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#never has he been as relatable as he is in this scene for me
the-golden-kingdom · 3 days
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As a person of colour, Toshiro is so unbelievably relatable once you realize the reasons and emotions behind his actions. He's been microaggressed upon p much all the time down to the name people call him, but he continues to be silent about it because of the cultural pressure he was raised on of having to be polite and kind and not to speak his true thoughts.
I can relate so hard to his jealousy about laios being able to be more open and confident and speak his mind. I can never bring myself to dislike him at all esp during the laios/toshiro fight because both of them are coming from very real relatable places to me. Its a nuanced conflict. Toshiro has a lot of pent up emotions he needed to get out for all the reasons i said before. And laios was rightfully upset about Toshiro not seeing him the same way he sees him and hiding all of this from him. Both of these guys are in the wrong in this situation. It's not a good guy / bad guy thing.
They both are different kinds of autistic people under different circumstances and I can honestly relate to them both on different things.
Also the scene right after dude gives him the bell and gives them a way out if things were to get bad. And with that we see he obviously cares for laios and the rest of the party despite everything.
All in all. Love u Toshiro they could never make me hate u !!
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shakingparadigm · 18 hours
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Musing out loud in your inbox, so pay me no mind, but I really think that Ivan's primary emotion in round 6 wasn't love, but resentment. Something along the lines of, "My life never mattered to you, so my death shouldn't matter to you either, even though this means so much to me." His first, final, and only "fuck you, dude," the kind you can only give to someone you genuinely care for. Ivan has always been waiting on the sidelines and behind-the-scenes to everything in his own life, passively observing it all, and I think round 6 was meant to be him finally taking active control of his own life, doing something just for him, selfishly, no matter the cost or consequence. So, the first emotion he blatantly expresses in the round is resentment, and then he is shot, and only then does he get his light back as if "oh, no, the love is still there, it didn't go anywhere." And then he smiles.
his first, final, and only "fuck you, dude" 😭
This interpretation is really interesting in the way that it hit me in the chest with how I kind of related to it (no context).
I think the "my life didn't matter to you, so my death shouldn't, either" sentiment was very present in Ivan's mind during that moment. Viewing this scene as one fueled by that specific flavor of resentment is actually one of the most unique interpretations I've heard so far. Not sure that I agree with it, but I resonate with it in some weird personal way. In Ivan's situation, certainly the feelings of resentment would be there. We're only human, after all. Some people can't help but feel it deep inside. I don't think his resentment overpowered his love, though.
"the love is still there, it didn't go anywhere." what if i shriveled like a raisin
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cursedvibes · 2 days
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I know you like tenken, takaken and sukume but what are some other relationships or dynamics do you like in jjk and why? Could be romantic, platonic, familial, antagonistic or just plain toxic and fucked up, anything.
Thanks for the interesting ask! These are my favourites at the moment.
Mahito & Yuuji
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I think it's the best antagonistic relationship Yuuji has in the entire manga. I like them both as a ship and platonically for what we get in canon. Although considering the scene in the anime where Mahito tries to murder kiss Yuuji, you could say it's one-sidedly canon.
I miss Mahito a lot lately and come to only appreciate him more and more with time. He was very good at building up a sense of dread and he has a viciousness to him that's lacking in the current Shinjuku fight for me.
He mirrors Yuuji without literally being related to him (so far, who knows what else Gege will reveal to be in Yuuji's gene cocktail). Yuuji learns something from him, reflects upon himself, his actions, who he wants to be and why he fights. They are both still figuring each other and themselves out. Both of them grow during their fights and become more dangerous, desperate and feral any time they meet. I love how Mahito is not only able to break Yuuji, but also to break him. Yuuji's hatred for Sukuna is smouldering, while for Mahito it is a raging fire. Yuuji has nothing to learn from Sukuna and no interest to engage with him anymore, while for Mahito it was raw and personal and resulted in Yuuji embracing the disgusting and ruthless side of himself that makes him so cold against Sukuna.
It's been great to see how even now Mahito still influences Yuuji. He was the first one who really taught him about the soul and what it can be capable of. Any time the soul is brought up, Yuuji's first thought is how Mahito was able to manipulate and contort it. He is able to hurt Sukuna so much because of what he learned from Mahito. As much as I miss Mahito and his personality, it wouldn't make sense to bring him back now, so I'm glad to see his continued impact on Yuuji this way. Overall, what I like about the two is how "juvenile" their conflict is. Cruelty of a child and innocence of a child clashing and both of them improving, growing and maturing through it. I also think it's very fitting that Yuuji never got to exorcise Mahito because the message is that Mahito represents a different side of him and he shouldn't ignore or destroy that side, he has to embrace it to be able to stomach what lies ahead.
Maki & Mai
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If done right, I'm always a sucker for twin relationships, especially the codependency in it. I wouldn't say Maki & Mai are my favourite example of them or the best written one, but I still like them for what they are, particularly everything in Perfect Preparation and the Sakurajima colony. It could've been better and more consistently set up, but the payoff is still emotional and impactful and that's what I like them for.
Both of them need each other, wanted to help each other in their own way, but they never saw eye-to-eye or managed to communicate properly until after Mai's death. They were holding each other back through more than just the jujutsu consequences of being born a twin. Mai wanted Maki to give up and live with her at the bottom and Maki thought she had to shoulder all responsibility and could only go on and pave a way for them alone. Even after the have "become one" in a jujutsu sense and Maki unlocked her Heavenly Restriction, they don't immediately work together and have to learn how to communicate with each other and lift each other up, make up for what the other can't do. And through understanding Mai better and learning to hold her and fight together with her, she also begins to understand herself better.
I wish we got a more in-depth look at them, their past and relationship while both were alive before the Perfect Preparation arc. I hope Maki's arc will have a satisfying end and she will find something meaningful to do with her life.
Hakari & Uraume
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Every time the leaks come out, I'm hoping for at least a glimpse at these two. There's been setup for some really interesting exploration of the themes of humanity and strength here. They are also just such a funny duo and it gets more and more hilarious the more chapters pass by and we don't see them. While Sukuna plays whac-a-mole with the main group, Hakari and Uraume have been "fighting" for 20 chapters now without seemingly getting anywhere except gossiping about what happens over at the main source of action. Wouldn't be surprised if we skip back to them to see them eating ice cream while watching the others get beaten up.
