Persephone, Coral, and Festus are in a throuple. Mizzen is their child. Coral and Festus won’t touch each other. They fight over Persephone relentlessly. Festus birthed Mizzen. (x)
The Hunger Games: The Ballad of Songbirds and Snakes (15): Entertainment in the Arena; Boredom thereafter.
#onemannsmovies #filmreview of "The Hunger Games: The Ballad of Songbirds and Snakes". #TheHungerGames. As long as its title, a good film that outstayed its welcome. 3/5.
A One Mann’s Movies review of “The Hunger Games: The Ballad of Songbirds and Snakes” (2023).
I must admit that after seeing the original Hunger Games film in 2012, and some of the knock off follow-ons like “Divergent” and “The Maze Runner”, I rather lost interest in this genre and never got to watch any of the three Jennifer Lawrence sequels. But that really doesn’t matter much here since this…
Oh yeah, ‘cause that’s the thing, that’s why i’ve chosen specifically to owe the IRS almost a million dollars.
I know, what a good move by you!
Thank you-
[interrupting] It’s so good.
-Because you know what it is? It’s humbling.
[laughter]
And I do- I find I am so much more humble when i owe the government money.
[Image Description: the first frame is a close up of raphael, who has a finger out and his eyes closed as he speaks. in the next frame, his expression changes to smug as he opens his eyes and waves a hand. the next frame is slightly zoomed out and you can see leonardo, michelangelo, and donatello standing behind raphael as he speaks, hand raised casually. the next frame is a close up of michelangelo, who is smiling brightly and giving a thumbs up. leonardo can be seen to his left with a concerned expression, and donatello on the right has a mischievous smile. the next frame shows leonardo and michelangelo from behind and donatello facing raphael as he speaks, hand on his hip and finger pointing out. the next frame is the same image except raphael’s hands are now out as he gestures. the next frame shows leonardo with a blank concerned expression while michelangelo and donatello laugh, raphael still speaking in the foreground. he has his hands clasped together innocently as he grins. the next frame shows a doodle of raphael with a halo and angel wings, text that says HUMBLE pointing toward him. the final frame shows a wanted poster of raphael that says “WANTED. CASH REWARD $69.”]
Please i beg that Cassandra does not stop at TWP, i mean imagine like a TLH series but this time is the TMI and TDA gangs' children.
Imagine baby clace, sizzy, jemma, Raphael and Max, seeing Mina all grown up, and seeing the adults just like we saw TID's gang in TLH🥹🥹
I need to see Jace and Simon being parents and insulting each other's parenting style
Malec kids being sick of their parents loving each other so much
Sizzy's kid fearing their mom's cooking and talking about it with their uncles.
Their kids being able to do anything bc the tmi gang had gone to hell when the majority was not 18 yet, and because Julian and Emma had become giants and Kit and Ty had done Necromancy at the ripe age of 15.
And Mina using the typical stereotype of "my parents were born in another time" but using it 100% unironically bc they were born in the 1800s
ALSO GROWN UP KIT AND MINA SIBLING BOND, PLEEEEAAAASEEEE I BEEEEEG OF YOUUU CASSIE
pondering on a meta diving into Gale's abstract brand of selflessness (willingness to go away to a corner of the world to die so that none of the faceless masses will be harmed by his mistake) vs his personal selfishness (willingness to stick by tav despite being repulsed by tiefling camp murder + general vocal approval or interest in accumulating more power) and Gale's status as someone who is good aligned but generally ineffectual at enforcing actual good (the way that wyll or karlach will actually leave the party) which is fascinating for a fairly good-aligned person. just love when the Good Guy is actually kind of fucking weird. edit: tumblr cut off my tags Okay. and how all of this ties back in an interesting way to his relationship and power imbalance with mystra. he was wronged, deeply, but he also desires still that ... status / closeness to divinity in some way, by her influence. Gale thinks that he would be a better god simply by virtue of his mortality but he cannot escape the appeal of holding himself apart from others and being more than, greater than, something closer to godliness and thus inherently removed from mortal values and standards of right and wrong, which the gods themselves don't adhere to in the same way.