You have to recognize your capacity for harm. You cannot omit the harm you've done to others to remain "good." Anybody can be a bigot. Anyone can be an abuser. Anyone can harm anyone at any time even those who have been harmed themselves. The world is not made up of victims and villains only, this is life, not a Saturday morning cartoon and you are a human being who can or maybe even has hurt others and you HAVE to acknowledge that to learn to be better.

Someone on Reddit keeps getting recommended the Jane Austen subreddit despite knowing nothing about Jane Austen, so they posted an Ask Me Anything. Best response so far:

Sorry JA, no longer a truth universally acknowledged.

I think we need to get more comfortable with the idea that sometimes shitty, racist, homophobic, bigoted people are still incredibly talented.

I feel like every time I see a post addressing someone’s shitty behavior the post also takes the time to mention that they’re not even good at [x] anyway. And that’s just not always true? Equating being good at a skill as being morally good is just not necessary. Someone can be a fantastic writer, can have a beautiful singing voice, can create breathtaking artwork, and still be a horrible person.

I know part of this is probably just the instinct to dislike everything about a person when you dislike them, but I also think this mindset leads to people defending creatives way past where they should, because if bad people create bad art, then if this person creates art that I like and resonates with me, then they can’t be a bad person!

And you know. That’s just not true. Those two things are simply completely unconnected and I think it’d be healthier if we all started disconnecting them in our heads.

Yes, Greece still exists, we didn't all die 2000 years ago. Yes, people speak Greek. You people are so fucking stupid for real. So many of you claim to love ancient shit but can't even acknowledge the actual living culture of the people whose mythology and classics you romanticize. You keep leaving annoying comments about how you just forget Greek people still exist, thinking you're being quirky because you love ancient stuff soooo much that you forgot about the people it came from. You think about it so little you don't even realize that an actual Greek person has to read this shit, making it clear how little you actually care about the culture beyond the romanticized (and westernized) mythology. Don't claim you love Greece, don't use our mythology anymore if you can't acknowledge that we're still around without making it about how little you think about us. It's mind boggling that you'd think a Greek person would read this and think you're anything but obnoxious. Explode.

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

Don’t bring your personal life involved. A blank sock. So far to be out-hedged in purely smite. Look here, smite. Group inclusive familiar smite. Squashy smushing all wreck and ending. Spurs in trade over. The life normal desires reach half steam for the daily allotment. No fudge in the broke barrel. Learned place like reading calligraphy “cacao”. Break us brand it’s so muddy and rich to work so refinedly into treats, a whip of the signature employer. While float raft of production stoner in us. While mid to outter (anything that could inverse stance) is whipped at cools of decent speed or pause. Hop through the lawn. Trying to grow those mean muscles green. From the righteous, so we’ve been fierce. Sitting next to a meatball. Mush them half of the size now. Coy devised plan is build in green like caterpillars lifted, fried dough, a penny left. Old video game tool. Laser shower trip mines. Call Bettie’s. Some west home when on the east coast, west home (and also the okay turn spots). Now stalking the secondary item. Spurs on boots like around from room to room to grant this rooms that they’re foaming. A sexual injust. Wicked proud of the buttons with the cushion. Never a dime down there. Sowers litter grounds. Prime is you board rift gord. To take you far from and take the color orange. You’re just like me, your lofi in fast shrill jest. An unfathmoable party. One foot down measurement of everything ever at angle. Then by foxhole. You’re so by foxhole. You lap up any eco handsome. And cash in your exo. And I’ve never been welcome. Here’s to outstanding forthcoming punch to guys who’ve ice creamed the Astro. Cookies and creamed a head light. That damn headlight matters so much in the tray of things. And I don’t, to you. No not at all.