On a more serious note, I really hope the little speech Uraume gave in ch 245 gets picked up again and explored upon because it was the most interesting commentary we got so far on the source of sorcerers power, what it means to be human when you are so strong and also Uraume's background. Uraume's view of humanity and strength seems to slightly differ from Sukuna's and they also seem to reflect upon it more. They say forming relationships and fear of losing said relationships is what makes you weak and yet they have no problem following Sukuna and worrying about him. They are even open to forming bonds with others like Kenjaku or even Hakari. Hakari is actually the person we have seen them be most relaxed and friendly with so far. With Sukuna there is always a remaining formality and Kenjaku annoys them, but with Hakari they chat like a normal person. They make fun of him, but it's very colloquial. It seems like they actually came to see him as a true equal. There is no binding vow or old history binding them together, they simply want to keep Hakari from interfering with the fight and through that they got to engage with him without any pretence.
I just wish we actually got to see how their relationship developed over that now pretty significant amount of time and to see more of Uraume's worldview and maybe Hakari's too. He broke away from Jujutsu Tech and was left to build up his own independent existence together with Kirara. Very similar to Uraume and Sukuna. Now if we could only explore that connection between them more. On page. Not off-screen. I would've taken that any time over the pointless intervention from Geto's cult members or Kusakabe sacrificing himself.
Kusakabe & Yaga
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I think this is Kusakabe's most interesting relationship and what actually gives him some depth beyond Exposition Guy. It's also where we see Yaga's more overtly caring side beyond his interactions with Panda. Unfortunately, it gets overlooked a lot, in part because Gege doesn't linger much on it beyond one or two chapters and Kusakabe's last words before getting cut down. There is literally nothing about this ship in fandom spaces. Probably because for some reason people think Yaga isn't hot enough (he's the literal definition of a dilf what more do you want?)...
Chapter 147 is interesting because it shows us the closest relationships and most hidden secrets both Kusakabe and Yaga have. We learn that Yaga not only makes autonomous puppets, but he actually has a whole Hundred Acre Wood-type of retreat full of the souls of dead people, children in particular. They aren't weapons like Panda, they don't fight, they are just allowed to live there. Protected by Tengen interestingly enough. She probably just doesn't care what he does or thinks it mildly interesting/quirky. This is also where we find out that Kusakabe has a sister (Usami?), who has been severely traumatized to the point of being catatonic and lost her son, Kusakabe's nephew. Despite the taboo, both Kusakabe and Yaga are willing to raise the dead not only to help her, but also to give Kusakabe something of his family back. It's the most vulnerable moment we've gotten of him and it speaks of their deep bond that Yaga was willing to do this. Doubt he would do this for just any jujutsu teacher (who doesn't even work for him). Creating that kind of cursed corpse isn't easy after all. But nothing strengthens a bond like necromancy. Kusakabe's last words about Yaga in ch 254 are also interesting. He fights for Yaga, knowing he wouldn't force him to do this, but reflecting on how they used to be able to fight together. They must have known each other for a long time. Kusakabe tells himself multiple times to not linger on the dead, but any time he does, it's because of Yaga.
A very interesting relationship with much potential that goes underexplored. I would've much preferred for his relationship with Yaga to be highlighted more in his fight against Sukuna than that out of place "interview" where people who barely know Kusakabe explain his character to us. If they could bring Gojo and Nanami back from the dead, they could've shown Yaga too. If you really want me to believe that Kusakabe is a kind person, show me more of how he acts around the people he actually cares about, i.e. Yaga and Miwa. He's a very different person around them, particularly Yaga and that's when he allows himself to be vulnerable.
So yeah, I think they explored each other's bodies to help each other through their grief.
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fanofthelamb · 2 days
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So I went dumpster diving in my tablet for the first lamb I ever drew and WOW... I found a lot of sketches I really don't plan on revisiting. I am jsut gonna dump them below the cut for people to see!! Some of it is lore related, some of it is shit I ABSOLUTELY FUCKING HATE, but IDC!!! I will post it anyway for the tumblr users who I keep an eye on my notifs for. (yes, i see you guys. even if i dont always interact I see you and love you guys)
Anyway, here is the earliest drawin I have of me drawing the lamb!! I am going to write a comment under a lot of these to add context to them.
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A cute little baby <3333 but I struggled a LOT of figuring out what the lamb was wearing, I eventually figured it out though. (I hope)
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if you know, you know. (RIP VAL)
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for my BTG AU. I decided I no longer wanted chemach to make the [spoiler] for the lamb, though, so I scrapped this
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vaaaal,,,,,, i was still learning how to draw him, i wish i put pants on him but do those even exist in COTL? (yes)
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I haven't been able to do much with them because I'm putting other stuff first, but Brear has two kids, Notre and Brejul who Narinder absolutely ADORES. he is the one who babysits.
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fun fact but the lamb being touch repulsed is a projection LOL. i hate it when people touch me it feels so tickly and makes me want to bite their faces off. (but i am touch starved and i LOVE to show affection to other ppl, esp thru back rubs)
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yes, they have a hoop for personal space. no, ill never use it.
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drum corcl,,,, i love the little dancing guy that comes from the drums
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more narinder and brear. they're not romantically interested in each other, but he is absolutely head over heels for brear, their brother, and the kids. they even call him dad sometimes.
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[no context]
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kallamar and leshy before their crowns. the scene i have related to this isn't happening anymore, but it was leshy begging to be taught to swim.
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another "the one who baby sits" doodle. the bishops all came into the cult with a very good repuation thanks to narinder. he likes to tell the kids of the cult stories about how amazing his siblings were. at first, it was just to nobre and brejul with stories about leshy(he missed leshy a lot even though he was still mad at him, and the two reminded narinder of his time with leshy), but then it escalated into him hosting storytimes with larger groups after they started repeating some of the stories he'd tell them.
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unfinsihed stuff about with the lamb and thier mom. their mom wasn't afraid of the bishops at all, but knew that they were a still a threat to her and her child's life. the lamb did NOT care for anyone thier mom didn't approve of/enthusiastically liked. they were much more afraid of the bishops than their mother.
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i do not actually know if i posted this.i dont think so, but i giggle every time i scroll past it
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brear and nobre <333
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im still workong on BTG shit, and i post a little bit of the characters on here even tho the comics are going to be posted elsewhere. they have a "crownlike" beak, but a body part. there's different creatures who became gods through different ways; crowns are one way but their power is stuck with the crown and they are considered extremely weak compared to other gods. i wont blabber on about it tho.
