ok as an artist i personally find traditional painting to be. really really annoying. like. i do not have the patience for it and i just find it to be really frustrating to set up and actually do and i end up not liking the results. i find that there's little room for mistakes and trying to fix them usually ends up with me making 50 other ones, paints can be so inconsistent and having to rely on availability and certain brands to continue making the paint is really inconvenient, not to mention expensive. spending a bunch of time trying to mix the right shade of paint, only for it to go down a completely different shade of colour and not being able to do anything about it is so frustrating as someone who likes consistency and having things just, y'know, not change colour as soon as it dries. plus, they all use different chemicals and can go off really easily or change textures and i am just not ok with having all my materials having an expiration date like food. lead and graphite pencils just don't do that and they can last for years, they're more reliable. every paint is drastically different and trying to find the right one is not only time consuming but, again, expensive, and i don't even see the point in experimenting when most of my materials end up not even getting used if i don't like using them. plus, i'm just.... really impatient. waiting for paint to dry sucks and is why i much prefer digital or just drawing something because i don't need to wait for anything, it just works. and then when i do want to take my time and work slowly for a better result, it dries too fast. it's kinda hellish trying to balance that time, especially considering how inconsistent paints are.
i like to use guidelines when doing art and i find painting straight onto a canvas to be really tricky because there's a lack of direction for me to actually paint. i'm at a complete loss at what to do when i pick up a brush because i can't map it out first without risking screwing up the paint. there's just so many things to keep track of and so much wet paint to avoid and i just do not have the mind for it. putting colours on a canvas and praying that it works just isn't it for me and requires a discipline that i just don't wanna involve myself with. painting is also just like... really exhausting and kinda painful. i got some pretty bad back issues and my arms tire and get sore easily and quickly when i'm standing in front of a canvas. it's a really physical activity for me and i just don't find something to be very fun to do at all when it's physically hurting me. i know drawing on a canvas has this issue too, which is why i prefer sketchbooks. sitting down and drawing something that doesn't break my entire spine every time i do it is much more preferrable than questioning if i should go to the doctor every time i make a brushstroke, lol
that's not to say that there's nothing i like about painting though! i can paint simple little things, and i like doing that. i like mixing colours with a palette knife and i find it fun and even a little relaxing. i painted some cute little chibi cardboard cutouts of the mario brothers one time and i found that to be really fun and i think i'd like to do that again! but apart from that, i just do not have the patience for it. i love the look of traditional paintings and i find many to be really beautiful, but i could never get into actually doing it myself because i hate the process. i'm content with just sketching and doing digital stuff because that's more fun to me and less stressful of a process to do. it's fun, it allows for more mistakes, it's easier to build up layers of shading and lines, not to mention using building up a figure with guidelines is super helpful with visualising what i want it to look like, and i can just erase something if i don't want it there or want to change something. it just makes sense to me.
tl;dr i dont like painting because it's inconsistent, expensive, time-consuming, directionless, frustrating and it makes my back hurt really bad. i'll just stick to drawing stuff :)
3 notes
·
View notes
. . . all the tentacles complete — but no, the front one is not right! Some surgery required. Out comes the hacksaw, but only to the wire armature so the arm can be shaped into the correct curves. Then like Dr. Frankenstein I fasten it back together with staples and recover with more resin putty.
And now is time to sand . . .
and sand and sand and sand until it is time for the little sucker cups . . . M2, M2.5, M3, M4, M5, M6, M8, M10, M12 white nylon washers
I pulled out my collection of plastic seals and off we went for days of cupping —15 days spent modeling the contours of each of the 663 suction cups
The Blessed Virgin had to be sanded very delicately to give it back some of its immaculateness.
The happiness of some is the dust of others.
Take advantage of this white octopus, it seems that it is very rare to come across one.
Shortly after I did my little experiments with paintings —
A few days to finish the color, but because it will have to go through a few coats of a special glossy glossy varnish, which makes the viscosity so good... mmm yum. Given the size of the room I could not apply it in one go. The drying takes between 24 and 48 hours, so it will probably take me a week to complete the application of this varnish-resin.
If your head is spinning too much, don't look at this indecent image.
