Thoughts on The Woman King

Spolier-free:

First of all, I loved this movie! And so did the other two people I went with; the three of us literally talked about how we all wanted to see it again after it was over

Great fight choreography, loved getting to see a bunch of women go absolutely feral in battle without them being sexualized or still having to “look pretty.” There’s a lot of close-ups during fights of the Agojie killing people and it’s not pretty, it’s brutal and it’s fucking awesome (the movie is PG-13 though so it’s not overtly gory, which I personally appreciated)

THE ACTING???? On point the ENTIRE movie. Give Viola Davis, Thuso Mbedu, and Lashana Lynch ALL the awards RIGHT NOW. Viola Davis embodied Nanisca perfectly and was equally impressive in the epic battle scenes and in the emotionally vulnerable scenes. I’ve seen several articles talk about how this was a career performance from her, and she herself called the film her magnum opus. Lashana Lynch stole every single scene she was in. Izogie my beloved. I also enjoyed John Boyega’s portrayal of King Ghezo and Sheila Atim as Amenza

Also I literally had to do a triple take when I found out Thuso Mbedu, who plays 19 year old Nawi, is THIRTY ONE?????? SHE’S ONLY THREE YEARS YOUNGER THAN LASHANA LYNCH???? SHE’S THE SAME AGE AS SHEILA ATIM???? In other pictures she looks older but I am actually 19 and I stg when I found that out, I felt old

And still speaking of the actors, really cool how the majority of, if not all the Black actors in this movie were dark skinned, particularly the women. I read that when the movie was first being pitched, some studios wanted to cast light-skinned and well-known actresses, but the producers refused

The beginning felt a little rough to me in terms of pacing, but the movie hits its stride around the mid-point or so. And trust me, when it starts working, it works.

The script was also a bit weak sometimes, but I thought the performances made up for it

I’ve seen some people online saying the movie glorifies the slave trade or glorifies Dahomey while brushing the kingdom’s involvement in the slave trade to the side, which really confuses me because...it doesn’t? The movie opens with a text-scrolling intro à la Star Wars that literally mentions the slave trade, and several characters in the movie talk about it as well. Nanisca and King Ghezo have a conversation about how Dahomey profits from the slave trade, and how Ghezo’s brother sold their people—including his and Ghezo’s own mother—as slaves for profit. And then it gets more overt when some Portuguese men land at the port city, one of them specifically to buy slaves, and when we go into the city and LITERALLY SEE slaves being chained up, kept in cages, and brought onto the block to be sold. The movie both shows and tells you how awful the slave trade is, and how the people in the movie are impacted by it. At one point, some of the women are captured and prepped to be judged and sold and the entire process is presented as brutal and degrading. I’m seriously convinced that the people who say the movie is “glorifying slavery” have never seen it

Wanted to end this section on a good note lol so I’ll once again say IZOGIE MY BELOVED!!!!! Favorite character without a doubt, also gave off fruity vibes but y’all let me know if you picked up on that too lol

Overall, I definitely recommend this movie and I will 100% rewatch it in the future. Also this movie BETTER win some fucking Oscars or else 😤😤

Spoiler thoughts below!!

Izogie’s death scene was very well done. I kind of guessed they would end up killing her off since they really built her up as a character, but that didn’t lessen its impact at all. Lashana Lynch and Thuso Mbedu acted their asses off (as they did the whole movie, but particularly here). The actual set-up was good too: having Nawi convince her to stay alive so they could all escape together, setting her broken arm and then having to pretend like it was never broken, having her be the only one who actually escaped but deciding that Nawi was right that the Agojie should help each other and trying to go back for her, only to get killed while Nawi is begging her to keep running. Heartbreaking, but that’s what made it so good

By contrast, Nawi’s friend’s death (the Mahi prisoner, I forgot her name I’m so sorry) was not really impactful at all, beyond her dying right after being accepted by the other Agojie who had a problem with her before. I wish they had spent a little more time on both Nawi’s friends as individual characters and their relationship with each other. We barely saw Nawi interact with either of them before they became best friends, and after the Mahi girl died, neither Nawi or her other friend mourned her on screen (I know Nawi had been kidnapped at this point, but the other girl survived and wasn’t kidnapped)

I loved how Nanisca and the other Agojie went to the city intending to just rescue their own but she found out that the slave traders killed Izogie and Nawi was missing and she said “burn it to the fucking ground.” Iconic as HELL and I wish more stories would let their MC react like that

Also loved that the prisoners that Malik freed drowned the slave trader he came with. Fuck you dude

A woman literally getting to kill her abuser? We love to see it

I wish they’d brought up Nawi being an orphan a bit earlier in the movie, since it seemed like it was introduced rather suddenly after she became an Agojie. They could have pretty easily tossed in a line from her parents admonishing her for acting so terribly after they “rescued” her from the orphanage. 

I also really enjoyed Nanisca and Amenza’s relationship! I got kind of gay vibes but the only thing that was explicitly confirmed was how close they are and how much they mean to each other, which I was also happy with. I’m so glad Amenza survived the movie lol

roll out the red carpet guys we're going to the SHAFTLANDS

The scene in the Barbie trailer when Barbie is skating around with Ken and asks "Why is everyone staring at me?"

THAT'S EXACTLY WHAT IT FEELS LIKE TO BE AN ADOLESCENT GIRL.

Living in Barbieland (childhood girlhood) but then suddenly you're all grown up in the real world subject to scrutiny and sexualisation (the guy slapping Barbie's ass) and feeling like existing is a crime?