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so many sketches has random lines through em because i work with a tablet,,, i hate it. anyway, narinder and kallamar everybody!
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sketches i made but didn't bother to finish of me and merbre,,,,,,,,, my husband #1 <3 them w/ narinder + merbre arent gonna be considered "canon" but damn it ill self-ship with them until i get a follower i can WORK with
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i come back to this every few weeks and im never happy with it, i dont know if ill finish this but i think about them........ before the divorce </3
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unused from an ask
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heartstealer. menace. you can rip my heart out anytime, leshy <3
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dreshy. he LOVES dresses and being pretty and cute and pretty. he sucks narinder into a lot and heket will sometimes join in if he demands asks her to <3
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another unused drawing from an ask i'll eventually answer. (mildly offended at being called a mutton cube.)
.... aaand WOW! I think that's everything guys!! things are still kinda wild but they're calming down a little bit. idk how much longer it's gonna last like this but I have some energy so I made a way-too-long post showing off art I wasn't supposed to post! Awesome. :D
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m3r1m4r5u333 · 2 days
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One very queer post to remind my fellow buddie truthers that patience is virtue...
Never forget that the show clearly called us clowns and crows...
And neither of those is an insult.
If you haven't, I recommend you read up on the history of clowns. Do you know where they evolved from?
Fools... What are fools, in story-telling?
They have always been the breakers of taboos, the ones who dare speak up and illuminate the truth.
That's repeatedly been the role of the "fool" in literature and theatre.
And remember the scene with these modern versions of fools, clowns, in 4x06? Bobby tells Eddie and Buck to be professionals!
...Much like when he has to cut off Buck from flirting with the tapework guy... In season one. The tapeworm guy? It's basically a scene of Buck being blatantly bisexual, totally flirting with a man... And Bobby going: Be a professional Buck, finish this conversation later!
And then that clown scene later on... There's a clown trapped under some (obviously quite phallic) helium tanks, and Bobby yelling about needing to "release the pressure"?
It's a parallel. Go rewatch Eddie's and Buck's first emergency together. They need to release the pressure to save that patient.
And the name of that first episode Eddie appears in? Under pressure. That's also in the season 2 promo, the first season with Eddie. And the songs in those promos... Under pressure by the Queen and David Bowie. And a version of Nowhere to run by Martha Reeves and The Vandellas. It's a love song, about a persistent, devastating love. Fitting for a slow-burn.
Also...
Eddie: "You're a badass under pressure, brother.
Buck: Me?
Eddie: Hell yeah. You can have my back any day.
Buck: "Yeah. Or you know... You could... You could have mine.
....
Then that emergency with the grenade when they first meet...
Everyone originally assumes it's not live. Oh but turns out, it very much is a live grenade, isn't it? We see it exploding. What's a grenade, going off?
Well, it's basically deathly amounts of pressure. Grenades injure and kill from a distance, the blast, the pressure is so powerful.
So the clowns watch that scene, watch Bobby urging Buck and Eddie to release the pressure... They look at Buck and Eddie working together...
And the clowns make their opinion known.
A clown starts choking, and coughs up rainbow colored string. That's the unsaid truth which this fool says out loud to the audience.
"This story is queer. I'm telling you, there are rainbows. I'm choking on them here!"
The combination of clowns, pressure, grenades... Again... Makes me think of the Batman movie Dark Knight, especially the clever bank robbery heist which
Joker - A famous fool type character, also related to fools and clowns... plans.
Btw, some of you may have noticed that I keep rambling about the Joker, and Dark Knight. Why? Because THAT MOVIE IS A CAPRICORN OF QUEERNESS!!!
And there's that clown theme which obviously comes up in 9-1-1, too. The clowns are the queer audience, it's quite clear. That clown scene was written as commentary, to us, freaking out about the queerness of buddie.
In The Dark Knight... Remember that whole conflict of the two freaks, a Batman and a Joker?
It's a battle against conformity. Diverting from the norm. Joker spends the entire movie trying to make Batman see and own his freakiness.
Honestly I think that we queers should worship that movie, it's a tale of us, the outcasts, the freaks, us against the world.
Because we are the clowns, the fools, the freaks that people fear. Who are always told to shut up, and hide. The ones who have always been the outlaws running from the police, still are. Who nobody believes, when we see our kind.
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That bank heist in that movie, which the ultimate clown, fool, Joker, organizes?
They enter the bank dressed up as clowns. The Joker is among them, a twofold fool, a jester wearing a clown mask, his true identity unknown to the other clowns.
The bank robbery heist btw includes lots of stuff which make me go "is this intertextuality?, was 9-1-1 inspired by this?", because they remind me of memorable buddie scenes. A failed phone-call ("I couldn't even call you to bail me out of jail!"),
the bank vault with electricity ("What more proof do you need, Eddie! We are trapped in a death box, thousands of volts of electricity...")
the clowns, the queers, hiding from detection, from the gunfire,
then clowns, destroying each other, one by one.
A clown getting hurt because he's an idiot who cannot really count (Buck, Eddie, the embarrassing struggle to get to "bi"?),
This one clown who thinks it's his time to spring out of the box and stop waiting. This shotgun has no ammo...
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and the Joker nods, which convinces the dumb math challenged clown that the bank manager's shotgun has no more bullets...
Here's another deathly nod from our favorite fool...
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This backfires quickly, the math challenged clown who thinks the gun wasn't "live"... Dies.
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A fool just fooled a fool. A third fool cries out in dismay.
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In the end... it's the patient fool here who ends up outsmarting the manager, and winning the battle.
Clowns are clever. We see under the surface, we voice the truth, but also, sometimes we lie to save ourself. That's what being an outlaw, an outcast is.
The Joker bides his time, is smart about it, and when the right moment arrives... he does not hesitate. He robs that bank, proves himself to be the smart one. The ultimate fool. The cleverest clown.
So remember the history of us clowns. We are silly, scary, strange, queer, the annoying ones who won't shut up.
And we are the fools. And fools are the truth seers. Tellers. We aren't dumb, we are clever.
That's how the story goes. Ultimately the fools always realise and tell the truth. We clowns, like the Joker... We saw the potential for "aggressive expansion" in buddie. We were there from the start, we looked at that lurking grenade, and thought... I'm seeing something here. And they will keep laughing at us clowns... But they'll learn when it goes off. I do think it's a live one, darlings.
So, how does the heist and the movie end?
Joker survives the danger, ducks the gunfire... And leaves the manager alive.
