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#not really a general place to post your works like a social media site
undertalethingems · 1 year
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With what has happened on deviantart, do you think instagram is a good alternative to use as an art portfolio? (I know this is an undertale blog, but i saw you commented about this and i want to know your opinion)
Well, I don't use instagram--so I can only give you my vague impression. but...
The long and short of it is that no, i don't think instagram is a good portfolio site. my thoughts on why below the cut:
As i understand it, instagram relies heavily on constant activity on your newest posts to feed its algorithm so you get any kind of visibility. people going back to look at and interact with your oldest works may actually punish you? somehow??? (i shouldn't have to explain how dumb that is XD) from what i've heard, you basically have to post every day, which inflicts a terrible pressure to constantly perform and produce, making huge demands on your time, and that's 100% a fast-track to burnout. If people can make it work for them that's great, but that's not how I'd want to live, and it's just not possible for many others. so if you can't meet these demands, your art gets buried and impossible to discover, and older works that might still be amazing never get seen.
Furthermore, as far as I know you can't really use it on desktop. if you try to post a large piece or paint digitally, it may be hard to upload, and many people will only be viewing it on their phone screens... not ideal for anything with a lot of detail. So it wouldn't show your art in the best light if you do larger pieces like that.
and finally, instagram is owned by facebook. if you don't want to give facebook any more data on you than they already try to collect, don't use instagram :'D
it sucks that deviantart no longer seems to be the best place to post art--and that there are no clear alternatives. There are options, sure, but I don't know how well they work or if they're particularly friendly. Deviantart, at the very least (and for better or worse), was always where anyone could post, no matter their skill level and interests.
Anyway, if you just want a place to post only your art (and not mix it in with other types of posts), you can always make a sideblog here on tumblr; if you want something more "professional" to display your best works, you might look into making a little website for yourself. there should be options to do so that are either free or pretty low-cost, though i haven't looked into it recently so i don't know what's out there. It'd be more intensive to set up, but you'd have more control.
them's my thoughts on the matter; what you do with them is up to you, but hopefully they've helped ^^;
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Recent sky photos 
#still... I am not joking.. every time I post things like this it is so hard to narrow them down#I am almost as obsessed with the sky as I am with cats. I have a folder of just cloud pictures with like 650 photos in it right now#I don't post them all because I think it'd seem repetitive probably but just know... lol#that could be an entire blog or something.. hundreds and hundreds...#Like the same way that I cannot explain my obsession with cats or why they've imprinted into my brain so heavily - clouds are the same way#anyway.. .still have the costume photos and stuff like that I just havent edited and posted yet lol.. I will.. hoepfully have actual art#content and stuff thats not just random cat photos sometime soon. I'm just always so preoccupied at the beginning of the year with trying to#adjust to new goals and schedules.. plus.. still wokriong on that wretched little slideshow aaaaaaaaaaaa... it is going to take me...#a million yearbs.....#I just want the worldbuiling lore established so I can branch out and do other things.. aughhhh......#also have to work on game videos and a few other vidoes.. still trying to keep up wiht the youtube a little.. I just havent been productive#like since new years as I've felt sicker with my stomach symptoms and stuff.. ToT ALSO I DID MAKE THAT ENTIRE interactive fiction game which#I still have no posted anywhere lol.. Because it was kind of to accompany something that I was doing on a game site (like imagine making a g#ame to go along with one of your neopets or something) but it works totally fine as a standalone thing as well like. so detached from the#lore of the game site in general that it'd be broadly understandable and is it's own thing of course (because I dont really like writing#other people's characters/in the confine's of other worlds so I made everything original as possible with just a loose tie in to the neopets#typw thing lol) - but I figured since it works on it's own I could post it publicly other places too like 'hey look I made something' since#that is...... kind of somehting that counts as like... being creatively productive lol? like I keep talking about getting nothing done while#also forgetting about the things I actually HAVE done. alas I continuously forget. Seriously I am so bad at social media. I am never exagger#ating for comedic effect or something. I am the type of person that could legit like. write and produce and direct and complete a movie#that will be million dollars shown in theaters or something and I would forget to mention it anywherte until like 5 months later and go 'oh#uh .. oh yeah.. i should post about that online somehwere probably.. oops' . Cursed with the 'forget about everything once it's complete'#trait. Like the way my brain works is just like. once I finish something I'm immediately like 'cool! onto the next thing!!' without processi#ng what i just did. I'm just always looking forward to the next thing. I'll finish sculptures and then throw them away or forget about them.#I take photos and they sit in the drafts for 6 months before I post them. Like to me the enjoyment comes from the PROCESS of making somehtin#g but I don't care as much about the end result so it just doesnt exist in my brain anymore once I'm done? idk.. anyway ghjbhj#SORRY.. trying to be more active. I want to make and sell sculptures again. sell all of my spare clothes too. stuff. things.. aaa.. ***
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rohirric-hunter · 1 year
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Wild that there are people who thought Twitter was a functional website before
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astercontrol · 2 months
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If KOSA passes
Or if any other form of censorship (there are many in the works!) ever succeeds at stepping in to impede our ability to communicate online:
We have to make plans.
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Now, I dunno who'll even see this post. The few followers I have are TRON fans (who despite the fantasy we live in, tend to have realistically dismal views IRL about Disney and the various corporate uses of software).
And this fandom, on average, is pretty tech-savvy. It's where I've encountered the most people under 20 years old who actually know how to use a desktop or laptop computer.
So, if there's any hope for what I'm thinking about, this is prolly a good place to start with it.
(As with all my posts, I encourage reblogging and containment-breaching.)
(Gifs are clips from TRON 1982, mainly the "deleted love scene," from the DVD extras.)
Anyway.
Current society has moved online communication much too far onto major social media sites for my comfort. Whoever you communicate with over the internet, chances are you do it through a service owned by a big company: Tumblr, Twitter, Discord, Telegram, Facebook, whatever. Even TikTok (shudder).
These sites, despite their many flaws, can provide experiences that are valuable and hard to get otherwise. And once all your friends are on one site, you can't just leave and stay in touch with them all, not unless they all go the same place. It's easy to see why it's hard to abandon any social media platform.
But a backup plan is important. Because, as we've seen over and over, social media sites can't be relied on. They change their policies suddenly, without good reason-- and are inconsistent, even discriminatory, about enforcing those policies.
If they're funded by ads, the advertisers are their main customers, and your posts are the product. Their goal is that the posts most valuable to the advertisers get seen by people the advertisers consider desirable customers.
Helping you communicate-- making your posts get seen by the people you want to communicate with-- is optional to them.
Not to mention that the whole business model of an ad-funded website is generally unsustainable. Many of these sites are operating at a loss, relying on shareholders in a fragile bubble, doomed to fail soon just from lack of real profit.
And the more restrictions --like KOSA-- that the law puts on freedom of online speech, the likelier they are to go down or just become unusable. Every rule a site is required to follow is another strain on its resources, and most of them are already failing badly at even enforcing their own self-imposed rules.
If we want any control over our continued ability to stay in touch with our online friends-- we need to have a backup plan. Maybe it'll be simple at first, a bare-bones system we cobble together-- but it's gotta be something that will work. For a while at least.
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There are lots of really good posts about ways to build your own website, using a service like Neocities. I VERY MUCH recommend learning this skill-- learning to make websites of the very simplest, most stable, glitch-resistant type, made of html pages-- which you can upload to a host while you store backups on your home computer. If you value the writing and art that you put online, this is probably the safest you can keep it.
But that's for making your own creative work public.
As for communicating with others-- for example, receiving and answering other people's comments on your work-- that gets more complex. I personally haven't found it worthwhile to troubleshoot the problems that come with having a system that allows visitors to comment publicly on my website.
But what we do still have-- and likely will for a long time-- is email.
Those of us who came of age before social media's current hold... well, we might take this for granted. Email was the first form of online contact we ever encountered… and thus it can seem to us like the most ordinary, the most boring.
But in the current world, it is a rare and precious thing to find a method of communicating that doesn't require everyone in the chat to be signed on with the same corporation.
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Email is, as of now, still perfectly legal-- as much as social media companies have been trying to herd the populace away from it. I'm sure there are other ways to share thoughts online that are not bound by laws. But I am not going to go into that here.
Email service is provided by law-abiding companies, which will comply with subpoenas if law enforcement thinks you are emailing about doing illegal things. So, email is not a surefire way to be safe, if laws become dystopian enough to threaten your freedom to talk about your own life and identity.
But it's safer than posting on a public social media page.
For now.
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Email is beautifully decentralized. You can get an email address many different ways-- some reliant on a company like Gmail, others hosted on your own domain. And different people, with all different types of email addresses, hosted in all different ways-- can all communicate together by the same method.
Of course any of these people, individually, can lose their email address for some reason or other, and have to get a new one. But as long as they still know the email addresses of their contacts, they can reconnect and recover from that loss. The structure of a group linked by email is reliant not on a single company-- but on the group itself, the friends you can actually count on.
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This is why I am trying to promote the idea of forming email lists, as a backup plan to give people a way to stay in touch as mainstream social media sites prove to be unsustainable.
I'm envisioning a simple system of sending emails to several addresses at once, and making each reply visible to everyone in the chat by using "reply all" (or, if desired, editing the To field to reply to only some).
If enough people get used to using email in this way, it could fill most of the needs met by any other group chat or forum …without depending on a centralized social media company that's taking dystopian measures to try and make the business profitable.
So here are some thoughts about how I personally imagine it could work.
(Feel free to comment and bring up any thoughts I haven't addressed, or suggestions to customize how specific groups could set it up. This is meant as more of a starting point for brainstorming than a catch-all solution.)
As I see it, here are the basics of what you and your friends would each need to start out:
An email address. Any kind, hosted anywhere. You should use a dedicated email account just for this group, one that you do NOT use for other communication. Being in this group will result in things you don't want happening to your main email address-- like getting a TON of email, one for every post and reply. Or someone could get your email address that you really don't want any contact with. Use a burner email account (one that you can easily replace) and change it if needed.
The knowledge of how to "REPLY ALL" in your email. This will be necessary in order to add a comment that everyone in the group can see.
The knowledge of how to EDIT THE "TO" FIELD in your email, and remove addresses from the list of all recipients. This will be necessary if you want to CHANGE WHICH PEOPLE in the group can see your comment.
The knowledge of how to FILTER WORDS in your email. This will be necessary if a topic comes up that you don't want to see any mentions of.
The knowledge of how to BLOCK PEOPLE in your email. This will be very important. If someone joins this email group who you do not want to interact with, it will be up to you to BLOCK them so that you do NOT see their messages. (If they are bad enough to evade the block with multiple burner accounts, that's what you have a burner account for. Change it, and share the new one only with those you trust not to give it to them.)
Every person in the group will be effectively a "moderator" of the group, able to remove people from it by cutting their email addresses out of the "To" field. Members will all have equal "moderator" privileges, each able to tailor the group to their own needs.
This means the group may naturally split, over time, into other groups, each one removing some people and adding others. Some will overlap, some won't. This is good! This is, in my opinion, what online interaction SHOULD be like! There should be MANY groups like this!
In this way, we can keep online discussion alive, no matter WHAT happens to any of the social media websites.
If the dystopia got bad enough to shut down email, we could even continue with postal mail and photocopies, like they did in the days of print-zine fanfiction.
If it looks like the dystopia is gonna come for postal mail too, we'll use the connection we have to preserve whatever contacts we can with people who live near us.
Not saying it's GONNA get that bad. But these steps of preparation are good no matter exactly what kind of bad stuff happens.
As long as some organized form of communication still exists, we'll have a place where it's at least a little safer to be your true self…
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to plan events and meetups…
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and maybe even activities a little too risque to make the final cut of a 1982 Disney movie.
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They're trying to censor us. We want a Free System. So we're gonna fight back.
For the Users. Not the corporations.
Peace out, programs. <3
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There's something I don't see talked about enough in the SVSSS fandom.
The System.
I just received a comment on one of my fics - which has post-canon SQQ and SQH able to still use social media - suggesting that it would be very easy for people in the real world to point out that these characters using fake accounts to post on real life social media sites would easily be doxxed and the System would have no ability to do anything about that.
Something I have noticed among a lot of people who read this particular book is that not a lot of consideration is given to the very thing orchestrating everything. We often think of the system as a ridiculous guide or rule book that exists solely to give the protagonist what he wants/deserves. We don't really approach it for what it is.
