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#marginalized by our own communities?
bat-kidsarebi-kids · 3 months
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I love you transfems I love you tall transfems I love you short transfems I love you fat transfems I love you thin transfems I love you hairy transfems I love you transfems who shave I love you butch transfems I love you femme transfems I love you it/its transfems I love you transfems who don’t use she/her I love you transfems who exclusively use she/her I love you transfems who pass I love you transfems who don’t pass I love you transfems who don’t want to pass I love you transfems who are on HRT I love you transfems who aren’t on HRT I love you transfems who don’t want to transition I love you transfems who are still closeted I love you if you have a penis I love you if you have a vagina i love you if you are intersex you are not a sex object you do not exist for other people to use you up you are worthy of love regardless of your relationship to sex & you deserve to be backed by your community 100% of the time. transfems you are always safe on my blogs. i see you transfems I love you transfems you are more than enough exactly as you are transfems
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mueritos · 1 year
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I’m not quite sure how to word this but I’ve been digging into “lesbian 101” books like Stone Butch Blues, are there are books you think every gay man should read?
hmm. my mind immediately goes to The Velvet Rage, which is a book written by a gay therapist about gay male specific trauma/coping/experiences. Do i think the book is often very white/rich centric in its experiences? Yea, but I also feel what it says about the coping behaviors and experiences that are unique to gay men can provide insight for all kinds of queer men, and have certainly helped me understand the experiences of cis gay men (but also how those experience broach into trans gay male experiences). I think it offers a very important view into gay male culture, including hyper-sexuality, fatphobia, fag-bashing, and more.
Another book that I think all queers should read is Michael Warner's The Trouble with Normal. I have some gripes with Warner himself, but this book is extremely solid in the ways it calls out the LGBTQ movement/organizations into selling out to cis-heteronormativity, social purity, and overall dessexualization of the movement. If anyone needs to read this book, it's definitely the catty gay men who think they are better than other gays for hating "weird" queers.
Those r just two books that come to mind ^-^
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bookwyrminspiration · 7 months
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what kind of exam puts the big essay question in the middle??? what kind of hell world am I living in
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rusanya-does-edits · 1 month
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Something weirdly specific for at least some of us, that we've had in mind for awhile; unfortunately this was the closest we could get with a picrew tbh.
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× × × || × × × || × × ×
Like, fortunately for us; while we have some things that irk us with this one, but this hits pretty close in a metaphorical sense at least for the people we're thinking of. Unfortunately for us, some of those are more obvious than others so we hesitated on weather we needed to share this or not LOL.
#stimboard#cn // highly personal#highly personal#GOD THAT PINK IN THE BACKGROUND. SO THREATENING.#THAT “SHE KNOWS” THING A MONTH BACK IN THE GAME SESSION. // OC-related tangent in the tags incoming#(<- hits differently in some situations)#(<- *stares at the plural OCs who we made an entire past for.*)#(<- *stares at the fact their whole thing is. dysphoria made them plural. and THEN they became functionally immortal.*)#(<- you don't skip town for no reason. they lived in a generation where being both would throw them in The Loony Bin)#(<- but only the QUEERNESS became more acceptable later on.)#(<- these bozos are a mirror to our own life and frustration. and that realistically. people are starting to accept endogenics to a degree.#(<- but the world we want and how endos are treated is NOT going to happen next yer. it MIGHT happen in like 20 years.)#(<- “she knows” has been and always will be our greatest fear and pushing through that is HARD.)#(<- So what would it look like INSTEAD to be hiding under queerness. which is still stigmatized as hell)#(<- but you can AT LEAST find a margin of community somewhere that isn't full of abusers and bootlickers/idenity-medicalists for that ID)#NONE OF THIS IS NEGATIVE we're actually kind of glad the GM saw the full implications of that even implicitly -#- getting the shivers just remembering that. But also it's interesting to implement that onto their younger singletsona lmao.#WERE SO PISSED THO THAT WE COULDNT FIND A GREYSCALE MASK THAT WASNT. HORROR OR PARTY. THESE FUCKERS ARE NOT VILLAINS YNKOW.#like how the fuck do we have a hoard of gifs in our tumblr likes and found NOTHING for that specifically lolsob?#yes these ARE the same two chucklefucks we blabbed on and on about for like a week on our main account.#but its their “singletsona”. kind of. kind of sort of. we have wholeass ideas on this narratively.#like we just need to WRITE as in actually write but the issue is every time we do we hit A Wall(tm)#but yeah. anyways. we have headmates playing a TTRPG and we may have projected our frustrations onto two OCs that we don't even play. 😭😭😭
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fursasaida · 1 year
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just gave my aunt a remedial lecture in postcolonialism because, as a Russian lit specialist, she is on board with the idea that the field has been very colonial this whole time and needs to be reconstructed, but hasn't the faintest idea of what that really means or how to start
like, as in, she was complaining to me about the Elif Batuman piece not making any sense and being totally incoherent, and how everyone (former students, Russian friends, etc) was complaining and indignant about it, and then I had to carefully explain to her that that in fact is a sign that the piece was right on. like the concept that colonial relations are in part pedagogies of not-seeing, of overlooking, that they shape what makes sense or seems logical, and that challenges to these understandings will feel icky and seem facially stupid, was not something she had any concept of. I mentioned in passing that Batuman's piece was of course about reversing center and periphery and she was like "oh, nobody's said that, what does that mean" and I was like ok. ok. ok. let's back way up.
