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userpeggycarter · 2 months

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COLORING + SHARPENING TUTORIAL

someone asked for a coloring tutorial and my sharpening settings, so here it is! there are also a few tips to achieve more HQ gifs. :)

tutorial under the cut!

FOR HIGH-QUALITY GIFS

FILE SIZES

it doesn’t matter what your sharpening settings are if the file you’re using to gif is too low quality, so i tend to look for the best that i can get when downloading stuff.

usually, movies (+2h) look better if they’re 5GB or more, while an episode (40 min/1h) can look good with even 1GB. the minimum definition i try to find is 1080p, but i gif with 2160p (4k) when available. unfortunately, not every computer can handle 4k, but don’t worry, you can gif with 1080p files just fine if they are big enough. contrary to popular belief, size does matter! which means sometimes a bigger 1080p file is better than a smaller 2160p one, for example.

SCREENCAPPING METHOD

this can too influence the quality of your gifs. as a gifmaker, i’ve tried it all: video frames to layers, directly opening video clips, loading files into stack, and i’ve finally settled down with opening screencaps as an image sequence. with bigger files, it doesn’t matter much what technique you use, but i’ve noticed with smaller files you can do wonders if you screencap (either by loading files into stack or opening as an image sequence) instead of using video clips. for example, this gif’s original video file was only 4GB (so smaller than i’ve usually go for), if you can believe it!

here’s a tutorial for setting up and screencapping with MPV, the media player i use to screencap. again, you can keep using video clips for bigger files, but you’ll find this useful when dealing with dire causes. i don't file loads into stack, though, like the video does. i open as an image sequence (open > screencap folder > select any image > click the image sequence button). just select OK for the speed. this will open your screencaps as a video clip (blue bar) in timeline mode (i'm a timeline gifmaker, i don't know about you). you will need this action pack to convert the clip into frames if you're a frames gifmaker. i suggest you convert them into frames even if you're a timeline gifmaker, just convert them into a timeline again at the end. that way you can delete the screencaps right away, otherwise you will delete the screencaps and get a static image as a "gif".

ATTENTION if you’re a Mac Sonoma user, MPV won’t be an option for you unless you downgrade your system. that is, if you have an Intel chip. if you have M1 Max chip (or even a better one), here’s a fix for MPV you can try while keeping that MacOS, because nowadays MPV is skipping frames in its latest build. or you can use MPlayer instead for less hassle. here are two tutorials for setting and using MPlayer. Windows users are fine, you can use MPV without trouble.

FOR EVEN MORE QUALITY

ADD NOISE

here’s a tutorial for adding noise as a way to achieve more HQ gifs if your original material is too low quality.

REDUCE NOISE WITH CAMERA RAW

instead of adding noise, you can reduce it, especially if your gif is very noisy as it is.

the path is filter > camera raw > detail > nose reduction. i do this before sharpening, but only my video file isn't great to begin with. because it’s a smart filter, you can reduce or increase its opacity by clicking the bars next to its name in the layers panel.

TOPAZ AI

i use Topaz Photo AI to increase the quality of my screencaps when i need to. it’s paid software, but there are… ways to find it for free, usually on t0rrent websites. if someone’s interested, i can make a tutorial solely about it in the future.

SHARPENING SETTINGS

here are my sharpening settings (filter > sharpen > smart sharpen). i sharpen things twice: 500% 0.4px + 10% 10px. here's an action for it, for more convenience. here's a tutorial on how to use Photoshop actions. for animated stuff, i use this action pack.

COLORING

here’s the gif i'm gonna use as a base. it’s already sharpened like the way i always do it.

LIGHTNING THE SHOTS

half of the secret of a good coloring is good lightning. i always useCurves (layers > new adjustment layer > curves) and Brightness & Contrast (layers > new adjustment layer > brightness & contrast). the settings depend on the scene you’re giffing, but i always try make my gifs bright and with high contrast to make the colors pop.

CURVES

besides lighting your scene, the Curves adjustment layer has four automatic options that will color-correct it for you. it’s not always perfect and it doesn’t mean you won’t need to do further coloring, but it’s a great start. it’s a lifesaver for most ridiculously yellow scenes. look at the difference! this gif uses the 3rd automatic option (the screenshot below isn't mine btw so that's why the fourth option is the chosen one), from top to bottom. what automatic option you need to choose depends on the gif.

sometimes i like to tweak my Curves layer. not everybody does that, it’s not that necessary and if you’re not careful, it can screw your gif up. to modify your layer by hand, you will need to click and drag points of that straight line in the position you desire. this is the concept behind it:

basically, the lower part of the line handles the shadows, while the upper part handles the highlights of the image. if you pull a highlight point up, the image’s highlights will be brighter. if you pull it down, it will make them darker. same thing for the shadow points. you should play with it to get a grasp of it, that’s what i did when i first started giffing.