He also leaves an impression that will forever change that survivor. The Joker sticks a grenade in his mouth. It doesn't kill him, but that grenade is live, it releases a strange, queer gas.
The Joker gently tells the manager that whatever doesn't kill you... Makes you stranger.
Then... The way the Joker spends the entire movie urging Batman to hit him, to kill him... He challenges Batman to make him realise that they are really the same. That they are both freaks, outsiders... Birds of a feather. Batman needs to stop pretending that he isn't a freak.
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It's like Buck and Eddie. Take a swing at me.
Wanna go for the title?
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And in the end, they both survive this (really quite queer-coded) stand-off. They prove each other wrong.
Joker finds that he's wrong, that Batman cannot bear to kill him. And Batman admits defeat.
He becomes an outlaw, too. He takes the blame for the chaos, falls out of favor. The bat signal is smashed. Batman knows he'll be hunted... but he can take it.
"...Because sometimes... the truth isn't good enough, sometimes people deserve more. Sometimes people deserve to have their faith rewarded..."
And that's why Buck and Eddie, "Buddie" has really never been a tale of two buddies.
The "truth" is a lie. The fools have always seen it.
And so the Joker, the fool, the clown, actually... wins this battle. He is captured but creates another freak by turning Harvey Dent into the Two-Face.
He makes Batman realise who he really is, an outcast. Batman goes into hiding. But Batman creates another freak, Robin.
It's a lesson. Some of us freaks argue for chaos, some will argue for order. But to others we are still the strange ones. Outsiders, outlaws. Queers. Listen to the fool and realize it, own it. See that we are the same.
And they will hunt us, but the circus grows stronger. Whatever doesn't kill you, makes you stranger.
Oh, and the crows I mentioned in the beginning? Well, they called the crows buddies, and told the audience that the crows always remember their tormentors, didn't they.
Do you think they're waiting for these boys to come out, the show asks?
Of course we were, are. And we've got one now. Waiting for another.
After all, sometimes the fool needs to wait and have patience to see the vision materialize. Doesn't mean the fool was wrong. In the end, the crows will feast.
Crows are smart. And the clowns see the hidden truth.
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ohithappens · 5 months
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mood
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autistic-beshelar · 1 month
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ah yes dungeon meshi, the manga where an autistic man gets repeatedly bullied by people he thinks are his friends and not a single person supports him
#dont get me wrong i am enjoying this manga#but i'm failing to see how this is some great amazing autistic rep#like yeah laios is obviously autistic#and the struggles he has due to his autism are VERY relatable#but it's deeply uncomfortable that even the people closest to him are routinely awful to him#specifically for his autistic traits#and their bullying is almost always a joke#not a single person defends him#literally senshi is the only character that's never been cruel to him#well and farlyn but lbr she's also autistic and also has been in like half a chapter that ive read so far#maybe ive just not read far enough or not seen enough posts#but im not understanding why the fandom are treating it like amazing autistic rep and how it understands us so well#you could argue that the narrative tends to support laios's methods and way of thinking#but nothing else does#the scene with shuro was fucking awful to read tbh#'you're so annoying because you're autistic. how dare you think im your friend when you should have just guessed that i hated you'#and not a single person defends laios#or calls shuro out on what a fucking horrific way of treating a party member that is#like i dont know MAYBE you could have just said 'hey i don't really want to be friends'#maybe you could COMMUNICATE.#but no it's the autistic man who's the problem. for the crime of.... being too nice.#i don't have a problem with the scene.#i have a problem with the fact that shuro is framed as reasonable here. instead of utterly fucking vile.#i have a problem with none of the other characters sticking up for laios.#dungeon meshi#maybe ppl will start treating him better#i would like to continue reading#but if he continues getting bullied in EVERY fucking chapter as a 'joke' then idk man
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ohitslen · 11 months
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About to say something horribly obvious, and I’m still going about Kni and the piano, well UM
In the last episodes there is this brief flashback of Vash humming a melody, and Kni asks what that melody is, to which Vash answers that he isn’t sure that it just comes to him and brings him comfort, and- LOOK I SAID IT WAS OBVIOUS BUT- that is the same melody present in all of Knives songs
So, maybe maybe, it was Kni the one who brought the melody to the piano, like composed it? I don’t know music terms sorry but I think you get what I mean
Then, when we see Knives appear on Jeneora Rock, Vash is able to tell its him because of the piano, he knows it’s his brother, perhaps not the first time he does that sort of entrance but it’s the melody that gives it away instantly (again. Very obvious I’m aware)
A melody that once brought Vash comfort and solace, he now sees it as a telltale sign of an incoming tragedy caused by his brother, something he should be afraid of and it’s no longer something that makes him feel at peace, on the contrary he just, you know, you know what I mean
Like. I’m. I.
I need a moment, I need to sit down.
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hershelwidget · 11 months
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nono guys im not done inkling posting for tonight
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now i am
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magentagalaxies · 5 months
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on the note of kith season 6 (didn't want to derail the other post but have been thinking about this lately): one of the only things i disliked - or, rather, that felt off about the revival - was how crisp everything felt in terms of the aesthetic. like ik filmmaking technology has evolved since 1994 and they couldn't do the live studio audience even tho they wanted to bc of covid, but idk the original series despite clearly working with cbc and hbo always had this diy energy, vs the new season just very much felt like oh this is a corporate thing that was location scouted and filmed on a lot
but what's interesting about this fault is that you look into anything else the kids in the hall have made themselves in the past decades and it still has that exact diy aesthetic, sometimes unintentionally but that's the best part. like, i'm the most familiar with scott's works for obvious reasons, but you look at something like contemporary mouth congress music videos or any other video project scott's made just bc he wanted to make it and you can see obvious green screens, the fact that it was clearly filmed on an iPhone, using stuff around the house as props, etc. and if you look at bruce's youtube channel you get that sense as well, and it's so delightful to see bc yeah this comedy isn't a corporate entity, it's just something these guys have to make bc they are passionate about it
anyway i guess what i'm saying is if they ever decide to do another kith revival season they should have paul bellini direct it on his iphone 5 and film 99% of it at the toronto library's green screen room
idk maybe this post is too niche bc a lot of the stuff i'm citing (i.e. mouth congress music videos) hasn't actually been released yet and also i have literally been on these diy sets in the past year where someone just set up a pop-up greenscreen in their living room and my "job" is to make sure the pets don't wander into frame. but yeah idk i find it very funny that watching the revival my only complaint was the lack of that genuine diy spirit and then one year later i'm part of that type of production
#no idea if this is relatable i just had thoughts lmao#this is also inspired by the obvious greenscreen and using-his-real-cast-as-a-prop in scott's promotional video#like again it's probably bc i've been there when scott and paul are just casually filming something at paul's apartment#but i look at something like that and i can just feel all the conversations that went into putting it together#and it's funny bc i get that sense watching the original kith tv show but not as much the amazon show#(which is wild bc i have heard behind the scenes stories from the amazon show too??? spoiler alert people were very stressed)#and i also think the diy tendencies are why i even had a chance to connect with the kids in the hall#bc so many comedians just get accustomed to working exclusively on projects that a studio has set out for them#but the kids in the hall and ESPECIALLY paul bellini love smaller projects where they get to build something from the ground up#paul has made 5 different feature films that he wrote and directed and filmed entirely on an iphone 5#(not sure if they were all specifically that model of phone he may have upgraded at some point lmao)#(also he's planning to release them onto youtube soon!!)#but yeah the goal with these iphone films was never to win every award and make a bunch of money. it's the passion for making movies#and i think since i'm a very diy-oriented person who's like ''idc if someone gives me permission i'm gonna make a multimedia musical''#that's what made paul see potential in me which is why i even got the chance to do any of this stuff#anyway i guess what i'm saying is my advice for everyone is: just make the thing! even if you have no budget and no backing#bc even a scaled-down version of the thing is still impressive bc you made it!!#if scott thompson can film a ''crowd scene'' in scottland by drawing faces on a bunch of fingers and just filming people's hands#you can make your project something iconic
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babisawyer · 1 year
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paramount+ has given up on me suddenly so I've only been able to watch a tiny bit of scream 6 so far.
