” you say, promising.
“monday.” he agrees. “d’you want eggs? think that’s all we got.”
you nod. “eggs sound perfect, eds.” smiling, you think back on all of the other times eddie made eggs and how he dumped salt on them.
he stands up to find a shirt and pants, but not before he presses a kiss to your temple and each cheek.
you follow him into the kitchen, still clutching the sketchbook. wayne’s sitting in his chair, sipping a coffee. it was rare to see him so early.
“hi wayne.” you say, to which he turns back and waves.
“you know she’s an artist right?” eddie says, cracking four eggs into a hot pan. they sizzle.
wayne laughs. “‘course i do, you show me everything she’s ever given you.”
your face heats up at the new knowledge. “you do?”
eddie looks sheepish, like you weren’t supposed to know. he shrugs, a red blush painting his face. “i mean, yeah, sometimes.”
“all the time!” wayne corrects with a loud laugh.
eddie scowls playfully and returns to his cooking. attempt at cooking.
while eddie begins to plate the eggs, wayne departs, reminding you to show him more art. wayne was your second biggest fan, after eddie of course.
eddie, thankfully, learned how much salt is too much, so the eggs were edible. “wish we had bacon or something.” he says with his mouth full of food. you’d scold him for that, but you were too enamored with the sight before you.
his hair was a mess, his eyes were still droopy and half-lidded, and he was smiling at you once he swallowed his food. his smile. you wanted it burned into your memory forever.
“this is good.” you manage.
“you’re staring.” he states, smiling even wider.
you scoff, trying to play it off. “i do not stare!”
eddie’s finished with his eggs, so he gets up to clean his plate. he kissed your head as he passes you. “i stare at you too. in a completely normal way, though.”
“that was a normal way!” you join him in cleaning your plate.
the rest of the morning continues like it always does, brushing your teeth together, and getting dressed together, and leaving together.
the rest of the day, however, doesn’t go like you hope it does. you don’t see eddie for much of it, and all you want to do is draw him. it’s a funny feeling, not wanting to do anything but draw and draw and draw. maybe it was something eddie-specific.
before you knew it, you were walking into the drama room to watch eddie’s dungeons and dragons campaign.
the boys all lit up at the sight of you, waving and greeting you, then getting back into setting up.
“babe! how’d the drawing thing go today?” he asked, pulling you aside.
you shrugged. “didn’t do much, didn’t see you much.” he frowns. “i can do more tonight though!”
“you’ll show me?”
you smile, shrugging. “can’t make any promises.”
“god, you’re awful.”
eddie laughs loudly before running to begin the campaign. you have a seat near the table, where you can see the party to either side and eddie in the middle. the glow of the florescent light make it look like he’s got a halo around his head.
as the group progresses in the campaign and gets more rowdy, you decide to draw it. a little sketch, nothing too detailed. you’ve adopted the younger kids, so they fit in with the theme. found family, you think.
eddie’s in the middle with his arms out, and everyone else is at the sides, smiling wide with unique expressions on their faces.
you’ve still got a good chunk of sketchbook left, so you draw the party’s characters. it’s a little unclear what the exact vision was for all of them, but you do the best you can. you end up with numerous half-rendered pieces of their dungeons and dragons characters with the respective player labeled at the top.
by the time you’re done, they’ve finished the session and are cleaning up.
“was that a good one?” you ask when eddie’s done.
he puts a hand on your waist and leads you out to his van. he nods. “one of the best. think you’re my lucky charm, babe.”
“that’s cheesy.”
he pauses, thinking. “you’re right, but wasn’t that sweet? i just came up with that!”
you laugh and push his shoulder. “i could tell.”
“you’re evil.” he smiles, no real harm behind his words. “what’d you draw?“
eddie starts his van and begins to drive out of the school lot. “just you and the party, their characters, stuff like that.”
“y’know, they’d love to see that stuff.”
you nod. “i’ll tear out the pages when it’s all graded. they can keep it if they deem it worthy of their vision.”
eddie snorts. “they love you, of course they’d love it!”
you want to disagree, but eddie turns up his music so you can’t. you glare at him, but it eventually fades into an endearing smile.
once you’re at his trailer again, you’re quick to pick up where you left off - sketching his hands doing whatever he’s doing, in this case, smoking.
you draw his hand with a cigarette between his first and second finger, lightly sketching a line to make a string of smoke. you make sure to get his rings. you continue onto his arm, where he’s rolled up the sleeve. his tattoos are visible, so you draw them too. accuracy is not a concern, as you already know you’ve got them down perfectly. you know him like the back of your hand.
“think you’ll finish by tomorrow?”
you nod, drawing his side profile. “sure i will, i’ve got enough you to last a lifetime.”
“god.” he sighs, smiling to himself.
the page is full, so you turn to the next and focus on his eyes. what they look like when he smiles, the wrinkles in the corners, eyelashes kissing. what they look like when he’s happy and full of fondness. what they look like closed.