BRIGHTNESS & CONTRAST

then i added a bit of brightness and contrast.

CHANNEL MIXER

the scene looked a bit too yellow, so i used the Channel Mixer (layer > new adjustment layer > channel mixer) adjustment layer. here’s a tutorial of how it works. not every scene needs the Channel Mixer layer though, i mostly use it to remove heavy overall tints. in this particular case, the Curves layer got rid of most of the yellow, but i wanted the gif to be just a bit more blue so the Channel Mixer tweaks are very minimal.

SELECTIVE COLOR

now, this adjustment layer i always use: Selective Color (layer > new adjustment layer > selective color). this is THE adjustment layer to me, alongside the Curves one. this is how it works:

ie, you can separately edit a color this way, giving it tints. for this gif, i wanted to make the colors more vibrant. to achieve that, i edited the selected colors this way:

for the reds, i added even more red in them by moving the first slider to the right, making the color more vibrant. for his hat to have a more warm tint, i added yellow to the reds (third slider, moving it to the right). finally, to make the reds stronger, i moved the last slider to the right (more black).

for the yellows, i made them brighter by adding white to them, thus making the tile wall and Paddington more bright as well.

for the cyans and the blues, i just added the maximum (+100) of black that i could.

i wanted for Paddington's nose to be brighter, so i added more white to the whites.

lastly, i added depth to the blacks by increasing their own blackness.

you should always play with the Selective Colors sliders for a bit, before deciding what you want or need. with time, you will automatically know what to change to correct the color grading. it all takes practice!

HUE/SATURATION

i don’t know if you noticed, but there are some green spots on the blue wall behind Paddington. to correct that, i added a Hue/Saturation adjustment layer (layer > new adjustment layer > hue/saturation) and made the saturation of the greens 0%, making that unwanted green disappear from the background.

while the green spots on the wall are specific for this gif, i use hue/saturation a lot to tweak, well, hue and saturation. sometimes someone’s skin is too yellow, i made it redder by tweaking the reds and the yellows, or vice-versa. the hue bar follows the rainbow bar, so the maximum settings (+100 and -100) give the selected color to change its hue to something more red or pink (the rainbow extremities). changing hue can give pretty whacky results, like turning someone’s skin tone to green, so you will need to play with it to get the hang of it. you can also tweak the opacity of your hue/saturation layer to further improve your gif’s coloring. i didn’t do it in this case, the opacity is still 100%. the reds and the blues had their saturation increased to make them pop just a bit more, without affecting the other colors.

COLOR BALANCE

the highlights of the gif still had a green tint to it due to the automatic correction of the Curves layer, so i used Color Balance. this is how it works: instead of giving specific colors some tints, you can give them to the shadows, highlights, and mid-tones. if your shadows are too blue, you counterbalance them with the opposite color, yellow. same thing with the cyan-red and magenta-green pairings. in my case, i added a bit of magenta.

B&W GRADIENT MAP

now, if this gif was a dish, it’s time for the salt and pepper. i always add a Gradient Map (layer > new adjustment layer > gradient map) (black to white gradient) with the Soft Light blending mode, thus giving my shadows more depth without messing with the mid-tones and highlights. it also doesn’t “deep fry” (you know those memes?) the gif too much by adding even more contrast. usually, the opacity of the layer is between 30% to 70%, it all depends on the gif. it always does wonders, though!

COLOR FILTER

finally, i like to add Color Filters (layer > new adjustment layer > color filter) to my gifs. it’s very handy when giving different scenes for the same minimalistic set because it makes them kind of match despite having completely different colors. in this gif’s case, i added a “deep blue” filter, opacity 50% density 25. you can change the density and the opacity of the layer for further editing, again, it all depends on the gif.

VIBRANCE

if i feel like it, i add a vibrance layer (layer > new adjustment layer > vibrance) to make the colors pop. this can ruin your coloring sometimes, especially when regarding skin color, so be careful. i didn't do it in this gif because i felt i didn't need it.