Soasig Chamaillard (French, b.1977)
Notre dame du poulpe (Our Lady of the Octopus) - recovery statue with illegible signature, aluminum wire frame, plaster strip, polystyrene, resin (epoxy putty), plumbing seals (plastic washers), acrylic paint, resin varnish - 47 cm high x 70 cm wide - 12 kg - work-in-progress March 20 to May 31, 2015
“I grew up in a Christian Western society. My perspective on life has been a result of my environment and background. The playful interaction of society’s many icons, physical transformations, and the resulting improbable combinations, have culminated in my vision of a woman’s role and place in our society. This inner questioning of a woman’s role, has led me to use one of the most sacred icons in my work, namely, the Virgin Mary. Initially, I begin with damaged statues, either donated or discovered in garage sales, which I then restore and transform. I surely do not mean to shock those who believe but rather to move those who see.” — Soasig Chamaillard
http://www.soasig-chamaillard.com/sculpture-sainte-vierge
https://www.instagram.com/soasigchamaillard/
http://chamailleries.blogspot.com/
https://www.facebook.com/chamaillard.soasig
21K notes
·
View notes
“a’ight, now look directly into this camera and tell us your name, age, and where you’re from,” the cameraman speaks, his gold-ring clad hand carefully adjusting the zoom of the lens on the expensive camera as you sit on the crème colored couch with a cheesy smile, your swollen lips all glossed and glittery.
letting out a nervous giggle, you flip your blown out hair over your shoulder, gently adjusting your barely there skimpy bikini top to cover your hard nipples, “uh, you can call me angel,” you bat your cat-like lashes, before mushing your glossed lips together with a ‘pop’, “m’twenty-one, and i’m from carolina, puerto rico,” you seal with another shaky laugh, swallowing thickly as you steal a quick glance at the man behind the camera, he was a bit older than you, and very handsome — you couldn’t help but be a silly little school girl.
with a feigned-defeated sigh, the cameraman zooms in on your plump breasts, earning a wide grin from you as you playfully shimmy, allowing your perky tits to jiggle, “puerto rico, huh?” he chuckles, licking over his pink lips as you swiftly run your acrylic-nails finger across the pink-heart shaped pendant that dangled from your bellybutton piercing, “so fuckin’ pretty,” he comments, trailing the camera down to your lower half, focusing on the way the plush curves of your thighs and ass swallowed the flimsy fabric of your tiny boy shorts.
with a clearing of his throat, the cameraman brings the camera back up to your pretty little face, “is this y’first time getting fucked on camera, angel?” he asks, his voice heavy in greed as you nod immediately, “fuck — why don’t y’bend over for me and show me that cute little ass of yours,” he beckons, his eyes hanging low as you obediently stand from the couch.
you couldn’t ignore the goosebumps that rose on your skin as you turned away from the camera, before pulling your the thin cloth further up your fat ass cheeks, before bending over with a muffled giggle as you bit down into the chunk of your bottom lip, “look at that,” the cameraman ogled, letting out a throat groan as his warm and calloused hand suddenly cupped your asscheek, gently jiggling the supple skin.
“y’like it?” you questioned, glancing over your shoulder, letting out a surprised gasp as the cameraman’s hand abruptly slapped down onto your ass.
“i love it, angel— m’gonna open you up a bit, yeah?” he informs you, his eyes squinted as he crouches down onto one knee, carefully angling the camera lens at the crease where your puffy pussy and tight asshole met.
your nails slowly dug into the fabric of the couch as the cameraman’s thumb curled into your skin, pulling your asscheek apart, leaving your wet and eager holes exposed to the cold air conditioned environment of the casting room. you failed to hold back a low mewl as the tip of his thumb grazed over your glistening pussy.
“fuuuck, she’s so pretty,” he cooed, jiggling your asscheek once more, before standing firmly on his two feet as he closed the distance between you two, his jean-covered bulged pressed firmly against your ass, “y’gonna be a star, y’know that, angel?” he praises, holding the camera impressively still with one hand as he undoes the button of his jeans with the other, seamlessly slipping his hand under the waistband of his briefs as he releases his firm cock from its confines.
cutely, you wiggled your hips, your pouty lips plagued with a coy smile as your ass brushed against the flushed cameraman’s erect cock. your cute little act quickly came to a halt as he locked his hand around the dip of your waist, pushing his hips closer into you as his dick laid perfectly atop of your ass. a cocky chuckle left the man’s throat as he measured his dick, his mouth watering at how his tip surpassed the top of your ass and rested on your lower back.
your bambi eyes widened at the feeling of his length resting on you, your heart rate increasing as he pulled down your tiny shorts, revealing your bare ass and sweet pussy.
“m’gonna make you a star,” he huffed with a smile, before spitting a glob of warm saliva down the crack of your ass, lowering the camera to catch how it drooled down into your pussy, before tapping his flushed tip against your aching hole.
a squeaky moan left your lips as he slowly pushed into you, your sticky lips parted in pleasure as his flexed arm grips the the couch, your small hand closing over his forearm as the two of you let out satisfied moans. warmed tears were quick to brim around your waterline as he pushed his hips further into yours, the camera now close to your face.
“i love it,” you smiled, your lips stretch into a drunken grin as you pose for the camera, the sounds of the cameraman’s hips slapping into yours now muffled as you focused your fuck-me eyes on the camera.
you knew that you were always meant to be a superstar — no matter what it took, or who you’d meet along the way.
even if it was the eager cameraman who was fucking himself deep inside of you.
2K notes
·
View notes