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#not a whole new character or just them both co-existing if that makes sense
ragingtwilight · 2 years
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ECLIPSE
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superlinguo · 19 days
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New gesture Emoji in Unicode 15.1: Head Shaking Horizontally and Head Shaking Vertically (aka shake and nod!), and (finally) right facing emoji
Unicode 15.1 will be rolling out to phones and computers across this year. It will include lots of new CJK (Chinese Japanese Korean) ideographs, some new line-breaking rules for syllabic scripts, and a handfull of new emoji! There's a phoenix, a breaking chain, a lime and a brown mushroom, as well as new family silhouettes and a handful of existing emoji, but now facing rightward!
Below are illustrations of the set from a recent Emojipedia summary of the 15.1 update.
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The two emoji I'm most excited about are Head Shaking Horizontally and Head Shaking Vertically. That's head shaking and head nodding to you! I wrote these proposals with Jennifer Daniel and the Unicode emoji subcomittee team.
Why the more elaborate names? Well, Unicode tend to describe emoji by form, not function. That's for very good reason, because a head nod might be agreement for you, but in other cultures a vertical movement of the head can mean disagreement. This has provided a double challenge for emoji designers, who have to both show movement and also facial features that aren't too positive or negative. Below are the Emojipedia pair. They've done a great job.
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These two emoji are actually made by combining a classic emoji face wtih the horizontal (🙂‍↔️) or vertical arrows (🙂‍↕️ ) using a special Unicode character called a Zero Width Joiner (ZWJ, 'zwidge' to it's friends), which means that even though they're two characters they smoosh together to create one emoji. It's the same process that makes all the different flags, as well as the gender and skin tones.
In fact, all of the emoji in 15.1 are combinations using the ZWJ mechanism; including the phoenix (🐦‍🔥), lime (🍋‍🟩) and brown mushroom (🍄‍🟫 ). Those new right-facing emoji are a combination of the usual left-facing emoji and a rightward arrow🚶‍➡️ .
It's exciting that Unicode have decided to try this set of right-facing characters. Many emoji are left-facing, which is a legacy of their Japanese origins (the word order in Japan means that right-facing makes sense). I've been complaining about emoji directionality since 2015, and I'm glad that this update will mean that lil emoji dude can finally escape a burning building for those of us with a left-to-right writing system and Subject Verb Object word order. They've started with a bunch of people in motion. It will be interesting to see if this set is where it stops or not.
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(no no buddy!! To the exit!!)
The use of the ZWJ is an elegant solution because it means that you don't have to make a whole new codepoint for the emoji, it just uses the old one. If someone doesn't have their phone or computer update to 15.1 then it should fall back to just showing 🚶‍➡️, which somewhat conveys the intent. That's the magic of a good ZWJ combination.
Earlier posts on emoji gesture
Gesture emoji: contributing to the Unicode standard
New Publication: The Past and Future of Hand Emoji
Gender Variations for Person in Suit Levitating Emoji - Emoji Proposal
New draft emoji include 3 proposals I co-wrote!
Emoji as Digital Gestures in Language@Internet [Open Access]
Earlier posts on emoji directionality
Emoji Deixis: When emoji don’t face the way you want them to
Don’t run towards the fire (the on-going problem with emoji directions)
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27thfirefly · 27 days
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hi. i just read the last chapter of your fic went blind last year and HOLY FUCK it is so good. i get it if you don’t want to like spoil things about your fic but i have many many questions and thoughts so im just gonna write a bunch of them.
the whole thing with like. dirk tapping into ultimate dirk and part of canon and then being shoved out? and then kind of realizing that he is a small part of something very big and wanting to be a bigger part of it, and then getting orange eyes representing a stronger connection to dirk-ness? fascinating. and is daves eyes turning red then symbolic of him becoming closer to dave-ness? and speaking of that- dante??? great character, very interesting. is he like somehow a version of dave? and what was he talking about on the swings? is he also in some sort of a loop? and what was it that dirk did at the end of chapter four? he did something with the sword, right, did he make dante decapitate him and then somehow come back to life?
and hal. and cal! holy shit, i can’t believe it but you kind of made me LIKE cal somehow? in the sense that he can be violent and outrageous and insane and vengeful when dirk can’t and its kind of cathartic.
its interesting to see where things stay the same as in canon and where they dont. like dave has chat logs with rose in 2014 and 2015? but hes only fourteen. so he’s technically both older and younger than he is at the beginning of homestuck. and dirk was like 13 in 1997, which is about when daves meteor should have dropped? but did they come with the meteors at all, in this world? dirk came with lil cal on his meteor in canon, but here he got him when he was 12. but dave still seems to be somewhat in touch with his time powers, and dirk with his heart powers, so some things carried over from the game?
god. this is all so fascinating and good. i will be probably rereading the fic and eating drywall until a new chapter comes out. you are an amazing writer.
wahhh thank you very much! for what it's worth i too have been thinking a lot about went blind last year. glances at the +50k word txt document of story notes and wip chapters. so i do love getting to talk about it even if working on it is very slow at the moment! i will put this under a readmore cos i got carried away but
there's a lot of things i don't want to spoil yet yes... but i think i've laid enough of the groundwork that these things won't feel terribly out of place within the story.
one thing i do feel comfortable in divulging is that any connections to canon are deliberately tenuous... how far can a character diverge from canon while still being understood as fitting the mold for that character? when a character is deliberately obscured, how much does fanon interpretation impact what feels in-character?
when you read fanfiction or fancomics or whatever kind of work about a specific character, your mind creates a superposition of the character as they exist in the original work and the character as they exist in the fanwork. as long as the "shape" of the character in the fanwork doesn't stick out too much from your perception of the canon "shape", you can accept that character--as written by someone else--as the same as in canon. some of the choices i have made are deliberately contradictory to the text of homestuck the webcomic. i have made these choices in order to tell the story i want to tell. even so, the basis for the characters in wbly are understood to be the same as in homestuck, creating an expectation for what these characters will act like, what their baseline is, and how you as a reader approach them. your feelings about cal changing within the context of wbly is an interesting case of this in my mind--the cal within wbly is presumably still close enough to canon that you can call it the same character, but the role of cal is changed enough that your impression of him is changed. that kind of thing is FASCINATING to me.
the reason wbly would not work as an independent work is the same as why the homestuck epilogues do not work without the pre-existing fandom of homestuck: there need to be expectations for these characters and relationships in order for me to challenge those expectations.
another thing i will divulge is that went blind last year is not the full title of the story in my mind--i won't tell the full one, but it does tie into just about every conflict in the story.
thank you again for reading my overly complicated fanfic! hopefully you'll stick around even if it'll take me a lot longer than expected to complete. if not, that's fine too.
also every time i send updates to my friend i get lamentations so you know stuffs going great
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reimenaashelyee · 1 year
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how did you get your comics seen? it's one thing to make them and a whole other thing to get people to lay eyes on them and read them and I have no idea how to do the second part
I think you'll have to at least make friends with some of your peer group (artists who are at the same stage in their career as you) so you can both share your audiences and if nothing else, have each other as readers. If you're really new, it's kinda a fact that your work will be tiny for a few years: there's a lot of stuff online.
I am not a spring chicken anymore so all my current advice for promotion wouldn't apply as the majority of it required years of presence and establishment with the comics industry... now that my peer group has matured and become successful creators (I know that my peers are casually aware of what I put out, they may or may not read it or even comment). Additionally, my way of promoting is as avoidant of playing the algorithm and virality and tailoring to the most amount of possible audience. If you want the opposite of that, you can ask @secondlina - who has done a lot of experimentation with social media and gaming the internet attention economy.
I'm not all that interest in gaming anything: I only want to serve the audience I have and always had - thoughtful, chill readers who are ok with slow reading, in the sense they don't ask me for constant content since they get what my vibe is. They are here for my lush visuals, original material and approach to topics/characters. It's this audience, and the academics + people who tend to be older and are equivalent/less levels of "online" to me. I personally find that gaming for views on purpose steals time and energy away, since a lot of the tactics tend to ask you to behave or post or draw a certain way that might feel unnatural with no guarantee whether the effort is worth it. For example, making memes of your characters, doing funny reels with music. If you are cool with doing all that though, again, @secondlina is your expert. I can see why those tactics are popular: that's how Big Tech dictates you get access to their "discovery" algorithm.
For me, in the early days what got new eyes onto my narrative work was making one-off illustrations (not necessarily of the comic - just some original character concepts) that somehow got popular. This was during the peak eras of Twitter and Tumblr though. The other thing was mostly talking about my comics: I document so much of my process. People love this apparently. It's the only guaranteed way for myself that gets people hype and aware of the comic's existence - though this might partly be caused by the aforementioned audience I always had. It's very low effort cos I mostly post screenshots of WIPs or developmental sketches and include a comment.
But like, with webcomics, I always operated on the assumption that people don't read my work. I am just here vibing. If there are readers (and I know who you are because of comments made across social media / my websites over the years) I appreciate them, but I don't want to ask much of them either. I put out the work I like, and whoever comes across it and likes it can stay, maybe comment, maybe get the print edition.
Yeah, this is not such a satisfactory answer for marketing if you're not subscribed to my brand of being an online artist: which is slow-growth, sustained working. My established methods now are: talking about my work, documenting it, connecting with peer group + older generations of professionals (established critics, journalists, editors), running a newsletter, going on interviews/podcasts, submitting my art to whatever I think would help promote it - pitch to Shortbox Fair, apply to Knife Beetle or the Cartoonist Cooperative, join a Discord.
And advanced methods, like applying for artist residencies.
In the end I cannot emphasise enough to get to know your peers who are at the same level of career as you are. Find creators who started at the same time you did and read their work (your choice); talk to them directly if the style/vibe matches. This is long-term mutual commitment - you won't see the effects until years later when you each find success in the paths you chose. And just to give you an idea of who my original peer group is - choo, Ariel Ries, Kay O'Neill, Bree Paulsen, Toril/Eden Orlensky, Kaeti V, Kevin Jay Stanton, Victoria Grace Elliot, Britt Sabo - we were all obscure mutuals/friends at more or less the same time. Then we each found our own way. Over time the circle grew to include other peer groups - ones that started slightly earlier or later, and new contacts of the same level. And that's how one gets established. As this is happening you will get eyes to your work naturally.
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the-everqueen · 9 months
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fic author self-rec
@mehoymalloy tagged me to pick five of my own fics to recommend, pero i've only finished one for my current fandom, which is what most recent followers would be looking for. so! since the gf, who is much more prolific and better with words than me, has written so much for mansand, i thought i'd pick five of hers that i like the most and want other people to scream about. she's not on tumblr, but she's user stellersong on ao3.
shuddered at what they found when they stripped away the grace Dream, after the Wake. body horror, not in the usual viscera and gore sense, but the horror of being the newly (re)embodied anthropomorphic personification of the collective unconscious, when part of you had been a human child. this is required reading for everyone who wants Daniel!Dream coping with his new existence. also Delirium is a good big/little sister. (gen)
y me muero por volver, volver post-Wake Dream and Death get lunch in SF. both of them navigating around the shadow of Morpheus and who they've become. some of my favorite characterization of Death - you really get a sense of her as a person, her grief and kindness. also very good background worldbuilding for the Endless. (gen)
for just to suffer that hurt Desire's got wind of the developing relationship between their brother and his librarian. it's technically part of their function, after all. there's some fun timey-wimey things happening here with the alternate timelines presented in Overture. also frankly i think the gf is doing the only interesting things in this fandom with intertextual references: so many people are fixated on medieval studies, and meanwhile the Dreaming has every work that has ever existed or could have ever existed in the whole world, which is bigger than England. (*cough cough* Anglocentrism *cough*) this is part of the "endless revisions" series but imho you don't need to have read the previous fics to understand this one. (m/f, Dream/Lucienne, semi-background)
a pillar i am, upright this one is for all you horny Dream/Luce people. basically Lucienne has fun mentally tormenting Dream while they're both trapped in a work function. this fic also contains one quick reference to my guy, which frankly just makes me warm because i know the gf did that for me. (m/f, Dream/Lucienne)
unauthorized disclosure this is kind of cheating because i'm listed as a co-author (solo fic in progress, got heavily delayed by me finishing a phd and then hyperfixating on CocoRose). BUT it's not a swan fic-list without a monster au and werewolves are my soft spot. this one's the first in the "red moon" series: basically Lucienne gets hired as Dream's RA for a secret project to cure lycanthropy and things go sideways fast. i'm obsessed with how the gf describes so-called monstrous bodies - there's a brandon taylor essay about how no one in fiction occupies physical space anymore, and the gf is so good at bodies as devices/communicative structures/things that take up physical space. if you've ever gotten tired of fics where the characters seem to move for no reason besides as a dialogue tag (a thing i'm so guilty of in my own writing), you should read swan's fic to study how she uses movement.
this was insanely fun; thanks, Malloy! i always feel weird tagging people but if you follow me and want to talk about your fic, feel free to consider yourself tagged (and tag me so i can read it if i haven't!)
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kenobihater · 2 years
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On Lambert and Power Structures
Disclaimer that parts of this are speculative and up to interpretation. Everyone's entitled to their own opinions etc. etc., it's just I read a fic a while back that was SO out of character in my eyes that I needed to sit down, figure out, and type up what my views on Lambert and power structures actually are.