TA-DA! 🥳

AN OTHER EXAMPLE

the color grading of the original scene it’s pretty good as it is, to be honest. let’s see a worse scenario, a VERY yellow one:

no channel mixer this time because the automatic curves option dealt with the yellowness, but you can see it made the gif too green. i needed to correct that with the following adjustment layers:

curves (automatic option) (gif 2) >> same curves layer (tweaks) (gif 3) >> brightness & contrast (gif 4) >> hue/saturation (tweaked cyan+blue+green) >> selective color >> color balance (gif 5) >> b&w gradient map >> (sepia) filter >> vibrance (gif 6)

i added a hue/saturation layer to remove the blues & greens before my selective color layer because i thought that was more urgent than tweaking the tint of all colors. color balance (gif 4) was the real hero here, though, by removing the green tint. the selective color layer was meant to make the red pop more than anything else, because the rest looked pretty good, especially her skin tone (despite the green tint). you can notice that tweaking the curves layer (small gif 3) also helped A LOT with the green problem.

tl;dr 😵‍💫😵‍💫😵‍💫

here's a list of my go-to's while coloring and lightning gifs. it's not a rule, just a guide. there are gifs in which i don't use all these adjustment layers, or use them in a different order. it all depends!

1. curves (automatic option + tweaks) 2. brightness & contrast 3. channel mixer 4. selective color 5. hue/saturation 6. color balance 7. b&w gradient map 8. color filter 9. vibrance

i'll suggest that you study each adjustment layer listed for more info, either with other Tumblr tutorials or YouTube ones. the YouTube ones focus on images, but you can translate what they teach to gif making very easily. you can ask me to further explain any adjustment layer, too! i was brief to keep this short (which i kinda failed lol).

feel free to ask me for clarification or something else about gifmaking wise, i always like to help. ❤️

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gojomamashouse · 7 months

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I certainly can. And I did. Well, sort of. I took some creative liberties with this one. Crossposted on Ao3.

Warnings: 18+ Content Vaginal sex, Praise kink, Loss of virginity (both reader and Mike), soft!dom Mike.

Pairing: Mike Schmidt x Reader

Summary: From the name written on your sneakers to the hickey on your neck, Mike had left his mark on you in more ways than one.

Words: 5.8k

According to fandom wiki, Mike is 25 in the movie. The timeline of this story is based on this fact.

In Permanent Marker

1995

Mike has a problem. An even bigger problem than his annoying younger sister, or the bills he cannot pay that keep piling up. That problem is you, his new next-door neighbour.

It all began when he had been unloading the boxes from the car, calling out to Abby as she disappeared to explore the new house. The place was small, but enough for the two of them. More importantly, it was as affordable as it could get, given the savings his parents left behind, the money from the government, and his new job. That was all he really needed.

"Need help, there?"

A voice broke him from his thoughts, a voice belonging to you. He did a double take as he looked to his side towards you, nearly dropping the box in shock. He blinks as if you're nothing more than a hallucination, induced by his lack of sleep, dehydration, and the summer heat. Because there was no way that you were standing there. Someone his age. Someone so attractive. Someone exactly his type and talking to him. You take notice of his shocked expression.

"My folks and I saw you from the window," you point to the house left of his, "thought I could lend a hand.”

"Yeah. Yeah, uh," he nods eagerly, breaking eye contact as he fumbles over his words. He looks back towards the house, "If you could watch my little sister while I unload these. She’s somewhere inside…”

“You’ve got it,” you flash him a smile.

—

He’s sweating and close to passing out as he places the last box down in the front hallway, bracing himself against the wall as he catches his breath. He then looks around. There’s no furniture yet. He couldn’t afford movers to help move the couch or the kitchen table from his parent’s old house, instead opting to sell the furniture and find cheaper options once moved in. That meant he’d be eating on the floor until he had time off work again. This also meant he’d have to take Abby table-shopping and listen to her complain every time she picked something out of his price range, then cry the whole drive back home. He groans to himself, annoyed by his endless stream of thoughts. He supposes that’s just adulthood, now. There’s always something to think about.

He hears giggling from down the hallway, grabbing his attention enough to raise himself from the wall. He creeps towards the sound, peeking past Abby's door. A box was open on the floor, toys and crafts scattered across the carpet. You sit cross-legged in the middle of the room at Abby’s side and she’s pointing to her drawings, chattering away.

He wonders how you make it look so easy.

—

"I don't like it here." Abby tugs on the leg of his jeans, "Can we go back?"

It’s the last thing Mike wants to hear the morning after moving in, his back and arms still sore from all that he carried. He looks down to see her lips were pulled into a frown, her brows furrowed. He's leaning against the kitchen counter, drinking instant coffee from a mug he'd managed to dig out from one of the kitchenware boxes, staring at all the shit he has left to do. And, of course, his sister could never let him do that in peace.

"This is where we live now."

"Why?"

"Because it is."

"I don't want to live here."

And I don't want to work shitty hours for shitty pay just to afford this dump, he thinks to himself.

Still, he can't blame her. The place is a downgrade. The toilet in the main bathroom doesn't really flush, her room is half the size of the one at their parent's old place, and he’d discovered more than a few suspicious stains on some of the walls and carpeting around the house.