This was my reply to that comment:
Doubt it. The System is able to kidnap people from their worlds and place them in other worlds and bodies in those worlds as punishment. And if you don't do as it wants, to the specification it doesn't directly detail, it can send your soul to an alternate version of the present world to be tortured in another body. I sincerely doubt an abstract, otherworldly being like that, which never receives consequences for anything it does because there is apparently nothing that can canonically challenge it, is going to be threatened by doxxing. If it can create things, link universes together, steal souls, and can be anywhere at any time, I wouldn't expect it to be incapable of manipulating people's perception. I even mentioned how in this fic, it WILL erase SQQ's sister's memories if he chooses to reveal his identity to her, but it becomes too much for her to handle. This suggests it has power anywhere and can do whatever it wants. So, in my mind, if someone actually tried to doxx their accounts, it's either going to lead nowhere, lead to somewhere fake, or the info will be stripped from their lives entirely the moment they find anything/nothing.
It was a very nitpicky kind of comment in my opinion, which warranted this response, but my response just made me realize that the System is effectively an amortal, omnipresent, and omnipotent Entity. It literally doesn't go away. We even think it's over and the Extras tell us, via SQH, that it's still there and still in control.
Think about it.
Think about every single thing that happened because of the System's actions or demands. It literally never faces consequences because there is nothing that could hope to punish it. I've only read 1 fic where higher beings step in to punish the System for kidnapping, coercing, and torturing innocent people for its amusement.
Because that IS something it can do. With ease. And seems all too happy to do.
The System is very dangerous and it's weird how this is something people forget when reading fanfics. SVSSS is the kind of book where crack ideas can work in the frame of the canon story because a character like SQH exists. Because he wrote PIDW with every single plothole and contrived story beat for the sake of money and survival, we can have the weirdest shit happen and blame it on his lack of imagination when writing PIDW. It doesn't need in-depth nitpicking to make it make sense. MXTX gave us a very large and generous sandbox to play in.
You don't need to rationalize a crack plot. And you should always keep in mind that canonically, the System is a terrifying Entity capable of outrageous things. It shouldn't be the deal-breaker that the Entity that kidnaps, gaslights, coerces, tortures, and manipulates people is capable of fantastical feats in a fanfic.
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copperbadge · 9 months
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Well, Still Salty.
I was cranky yesterday and I thought a good night's sleep would provide some adjustment in perspective, but unfortunately "spending yesterday not on tumblr" also offered perspective and got there first.
Up front: feel free to comment or reblog on this post (replies may be heavily delayed) but if you feel the urge to Like, I'm going to ask you to take one more step and go to https://www.tumblr.com/support, select "feedback" as the category, and enter a line or two about the new dash. It can be as simple as "Your new dash design is difficult to use and is driving people off the site". I'm not asking everyone to do it, but if you're going to Like this post, that would be a helpful action in addition. You can delete any response they send; no reason to expose yourself to the unique combination of incompetence and condescension with which they handle feedback generally.
Also up front: yeah, if I find somewhere else to go and go there, I will certainly let you guys know beforehand, I'm not going to just evaporate. I'll be broadcasting about Tumblr's replacement on Tumblr very heavily. But I can't deny that it is now an active goal of mine to find a viable replacement for this site. (More on this in a moment.) You will always be able to find me on AO3 as copperbadge, or via [email protected]. (More on this in a moment also.)
This kind of thing is why I refuse to fuck with staff now or ever; I don't trust them and I never will. Watching @wip respond to almost every complaint or suggestion with "but that would be really hard" is telling. Whoever is pushing blocks around at Tumblr wants a lucrative site that's easy to code, but lucrative is hostile to community and code is difficult by nature, and when the architecture of the meeting hall is hostile and cheap, people don't stick around.
I've been watching the site as every change made it incrementally worse, from a buggy post window that doesn't allow ease of editing to the new dash (which is the reason I'm writing this in a text window off Tumblr). I genuinely do not think I can use desktop Tumblr like this unless I can install something that will put it back the way it was, and roughly 40% of the content you guys get HAS to come through desktop. It's impossible to do on a phone or so time-consuming it's not worth it. I cannot code Radio Free Monday on a phone; it's a struggle to code it on a single-monitor laptop (I usually write it on my work computer, where I have two monitors). Even writing image IDs on the phone is difficult and something I rarely do. Tumblr is becoming an actively difficult place for me to make content, introducing friction left and right.
But where does one go? I've tried other platforms and they're either worse to use or they don't have the constituency. The problem with a lot of discourse around internet addiction is that it often points out how glued people are to their phones without asking what it is they're doing on those phones. I'm not addicted to social media; I don't doomscroll, I don't care what celebrities have to say, I don't find 140 characters useful or interesting, I don’t find most “funny” videos very interesting. I create a lot of original content for public consumption, significantly more than many social media users, and if that becomes difficult, then the site suffers more than I do. But it's undeniable that social media, and this social media in specific, is where my people are, and yeah, I like seeing you all every day. It makes it difficult to leave even when Tumblr is the best of a bad set of options.
It seems like a lot of the internet, lately, is the best of a bad set of options.
All that said, Tumblr forced a sudden, unwanted, and unchangeable reskin on me a day after I listened to a two-hour podcast about addiction while working on building a newsletter system for my author site. I spent the evening before this happened in contemplation of my relationship to social media and to my readership and how I might alter it to my benefit regardless of whether that's also to Tumblr's detriment. Their poor timing, I suppose. A lot of the theories advanced on the podcast were, to put it kindly, bunk, but one of the suggestions for people questioning their relationship to an activity was a dopamine fast -- removing something in your life that gives you quick but unsustained dopamine hits, so that you can take some time to level out and examine your behaviors. On the one hand, that's not at all how dopamine works; from the jump it's a bad theory. But on the other, pulling back from something you think may be causing you difficulty is generally speaking a good tactic.
Removing myself from Tumblr yesterday was an active process: because I have ADHD and often will forget something exists if I don't systematize my engagement with it, Tumblr is normally pinned to my browser, with the app on my phone's top screen. Removing the app and closing the window meant that while I occasionally reached for Tumblr, it was less frequently than I expected, and the lack of access reminded me why I wasn't there. I missed you guys, but I didn't miss getting distracted from work by my dash, or the pressure to respond to the volume of communication I receive through the site daily. I don't think my use of tumblr as my sole social media has been unhealthy, per se, but certainly yesterday felt both quieter and calmer after I walked away.
But that's a temporary relief, because you are my community, and not only do I not want to leave my community, it's a resource for me. One of the reasons I do things like Radio Free Monday and the weekly Hug on Saturdays is that I try to make sure that resource is reciprocal. Leadership involves service. Leaving would be easy in the short term, but in the long term, leaving my community without having another place to meet it, or another community to go to, would be harmful to both of us. I'm already someone who isolates, and while I have a strong brickspace circle of friends, they fulfill sometimes different needs.
Though I do appreciate the wild vote of confidence from the comments to my last post telling me people would come with me where I went. That means a lot to me. I will attempt to make it either unnecessary or as painless as possible. Just know, I see your faith and friendship and I appreciate it.
Sometimes at my old job I'd be in very tumultuous meetings where a lot was discussed and not much agreed on, and the most useful thing to me was always to say, "What are our next steps? What would you like me to do because of this meeting?" So what are next steps, all this being the case?
First, I'm going to be off Tumblr, mostly, for another couple of days, because clearly I need the break and a few days won't matter too much. Again, I will be back either to continue on the site or to let you guys know, at length and volume, where I'm headed. The former is much more likely.
Second, I'm going to be actively looking for both a widget I can install to reset the dash (recommendations welcome, I currently don't even use xkit) and a wholly new platform that's a realistically viable alternative. Even if the dash gets reset, the shitty post editor is here for good. Attempts to source alternative platforms in the past have taught me that it needs to have a mobile-friendly site or an app, a similar structure to tumblr, and a reasonable chance of actually attracting users. That's a heavy venn diagram unlikely to be fulfilled anytime soon, but I'm now invested in finding it, instead of just passively waiting for it to happen to me (as Tumblr did when it pulled me off LJ).
Third, I do have an email newsletter in the works! I'm just wrestling currently with setting up how people sign up for it. This wasn't meant to be "my main broadcast platform"; it's meant to be a once-monthly email to share book news, targeted at people who aren't on socials or who just really love content from me, I guess. :D The plan was for me to assure Tumblr users that it was not extra content, just select content repackaged into a digest. But it will be one way to ensure that if I'm moving around outside of Tumblr, you'll know about it. I hope to have a link to a signup page soon. (I'm....dealing with some code issues.)
Fourth, I'm going to be combing through the last ten years I've spent here and pulling anything I think is of value into an archive. For now everything will remain here as well, and I'll let you guys know if I think that's going to change, but it's clear that this space is moving only one direction, towards a place I can't exist, and when/if it crumbles I want to have already evacuated what's important.
So there you go. I'll possibly be posting sporadically (the Saturday Hugs are queued six months in advance so that'll happen) but if nothing else and if not sooner, I'll be back full-time next week starting with Radio Free Monday. I appreciate your patience and your kindness in the meantime!
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candycandy00 · 7 months
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Little Miss Nobody Part 3 - A Gojo x Reader Fanfic
You’re a weak, lowly sorcerer who barely qualifies as an assistant, but you get the opportunity to work on a mission that includes THE Gojo Satoru. Unbeknownst to you, he finds you incredibly attractive despite privately looking down on you as a nobody. On the last night of the mission, he invites you to his hotel room. 
Read Part One Here! Read Part Two Here!
Any feedback or comments whatsoever is greatly appreciated! Thank you to @doumadono for the name Mystigram!
Smut. 18+. Gojo x short/thick/curvy fem Reader. Rough sex, oral sex (69), implied bondage/use of toys, mention of Gojo being bisexual. Just pretend the Shibuya Incident never happened!
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You allowed yourself to grieve for one week. You took time off from work and spent those days crying, yelling at no one about how much of an asshole Gojo was, and eating ice cream from the carton to numb your pain. Once the week was over, you cleaned up, went back to work, and returned to your normal daily life. 
It still hurt to think about him, and despite your best efforts not to, you did still have the occasional intrusive thought. Sometimes you wondered if he regretted anything he said to you, or if he simply regretted ever meeting you. Sometimes you wondered what kind of mission he might be on and who was in his hotel room with him. Sometimes you dreamed about him, dreamed of his hands gripping your hips, his cock rough and powerful between your thighs. 
In a weak moment you decided to check his page on Mystigram. A few particularly tech savvy sorcerers had made a social media site just for Jujutsu sorcerers. It began as a way for sorcerers to stay connected to their coworkers and share information, but it had grown to be something used for networking, planning social outings, and getting to know sorcerers from different branches.  
You’d looked at Gojo’s page before of course, back before you met him, when you were just a curious fan. He mostly shared memes about Jujutsu society, pictures from the places he’d traveled for work, and photos of the various treats and desserts he discovered at different restaurants and shops. There were occasional selfies, almost always with his sunglasses rather than his blindfold, and a few photos of him with friends. He often had his arms casually thrown around Ieiri Shoko and Nanami Kento, with both of them generally looking annoyed. 
You scrolled through his page, feeling desperate and pathetic as you searched for any sign that he felt anything at all about what happened between you. Even him sharing a vague, sort of sad quote or meme would have satisfied you. There was a four day period immediately following your last encounter where he didn’t post anything at all, but he could have simply been busy with work. 
One of his most recent posts was a selfie of him pulling down his shades and looking at the camera with gorgeous, bedroom eyes. It was the first one you’d seen with his eyes clearly visible, and it made you ache in more ways than one. The caption read, “The real reason I keep my eyes covered is to keep the whole world from instantly falling in love with me!” What a Gojo thing to say. 
His students had responded with laughing emojis (and in a couple of cases, barfing emojis). Ieiri Shoko commented with only a gif of a woman dramatically rolling her eyes. Nanami Kento commented with one word: “Disgusting.” You found the interactions charming, but also felt sad when you realized you’d never be a part of that group, a part of Gojo’s life. You’d never be able to casually talk and joke with him like the others did. 
Just once, during a night when you couldn’t sleep, you actually wondered if you should have just let him keep using you for sex. You thought about the “weekend of debauchery” he’d mentioned and imagined what it would have been like. Did he really want to tie you up in his basement? And why did the thought of that make you wet? 
You finally fell asleep right after thinking these things, and had a nightmare in which he kept telling you how unworthy you were to be his girlfriend, as he walked off with a glamorous, powerful woman on his arm. 
When you awoke, you had renewed resolve that you made the right decision to walk away from him.
Nearly a month after your second time sleeping with him, you crossed paths with him on the street. He was wearing his blindfold, but he pulled it down as he stopped in front of you and asked how you were doing. 