Lambert is above all things pragmatic, and because of that I do not view him as trusting very easily considering the shitty world he lives in. It just doesn't make sense to trust very many people when you've been burned before, and boy oh BOY has Lambert ever been burned! Because of that, it's only logical for him to not be overly trusting of others, and it makes even less sense for Lambert to trust institutions, which can lack the sense of morality or the code of ethics that a person might have considering they aren't people, but structures.
Institutions (whether the underworld, the gov't, the Church, or the witcher schools) consolidate power in a way that is virtually impossible for a single individual to replicate. This consolidated power is in the hands of flawed people, and oftentimes in the world of TW3, the flaws run deep. Whether those in charge crave influence, order, or wealth, it often leads to an abuse of power or some form of immorality in order to achieve their goals (e.g. almost everything the crime bosses do, both Radovid and the Church scapegoating mages and nonhumans, and all the ways the witcher schools hurt their trainees).
Another reason I think Lambert would be hesitant to trust power structures is that these institutions that exist can also take on a life of their own, meaning he couldn't just cut the head off the snake if the institution is corrupt and expect everything to fall apart immediately like he could with a single individual or even a small group (Karadin's band, for example). Yes, there are influential representatives for each individual power structure that are important to ensure they retain power (the crime bosses, the monarchs, the Hierarch, or the mages and instructors for the witchers), but when said individuals are killed or deposed, the power structure itself often endures in one form or another, even if it's diminished. That is, unless the entire power structure is taken in one fell swoop, as happened in the Sacking of Kaer Morhen. Not all of the wolves died, but enough important cogs in the machine were killed that the metaphorical wheels could no longer turn and the process of creating new wolf witchers was ended.
Lambert is likely familiar with how corrupt the underworld, the governments, and the Church are, though we get no information on his views on these structures. The easiest way to extrapolate his thoughts on institutions as a whole is to look at how he views his school. Lambert is painfully aware of the bloody history of the Wolf School, of how it as a power structure perpetuated a cycle of abuse by subjecting trainees to violence and death, and encouraged them to bring back more boys while out on the Path to traumatize in turn for the greater good of the Continent. Witchers serve an important role, a fact Lambert is undoubtedly aware of. That doesn't justify the abuse, experimentation, and senseless deaths that countless children were subjected to. Those two facts can, and should, co-exist.
Lambert is not the kind of man who would want to reinstate the power structure of the witcher schools. The way I read Lambert, he would NEVER sacrifice the well-being of children in order to ensure some country bumpkin doesn't die by drowner. He just wouldn't. He hates the legacy of his school, as evidenced by the many, many times he tells us in game. For example, at the beginning of The Final Trial, he comments to Geralt that he wishes the Salamandra assassins had torn down the rest of Kaer Morhen, the closest thing he has left to a home. If he's willing to give up the safety that Kaer Morhen provides him and his brothers during the harsh winter months just so the school can symbolically end, he must truly despise the place. Another example from the same quest is when he reminds Geralt that not everyone made it through the Trials, that many died, and that they were also taken against their will. Finally, when he learns that Yen is going to perform the Trial of the Grasses on Uma, he reacts with enraged disbelief, and a few lines later he clearly states that the secrets of their school have been forgotten, and that's how he thinks they should stay.
All of these bits of dialogue from Lambert add up to the indisputable fact of his view on his school as a whole: that the systemic violence and cruelty that young children were exposed to far, far outweighs any good the school may have caused by existing. The Wolf School ending is the lesser evil in Lambert's mind. Taking his opinion on his own school and the systemic violence it enacted into account, I'd be willing to bet he doesn't like the underworld, the governments, or the Church, either, considering they also often use their power to enact violence and oppression onto people.
I think Lambert can be a tough nut to crack characterization wise, but to ignore both his canon views on his school and his possible opinions on power structures as a whole that are discernible from said canon views does a great disservice to him as a multifaceted character and undermines the way his worldview was immutably shaped by his trauma. Thank you for coming to my TED talk <3
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aclosetfan · 1 year
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LOL I WAS LAUGHING SO HARD AT THE ADDITION TO MY RRB HEADCANNON
But on that note, what is your opinion on how the boys should affect one another?
A popular opinion on the more grittier/mature side of the Fandom is that the rrb should think less of one another as brothers because they're evil. It never makes sense to me though since the boys are still together as a trio. In some fics they're even all each of them has before meeting the girls again.
I always figured the trope exists because it's edgy and some people want to emphasize that the boys like the girls so much it surpasses their brotherly bond.
In certain scenarios, I can get it. Hopeless romance fills the void that is my shipping heart. I really want the ppg and rrb to be so in love nothing could break that, even if they broke up, I love the thought of them being so in love and distraught. In the same breath, it always causes post realization 😶 after the climax I feel a little... judgemental about their whole relationship.
I dunno. What's your take
I’m so glad you thought it was funny because before I posted I was like ah shit will they think I’m making fun of them??? and then I was like pfft no this is Bee lmao
Anyway, this is such a fun ask!!
I know I’ve talked about it before, but I’m the oldest of three with two younger brothers. A lot of my inspiration for the rrb, I draw straight from my own relationships with my brothers. We’re a tight-knit group, even if my youngest brother insists he’s a lone wolf 🙄🙄
Obviously, every sibling group is going to be different, and people only write what they know, so I tend to make the boys close no matter what because of my own relationships. But given the show's canon, which highlights the importance of love and family, I think that's how both sets of triplets would be anyway, and not this weird, grittier version you see in most fics. So, nah, I don’t subscribe to the “we’re evil, so we can’t love each other or have anything in common” mindset I see with rrb characterizations. Like you said, it wouldn't make sense for three people who practically hate or disrespect each other to be a trio.
Plus, it’s so much funnier and exciting to write a family that’s evil together (that's also why I love the Smith Family so much). Most "evil" characters in folktales were just marginalized people irl who came together because the rest of society kicked them to the curb. Why can't that be how it is for Mojo and the boys? I definitely think the boys should have a bond, and I think that bond should affect their decisions!
Of course, it doesn't have to be a healthy bond. I think it would make complete sense if these three boys were toxically co-dependent on each other, which would fit in with the gritty and mature themes you described in the ask just as well as this weird apathy (? aloofness?). I'd also argue you can do the same with healthy bonds, too, especially if you throw romance into the mix.
Like, for example, my brother, Shane, is in a long-term relationship with his girlfriend and moved a state away to be with her. Despite his gf being a lovely person, Log (my other brother) and I were still salty about it. Because Shane is the one who inspires my Boomer, it would be fun to write a story where Brick and Butch just don’t like whoever Boomer end's up with, not because they’re apathetic towards Boomer and his love interest but because they’re afraid he’ll leave them (this is the familial conflict part). But because they love Boomer, they have the incentive to get over themselves and accept this new person into their lives, maybe even for the better (this is the character growth part).
Also, I think romantic love can't surpass brotherly love because you're dealing with two different types of love. When I say this, I'm afraid people think I believe siblings automatically love each other, which isn't what I believe. Sibling relationships are still relationships that you have to work at, so when I say "brotherly love," I'm literally referring to the people who chose to love their siblings because they love them, not because they feel they have to love them, though that does make for an interesting story (which could fit into those gritty themes once again).
But I'm digressing! When I say romantic love and brotherly love are two different types of love I mean, for example, using the blues, Boomer isn't getting the same social fulfillment from Bubbles that he would get from his brothers, so there's no reason for Boomer to ditch them over Bubbles. Of course, that could be part of the conflict. He could ditch them for her, but the plotline shouldn't just end there! It needs to be resolved, either by making amends, or breaking up the brother relationships for good (because even siblings can "break up"), or something frustrating and ambiguous, but you can't ignore it.
So, if the fic you're reading pairs the blues together and Boomer is no longer getting any social fulfillment from his brothers, either that should be a significant plot point used to create a conflict OR it's just bad characterization.
Unfortunately, many romance fics aren't good because the characters aren't well-rounded. Even if the plot revolves around an obsession with another person, you still have to show how the obsession destroys (or "surpasses") other well-rounded relationships. You're probably judgemental about the relationships in some of these fics because after the climax, after one of the boys "gets" one of the girls, what else is left? That's it. They're together. End of story. Either they get married, or they break up.
That's why the climax in a good obsession story isn't the character getting their obsession; it's when they lose it. SO like, buttercup and blossom stealing bubbles back, or butch/brick killing her, or bubbles killing boomer (the list of ideas can go on).
If that's not the type of story you want to write, you must give your characters other relationships and goals. And if it's done correctly, your ships are better for it!! Just like irl you need hobbies outside of your partner.
So yep, that's the long and rambly answer, haha, but the short answer boils down to characterization! It's my opinion that the rrb should affect one another, but how is up to the story you write! It can be unhealthy or healthy, but I really don't think they'd ignore each other. And if they openly disrespected each other, like I've seen in a few fics, I think they'd punch each other out.
On the flip side, i don't think they would be super lovey-dovey bros for lyfe kind of people. haha there's the gritty stuff you were talking about, but my other pet peeve is the stories that make brick into a dad and butch/boomer his bumbling, idiotic sons. that's too much brother love for me lmao
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feather-dancer · 2 years
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Tagged by @babblish
Fic authors self rec! When you get this, reply with your favorite five fics that you’ve written, then pass on to at least five other writers. Let’s spread the self-love 💗
Scrambles around the AO3 account trying to make sure it’s not all Douxie OR the extreme AU oneshots that make zero sense out of context.
Fic One: Ghosts he left behind - Tales of Arcadia
What: The bathtub scene happened after the episode A House Divided, Jim never returned home afterwards.
Why: Originally the idea hit me after getting the song Broken Crown stuck in my head one New Years Day and just wanting to explore how different things would be if Jim was without that all essential support network. It was an accident of course, never meant to happen and yet it did. Merlin experiences melted cheese, Toby has banger one liners, Claire is trying to keep a brave face as war nips at their heels and it’s just generally ~fun~
This has been on hold for over a year now due to it deals with the themes of loss without answers using previous experiences, last February I lost a best friend and to this day have no idea what happened. It’s just been a bit too close to home for me to handle. I hope I’ll be up to it again soon.
Fic Two - As long as there are stars in the sky - Tales of Arcadia
What: It shouldn’t have happened yet the Amulet of Daylight decided to pay Douxie a visit after Kanjigar fell and given it won’t leave him alone it seems Merlin has decided he should have it. He is not thrilled by this development.
Why: I love writing Douxie. Here I can it, Zouxie, have absolute fucking chaos of them being the Trollhunter & Co. such as when he spritzed Draal in the face with water, Blinky rubbing everyone the wrong way and how existing knowledge really kilters things differently than a couple teens going in blind. Also I keep getting to spend ages making coherent Trollish which is fun.
Fic Three - Along came a word - A writing meme collection
What: A whole collection of prompted “drabbles” mostly around Nomura, Douxie, Otto or the Gumm-Gumm General Gnasha I kidnapped but sometimes other characters too.
Why: It’s probably a bit more adding these particularly when I owe five fake fanfic titles at the moment but I love the erratic nature of these? Sometimes it’s a troll dad date, sometimes it’s ensuring historical accuracy for what language is used at the time, it might be the funniest time for Jolene to pop up. Who knows! A Zadra and Izita one made someone very happy and that was worth it alone.
Fic Four - I know it now, beyond the sky - Tales of Arcadia
What: A Hammerhunter giftshot set in the Ghost!AU verse of supporting your bestie when you’re both about to start high school.
Why: This is ridiculously fluffy Toby wanting to have a game plan in place to limit the chance of people realising Jim is Trans and if things do go pearshaped having a backup.
Fic Five - The sun has set on Adrien Agreste - Miraculous Ladybug
What: Chat Blanc was de-akumatised but the timeline didn’t collapse after the other Ladybug left and now everyone is left to pick up the pieces. The problem is surviving civilians aren’t the only ones who remember...
Why: I get an active OT3 ship off the bat, a slightly nerfed Blanc in his old colours who is largely in hiding, Hawkmoth is beaten but there’s still three miraculous missing and a world is trying to recover from a tragedy that was (Technically) wiped clean. Only one chapter is up with the next half started but the chaos is great particularly the relationship between Luka, Chat and Marinette/Ladybug who was one of the first to die originally. Just don’t call him Adrien, he doesn’t seem to be available right now.
~
Tagging: @fragileizywriting and anyone else who wants to!
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edelegs · 3 years
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black eagles relationships i like but don’t see talked about enough
Ferdinand and Petra - I adore their supports. You see a lot of Ferdinand’s dorky side with his reading about historic weapons, and you see that he is genuinely curious about Petra’s culture. He admits that he initially didn’t realize how sophisticated Brigidian techniques are and I just adore his vulnerability with her. And then there’s Petra in their A support, admitting she found a second home in Fòdlan, and the two discuss their loneliness? It’s such interesting insight into both characters (especially Ferdie; I’d say these are some of his most well-rounded supports)
Hubert and Dorothea - Dorothea sees right through Hubert’s edgy theatre kid persona. She approaches him like she would any friend right from the beginning and teases him about his love life. She also respects and believes him when he says that unrequited love isn’t his motivation. I would’ve liked a conclusion that wasn’t Dorothea suggesting they marry, but it is really funny that she did that. I love their paired ending too--completely platonic espionage opera! What could be better?