"Well, that's just too bad."

"I want to go back!" She shouted, her little fingers digging harder into the fabric of his jeans, now trying to tug his leg. He tries to nudge her off, shaking his leg just enough to make her lose her grip, but she doesn't budge. He sighs to himself.

She's at that age. Five years old, and a complete menace. She was smarter than she looked and had begun to realize that sometimes creating a fuss could get him to bend the rules for her, which now meant she was constantly defying him. Constantly picking a fight. Constantly whining about something. And as much as he loved her he could not stand to hear another tantrum, especially not this early in the morning.

"Stop it, Abby. I'm not dealing with this today."

"Nu-uh!"

She screams when he tugs her away with his hands, lifting her in the air while she tries to kick and shove him away. He knows he's bound to have bruises from where she kicks his torso and scratches where her nails dig into his skin. Had he any energy left in him, he might have been tempted to raise his voice at her. That's one good thing to come out of his restless nights, at least.

The doorbell rings and she's still whining when he places her down on the floor. He kneels to her level, hands on either of her little shoulders.

"We can talk about it later, okay?" He lowers his voice, desperate for her to be quiet. Anything for her to be quiet. "Behave. And quit being such a baby."

His words were enough to render her silent, by some miracle, and so he goes to the door, only to see you standing there. You . He knows he's ogling again and he hates himself for it but he can't help himself, not when you're so pretty. He leans against the doorframe, clearing his throat.

"Hey, uh. What are you doing here?"

"Good morning to you, too. Thought you might need more help," You lean forward, taking a peek inside the place and noting all the boxes, "Judging by all this, I guess I thought correctly."

"Guilty as charged," he holds his hands up, cherishing the sound of your laugh.

The moment doesn't last long. He fails to notice that behind him, his sister is teary-eyed, her lower lip quivering. You furrow your brows, about to say something, but the little girl beats you to it.

"You— you jerk!" Abby finally lets out, and you stand dumbfounded at the door, watching the crying girl. She turns to Mike. "I hate you!"

She runs off to some room somewhere and slams the door, the distant sound of sobs easily heard from down the hallway where you two stood. While you stood there in shock, Mike had grown used to these outbursts, but it didn't leave him entirely unfazed. There was still a tug on his heart like there always was.

"She's just having a moment right now," he sighs, his fingers rubbing his temples, "I'm sorry you had to see that."

"You're not going to go and talk to her?"

"She hates me. Didn't you hear?"

"You know that's not true," you shove past him, your hand lingering on his shoulder for a moment longer which certainly did not go unnoticed, "come on."

"What do I even say?"

"You're going to go apologize, dumbass."

That's how he found himself standing outside his sister's door. He was about to simply walk in, until you stopped him, your hand on top of his as he reached for the knob.

"Knock first."

He would've asked why but he's too distracted by how your little touches keep making his face grow hotter, so he simply nods and does as you say, raising his fist to the door. He hears Abby's sobs halt the moment he does. He looks to you, and you nod, as if to signal him to start talking.

"Abs?"

There's a sniffle. "Go away."

"Look, I'm sorry for hurting you. Just open the door." You toss him a glare, "Please?"

There's a pause.

"Liar," she hisses, "you're only sorry 'cause they're making you."

Mike is about to retort, but you raise your hand to silence him.

"Abby, we both want to make sure you're alright. Could you please open the door so we can talk?"

There's a pause and then a shuffle, the sound of her moving from the floor to go and open the door. She's red in the face, snot-nosed and teary-eyed. Mike's heart can't help but break at the sight. He's an idiot. A complete and utter idiot.

"I-I'm not a baby," she blinks at Mike, lifting her arm to wipe her snot on her sleeve, "Y-you're always s-so mean to me. I hate that."

"I didn't mean it. I just, uh... I say stuff sometimes." He frowns, a trembling in his voice. He speaks softly as if it will compensate for all the harsh words spoken prior, "I promise I won't say mean stuff anymore. Honest."

"Pinky promise?"

She raises her pinky finger.

"Yeah. Pinky promise."

He raises his own, letting her little finger curl around his. She quickly wipes her tears away.

The rest of the day is spent doing whatever Abby wants. Mike discovers quickly that you seem to love spoiling her. You take her to the park, let her unpack all her toys and leave them tossed all around the house. You end up ordering pizza at her request, as well, and by the end of the day, she’s saying she wishes you were her older sibling instead. Though it’s said jokingly, it still pierces him through the heart.