You wished he hadn’t. You didn’t want to see his eyes. You gave a vague, cordial reply and continued walking down the street, taking deep and steady breaths to keep yourself from bursting into tears until you could get far enough down the street to dart into a cafe. You bought a coffee just for an excuse to be there, but left it untouched on the counter and instead rushed into the restroom to cry in private. 
Seeing him hurt. Hearing his voice hurt. The fact that he didn’t seem bothered at all, that he had absolutely no hesitation in speaking to you, as if you were just friendly acquaintances, hurt. Deeply. But you pulled yourself together, dried your eyes, and walked out of the cafe with your head up. 
It would take time to fully heal, as all wounds to the heart did. 
Three weeks later, you met a grade one sorcerer on a mission who asked you to have dinner with him sometime. His name was Haruto, and he was kind to you. Handsome in a completely different way than Gojo, he was respected and liked among the assistants for his down to earth attitude. You accepted the dinner invite, and soon after, the two of you began dating. 
You liked him, but so far you hadn’t fallen in love with him. You kept waiting to feel that burning passion you felt for Gojo, that ache to be in his arms, but it hadn’t happened yet. Still, a slow burn romance might be a better fit for you, and you enjoyed Haruto’s company enough to date him a while longer and decide how you felt. It was clear that he wanted to be intimate with you, but you just couldn’t bring yourself to do that yet, not so soon after your experience with Gojo. But Haruto was patient, never pressuring you. 
As time passed by and the season changed from autumn to winter, you thought less and less about Gojo.
****************
Gojo wasn’t dealing with the fallout from his last hookup with Little Miss Nobody very well. He’d went through several different reactions, from anger at her for saying the things she said to guilt for saying the things he said to her. At first he tried to convince himself that he’d done nothing wrong. He’d been honest with her about the sort of relationship they could have. His only mistake was in telling her that after fucking her again. 
Just like before, he couldn’t stop thinking about her. Despite being busier than ever with missions and his teaching job, his mind kept wandering to her. He worried she would do something reckless on a mission. She wasn’t a fighter, but she clearly wouldn’t hesitate to endanger herself to save someone. He admired the courage that took, but he found himself wishing she would just be a coward from now on. She didn’t have the strength to back up that desire to protect. 
Sometimes he laid awake at night, jacking off while remembering their encounters. It was almost too easy to get off, picturing her with her hands tied behind her back, her face pressed into the pillows. Every time he wore his blindfold, he remembered how it had looked around her wrists. 
Then, he saw her on the street one day. He spotted her from across the road, but she hadn’t noticed him yet. She looked like every wet dream he’d ever had, jeans tight over her perfect ass, a form-fitting sweater with a cutout right over her ample cleavage. She looked soft and squeezable. Pliable. His first thought was that he wanted to pull her into his arms and just hold her. His second was that he wanted to hear her voice. 
He crossed the road and approached her, trying to act as casual as possible. When she looked at him, there was an instant where she looked stunned, but she quickly covered that up with a pleasant smile. He pulled his blindfold down and said, “Hey, how’ve you been?”
It was petty of him, he knew, but he knew she liked his eyes. He wanted her to see them again, perhaps to make her want him again. There were plenty of hotels in the area and-
“I’ve been good,” she said, her face frozen in that same mild expression. “Thank you for asking.”  
And then she was gone, walking away quickly and then going into a cafe down the street. He thought briefly of following her, trying to talk to her again, but abandoned the idea. She clearly didn’t want to talk to him, and he wouldn’t press her into a situation that upset her. 
He’d left feeling frustrated, in several different ways. Finally, he grew desperate enough to talk to his friend about what was going on. But when he’d gone to Shoko for advice, she had been blunt with him as usual. 
“Are you a fucking moron?”
He gaped at her. “Huh?!”
Shoko took a drag of her cigarette and regarded him with a withering stare. “You find a girl who’s sweet, brave, laughs at your shitty jokes, who fucking bakes, and likes it rough? And you manage to screw it up? You’re hopeless.”
Gojo was sitting on a bench in the outdoor area of the high school, near some vending machines. He leaned back, slapping his forehead as Shoko stood beside him. “I don’t know where I screwed up,” he said, “I just told her the truth.”
“You told her she wasn’t good enough for you immediately after fucking her. Do you think anyone wants to hear that?”
He glanced up at his friend. “I didn’t say that to her.”
Shoko met his eyes. “Did you deny it?”
He sat there silently for a moment, thinking. “I didn’t know how to respond to that,” he finally said. “I don’t think she’s not good enough for me. If anything, she’s way too good.”
“Then what’s the issue?”
“It’s not about her as a person, or even me as a person. Maybe I’m being a narcissistic asshole. But I feel like I should be with someone closer to my level in terms of status, you know?”
She shook her head. “No, I don’t know.”
Gojo sighed. “I just… can’t imagine myself with an assistant who can barely use cursed energy. She’s weak. She’s not from a sorcerer family…”
“Geto wasn’t from a sorcerer family,” Shoko pointed out. “That didn’t seem to bother you.”
Gojo looked at her suddenly. Shoko rarely mentioned their departed friend. “Suguru was strong. At one point as strong as me,” he replied. 
“So?” Shoko asked. “A lot of people would call me weak. I sure as hell can’t fight.”
He stared at her, realizing she was making excellent points. Why did it matter what someone’s status was? He never cared about status when it came to picking friends, so why care now? Maybe he had to face the fact that he’d gotten too full of himself over the years. He’d started looking down on those who were weak within Jujutsu society, even if he felt no ill will toward them. 
He looked at Shoko, who was a precious friend, and couldn’t imagine looking down on her, even though she was exponentially weaker than him. Then he remembered Little Miss Nobody’s crying face, and he realized how monumentally stupid he’d been. 
“I seriously fucked up, didn’t I?”
Shoko exhaled, smoke drifting around her face. “Sure did.”
He leaned forward on the bench, resting his hands on his thighs. “Any ideas on how to fix this?”
“For starters, you better be damn sure of what you want,” she told him. “I’m serious, Gojo. Don’t toy with her again. Don’t contact her, don’t stir up her feelings, and for God’s sake don’t fuck her unless you’re sure you want to start something serious with her.”
Gojo nodded. “I’m sure.” He’d never felt more certain of anything. He saw her face everywhere he looked. He heard her voice in his dreams. He hadn’t even been able to fuck anyone else since her. He’d tried once and couldn’t finish, and boy was that embarrassing. 
“Then call her,” Shoko said. “Apologize, tell her you were wrong.”
“I don’t have her number,” Gojo said, remembering with a small degree of shame how she’d shyly offered it to him after their first time together and how he’d rejected it. 
“We can probably find it,” Shoko told him, digging into the pocket of her white coat for her cell phone. “I have a couple of friends who work at her branch.”
Gojo perked up, listening as Shoko called someone and made a bit of small talk before asking if they knew Little Miss Nobody. Shoko gave him a thumbs up, and asked the person to text the number over. Then he heard Shoko say, “Oh, she is? Right now?”
After the call ended, Shoko said, “They’re sending the number over but they said she’s in Tokyo right now. She’s supposedly meeting some friends for drinks at that bar for sorcerers in Ikebukuro.”
Gojo stood up. This was the perfect opportunity. He could talk to her in person, apologize properly and see if this could be fixed. He knew exactly where the bar was, having gone there to hang out with Shoko and Utahime just one week prior. He thanked Shoko for her help and hurried over to the bar. 
It wasn’t very crowded yet when Gojo arrived. It was late afternoon, and customers wouldn’t start pouring in until at least seven. He scanned the room for her when he first walked in, and quickly spotted her sitting amongst several other sorcerers in a corner booth. She was smiling, and he was glad to see her happy. 
He took a seat at the bar and ordered a soda, then tried to keep from attracting any attention. It didn’t happen all the time, but occasionally people recognized him and acted like they’d seen a celebrity. He supposed he was the closest thing Jujutsu society had to a celebrity, and while he usually found it flattering to be approached in that way, today he hoped no one noticed him. He planned to wait for her to go to the rest room or even to the bar. He didn’t want to approach her when she was surrounded by people. 
So he sat, and waited, and watched. After several minutes, he noticed that the man sitting to her right was a little too handsy with her. The man kept touching her arm and subtly leaning closer to her. Gojo didn’t like that, but she didn’t seem to mind. She was a little naive about things like that, so maybe she didn’t even notice. 
But the more he watched and listened, the more a knot tied itself together in his stomach. She was also leaning toward the man, giggling at something he said, playfully slapping his arm. Then, the man threw his arm around her, and she smiled, doing nothing to push it away. 
The realization hit Gojo like a punch to the face. She was with this man, romantically. Gojo was too late. He’d spent too much time being an egotistical jackass, and now she’d moved on. He couldn’t blame her. She had the right to pursue happiness with someone else. But where did that leave him? He sighed and lowered his head. For the first time in his life he considered trying to get drunk. 
He heard chattering from her table and glanced over. Little Miss Nobody, as well as the rest of the women in the group, were leaving together. Something about going to see a movie together. Gojo moved to the other side of the bar before they got near, making sure not to be seen. He watched her walk out, and it felt like she was stomping on his heart with each step she took. 
The thought occurred to him that he could potentially take her away from the man. If Gojo talked to her, maybe she’d decide she liked him more. But should he do that? She seemed happy. What right did he have to burst back into her life and possibly screw it up?
While he sat there, deep in thought, he almost didn’t notice the man she’d been with coming to sit at the bar, just a few seats down. But he did notice, and he couldn’t help paying attention to him. 
The man’s friend, the only other man who’d been at the table, sat down next to him. 
“Any luck yet?” the friend asked. 
The man shook his head and took a drink from his glass. “Nope. She’s still holding out. I think she’s hung up on some ex boyfriend or something, but she won’t say it.”
Gojo’s ears felt like they were on fire. His full attention was now on this conversation, but he sipped his Coke and pretended not to be listening. 
The friend laughed. “Sucks to be you, dude. You score a hot girlfriend and can’t even fuck her.”
The man laughed too. “I’ll wear her down. She’ll be sucking my dick soon enough.”
Gojo’s hand gripped the glass so hard, he had to force himself to calm down to avoid shattering it. 
Then the friend said something else, and Gojo felt his skin prickling with rage. 
“Don’t forget to record it when you finally get her naked. You promised you’d show off the goods.”
The man nodded. “Don’t worry, I’ve got cameras hid around my bedroom already. She doesn’t have a clue.”
“Good,” the friend replied, “cause I’ve been dying to see those tits for months.”
They both laughed, and Gojo stood up from his seat. He walked the few steps over to the two men and stood looming over them. He was wearing sunglasses instead of his blindfold, but he was still recognizable to most people who noticed him. The man she’d been with gaped up at him. “Gojo?”
Gojo grinned widely. “I couldn’t help but overhear you guys,” he said in a friendly tone. “Can you share those recordings with me when you make them?”
The men glanced at each other, looking like students who’d been caught smoking by a teacher who then asked for a cigarette. 
“You… want me to send you recordings? Of my girlfriend?”
Gojo’s grin was probably becoming more frightening as the moments passed. “Well you’re sharing them with your buddy, right? What’s one more?”
The man shrugged, still looking a little uneasy. “Sure, why not? Give me your number.”
Gojo kept staring at him. “So she has no idea you plan to do this?”
The man must have mistaken Gojo’s slightly unhinged expression for perversion. He laughed and said, “She’s clueless. Totally naive. Wait till you see her! Huge tits, fat ass, cute face. She’d be a perfect porn star.”
The friend chuckled and added, “Hell, I guess she will be after this. We could make a fortune selling the videos!”
That was enough. That was all Gojo could bear to listen to. He’d let the guy dig a big enough hole for himself. “Call her,” he said in a low voice, and both men looked at him with confusion. 
“What?”
Gojo’s smile was gone. He pulled off his shades and glared at the man. “Call her. Tell her you need to see her in private. It’s urgent.”
The man didn’t move, he just stared up at Gojo as if he’d sprouted another head. 
Gojo leaned down. “I think she has the right to know about this, don’t you?”
The man looked positively horrified. A bead of sweat ran down his face. “You want me to tell her? I can’t do that! She’ll-“
Gojo looked at the man the way he would look at a curse that had just attacked him, and the man’s words died in his throat. Gojo put one hand on the man’s shoulder. “I said call her. Right fucking now.”
The man’s fingers were trembling as he pulled his phone from his pocket. As he began dialing, Gojo pointed at the friend. “And you, if you ever so much as glance at her again, I’ll rip your eyeballs out of your fucking head.”