#🐇#it's better than five at this point it could still go downhill though#I enjoyed the opening scene with samara weaving but I feel like it dragged on for too long#and I actually really enjoyed jason as a potential ghostface BUT that scene also dragged on a little too long#jason is sort of what I've been wanting from this franchise just some guy who is obsessed with the movies and becomes a ghostface killer#he forgets that sidney is real and that these are real stories and not just a slasher series#him listening to the last podcast on the left and ice nine kills also tells me he's the worst guy I've never met so I loved those details#lmfao like that was a very specific and pointed character design detail I wouldn't have expected#I also appreciate that sam has become a villain publicly just because she's a girl lmfao very relatable#I've only just gotten to the frat party so I haven't seen much but I appreciate them showing the different ways the group is dealing with#trauma I'm kinda surprised that they're bothering covering it. before sidney was really the only one allowed to have trauma#it's better but still not great. the dialogue has improved but it's still cheesy in a way I don't think was intended#like the therapy session with sam was kinda cringe when I think it could've felt way more important#also I've only known quinn for .5 seconds but as a baby faced skankola I appreciate the representation it's very nice to see#yeah. that's it so far. the app still isn't working god bless who knows if I'll ever finish
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aashi-heartfilia · 5 months
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The hypocrisy of Jinshi and MaoMao
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*light novel spoilers*
I just love how hypocritical MaoMao's nature is. She yells at Jinshi for being a 'Masochist' and yet we see that she's no different. Now, by definition Masochist is a person who drives sexual gratification from their own pain and humiliation, plus it relates to Jinshi's tendency to do self harm (like burning his skin with a brand)
And what is MaoMao's most favourite thing in this world?
POISON
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She literally takes pleasure in consuming it and no one can convince me otherwise. Plus she uses dangerous plants and animals and snakes whatnot in the name of her so-called experiments. Her dad may call her a 'mad Scientist' but that is a direct indication of self harm.
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And she calls Jinshi a Masochist.
I mean, think about it! The amount of anxiety she gives to Jinshi! She came prepared with a vomit inducing medicine but even she had no idea whether it would work or not. She was just hoping it would work in the salt chapter.
And the same goes for her hand, on which she has conducted countless experiments. One flower even burned her skin and its marks never left her skin. She said it was all for her hobby. What kind of weird hobby is that? Maybe, our little adorable mad scientist is just like that.
One brands his own skin, while the other takes heavenly pleasure in consuming poison.
So my point is, Jinshi and MaoMao are not that different as one might think they are and that's why their dynamic works so well.
Let's look at the excerpts from volume 5:
She didn’t know how long they sat that way. All she knew was that Jinshi was looking down at her with a faintly triumphant expression, as if he saw that the breath had reached every corner of her body now. He wiped away the tears that had sprung to her eyes as she struggled to breathe. It was then that Maomao felt a flash of intense anger. “I said that if you were going to kill me, you should do it with poison,” she told him. “I refuse to let you poison yourself,” Jinshi said, his fingers tracing her lips. “You can’t pretend you didn’t know that you were one of the candidates. As much as I’m sure you’d like to.” He wasn’t done, either: “Who was that man, anyway? I’m sure you’re not a dancer.” So he had been watching them! “I was just paying for my drink,” Maomao said. “It didn’t cost much.” She tried to look away, but with his hand on her head, she really couldn’t.
Jinshi just choked her and yet he refuses to let MaoMao poison herself. A lot of people misinterpret this scene, and don't like it all that much, saying it was just fanservice stuff but this is how I see it: Jinshi wasn't trying to kill MaoMao, he was just trying to make MaoMao submit to him for once (even if the way he did it was very wrong, but guess he's kinky like that). MaoMao is actively trying to harm herself and Jinshi loves MaoMao a lot, he cannot just let her kill herself.
It was more about him trying to exert his dominance in their weirdish - complicated relationship and that also backfires on him as we see in the next volume that MaoMao escapes Jinshi's grasps using Pairin's techniques.
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And then they both continue to avoid each other in the entire next volume! Because they both realised that they have crossed boundaries.
They both are hypocrites.
And they both refuse to accept their feelings.
In one of the later volumes, she gives Jinshi a piece of her mind on how he should tell her everything clearly, unequivocally, what he feels, and he literally declares that "he will make her his wife", which is nice and all but look at the wording MaoMao used here....
Excerpts from LN Vol 7, chapter 19 called "A man and a woman play the game"
"You’re forever telling me I need to use my words, Master Jinshi, but are you in any position to criticize? Everything you say to me, everything you do, it’s like it’s calculated to save you from ever having to actually say what you mean! To make me figure it all out! You know, you remind me of someone. You act exactly like a man who used to come by our brothel all the time. He was in love with one of the girls, but he would never just come out and say it. He thought it should be obvious from the way he acted. He was so sure he had a good thing going with this woman that he never sent her so much as a letter. I remember how forlorn he looked when someone else swooped in and snatched her away! He kept coming to the brothel after that—to get drunk and whine to the ladies. Well, in my opinion, he could have avoided all that heartbreak if he’d told the woman how he felt. Clearly, unequivocally, so that she knew where they stood. It was the least he could have done!”
