Because he has such a soft voice, I feel like i always forget Gerojim is another MASSIVE drama nerd.

Working theory that all Bugnarak are theater kids.

Do you ever think about how there totally could have been an old classmate of Phoenix Wright and Miles Edgeworth in the audience during like turnabout sister or turnabout samurai. Do you think they would realize? Like “hey, were those the guys in my class in like fourth grade? I kinda remember them. Wonder if they remember each other. But it was so long ago, I doubt they would even care.” Meanwhile Edgeworth and Phoenix are undergoing the most insane mental battles where both of them are going “I recognize my best friend across the courtroom and I desperately want to be close with them again.” And “god he is so god damn annoying I wish he would die already.”

jasico server was chatting about the cupid scene and jason getting nico's memories blasted straight into his brain and how jason being shot with one of cupid's arrows while with nico and this was just never brought up in canon again and now i'm thinking like...what if that's just how cupid's arrows work? not by magically manifesting love for someone out of nothing, but by giving someone the perspective that'd make them fall in love naturally? jason gets a front row seat to nico's memories and instantly understands him intimately and can trust him completely without any doubt or suspicion

so what if jason, after slowly realizing he's totally in love with nico, just thought back to the arrow incident and it made him second-guess everything? because maybe he's only feeling this way because cupid hit him with an arrow with only nico was around and it's no different than any other god messing with his love life

there’s so many ways that queerness exists in texts, unintentionally and intentionally, coded and uncoded and partially coded and baited and confused and limited and expansive, and then there’s whatever is happening with Hawkeye Pierce, M.D. of the 4077th MASH unit

:)

Connected to the story I made of your comics.

(I hope you know Encanto otherwise this will make little sense reference wise)

Dream in Nightmare's body staring at the large stairs and many hallways: ... that is a large area to search. Luckily I have a friend-

Tentacle he had been talking to twists around and hides behind his own back.

Dream: ... nevermind. Well here i go!

two hours of searching later.

Dream: Nightmare your castle SUCKS!

-----

Nightmare as Dream somewhere else stops and frowns: ... why do i get the feeling soemone is insulting my things?

Pfffffffff- XD

I have seen encanto! I've only seen it once but I think I remember the bit, and yeah god help Dream trying to search for anything in that castle.

I can just see them meeting up at the end but instead of trying to fix things it's like

Nightmare: you need to learn to say no to peo- Dream: Why do you live in a fucking castle with THREE floors?? Do you have any idea how long it took me to find the front door?? I'm amazed you have 15 sitting rooms when I never see you sit!! Nightmare: ...actually it has a basement so there's four floors- Dream: STOP!!

This is the ending where they don't return to their bodies they just stand around strangling each other lol

Mortal Kombat 1 Behind the Scenes AU: Deep in trouble (Mom is visiting #2)

Author Note: A continuation to “Get. Lost.”, “Dating”, “Permission”, "Why date a punk like him" & "Panic (Mom is visiting)"

[Cage’s Mansion] [Waiting for Liu Kang] [Special Bonus] [Grandmaster’s commentary] [Climbing scene] [Madam Bo’s Inn] [Cage’s Mansion 2 (fire extinguisher)] [Medic] [Shang Tsung’s sad face] [Smoke’s Fall] [Scenography (1)] [Scenography (2)] [Show off!] [Favorite brother] [Climbing on the wall (nonsense)] [Tomas’ commentary] [Perfectly fine] [Sexy, sexy man~♪] [Brothers between filming - Scenography(3)] [Wrong team!] [Since when you two are friends?!] [I like being evil sorcerer more] [I forgot my line, sorry!] [Read the script Kuai!] [Get. Lost.] [Dating] [Permission] [Why date a punk like him…] [Panic (Mom is visiting)] [Decapitation then]

a characterization/flavor of tom that i veer toward (if not just fully believe) is tom's achieved role amongst the roys being, beyond the class-climbing, also a matter of drama-seeking. like far more than the pragmatism of having more money and even living in luxury is the thrill of being around these people, infiltrating their lives and figuring them out and helping them develop. like greg may be the Observer in a more symbolic sense re: the overarching plot of the show but i think it's made clear that tom is also a skilled observer who has in fact been at this actively for a long time, motivated by many things but one that's unique to him, imo, is his brand of curiosity. all this to say that i think tom as a midwestern, relatively privileged only child, wants specifically to live an interesting life. like even more than he wants peace. he likes family drama films and prior to the show's main plot he's living his dream lol

Idk what the common opinions are on this but i love morston modern au fics sooo much

I've been affectionately calling this "the au I'm not writing" for a while now. Then I accidentally wrote 20k words for it. So I guess I can't call it that anymore (I still do though). So here's some concept art for an AU that's been bouncing around my head for a while which I guess we can call the bruce-never-became-batman-and-so-jason-and-babs-end-up-as-gotham's-first-vigilantes-and-slowly-acquire-more-friends AU. Or... we can just call it "You were never alone"