****************
You were standing in line with three of your friends to buy tickets for a movie when one of them asked how things were going with Haruto.
“Okay I guess,” you answered. “I’m still not sure how I feel about him. I like him, but I don’t think I’m in love with him.”
Your friend Sumi smiled reassuringly. “Give it a little more time. You guys are still getting to know each other.”
Aiko, another friend that you had been on many missions with, sighed and patted your back. “You’re still holding out for Gojo Satoru, aren’t you?”
Sumi and the third friend Keiko looked surprised, and you instantly reddened. “Huh? Gojo? What do you mean?”
Sumi asked, looking from Aiko to you. 
“They hooked up,” Aiko said, “twice.”
You looked at her with wide eyes. You’d never told her about that. “How did you know?”
She grinned. “Actually I just suspected it, but now you’ve confirmed it.”
You winced, but she laughed and went on. “The first mission we were all three on, you left the sushi joint with his arm around you on the last night. Doesn’t take a rocket scientist to figure out what happened. Especially with his reputation. Then the second time, you two disappeared together in the middle of a mission.”
Sumi and Keiko stared at you for a moment. When you didn’t deny anything Aiko said, they launched into a string of rapid questions. 
“How was it?”
You shrugged. “Uh, nice?”
“Is he good in bed?”
“…. Yes.”
“Does he really have a huge dick?”
You blushed, but nodded, and the girls made a squealing sound. 
“I heard he keeps his sunglasses on during sex. Is that true?”
“I asked him to take them off,” you answered. 
“Can’t believe you scored him twice,” Aiko said, interrupting the interrogation. “From what I’ve heard, he never sleeps with the same person more than once.”
You blinked. “Really?”
Aiko nodded. “Yeah, he’s a one and done kinda guy. Guess he doesn’t want to get serious with anyone. Speaking of which, you should be careful. Don’t get too involved with him. He doesn’t seem like the type of guy to settle down, from what everyone says about him.”
“Yeah, you’re right. Thanks.”  You gave a vague answer. Aiko had no idea what had really happened between you and Gojo. You hadn’t realized that being a repeat lover for him was so rare. You wondered what the girls would think if they knew he’d invited you to spend the weekend at his place. 
But all that was over, you reminded yourself. You and Gojo were over. You had more respect for yourself than to be flattered by a guy, even one as amazing as Gojo, wanting to use you as a sex friend. 
Your phone suddenly rang, and you fished it out of your purse to see who the caller was, thankful for the distraction. It was Haruto, and you felt a little guilty that you’d just been talking and thinking about another man. You answered, and his voice sounded strained on the other end. 
“I need to see you,” he was saying, the words coming out a little too quickly. “It’s urgent.”
“Right now? But we were just together,” you said, confusion building in your mind. You hoped he wasn’t just trying to get you in bed. His attempts had started to feel a little pushy lately. 
“It’s important,” he said. “I’ve rented a hotel room near the bar so we can talk privately.”
“Haruto, I’m really not comfortable going to a hotel with you.”
“It’s not what you’re thinking, I swear,” he told you, his voice sounding frantic. “I just… need to talk to you. And it has to be in person. Okay?”
You sighed. “Alright. If it’s just to talk.”
After you ended the call, you got a text from Haruto with the name of the hotel and the room number. You told your friends what happened and waved goodbye to them before heading back to see what was so urgent. 
As you walked down the carpeted hallway of the hotel, you felt a faint feeling of panic, like something might be very wrong. Had Haruto received bad news? Or perhaps he’d grown tired of waiting and had decided to break up with you. The thought made you feel relieved rather than worried, and you thought that was a bad sign for your relationship. 
You reached room 404 and took a deep breath before knocking. A few seconds later, the door opened, and Haruto stood on the other side. He looked terrible! His face was damp with sweat, his skin was pale, his eyes darted about like a frightened animal’s. “Haruto?” you asked. “What’s wrong?”
He stepped back and motioned you in without a word. When you stepped through the door, your breath caught in your throat. 
Sitting on the edge of the bed was Gojo. No blindfold or sunglasses, which was rare, and his face looked deadly serious, which was even more rare. He stood up as Haruto shut the door behind you. 
“Gojo? What are you doing here? What’s going on?”
Gojo’s expression softened when he looked at you. “I overheard your boyfriend talking to his buddy at the bar after you left. I think you deserve to know what he was saying.”
You looked curiously at Haruto. He wrung his hands nervously and looked at the floor.��
“Haruto,” Gojo said, and there was a coldness to his tone that you’d never heard before. It was like that one word alone was the most terrifying threat in the world. 
Haruto nearly jumped at the sound, then he finally looked you in the face. “Alright! Fuck it, I’ll admit it! I have cameras hidden all over my bedroom. I was gonna record us whenever I could talk you into sleeping with me!”
You stared at him, hearing the words but not processing them. “Record us? What are you talking about?”
“I was gonna make videos of you without telling you,” he said. 
Gojo chimed in. “Tell her what you were gonna do with the videos, Haruto.”
Haruto was avoiding your gaze again. “I was gonna share them with my friends. And maybe sell them online.”
Ah. So that was it. He didn’t like you. He didn’t care about you at all. He just wanted to sleep with you, just like Gojo. Just like all the guys who approached you in high school and even now. Only this was much worse. He wanted to share your intimate moments with others against your will. Thank god you hadn’t slept with him. 
You glared at him, your face feeling hot with humiliation and your eyes becoming wet. All this had to happen in front of Gojo! Haruto took a step toward you. “I’m sorry, okay? I didn’t-“
“Stop,” you said, cutting him off. “I don’t want to hear another word. Stay away from me.”
He must have known you were serious by the look on your face. His expression changed from guilt to annoyance. “Fine. Whatever. I was only interested in you for your tits anyway. Not like you’ve got anything else I want.” 
Gojo stepped over to Haruto and shoved him toward the door. “Alright, you can get the fuck out now, you useless piece of shit.”
Haruto flinched at the harshness of Gojo’s voice, and was out the door in seconds. Now alone in the room with Gojo, you turned your back to him so he couldn’t look at your face. You were already embarrassed enough. 
“Thank you for warning me about him,” you said, trying and failing to keep your voice steady. You wanted to leave, but you also wanted to give Haruto enough time to be gone by the time you got down to the hotel lobby. You definitely didn’t want to run into him again. 
You heard Gojo’s footsteps coming closer to you, then his voice, so much softer than before, asking, “Are you okay?”
Wiping your eyes, you turned to face him, surprised that he was already so close. “I’ll be fine,” you said with a fake smile plastered on your mouth. Then you stepped toward the door to leave. 
Gojo suddenly grabbed your wrist. “Wait,” he said, “I was at the bar tonight because I knew you’d be there. I wanted to talk to you.”
You pulled your hand free of his gentle grip. Tears were still burning your eyes. “Please, I can’t handle this right now,” you told him. 
“Handle what?”
“You telling me again how I don’t meet your standards but you’ll lower yourself enough to fuck me sometimes. I get it, okay? Just please leave me alone.”
Gojo just stared at you, a hurt expression on his face. “I guess I deserve that,” he said. “But no, I came to apologize. I was wrong. I was an idiot, a dumbass, whatever you wanna call me. I said a lot of stupid shit that hurt you, and I’m sorry. If it’s not too late, could we start over?”
Your heart was doing flip flops. You’d longed to hear him say those words, but… after what just happened with Haruto, you had to be more careful. 
You looked away from him, not wanting to let him charm you with those beautiful eyes of his. “Do you want me as a sex friend?
Or something more?”
He moved closer, close enough to put his hands on your shoulders. “You’re all I can think about when we’re apart. I miss the way we talked during that first mission, the way you laughed. I want us to go back to that. I want to see where this goes. So I guess I’m asking if you’ll be my girlfriend.”
You turned away from him. “I’d love to, but I can’t be a secret, Gojo. If you can’t tell anyone about us-“
“I’ll tell the whole world!”
You looked at his face. “What?”
He looked totally serious. “I’ll tell everyone. I want everyone to know.”
You almost dove into his arms, but something held you back. “It’s easy to say that here, right now, in a hotel room. Will you still say that in the morning?”
He hesitated for a moment, and you felt that familiar sense of dread. But then he pulled out his phone and closed the distance between you. He wrapped one arm around you and pulled your face closer to his, then he kissed your cheek. At the same time, his other hand held up his phone and took a selfie of the two of you.  
He pulled away and began tapping on his phone, leaving you stunned into silence. Then, your phone chimed. You pulled it out and found a notification that you’d been tagged in a post on Mystigram. With trembling fingers, you opened it to see. 
Gojo had posted the picture of him kissing your cheek to his page, and tagged you in it. The caption read: “Me and my hot girlfriend! Try not to be jealous!”
Your eyes flew back to his face. He was grinning at you. The post started getting comments immediately. 
Itadori Yuji: Congrats, sensei! 😁
Kugisaki Nobara: Ugh, she’s way too pretty for you! 
Ieiri Shoko: Try not to fuck this up.
You couldn’t stop yourself from smiling. But you had one more question. 
“What made you change your mind?”
Gojo was laughing as he read over the comments pouring in. “Oh, it just took Shoko talking some sense into me. I was going crazy, worrying about you being on missions, wondering what you were doing, craving your homemade sweets… so I went to her for advice. She’s always had a way of making me see logic.”
“You told her about me?”
“We’ve been friends since high school. Of course I told her,” he said. Then he laughed again. “I told Nanami too but I don’t think he was paying much attention. I was mid sentence when he said, ‘Please stop telling me about your sordid escapades. I’m going to vomit.’ And that was all he had to say about it.”
He’d told his friends about you. He’d been worried enough about this situation to consult them. And he didn’t mind those closest to him knowing about you, even before realizing he’d been wrong. Those thoughts warmed your heart. 
Before you knew it, you were crying again, so overwhelmed with emotion. Gojo dropped his phone on the bed and wrapped his arms around you. “So? Are we a couple now?” he asked. 
You nodded against his chest, and his arms tightened slightly. “Great,” he said, stroking your hair. “Want me to fuck you?”
A laugh escaped your lips, and the tears stopped. You pulled back and looked up at him. “So romantic.”
He leaned down and kissed you. “I’ve been dreaming about rearranging your insides,” he whispered, his voice tingling in your ear. “Have you been dreaming about me?”
You kissed him back, tasting his lips. “Yes,” you breathed out. 
“What were you dreaming?” he asked, his voice turning husky as his hands began to roam over your body. 
“Ahh,” you moaned as he kissed your neck. “It’s… embarrassing…” You had been dreaming about him. A lot. Most of it had been quite filthy.
One of his hands slipped under your dress, rubbing up your bare thigh and then squeezing your ass. “Embarrassing? Heh. I’m gonna have to fuck that shyness out of you.”
That sounded fun, you thought, raising your arms to allow him to pull your dress over your head. You unzipped his jacket, your hands desperately trying to get his clothes off as fast as possible. 
The jacket discarded, he pulled his black T-shirt off next, then stood back to look at you in your silky black underwear. “Seriously,” he said, “tell me what you want. I’ll make it happen, whatever it is. Any fantasy, any dirty idea that pops into your head. I wanna hear it.”
You looked at the floor and muttered something. 
“What was that?”
You stepped closer and met his gaze. “I said… I want you in my mouth.”
His beautiful eyes widened, and there was a glimmer of excitement in them as he grinned and said, “Holy fuck, I hit the jackpot!”
***********
Gojo was lying on his back in the bed, completely nude, his naked girlfriend halfway across him, her warm, wet mouth greedily sucking his cock. He raised his head up to watch. He couldn’t imagine a more lovely sight than her soft, full lips sliding down his shaft. 
He moved one hand down to touch her hair, just happy to have her within reach. She glanced sideways at him, her face tinted pink. How cute of her to be shy even while deep throating him. 
He’d had plenty of blowjobs in his life, even given a few, but this… this was different. Was it because he’d formed an emotional connection to her? He felt so much affection for her that simply being touched by her at all felt far better than anything he’d experienced with anyone else. 
Well, with one exception, but he wasn’t ready to think about that, to compare them. He’d tucked those memories into a neat little box in the back of his mind where they could remain untouched and protected. 
But this wasn’t enough. He wanted to taste her too. He grabbed hold of her legs and swung them up and over him, so that she was lying face down on top of him, her head at his groin and his at hers. She gave a little cry of surprise and drew her knees forward to lift herself off him, but that only spread her thighs apart and gave him easier access. 
“G-Gojo, what are you doing?” Her voice sounded so flustered. He could practically hear the embarrassed arousal. 