Everything came out in a torrent. She felt like she’d said it all in one breath. It was strange, she thought, to hear so many words come out of her own mouth. She was mystified. Jinshi was no less startled, but the shock soon left his face, replaced by something else. He got up off the bed and stared down at Maomao.
Shit. Now I’ve done it. She’d given him a piece of her mind, and he was about to give her one back.
“So I should be clear, should I? Unequivocal? I should say what I mean? If I did, would you actually listen to me? Is that what you’re telling me? I’m going to hold you to that! Right this minute. I’ll say it all. Don’t plug your ears—listen to me!” He grabbed her hands as she was in the process of trying to put her fingers in her ears. He took a breath. He was looking at Maomao, but somehow he seemed almost embarrassed. Finally he managed, “Now listen to me, y—I mean, Maomao! Listen close! I am going to make you my wife!”
It's one heck of a chapter and I suggest you give it a go! The title of the chapter says "A man and a woman play the game" as if to emphasize the very fact that both Jinshi and MaoMao are playing the game.
Jinshi has never confessed his true feelings before this chapter and only implied that he wanted to make MaoMao his wife.
The implications were heavy though on Jinshi's part, and as smart as MaoMao is, anyone would have guessed that MaoMao was one of the candidates for Jinshi's consort. Even the clothes she received (the ones she wore to the banquet) were also provided by Jinshi along with the hairpin. It is never stated outright but seeing as the hairpin was from Jinshi, the clothes are also implied to be the same.
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More or less she's always deliberately ignoring the possibility of having anything to do with him, that is more than professional. Some may call it denial, I call it dense. Maybe, to some extent, she herself is not aware of her feelings because she never lets herself feel anything.
Even Suiren pointed it out pretty early in the manga, that maybe it's MaoMao's way of being reserved. We need to keep in mind that MaoMao is an unreliable narrator and it's more of what she does, rather than what she says that makes a difference.
Even in the chapter that I have quoted above, she had every reason to leave Jinshi, she wasn't working for him after all. But she stayed to make tea for him, even after the fact that she had a long day too. She was almost just as exhausted as Jinshi and yet she was there preparing medicinal tea, so that he could get a better sleep.
Maybe she herself is yet to realise just how deep her feelings run. Till vol 12 she seems to have accepted them, but she still is yet to acknowledge their depth. Maybe it's because of her childhood.
It's not a traumatic backstory but MaoMao had a sad childhood nonetheless....
She was raised by her grand uncle and her real father was eccentric, who scared her. Her mother must also appear to be kind of demonic to her, since she was desperate enough to cut MaoMao's Pinky finger and send it to Lahan. So it's safe to say that MaoMao never received proper parental affection. And adding to the fact that, a brothel is not exactly an ideal place for raising a child.... especially when the birth of MaoMao was the one thing that brought the brothel to its knees...even if being born wasn't her choice.
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Plus MaoMao stated it herself that when she was a baby, no one would come to sooth her until their work was finished, implying that even if MaoMao and her brothel sisters are close, they are not that close. A mother's love is different and she never received it. No one can love you more than your mother and MaoMao was deprived of that. She soon realised that no one was coming. Life is hard and she has no choice but to face it!
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So, she got interested in poison.
Maybe she doesn't love herself or her life as much as she says / pretends she does. She's always like "yeah, I would very much like my head to be with my body" and "if I stay low profile maybe I can survive here" etc but maybe deep down that's not the case. Maybe that's why she loves poison so much. The implications are crazy.
And to break MaoMao's shell, Jinshi has no choice but to be a bit more forceful at times? At least that's how I interpret that choking scene. Jinshi was angry at MaoMao because she deliberately suggested him to marry consort Rishu and danced with Rikuson.
Even if Jinshi never said it outright, he was giving hints the entire time.
But well the tables turned and MaoMao topped him instead, lol (vol 7) and later we even see that our little stray cat has accepted Jinshi and she's ready to be in a relationship with him (vol 12).
Plus she is intrigued by the process of birth (she wants to eat her baby's placenta, it's kind of uggghhh.... but anyways, that MaoMao we're talking about, she's just weird that way)
Maybe not after too long she'll realise that if she has to give birth, she can only have it with Jinshi and no one else.
~Sunshine
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rolanpilled · 7 months
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Facts about Rolan you might have missed, while you were busy saving the world
Spoilers for Baldur’s Gate 3 below!
Here’s a collection of some Rolan facts you may have missed during your playthrough. (These are all from memory, so I will edit this later with sources and exact quotes.)
He is not related by blood to Cal and Lia - You can find this information by speaking with his corpse. All three of them consider each other family, but Rolan seems to hold some insecurities about his position with his siblings. In the same conversation, he mentions having “no one” when asked if he has family and that he identifies as “Rolan, just Rolan” - potentially implying that he’s been abandoned or rejected by his blood family, if they’re alive.
Cal considers Rolan an older brother - If Rolan dies during his rescue attempt in Act 2, Cal confesses that Rolan is his “older brother” and “the person he looks up to the most”.
Rolan loves organizing things - He has overhead dialogue with his siblings where he jokes about wanting an organized, color-coded sock drawer.
You can try to convince Rolan to leave his siblings behind at the grove - Try to convince him to leave Lia behind, and he will admit she’s a pain sometimes, but he could never leave her, not even for his prestigious apprenticeship.
Rolan’s diary changes depending on if his siblings live or die - Self-explanatory. He obviously becomes much more depressed and angry if you fail to save his siblings.
Rolan and his siblings have known each other since Cal was at least eight - They have overhead dialogue where Cal mentions that, when he was eight, Rolan once conjured a cat for him, only for him to find out it was made of fire.
It’s implied that Rolan, Cal, and Lia share a mother figure - If Lia dies, Cal has dialogue with Rolan about throwing a party in memorial for her, “like [they] did for mum”.
