Catherine Called Birdy dir. Lena Dunham, Causeway dir. Lila Neugebauer, Don't Worry Darling dir. Olivia Wilde, The Eternal Daughter dir. Joanna Hogg, Honk For Jesus. Save Your Soul dir. Adamma Ebo
There are pictures, there are photographs and there are portraits. These portraits represent a room that was filled with love and talent that deserve the recognition of everyone.
Did you know that only 160+ movies/shows have been adapted from books by Black authors since 1908? 4 of these were sci-fi/fantasy. Of the 160+ adaptations, 61 are adaptations of 2 books. Meanwhile, in YA alone, 50+ adaptations have been released in the past 20 years, half of which were sci-fi/fantasy. But that's not all.
My findings can be found in the essay, "Dear Hollywood, Where Are the SFF Book-to-Movie/TV Adaptations From Black Writers?" over on Reactormag.com, previously Tor.com.
Also, be sure to check out:
My Spreadsheet of ALL Black Book-to-Movie/TV Adaptations From Black Writers
My Letterboxd List of ALL Black Book-to-Movie Adaptations From Black Writers
THE WOMAN KING (2022) - In this sweeping, historical epic inspired by true events, General Nanisca (Viola Davis) of the Agojie, the all-female unit of warriors who protected the 1800s African Kingdom of Dahomey, trains the next generation of recruits and readies them for battle against an enemy determined to destroy their way of life.
Directed by Gina Prince-Bythewood, written by Gina Prince-Bythewood and Dana Stevens, produced by Cathy Schulman, Viola Davis, Julius Tennon, and Maria Bello, and starring Viola Davis, John Boyega, Thuso Mbedu, Lashana Lynch, Sheila Atim, Hero Fiennes, Adrienne Warren, Jayme Lawson, and Masali Baduza.
Releasing exclusively in movie theaters on September 16th, 2022.
The story is inspired by true events as it "follows the emotionally epic journey of General Nanisca as she trains the next generation of recruits and readies them for battle against an enemy determined to destroy their way of life.
I am currently a producer on a project, and the executives were adamant that the director we chose be a Black Oscar-winning director. While that sounds great, who would that be? In the 95-year history of the Academy Awards, no Black filmmaker has ever won best director. No Black woman has ever been nominated.
...
The Woman King wasn’t snubbed. A snub is if it missed out on a category or two. The film was not nominated for one single craft. Not one single extraordinary performance was recognized. And when has that happened for a successful film that hit all the so-called markers? It’s not a snub. It’s a reflection of where the Academy stands and the consistent chasm between Black excellence and recognition. And, sadly, this is not just an issue in Hollywood but in every industry. I’m going to use a Dr. King quote because it is so apropos, in that he spoke on the “lie of [our] inferiority accepted as truth in the society dominating us.”