Hubert and Byleth - in my head they have a quirky sitcom where Byleth keeps trying to arrange Edeleth/Ferdibert double dates and Hubert has to attend them. (but seriously, the appeal of Hubert is looking at this man and saying “I’m gonna make you like me”, and then you do it). Outside of my shipping biases, his threats to you are funny as shit considering that he has no power over you and he’s always dying in battle, but once you win his trust he admits that despite looking Blatantly Evil, he truly abhors TWSTID and is already planning their follow-up war. I could easily see him and Byleth co-leading the war in the shadows (and that’s where the dialogue of the aforementioned platonic Huleth workplace comedy takes place). Also my friend who played as m!Byleth told me the “we could be a couplet of birds” line in the A-support still exists regardless of gender. Hubert is demiromantic bi and you CANNOT change my mind 
Edelgard and Petra - “Don’t settle for being the bird. Be the arrow instead” Both have a great deal of mutual respect for each other, even though Edelgard is heir to the nation that has kept Petra’s country down for years. You see the same beliefs Petra holds in her supports with Caspar here--that being, “we are not our parents, we can make different choices”. It’s a shame they only have 2 supports. I think it would’ve been cool to see Petra asking Edelgard for Brigidian independence or otherwise talking about how she can achieve her goal. 
Edelgard and Linhardt - I actually think people talk about this a bit, but it’s one of my favourite Black Eagles support chains so I have to mention it. This one is the key to understanding that Edelgard’s better world is only possible in her route, when she has the support and opportunity to trust others enough to learn how to listen to them and consider their perspectives. I advise anyone who thinks Edelgard would be a brutal dictator to watch these supports, because they so blatantly contradict that idea? Linhardt initially frustrates her because she knows he’s talented and smart but he doesn’t want to do anything to help the world with that. Characters like Linhardt are usually given an arc in which they overcome an initial selfishness to help others. This is not that. These supports are about Edelgard learning to understand Linhardt and accommodate him. Edelgard agonizes over finding the perfect way to allow him to do his research in a way that suits him--and when she senses his hesitation at her initial plan, she presses him for the problem and reconfigures the idea because she won’t put him in a situation he’s not fully content in. This is astounding character growth (from both of them, but mostly Edelgard). Also the struggle depicted in this chain is just something that spoke to me when I first saw it--”be useful” versus “learn for knowledge’s sake” is pretty much my exact struggle in life 😂 Seeing two of my favourite characters reach a resolution that satisfied both of them was hopeful, to say the least. 
Caspar and Ferdinand - What strikes me about their supports is that it compares and contrasts these characters’ ideas of justice against each other. Honestly, the Black Eagles as a whole have takes on morality that are just slightly skewed, and these characters’ arguments about it exemplify it. Caspar just thinks that people who hurt others should be hit right away, head empty no thoughts but j u s t i c e. Ferdinand initially believes that all sense of justice comes from being nobility, and with that comes an obligation to be morally superior. Having Caspar just go “uh yeah, what does nobility have to do with it? I just had to hit that guy” is one way in which Ferdinand’s ideals are challenged. It’s a cool contrast that I think highlights an interesting aspect of the Black Eagles and what they were taught. 
Dorothea and Bernie - I love everything about their interaction. If Dorothea were a lesser character, she’d be the mean popular girl who shames Bernie for her messy hair and her anxiety. Instead, Dorothea is patient and Bernie is like “oh no she’s Too Cool for me”. Dorothea also makes note of what Bernie says as she gets too anxious to continue the interaction and aims to comfort her in their next support. We get a good Bernie character moment in their B-support, where she mentions her father ruining her friendship with a commoner boy--and a cathartic moment where Dorothea tells her that her father’s an asshole and that they’re going to be friends anyway. Bernie cries in Dorothea’s arms and AHHHH why didn’t we get MORE of this???
Bernie and Petra - If I could add any support and ending to the game, it would be Bernie/Petra. They have such a good starting point--because of Bernie’s anxiety and Petra being a second language speaker of Fòdlandish, they are prone to miscommunications (which is the general theme of early Bleagles supports). They had a nice 2-support arc where they understand each other a little better--but then there’s the paralogue, where Petra encourages Bernie to come to her homeland with her and Bernie realizes she wants to travel and see amazing things like carnivorous plants. This is fantastic character development for her and is a satisfying conclusion to her arc. I feel like most of Bernie’s endings involve her just reverting back to her hermit self instead of developing a balance between who she was at the beginning and who she’s grown into. I think Petra would offer to let her come to Brigid again, where she helps her navigate a new language and culture. Bernie’s anxiety is still bad but Petra has been in her position and can offer advise and reassurance. Petra is also patient and would give Bernie a safe little house near the carnivorous plants for her to retreat to when overwhelmed. It becomes both of their refuge, with Petra taking time away from her regal duties to spend time with Bernie and her art and her stories. Whether it’s romantic or platonic is up to preference but I low-key ship them 😏
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harukadrawsthings · 2 years
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What is your prediction of how Journies will end and how Gen 9 of the anime will be
Right now it’s completely unknown what’s going to happen because we won’t have any info about the Gen9 animé arc before September/October for sure. What will be Ash’s next adventure once the World Coronation Series end? Will Goh still be travelling with Ash? Will we ever see the Cerise family again? Or even the lab crew? I can’t really make a prediction especially knowing how the format of the Pokémon works now. Will it continue this way?
I would be lying if I was saying I’m not worried because the World arc (Journeys/Master Journeys and whatever is going to be called the last season in the west) is being my top favourite of the entire animé and I would hate they would go back to the pre-Alola arc formula because it would be downgrading in my personal opinion. I truly enjoy this concept of travelling around the world because we never know what’s going to happen next for the story and that unpredictability makes the show watching experience to be even more exciting! There’s also so much lore material today (both inside and outside the animé) that it just doesn’t make sense any more to do a U-Turn. The fact that the animé in Japan is called only “Pocket Monsters” without any subtitle associated gives me some hope that this sets a whole new direction towards the show’s formula.
And then there’s one of the biggest positive surprises that the World arc has brought us that’s named Goh. I love this character and I never thought I would really really become a big fan of a human character in the animé because until maybe around Hoenn arc I essentially was watching for the creatures themselves, so congratulations OLM Studios for the achievement. This boy caught me off guard because I never felt so much empathy before for a character’s backstory, mindset, problems, emotional wounds and personality. The amount of things we share in common are plenty to not say all of them and it feels like a blessing seeing this sort of representation in fiction, I would have gone crazy if Goh had appeared in the show when I was still a child spectator! The fact he’s focused in the Pokédex completion is a bonus as it’s the main goal and focus I have from every core Pokémon game I play since a kid, so he gives a voice to Pokédex players like me! Even as an adult that’s following the episodes weekly, this child already brought tears to my eyes at least twice because of touching actions in the course of the story. And from what I noticed with time, the character is very popular in Japan. The show production had confirmed at a point that he was a co-protagonist and not just a secondary character or, in other words, a normal travelling companion. Now the big question is: is that shared spotlight just for the World arc or from this moment onwards?
Shipping aside to be able to give a formal opinion on the matter, Ash and Goh have a fantastic chemistry to levels I never saw in the over 1000 episodes that exist up to date. And you can even feel that in the lines that the original actors record for the characters (actors chemistry was also a criteria of voice casting for Goh’s case according to an interview I’ve read). I know I’ll probably get tears on the eyes this Friday once I listen to the new opening because knowing how well Rica and Daiki can sing it’s going to be amazing, I’m sure! At this point It’s difficult for me to imagine Ash not travelling together with Goh, it would be like seeing Astérix and Obélix separated 😂! Can you imagine that? Because I don’t! This to say, one completes the other with their qualities and capabilities their partner doesn’t have and their dynamic just works great. So why not continuing like this? We have hundreds of episodes and dozens of movies with Ash having the spotlight. We could continue to explore Goh’s growth as a character a few more hundreds! Worth noting there’s a lot of merchandise in Japan that contain Ash and Goh shown together, which wasn’t quite like this before having in exception a few OST CD-ROMs and a few books.
So... after all this wall of text of reflections, unfortunately I can’t give a true answer to your question because I’m the same boat as every normal spectator. Right now it’s a complete mystery what’s going to happen in second half of the Autumn for the new animé arc, but I would be thrilled to bits if we got a confirmation that all these old and new characters are here to stay (please consider that we’ve been surprised with the return of characters that weren’t appearing in years, and in cases like Erika for DECADES!!), as well the world-travelling format. Here are my hopes that we’re going to see Ash and Goh exploring the Spanish (Iberian Peninsule if it includes my country? I’m waiting for a confirmation on the matter) inspired region in the next animé arc. Until there all I can do is enjoy every moment as the disclosure of the World Coronation Series is getting nearer every week that lapses!
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itsclydebitches · 3 years
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I am briefly pausing my normal RWBY content to talk about something completely different: Kang Soo-Jin. 
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I binged True Beauty recently. As in, “I haven’t managed to watch anything new in half a year, discovered this drama, and promptly marathoned 14+ hours of content,” so to say I’m enjoying it is an understatement. I might do another post sometime about why I think the show works so well, but for now, like many (drama only) viewers, I’m specifically grappling with Soo-Jin’s descent into antagonist territory. At first I was just as shocked and disappointed as others seem to be, but upon reflection I don’t think this is badly written in the way many fans are claiming. To frame this as, “I can’t believe they would make wonderful Soo-Jin suddenly OOC and bully Ju-Kyung over a guy!” is ignoring core parts of her character. I’m as sick of the girl-hates-girl-over-guy plotline as the next viewer, but in the interest of acknowledging that there are exceptions to every rule, I think this is one of the times where that choice makes perfect sense. 
Soo-Jin has been abused throughout her life and I’m not simply talking about the fact that her father hits her. Though that’s obviously horrific, what I think is more pertinent to this conversation is the intense competitiveness her parents have instilled in her. The physical abuse comes about because Soo-Jin fails (in their eyes) to be the best, which is where Ju-Kyung comes in. The Soo-Jin we knew in earlier episodes wasn’t faking. She isn’t an inherently evil person who was just waiting for the right time to show her true colors. Rather, at the start of the story Ju-Kyung—crucially—was not in competition with Soo-Jin. Or rather, Soo-Jin did not perceive her as competition. She’s after the best grades in the school and Ju-Kyung is notoriously at the bottom of the class. All she has going for her are her (new) looks and her easy-going personality that makes her popular, two things that Soo-Jin isn’t interested in. Even if she were, those things already come naturally to her too. She’s already friends with Soo-A and, as is commented on multiple times, naturally beautiful without any makeup on. Soo-Jin has been taught—literally had it beaten into her—that she must be the best and in the beginning of the show she pretty much is: popular, mature, confident, smart… just not the smartest in her class. Ju-Kyung doesn’t threaten any of that, so friendship initially comes easily for Soo-Jin, the sort of friendship that allows her to chase perverts off busses or hide her friend’s real face. 
This changes once Soo-Jin’s “perfect” mask begins to slip. They’re heading towards college, she’s running out of time, and she still hasn’t managed to take the top spot in the class. Worse, she drops out of the top ten. This exacerbates the abuse to the point where, as we see, she’s constantly in the bathroom trying to cope by washing her hands. Any tiny deviation from that “perfection”  — like, say, leaving your tutoring session when you realize your lifelong friend just got devastating news — results in the sort of yelling/physical abuse she can only escape from via a locked door. While things get worse on her end, they get better on Ju-Jyung’s. Her grades go up some and she becomes even more popular, attracting not only school-wide attention, but the attention of the two hottest guys too, including Soo-Ho. For a while this is still fine from Soo-Jin’s perspective, but things really take a turn when Ju-Kyung changes Soo-Ho. Meaning, she helps him come out of his shell and teaches him how to be a kinder person… which includes being a better friend to Soo-Jin. The Soo-Ho who suddenly lies and announces that they have to go study just to get Soo-Jin away from her father’s insults, all of it stemming from a small tick he paid attention to, or comforting her while she sobs over the abuse… that Soo-Ho didn’t exist at the story’s start. He was too wrapped up in his own grief and has been that way for a long time. They may have known each other since childhood, but Soo-Jin and Soo-Ho don’t appear to be particularly close in the past—all Soo-Ho’s flashbacks are with Seo-Joon and Se-Yeon. But that starts to change once Soo-Ho himself changes. Soo-Jin’s ability to keep it together is unraveling, Soo-Ho is opening up and becoming more emotionally available (something Soo-Jin even comments on), then her whole class starts eagerly talking up how good they would be as a couple… so Soo-Jin sees a lifeline. Soo-Ho will care for her even when no one else will. Of course he will. She’s already seen him be that person multiple times. 