“you’re gonna get frostbite.” he says, pulling you you up and into the trailer.
“it’s seventy degrees.”
“it happens, heat frostbite.”
you give him a look, raising your eyebrows. “so… heatstroke?”
“maybe.”
the rest of the night is filled with laughter and funny looks as you try to get eddie’s not-so-patient expression down on the page. you’d have to see the real thing though, a pencil can only do so much.
the remaining pages of your sketchbook are filled with his hands. floating hands cut off at the wrist, just doing random things - holding a pick, practicing guitar, attempting homework, hold your hand. that was the hardest, trying to hold his and draw with the other.
“fucking finally.” you swear, wiping your forehead. “finally finished.”
“proud of you. all of little ole me too.” he smiles smugly, poking your side. “you’re gonna get the best grade on that goddamn sketchbook.”
you laugh, looking at him. admiring him. “i think i did well. you’re my muse now.”
eddie laughs loudly, trying to hide the growing blush on his face. to be someone’s muse was an honor, to be your muse.
you were eddie’s muse, numerous corroded coffin songs being written about you or with you in mind. two different artists, but you were all the same.
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nerdieforpedro · 2 months
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Day Two - Butterflies with Marcus Pike and Female Reader
Word Count: 648
Warnings: one curse and Marcus Pike in plaid
Notes: I remember painting a butterfly in an art class years ago (like 10+ maybe). It was fun and then the professor went into the symbolism behind them in art, which was pretty cool Reminded me of that - hope and transformations which can happen in therapy or outside of it.
Main Masterlist / March Spring Prompts 2024 / Writing Challenges
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It was an exercise in capturing beauty. That’s what the therapist told you at least. You’ve never excelled at drawing, painting or any type of art that has to do with manipulating materials. Give you a pen, piece of paper and you’ll make some magic happen on a page, but not with watercolors. Your therapist who you’ve been seeing for the last few months encouraged you to try something new – out of your comfort zone, but not too crazy. They asked you to pick something and bring in what you had created, no matter what appearance it took on. Your art isn’t great, but you and your therapist talk about the colors, what it means to you to have made it. You told them that you were happy to have physically made something and didn’t expect to use such bright colors with the reds, oranges and yellows. Usually, you’re more in the cool color family. It feels good and you have a pep in your step once you leave the office. So much of a pep that you nearly drop your artwork in the hallway while you’re on your way out.
A tall man in a plaid shirt with a white t-shirt underneath and jeans catches it. You might have started at him a bit too hard to have noted what he was wearing head to toe. He asks if you’re alright and smiles, why did he do that? His mere presence is already making your brain malfunction. 
“Christ on a fucking cracker…” It’s said loud enough that you see him blink. It would be wonderful if you could fade away right now. “I-I am so…it was a rough appointment.” A lie would work right now. Blame it on therapy, you’re in a great mood you just need a logical reason for staring and cursing at this very handsome nice man. 
“Ah, I’m sorry you’re having a rough day. Did you do the art exercise too? Oh wait..” His smile went to a frown, “you don’t have to answer that. Your day is bad enough without reliving it right?” He scratches his arm, he might be nervous too, though he likely thinks you’re an unhinged woman. If he does, what’s to lose now?
“I did. I don’t mind sharing. It was my favorite part. It’s always the debriefing and deconstruction that takes the fun out of things.” Turning your piece around, you proudly showed it off. Two orange butterflies are on a blade of grass near a daisy (the only flower you can draw and still tell what it is). The upper one had more red in it and the lower one had more yellow. It’s simple, but the first thing you’ve painted since high school. He appeared to be giving it careful consideration and it made you giggle. It’s not like a museum piece or even talent at a high school or college art show. It’s from your one-time painting class. He clapped his hands and you jumped; it was louder than you expected. 
“Sorry about that. It’s beautiful. Do you know why the therapists keep asking us to paint butterflies?” It appeared he may have an answer that you therapist didn’t cover, and even if he didn’t, you’re listening because he called your art beautiful. No matter if he’s just being nice or not, it was sweet. You shook your head. 
“My therapist said it was a good exercise for trying new things. I haven’t really been too open to doing so.”
He thinks for a moment. You were expecting the answer right away. Maybe he’s building tension. “My name’s Marcus. Maybe we should discuss it over some lunch? It might take a little while. Do you have any plans?” None that can’t be done another day. 
“No, where were you thinking of eating lunch?” Looks like the butterfly painting is leading to new experiences indeed.
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bansheemakesart · 12 days
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✨There's Nothing in The World like ACTION PARK✨
[This piece was made on paper with a zebra hard tip brush pen. Comment or tag questions about the pen if you'd like the link to the pen.]
The cannonball loop was a looping water slide in Action Park (New Jersey park). New Jersey residents jokingly called the park Class Action Park and it's wave pool, the Grave Pool.