The day ends with a tired Abby curled up in her sleeping bag on the floor of her room. Now he's with you, you sitting atop the counter at his side while he places the leftover pizza slices from the takeout boxes into ziplock bags. If he had it his way, the day would have ended with all the moving boxes being unpacked, but he supposes a happy Abby makes his life a hell of a lot easier than an unhappy one.

"She's a lot easier than most her age."

"You're kidding, right?"

"I'm the oldest ' kid ' in this neighbourhood. I've babysat for practically every family around here," you sip your drink, "she was very quick to forgive you. Not just any kid does that."

Garett had been the same way. Every prank he played, every cruel joke, he forgave him for because that’s just what older brothers do. The difference being that he was a child back then, not an adult. He may be Abby’s older brother by blood, but he needed to be more than that now. She needed him to be more than that.

He finishes packaging the last slice and throws the leftovers in the fridge. He's now fidgeting with the sleeve of his hoodie— a poor choice of clothing for the midst of a summer heat wave, but he didn't exactly have lots of options. He supposes he should add clothing shopping to his already long to-do list.

“What am I doing?” He says aloud, “I can’t do this.”

“Don’t say that.”

"This always happens. I get annoyed, she gets hurt, and it’s going to happen again.”

"Nobody's made for this at our age,” you gesture around at the house, then at him, “You're bound to fuck up, that's just inevitable."

"Yeah, thanks,” he deadpans.

"That’s not what I meant. You live and you learn, that's what you do. No one's perfect but we can always try.”

“What if me trying isn’t enough?”

“It’s better than not trying at all.”

He looks back down the hallway, at Abby’s door. Does she care that he's trying? Does she know how much he has sacrificed to give her a semblance of a normal life? He scoffs at himself internally. She's a child, of course she doesn't. That's not her fault. It’s not her responsibility either. She’s the kid, and he’s the adult now. It’s unfair on both sides but that’s the way things are.

"Thank you. For all the help, and everything," He finally says, turning to you.

"That's what neighbours are for, right?" You’re hopping off the counter. It was dark outside now, and fair to assume you’d be on your way home. Only, you halt in your tracks for a moment. "Wait, one more thing."

You pull out one of those disposable cameras from the pharmacy. It’s scratched and beaten up, evidence of its use. He freezes up when he feels your arm draping around him to pull him into the frame and snap a quick picture. He blinks from the flash, and you laugh at the way his eyes squint, shoving the camera back into your pocket.

"The hell?" He raises a brow, "that's going to be an awful one, just so you know."

"I don't care if photos look good. It's about the memories and all that." you roll your eyes, "Anyway, I'll see you tomorrow, bright and early. We're going to finish unpacking.”

You're out the door before he can even reply.

—

He starts to learn who you are, piece by piece. He learns that you don't know a single thing about keeping your curtains drawn shut and that you're completely oblivious to how he's seen you in your room in your pyjamas at night, talking on the phone while you twirl the telephone cord around your finger. He learns that you go to college out of state, which is why you're so insistent on taking photos of everything you can because you get homesick so easily. He learns, that because of that, he won't be seeing you after the summer for many months and struggles to figure out why that thought leaves a dreaded ache in his heart.

The ache only grows the more time he spends with you, whether it’s with Abby or one-on-one. He thinks he’s going to die when he sees you packing up your car at the end of the summer, but offers to help you out regardless.

"Have fun," he says to you, hating how disingenuous the words feel on his tongue.

Your car is now packed, and you're on the steps, him standing on the stone path below. You look up at him with a smile while you're lacing up your shoes. It's those damn shoes you always wear, always torn up and dirty and desperately in need of being replaced. He's not one to talk when it comes to proper footwear, but he swears they are only a thread away from being torn apart.

"I'll try."

You finish doing up your laces, and pull out a permanent marker from your pocket, handing it to him. He gives you a confused look.

"Sign it."

"What?"

"My shoe," you repeat, and he takes notice of your sneakers, varying names written along the white rim already, all in different colours and sizes. "It's something I've been doing since high school. Just to remember."

Knowing how you treasure your photos, it only makes sense to him now. He kneels down and signs it in the black marker, his handwriting atrocious, but evidently an effort to make it appear more legible than normal. He lets go of your ankle when he's done and you smile, raising it to look at his handiwork.

"I tried."

"Hey, it's not that bad."

"It's pretty bad."

You both laugh, and you stand up finally, stepping down to his level. He tries not to show his shock when he feels your arms wrap around him, pulling him tightly towards you. He happily accepts the embrace, soaking up the affection like a dried-out sponge.

"One last thing," you whisper to him, and he feels your hand slip something into his pocket. “Look at it later, ‘kay?”

"I'll miss you."

"I'll be back."

And though he wants to believe you will, he can't help but stare into your dark windows that night, counting down every day until your return. Not everyone in his life has, after all.