anyway this is all to say that I knew Slavic Studies was way behind on this issue, but boy did I not realize how far behind
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mackennaaidanrose · 3 months
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Its kind of an odd feeling being on Trans Reddit,Tumblr, and in the past more-so Twitter. Because depending on each site you get a different picture of whos the most unfairly treated in our communitiy.
Everything I hear on Tumblr seems to mostly ascribe Trans women as victims of trans misogyny, always being the ones not represented or treated as crazy Karens for complaining about completely valid things and how they should be treated better.
Reddit on the other hand, Where its mostly Trans Women, has the opposite idea, that not enough trans masc content is made and that we should try to strive to be more inclusive of them and more fair to them than we are. They are the ones suffering and being marginalized in their communities.
In the end, I think both are probably accurate to some degree, its just theres different concentrations of each of us on each site. Trans Women tend more towards Reddit and Trans Men more towards Tumblr. And both groups are to some degree guilty of being shit to the minority of their site.
I dont really have anything smart to say about this, Im an Engineering major i just do number thingies and talk about roman concrete excitedly, this is just something Ive tended to notice across both sites.
Also Trans Twitter seems to be Depressed and Horny. Take that as you will
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glittertimes · 3 months
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Realizing I’ve only voted in one presidential election and it wasn’t for Biden lolol
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wiisagi-maiingan · 3 months
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Treating the Holocaust as a privilege isn't exclusive to white gentiles. I've called other people out on here for acting like the existence of the Holocaust Museum is a privilege when there supposedly aren't any museums dedicated to the transatlantic slave trade or the genocide of indigenous people.
Jewish people have worked and fought viciously for decades to keep people from forgetting the Holocaust; museums, classes, etc are overwhelmingly started and led by Jews. Books and other media about the Holocaust made by gentiles almost always focus on the roles of gentiles in the Holocaust (with extreme exaggerations about the existence of gentile saviors), with Jewish experiences being secondary at best; media focused on Jewish experiences is made by Jews.
Jews have fought tooth and nail, often facing heavy censorship and extreme violence, to keep the Holocaust from being forgotten so that it isn't repeated. And even with all that work, gentile perspectives and opinions still dominate the narrative, often causing great harm to Jewish communities and WORSENING antisemitism.
And then other marginalized racial and ethnic groups blame Jews for supposedly getting too much attention and "stealing" it from everyone else (often while ignoring efforts to increase education about our own communities and histories), even while our communities co-opt the Holocaust and Jewish suffering and pretend that antisemitism is a thing of the past.
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renthony · 4 months
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OFMD has officially been cancelled, and I am once again thinking about all the people in the world who nitpick diverse media to hell and back when it isn't 100% perfect, as if having nothing at all would be preferable.
I'm so fucking tired of good, earnest, diverse media getting held to ridiculous standards by both networks AND fans, and then getting cancelled.
It was supposed to be three seasons. David Jenkins fucking said it was supposed to be three seasons. And then the network dragged its ass on renewing for season 2, and now...no season 3.
FUCK this shit. I'm so tired of media by and for marginalized artists getting fucked over. I'm tired of marginalized people fighting for scraps and then getting the rug whipped out from under us.
Yeah, OFMD isn't the only thing out there. There are other things to go enjoy, for the moment. But the fact that it's the shows that are queer and multicultural that keep getting cancelled is pretty fucking transparent, and I've seen quite a lot of concern from people in the industry about the direction we're headed. The outlook is concerning. It's more important now than ever to support marginalized artists, whether they're making indie art or trying to get something made by a mainstream studio.
Our Flag Means Death. Warrior Nun. One Day At A Time. Willow. Dead End: Paranormal Park. First Kill. Q-Force. The Owl House. Steven Universe. A League of Their Own. Vampire Academy. I could go on, but I don't need to, because there are entire lists that have been curated by news sites: Gay Times, Out, Autostraddle, Pride, Movieweb, Collider.