“I thought I told you to call me Satoru,” he murmured, pressing his lips ever so gently to her heated, quivering flesh. She jerked, but he grabbed her hips and held her in place. He waited, feeling her taut legs relax slowly, giving her time to get used to this extremely intimate position. 
“Don’t stare at me,” she said in a shy voice, then he felt her lips around his cock again. 
“Oh I’m gonna do so much more than stare,” he said back, using his fingers to open her folds. “I’m gonna do so many embarrassing things to you…” He ran his tongue over her open slit, tasting the plentiful juices. She was drenched, and deliciously sweet. He felt her body twitch nervously, but her mouth never slacked off. He felt her tongue lapping at his tip, her soft hands squeezing wherever they could. 
Her clit was so cute, sitting there so glossy with his saliva and her fluids, completely defenseless to him. His thumb rubbed over it, then he prodded it with his tongue, drawing circles around it. 
She shifted, her mouth leaving his dick long enough for her to moan out, “Satoru… I’m… I’m about to…”
He licked her clit again, slowly. “You can cum first,” he said.
She wiggled a bit in his grasp, but then took him into her mouth again, stifling her own moans. She took him so far in it felt like he was being swallowed, and the little gagging sound she made sent shivers through his entire body. Now it felt like a competition, and Gojo never lost. 
His tongue was on her clit again, and he pushed two fingers inside her, curling them in a way that made her thighs tremble on either side of him. He felt himself slide out of her mouth, and then her tongue was gliding over him from base to tip. He could feel his cock twitching under her touch, but he kept himself under control. Then, he heard her sweet little voice say, “Satoru… cum in my mouth… please?”
Fuck, she wasn’t playing fair! His breath hitched in his throat, a shudder rippling through him, but he wasn’t defeated just yet. He leaned up and lapped at her clit again, gently, slowly, feeling her clenching his fingers, and then he grazed his teeth over it, lightly pulling on the tiny nub. 
She moaned around his cock, her legs shaking, and he knew he’d won. He kept pumping his fingers into her as she rode out her orgasm, her lips still around the base of his cock. With no more reason to hold back, he let the feeling of her hot mouth overwhelm him, and he came straight into her throat. 
He let his head fall back onto the pillow as he panted, and she took the opportunity to turn her body around so that her legs fell off the side of the bed, her face still buried in his crotch. She waited until he was completely empty before she removed her mouth, but a few strings of cum were drizzling down his cock. He held his head up enough to look down at her as she licked him clean.
When finished, she straightened up, sitting on her knees beside the bed. She looked like an angel, or a goddess. How could he have ever thought he was out of her league? How did it take him so long to realize how amazing she was? He’d been a fucking fool. 
He sat up in the bed and smiled at her. “Take a shower with me?”
She blushed. “A shower? I guess so.”
He laughed. “How are you shy after everything we’ve done? I had my face shoved in your pussy just now.”
She turned beet red. “Ahhh! Don’t say that! I was trying not to think about it!”
He stood up from the bed and pulled her into a hug, their naked bodies pressed against each other. “Do you still doubt how hot you are? You can’t even imagine how many times I’ve jacked off while thinking about you.”
She looked up at him. “Really?”
He gave her a quick kiss on the lips. “Really.”
She smiled then, and took his hand as they walked into the bathroom. 
**************
You were still nervous about showering with Gojo. It felt like such a private thing to do, but he seemed really into the idea, so you agreed. He joked around as he turned the water on, pretending he didn’t know how to work the knobs and “accidentally” spraying himself in the face. He was trying to put you at ease, and it was mostly working. You found yourself giggling at his antics as you both stepped into the large, walk-in shower. 
Before you could even reach for the small bottle of shampoo sitting in a tiny corner shelf, Gojo suddenly shoved your back against the glass shower door and kissed you passionately, his mouth overtaking your own. The steamy water was spraying both your bodies, soaking his shiny hair, running down his torso. Without even looking, you knew he was hard again, the large erection pressing against your stomach. 
You wrapped your arms around his neck and his hands slipped under your thighs, lifting you up so that your legs could wrap around his body. You were pinned against the shower door when you felt him push inside you, deeply, roughly, the way you loved it. Your back collided with the glass with every powerful thrust, an ache you’d been craving building between your legs as he pounded into you. 
You were going to be covered in bruises after this, but that thought only turned you on even more. Gojo had that wild look in his eyes, the one that almost made you cum on the spot. You wanted him to break you. It wasn’t that you were a masochist. It wasn’t pain that excited you, but rather watching him lose control, seeing that unhinged expression and knowing you had that effect on him, that you could drive him mad with your body. The pain, the bruises, they were just the evidence. 
Burying your face in his neck, you tried to muffle your moans, your breaths shuddering. He was making such lovely grunts and growls, his fingers digging into your soft thighs. You chanced a peek at his face, and he looked like an entirely different person from the man who’d just been joking around with you. His wet hair was partially covering one eye, the other practically glowing with uncontrolled lust, his lips parted, teeth showing as ragged breaths pushed through them. 
God, he was beautiful. Frighteningly so. Inhumanly so. For the second time, you wondered if he actually was a god that had been banished to earth. He certainly fucked like one. 
Your legs slipped from his waist, the water making it hard to keep your grip, and they dangled helplessly above the floor. He didn’t even seem to notice that he was holding more of your weight as he plowed into you, every thrust feeling deeper than the last. Your arms were still around his neck, but your strength was failing you. You clasped your hands tightly and leaned your face up to kiss him. His mouth was hungry upon yours, his tongue shoving its way in. 
When you came, your arms fell to your sides and your body went limp in his arms, quivering with pleasure as he kept fucking you. His grip on you tightened, and after several more minutes of being slammed into the glass door, you felt his whole body stiffen. Then, you felt hot cum shoot deeply inside you as Gojo groaned. 
He stayed inside you for several more minutes, even after he’d finished cumming. It was like he didn’t want to separate from you, but eventually he pulled out and set you back on your feet. You legs gave way immediately, as if they were made of spaghetti, but Gojo caught you. He held you gently until you regained your strength, then he reached you the soap with a grin. 
“I’ll wash your back if you wash mine,” he said. 
You laughed, taking the soap from him as he turned his toned back to you. 
An hour later, you were both dressed and sitting on the bed in the hotel room, talking about what each of you had been up to lately. During a lull in the conversation, you leaned your head over on his shoulder and whispered, “Is this real?”
“Hmm?”
You hesitated, then said, “I keep waiting for you to say this won’t work out.”
He wrapped an arm around you. “I’m not gonna lie and say this will be easy. I travel a lot for missions, and my teaching job is important to me, but we can make it work. We’ll spend time together whenever we can. Speaking of which… wanna come to my place next weekend?”
You laughed, feeling the tension dissipate from your body. “For pancakes? Sure.”
“And debauchery,” he said. “Don’t forget the debauchery.”
****************
Epilogue:
The first thing you thought when you arrived at Gojo’s house was, “Holy shit, it’s huge!”
Gojo stepped up beside you and gave you a peck on the cheek. “That’s what she said.”
You giggled at his silly joke and let him lead you inside. The house was of an old fashioned design, with a closed in yard, sliding doors, tatami floors, the whole works. It was a sprawling estate that looked as if it would have dozens of servants roaming the halls. 
“You really live here all by yourself?”
He shook his head as he laid out some slippers for you to change into, then pulled off his own shoes. “I have an apartment near the school that I use most of the time. I don’t use this place often, but this is a special weekend.”
“It’s beautiful,” you said, looking around. Despite the classic design of the structure, it had modern furnishings. You were admiring a lovely vase on a glossy wooden end table when you noticed a large cardboard box sitting just inside the living room. It looked totally out of place, and Gojo noticed your interest. 
“Go ahead and look inside,” he told you, a strange smile on his lips. 
“Okay…” 
You approached the box and pulled the flaps open, squatting down to get a good look. Inside was an assortment of items you couldn’t quite identify at first. But as you began pulling them out and looking more closely, your face began to burn. 
“Are these… all sex toys?!”
Gojo laughed at your reaction. “Well, not all of them. There’s some costumes, handcuffs, edible underwear…”
You grimaced as you pulled out what appeared to be a riding crop, then the biggest dildo you’d ever seen in your life. There was also a skimpy maid costume, among other bizarre garments. “Why is all this stuff just sitting here in a box?”
Gojo rubbed the back of his head, messing up his hair a bit. He looked oddly shy. “I ordered it all. I figured we could have fun trying a bunch of stuff, see what we like.”
That did sound like fun. You examined each item, sometimes having no idea what its function was. 
Gojo sat down on the floor beside you, watching your face as you looked though the box. “If there’s anything that makes you uncomfortable, just put it back in the box and I’ll toss it. Or better yet, I’ll have it delivered to Nanami’s place.”
You laughed then, imagining the strait laced-looking man you met a few days ago opening a box full of items like these. 
When you were finished sorting them into piles of “will definitely try”, “might try”, and “hard no”, you and Gojo both stood up. “So, are you going to give me a tour?” you asked.  
Gojo gave you a somewhat menacing grin, his dark sunglasses blocking out your view of his eyes. “Sure. Let’s start with the basement.”
The End. 
Tag List:
@snowprincesa1 @pandoraium @hitori979 @famousdestinyland @gloomysel @noodlejitsu @postmancat @lanecass @aquamarine001 @officialholyagua @lil-bexie @kisssatoru @tqd4455 @yoriichiskatana @karmcrim15 @pyschopotatomeme @whippedbyikemen @changingchances @1985bitch @ritsatoru @prophecyflame @haileycannotcometothephonern @creolequeen11210 @onyxino @crimsonmarabou @thick-skull89 @risuola @yourhotcupcake101 
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hi derin! i’ve been following you for a little while, and also bemoaning the nature of publishing fiction (indie or trad) for a little bit longer than that, and i only just realized today that…of course web serials are a thing i can also do!
i really love the idea of publishing serially (though i’m not totally sure i CAN, i’d like to try), so while i add this to my list of potential paths, do you have any advice for getting started? building an audience? marketing? figuring out if writing/publishing this way will work for you to begin with?
i know that’s a lot of questions, and you don’t have to answer all of them! i’m throwing spaghetti at a wall out here. i hope you have a good day though, and thanks in advance!
Getting started in web serial writing
Web serial writing has the lowest barrier of entry of any major method of publishing your story. You can literally just start. There are two steps:
start writing your story
decide how/where you want to publish it
The writing part, I assume you have handled. The important thing to note here is that you gotta see the project through. Start and don't stop until you're done. For publishing, you have a few options:
1. Publish on a website designed for web serial novels
There are a few of these around, they're usually free to publish on (although most offer a paid account to give you ad space or boost you int he algorithm or whatever), and your best choice generally depends on which one happens to gravitate to a niche that best suits your kind of work. The big names in this industry are Royal Road and Scribblehub, which, last I checked up on them (about a year ago) tended towards isekai and light erotica respectively. (You absolutely can publish outside these niches on these sites, it's just much harder to get traction.) Publishing somewhere like this comes with multiple advantages. Firstly, there's a writing community right there to talk to; there's usually a forum or something where people gather to talk about reading or writing on the site. Second, the site itself is designed specifically to publish web serials, and will come with a good layout and hit trackers and 'where you left off' buttons for the reader and all that; generally all you have to do is copy-paste the text of a chapter into the page and the site will do everything else for you. Third, there's an audience sitting right there, browsing the 'latest arrivals' or 'most popular' page of the site; if you can get high in the algorithm, you have to do little if any marketing.
The downsides of such places usually come down to the same things as the advantages. Such sites are a flooded market. Your story absolutely will drown in a sea of other stories, a great many of them terrible, and most of them with the advantage of catering to the site's niche. Gaining an audience there is often a matter of trying to game an algorithm, and the community can be... variable. Some of these places are nice but most of them are a bunch of authors trying to tear down everyone around them to make their own work look better by comparison int he hopes of poaching audiences for their story instead. If you go this route, I'd recommend shopping around for a site that fits you personality and writing style (or just posting on many sites at once; you can also do that).
These places also tend to get targeted by scrapers who will steal your story and sell it as an ebook, which is very annoying.
2. publish on another site
Plenty of people publish web serials here on Tumblr. I do not know why. This site is TERRIBLY set up for that. It makes tracking stories and updates a pain in the arse (people end up having to *manually tag every reader whenever they post an update*), building and maintaining archives are annoying, community building is surprisingly difficult for a social media site, and it's just generally far more work for both writer and reader than it needs to be. You often do have a ready-made audience, though.