The problem is that Soo-Ho has his own life and his own problems to grapple with. Between grief over See-Yeon, panic over telling Ju-Kyung how he feels, and the initial rush of dating—what couple doesn’t want to spend all their time together at the start?—he doesn’t have much energy for Soo-Jin. Which from his perspective is fine. They don’t normally hang out together outside of study groups, so yeah, he can put off a conversation with her… not realizing that Soo-Jin is now putting all her emotional eggs in his basket. By the time her feelings are coming to light, Soo-Jin is actively sabotaging her own attempts to get attention and compassion from Soo-Jin. By manipulating them—here’s a new scrunchy to remind you that you’re my best friend and you can’t ever betray me, here I am showing up unannounced at your apartment and guilting you into not spending more time with me, etc.—Soo-Jin has put Soo-Ho (rightfully) on his guard. He’s wary of having a private conversation with her about something she won’t name when he knows Ju-Kyung has been a mess over losing her friendship. He has no desire to listen to her confession of love after she’s just tossed Ju-Kyung’s beloved necklace into the fire. In her efforts to ensure that Soo-Ho pays attention to her, she only succeeds in driving him away. 
All of which makes Ju-Kyung the enemy in her eyes. The new competition. To her mind, friendship and love cannot co-exist because Ju-Kyung stands in the way of that love, therefore one has got to go. (In contrast Seo-Joon, coming from a loving family, is in time better able to accept that he can be friends with Soo-Ho even though he likes Ju-Kyung. We can discuss the problems inherent in giving one plot to the girl and the other to the guy, but as they are, these characters have concrete, in-world reasons for their different reactions to what’s essentially the same situation.) And why does love (“love”) win out over friendship? Because Soo-Jin has latched onto Soo-Ho being her boyfriend as the way to finally “win” at life and fix all her problems. It’s fine if she’s not the best provided she’s dating the best, just look at how much Dad fawned over him. Second place academically is suddenly an option provided the top student is on her team, so to speak. The fact that Soo-Ho is also one of the most handsome, a great athlete, super rich, and one of the few people to provide her with feelings of safety certainly doesn’t hurt matters. And the only thing that stands in her way of securing this life-saving “win” is Ju-Kyung. Who is she? No one compared to Soo-Jin. Her grades are terrible. She’s not wealthy. She’s pretty… but oh, only with her makeup on. 
Soo-Jin doesn’t need makeup, so why not win this competition by showing the whole school—showing Soo-Ho—what a fraud Ju-Kyung is? 
From Soo-Jin’s perspective she’s done the math and come out on top. Everything that (supposedly) matters she either has equal to Ju-Kyung, or is superior, therefore it’s obvious that Soo-Ho would choose her in the end. She says at much: If I had confessed first you would have loved me first, so now that I have confessed you’ll break up with her. Hell, even Ju-Kyung believes this. She has the nightmare about Soo-Ho learning that Soo-Jin has feelings for him and immediately, publicly breaking up with her. After all, if he suddenly has both as an option the winner is obvious, right? It’s all about competition, what they’ve been taught to believe is a competition: Ju-Kyung through her bullying and Soo-Jin through her abuse. The difference is that Ju-Kyung has had the whole series with Soo-Ho (and others) helping her slowly unlearn this mentality. Soo-Jin had the rug pulled out from under her in an instant. 
Soo-Ho says no, I wouldn’t have loved you if you had confessed first and I’m not going to date you now. It’s important to realize that this shatters Soo-Jin’s entire world. It’s not about a girl being upset that she can’t get the guy — not even about Soo-Ho as an individual, really —  it’s about an abused girl not knowing how to grapple with the fact that she finally did everything “right” and still couldn’t “win,” coupled with losing the last bit of security she had. Soo-Ho broke the unspoken rules Soo-Jin’s father beat into her and she doesn’t know where to go from there. She literally has no one else to turn to. So she falls back on the only way she does know how to handle a situation like this: by still trying to win. If Soo-Ho won’t admit that she’s better, she’ll force him to realize that by plastering Ju-Kyung’s “ugly” face all over social media. Which, to be clear, isn’t an excuse. This isn’t meant to be a way of absolving Soo-Jin of her absolutely horrific actions, only a means of explaining them. Her descent, while shocking to those of us who loved her initial character, is well written because it’s a nuanced look at what can happen when you abuse a kid her whole life and teach her that competition is everything. Oddly enough, she’ll apply a competitive outlook to everything and deal with her stress in unhealthy ways. Ju-Kyung is a victim of Soo-Jin now, but Soo-Jin is a victim too. Her home life has ensured that she does not know how to accept failure—or what true failure even means—so it was inevitable that when things got bad, she’d  try to fix it in ways that hurt both her and those around her. It’s all she knows how to do. 
So far less “Perfect girl goes ooc and abandons her friend over a boy” and far more “Abused girl falls into a terrible, but predictable cycle that the other stressed high schoolers around her are not equipped to break.” Soo-Jin’s story isn’t bad writing, it’s tragic. Thanks for coming to my three page TED talk ✌️
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2/4/21 FINALE UPDATE! 
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tiredofsilence · 3 years
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A rant about Buddie from a narrative standpoint that nobody asked for
TLDR: from a narrative standpoint it would not make a lot of sense to not have Buddie become canon if you look at both their current storylines and any possible future storylines. Also if they were a straight pairing wouldn’t be doubting it in the first place.
As much as we like to talk about fictional characters as people with feelings who make decisions, the reality is that them and the things they experience are written by people, and those people usually plan out these storylines to make them interesting for the viewer. I am in no way an expert in any of this, but I have seen a lot of tv series and even more romantic storylines so I have a vague idea of how most of these storylines play out.
I just want to start off by saying that from a narrative standpoint I really don’t see this going anywhere other than a relationship. Nothing else would really make sense. To illustrate this properly I’m going to divide this rant into two sections: their current storylines and future storylines if/when their relationship becomes canon
Their current storylines
Both Buck and Eddie are on a sort of a journey of self-discovery this season. Buck’s is about his identity; who he is and how he fits into the world. Eddie’s is more about starting a new chapter and moving on from his past.
These storylines seem like they run parallel to each other, but they’re actually quite intertwined. A large part of Buck’s identity is his relationship with Eddie and Christopher and the family dynamic that they have created. Similarly, Eddie has found a great support in Buck, and he is a big part in the new chapter that he is entering in his life, and someone he can lean on to help him move on from this past. Both of their storylines can not come to a satisfying and logical conclusion without the other person being a big part of it, simply because that’s how their dynamic has already been established and it wouldn’t make sense for that to change. The only change I see is them actually becoming better at communicating and getting even closer.
To add onto that, if either of them were to get girlfriends (cause if Buddie doesn’t happen the SOs will be female lbr) the relationship they form with those girlfriends would have to exist alongside the relationship they have with each other. Because they are incredibly close and it wouldn’t make sense for either of them to loosen their friendship because we’ve already seen that if they are away from each other even a little too long they both lose their damn minds. So just imagine having a boyfriend that basically co-parents his best friend’s kid and spends most of his time at that best friend’s house or them at his house. It would just be a super weird dynamic, and wouldn’t make any sense from a narrative perspective.
I could go on about this for much longer time but I’ll move on to the second part: future storylines
Simply put, Buddie would be an absolute goldmine for storylines if they were to get into a relationship. There is simply just a lot of potential there and I’ll highlight some of them.
The most obvious one is, of course, their sexualities. There’s already a lot of potential there, for themselves but also for the people around them.
Then there’s the idea of a relationship within the same fire department. How do they separate their personal lives from their professional lives. Maybe they keep their relationship a secret for a while because they’re worried about one of them having to go to another department. Also there’s the fact that they would basically spend all day every day with each other, and how they keep their relationships with other people and make sure they have time for themselves.
Christopher has a lot of potential as well. Buck having to go from just Buck to actually being a parent and having to discipline him and take care of him. And Eddie having to come to terms with the idea of there being another parent in the picture, and basically just them having to figure out how they operate as a family.
There’s also their families/the people around them. Maybe Eddie’s family don’t trust Buck to co-parent Christoper. And, similarly, maybe the people around Buck believe that he’s not responsible enough to be a parent. Or maybe there’s some spicy homophobia.
Then of course there’s the relationship itself. Buck and Eddie both have a shit ton of baggage. They have trauma, abandonment issues, familial problems and a whole lot of other stuff. Them finding how they can work as a couple and dealing with all their problems together would probably bring a lot of angst but also a lot of fluff.
If you’ve made it this far kudos to you. I have plenty of more to say but I think this gets my point across pretty well. I feel like they’d have to make many weird twists and turns narratively for any other outcome to make sense. And of we’re all honest with ourselves if one of them was female it would be 100% certain that they end up together. But since queerbaiting sadly still exists we can never know for sure.
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aerialflight · 3 years
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Fic Rec (it's been too long and I read a whole lot of fics)
I've read so many fics these past couple of months and my need to share them to the world has seized me by the throat. Please enjoy and support these fanfic writers! They are the best. XD
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[Naruto]
Nine-Tailed Foxes are Dead by RowlettLesbian
Ship: Shikamaru/Naruto
For Konoha, it's been one month since the preliminary Chunin exams. For Naruto, it's been six. And he wasn't in Konoha.
At the end of his ordeal, Naruto walks into the Chunin Exam finals without his left arm.
Shikamaru is very concerned. And, eventually, very precious to Naruto as they work together to solve the mysteries of Konoha and bring kindness to the Shinobi world, one adventure at a time.
(I would die for this fic. I know the summary sounds doom and gloom but IT'S NOT. This fic made me fucking cry, I don't think I've ever read a fic that characterized Naruto so right. He's so full of hope and love and develops into the best version of himself and I'm so HERE FOR IT. And it's not just Naruto, Shikamaru is absolutely amazing here along with Kakashi and surprise surprise Ino, I can't BELIEVE it took me this long to stumble across this fic. Also THE WORLDBUILDING IS TO DIE FOR!!! And the plot! Is! So! Interesting! Just, everything about this fic is just amazing so please PLEASE read this!!!)
The End of the Uchiha by RowlettLesbian
Ship: Naruto/Sasuke
“I promise, little electric spirit of this shrine,” he whispered into the soft dirt and fallen leaves, “I will never gain the eyes. I will never pass them on. And I will make sure the eyes end in my brother, so that they can’t hurt anybody anymore. I will be the last Uchiha, and see to the end of the Copy-Wheel Clan. Then all of the hatred here can stop, and my family can rest peacefully. I promise, little shrine.”
Sasuke is more than his brother thinks he is. He's more than any Uchiha has ever been. He will kill his brother, but it will not be vengeance.
It will be mercy.
(Same author as the one above, they are the gift that keeps on giving. Seriously, HOW did I NEVER FIND THESE FICS before now??? One of life's greatest mysteries. The author's sense of humor is so on point here along with the atmospheric writing that's so vivid in the mind. Their writing style is so recognizable to me now and makes me fall into the world they're creating, it's stunning. Sasuke here makes me want to hug him and the idea of him living like a feral ghibli character has me LIVING. Check the tags of the fic, all of it is true, hand to god. Please give all of the author's fics a shot, it's a rabbit hole I'm thankful I fell into!)
mil fantasmas (gritan en calma) by LegaciesandMemories
Post-Tsukuyomi, something in Uchiha Sasuke's mind shatters. The same night, Yamanaka Ino falls asleep and doesn't wake up for 15 days.
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In which Ino and Sasuke both wake from the aftermath of the Uchiha Massacre with the ability to see ghosts, and no one is prepared for the fallout.
(This fic has arrested my curiosity and eagerness to know what will happen next. These poor kids need so many hugs and Ino is getting the spotlight she deserves. I am so excited for this fic and what it has in store! Please read! XD)
Lichtenberg Figures by Asteroid_Duck (JustThatOneGirl1815)
Name: Kakashi Hatake Rank: Jounin Status: Missing Nin Missing Since: June 15th, 271 AD Note: Flee on Sight . . . Haburashi looked his team in the eyes— three, fresh out of the Academy genin— and resolved to teach them as best as he could. And right now, his lesson was simple: “Stay. Away. From. Kakashi. Hatake.”
(Dimension travel fic with a slice of Kakashi being an absolute troll and dealing with the shitty hand he's been dealt with. Seriously, the man has the worst luck in all of Konoha. Also, the mystery of the other Kakashi's history has me leaning by the edge of my seat, I need to know.)
The Governess by Ysmirel
Ship: Kakashi/OFC
"“What,” he finally asked, “is so funny?”
Ibara bit her lower lip to keep the chuckles in, still smiling and making absolutely no effort to get more space between them, seemingly perfectly at ease within reach of a trained shinobi. Her self-control wasn't all that good, as she ended up snorting and was overcame once again by another fit of laughter. “I just- It's just-” She struggled to speak, trying to catch her breath and wiping away tears of mirth with the hand that wasn't still holding onto his vest. Finally, she looked him in the eye and said, with a smile that was all teeth and without a hint of her previous drunken stupor, “and who's going to believe you?”
As he stood there, stunned by her words and change in demeanor, he realized with dawning horror that she was right."
In which Kakashi finds himself at the other end of the troll shtick, and he doesn't appreciate it all that much.