The Cannonball Loop was only open for a month. Test dummies came out the other side without their heads.
People who went down the slide came out the other side with lacerations. When the cause of the injuries was investigated, it was found that teeth had become lodged in the inside of the slide.
A former Navy physician found that riders were experiencing as much as nine Gs of acceleration as they went through the loop.
As you can see, it was an OSHA nightmare (although technically slides and rides don't fall under OSHA regulation, so a lot of parks are just going nuts, hoping no one's head is removed from their body. Technically there is an oversight committee, but they didn't do a whole lot about the GRAVE POOL).
The slide inspired me to draw this, a Dune sandworm-esc slide with mismatched teeth and a wiry body. I wanted to portray the dread you feel before getting on a ride like the Cannonball Loop. I wanted to give it an almost snake-like body and to have a threatening aura, to better convey the dangerous nature of the ride. By giving it a curved body, I hoped to create a 3-D effect. However, this is my first horror piece, so I think there's plenty of room for improvement.
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nualaofthefaerie · 7 months
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Who am I, and why I'll always show where Nuala is mentioned?
So hello guys.
I came to the realization that a lot of people on Tumblr do not know me, and I came kind of suddenly to you guys. So, allow me to tell you who I am and why I hope to become a big part of your "Sandman" experience. I will attach some pictures for references 🩷🪷
My name is Li. My main platform is Twitter. Most of my friends are there too. I hope I can make a lot of mutuals here, too. I came across "The Sandman" one year ago. Now, the Sandman is a wonderful piece of media for people to explore a plethora of dynamics they enjoy. For me, it was a bit of an adjustment.
Before reading the comic, I tried to stan Dreamling. However, for me personally, I very rarely enjoy dynamics with no women in them. That is, of course, me personally. I am not the one who should tell people what they should enjoy. Bi/Pan WLM and WLW, those are dynamics I truly enjoy. However, at the time, I was trying to fit in with what was popular. Truly, it didn't make me very happy because I just don't see it the way Dreamling shippers see it.
So I tried changing my angle. I tried to get into Calliope and Morpheus (I apologise, I do not know if they have their own little ship name). This one fitter me a bit better. However, I have personal issues with the concept of divorce, and I could never quite brush aside the fact that at the end... they were divorced. I even made a Calliope cosplay at the time and met Tom (loveliest person on Earth).
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(I envisioned this ballerina Calliope cosplay, and for the most part, I made it work. This was my VERY first attempt at anything.)
He kind of convinced me to just read through the comics. And I did. And it all really fell into place. And Nuala of the Faerie became my spark. I want to make it clear that I love Nuala so much more and so BEYOND Sandflower. She is just so exceptional, so complex. I became SO excited to explore what the Internet could offer on her only to get...nothing. Absolutely nothing. Whatever little official art there was (three-five drawings and it was usually not even Nuala centered, she was just there) and two three pen drawings on DivienArt made in 2010.
Now, one thing about me is that I am persistent as all hell. And it is completely out of line that Thessaly is a "main character," but Nuala isn't. So, in January, I had a very "If no one is going to do it, I will" moment. I began talking about her every day. Analysing, sharing panels, commissioning artists (uni student making commissions, I was kinda of crazy for that one. I made one commission once and then had 20 bucks left for the week to buy food) and every minute since January until today, I do it all for her. Because she deserves to be recognized. Nuala is no less than Lucien/ne or the Corinthian. I have an ask sitting in my inbox that I simply don't know how to answer:
"Why do you think "x" is more popular than Nuala?"
I do not know, to be honest. Frankly, I also try not to care. Because my love for Nuala is not based on bringing other characters of the Sandman down. I do this to uplift her to a status where one day, I won't be the only person on the Nuala tag (I was SO happy the other day when like five new people had made art, SO happy) and not the only one on the Sandflower tag (that is ONLY me for now). And until then, I will be the only one. It's okay. And when I no longer have to be, I will sit back and enjoy the fruits of my hard work.
This may appear very self-centered to those who do not know me, but those who do will tell you I work day and night for her. I have a 70k Sandflower fic, 50k of which is only its first arc, just sitting in my google Docs. I have sketches upon sketches. I talk with artists about more commissions and how to make it so she gets a new outreach. I have conversations and try to introduce her to as many people as possible until they notice her and care for her at least a fraction of how much I do. She inspired me to try sewing and really get to cosplay a SOLID version of her (still working on that).
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(I sewed most of the outfit and and it was my second attempt to do anything from scratch. I'll get better at it 🪷🌿🩷)
I like to think she would love it. She only ever longed to be loved. And I love my girl.
So much. We help each other every day. We exist together. And when her actress joins our little triangle, we will make the perfect fairy. The perfect personification of womanhood the way I see it.
My Nuala (Lala, Lali, Lalita, flower, the pearl, sun, if I missed any of my moots nicknames for her, hit me up).