This does tend to work better on other sites. Reddit has multiple communities for reading and writing various types of fiction; publishing on these is a bit more work than somewhere like Royal Road, but not very much, and many of these communities are very active. There aren't as many forums around as there used to be, but you might be able to find fiction hosting forums, if that's what you prefer. And of course, many writers who simply want to write and don't mind not being paid choose to write on AO3.
These sites are a good middle ground compromise for people who want a ready-made community and don't mind putting in a bit of extra work.
3. make your own site
This is what I did. You can make a website for free, giving people a hub to find you and all your work, designed however you like. You can also pay for a website if you want it to be a little bit nicer. This option is the most work, but gives you the most control and leaves you free of having to worry about any algorithm.
The obvious downside of this is that there's no community there. If you host your work on your own website, you need to bring people to it. You need to build an audience on your own. This is not an easy thing to do.
Building an audience (general advice)
Here is some general advice about building an audience:
1. Consistency. Consistency. Consistency.
If you want people to read your writing, the best piece of advice I can possibly give you is have an update schedule and update on time, always. If you need to take a break, give people as much warning as possible and tell them exactly when you will be back, and come back then. Do not take unnecessary breaks because you don't feel like writing. (Do take breaks if you get carpal tunnel or need time off for a major life event or something -- your health is more important than the story.) If you're taking a lot of breaks to avoid burnout, you're doing it wrong -- you need to rework your whole schedule from the start and slow down updates to make these breaks unnecessary. Two chapters a month with no breaks is a billion times better than four chapters a month with frequent burnout breaks.
Consistency. Consistency. Consistency.
A reliable schedule is the #1 factor in audience retention. If readers need to randomly check in or wait for notifications from you to check if there's an update, guess what? Most of them won't! They'll read something else. You want your audience to be able to anticipate each release and fit it in their own schedule. I cannot overstate the importance of this.
2. If you can, try to make your story good.
We writers would love to live in a world where this is the most important thing, but it actually isn't. Plenty of people out there are perfectly happy to read hot garbage. How do I define 'hot garbage'? It doesn't matter. Think of what you would consider to be just a terrible, no-effort, pointless garbage story that the world would be better off without. Someone is out there writing that right now, making US$2,500/month on Patreon.
It is, however, a real advantage if you can make your story good. At the very least, it should be worth your audience's time. Preferably, it should also be worth their money, and make them enthusiastic enough to try to get their friends into it. Managing this is massively advantageous.
3. Accept that you're not going to get a big audience for a really long time. Write consistently and update on schedule every time anyway.
It took me over a year to get my second patron. For the first year, I updated Curse Words every single week, on schedule, for over a year, and had maybe... four readers. One of them was a regular commenter. One of them was my first patron. There was no one else.
My audience has grown pretty rapidly, for this industry.
You're not gonna start publishing chapters for a big, vibrant community. You're just not. And you have to keep going anyway. These days, I have a pretty good readership, and those couple of loyal readers (who I appreciate beyond words) have grown into a much larger community, who hang out and debate theories with each other and liveblog and drag in new readers and make fanart. My discord has over 550 members, with volunteer moderators and regular fan artists and its own little in-jokes and games and readers who make a point of welcoming newcomers and helping them navigate the discord, all with very little input from me. I start crying when I think about these people, who do the bulk of my social and marketing work for me just because they want to help, and my patrons who, after writing for over 4.5 years, have recently helped me pass an important threshold -- my web serial (via patreon) now pays my mortgage repayments. I can't live off my writing alone, but boy is that a massive fucking step.
You're not gonna have that when you start. You're gonna have a couple of friends. And that's it. Maybe for a year. Maybe less, if you're good at marketing and lucky. Maybe longer.
You have to update on schedule, every time, anyway.
Building an audience (more specific advice)
"Yeah, that's great, Derin, but where can I find my fucking audience?" Well, if you publish on a web serial site, then the audience is there and you jsut need to grab their affention using the tools and social norms offered to you by the site. I utterly failed at this and cannot help you there. You can still use these other tips to bring in readers from off-site.
1. Paid ads
I've never paid for ads so I can't offer advice on how to do it. I've Blazed a couple of posts on Tumblr; they weren't helpful. This is, however, an option for you.
2. Actually tell people that your story exists and where they can find it.
I used to have a lot of trouble with this. I didn't want to bother people on Tumblr and soforth by telling them about my personal project. Unfortunately you kind of have to just get over that. Now I figure that if people don't want TTOU spam, they can just unfollow me. If you're like me and want to just politely keep your story to yourself... don't. You're shooting yourself in the foot doing that.
You need to mention your story. Link your story in your bio on whatever social media sites you use. Put it in your banner on forums. Make posts and memes about it. Eventually, if you're lucky, extremely valuable readers will start to talk about your story and meme and fanart it for you, but first, you need to let them know it exists.
It will always feel weird to do this. Just accept that people can unfollow you if they want, and do it anyway.
3. Leverage existing audiences and communities
Before I started doing this web serial thing, I used to write a lot of fanfic. The original audience that trickled in for Curse Words comes from AO3, where I was doing a full series rationalist rewrite of Animorphs. They knew how I wrote and wanted more of it. Nowadays, I still occasionally pull in readers through this route. Most of my new readers these days come from a different community -- people who follow me on Tumblr. Occasionally I bring in people who don't follow me because we'll be talking about how one of my stories relates to something different, and fans of that thing might decide they want to check my stories out.
Your first readers will come from communities that you're already in and that are already interested in something similar to what you're doing (people reading my fanfic on AO3 were already there for my writing, for instance). Keep these people in mind when you start out.
One additional critical source of existing communities is your readers themselves. A huge number of my readers are people I've never been in any group with -- they were pulled in by their friends, relatives, or community members who were reading my stories and wanted them to read them too. This is an absolutely invaluable source of 'advertising' and it is critically important to look after these people. enthusiastic readers, word-of-mouth advertisers, and fan artists are the people who will bring in those outside your immediate bubble.
4. Your "where to find me" hub
If you're publishing on your own website, you can simply link everything else to your homepage, and put all relevant links there. For example, I can link people to derinstories.com , which links out to all my stories, social media I want people to find me on (you don't have to link all your social media), patreon, discord, et cetera. If you don't have your own website, you're going to have to create a hub like this in the bios of every site where you garner audiences from. This is the main advantage of publishing on your own website.
Monetisation
There are a few different kinds of monetisation for web serials, but most of them boil down to 'use a web serial format to market your ebook', which to be honest I find pretty shady. These authors will start a web serial, put in enough to hook an audience for free, and then stop posting and release an ebook, with the intention of making readers pay for the ending. Now, to be clear, I am absolutely not against publishing and selling your web serial -- I'm doing exactly that, with Curse Words. I am against intentionally and knowingly setting up the start of a web serial as a 'demo' without telling your audience that that is what you are doing, soliciting Patreon money for it, and then later yanking it away unfinished and demanding money for the ending.
Monetisation of these sorts of stories is really just monetisation for normal indie publishing with the web serial acting as an ad, and I have no advice for how to do that successfully.
Your options of monetisation for a web serial as a web serial are a bit more limited. They essentially come down to merchandise (including ebooks or print books) or ongoing support (patreon, ko-fi, etc.) Of these, the only one I have experience with is the patreon model.
This model of monetisation involves setting up an account with a regular-donation site such as patreon, providing the base story for free, and providing bonuses to patrons. You can offer all kinds of bonuses for patrons. Many patrons don't actually care what the bonus is, they're donating to support you so that you can keep writing the story, but they still like to receive something. But some patrons do donate specifically for the bonuses, so it's worth choosing them with care.
The most common and most effective bonus for web serials is advance chapters -- if people are giving you money, give them the chapters early. You can also offer various bonus materials, merchandise, or voting rights on decisions you need to make in the future. 'Get your character put in the story' is a popular high-tier reward. If you're looking for reward ideas, you can see the ones I use on my patreon.
Patreon used to offer the ability to set donation goals, where you could offer something when you were making a certain amount total or had a certain number of subscribers. They recently removed this feature because Patreon hates me personally and doesn't want me to be happy, so you kind of have to advertise it yourself now if you want to use these goals. I release chapters of unrelated stories at donation goals, and I found this to be far more effective than I thought it would be.
The important factor for this kind of monetisation is that it's ongoing. The main advantage of this is that it makes your income far more regular and predictable than normal indie publishing -- your pledges will go up or down over a month, but not by nearly as much as book sales can. The main thing to keep in mind is that it's not a one-time sale, which means that however you organise things, you want to make sure that donating keeps on being worth it, month after month. Offering bonuses that aren't just one-time bonuses, but things that the patron can experience every month, helps here. So does making sure that you have a good community where patrons can hang out with other patrons. (Offering advance chapters does both of these things -- the patron can stay ahead in the story and discuss stuff with other patrons that non-patrons haven't seen. I've found that a lot of my patrons enjoy reading an emotionally devastating chapter ahead of time, discussing it, and then all gathering a week or two later to watch the unsuspecting non-patrons experience it for the first time.)
Whatever method you use for monetisation, rule #1 is (in the words of Moist Von Lipwig): always make it easy for people to give you money. The process of finding out how to give you money should be easy, as should the process of actually doing it. And, most importantly, the spender should feel like it's worth it to give you money. This is a big part of making it easy to give you money. Make your story worth it, make your bonuses worth it, make sure that they're happy to be part of your community and that they enjoy reading and supporting you. And remember that support comes in many forms -- the fan artist, the word-of-mouth enthuser, the person who makes your social hub a great place to be, the patron, all of these people are vital components in the life support system that keeps your story going. And you're going to have to find them, give them a story, and build them a community, word by word and brick by brick.
It's a long process.
Good luck.
.
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ruibaozha · 6 months
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I saw how some people use historical figures from Chinese mythology, folklore and religion for NSFW, literally, turning them into their own OC's, and I was wondering, what do you think of that? Because it seems like they just took them, and didn't do more research asking the question of "is that right?"
As per your second question for me I will leave that unaddressed and instead invite you to discuss those matters properly in private, especially if this answer is dissatisfying.
I personally do not care much if NSFW or suggestive content of such deities exist (except for the child Nezha, leave his child form out of this.) or that it’s being produced in the first place. The numerous Chinese social media sites like LOFTER, Douban (豆瓣) and Xiaohongshu (小红书) feature fan art of Daoist deities like Nezha and Er’lang in these kinds of situations. Fan fiction of these deities are similarly of the same attitude. It has nothing to do with if proper research has been conducted, especially in the case of Er’lang Shen who cannot act on romantic feelings even if he wanted to.
It feels to me that there’s an exception regarding Chinese deities and folk heroes when deities of other religions have been sexualized. This screams of not only hypocrisy but of ignorance in being offended on behalf of the Chinese. In the few months I was active in the LMK fandom I’ve come to realize a majority of the other Chinese in the fandom are either adopted or second generation immigrants with no real cultural background; and as a consequence have severely inaccurate biases on matters like this because they aren’t aware of how insignificant this is.
I’m admittedly not active within the LMK fandom anymore and as such I don’t know what’s happening there unless someone is compelled to talk about what is going on. But it feels to me that as per usual people are holding Journey to the West as the be all end all on numerous fronts when the books really cannot and should not be heralded as such. Moreover, it’s strange that the fandom is completely okay with sexualizing Sun Wukong, the Six Eared Macaque, and the Golden Winged Peng while any other character is unacceptable.
I assure you that numerous derivative works feature Chinese deities in relationships and sexual contexts, even Tang Sanzang is featured in movies or television shows with a romantic partner despite relationships of that nature betray his Buddhist faith.
I’ve been considering making a post about the cultural dissonance that’s happening here and various attitudes or opinions other people have because they lack the cultural context to realize how insignificant and misinformed a lot of this “discourse” actually is.
What is it about Chinese mythology that sets it apart from Nordic or Greco-Roman mythology in these ways? Why is it perfectly acceptable to sexualize Loki or Achilles, but not someone like Muzha (who was a very real person that became deified, in the same fashion as Guan Yu, as who he was studying under was seen as an incarnation of Guanyin)?
I don’t think this type of thinking will ever make sense to me as a true testament to how different the fandom (especially on Twitter) and myself feel about this matter.
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zoeykallus · 8 months
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Hi there, i assume you're most likely flooded with requests currently but here's my shot if you feel like it : how about how the Badbatch reacting to their s/o posting simple normal stuff on their social media (like spotify links, cute pics all that)? I think that would be so cute 🥰🥰🥰 i don't think you've done something like this before so it's totally okay if you don't want to!
Aloha!
Indeed, I am, and I barely have time to work through them, but I do, bit by bit, hoping no one hates me for being so slow 😬😅 Interesting question. Let me look into this....