(It's so hard to find self-insert fics with a fresh concept these days, especially in the naruto fandom. Not that I don't enjoy and devour a lot of self insert fics like it's going out of style, but it's just so nice to find something new and shiny and really damn good. I'm so pumped for this fic and how it's going to develop so please join me in rooting for this fic!)
half a league (until the valley of death) by SpectersShadow117
Kakashi can think of no reason for Sasuke's inexplicable and drastic change in behavior. He doesn't like the desperate, haunted gleam in his student's eyes, and he also doesn't like the nagging feeling that he's missing something very important. Aka: Future Sasuke goes to Past Sasuke and gives him a reality check with Specific Intentions, but as with most Uchiha, his methods leave much to be desired. (Featuring: Childhood trauma FTW, Konoha's shitty care of orphans, and absolutely no one having a fun time.)
(Sasuke wanting to change the future out of complete and utter spite has me LIVING. Sasuke is such a Mess here and the twist on the time travel premise is so good and the kid is so Traumatized and Desperate and Not Having A Good Time. Naruto and Sakura developing as better ninjas and Kakashi trying his best makes me want to scream. Also, how Sasuke thinks about Itachi makes me want to cackle. I am 100% down for this. I am rooting for this kid, go get them! XD)
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[Harry Potter]
fruit loops in time (circle around me) by justprompts
Ships: Harry/Draco, Remus/Sirius
"This is Crabbe, and Goyle," the blonde boy says, pointing at the two boys next to him. "And I'm Malfoy, Draco Ma - "
Ron laughs, and Malfoy immediately bristles.
"Think my name's funny, do you?" Malfoy says, angrily. "No need to ask yours - "
"You're honestly so cute," Ron interrupts, yet again, shaking his head. "So tiny. And so angry, all the time. It's adorable."
Alternatively Ron Weasley, Time Traveller Extraordinaire, is stuck in the same seven year Hogwarts Loop, repeating the same thing over and over again. Naturally, he's so done with everything.
(This is the greatest hp fic I've ever read. I LOVE RON WEASLEY and by the time you read this fic SO WILL YOU!! This is the fic I WISH I have the ability to write. I read this entire fic aloud to my brother and we spent literal hours howling and talking about how utterly insane and incredible this fic is, it's amazing. This is hands down my favorite Ron Weasley. You Can Pry This Fic From My Cold Dead Fingers.)
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[Boku no Hero Academia]
Kacchan's Cult by Ourliazo
Pro Hero Ground Zero is attacked, originally meant to be de-aged out of existence by a desperate villain but is instead launched into his 14-year-old self.
But Katsuki is a fucking pro so whatever, time to fuck up someone's day. And sure, maybe he's only one man, but that's why he conscripts the entirety of the UA student body into tearing down some criminal empires.
(It's time travel, crack, and Bakugou being his usual explody, competent self. What more in life do you want? Seriously though, please read. I'm obsessed with this fic and having a Good Time!)
Cleaning Crew; Teaching Kids to Value their Safety, for Fun and Profit by Reavv
Takenaka Hideo is a thirty-two year old, in mild desperation for money, who has just been hired as a new janitor for UA's support staff. He has a quirk that lets him find lost objects, a liaison with the police because of it, and desperate desire for competent co-workers.
Oh, and he's already lived a previous life, in a world where quirks and heroes didn't even exist.
Not a big deal, though. It's not like you ever see the janitor playing a big part in action movies. He's here to get paid, and that's it.
On the opposite side of the equation, class 1-A has to wonder at the new UA cryptid that always seems to show up when things are on fire, and who keeps trying to convince them to let the adults handle the fire extinguisher.
(A great deal of fun packed into one fic. That is how I title this fic and nothing will change my mind! Hideo just wants to quietly do his job and not get in the way. I Relate. Please read!)
Poltergeist by WriterGreenReads
Class 1-A is haunted.
Well, not really.
I AM dead, though.
World's friendliest poltergeist, at your service.
(I don't know how I got so sucked into OC fics, but I found some fantastic fics along the way so I have no regrets. The author really tries to push the premise and I just love all the interactions and dynamics that form as the fic gets further in. And the OC character and all the hijinks they get up to cracks me up! At the same time, it's pretty heartwarming and it's practically a friendships galore fic! Definitely recommend it!)
invincible by supercrunch for Engrin
Ship: Bakugou/Midoriya
This is the way the world works: the sun rises in the east. The strong come out on top. Bakugou Katsuki rockets through life like a comet and Midoriya Izuku stumbles after. If he believed in such things Katsuki would say it was written in the stars. That some god of war had looked at him and said this one. That he’d been passed along a line to get his blessings – genius, willpower, fearless ambition – and dropped off on earth.
Then, of course, there is the question of Deku. The spitfire runt. Deku, no matter what the world does to him, never stops hoping.
Until, of course, he eventually does.
(Katsuki broke him. Snapped him in half like a twig and now has to scramble to put Deku back together. “We can do this, Deku," he says slowly. "There are so many mysteries that never got put to bed. Criminals roaming around looking to hurt people and you and me, we can fix that.”
There’s a long pause. The comforter slips a little off Deku’s skinny shoulders and drowns him. “You mean like a team?”
In that split second, Katsuki makes a decision he’s never even considered. He swallows his pride. “Yeah, Deku. We’d be a team.”)
(If there was any other way canon could've gone, this is the story I would've wanted. It's perfect.)
Inadvertent Wilderness Therapy by Cacid
Following an unfortunate encounter with a teleporter on the last day of internships, Bakugou Katsuki and Hakamata Tsunagu spend some quality time in northern Canada.
In no particular order they will: build ugly survival shelters, stalk rabbits, run from polar bears, reflect on the chemical composition of trees, insult each other, and complain about krumholtz.
(THESE TWO. TOGETHER. IN THE WILDERNESS. IN FUCKING CANADA OF ALL PLACES. I still can't believe this fic actually exists and just how INVESTED I became in their relationship. Blue Jeanist instantly became my favorite ranked hero with this fic alone. HIS SENSE OF HUMOR IS TERRIBLE, I LOVE HIM SO MUCH FNIEWOPAF. BAKUGOU DOES TOO. IT'S FUCKING INCREDIBLE. *incoherent screeching into the wild*)
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[Stranger Things]
Baci D'aria by RabbitDarling
“Love is worth the sum of itself, and nothing more.” ― Alice Hoffman, Practical Magic
Steve learned a lot at his Aunt's side before she passed but his favourite thing she taught him was baci d'aria; special little spells that you created from the heart and put into the food you shared.
In opening his heart and gifts to those around him Steve slowly finds himself a family in a way he never thought he'd get to experience. One by One he collects pre-teens to trail in his wake like ducklings and Steve can't even refute it by the time he realizes what has happened.
(This fic is so soft and Steve is just collecting people and winning them over with his magical food (literally). I am always a sucker for heartwarming, good for the soul fics so if you want to make yourself hungry and feel all warm and gooey inside, read this!)
(Don't Fear) The Reaper by TeaFourTwo
Ship: Steve/Billy
He looks down at the blood on his hands and on the floor and wonders why the memory hasn’t broken yet, why he isn’t back in Starcourt mall with control of his body again, wonders if he's even still alive at all. Is this hell then? Or perhaps purgatory? It certainly isn’t heaven, that’s for sure. None of this makes any sense…but then what's new—nothing in Billy’s life makes sense anymore.
Billy laughs then, loud and long and unhinged. It's the only sound in the whole house, and it bounces off the walls like a fucked up echo, like the world is laughing with him.
“Jesus christ you’re insane…” It’s Max’s voice and it’s shaking. It only makes Billy laugh harder, because Max has it all wrong. Billy isn’t crazy, it’s the rest of the world that’s insane.
--
Billy dies a hero of sorts. He wakes up back in his bed on Saturday morning, the third of November, 1984...nearly nine months earlier.
(Billy is stuck in a time loop and it's slowly driving him crazy. And the fic shows just how much influence Billy did have in the plot and how doomed the world is without him in it. Great character exploration with Billy's character and all the ways he's so messy and human. Definitely recommend it!)
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[Knives Out]
The Road Less Traveled By by UisceOneLove
Ship: Marta/Ransom
If Harlan wants to leave Ransom to be on his own, fine. He'll show him just what Ransom Drysdale is capable of.
or, where Ransom chooses to prove his abilities through means of the non-homicidal variety and finds himself becoming exactly what Harlan was hoping he would.
(I found this fic out of sheer chance and god, Ransom is just, so fascinating to me as a character. Marta of course is the Best here and I will forever stan her. Seriously, this is such a good fic! Please read!)
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[Haikyuu!!]
Sky Full of Stars by grilledsquids
The Hinatas are twins. They're practically identical.
But while Shouyou seeks out Karasuno's volleyball team to become the next Little Giant, Natsu is scouted to to play soccer for Shiratorizawa. While Shouyou sets his eyes on playing volleyball at the highest level possible, his sister wonders how much longer she can play soccer... and if it's worth it to keep going.
A Natsu-centric story featuring: Shiratorizawa VBC shenanigans, too many soccer OCs, mild teenage drama, a little bit of plot, and Semi Eita not knowing what a period is.
(It's just!! So cute and wholesome!!! The Shiratorizawa volleyball team is so fleshed out along with the OC characters for the girl's soccer team and I swear, it's been a long while since I've laughed this much at the sheer shenanigans that happen in a fic. It's surprisingly hard to find good gen fics in this fandom so finding this gem made me so happy! If you want a fic that brings a smile to your face, read this!!)
like water by speakingincode
Ship: Oikawa/Kageyama
“Oikawa,” Iwaizumi says, and when Tooru looks at him, he can read My best friend’s an idiot off the crease of his eyebrows. “Are you telling me you spent the last three years weirdly obsessed with Kageyama – I still remember the time you made us play him on a dumb whim, you know – and now you’re at his beck and call? Are you okay? What the hell is wrong with you?”
“I’m— I’m not at his beck and call! I said no last week. It’s… It’s like you said. I get bored easily. I saw him at the park a couple weeks after they played Nationals and called him a perfect little tyrant, and he pestered me into spending time with him after,” Tooru says. “I’m not a monster, Iwa-chan. If he wants the company of his cool, handsome ex-upperclassman that badly, who am I to begrudge him?”
Or: Oikawa doesn't know why Kageyama keeps asking to meet him on Saturdays. He also doesn't know why he keeps saying yes.
(The fact this fic is canon-compliant and covers post-canon too makes me want to shout to the heavens. Fucking incredible! One of the best Oikakage fics ever and it's a crime how it's not at the top of the ship tag. Please please read!!)
twist into your shape by kakkoweeb
Ship: Oikawa/Kageyama
The only thing better than sweets were sweets containing paper that told you whether your future would be good or bad--or in Kageyama and Oikawa's case, paper that somehow caused you to live inside each other's bodies.
(Everyone probably already read this fic but it needs to be said, you need to read this fic. How these two try and manage each other's lives and slowly start to care about one another is so beautiful and sincere and I am ready to wrestle anyone to the floor and comply them into reading this fic. Doesn't matter if you like the ship, you will become a fan if you read it, I promise. Please please read!!)
Take the Long Road Home by pepperfield
Ship: Kuroo/Sawamura
When Azumane Asahi goes missing before his engagement meeting with Kozume Kenma, what other option is there but for Daichi to impersonate his brother and fake his way through a first date with Asahi's fiance?
Okay, let's be realistic - there were probably at least four other options.
Unfortunately, Tetsurou couldn't come up with any of them either, so now he's here flirting with Kenma's future husband while trying to keep his web of deceit from collapsing.
It's going to be an eventful day.
(I got obsessed with this ship alongside Oikakage and SO WILL YOU. THE POTENTIAL. THE BANTER. THE FACT THEY'RE BOTH DORKS AND THE FIC HAS IDENTITY SHENANIGANS DANCING ALL OVER IT!! I had so much fun reading this and these two are MEANT TO BE FENIWPAF. If you don't see the potential of this ship, you will now.)
a misunderstanding a day keeps the boyfriend away by bartallen for betuls
Ship: Kuroo/Sawamura
Kuroo doesn’t fall in love hard and fast like many others do – he falls slowly, and very very softly. Most of the times he doesn’t even realise he’s in love with someone until it’s too late.
(Kuroo is the dumbest man alive and I've never related to someone so hard in my life. God help me.)
You like me. by roseknight
Ship: Daishou/Kuroo
Kuroo nearly lived a Daishou-free life, and sometimes he looked back and wondered how much better and how much worse that would've been.
(I didn't even know who Daishou was until I read this fic and now I can't unsee the potential this ship has. I'm a ruined woman and I regret NOTHING.)
Kings of the Road, Kings of the Universe by EzzyDean
Eight magical captains, one bus, an entire summer (and country) waiting for them.
What could possibly go wrong?
(The magic of friendship meets the magic of a summer road trip meets pure magic.)
(CAPTAIN SQUAD IS THE BEST SQUAD SOMEBODY PLEASE FOR THE LOVE OF GOD SEND ME SOME CAPTAIN SQUAD FICS I AM SO IN LOVE WITH THIS SQUAD IT'S A PROBLEM AAAAHHHHHH!)
宿縁 : See You Soon by MissKiraBlue
Ship: Oikawa/Kageyama
Upon arriving at the train station of death, an impure soul is granted a second chance at life against his will. Reincarnating into the body of Kageyama Tobio, a 15-year-old boy who recently committed suicide. Tobio's soul will depart at death and the soul needs to slip in to replace it. If the soul's reformation succeeds, he’ll reenter the cycle of rebirth and regain the right to be reborn. He will have three months to accomplish this task.