(sketches/linework under the cut)

me when I oc-ify the least relevant guy in the entire franchise bc wtf was his deal, wym the antagonist doesn't even get a name

so basically he's been in love with chisei since childhood but he never did anything abt it bc he was a loser science nerd with 0 social skills and later also realized it's one sided bc it's so obvious chisei and haruomi are in love but then chisei died of metal corrosion and he decides to take his phantometal to try and revive him or something (he's a yandere or whatever idk)

he uses kanata to trigger corrosion on everyone including himself so that when they're all a puddle of metal goo he can reunite with chisei again (haruomi would probably still win anyway but at least they'll all be together or something)

his name is katsura (mc zura, definitely wasn't trying to match yasha/replace shura, yes this is a gintama ref bc of the voice actors)

war of the coprophages/syzgy (fucking hell, two episode names I can't spell without looking them up) are truly like sooo insane to me. They're both a lot of fun and y'know what, I kind of love the extreme bitchiness of mulder and scully. Yeah, look, I'm well aware it's kind of a misogynistic trope to have the female character suddenly get all possessive when the male character goes after another girl and Scully immediately hates her to death. However. Well. It's juicy. Scully girl you have GOT to stand up for yourself but the fact that you sleep with your phone on your pillow waiting for a call from Mulder intrigues me.

Brewing an alt timeline w Ryoma in the Rohan live action

forgot to put my favorite quote from ellen burstyn asking friedkin not to cast jason miller for the exorcist 1973. And the trainwreck that followed. The website it old and unreadable, so I'll just copy the text:

WF: So [Jason Miller] does it and Ellen Burstyn comes to me after the shoot’s down and I go to her dressing room. She says, “You’re not going to hire this guy are you?” I said, “Well, no.” She said, “Well, why are you wasting my time, because he can’t do this part.” She said, “First of all,” she said, “I need a big guy that I can melt in his arms when I tell him my daughter’s possessed.” Bill Blatty [William Peter Blatty, the author] was there, watched this going on.

I introduced them. Blatty wants to play the part himself.

That night, he lived on the Malibu Beach and my Agent at the time lived down the beach from him, and Blatty went over to my Agent’s house at 9, 10 o’clock and knocked on the door and said, “You know I have total faith in Bill Friedkin, but this is wrong. Tell him don’t even think about hiring this guy. He’s just wrong,” so the next morning we look at the rushes and the guy looks incredible, which I didn’t see live, I didn’t see what the camera does to him. I look at his close-up; I look at him with--his voice, which had a very interesting quality. I look at it and I say to myself, “That’s Father Karras. That’s the guy.” So now, I’ve got to go and be my--by myself for a while and think this out, and the movie god says to me, “That’s the guy,” so I go to Blatty and Warner Bros. and everybody else and I said, “I want to get out of the Stacy Keach deal and hire this guy.” [INT: They must have thought you were nuts.] Oh yeah, Ted Ashley called me himself, he said, “You are crazy. What is wrong with you? We’re not going to do it.” And I tell Burstyn. She says, “You’re nuts.” Then I--this went on for days with everybody saying--[INT: Did you have any ally at all?] No, no, except the movie god. [INT: Yeah, but they don’t always have a parking space at Warner Bros.] [LAUGHS] That’s wonderful. I just fought for it because I believed it, and we paid off Stacy Keach, who will not speak to me to this day. It was a terrible thing to do.

I cannot believe that Tankhun used up all the swag in the family when he was born, leaving none for poor Kinn or Kim. What a mean older brother

Generally the tone of these new younger superhero comics was much lighter than what had been prevalent in the pages of Superman, Batman, Wonder Woman, and the Flash. Robin was a series about a young detective and tech genius; Superboy was a sci-fi beach serial; and Impulse was a high school [sic] student teenaged superhero obsessed with video games, cursed with short attention span, and who had no desire to plan for the future. Bart was popular at school, if only accidentally, and had little interest in girls. Impulse did address many issues that teenagers of the time dealt with, particularly surrounding responsibility and popularity, and always did so with a keen sense of wit and humor--with an awareness that seemed to acknowledge both genre and audience. [...] The comic resonated with younger and older audiences because of a perceived authenticity of the character. While other comics of the era had decidedly gone darker--Batman had recently had his back broken and Superman [had been] killed--the kid from the future helped to bring back lightheartedness to the comics of the 1990s.

Louie Dean Valencia-Garcia, "An Impulsive Teen from the Future: Imaging Youth, Virtual Reality and the Digital Future at the Turn of the Millennium" from The Ages of the Flash: Essays on the Fastest Man Alive, edited by Joseph J. Darowski