Rolan, Cal, and Lia have unique dialogue depending on which of them die - This is self-explanatory, but you can see most of the scenes here. He also appears to have unique dialogue coded in act 3 depending on if he’s angry with you or not (if you disrespected Cal and Lia’s memories by calling them Carl and Liam), but I haven’t been able to trigger it yet.
https://twitter.com/gimblebock/status/1705080072489574619?s=46&t=ZnMav_9KejiNOZkZPad0Mg
Lorroakan hates to admit it, but Rolan is more powerful than him - Speak with Lorroakan’s corpse after killing him and having Rolan side with you. He will begrudgingly admit that his apprentice is more powerful than him. Side note, it can be implied that Lorroakan never calls Rolan by his name, as he defaults to “tiefling” or “boy” in their few interactions.
If Rolan has a high enough initiative in the Lorroakan fight, he will use Thunderwave to shove Lorroakan off the tower. Peak revenge.
Some of Rolan’s spells have his name in front of them (Rolan’s Thunderwave, Rolan’s Mage Armor) - Some people have headcannoned this as meaning he had to learn magic by himself, therefore being a Sorcerer. Considering his clothes are a unique color combination for the Sorcerer robes, it raises more than a few questions
Rolan always carries Lorroakan’s letter on him - This one always makes me so sad, pointed out by @sadwizardlover. Throughout the game, the one thing Rolan always carries on his person is the written response from Lorroakan to his letter, posted below.
Lorroakan also beats Rolan up😭 He'll only admit this if Lorroakan's dead though
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That’s all! If anyone has any more to add to this list, shoot me an ask✨💞
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ifwebefriends · 15 days
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My thoughts during “The Sign” [SPOILERS!!!!!]
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ID in ALT
More thoughts under the cut
So I think most of us can agree that this is the best episode of Bluey so far. It was so emotional and satisfying in ways that are kinda new for Bluey. It answered so many questions while giving us a few new ones. I’ve been waiting for this episode for months and it did not disappoint in any way.
This is just a Chekov’s firing squad of an episode. As in a lot of stuff that was set up in earlier episodes all pay off in this episode. I kinda understand why people love soap operas now lol. I will say that this episode was a tad overwhelming for me in the best way possible. As in I had to pause and rewind every 30 seconds or so so I could emotionally process what was happening before moving forward (but that’s a me thing). There was just so much going on and I’m happy about that.
Now onto individual thoughts about specific things:
The callback to Baby Race (“you took your first steps in that house!”) really got to me because Baby Race was the first episode of Bluey that I watched and it immediately made me fall in love with it so it just got to me.
When Chilli said “Frisky and I came up here as teenagers to…um…think,” my mind started racing immediately with “what the FUCK happened at the Lookout?” “Who hurt Frisky and/or Chilli?” And I’m just so curious about what made Chilli say that line like that but we’ll probably never know what happened.
So yeah that scene at the end when the music was playing and Bandit ripped the sign out of the ground and Chilli tackled him to the ground ABSOLUTELY CHANGED my brain chemistry y’all. I can’t articulate my feelings any more than that.
I know some people were upset that Brandy ended up getting pregnant but I thought it was great for her! I’m happy for her! And I think that even though she got what she wanted in the end doesn’t negate the feelings she had about her infertility earlier. But I think we’re all wondering who the father is and I don’t know if the show really needs to answer that.
The whole message of “we’ll see” in terms of if something is good or bad is such a mature message that I never really thought of like that so I will be taking that philosophy forward in life. Congratulations Bluey, you managed to teach a 22-year-old childless person something new and insightful about life that I don’t think I’ve learned from another show.
I want to know more about what Bob was going through and feeling and why he went to India, but again, we’ll probably never know.
I just love how the wedding photos were beautiful but imperfect. Like of course we’re not perfect and nothing will ever be perfect but it’s beautiful and worth remembering anyway.
So many little jokes and moments were so funny in a mature way (I.e. “are we allowed to do that?” And Nana thinking there was about to be a baby announcement) were just so funny and memorable.
I think some people would say it’s a cop-out to end up not selling the house after building it up for 2 episodes but I don’t know, I think it works. I think Bluey and Bingo learned a valuable lesson and Bandit (and Chilli kinda) learned it’s not always about making their kids lives “perfect” in their eyes. Also I’m just personally glad they didn’t end up selling the house and I also kinda like that it wasn’t entirely their choice to keep it.
On a more serious note I think this episode has some interesting commentary on like gender roles and gender relations in straight relationships. In this episode Chilli and Frisky (both women) have to deal with their male significant others pressuring them to move with them far away from what they know and love. In the end they don’t end up moving and the men didn’t seem to have like malicious or selfish intent with it, they were just kinda basing their choices off their jobs instead of what’s best emotionally for their loved ones. But I think it’s interesting to have this conflict where gender is kinda brought up in a way (“because your husband is making you”). It kinda plays into the traditional idea of like men are the breadwinners and the family has to move with them regardless of what they actually want. And this episode kinda like deconstructs that and says “no, it’s not always about the job or money, it’s also sometimes about connections and emotional attachment.” And I’m not saying that you should never move or whatever, but really weigh your options. I just thought that it was interesting that this episode kinda touched on that.
So yeah that’s kinda the main thoughts I had on this episode if you made it this far thank you for reading my rambles and have a good one!
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vidavalor · 5 months
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Good Omens has shown us, among other things...
-Crowley pointing the paintball gun at Aziraphale and giving the office workers miraculous escapes from death *before* it showed us The Blitz, Part 2's Bullet Catch that shows us what he was referencing to Aziraphale by doing so
-Aziraphale's love of human magic and his vanishing coins act and Crowley grumbling about all of it *before* it showed us "the farthing has vanished!" and The Marvelous Mr. Fell and his "volunteer assistant" on stage in 1941
-The 1862 breakup *before* the 1827 scene that gives context for their traumas that led to the breakup
-The sexy lunch in 2008 *before* the ox rib date that started it-- all the way back in 2500 B.C..