“Even though you had enough of life,” the soul whispered into the void of the room, “you were still afraid to hurt your hands, Tobio.”
Afraid of giving himself a scar, if he survived.
He touched his pulse and grasped life and couldn’t help but pity Kageyama Tobio.
"You wanted to die and now I’m here making you live again," he whispered into the night.
(I'm not even exaggerating when I say out of all the fics in this entire goddamn, too long list, this is the fic I'm anticipating and heart eyeing the most. It's only starting, but I already cried on chapter fucking 2, the power of this fic, holy shit. The author also wrote the hq time loop Every Tomorrows series, which I have an undying love for and am full on praying for the day it updates, so you KNOW this fic will be just as good. (Anybody who hasn't read this series, where the hell have you been?? Read it!!) Just, everything about this fic hurts me and something in my chest just aches when I read this fic. Go into it blind with an open heart and I swear to you, it's going to change your life. I'm already calling it. Seriously though, please please read!)
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[Crossover]
Learning to Fly by Asteroid_Duck (JustThatOneGirl1815)
Fandoms: Boku no Hero Academia, Naruto
The number three hero is a walking (well, flying) contradiction in every sense of the word. This includes his teaching skills. Why had Tokoyami agreed to this internship again? Oh right. He’d thought he was actually going to learn something. …….remind him to never be so optimistic again. . . . OR, Kakashi Hatake is reincarnated as the pro hero, Hawks. Tokoyami Fumikage suffers as a result.
(The reincarnation fic I never thought I needed and it's so good!! I've never really paid attention to Tokoyami and this fic sent me headfirst into loving him. Their dynamic is so interesting and I just love how their relationship develops. Also, Kakashi trolling the poor kid made me cackle, it's great! Definitely recommend it!)
Si Vis Pacem by athenoot
Fandoms: Boku no Hero Academia, John Wick
Everything has a price. That's what John has always known and will forever remember, even in death.
Which is pretty ironic considering his current circumstance.
Instead of a grown, scarred, weary body belonging to a man as cruel and broken as him, he's inhabiting a younger, smaller, unblemished one belonging to a child with strangely colored hair, and is living in what seems to be a superhuman society.
Well. May it never be said that John isn't a strategist. He can live with this. Maybe.
(Somewhere out there in the universe, he's certain he could hear the laughter of his enemies from beyond the grave.)
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Or: John Wick is reincarnated as Midoriya Izuku. The world should probably watch its back.
(This should be one of the crackiest fics I've read in a while, but it's taken so seriously and I'm so HERE FOR THIS. John Wick being John Wick in a world of quirks and heroes is the GREATEST, honestly, he's so badass. Bakugou, I feel for you, you must be so fucking confused lol. Bakugou trying his best to be a good friend is one of the best things about this fic. Trust me, this fic will make your day, promise!)
A Girl's Mind is a Dangerous Place by clenastia
Fandoms: Naruto, Fairy Tail
Natsu wakes up in Sakura's body. It only gets worse from there. Also known as: In Which Natsu has No Idea what to do with Boobs.
(I binged this in two fucking days, I couldn't put it down. This fic reminded me why I liked fairy tail when I was younger and why Natsu is honestly such a great protagonist, god. And the fic does that thing, you know, the Thing where when two worlds collide, the characters struggle to acclimate and adapt to a completely another world with different rules and mindsets against their own. This fic is seriously one of the best when it comes to that aspect, it's incredible. I am going absolutely feral over here for this fic to update, I'm waiting in the wings, ready to pounce like a tiger, all the metaphors man. For the love of god, read this fic.)
Give me a landscape made of obstacles by Melise
Fandoms: Naruto, Natsume's Book of Friends
Kakashi Hatake isn’t who he says he is.
Because the truth is that he’s actually a youkai in disguise, a wolf spirit named Madara who stumbled across the Hatake clan during the Warring States Period. Intrigued by the shinobi he saw, he’d proposed a temporary alliance in which he would offer the clan protection in exchange for their teachings.
Decades later, Madara is surprised to find himself inadvertently summoned to Konoha by the last living member of the Hatake clan. Sakumo Hatake, who is mourning the recent deaths of his wife and stillborn child, doesn’t want to be alone anymore. So with his permission, Madara takes the place of Sakumo’s deceased son in order to watch over the last Hatake.
(Fusion in which the youkai of Natsume’s Book of Friends all exist in the Naruto world. No knowledge of Natsume’s Book of Friends required).
(Before this fic, I only had a very vague idea of what Natsume's Book of Friends was, and honestly, I still don't know much about it. But I didn't really need to know to get into this fic. I love the worldbuilding and the relationships Kakashi forms, both supernatural and mortal. I love how Kakashi's inhumane ways affect others around him, whether to stress them out or become used to the strange. You can go straight into this fic without knowing anything and absolutely still have a fantastic time. I definitely recommend this so please read!)
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miraculouscontent · 3 years
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Kagami and Marinette deserve so much better.
Anyway, let’s just start literally where this episode starts, because it makes no sense. Remember back in my “Truth” critique where I basically said that the episode seemed like it’d been shoved through multiple drafts and no one checked the final one?
Same applies here.
Like--okay, ”Truth” and “Lies” take place at roughly the same time, which means that the same filler akuma/sentimonsters appear to interrupt Adrimi’s moments just as they did with Lukanette’s, giving its audience a clear timeline of how the episodes line up. The reason this is important is because the writers can’t even keep consistency within singular episodes and then honestly thought that they could do it within two.
“Lies” begins with Marinette talking to Tikki about the grimoire, because apparently she has the non-translated version and there’s a secret to figuring out the code that Tikki believes Marinette will discover eventually.
...Alright, I’m derailing here but I have to add how absolutely stupid Fu was when dealing with translating the grimoire. He was supposed to teach Marinette how to be guardian, yet he didn’t teach her how to read the grimoire (if there’s supposedly a “secret” to it, is he really going to bank on Marinette figuring it out herself eventually instead of just giving it to her and avoid the risk altogether??), kept the translated pages on his tablet without sending them to Marinette as he deciphered them, and took time to write a letter to her in “Miracle Queen” but left no guardian-centric advice for her to work off of, meaning that Tikki had to explain how the Miracle Box worked to Marinette back in “Truth.”
The show goes out of its way constantly to turn everything against Marinette even if it makes all the characters around her look either incompetent or cruel. It’s not that I’m not used to this by now but it’s just infuriating that it keeps trying to raise the stakes and tension when Marinette made such a tiny mistake to cause the issue in the first place, and now we find out that Fu had no back-up plan or strategy, apparently expecting this 14-year-old girl to act perfectly and cover for him.
And of course, instead of leaving the scene off on Marinette being encouraged by Tikki and Marinette showing confidence in herself (i.e: what would’ve been a nice scene), the kwami accidentally fumble with the keyboard in such a way to have Marinette’s computer bring up  a news story about Adrien, which leads to Marinette leaning towards her computer and sighing over Adrien and his “amazing life.”
Can I just point out how annoying it is that all the Adrienette moments so far on Marinette’s end have been forced, not just in general (because we’re used to that), but literally forced by the plot so Marinette would talk about him or other characters would bring Adrien up?
“Truth” had Alya insult Marinette to her face over her Adrien crush because Marinette was freaking over something non-Adrien related that they couldn’t have known about, Luka was sent a no-context picture of Marinette’s Adrien wall which led to him lowkey teasing her about it, and then Truth was forced to listen to Marinette’s friends and Tom babble about Marinette’s supposed crush on Adrien even when Truth points out that it’s not a secret, making the “joke” fall absolutely flat.
And now “Lies” comes along and has the kwami drop things and step on the keyboard in the exact way to pull up Adrien stuff for Marinette to fawn over. It’s at this point I’m realizing that - had the kwami stayed inside the box or just not been around in general - Marinette literally wouldn’t have brought up Adrien at all in either “Truth” or “Lies” and now I’m sad. I really don’t want to have a counter for “episodes where Marinette wouldn’t have so much as breathed Adrien’s name if the kwami/someone else wasn’t there to force it.”
So yeah, the episode had to force Adrienette into its Adrimi episode because the show can’t go five minutes without reminding the audience that Adrien exists even though this episode is primarily from his point of view, made worse by this scene’s lack of ability to exist.
See, from the timeline in “Lies” lining up with “Truth,” there is no possible way for this opening scene with Marinette talking about guardian stuff and then fawning over Adrien to happen. There’s an akuma scene in “Lies” that literally is just copy-pasted from “Truth” (it actually does this again with another scene later but that’s not important right now), so that means anything that takes place before said scene in both “Truth” and “Lies” have to line up.
Except they can’t. The akuma scene in question interrupts Marinette’s movie date with Luka in “Truth,” and before that, she had just opened the Miracle Box, wrangled up the kwami, talked to the girl squad over video call, talked to Luka, and then immediately had to leave. There are no cuts or wiggle room anywhere in there.
Therefore, the scene in “Lies” is impossible. Either the scene is supposed to go elsewhere in the episode (we don’t actually know how many days it takes up so it’s hard to say on that front) which just makes the episode even more convoluted, or this means that one would have to pick between the scene in “Truth” and the scene in “Lies” because they literally cannot co-exist.
“Lies” was supposed to coincide with “Truth” and they messed it up in the first scene of the episode.
Then comes Adrien himself, who really shows the series’ clunkiness in focusing on other characters. It’s not that I’m against the show moving away from Marinette to show other people’s point-of-view (I definitely didn’t complain during the Couffaine sibling scene in “Reflekdoll”), but Adrien cannot carry his own episode.
In Marinette’s opening scene, we immediately got details on the grimoire and lore about how reading it actually worked. I didn’t like it and it wasn’t good, but it was new information.
Adrien, meanwhile, spends a large portion of the episode being sad (a very grand and unique plot, my dudes) and giving us information we already know. “Truth” has to come first because “Lies” is half of a follow-up on it, meaning that the audience is already aware that Ladybug has been forgetful and has had to miss out on patrols. It’s just that now we get to see Chat Noir sulking about it and--okay, I am just going to go off, alright?
Firstly, Chat Noir tells Ladybug later on that he “understands” her guardian duties, but he previously mocked her behind her back by using air quotes when he was talking to her answering machine (since she obviously wouldn’t see that). We saw in “Truth” where he admitted that he doesn’t mind her being guardian “as long as it doesn’t change their relationship,” and that’s on display right here with his comments.
Not only is it extremely disrespectful, but for someone who claims to be so loyal and understanding to Ladybug, he sure doesn’t show it.
Secondly, he leaves her a message about how he’ll take care of patrol, then proceeds to slack off because she’s not there to keep him in check. He sulks around Paris, mumbling about how Ladybug isn’t around and constantly checking his messages to see if she’s replied to him. Chat Noir has shown his “priorities” in terms of heroism before, but patrol isn’t supposed to be about getting time with “““his lady”““ yet that is clearly all he cares about. He even ends the patrol unprompted, either giving up or just generally having not finished, because I don’t believe that the “end” of patrol just happened to be at the place Kagami was.
Patrol is about protecting Paris and scoping things out. Ladybug is trusting him to pick up the slack when she’s not around and he should be picking up slack, yet he has completely failed on that front. This is made worse when considering that the Season 3 finale had Ladybug breaking down to him from guilt and we know that Marinette had a breakdown before that to Luka, yet Chat is doing nothing to lighten Ladybug’s burden, putting up a falsehood on Ladybug’s answering machine to make him look better than he actually is.
Then, thirdly and most importantly/infuriatingly, Chat Noir knows that Ladybug is busy and he knows that she’s taking on a new responsibility, yet he not only jabs at her for “how hurtful it is when she leaves him to patrol alone” (one, cry me a river, and two, I don’t care if it’s a joke, it’s insensitive), but before that scene, he was actively hoping for people to get akumatized so Ladybug would be forced to show up and he could spend time with her. He egged Xavier Ramier on, even asking him if he “missed being Mister Pigeon,” and then looked on with glee as Chloe bullied Sabrina because he thought that an akumatization might happen.
And this is on top of so many other issues with this whole scene. Adrien complains all the time about his schedule and how restrictive his father is, but suddenly - in the episode right after Marinette had to break up with her boyfriend due to her cramped schedule - is lounging around and wasting time. It hurts to see Marinette suffering from all of her responsibilities while Chat’s biggest problem is how little time he gets with Ladybug.
Also, another point on Mister Pigeon is that that’s the akuma that had interrupted Marinette’s movie date and kiss with Luka. I’m not suggesting that Chat egging Xavier on led to him getting akumatized, but I am saying that Chat wanting akuma to happen with no regard for Ladybug’s happiness is yet another point on the list of why I hate the love square. Marinette genuinely forgot about patrol with him - genuinely was forgetting about everything, really - and as a “punishment,” her own partner whined, didn’t patrol properly, and egged on an akumatization that eventually ended up happening which then broke up the little bit of happiness that the universe was allowing her to have.
Oh, and did I mention that he’s also dating Kagami at the time as well because here we freaking go.