So that's it, dear Tumblr. I am afraid you won't be able to mention Nuala of the Faerie without me because somewhere in May, we started co-existing.
And we are not going anywhere.
Love,
Li and Nuala 🪷🌿🩷
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headcanon dump on leo’s coma and subsequent injury recovery (based on my recent post about leo’s post-coma voice here)
DISCLAIMER: i am not a doctor in any way, this is purely made up of my own ideas and research so there may be some medical inaccuracies
(due to the following post discussing comas, chronic injuries and other potentially triggering things such as vomiting and couching up blood i advise viewer discretion and encourage that you only read if you feel comfortable. thanks)
during the coma
raph stayed by her side for practically all of the three months, and he was the one who cared for her mainly - cleaning her gently everyday, feeding her and changing the water  
mikey was in charge of preparing her food (it was just a mix of blended up nutrient ingredients to keep her as healthy as possible) which was served to her through a brand-new eye dropper which april had brought from the store, because they didn’t have a feeding tube or anything like that
sometimes (when they’d manage to find good money from casey and april doing odd jobs to people that lived in a small town a good few hours away) they would feed her formula as well as the general fluids as it can build muscle and provide extra nutrition
raph stayed with her for most of the time, but he struggled to talk to her as it made him too upset, and donnie also struggled to visit her on his own out of guilt for what had happened in new york, but mikey made sure to hold her hand and talk to her and read to her and sing to her, even when the others told him she couldn’t hear him (he didn’t believe them)
he even made her a ‘get well soon card’ which stayed on the side of the sink in the bathroom
mikey found loads of old books around the farmhouse and read them to her, and years later when they’re back at the lair and watching tv together an adaptation of one of the books comes on and leo frowns in confusion as she swears she’s heard this story before but has no idea where or when, just that it was read to her once but that she can’t remember when or who had read it to her (mikey is sitting quietly next to her and smiling so hard his face hurts)
the others could tell in the van that her leg was very badly damaged but they decided not to try and move it or wrap it up in fear of making it worse as they had no idea what the problem was
donnie and casey built handlebars all around the farmhouse as they knew that her leg was seriously damaged in some way and that she would have serious mobility issues afterwards 
donnie made a cane for her as soon as he can as he knows she’d need it but april encouraged him, raph and mikey to decorate it for leo together as they were very distant around each other during the first month of their stay during the farmhouse 
april found an old box of pens and paints from the attic and told them all to work together to design and decorate leo’s cane
they made lists of everything leo likes on paper and it took them practically the whole night to decorate the cane with colours, symbols and drawings, but it was the first thing that they all did together and it helped break the ice between the three of them
after the coma
she threw up quite a bit during the first few days of coming out of the coma due to how weak her body was and how overwhelming everything was
at first she remembered bits of the invasion in small pieces, and it slowly came back to her, but it took her at least two weeks to realise that splinter wasn’t with them and she got very upset about this as she remembered shredder before splinter
she sustained much damage to her throat during the invasion, which made her voice much deeper and more hoarse (like donnie said)
it caused her to breathe very noisily and heavily, which she found very humiliating and upsetting 
she mainly ate soup/broth for the first few weeks after coming out of the coma due to the pain and difficulty that came with swallowing 
she also frequently coughed up blood due to the throat damage which she also found embarrassing
(no one ever made fun of her for any of it, but she did think less of herself for it before raph talked some sense into her and reminded her of how close she was to death and how she needed to be kinder to herself, to which she replied with by telling him he should take his own advice since he’d been neglecting himself ever since the invasion, and after a few seconds of silence the two actually start laughing, though leo’s didn’t sound much like laughter)
none of them realised how dangerous it is for her to be lie down until one night where she suddenly stopped breathing for about twenty seconds, and raph almost broke his voicebox screaming to wake the others up (afterwards leo had to sit up whilst sleeping for a while, and raph always made sure she went to sleep first)
my personal headcanon is that her leg injury is due to a case of chronic patellar instability, which is in simple terms an unstable kneecap, which moves when you bend and straighten your knee 
it usually causes pain and stiffness (and sometimes swelling) and a feeling of weakness and looseness and a buckling or locking sensation in the knee
it is not always a chronic condition, but i believe that in leo’s case it is due to the severity of the injury and how it was not really given the proper professional attention it needed soon enough, due to a combination of the invasion and everyone’s lack of medical knowledge (as surgery is available in severe cases of patellar instability, which i believe leo has) 
she started wearing a knee brace and using a cane as soon as she could begin to walk around again (which is not straight away) and even then she was slow and unstable due to her injury but even just because the rest of her body was so numb and weak in general 
although later on she won’t always be in constant pain so she doesn’t always wear the brace, she does keep the cane because it helps her (and doubles as a weapon in cases of emergency)
after she began to gain back some of her strength she begins some very slow and gentle physical therapy to help her body get back into shape 
she lost a considerable amount of weight during the coma due to living off of fluids for three months and is actually slightly underweight when she wakes up, so whilst the others take care to slowly reintroduce real food to her, they make sure it’s full of nutrients and good stuff
also the painkillers she took for the pain make her gain weight too 
by the time they leave for new york she is still using her cane and hobbling around, but she is stronger and faster than before, but running still takes a lot longer to get used to without her feeling like she’s going to pass out because of the pain
like i said before, she stops using the brace permanently after regaining her strength and slowly beginning to feel better, but she does have days where the kneecap moves too much and she can’t even touch it because the pain is unbearable so she uses it on and off for the rest of her life 
however she keeps the cane (which her brothers decorated for her) and does keep taking painkillers like the rest of them forever (cause they’ve all got chronic injuries and pain together)
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chilly-me-softly · 1 year
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Hey can I request Alice at training with mason and some cute x
"Oh I see it didn't take you long to spot the neighbourhood cafe"
"Mason - (y/n) gasps looking up at him bewildered - you almost made me drop my breakfast, and that's certainly not the way I want to start my day"
"Sorry" he chuckles opening the door to the facility and like a good gentleman allowing her to pass through first, waiting for Alice to do the same hand in hand with him and only then setting foot in there as well.