He checked his pocket the moment you left earlier that day. It was the photo of the two of you in his kitchen, from one of the first days you met. It was blurry and dark but he could make out the sight of your smile and his face of confusion. The back side has the date written.

He places the photo on his nightstand and rolls over on his back, staring at the Nebraska poster on his ceiling. He took his meds not long ago, his eyes drooping, but his mind unable to stay focused, his thoughts drifting towards you.

—

1996

The last time you called his home line, you said you'd be home in a few weeks, but he still hasn’t seen you yet. The light in your bedroom window remains turned off. He wishes the thought of seeing you again didn’t have him so restless.

Today is his birthday. A whopping twenty-one years old. If he were a normal person, he'd be out with friends, pouring liquor down his throat until he couldn't drink anymore. Instead, he went to work, then returned home late to greet the babysitter on the couch, her middle school textbooks sprawled on the coffee table and Abby already in bed. She’s gone the moment he hands her a twenty-bill, peddling away on her bicycle.

Though the house now has furniture, it still feels so empty. He sits alone on the couch, the sounds from the TV turning into a soft humming. He doesn’t want to think about the dirty plates in the sink or Abby's toys and crayons that littered the living room floor.

His heart skips a beat when he hears a knock on the door. He tentatively gets up, swallowing dryly. It couldn’t be you. You would have called him or said something, right? He’s never been so thankful to be wrong in his life because when he sees you standing there on his steps, in those torn-up sneakers with his name on them, with a six-pack of beer in your hands, he’s immediately grinning like a child.

"Where the hell have you been?" he looks down at the alcohol in your hands, "what's this?"

"A gift for the birthday boy," you grin, "twenty-one. That's a pretty big age."

"Are you twenty-one yet?" He raises a brow.

"You want the beer or not?"

"Alright, alright," he looks into the house, the place dead silent save for the TV. "Let's go out back. Abby has school tomorrow. I don't want to wake her."

Sharing the company of another had become so foreign to him at this point that he forgot how nice it feels to be human. To feel the summer breeze through the fabric of his t-shirt, to feel the condensation from the cold can drip down his fingers, to feel the warmth of the alcohol sitting nicely in his stomach. Hell, he doesn’t even mind how shit the beer you bought tastes, though the initial shock causes him to cough the moment the first gulp is downed.

"Don't tell me you actually waited until now to have your first drink," he hears you say.

"I didn't, but I don't drink that much. Especially not this," he eyes the brand name on the can.

"I was tired of college parties and all the watered-down shit alright? I needed something different."

"Must be exhausting . Getting invited to so many parties."

"Oh, shut it," you shake your head, "trust me, college is lonelier than you think."

He stares down at your sneakers, noticing that not a single new name has been written. One part of him wonders how anyone could not want to become your friend. The other part of him is proud that he’s the last person to sign it, his name standing out compared to all the other old, faded-out ones.

"That's one thing we have in common."

"I take it life's not so great, either?"

"Abby has been acting out less but now she barely talks.” He sighs, “It's... another thing to think about."

There’s a pause.

“Then don’t think about it. Not tonight.”

“Easier said than done,” he rolls his eyes.

"Come on, it’s your birthday and we’re out here moping on your back porch. That's no way to celebrate."

"What do you suggest we do?"

"Something. Anything. I dunno, you're the birthday boy. What do you wanna do?"

"I..." his eyes trail down to your lips and stop. He knows he's being obvious but he's tired enough to where he doesn't really care anymore to hide it. He sees how your brows knit together, and he looks away. "I'm fine doing this."

"That's not what I asked." He feels your hand creep over to his, flat against the porch. Your touch is electric. He allows himself to look at you again. Your eyes are determined and your touch is intentional, he's sure. "I asked what you want ?"

Hesitantly, he lets his hand intertwine with yours. He's barely able to meet your eyes, embarrassed by his cheeks which he knew were most likely pink by now.

"I want you."

His other hand raises to your cheek, his cold hand against warm skin. His eyes speak to you, though his mouth says nothing, asking for permission. You lean in yourself, tired of his hesitation. You can taste the alcohol on his lips, his mouth so tender and sweet against yours. He's gentle and endearingly clumsy but above all else, he's desperate and he kisses you like you'll disappear the moment he lets you go. His hand is tighter around yours and the other that had first been against your cheek drifted to the back of your neck. You hear him let out a sound when your hand runs through the back of his hair and you're both pulling away, still craving something more.

"How much of me do you want?"

"So much," he gulps, "so much more."