Being forced by adult men into a box (which leads to the not like other girls syndrome) and exploring the 'real world' (being forced to grow up too quickly) while fighting the realisation that maybe the world sucks and being a woman is so difficult while hoping with all your heart that it's not always going to be this way.

Losing touch with the very things that made you happy because they're considered immature and girly? (The group of teens that said they hadn't played with Barbies since they were five.)

Older women telling you that you have to learn the truth about the world and that you can never have your old life back (Kate Mckinnon's Barbie) despite it being the only thing you yearn for, but also older women being a bright spot and support (the old woman on the bench) in the endless slough of life.

And this is just the trailer!!! I'm so excited for this movie I can't breathe, Greta Gerwig the woman that you are 😭

its so mortifying and frustrating that the crew of spiderverse were so overworked. by people who didnt understand the sheer work and effort that goes into all parts of the pipeline. but a new generation of artists are seeing the concept art, and going, “i want to do this too!” getting to see the release of so much behind the scenes work makes me want to do things like this. i aspire to this. but i dont want to have to deal with the death of creativity in the form of constant reworking. i couldn’t watch coworkers leave because of how stressful it becomes.

i hope the crew knows just how many artists walked into that theater, and then walked out going, “i want to make art as thoughtful as this. i want to make art as genuine as this. i want to make art with this much love in it. i want to do this too.”

Michael Afton has a surprise for the FNAF movie duo,,

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

red is to spider-man as pink is to miles, in that pink is the color of: self-expression, confidence, compassion. if you side with miles, if you want to support his growth, you're going to be in pink

that being said...a pink robe can be removed, and pink hairdye can be washed out

so cool that fanfiction won anne rice’s war on fanfiction

grammaton cleric metal sonic is made when sonic, the best cleric to date, stops taking prozium and rebels against the eggman empire. in turn eggman creates a substitute, one that has no emotions to control with prozium in the first place (2002) written and directed by kurt wimmer

Just saw someone on Twitter complain about the lack of Japanese people in Oppenheimer, and what did you expect??? Did you want the final act to be the bomb dropping and see people burning alive???

The reason why we don't see a Japanese perspective is because one, including a Japanese perspective, just to see how bad the suffering was would be exploitation. Two, to see an accurate and sensitive take on how the japanese felt about Oppenheimer, Christopher Nolan (as incredible as he is) isn't the right person to do this. And three, it's based on Oppenheimer's biography

Oppenheimer, the movie, literally shows you people (mostly the superiors, because by the middle/end of it you see Oppenheimer regretting his creation) doing something dubious and inhumane because they removed themselves away, both emotionally and physically, from the people they are hurting.

Nagasaki and Hiroshima only exist in those men's distant thoughts and imaginations. One guy literally asks to take a city off the bombing because that's where he had his honeymoon. It's disturbing and unsettling, as if those people were not real human beings. The lack of Japanese people drives the entire point home.

Also, Japanese cinema is right there. Barefoot Gen, Grave of the Fireflies, or Hiroshima (responsible for showing to many Americans the effects of the bombs for the first time) are just a few of the many, many decades of post-war Japanese movies we have

He wasn’t expecting a retirement but he’s enjoying it

The interpretation of Rise Raph as a 'perfect responsible soft boy uwu' is so BORING I'm sorry, Raph is a rowdy adrenaline junkie with anxiety and I won't take this slander any longer

Raph secretly kept an enemy soldier in their actual literal house as a sparring partner. Raph glued his brothers together and dragged them out to fight crime. Raph once asked Leo to punch him in the face to prove he 'takes damage like a boss.' Raph tried to lift a school bus, twice. Raph offered to help his favorite wrestler beat his little brother up. When Leo suggests evacuating Bullhop, Raph says no bc the best defense is a good offense babey. Raph's idea of a 'friendly chat' with April's upstairs neighbor is to put on a black ski mask and go stand menacingly at their door. It takes Raph 10 episodes to conclude that they should MAYBE start training. Raph's plan to get a potentially priceless (and potentially FRAGILE) museum artifact is to punch a car in the middle of a busy street and also cut it in half with his brother still inside.

Raph's never met a problem he wouldn't try to punch in the face and does not know the meaning of the words 'excessive force.' He roughhouses with his bros and drags them out to fight villains and thinks any plan that doesn't involve an all-out brawl is boring and lame. He'll do anything to protect his family from harm and be a hero, but also he eats wet salami off the floor and once single-handedly destroyed a library.

I just adore how, at his core, Rise Raph is such a classic Raph—impulsive and stubborn and caring and passionate. He is a very sweet, strong, honorable guy who has a very powerful sense of personal responsibility... and he is also the exact kind of jock who throws you in the pool at a party without checking if you have your phone in your pocket first.

i cannot get over nimona’s face in this scene - the absolutely heartbroken expression she has because she knows what it’s like for someone you love to point their sword at you

Being asexual and possibly aromantic but also being a huge shipper and hopeless romantic is such a wild experience ngl. I'm always freaking out about my favorite ships and giggling internally reading ship fics, getting invested in characters finally kissing or reading about their pining and their love and I think "I want what they have!!"

But then sometimes you have a slamming realization that your sweet shipping scenarios you imagine in your head look totally different irl and that you are extremely aspec.

One time I went down a YouTube rabbit hole and stumbled across Vsauce's "Why Do We Kiss?" video and let me tell you. When I saw that stock video footage of two people kissing each other I was a little flabbergasted lmaooo

in daniel matthews' case, it takes a village