-Crowley telling Aziraphale about his night dealing with the antichrist baby: "Well, not, delivered-delivered, just... handed it over" *before* professional midwife/cobbler Bildad the Shuite "birthing" Job and Sitis some "new" kids
-Crowley, alone, forced into the start of Armageddon by delivering the antichrist in a picnic basket *before* 1967, in which Aziraphale dreams of a world they could get to before they run out of time in which they could go on a picnic together
-Aziraphale looking to the side Crowley always comes up on when he hears the miracle sound in the sushi restaurant in 1.01 *before* we even know that Crowley always comes up in the same way from various scenes teaching us this
-Aziraphale's tartan obsession *before* its origin story, which is the date in Edinburgh in 1827 wherein he became spirituality Scottish and thought he lost Crowley and after which he adopted the tartan as a thing related to the two of them and never stopped wearing it. See also: showed us 1967 and the tartan thermos *before* explaining to us that the tartan isn't just something Aziraphale likes but is something with meaning to the two of them together as a pair
-Crowley rambling drunkenly about bananas, fish and gorillas in the bookshop *before* his and Aziraphale's 'banana fish gorilla shoelace with a dash of nutmeg' conversation over wine in 1941, showing us that he was drunkenly remembering in a scene in S1 a romantic scene in their history that we didn't know then and wouldn't know until S2
-Crowley & Aziraphale dining at The Ritz in 2008 in 1.01 *before* we even know that was The Ritz or why it matters that it was, which they don't tell us until the final, romantic moments of S1
-Crowley obsessively growing a large, lush, overhanging canopy of plants in his apartment *before* telling us he's got a thing for vavoom-y erotic gazing and kissing under the shelter of canopies the likes of which have never been seen in a Richard Curtis film
So, my dear, dear loves... explain to me why I'm not going to be adding to this list next season:
-that heartbreaking 2.06 kiss *before* the first one they had a bazillion years ago?
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littlejuicebox · 5 months
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Astarion talks in his sleep.
Pairing: Astarion x GN!Reader/Tav (Shadowheart is our lovely supporting role though.) Summary/Setting: 6 months post BG3, "good/spawn" Astarion ending, all fluff Rating/Warnings: PG / Very mild if any game spoilers but nothing related to major content or scenes Word Count: 900+ Notes: Inspired by this post here!
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Astarion talks in his sleep. It’s something you’ve never mentioned to him, because it’s mostly when he’s having a nightmare about Cazador or some other horrid trauma from his past. You'd quickly determined it not worth bringing up, for fear of embarrassing him. Plus, if you were being honest, part of you found it rather endearing... especially the lighter drabble that would escape his lips. Delighted giggles, little purrs... it could be overwhelmingly adorable, on occasion.
In fact, the first time you ever heard him say he loved you was in his sleep. Then you'd waited weeks… anxiously, impatiently, unbearably for the revelation to come out while he was awake, under his own terms.
But tonight, the talking and tossing isn't cute. The vampire writhing in bed disturbs you, and your eyes flutter open, catching the smallest glimpse of daylight between the thick, tightly drawn curtains and shuttered windows of your bedchamber. You'd just fallen asleep, and you'd be lying if you said you weren't the slightest bit annoyed.
You idly try to figure out the date. Adjusting your schedule to the night life was… difficult; you often lost track of dates nowadays. But somehow you manage to remember that it's been nearly six months since you all saved Baldur's Gate; six months since Astarion had been returned to a creature of the shadows. Six months you've been in the house provided by the city as you two adjust to whatever normalcy you are able to conjure up and figure out your next steps. You were a strong proponent for the Underdark; Astarion was not quite sold.
At first you think the silver-haired elf's tossing and turning is a night terror… it’s been nearly two weeks since the last one. He’s overdue. You ready yourself to pop out of bed and grab your calming herbs to steep a quick sleeping draught. But then you hear him, soft and garbled, laced with thick strings of sleep.
“Will you marry me?”
You turn to stare stupidly at the elf, eyes piercing through the blackness of your room; his face is obscured, you cannot tell if he’s awake. “…what did you say?”
Silence. A long, unbearable stretch of silence where your heart is pounding into your throat, practically rattling around your chest cavity at the sudden shock. And then he’s snoring again, and you’re left with your brow furrowed and robe half pulled onto your shoulder. Well, so much for your sleep.
You meander down the hall to the kitchen, where Shadowheart has several jars and plants strewn across the table. She’s practically taken over the kitchen since Gale left, not that you particularly mind, since she’s also taken over the cooking.
“Aren’t you supposed to be asleep right now?” She asks, spotting you out of the corner of her eye, not lifting her focus from the mortar and pestle in her hand.
“You won’t believe what Astarion just said in his sleep.” You murmur in dazed response, walking over to the cabinets and rummaging through the contents. You grab an old kettle and fill it with water, turning to look at the cleric.
“Gods, what was it? I’m quite thankful to be out of the camp... his night terrors woke all of us up at one point or another. It's no wonder you’re struggling with the schedule adjustment.”
“He said, ‘Will you marry me?’” You respond, almost giggling at how silly that sounds in retrospect, as you place the kettle on the stove.
Shadowheart pauses. One, two, three beats of silence. “Shit… well, I guess the cat is out of the bag now.” She murmurs with a shrug, before returning to grinding her herbs.
“Wh-what?!”
“Oh, come off, don’t be daft! You had to expect it would be coming sooner or later. Gods, your love is almost sickening… it was sickening, having to hear it all the time... once again, so thankful for the separation of these walls.”
You are frozen, your hand still holding onto the kettle as you appraise your friend. Shadowheart is right. You knew a proposal would come sooner or later… you just figured it would be much later. Astarion was still struggling; more often than not you woke to him in tears or in the throes of a sleeping fit. Countless calming elixirs and teas had been drawn up by you and Shadowheart in the last six months. Truly, you hadn’t thought he was thinking that deeply about it... you hadn't been, if at all. Gods, you two still didn't even know where you were headed after leaving this city-supplied house... the lease was up in a few weeks' time.
“I guess… well, I suppose I didn’t think he was ready.” You sigh, lighting the stove and sitting across the table, watching the cleric as she works.
“Oh, trust me, he’s ready. And he's certain. Perhaps not about anything else... but definitely about this. He's been writing to Gale for weeks trying to source a particular ring." Shadowheart responds, now pouring the contents of her grinder into pouches. "Just promise you'll act like it's a surprise when the time comes... he's been talking about it for a while. He's put a lot of thought into things."
"When will it be?"
Shadowheart laughs, the edges of her eyes crinkling as she flicks her gaze toward the ceiling. She’s now cinching the sachets and sorting them all into a nearby basket. "Now that I'm not telling you. I've already given away too much."
You try for a few more minutes to pry the information from your friend, but she remains tight-lipped. You even threaten her with detect thoughts, though you both know you'd never go through with it. Finally, a whistle from the kettle beckons you back to the stovetop, and the conversation is halted as you ready your tea and aim to go back to bed. You might not know when your love is going to pop the question, but you do know that when the time comes, your answer will be a resounding yes.
Click here for Part 2
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