There's a reason I spend so much time and energy studying things like the Hays Code and the history of censorship. This shit comes in waves, and the only way marginalized artists survive it is through community support, mutual aid, and being really goddamn loud.
So be loud. Make art. Support your fellow artists and the artists you love. We need each other if we're going to weather the storm.
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saturngalore · 2 months
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afrofuturism🪐
☆ one ~ solange hair by darknightt (tsr warning) ☆ two ~ loretta hair by @simtric ☆ three ~ bahati braids by @sheabuttyr ☆ four ~ isonoe hair by octetsica ☆ five ~ binah braids by @sheabuttyr ☆ six ~ cornrows & curls hair by @leeleesims1 ☆ seven ~ indie hair by @sashima ☆ eight ~ loc petals by @shespeakssimlish ☆ nine ~ mnemosyne hair by octetsica ☆
mini dedication essay to black simmers and ts4 creators below! pls read if you have the chance! <3
this edit is a small homage to afrofuturism and the various unique black hairstyles (and especially the black creators of most of these hairs) that i have downloaded and admired over the years! some of these are old and some of these are new.
to me, afrofuturism means constantly honoring/reclaiming/challenging the past while constantly creating/dreaming of a better society/world/future. a society/world/future that embraces and empowers all of our differences, ingenuity, aspirations, and unique lived/cultural experiences. a society/world/future that does not limit us through the various systems of marginalization and oppression (racism, homophobia, transphobia, fatphobia, sexism, xenophobia, ableism, classism, colorism, etc.) that often affects how we, as black people, live today.
blackness is so diverse and intricate yet it's always been a struggle to find my culture within a game that's known for being so limiting, bland, and extremely eurocentric when it comes to hairstyles, clothing, food traditions/events, etc. black simmers have always had to figure out how to make this game more inclusive and make it resemble either more like how our ancestors lived, how our current lives are, or how we would want our lives (and even our children's lives) to look like in the future no matter how dystopian the real world look and feel now. fortunately, these hairs and their uniqueness bring a huge sense of culture and style to this game. they have always inspired me and made me feel extremely proud to a part of the lovely african diaspora (and the ever-growing black simmer community).
in a way, being a black simmer and cc creator usually means that we are often digitally creating our own worlds as afrofuturists to varying degrees (whether we know it or not) every time we open our game, make our sims, make houses, and/or make black cultural cc. also, now i know that cc making is not easy to do and is extremely time-consuming so this post is also just me giving all black cc creators especially those who create for free their well-deserved flowers! here are some other black cc creators who created cc that have greatly impacted my game since i first started playing sims 4: @/leeleesims1 @/simtric @/hi-land @/yuyulie @/sims4bradshaw @/ebonixsims @/xmiramira @/sheabuttyr @/qwertysims @/oplerims @/sleepingsims @/shespeakssimlish and so many more im forgetting probably (im too shy rn to tag ppl but i greatly appreciate y’all fr i hope y’all telepathically get this message somehow 😭).
last but not least, i am hoping that this inspires somebody to keep creating or start creating regardless of what they think their skill level is! somebody will absolutely fall in love with your work and/or your art/work will 100% change someone's game forever <333
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inkskinned · 1 year
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one of the things that i think we should pay attention to, socially, about the disney v. desantis thing is that it is really highlighting the importance of remembering nuance.
in a purely neutral sense, if you engage in something problematic, that does not mean you are necessarily agreeing with what makes it problematic. and i am worried that we have become... so afraid of any form of nuance.
disney isn't my friend, they're a corporate monopoly that bastardized copyright laws for their own benefit, ruin the environment, and abuse their workers (... and many other things). this isn't a hypothetical for me - i grew up in florida. i also worked for the actual Walt Disney World; like, in the parks. i am keenly aware of the ways they hurt people, because they hurt me. i fully believe that part of the reason florida is so conservative is because it's been an "open secret" for years now that disney lobbies the government to keep minimum wage down, and i know they worked hard to keep the parks unmasked and open during the worst parts of Covid. they purposefully keep their employees in poverty. they are in part responsible for the way the floridian government works.
desantis is still, by a margin that is frankly daunting, way worse. the alternative here isn't just "republicans win", it's actual fascism.
in a case like this, where the alternative is to allow actual fascism into united states legislation - where, if desantis wins, there are huge and legal ramifications - it's tempting to minimize the harm disney is also doing, because... well, it's not fascism. but disney isn't the good guy, either, which means republicans are having a field day asking activists oh, so you think their treatment of their employees is okay?