"I forgive you just because you have a little guest with you and you cannot sulk around a kid"
"Good to know" he smiles looking at her before focusing on the little one who is clinging to his coat. "Will you tell this nice lady your name?"
She takes a few seconds as she hides half her face in one of her father's legs continuing to look at the new person, almost playing embarrassed, then murmuring an "Alice" smiling like her father.
"Alice, really nice name. I'm (y/n). Have you come to watch your daddy's practice?" she asks sweetly, receiving a nod from the little girl.
"It's cold though"
"I know, right?" she coos, quickly waving at someone walking past them. "Your daddy should have at least put a hat on you"
"Hey she's the one who didn't want to!" Mason gets defensive as (y/n) looks at him funny.
"Relax tiger" and somehow triggers the little girl's laughter, causing a mock astonished expression to appear on Mason's face.
"What are you doing?! Are you laughing at me?" in an instant Mason crouch down next to her drawing her to his chest and the hall fills with her cries of joy as everyone seems to forget where they are for a moment.
"Alice do you want a piece of croissant?" Mason has already looked at the clock hanging on the wall nearby a couple of times, she's pretty sure he's late or close to it so she decides to step in.
"Yes" Mason's attempts to protest are useless because the little girl has already accepted and seems to be anxiously waiting for food. As if she hadn't eaten even a piece of his breakfast only a short time before.
"You don't have to, it's your breakfast" he tries for the last time as (y/n) lifts Alice up to sit on the nearby desk starting to open the bag she had laid there with her coffee just moments before.
"Mason - she sighs - you really should go, us girls have something really important to do"
"Yes daddy, important"
"Oh I see" Mason then gives up taking his bag, but not before reminding his daughter to behave.
-
"So... I saw you and (y/n) pretty cosy" Mason rolled his eyes as he tied his shoes, Ben and his stupid smartass grin just waiting for the right moment to come out.
"Stop it, don't even get there"
"Why? I'm not saying anything, just what I saw" the boy shrugged by his side.
"Because I know you Chilly and your mind is probably already full of stupid fantasies"
"Yeah sure" the boy scoffs and Mason doesn't have time to answer him because he gets distracted.
"Hey didn't you say you were coming with Alice today?" Reece asks from the seat opposite theirs and when Ben chuckles at his side, he hits him with his knee intimating him to be quiet. Which of course he doesn't get. 
"SHe's with (y/n)" his friend is quick to answer, causing him to roll his eyes again.
"(y/n)?"
"The new admin girl"
"And since when do you know people aside from football?!" the mate teases him slyly but he doesn't seem to mind.
"Hey I'm single - he shrugs his shoulders as if that's enough to explain everything - but don't worry, my hands are tied" Ben squeezes one of Mason's shoulders before exiting the locker room, leaving a confused Reece raising an eyebrow at his friend and Mason waving him off.
He wanders off a little to pick up Alice and smiles when he can already hear his daughter's giggle from the hallway.
"Hey you, time to go" he knocks lightly on the already open door attracting the attention of the two girls, the younger one happily leaving her pens on the table to run towards him.
"I hope she didn't bother you"
"Please, she's been an absolute angel" she smiles at him and Mason is quick to dismiss himself for the training that is about to begin.
"Mason?" however he stops immediately when (y/n) calls him back, "Alice's coat"
"Oh - he looks at the item with a strange feeling, as if he had been waiting for more for a brief moment, before picking it up awkwardly - thank you. I need it" he chuckles embarrassedly, mentally slapping himself for what he just said, quickly disappearing with the excuse of having to chase Alice.
-
"What did you have to give Kepa?" Alice fumbles for a moment with the pocket of her jacket - which Mason had struggled to get her to put on again - before picking up a paper folded in four and handing it to the keeper.