The Bad Batch x Reader HCs - Your Social Media
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Warnings: Mostly Fluff/Maybe Slightly Angsty
______________
Ko-Fi (If you feel like giving me some coffee)
______________
>Master List<
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Tech
Our shy Tech uses social media to find out things about you, even before you're a couple. Stalker? Yes and no. Basically, he just uses it to try to find out what music you like, what movies, if you like to read, and if so, what books. Tech spends a lot of time browsing.
He is looking for information about you that will make it easier for him to start a conversation with you, to surprise you in a positive way and to respond to you. Tech feels more confident approaching you when he already has some background information.
But he also likes to check in on things in the future, keep up to date. He's often in the tunnel at work, and that's how he finds out if he's missed anything when he's on a mission. Maybe you've discovered a new favorite song, or something culinary, or you're reading a new book.
Of course, he doesn't miss the opportunity to send you links to reports, documentaries and the like, about whatever he's excited about. The last link was a report about upcoming, groundbreaking new hyperspace technology.
Hunter
He has no idea about social media, he himself has had no contact with it until now, and Hunter has never been interested in it. Until Wrecker points out to him that you're on social media.
"Have you seen that funny Loth cat video your sweetheart shared?"
Hunter frowns.
"What, shared, I don't quite understand."
Wrecker shows and explains everything to him in general terms, and Hunter ends up making a social media account on the Holonet. The cat video was amusing, but not the reason. He wants to know what else you share, if maybe there are hobbies he doesn't know about, or events you'd like to attend.
In fact, three days later he surprises you with tickets to an event you're dying to attend, but can't find the money in time.
Hunter doesn't spy on you, you can do whatever you want. He just picks out a few little things, like this event, to make you happy.
Echo
He stays away from it completely. In fact, he hates this social media nonsense. There was even a whole format of its own for clones, and he remembers well how some of his brothers used to act online. He doesn't really need that.
You can do whatever you want, of course, but he won't touch that stuff unless you explicitly ask him to. Echo still won't spend much time on it, just occasionally liking one of your shared posts, but that's all you can expect from him.
Echo is not comfortable on the Holonet, it's not nearly the same, yet it always kind of reminds him of his imprisonment by the Techno Union.
"You spend way too much time with this devil stuff".
Wrecker
He is all over the place. Wrecker has an account on every social media site, and he posts as regularly as he can. Cute and funny animal videos mostly and in stark contrast, videos of explosions. Every now and then a music video and articles about guns and explosives.
In fact, he bombards his pages so hard that sometimes you completely lose track of what's going on and don't really manage to keep up. But Wrecker miraculously knows, despite his own constent-posting, what's going on with you in social media.
Among other things, you once posted a picture of him when an admirer wouldn't leave you alone. After endless attempts to get rid of him and several block attempts whereupon the nag just kept making new accounts, you shared Wrecker's picture in full gear, with you next to him.
"This is my boyfriend, if you want me, work it out with him".
Wrecker drops the holopad laughing and says, "What's going on? You didn't tell me that someone was bugging you."
You shrug your shoulders, "Always wrote to me privately. I thought it was time to expose that person."
"Hm," growls Wrecker, "Let me know if he doesn't stop."
Crosshair
One of those who talk badly about social media, very badly, avoid it for quite a while and then suddenly sink into it almost like an addict. Crosshair has his holopad in his hand every free minute, checking his messages, new links and likes.
Crosshair will never admit it, but he really enjoys the attention, being anonymous in a way and still being noticed. Of course, he also digs through your social media, and you can assume that he scrutinizes everything.
He knows the guys who are on the Internet, make immoral offers, send nude pictures and want to have nude pictures and so on. Otherwise, he flies over the things rather so casually, he's not really interested, he rather wants his contributions to be seen, shared and liked.
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diabolikpersonals · 7 months
Text
I am not certain yet that I want to call out specific blogs (last time I did that it got WEIRD) but it has been a while since we've had a discussion about reposting art as a fandom, and someone asked me to comment :')
I've been in the fandom long enough to see art reposting cause plenty of problems, and I've also been a victim of it myself, so I hope I can help someone understand.
So, fanartists, right? You might not be aware if you're not an artist yourself, but a lot of artists dislike it when you take their work and post it somewhere else. Plenty will have something like "DO NOT REPOST" written right there on their page. Even if they don't, that does not mean that they allow reposts.
There are plenty of reasons why an artist might feel this way, but to name a few common reasons, it could be an issue of credit or publicity: imagine you put hours of work into a piece of art, but another account posts it and they're the one who gains interactions, followers, etc. Even if that account mentions you as the artist, people aren't necessarily going to seek out the original artist. They're probably going to interact with the repost that's right in front of them. Can you imagine that feeling? Like, "Why is this person building a social media presence based on my work, and the work of other artists?" Interactions aside, it's really frustrating when you put a ton of effort into something and you're not recognized for it.
To name another reason, an artist might only want their work to be published in one particular place. This is often the case for me too, actually; I only want my dialovers fanart on tumblr, and I never post it on my twitter account, because I don't want it there. Another medium but still relevant: I don't want my youtube videos exported to other sites because if a lot of people view those reposts, I lose money that I would've gotten if they had just watched my video. Maybe there's a certain type of user that you don't want your work to be exposed to, or maybe you just don't like a site and you don't want your work there. This is something an artist should be able to decide for themself, and it's not right for you to put their art in places they didn't consent to putting it.
It's a case-by-case basis, of course, because different artists have different feelings about it, but generally, you need to obtain permission from an artist before taking their work and publishing it yourself. You can just ask! It's totally normal to ask. Worst they can say is no. Plenty of artists do allow reposts, and if they say that they allow reposts, then go for it!! But if they don't have "reposting is ok" written anywhere, and if you didn't ask permission......then that's not okay. You need to respect artists a little more than that.
Because you know what artists do when they don't feel respected? When their boundaries are crossed, and people post their work without permission?? A lot of times, they delete their stuff, they move their work someplace else to try and evade reposters, and sometimes they stop drawing for a fandom altogether. If you've been in the dialovers fandom for a long time, this has absolutely happened multiple times, whether or not you were aware of it. If you know which repost acc we're discussing here, you might've seen some of their posts say something like "artist is no longer active." And it blows my mind, because I was there when they became inactive, and more than one of them because inactive because people reposted their art! So, besides being disrespectful, it also leads to less dialovers fanart.
But anyway, most of you reading this probably don't repost art, so the more useful thing I can tell you is that I hope you can support artists by interacting with them rather than repost accounts. If you see a repost acc and like the art you see, and if you want to see more of it, seek out the artist's original account instead.
unfollow art repost accounts. seek out and follow artists instead. they are out there. they are awesome. change da world… my final message. Goodb ye.
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emofreakks · 20 days
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Hey there,
I'm not the same person who sent the ask about mistagging posts but I just want to let you know that it's actually against Tumblrs community guidelines seen here
"Spam. Don't spam people. Don't make spammy posts, don't post spammy replies, don't send people spammy messages. Be a regular human. Don't put tags on your posts that will mislead or deceive searchers. For example, don't tag a photo of your cat with "doctor who" unless the name of your cat is actually Doctor Who, and don't overload your posts with #barely #relevant #tags. Of course, meaningful uses of tags are always fine (for example, ironic "punchline" tags that add meaning or context to a post). Don't put dubious code in your posts, like using JavaScript to cause redirects or inject unwanted ads in blogs. Don't use deceptive means to generate revenue or traffic, or create blogs with the primary purpose of affiliate marketing. Spam doesn't belong on Tumblr."
While your followers probably won't report you for spam, people scrolling through the tags you use will of you tag text posts that have nothing to do with emo and scene core might, and it won't do you any favours in gaining visibility. If you're incorrectly tagging text posts you're more likely to get blocked than gain a follower
What makes you think I care.
I don’t care weather or not someone blocks me ok?
And I’m not on social fucking media to fucking impress a bunch of people over a bullshit excuse tag
If you don’t like me then block me I don’t fucking care I’m not on the internet to be liked by everyone
If you don’t like what I do then just ignore me you don’t get to decide for me how I do things this is probably the reason why nobody really uses tumblr is because people like you care so much and is so sensitive about what others post that you feel like bringing another person down over something completely bullshit
If you care so much about tags and other bullshit then just block me
Nobody is trying to be liked by a bunch of people nor does the world work like that you can’t keep everyone happy no matter what this is a great example of I mean when I say you can’t make everyone happy some people are gonna be upset with what you do in life including in social media
Weather this is true I don’t care it’s a ridiculous rule I’ve ever heard
Telling people to not put tags that they feel appreciated on and that feels “personal” to them right is fucking ridiculous
If people aren’t allowed to put a tag. A tag that’s personal to them then WHATS THE FUCKING POINT IN HAVING TAGS
IN THE FIRST PLACE
wtf is the point in expressing yourself through an app or a site when
Your not allowed to use a tag of a certain name that you consider a sense of belonging or even home
It’s not about the tag itself but the community inside of it
Behind every tag there’s a community inside of it what’s so fucking harmful to use a tag
That you are apart of, like omg I’m not allowed to use a tag that describes what my blog is about and what makes me who I am
all because i posted an opinion omg
Like what’s the point in having tags if your not allowed to put a tag that describes your identity as a person and what makes you who are through your account all because you have an opinion
It’s such a crime to put your identity or your blog idenity in a tag
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samandcolbypost · 6 months
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▪️My thoughts on the Conjuring Video▪️
I’m going to start on the skeptic side of what I’m thinking first and then go into the rest of what I believe.
First, I love the new owners and their thoughts on how one should keep an open mind because most spirits are just going off you vibes. I also really like Satori and Cody. Okay I’ll finally get into my skeptical side, cuz come on, I feel some of us still are at least a little bit. When they started doing the arm holding thing and started naming off Sam’s grandma, I began to get a little skeptical. Especially when they stated they tend to get through to family members. I know there’s the feeling that “no one would even known that name” or, who that member is, but it’s not that hard to find someone’s family history, especially social media people if you look up their last name like “Sam Golbach” for instance and search for those who’ve died. Also “Libby” was in the obituary title. So if it wasn’t there I would feel a little less a skeptic of what they’re doing. Now for Colby I can’t really say how they could find something 2 generations before, unless they looked on some ancestry site or something 😂 I can’t say for that one. But what I’m trying to say is it isn’t a hard to do a little digging on people and see their past. Everyone had to put their name on the conjuring booking website for them to come, especially overnight. The other thing I wanted to get into was the taps. At first I did have a thought that came across that someone could be around them doing that but then that went out the window when they moved places. Second thought, someone mentioned a box type thing in Cody’s pocket. I’m not sure what it is or if it’s possible for “taps” to be coming through it, and something is hooked up to it for someone to hear and know when to tap ect. I’m just going to leave it at that because I think it’s really hard for that to happen but anyways, this is just my skeptical side.
Now onto the my believable side
If I didn’t watch their uncut video, I would have a harder time believing. That’s so insane though, I wonder if Sam and Colby could try that if anything would happen. The fact all their past relatives came through is a very comforting thought especially knowing someone is looking over you. I did just watch the video but did they ever get much conversation with Abigail? (My minds blanking right now). So far everything has been super positive and I think that is a good way to set things straight for a hopefully peaceful, yet safe time for them to be there. The people who let them stay seemed very lovely. When those 2 started the arm thing I thought it was crazy how S&C could feel the vibrations of the taps happening everywhere and it was coming from all over. It made it even more believable watching the uncut footage of them getting a random location to go to, and still get those 2 names from each location. (I did look those 2 people up before they even posted it in the video lol) I’m really curious how that spiritual connection works. I didn’t really find anything online to see if it’s like a connection with the other side, but I kinda think I’ve heard of that before? Anyways, I know those taps aren’t coming physically (not including an object that could make the noise) from Cody or Satori because as S&C debunked, it’s not just 1 location and it’s not their shoes or noises from their mouth. The looking up the 2 names from each location would be hard to even look up since it was random and the taps were connected with what she was saying. I think it would take a bit to look up a name and then have the taps connect with, so I don’t think it’s possible they knew the names ahead of time. I hope you guys understand where I’m coming from and feel free to post your thoughts too! Overall, I think this was a really good video and actually one that could change those that don’t believe into believing that the afterlife/paranormal exist.