we have been trained there is a right answer. you're right! you're in the good group, and you're winning at having an opinion.
except i have the Internet Prophecy that in 2-3 months, even left-wing people will be ripping apart activists for having "taken disney's side". aren't i an anti-capitalist? aren't i pro-union? aren't i one of the good ones? removed from context and nuance (that in this particular situation i am forced to side with disney, until an other option reveals itself), my act of being like "i hope they have goofy rip his throat out onstage, shaking his lifeless body like a dog toy" - how quickly does that seem like i actually do support disney?
and what about you! at home, reading this. are you experiencing the Thought Crime of... actually liking some of the things disney has made? your memories of days at the parks, or of good movies, or of your favorite show growing up. maybe you are also evil, if you ever enjoyed anything, ever, at all.
to some degree, the binary idealization/vilification of individual motive and meaning already exists in the desantis case. i have seen people saying not to go to the disney pride events because they're cash grabs (they are). i've seen people saying you have to go because they're a way to protest. there isn't a lot of internet understanding of nuance. instead it's just "good show of support" or "evil bootlicking."
this binary understanding is how you can become radicalized. when we fear nuance and disorder, we're allowing ourselves the safety of assuming that the world must exist in binary - good or bad, problematic or "not" problematic. and unfortunately, bigots want you to see the world in this binary ideal. they want you to get mad at me because "disney is taking a risk for our community but you won't sing their praises" and they want me to get mad at you for not respecting the legit personal trauma that disney forced me through.
in a grander scheme outside of disney: what happens is a horrific splintering within activist groups. we bicker with each other about minimal-harm minimal-impact ideologies, like which depiction of bisexuality is the most-true. we gratuitously analyze the personal lives of activists for any sign they might be "problematic". we get spooked because someone was in a dog collar at pride. we wring our hands about setting an empty shopping mall on fire. we tell each other what words we may identify ourselves by. we get fuckin steven universe disk horse when in reality it is a waste of our collective time.
the bigots want you to spend all your time focusing on how pristine and pretty you and your interests are. they want us at each other's throats instead of hand in hand. they want to say see? nothing is ever fucking good enough for these people.
and they want their followers to think in binary as well - a binary that's much easier to follow. see, in our spaces, we attack each other over "proper" behavior. but in bigoted groups? they attack outwards. they have someone they hate, and it is us. they hate you, specifically, and you are why they have problems - not the other people in their group. and that's a part of how they fucking keep winning.
some of the things that are beloved to you have a backbone in something terrible. the music industry is a wasteland. the publishing industry is a bastion of white supremacy. video games run off of unpaid labor and abuse.
the point of activism was always to bring to light that abuse and try to stop it from happening, not to condemn those who engage in the content that comes from those industries. "there is no ethical consumption under late capitalism" also applies to media. your childhood (and maybe current!) love of the little mermaid isn't something you should now flinch from, worried you'll be a "disney adult". wanting the music industry to change for the better does not require that you reject all popular music until that change occurs. you can acknowledge the harm something might cause - and celebrate the love that it has brought into your life.
we must detach an acknowledgment of nuance from a sense of shame and disgust. we must. punishing individual people for their harmless passions is not doing good work. encouraging more thoughtful, empathetic consumption does not mean people should feel ashamed of their basic human capacities and desires. it should never have even been about the individual when the corporation is so obviously the actual evil. this sense that we must live in shame and dread of our personal nuances - it just makes people bitter and hopeless. do you have any idea how scared i am to post this? to just acknowledge the idea of nuance? that i might like something nuanced, and engage in it joyfully? and, at the same time, that i'm brutally aware of the harm that they're doing?
"so what do i do?" ... well, often there isn't a right answer. i mean in this case, i hope mickey chops off ron's head and then does a little giggle. but truth be told, often our opinions on nuanced subjects will differ. you might be able to engage in things that i can't because the nuance doesn't sit right with me. i might think taylor swift is a great performer and a lot of fun, and you might be like "raquel, the jet fuel emissions". we are both correct; neither of us have any actual sway in this. and i think it's important to remember that - the actual scope of individual responsibility. like, i also love going to the parks. Thunder Mountain is so fun. you (just a person) are not responsible for the harm that Disney (the billion dollar corporation) caused me. i don't know. i think it's possible to both enjoy your memories and interrogate the current state of their employment policies.
there is no right way to interrogate or engage with nuance - i just hope you embrace it readily.