There's a grin on your lips as you drag him by the hand, abandoning the half-drank beer cans as you enter the house. Careful not to alert Abby, who was sleeping next to his room, you both tip-toe down the hallway, unable to help the giggles that escape your mouths. Then, the moment you're in his bedroom, you're pushing him against the door, seizing his lips. You feel his abs under his T-shirt, realizing just what he had been hiding under all those hoodies last summer. You feel the warmth radiating from him, drawing you in like a moth to a flame. You smile against his mouth when you feel his hand at your waist, slipping under your top to fit right into the arch of your back. He's holding back, you can tell, and it only makes you want to fan the flames and let him burn even brighter.

You tug him by the collar of his shirt, pulling him towards the mattress until his legs hit the edge and he’s sitting, your body crawling on top of him. And, for someone who had been concerned about not waking his sister, he sure allows himself to make so many pretty noises. He pulls away for air once again and looks up at you like he worships you, his hands on either thigh while you lean your forehead against his own. He then lets out a laugh, still genuine, though hushed.

"What's so funny?" You murmur.

"This is the best birthday gift I've had in years."

"But you haven't even unwrapped me yet," you quirk your brow. "You said you wanted more, didn't you?"

"I did," he hums, his eyes dragging down over your body, shyly. "Still do. If that's what you want, too."

"You already know I do."

He brings his fingers to the hem of your shirt and slowly lifts it, your arms raising to help him slip it off. You feel yourself shudder under his analytical gaze, even though the night is sweltering. You feel the goosebumps rise under your skin as his fingers brush over your body as if to memorize every curve and texture with his fingertips. And though you had done your best to mask your inexperience all night, it became obvious to him, the moment you were squirming before him— topless— the truth.

"I've never done this before," you admit before he can ask you, feeling more vulnerable than ever as he stares up at you, the most anyone had ever seen of you beneath your clothing.

"That's okay," he tilts his head, big brown eyes looking right back at yours, "if it's okay with—"

"I've already told you it is. Everything is okay with me. Please. "

He nods, his hands reaching behind you, and you feel his fingers at the clasp of your bra. There's a flush on his face as he fumbles with it, brows scrunched as he tries to pull it apart. Then, it hits you. The look in his eyes, the uncertainty in his actions, the constant need for reassurance. He's been trying to hide it just like you were. Had your own mind not been so clouded, perhaps you would have noticed it far sooner. You reach behind yourself, hand brushing past his own to unclasp the bra yourself, before letting it slide down your shoulders. There's a glimmer in his eyes as he takes in your half-naked form, mouth parted slightly.

"You've never done this either, have you?" You ask, hands looped around the back of his neck as you seat yourself better in his lap. You try not to make a sound when you feel his erection through his gym shorts, pressed right up against where you need friction the most.

"Never," he manages to say, somehow. "I don't know what I'm doing."

"We'll figure it out."

You're kissing him again, and this time you're the one fumbling to remove his shirt, unable to properly admire his exposed body as his mouth is pressed against yours the moment the garment is removed. You feel yourself start to crumble at every little noise he makes, every little touch and grinding of his hips into yours. Then his mouth is trailing down your neck and his hands are on your breasts, his touch gentle but his lips hungry. You feel his lips suck on a particular spot on your collarbone and hiss, your fingers threading through his hair.

"You're gonna leave a mark.”

He pulls away, not quite sporting a grin, but the look in his eyes tells you he’s proud, regardless.

"Is that a problem?"

"Bastard," you retort.

With that, you're pushing him down until his back is against the mattress, leaving your own trail of kisses down his neck and chest, a flurry of butterflies in your stomach every time you hear his noises, and whispers of praise. You reach down for his shorts, tugging them down, this time you're able to get a better view of him beneath you. Your hand traces the outline of the muscles on his abdomen and chest, feeling your face heat up, again reminded just how built he was. As if he couldn't get any hotter, you notice the trail of hair leading from his belly button, disappearing beneath his boxers. You suck in a breath, your pupils blown wide.

“I'm gonna go insane if you don't touch me right now,” he says, allowing you to realize just how long you had been staring him down.

The words go straight through you, reminding you of your arousal between your legs, and how you were currently sitting right on top of his dick, the only barrier between you being each other's underwear. You rock your hips against him and hear him whine, your hands flat against his chest. It almost scares you how good it already feels, without having done much of anything at all.

"You have any condoms?" You ask.

"Yeah, think so," he stammers, his eyes darting towards his dresser.

You get up, feeling his eyes on your ass as you dig through the drawer, sifting through clutter. Momentarily, you smile when you find the photo you gave him last year— before returning to the task at hand. You find a condom buried at the very back.

"Were you prepared for this?" You tease.

"I don't think that far ahead. They’re free handouts from sex Ed, senior year."