"For me?" the boy asks somewhere between surprised and amused as he crouches down in front of her, a sweet smile spreading across his face when he sees her messy attempt at colouring a butterfly.
"It's so beautiful. Can I give you a hug?" after her nod, he gently wraps his arms around the little girl's small body bringing her lightly towards him and even leaving a kiss in her hair. "Thank you, I will keep it in my locker for good luck"
Then the training finally begins, Alice staying to the side with the various assistants keeping an eye on her making sure she doesn't get into any dangerous line and allowing Mason to train for a while.
Mason looks around, taking a moment longer than he should to find Alice after stopping for a drink in the break that has been given. And he smiles as he sees that she has run to the goalkeeper and that he too seems to have a soft spot for his daughter, even giving up the chance to sit for a few minutes between his own training sessions.
The boy is between the posts as usual as he challenges Alice to throw the ball at him as hard as she can. He can't see her face but he bets she has put on her most focused expression possible as she takes a little run-up and kicks towards the bottom right corner, cheering when Kepa obviously doesn't get there.
She kicks a couple more balls before Mason decides to approach, walking slowly until he's behind Alice lifting her up catching her by surprise and making her scream in amusement. Mason kicks the ball in the net as "Daddy, you cheated!" the little girl picks him up.
"I did not" he pouts as Alice starts playing with his cheeks soon making the grimace disappear.
"Yes you did"
"Yes you did" echoes the keeper as Mason rolls his eyes playfully.
"Okay then, let's see who's right" the boy puts the little girl down before positioning himself between the posts and signalling for the two of them to go for it.
Little Mounty
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doorbloggr · 2 years
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What is Inktober?
And what's the controversy?
Sunday 23/19/22
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So in 2009, a concept artist and creator named Jake Parker started a challenge, mostly for himself, to complete a hand-drawn art piece for every day of October. In subsequent years, other artists worldwide joined in on the challenge, and from 2015(sic), Parker has posted a list of prompts prior to October for artists to inspire what they'd draw each day.
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Originally, as the name suggests, Inktober participation would only count if you completed ink-drawn pieces on paper, often with a fountain pen, but it has since grown to a challenge incorporating all artistic mediums, include paints, music, writing, and even digital art.
But in 2019, Jake Parker made the decision to copyright the term "Inktober", meaning that artists trying to sell art under the "Inktober" title were receiving cease and desist notices or legal action would be threatened. Parker has given several reasons for the decision, including protecting his own work; books of his own art, and about doing ink art; and to not allow predatory profiting off the brand; people using the Inktober name of discriminatory tshirts or posters, selling merchandise using the brand name without permission from Jake Parker and his team.
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He has assured artists that it is not his intention to scare artists away from participating in Inktober, or selling their own art made during the challenge. But there are guidelines on how to avoid action from his team. Artbooks must use Inktober as a subtitle and not as the main title, ideally, together with the year of the challenge (e.g. Doorbloggr: Inktober 2022), and avoid using the official Inktober Logo in any merchandising.
In August 2019, it came out that Parker may have plagiarised most of the content for his book "Inktober All Year Long" from an artist named Alphonso Dunn, and their book "Pen & Ink Drawing".
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Rightfully so, this brutal stance and the controversy around it scared away a lot of artists from participating in the Official Inktober challenge. But luckily, the variety of artists that this original challenge brought in gave rise to iteration and elaboration on the idea. And so the Inktober spin-off was born.
October: A Month of Art
In the same way that Parker made prompt lists for each new October, many different communities made their own challenges with their own names and flavours. Many still have prompts for 31 days, while others ease it down to 16 days, or even once a week.
One of the first offshoots was Drawlloween in 2012. And from my own limited research, it may have not even been inspired by Inktober. It just so happened to also take place in October. Since October is Spooky Month, Drawlloween prompts are all based on Halloween, many very specific to pieces of spooky media and horror stories. In a similar vein, other Halloween themed challenges are Witchtober, Spooktober, Drawtober, and Goretober.
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INKTtober is a spin-off I've seen on a couple different social media's I'm on that focuses specifically on Tattoo art. OCtober or OC October is a common one I see on Tumblr where each day is about an artist's Original Characters or OCs.
Other artists have grown the idea of a monthly challenge beyond October. And I wanna specifically shout out @regal-bones for their beautiful work on Swordtember (Sword designs in September) this year. Amazing work.
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Day 2: Candle, Day 25: Spider
And finally, the one that I have been partaking in, Linktober. Linktober is a celebration of the Legend of Zelda series. The challenge began in 2015 as a spin-off of Drawlloween, and in 2016, the team created their first full month calender of prompts.