Now, I did not get on Marinette’s case for her Adrien wall and stammering because Luka is largely aware of where she stands in the relationship and she only brought Adrien up when someone else did, even when Luka wasn’t around or being mentioned. Adrien, however, I have multiple bones to pick with, starting with how utterly needy he is for Ladybug’s attention.
This guy has tons of friends, all these fans, and could get people to flock to him whether in or out of the mask, but he wants Ladybug, and anyone not Ladybug isn’t good enough. There’s a scene later in the episode where Kagami - his girlfriend, mind you - is pouring her heart out to him, and he gets distracted by Ladybug instead of listening to her. Even when he excuses the distraction, he then gets distracted again even though Ladybug is no longer in the background.
Lying to protect his identity is one thing, but what Adrien does to Kagami goes beyond that. He’s pining after and flirting with another girl and Kagami has no idea. She’s speculated before that Adrien likes Marinette, but she’s mostly left in the dark because Adrien hasn’t told her anything, nor has he confirmed with her whether it’s okay or not for him to flirt with other girls so long as he’s not pursuing them. He could’ve admitted that he was in love with Ladybug but that he wants to try things with Kagami, but he refuses to open up to her or put himself out there.
Except, he technically does, once, when Kagami tells him to pose for her and he strikes his transformation stance, but he caught her completely off-guard and it’s no wonder why she was put off by it or thought it was unnatural. Not only that, but when Kagami tells him that he’s acting like a clown in that scene, we can see by jumping back to “Truth” that Chat Noir fished for Ladybug’s compliments which then led to a line about him talking about how Ladybug enjoyed him acting like a clown; a direct connection.
Kagami didn’t validate him, so he fished for Ladybug to do so because Ladybug was both forced to answer the question and wasn’t able to lie to him. The show has Ladybug state that her most preferred trait of his is his humor but I am certainly not laughing.
Chat Noir even goes further after the fight with Truth (so another copy-pasted scene) by saying that he has the most fun with Ladybug specifically, and this is all while he’s still dating.
Then this guy has the gall to talk during his break-up about how his fun times with Kagami weren’t lies after apologizing to her for his constant lying, as if he’s trying to earn her sympathy when we know that he’s been pining after Ladybug and flirting with her like she were his number one when he already had a girlfriend waiting for him (and who, by the way, had covered for him earlier and was sitting sadly on a staircase outside, feeling abandoned). The episode presents the break-up as if Adrien’s problem was the fact that he had to constantly lie to Kagami due to being busy with hero work (which is already dumb when we also saw him lounging around and complaining about how nothing was happening, meaning he was inadvertently supportive of the idea of having less time with Kagami and more time with Ladybug even if that means Paris is in danger), but the real problem ends up being that Adrien neglected Kagami emotionally and wasn’t able to give her the attention she wanted.
It’s both sad and annoying that Adrien has always sulked about his dad not paying attention to him and then we get Adrien not paying attention to Kagami, looking for Ladybug when Ladybug had already left and Kagami is trying to tell him something very important.
This is what I mean when I say that Adrien can’t carry an episode on his own. He’s incredibly selfish and most of his dialog just involves him complaining about Ladybug or making excuses. Kagami carried the episode more than he did because more details were revealed about her - specifically the fact that she likes drawing - and she’s active in making things happen (being the one to make the excuse to set up their fencing lessons, deciding what they’ll do with their hour of free time, etcetera).
And regardless of what girl he’s interacting with, Adrien can’t respect either of them. I just talked about Kagami and I’ve already talked about how he treats Ladybug when she’s not even around, but now we get to how he treats Ladybug when she is around.
During the climax of the fight with Lies, where Ladybug requires a distraction to safely pull off her lucky charm, Chat Noir decides - without Ladybug’s input - to sacrifice himself yet again.
I have to stress that Ladybug is stressed and Chat has always talked about her plans and listening to her, yet he has a horrible habit of making decisions all on his own and letting Ladybug deal with the fallout. Whenever he has the chance, he’ll throw himself in front of her and take the big hit, presumably with the mindset that Miraculous Ladybug will fix everything so it’s not like it matters.
Ladybug even shouts at him when he hints at what he’s about to do and there was absolutely time for them to talk about it, but Chat Noir just lets himself fall and be bait, even throwing out what is a clear confession (again, while he’s still dating someone else) before he’s knocked unconscious by Lies’ power.
And when Ladybug yells at him for it when everything’s said and done, pounding at his chest and looking absolutely upset over the whole thing? He not only brushes her off, but he boops her nose and talks about how “irresistable” her “angry little pout” is.
He might as well have just said, “you’re cute when you’re angry,” because that’s exactly what he’s implying; that Ladybug’s anger is something “amusing” to him and not something he takes seriously. We’ve already seen it before in “Reflekdoll” and “Oblivio” as well, so this is just a continuation of already-annoying behavior.
Then, instead of Ladybug getting even angrier for it, the episode has her smile at him, which not only isn’t a normal reaction compared to how she’s reacted before, but now gives the impression that she’s being conditioned by the narrative to accept Chat Noir’s behavior in whatever shape or form it takes.
Because think about it: regardless of how upset Ladybug gets over Chat Noir, it never works out for her and she’s forced to either make up with him quickly or just get over it because she can’t be fighting with her partner (meanwhile, like in “Glaciator,” Chat Noir can be as upset as he wants and she’ll apologize first). She presumably would now have the authority to take away his ring by virtue of being guardian, but he’s also been her partner from the beginning and he’s had so much time to get used to the cat. Most likely, she would sooner blame herself for failing to reign him in than blame him for failing as an adequate partner.
There’s nothing she can do. She has to deal with the hand that she’s been dealt and getting angry at him has done nothing; rejecting him has done nothing.
And of course the episode throws everything under the rug in the ending with an insulting LadyNoir scene where Ladybug and Chat Noir talk about the secrets their forced to keep but also how they can trust each other.
Meanwhile, Ladybug has no idea of all the things Chat Noir has done behind her back. She still has no clue about “Copycat,” nor “Syren,” nor any of the stuff he did in this episode that she’ll probably never know about. Factor it in with “Miraculous New York” (whether one considers it canon or not) where she rightfully shouted at him because he betrayed her trust, and here we are one and a half episodes later (since “Truth” and “Lies” take place at similar times) where suddenly they’re all buddy-buddy and Chat Noir doesn’t have to deal with any consequences to his selfishness.
I’m glad that Kagami didn’t forgive Adrien in the end (even if I’m upset that she doesn’t know how bad it really was) because she had every right to walk away and not want to be friends with him. I only wish that Ladybug could do the same thing and never look back, but due to the love square’s status as endgame, we know that can’t happen, and Ladybug will eventually be forced to fall in love with a guy who mocked her responsibilities behind her back, disrespected her authority by opting to tease/flirt with her, continued pursuing her despite her rejections, and hoped for Paris to be in danger just so he could see her.
And... yeah, that hurts. It really does.
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shihalyfie · 3 years
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Some things to know about the upcoming 02-related movie
As someone who seems to be known for being a 02 metablogger now (and 02 lover in general), and who’s been closely following Kizuna’s development and is generally fond of the movie itself, I figured I’d probably need to address the elephant in the room that is the announcement of the upcoming (unnamed, as of this writing) 02-related movie. This is also especially because I’ve personally been on the record saying that I absolutely did not want a Kizuna sequel. And, well, on top of that, to be a bit blunt about it, a lot of us, especially 02 fans, have a lot of reason to be skeptical of Toei right now given some of the things they’ve done with this series in the past, and 02-related things in particular (trust me, the wound is still extremely fresh), so it says a lot about what it took for me to get even remotely positive about this prospect.
Well, here’s the good news: while I of course still think there’s good reason to be apprehensive, and while I wouldn’t say everyone should be getting their expectations up for it to be guaranteed fantastic (which is something I would say about anything, regardless of whether it even has to do with Digimon or not), I don’t think there’s too much to be panicked about with this movie. Again, it took a lot for the staff to gain my trust in this respect, so it’s not something I say lightly. But if you’re a 02 fan and you’re extremely apprehensive, here are my reasons for feeling this way, and, hopefully, they might make you feel a little better too.
The reason this movie exists to begin with
One of the most striking things about this movie’s reveal was that they’ve literally only just started production on this movie. This was to the point that, at DigiFes, where this was revealed, even the voice actors stated outright that they knew absolutely nothing more than what the audience knew from the trailer. Katayama (Daisuke) only knew anything in the sense that they had him record those few lines for it. So even though it’s been a whole year and a half since Kizuna released to the public, it had only just been decided to make a new movie like this. All of the statements between Kizuna and now stating that there was nothing particularly in the works at the time were completely accurate. Of course, there are obvious hints that they were setting up for this possibility (many, many people noticed the suspiciously favorable position the 02 group was in during Kizuna, and the press releases were carefully worded so that having a movie about “Daisuke and his friends” would allow any statement about Kizuna being “the last adventure of Taichi and his friends” to still be technically truthful), but for all intents and purposes it seems like there had been no actual commitment to making this 02 movie until now, and that they’d at least wanted to gauge the surrounding climate and fanbase reactions for what people were looking for before they decided to go ahead with this.
The obvious reasons as to why this movie exist involve the fact that Daisuke and co. are pretty much the only “out” you can have to continue the Adventure universe without constantly defaulting to Taichi’s group yet again, because at the very least it’d be something that you can’t deny hasn’t exactly had the best representation in recent years. Of course they’re trying to capitalize on this! I’m not going to pretend they aren’t! But producer Kinoshita left a very interesting comment about a particular goal they have with this movie:
This time, the core behind the movie is everyone from 02! Daisuke’s group has their own different kind of charm from Taichi’s, and we want to express that precisely because we’re in the times we’re in right now.
That comment alone has a lot to unpack. (For a frame of reference, Kizuna released in Japan in February 2020; development had already long finished by the time the pandemic first hit, and it was unfortunately one of the first victims of the initial lockdowns because of how bad the timing was.) Acknowledging directly that there’s something different about Daisuke’s group and their dynamic, which makes them especially suited for what we need in “the current times”...hmm, what could that be?
The implied answer is one that many 02 lovers will know very intimately: the 02 group’s particular specialty is in uplifting others and giving each other emotional support. While Adventure had traces of these themes, 02 was the one that went really hard on the themes of dealing with grief and loss, the existential crisis of what to do with oneself in a world placing heavy pressures on you, and how to move on from hardships with the help of others. The fact that the 02 group specializes in this more than anything else is probably one of the most distinguishing factors between them and their seniors, so there’s a very heavy implication here that they understand what distinguishes 02 from Adventure, and what it uniquely would bring to the table in this kind of movie. So this isn’t just “we’re relying on the 02 kids because they’re part of the same universe”; there’s some degree of substantial understanding of what makes 02 as a series unique, and a desire to use this to its fullest extent.
Still don’t believe me? Well, how about this...
This staff really likes 02 a lot
Seki Hiromi, the original producer of Adventure and 02, was involved as a supervisor on Kizuna’s development. Seki was personally involved in the creation of these kids and 02 itself -- she’s the one who noticed the story of the nine-year-old boy skipping grades into Columbia University, the one that formed the basis of 02 itself and eventually came back for Kizuna -- and even personally vetted Kizuna’s script to make sure everyone was in character, gave her thoughts on what the kids would be like in 2010, and was (repeatedly) commented as seeming to love the kids like her own children. As of this writing, it hasn’t been confirmed whether she’s involved on the new movie, but even if she’s not, this means that the staff on Kizuna that is returning all listened closely to those discussions about what the characters are like, straight from the mouth of one of their own creators. The new character song releases had a brief mention in Lounsbery Arthur’s interview that there were apparently extensive discussions with the staff on what the characters should be like at this time, so while Seki’s involvement with that is unknown, at the very least, a lot of conscientious thought seems to be put in at all times into maintaining these characters’ integrity.
Of course, just having an original creator alone on it doesn’t necessarily do it by itself, so here’s another interesting thing: Taguchi Tomohisa, director of both Kizuna and this movie, is also very fond of 02.
I suspect we’ll be hearing more from him as this new movie goes further into development, but Taguchi himself implied that 02 was actually the one he happened to connect with in particular, and when you really think about it, given the circumstances surrounding Kizuna, it’s not actually surprising that a movie trying to be conscientiously aware of 02′s position in the narrative would have someone with a particular fondness for it on its staff. (Reason being: a lot of Adventure fans don’t care much for 02, but you’ll almost never meet a 02 fan who doesn’t also adore Adventure.) The really fun part about this, however, is that Taguchi has repeatedly stated that 02′s first movie, Hurricane Touchdown, is his favorite Digimon movie -- in a climate where everyone else was talking about Adventure. The expected answer for the majority of Adventure fans in terms of “favorite Digimon movie” is almost always Our War Game! by knockout, but no, for Taguchi, it’s Hurricane Touchdown, and not only has he said this, he won’t shut up about it. He’s been saying this since 2019. Even Seki noticed. A whole article got made about this. He brings it up whenever he has a chance to. To top it all off, when a Kizuna event asked everyone present about their favorite characters, and everyone gave Adventure-related answers, Taguchi’s response was instead Terriermon and Daisuke. And I mean, look at Kizuna itself -- its entire plot revolves around having to move on from unhealthy nostalgia, represented by kidnapping people and turning them younger and an antagonist swallowed by their own negative emotions, which, well, is literally the plot of Hurricane Touchdown. (Yeah, that Wallace cameo is very, very likely to be sheer self-indulgence.) And considering that Taguchi said his favorite human character was Daisuke, not Wallace, it means that he understands what Hurricane Touchdown brought out of Daisuke, what his interactions with Wallace meant for both characters, and how Daisuke’s best strengths lie in his ability to support and uplift others.