Sorry this was long 😬
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exeggcute · 2 years
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in general I would not hesitate to describe tumblr as a website that both attracts and cultivates an extremely emotionally immature userbase (it is absolutely not better than twitter in this regard lol) but people's attitude about the site itself and feature requests/updates, specifically this unchecked tendency to take out their frustration on random employees, is like off-the-wall entitled nutso shit. it really should not surprise me at this point but every time I see it I'm like legit shocked that people feel emboldened to behave like that just because there's a level of digital abstraction between them and the employee they're blowing up on.
this website is not a public commons, this website is not some natural property of the universe, this website is a privately-held company. it's run like a company. it's a company that offers a service that most people use without paying a cent (especially if you're using an ad blocker, which means you're not even generating ad revenue). like most social media sites, tumblr does primarily exist to turn a profit—and understanding that profit motive genuinely goes a long way towards understanding why certain things shake out the way they do in the land of web development—but I feel like tumblr is unique among social media platforms in that it's not actively hostile to its users and isn't headed by a billionaire manchild egomaniac.
the internet in general is not an ethereal magic box where your complaints go in and cool new features come out. I feel compelled to once again return to my rant about how the internet is built on nearly-invisible labor (much of that being unpaid or underpaid labor), and while tumblr falls into the category of paid labor, it still relies on real human people who have to physically make and maintain and deliver the product you use every day.
there is no coherent way to, to use a common example of something tumblr users do understand about digital labor, push back against crunch in the game dev industry and advocate for better working conditions for the workers whose games you're buying and then turn around and verbally harass random IC-level employees at a social media site that you use every day for free. this is totally fucking deranged behavior. you should know better than to yell at a call center rep about your insurance premium going up and you should know better than to yell at a random employee because you don't like a policy that their boss's boss's boss implemented. please demonstrate a shred of understanding for your fellow man and act like an adult.
and yeah, there's always room for improvement. I think tumblr's capacity for genuine improvement, especially in recent years, is another thing that makes it unique. the pitfalls that tumblr does suffer from are more or less universal pitfalls suffered by every other social media site (e.g., content moderation is an endless, labor-intensive game of whack-a-mole played by underfunded and overworked support agents).
personally I'm just grateful to have been using a website like this for so long without ever being compelled to subscribe to a paid service, and with a core experience that's remained unchanged for over a decade. this is one of the last remaining places online where you aren't bombarded by shitty reels and trending topics and mandatory "best posts first" timelines.
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thelaurenshippen · 5 months
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I'm just a starting writer, I did a little nanowrimo this year and wrote 39k words about a vampire gamer, I've always been a vampire girl, but here's the thing I don't know what to do with it.
Currently I'm unemployed for a variety of reasons but I'm lucky enough to have a partner who has a salary that can support us both.
But also I love writing, all my life I just wanted to write and being unemployed this year during nano gave me the opportunity to try and do that.
And now I'm curious is there a way to get paid to be a writer? Not as a marketing copy writer but a fiction writer, or essayist?
So what does one do?
Should I just publish whatever I wrote on a blog and put up a donation button?
Should I just publish on Tumblr?
Should I do it on AO3/Wattpad?
I'm at a loss.
I also don't have social media only use Tumblr and a little BlueSky after twitter exploded, and I really don't want to go and "build an audience on TikTok and booktok" (please gods no).
ah, yes, the eternal question: "how do I make money as a writer?"
I wish I had a good answer. I wish I had any answer. and I would love for other writers on here to chime in with their perspectives, because I am constantly struggling to answer this question for myself!
to answer the specific questions first: there are websites that post jobs for writing gigs - fiction, essays, etc. the one I'm most familiar with is upwork, though I've never gotten a job myself through there so can't speak to the experience. I will say that writing jobs tend to be in high demand and writing in general can be quite competitive, so working on your resume and improving your craft is an important thing to do whether you're just starting out or have been writing professionally for years.
self-publishing is absolutely an option! if you do, I would recommend getting a beta reader (or just a few friends) to read through your manuscript before you publish - it's always good to get feedback and to get other eyes on your work, no matter how complete or polished, for typos/grammar/formatting/etc. I'd also recommend reading about the best ways to self-publish - again, I can't personally speak to this as my three novels were traditionally published, but I know that folks publish through Amazon a lot and there certainly have been successfully novels (and especially graphic novels!) that have started out as blog posts/blogs. I don't recommend publishing an original story to ao3 or Wattpad if you're hoping to make money (if you're publishing for fun, go for it!) - ao3, my beloved, is an archive and therefore does not allow you to link to any kind of patreon/kofi/etc., so can be difficult to monetize. I'm less familiar with Wattpad, but I do know that they are actively trying to get into the publishing game themselves and sometimes pluck stories from their site to bring up to trad publishing, which I've heard can be....a mixed bag.
but there are a lot of authors on here and on their personal websites writing about self-publishing, so there's definitely better info out there about how to do it and how lucrative it can be!
a very good rule for self-publishing imo - whether that's through a site like amazon, your own blog, a podcast, a webcomic, whatever - is always give people the option to pay you. so, yes, put that donation button up. it doesn't matter if no one has read or listened to your thing yet, just making sure the option is there from the start is a good thing!
that's about the extent of the straightforward answer I can give you. if I were to give you a step-by-step guide of how I got to a place where most of my income comes from fiction writing, it would look like this:
write your own fiction podcast, get some actors from acting class to come over to your apartment and record for free, and produce the whole thing yourself
publish said podcast and then spend the next 2 years spending as much time on social media, at conventions, conferences - anywhere there are fiction podcast fans and creators - as you can talking about your show, all while writing and producing the show for free
get lucky and have the show take off. start to get some ad money that allows you to pay your collaborators. watch the show get better as a result. see the show take off even more. keep grinding away at social media
get a cold email from a book agent who wants to talk to you. convince that book agent to represent the YA novel you want to write in the world of your podcast
expend whatever leftover energy you have on ensuring that when people think of fiction podcasting, they think of you, even if other names are coming first. be everywhere. talk to everyone. keep grinding away at social media.
get a cold email from a fiction producer in England who wants you to write on his show. convince him to let you co-showrun it with him.
use your growing network of audio friends to get an agent and manager. use those people to get a pitch to marvel. convince marvel to let you write a podcast for them.
finally quit your day job, after doing 4 seasons of a successful podcast and selling spin-offs to a tech company, getting a 3-book deal with a major publisher, being hired to co-showrun a big budget mystery, and selling a show idea to marvel. then make all of those shows.
finish the podcast you started with, now seven seasons long. try to pitch out other ideas to all the people who wanted to buy that podcast off of you. watch them say no to anything new.
get lucky and sit next to a netflix exec at a dinner. convince her to let you write a stranger things show.
keep pitching. use the money from your other jobs to fund your indie shows. sell one show. lose another halfway through development. have your ideas optioned for television over and over and get used to hearing no's when you go out to pitch. produce and direct as much as you can to pay the bills. keep grinding away at social media.
????????
profit
that's obviously a simplification of my journey but I'm currently in that ???? stage. I don't say all of this to freak you - or anyone else - out. being a creative is hard. it gets easier in some ways and stays just as hard in others. I'm better at my job than I used to, so making shows is easier, but getting jobs and getting audience feels as hard as ever, even if I am several steps ahead than where I started. I thought I could build off the success of @thebrightsessions to make my other originals instant successes and that's just not how it works at all. you're building from the next step up after every success, not the top of the staircase.
but, like I said, I'm not trying to scare you - the thing that's positive in my weird crazy journey is the reality that there is no one right way to do something. there's a million different ways to make a creative career, especially in the age of the internet. which means that my advice to anyone who asks me how to start a career in audio fiction specifically is: just do it. don't wait for someone to give you a budget, don't try to cater to what you think the AD audience wants, just tell your story as you want to and get it out there. the best job application is being able to point to your own original work that's already garnered an audience.
I have no idea if that could as readily apply to prose writing/publishing. that is definitely beyond my knowledge base, but I'd say if you want to get a taste for what it's like to be a freelance creative, apply to jobs on upwork or similar sites, work on your original work, and find a platform that works for you on which you could potentially build an audience. and then get to know as many people as you can in your given field - I would not be where I am at all without folks like Gabriel Urbina, or Jeffrey Cranor, or Jenny Turner Hall. making friends in audio drama from the start who could recommend me for jobs - and being sure that I do the same now that I have more power - is vital. make friends with your peers (also bc they're great and you'll learn so much from them).
finally, I want to pass on advice that my uncles gave me when I was a teenager wanting to go to broadway--both of them work in musical theater (one conductor, one musical director, they are quite the power couple and my heroes) and when I was growing up, they told me "if you can think of anything else that will make you just as happy, do that instead". it sounds like harsh advice, but it's good advice. people don't pick creative careers because it's easy and stable--if there's anything else you're equally passionate about that could make you money and be more stable, there is absolutely nothing wrong in pursuing that and then writing for the love and joy of it, without the pressure of making a living. and that doesn't mean that that won't eventually lead to you being a successful full-time writer! but choosing to pursue writing full-time because it's what you want to do with your life is a very particular kind of path.
anyway, I've gone on way too long. I hope some of this was helpful - the last-last thing I'll say is that a) I obviously have a very limited perspective so nothing I say here is the be-all-end-all way of viewing things b) I had a very stable data entry job while I was making my first show that was very flexible and work-from-home (oh, to be able to get that job back now...since the pandemic, those types of jobs are obviously in high demand) and c) I got lucky. luck and timing are, unfortunately, a huge part of success in creative careers. if anyone tries to sell you on the idea that there's a guaranteed path to success that you can control if you work hard enough, they are lying to you and probably want you to buy something.
finally-finally, a vampire gamer story sounds so fun!! I love that idea!
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Text
I drew this, please stop reposting it without credit!
a sort of indulgent rant :P
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[original post as proof]
Since the wider internet is talking about plagiarism I think it's a good time to start talking about art theft/uncredited reposting/etc. as well and I'm particularly going to talk about my experience with it.
Before I say anything else I want to say please don't harass people who may not have a good grasp on internet etiquette! (and please assume that is the case unless someone has intentionally plagiarized/stolen people's work and credited it as their own) That is not what I'm asking you to do and for future reference if someone was excessively rude to you in calling out that you reposted my things I did not endorse that behavior. I do encourage calling out when you see people reposting art and linking back to the original work but I do not encourage harassment. On a similar note, this isn't meant to make anyone feel bad or guilty for not having a good grasp on this particular thing. This is just me explaining how it makes me feel and hopefully get people to understand why it's so hurtful so they don't do it in the future, and maybe they get to me explaining it nicely before other people explain it not-so-nicely LOL.
Some reasons why I personally don't like it when people repost my art even if this particular post is a shitpost and not something I put a whole lot of effort into:
(This list is definitely independent/fanartist-centric, I'm not really claiming this to be anything but that.)
Images get edited and distorted as the meme chain goes on, I have seen this end up with artists feeling like their art that they put a lot of effort into like all that work was a joke. Which, evidently is pretty disrespectful
In a personal anecdote, I have seen people say really rude things about me and the Blazblue community on Tumblr while reposting my things (art and otherwise) on twitter and other social media sites. It's really hurtful that people will disrespect me and my friends while using the bits and pieces they like.
Additionally, not everyone on the internet is familiar with common English-speaking internet terminology and etiquette. What may seem like a compliment or neutral statement for you may be rude to them. Generally speaking, a lot of Japanese artists take great offense to their work being reposted in any way whatsoever. ESPECIALLY if you didn't ask beforehand. People have privated or deleted works or entire accounts over this.
It takes away attention from the artist, and this isn't just people complaining about their art not getting enough likes/reblogs online. I have had my commissions open for months with next to no attention toward it and have periodically given up on promoting, with that in mind I grow more bitter about the fact that my only work that regularly gets attention isn't even representative of my current work but also isn't even attached to my name.
There are a lot more reasons, but it really is just a matter of respecting people who make the content you like and crediting people who make things you like.
If you see art that might be fanart and want to find the original source so you can either share it in a server, ask the artist permission to use it somewhere else, or sort of vigilante credit it for somewhere else, here's some places you can easily reverse search for images or find the artist who drew them (hint: if a work has been deleted it's good practice to still credit the artist)
SauceNAO - especially good for fanart since it's a curation of popular Japanese and western image sharing sites. Works best with full images. Found my art on pixiv and deviantART.
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Google Image Search - Unreliable, may work with popular artwork but will probably struggle to find it otherwise, very rarely found my artwork. But probably your better bet for heavily cropped images at least to find the full image and then plug it in sauceNAO
But even then the best practice is if you don't know the source don't repost it until you've found it, and always reblog/retweet/what have you from the original artist before considering reposting it on your own account. Be strict and insistent on asking if people know the source of art they are reposting especially in discord servers and online spaces where it's commonly done.
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