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Each year of Linktober has brought a new calender of prompts and in some years, they even introduced alternate challenges that spice it up beyond just Legend of Zelda art. 2018 introduced Linktober Chance, where the prompt is only half finished and you roll a d6 dice to generate a more specific prompt. 2019 introduced Linktober Quest, where each day is part of a story about a Zelda OC you make and the adventure they go on to save the world. Linktober 2020 introduced Linktober Shadow, a counterpart to the regular challenge where every day is spooky, or about the villainous side of the Zelda series.
I want to talk more about my experience with Linktober, but I fear this post may be getting too long. So I will talk more about Art and Deadlines in a Part 2(?) to this post.
Thanks for Reading
A lot of the information I wrote in this blogpost I sourced from the following article, so I implore you to read it too if you want to gain more insight:
The Controversy with Inktober, Alexis Epinoza (September 2020) The Telescope
Also, if you don't already, please follow the tags #drawlloween #witchtober #linktober #swordtember or any other drawing challenges promoted across this and other sites. Artists love reblogs and if there's a fandom you like, there's likely to be creative people making things for you. So show them some love.
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tj-crochets · 1 year
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Hey y’all! I got a request for help creating an eel pattern, so below the read more I’ll be talking about how I created this eel pattern and offering suggestions for how to possibly size it up and create your own eel pattern. This explanation kind of assumes you have already made at least one plushie and have at least passing familiarity with things like seam allowances, darts, and basting. 
This eel pattern was kind of an exercise in how simple I could make a pattern and have it still work. It’s really just a drawing of an eel with a 1/4″ seam allowance added around the outside. To sew it, I cut out two of the pattern (one mirrored), with the stretch of the fabric going across the eel and not down the length. I sewed them together around the outside, left an opening for turning near the tail, and flipped the eel right side out. Then I topstitched the length of the top and bottom to define the, oh, what are they called? Flippers? Fins? The parts of the eel plushie that make it distinct from a snake plushie. I then cut the mouth open. In this pattern, the mouth serves as a dart that makes the face more 3D, so I flipped the plushie back inside out and sewed the mouth closed like it was a double-ended dart. The mouth dart is sewn perpendicularly to the rest of the seams of the eel. Idk how else to word that, but looking at the finished eel you can probably see what I mean. (I’ll be honest, I can’t remember if I sewed the mouth first or did the topstitching first. It should work either way, but I’ll make another eel in the next few days and I’ll update the post) So, some tips for making your own much larger eel plushie pattern:  - you’re probably going to need some darts to make the shape 3D. I tend to avoid darts when drafting my own patterns and use the stretch of the minky fabric to make the shape 3D, but the stretch of the fabric can only do so much and if you go much bigger you’d probably need more darts. I *think* with a shape like this you’d be okay with a dart at the tail end and a dart at the head end, but it will depend on how large a circumference you want the eel to have and if you’re using stretch fabric or non-stretch fabric (non-stretch needs more darts than stretchy fabric).  - you can make the fins and body one pattern piece, like I did, and delineate between them with topstitching, or you can make the fins separate pieces. Totally up to you. If you make the fins separately, you’d sew the fins, leaving the body side of the fins open, flip them right side out, and baste them to one side of the body before you sew the body seams. If you end up needing darts along the body to increase the circumference, you’ll probably need to have the fins as separate pattern pieces - for the face, you can use safety eyes and a dart as the mouth, or you can use applique for one or the other or both. I usually applique with felt, but have also used minky for applique; if you are new to applique, I would recommend not using stretchy fabric. With new patterns, I usually add the face after I’ve done almost all the sewing so that I can experiment with applique placement and see how it will look on the fully stuffed plushie. With patterns I’ve made before, I might add the appliques at the beginning so that I can machine applique them instead of hand sewing them.  Some tips for plushie pattern designing in general: - have a tool to help you add a seam allowance to your pattern. I have a compass (the kind used to draw circles) set to 1/4″ diameter that I use sometimes, but I also found out that if you tape two Zebra brand mini mechanical pencils together, the points are 1/4″ apart. I usually used the taped mechanical pencils, and just trace along the outer edges of the pattern pieces to add a seam allowance. Whatever works, whatever seam allowance works for you, it’s just WAY easier to have a tool than to try to use a ruler. - I use a brush pen when drawing the base of pattern pieces. When I add the seam allowance, I kind of eyeball it and put one edge of the tool in the middle of the brush pen line, but I also use the opportunity to smooth out curves/straighten out lines by moving away from the lines with my seam allowance tool when necessary (you can kind of see what I mean when you compare the brush pen drawing of an eel on the pattern to the actual edges of the pattern; it’s not evenly 1/4″ around because I was smoothing it out as I went) - make sure you leave enough space for your opening for turning. This eel pattern is a pain to turn right side out because the only place for an opening for turning is the last inch or so of the tail - if you have to match a curve to a straight line, like if you’re using a circle as the bottom of a leg and the sides of the leg are rectangles, you can use pipe cleaners or yarn to measure the curve and then straighten them to get the length of the straight line that will match that curve - I don’t usually do this, both because I primarily make fairly small plushies and because I am experienced at fixing mistakes in the pattern as I sew the plushie together, but if you are new to pattern design/not sure how a pattern piece will work/want a prototype, you can usually make a pretty good prototype of a minky plushie with fleece for a lot cheaper. It won’t look exactly the same in minky as it will in fleece, but it’s usually pretty comparable - I use scrap paper from stamp albums for pattern drafting because my neighbor gave me a bunch, but if you have parchment paper or cardboard or other paper, you can use pretty much anything for you pattern designing as long as you can make marks on it and cut it down to size. Scaling up the pattern makes finding a big enough piece of paper tricky, but heck, you could use wrapping paper if you want to. Don’t get stuck thinking you have to tape together regular printer paper (I’ve been there lol)
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akaiitori · 3 months
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Attack Dog - Rendering Breakdown
OK here's an attempt at explaining how I go with illustrations. This isn't necessarily an 'effective' way to paint, but rather it's a process to maximize my personal enjoyment. I encourage you to do the same! Find those steps you have the most fun with, and exploit the hell out of them.