And, finally, we have Yamatoya, who was responsible for penning both Kizuna’s script (and, thus, being privy to Seki’s corrections) and the bonus drama CD that came with it, on the script, and he personally said that he enjoyed writing for the 02 group because he felt they were important to lightening up the mood of the heavy story Kizuna was becoming. In fact, every comment from this staff about what the 02 group brings to the table in particular has showed a good understanding of what their appeal is -- that they have to be “fun”, that they were “healing in a heavy story”, and Taguchi himself said that he got the impression that the 02 group had more straightforward paths to their epilogue careers (which is interesting, considering that I’ve also personally pointed out that the 02 group seemed to have careers with significantly lower bars than their seniors’ due to their difference in priorities). All of these things are observations you make when you know this group and the importance of the story they came from.
Extend it even further to the rest of the staff members and you’ll find there are a lot of 02 fans on there, including the animation staff, who made some very neat observations about 02 and its finale. Miyahara Takuya is a particularly amusing case, because he seems to love Imperialdramon so much that in the thanks booklet for the deluxe edition for the Blu-ray, he drew a picture of Daisuke and Ken with Imperialdramon Dragon Mode because he didn’t get to be in the movie. (As in, he actually said, point-blank in the caption, that he loves Imperialdramon and wanted to draw him because he wasn’t in the movie.)
Of course, even if you’re trying your best, things may not always work out, so I’m not saying having love for the characters will necessarily guarantee that the product turns out for the best. However, considering that historically a lot of our fears come from the idea of them milking the name value of the characters without really caring about their integrity or understanding what the series was about (especially since a lot of people in the fanbase itself don’t tend to read 02′s nuances very well), I think, at the very least, we don’t need to worry about the staff for this movie not being conscientious, nor the idea that they’re making this movie without understanding or caring about 02.
Furthermore, one thing I appreciate is that they’re actually leading the advertisement with a premise that is distinct from Kizuna’s. Of course, it covers a similar topic of “partnerships”, and it’s very possible it’ll cover the issue of the solution to Kizuna’s problem (especially since the answer was already hinted to have a heavy relationship with 02), but nevertheless, it’s an actual premise that’s not just “Kizuna’s story, but more of it”. It’s an understanding that something 02-related should be allowed to stand on its own rather than just tacking it onto an Adventure-related thing. Beyond that, while I think it’s generally expected that a side story like this should have an original character, I think it’s actually very good this time in particular that there’s a new element/character for the 02 group to interact with; again, as with Hurricane Touchdown and Daisuke, these kids often have the best brought out of them when they’re supporting others, and honestly, because the kids suffered so much in their own narrative, I’m not particularly fond of the idea of seeing them having to go through too much more trauma themselves (it’s a big reason I don’t like the idea of a 02 reboot). So while I’m sure a lot of 02 fans feel a bit antsy that the actual group itself wasn’t advertised first, I actually consider it a positive sign that they have an understanding of what context this group performs best in, and, moreover, well...the last time they unveiled something that was so focused on advertising the return of old characters that it forgot to actually be straightforward about the premise, I don’t think that ended well. So to speak.
In general, the track record is good
It’s easy to just smile and nod at the portrayal of the 02 quartet in Kizuna, because in general everything from them is in-character, but I just want to point out how significant it is that they were portrayed so conscientiously when it is really easy to mess them up. (As I like pointing out very often: even official has not historically been very careful with Daisuke’s character.) There are so many easy pitfalls you could have fallen into and pigeonholed the kids into, but Kizuna absolutely demonstrated the quartet at their best, showing off all the nuances of their character and bringing up all the parts that were most important, especially Daisuke’s best quality being “positivity and cheerfulness” and not all of the other things about him running in circles or having a crush on Hikari-chan. This even goes down to the casting; Katayama Fukujuurou sounds terrifyingly like Kiuchi Reiko in terms of all the little nuances and pitch shifts she had in her performance, and the cast themselves spoke of all the nuances present in their characters as they were studying for their roles. These are things that even fans of the series tend to miss, but the voice actors for the quartet nailed their roles so well that it’s very easy to tell that the direction understood exactly what they were looking for and needed, and casted accordingly. Even those who didn’t care for the movie much had a very hard time disputing the voice casting for the quartet (and this is saying a lot given how much voice actor changes are often a really sore point among Japanese fans).
But while the 02 group had a limited amount of screentime in Kizuna, the staff also had a lot of opportunities to prove themselves with the drama CD and the new character song CDs, and every single aspect of these reflects something that was represented in 02 itself -- again, things that often go over the heads of people who aren’t paying as close attention. The drama CD captures a lot of the essence of the dynamics between the group in only short lines, and all of the statements about the characters in the character song interviews are accurate (and remember: Arthur said directly that there were discussions with the staff about keeping them true to character). On top of that, not only do the lyrics in said songs directly mirror each character’s development from the time of the original Best Partner series, there are also a lot of things in said songs that demonstrate a nuanced understanding of each person’s character and what they got out of the events of 02. Someone with only a surface-level understanding of Ken or Iori’s character might think that Ken should only have a soft song, or that Iori shouldn’t want to do anything ridiculous, but the series goes ahead and gives Ken one of the most passionately emotional rock songs in the batch and Iori outright rap with Armadimon, which are both fitting decisions in light of Ken actually being one of the more emotionally assertive people in this group, and Iori only being stoic because he’s strict with himself and being willing to let loose in certain circumstances (especially after the events of 02).
As of this writing, I don’t know if the new movie is going to be featuring the entire group in a major role, and I’m not sure if I even want it to; as much as I do strongly feel like the group should always work together at all times, one minor personal complaint I had about Kizuna was that it tries to do too much in too little time, and I’m personally fine with this new movie being more Daisuke-centric or something if it means it can just get a nice story on the table (after all, if I wanted something that more evenly represents the entire 02 group, I’d just go back and rewatch a very nice anime series called Digimon Adventure 02). There’s also the very thorny question of what to do about Tokumitsu Yuka, since I don’t personally really like the idea of still dragging her out of retirement like this (but I also wouldn’t want them to awkwardly write around her just for this, and I’m wondering if Sonozaki voicing Tailmon in the reboot would let people accept her as a replacement without much fighting).
Nevertheless, I think Kizuna’s staff has proven more than well enough that they understand the essence of 02 and its characters, so, again, regardless of how it turns out, I at least expect that this can be made with some degree of conscientiousness, and at this point, that’s all I can ask for. I don’t think it’s fair to expect or want this movie to be the second coming of 02, because, again, if we wanted that, I think it’d be better for us to all go back and watch that lovely little 50-episode anime called Digimon Adventure 02. But in terms of being something that can add a little nice thing to the mix, I think, so far, this movie at least has positive signs of turning out that way -- and, remember, think about what I just said about initially being very against this idea; as a diehard 02 fan who has a lot of very picky feelings about how to best represent it, it took a lot for the staff to earn my trust in this sense.
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Hey there! thanks for the AWTWB asks you’ve been answering—they’ve helped me process some parts of the book and think things through.
that being said I’ve got one of my own questions for you.
one of the things I really loved about Carry On was Simon and Penny’s friendship. One of the things I appreciated about WS was the friendship between Baz and Penny.
but we didn‘t see much of either of those in AWTWB and that kind of bummed me out. What are your thoughts on the lack of those interactions?
hello anon, thanks for the ask! This might be a long one, so bear with me!
Simon and Penny's friendship is one of many wonderful parts of these books. Like you, it's one of the things I've loved to read. I was also so gratified to see that Baz and Penny grew to have such a deep and caring friendship in WS.
It may seem like we don't see those friendships "on screen" in the same way in AWTWB but I do think there are reasons for that, reasons that make a great deal of sense building on the previous books.
Simon and Penny's friendship is introduced in CO and we see it as rock solid through that book. I don't think there was any doubt as to the mutuality and depth of that relationship. It continues, albeit affected by Simon's personal trauma, in WS. In WS we also see the introduction of Baz and Penny's friendship--forged in their mutual care and love for Simon but being a distinct and separate entity as well, a love and caring for each other that goes alongside the relationship they have through Simon.
I don't think AWTWB diminishes those friendships. But circumstances have altered–based on Simon's decision early in the book to withdraw himself from the World of Mages, from the revelations about themselves the trip to America brought forth, with how they choose to move forward based on those circumstances.
I think CO and WS did a good job establishing the foundation and strength of Simon's friendship with Penny and the Baz and Penny one as well. I don't think there is any doubt in AWTWB that they all care very deeply for each other.
But Simon has drawn a line. A boundary. He believes he needs to be distinct and separate from the World of Mages to move forward, to get unstuck. He makes that very clear to Penny in his conversation with her, a conversation that is off-screen for very good reasons I think. One reason being it having a stronger emotional punch when Simon tells Baz (and us) in the break-up chapter--it would have been diluted if we had already heard his reasoning. Instead we get to hear Penny explain her understanding of it to Baz before Simon gives us the much more emotionally devastating version he gives Baz.
We get to see Penny making some very crucial realisations about the co-dependant relationship she and Simon had developed, about her own decisions and reactions to what had been going on in Simon's life. And her role as his friend and confidant. She is seeing things through a different lens–since the Mage's death, since Simon's spiral, since the trip to America. Mitali is rather harsh in her observations but Penny did thrive on the excitement and intrigue of the missions, her role as dread companion, the rush of research, intuition, and creative spell casting that she would contribute. But we saw even in CO that Penny had reached a point of wanting to spirit Simon away, to keep him safe, to pull him away from the World of Mages herself. A part of her that intuitively knew his life as a boy-soldier was unhealthy and hurtful to him in the long run. There is certainly a part of Penny that likely blames herself for not seeing through the Mage earlier, for not in some way protecting Simon or helping him avoid what ultimately happened. Not that she necessarily could have, but she would be thinking about it.
We know Baz feels that way as well. We hear Dr. Wellbelove voice a regret we know those closest to Simon would be feeling. Penny loves Simon. She does respect him. But she has put herself in a “taking care of him” role that takes away some of his agency and leads to a challenging dynamic. She and Baz both, in WS, but Penny has a longer history of that. After America she has come to a realisation that perhaps she has enabled or encouraged some of the situations they have found themselves in, that have been detrimental to Simon in the long run. That her mantra of Simon needing her hasn’t necessarily been healthy for their relationship. He sets a boundary with her and she chooses to respect it, not bulldoze right over it, as she may have in the past. This is a huge moment of character growth for her. She isn't relinquishing her relationship with Simon. She's giving him the freedom to do what he feel is right for him in the moment. She loves and trusts him enough to give him space when she understands he needs it. She doesn't like it, it hurts like hell, but she knows this agency and control and decision making on his own terms is vital for him. And when he calls her back, to help solve some new magickal conundrum, she doesn't let herself get drawn in. She keeps her promise to him, even if he's the one crossing the boundary.
It also allows her to be her own hero, if that makes sense. To be the hero of her own story, to approach something on her own terms. She bemoans the fact that she doesn't have Simon and Baz to listen to her think through things when she's with Shepard but the reality is she doesn't need them to do that--she can do this herself. It's empowering and a shift in her own experience. It also allows her to open herself up to someone new, let someone else in to her tiny circle.
I also think it's important in this story to see that just because someone asks for space, or needs some distance or agency, it doesn't necessarily mean you're losing them forever or that they are permanently rejecting you. Or that you’ve done something irrevocable. People need to grow and process and change and sometimes they need the space and freedom to do so. I think that's a very meaningful point. They last a little over a week apart but it's a week that provides them both with insight and growth. And they find themselves again, stronger than before, when they are back together.
And Simon talks it out with Penny. Baz tells him he should and he does. And it's ok that conversation is offscreen. We know the love they have for each other. We know Penny hates emotional conversations (her whole issue with saying goodbye from Carry On). It's not a scene we need to see--it's ok that it's private. It's how they'd want it.
We don't see as much of Baz and Penny's friendship, which you also mention, but I think again that's ok. It doesn't mean it ceases to exist--it simply continues on in the background as Simon and Baz's relationship work takes the forefront. Yes, Baz and Penny have a disagreement about Simon. But their friendship remains. They still communicate. They are still there for each other in the pivotal later scenes surrounding Smith. That hasn't changed. They have each others backs. They always will. I don't think Penny truly begrudges the fact that Simon and Baz have had this time together--I think she is very aware of how much they care for each other and that they needed to sort themselves to move forward also.
I hope this answered your question. The tl;dr is basically their friendships endure, even when not explicitly on the page. We don’t necessarily need to see them to know they’re there—the groundwork has been laid. We know their history and the depth of those friendships and that this time apart allowed for growth and progress and healthy boundaries and understanding. All good things. And in the end, they're all in this together, for each other and in support of each other.
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