"If you actually paid attention in that class, you'd know that condoms have an expiration date."

"I did pay attention," he says as you settle yourself back on top of him, the foil between your fingers. "They're not expired yet ."

"Yeah? What else did you learn?"

You suppress a yelp when you feel your position forcibly switched, your back now against the mattress with him hovering over you. The condom had disappeared into his hand.

"That you probably shouldn't be on top for your first," you feel his hand at your panties, brushing your clit over the fabric, "and that you're gonna need more foreplay than just dry humping."

You notice how he looks at you for approval before tossing your underwear aside, admiring how your slick coats his fingers. You'd touched yourself enough times before to know what this feels like but somehow, when it's him doing it instead of yourself, you already feel you'll fall apart at any moment. Your clit is swollen and your hole flutters around nothing as his fingers continue to tease you. Fortunately, he slips his middle finger in before you can scold him for being a tease— and fuck it's so much more than you're used to. His fingers reach inside you better than yours ever did you feel your mouth go agape, your hand reaching to clasp over your mouth out of fear your noises will echo through the mostly silent house.

"Mike," you plea, but to no avail, one hand still desperate to muffle your sounds while the other gripped the bedsheets.

“Is it… am I doing it right?”

“Yeah,” you nod, “please, don’t stop.”

You’d heard horror stories before from others, about how aggressive some men were with their first times. But you think Mike is the opposite. So gentle and considerate— uncertain and awkward, sure, but with a willingness to learn and try.

“Doing so well,” he whispers sweetly, “you’re so perfect.”

You're so close to reaching your high that you almost wish you could strangle him the moment he pulls away, leaning down to capture your lips into a kiss. You then hear the sound of the foil being torn apart and the feeling of his dick rubbing against your centre. Despite his smile, you notice the worry behind his eyes. He's terrified. So, you bring your hand to his cheek.

"I want this," you reassure once again.

He nods.

He slips the tip in and your body spasms, the intrusion feeling so foreign. He watches your expression change with each passing moment he spends pushing into you. He loves the way your lips part, how your lashes flutter shut. Loves how your brows scrunch together. All because of him. You’re so soft and warm around him and he’s struggling to cool himself down.

"So much," you comment, your eyes half-lidded when he finally bottoms you out, your bottom lip pulled by your teeth. He tries not to let the compliment get to him, otherwise, he knows he’ll be finishing faster than he wants.

"You're doing so good," he whispers, his hand intertwining with your own, "taking me so well. Can you keep doing that?"

You nod, and he whimpers, taking another thrust. Your nails are digging into his shoulder blades but he doesn't care. It’s another distraction, helping him hold himself together while you take him. He takes another thrust and nearly loses it when he watches you whine, tilting your face to the side.

“More,” you let out.

You feel every inch of him inside you, pressing against your most sensitive parts and though the initial discomfort hadn’t fully yet faded, you start to feel yourself getting lost in pleasure the more you accommodate him. You continue to drag your nails down his back, the knot inside of you growing tighter. You reach down to touch your clit, aching for more stimulation, but he’s quickly replacing your hand with his own, rubbing circles into you.

“So good.”

“Yeah?” He stammers out, finding it difficult to string words together in the moment.

“You feel so good, Mike.”

He didn’t realize how fucking hot it would be to hear you say his name while you’re fucked out like this until you do, and he feels himself losing a grasp on himself.

The feeling inside of you starts to snap and your body is thrashing around as you approach your high. He feels you grasping onto him like he’s your lifeline, shaking through your cries, which are muffled by your hand on your mouth. He, too, reaches his limit, and he’s burying his face into the crook of your neck in the hopes that he isn’t too loud.

All that’s left is the sound of both of you breathing when it’s over, and you hear him get up, throwing the rubber away. The bed dips at your side and you feel him on top of you again, head buried into your neck as he holds you. You can’t help the smile that forms on your lips, your fingers raking through his brown curls.

It's different from all the times you've touched yourself beneath your sheets in the dead of night. Instead of coming down from your high and laying your head against a cold pillow, your head is against him. You can feel every beating of his heart, every rise and fall of his chest as he breathes. You can feel the stubble on his chin and jaw tickling the crook of your neck. You're shaking, sweating and your whole body aches, yet you want nothing more than to lay here with him. And though you could have given yourself to some other person in college, you know it would not have been the same with anyone else other than the messy-haired brunette who lay atop you.

"Missed you so much," he whispers, "please stay?"

You stare at your house through his window, choosing not to think too hard about the view he has into your bedroom from this angle. Your family wouldn’t care.

"I'm here," you respond, pressing a kiss to his head.

#mike schmidt x reader #mike schmidt smut #mike schmidt x you #fnaf x reader

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