At first guess seeing/being around you’d find this weak and think I like what you do. I like a bit of it. I still think your both adrift and netted and don’t charicturize me or this, adrifted and netted on a full rudiment quadroned four scale. So a little disgusting.

addiction n abusive relationship metaphors are breaking down my door send help

head in my hands the last three panels are gonna live in my head forever

why did you people come up with russian names for what is supposed to be a movie set in italy. what was the thought process here. why does she sound like she walked out of a tolstoy novel

trans women are everywhere and are so eager to be seen and heard but only if they feel safe around you. if you hardly ever have trans women interacting with you, especially online, then consider there might be a reason for that and you should address it

all the people sympathising with snow and saying they can't hate him anymore after watching tbosas... y'all let awful white men get away with ANYTHING as long as you find them attractive and it SHOWS

my dear maple

One of the things I really appreciate about Dungeon Meshi is how the text is so clearly full of love for animals. Like the true kind of love Laios feels for the monster where he wants to know everything about them, but most of all he respects them and loves them as animals.

One of the chapters I can't stop thinking about is the one about Anne the Kelpie. It's kind of impressive how well it illustrates the different kind of love people have for animals. And how someone that loves an animal isn't necessarily an animal lover. If that makes sense.

When Senshi calls out Anne what he says is "Don't worry Anne's Harmless" but she isn't, she's a wild animal.

Marcille immediately reacts positively about it thinking it's cute she accepts the treat Senshi has for her. And hers and Chilchuck's reaction to Senshi wanting to cross the river on her back is more surprise while Laios immediately realizes how bad of an idea it is.

But Laios is the animal monster lover so how come when he finally is faced with a "docile" monster he doesn't react positively like the others? Marcille even calls him a monster. That's because Laios loves monsters, and Senshi loves Anne.

I've seen this attitude around me several times, where people love a specific animal but what they love is their idea of that animal, they don't really know them because they don't love the animal part of them.

It becomes a "this one is special because I love them" that can quickly become an issue for the animal as much as it is for the person. It's something unfortunate I see time and time again irl.

Anne wasn't wicked, Anne wasn't mean, Anne didn't trick him. Anne was a wild animal and Senshi loved her as Anne but not as a kelpie.

She acted on instinct, maybe she did love Senshi in the way kelpies can love, but animals are still animals and must be respected and treated as such. Climbing on top of Anne's back was the equivalent of putting your arm inside a alligator's mouth, the mouth is gonna close because that's what they're designed to do.

The real life equivalent I see the most of "I love this animal but I don't love the animal part of them" is with dogs. If you insist on loving an animal without acknowledging they ARE an animal they might hurt you, you might hurt them, it will only end in grief.

The best way you can love an animal is by understanding they're an animal.

That is all to say I don't mean that the love Senshi felt for Anne wasn't real or that it's all his fault. He couldn't have known with the information he had and unfortunately it came down to the worst outcome.

I just love dungeon meshi dearly.

the tim drake experience

Three extremely unintelligent individuals.

Using Lo-fi Study Nights at Seacaster Manor as a way to boost his popularity and help further the goals of his friends while also refusing to acknowledge that the actual purpose is to never have to be alone in that big empty house is PEAK Fabian behavior. Can anyone hear me?? Lou I am in your WALLS

Ugh I will always love the concept of Katara using blood bending to revive Zuko after the last agni kai, mostly because it makes no sense to me that Zuko was able to bounce back so easily after being struck by lightning, but also because the way the show treats bloodbending is just odd to me. It was a defense mechanism created by a traumatized victim of some of the most devastating parts of colonization, and although I understand that Hama was supposed to symbolize the "bad parts" of waterbending and was important for Katara's growth in realizing that the world isn't entirely black and white, its still disappointing to me that the show never explored the gray areas of blood bending, especially since that episode was, as I stated above, about understanding the gray areas of the war. Katara using blood bending to revive Zuko would add so much to the last agni kai in demonstrating that she has truly realized that "good" and "evil" are relative concepts, and Zuko being saved by both a defense mechanism of a survivor of colonialism and a type of bending used to terrorize his people would have even added to his arc, as the narrative required him to save and subsequently be saved by the physical embodiment of everything his family sought to annihilate.