For this post, I'll be going step-by-step for this illustration
1- Sketching
A Mess. I don't like making lineart unless I'm super in the mood for it. In this case, I couldn't be bothered to spend a lot of time in the sketch. I often use 3D models as a base for paintings because, if I'm making a painting I only want to paint, not to stress out on anatomy.
2- Blocking values
I only start painting with colour if I'm certain about what I want to do. In this case, I wasn't. When it comes to visual information, values (light and shadow) are more important than colour, so it's easier to block those out first than trying to improve the values in an already coloured piece.
This is a very insightful video if you want to see if a greyscale-first process could be useful for you. Marco Bucci's content in general is a treasure.
Here's a link to the head model used for light reference
3- Paintinggg hell yeah babyyyyy
Not much to say here except, look at a lot of reference. I only limit my canvas to one or two reference pics to not get it super crowded, but I'll always have more pictures open on my browser, tablet, etc.
There's this little app you can use to compile reference pics. I don't use it because the act of opening it is too much work for me but, it's a neat tool.
The main brushes I use for rendering are the following:
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Regular round brush with pen-pressure opacity.
Custom triangle brush. It's just a triangle with some texture layered on.
Clip Studio Paint's textured paint. Unmodified.
Custom square brush. Same as the triangle, but it's a square.
Clip Studio Paint's gouache brush. Unmodified. Good for blending.
"Fur block-in" from this pack. Excellent for blocking in feathers.
"triple line" from this pack. Very good for adding texture.
You don't need this many brushes, but I like the variety to keep things interesting. I'd say that only #1, #2 and #7 are essential to me.
A quick trick I used for the muzzle was to make the wires with a white brush, on a layer with border effect.
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I considered explaining how to shade feathers here but, it was making this post a little too long. Even more than it already is. But, let me know if a guide on drawing feathers is something you'd be interested in seeing!
4- Colours
For this one I kept it simple. I liked the values and I wanted to have a very stark contrast with the red blood. I made some quick tests with gradient maps trying out different palettes, using gradient maps and overlay layers.
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While I enjoyed #1, at the end I went with #5 as it worked better narratively. The clinical white and silvery shadows give a stoic indifference to the blood, which fits with Blackbird's character.
The muzzle and situation on itself aren't a canon event happening, so it also felt more fitting to keep a more stylized 'colouring' rather than actually putting in the character's colours and scene. For this colouring, I only used a single gradient map, but it's not rare if I end up using several, placing masks for areas of different colours.
When it comes to colouring greyscales in character colours I follow a different process, for which I'll use another illustration as an example.
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(this is Loketh, he belongs to my partner)
So, for this drawing I also started with a grayscale, but started adding colour in much earlier.
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1- Black and white base render
2- New layer with a flat colour, put it on overlay. This will serve as a base for colouring, kinda like glazing on a canvas for a traditional painting
3- Adding character colours, in a new layer on overlay mode. You can do this in a single layer, or make new layers for each new colour. Just keep it loose, no need to add all detail yet.
4- Colouring the shadows. I used a gradient map adjustement layer, set to overlay. Made the lights green, and the shadows purple.
5- Flatten and paint! Now this is the step to add all intricate colour details missing from step 3.
5- Post-Processing
This is a term more used in 3D renders, where it refers to colour corrections and final tweaks. Things like adding depth of field, motion blur, vignette, any final filter.
For almost all my art I'll add a grainy noise layer and chromatic aberration, I just think it looks neat. You can also add paper textures or flat colours on top of you image and set that layer to overlay, it helps to tie everything together.
AND THAT'S ITTT
I hope this was useful, and remember to just have fun with it :)
Further reading:
Marco Bucci's youtube account
Jason Rainville's blog with breakdowns of his illustrations
Sinix Design's video on colouring skin
Anatomy For Sculptor's 3D models for muscle reference (cw nudity)
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