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ao3topshipsbracket · 7 months
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The one downside of this glorious tournament is that now I'm having to explain to my friends who are new to fandom that 90% of all fanfic is written by straight girls fetishizing gay men and there was never any chance of a femslash ship making it into the Top 4 😅
While M/M is definitely overrepresented in the AO3 stats, I don't think this is wholly representative of fandom. Even just looking at this bracket, out of the 5 femslash ships we started with, 4 of them have made it to this round, typically with wide margins and little competition. The userbase here is very attached to the few lesbian couples we got, and I think many are trying to get these pairings as far as they can.
This doesn't mean that there isn't an issue with fandom pushing white M/M pairings - this is in fact something which the creator of the data we used has written about! However, the common "straight girls fetishizing gay men" narrative is no longer very representative of the community. This is actually one of the reasons why we're planning to run our own demographics poll after the bracket ends, we want to see who our voter base is.
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drchucktingle · 5 months
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work of jordan peele is BIG influence on chuck this is correct. there are quite a few similarities actually, especially when you consider both of us are coming to horror from place of comedy (i personally do not see tinglers as comedy but obviously this timeline has placed them there and i am perfectly okay with this trot).
we are both creating horror stories for our own historically marginalized groups and in particular, writing stories that are SPECIFIC to those groups.
for example when thinking about QUEER HORROR there is plenty of queer horror where the horror itself has nothing to do with queerness, or the queerness is subtext. for instance you could have a slasher where the main characters happen to be gay, but their queerness is not necessarily part of the fear.
on the other hand, CAMP DAMASCUS is directly commenting on a queer issue
BURY YOUR GAYS is directly commenting on a queer issue
by the same token GET OUT is directly commenting on a race issue
US is directly commenting on a class issue which is, of course, going to be wrapped up in topics of race and marginalization
it should be said that the other kinds of horror where issues of the marginalized groups is more in the SUBTEXT are not wrong. there is a time and a place for that. the book that will likely be chucks next horror novel is about bi erasure, but it is much more about the subtext and symbolism. there is a bi lead, but also a monster that does not seem to be about bi erasure AT FIRST. it is much less direct. so there is a time and a place for both kinds of approaches.
but i think the biggest thing that is similar about jordan and chucks approach (and what has been a big influence on me specifically) is that our goal is NOT: 'how HORRIFYING AND TRAUMATIC AND MESSED UP CAN WE MAKE THIS?'
we are doing something else
processing trauma by exposure can be a common goal for horror AND honestly i think it is also totally dang fine to make art like this. there are some incredible pieces where trauma and tragedy is the goal. however (and i will speak for myself here) when you are coming from a buckaroo community that has been through so much of this trauma in real life, i PERSONALLY find that goal to be a little too boring.
my goal is more like this: how can we use this genre of fear and tension that i love to comment and explore and say something new? how can i pull apart an issue and deconstruct it in a way that is cathartic and maybe even changes minds?
so i cannot speak for jordan but i feel like our approaches are similar in this way. i see a LOT of reviews that make comparisons between CAMP DAMASCUS and GET OUT and i am always very flattered
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noctomania · 2 years
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Not to be dramatic but
Sometimes I'm like ...
WE'RE HERE WE'RE QUEER GET USED TO IT
then I'll see some stupid bullshit comin out from our own community and I'm like...
I'm just gonna turn my civil rights in now, I give up there's no saving us from ourselves.
#not to be anti today it's just....is this what people died for? for us to know you are not a bottom? to know every detail of a select few?#wtf are we doing?#also i was thinking about my own track record like when i was in the alliance and I'm just disappointed in myself!#we should have been doing so much more. not that we did nothing and i did also do a lot of community service but#i just feel like we did very little in terms of partaking in local or regional protest and action etc#but also personally i was just there for community and friends but i wish i had been more in tune withthe rage i feel these days#hell i was even slighty transphobic back then and i was on the board for the group#my how times have changed#we did do good stuff raised lotta money provided resources safe space etc but i think we could have done more to invigorate our base#ppl used it as a dating meet. maybe if we gave them something they could be passionate about they would come.#in fact they did. every time the drag show came around membership went up#bc drag is an act of rebellion even still.#not that everyone treats it that way but you know what i mean#anyway I'm just trying to say give up the vanity projects and get fucking mad.#i don't want to be a joykill this is something every marginalized community deals with#in the queer community it does feel like a vanity project. part of why i now primarily identify as generally queer#queer is political to me. the details of what ways in which i am queer are my business#maybe my dr and my partner will know the details.#but john swift on twitter or mary lou harbinger on fb do not need to know the ins & outs of my complicated sexuality & gender identity#all they need to know is that im here in queer and I'm not the only one. when we fragment ourselves into smaller groups it makes it easier#to pick us off wen they know one group will not protect the other.#use transphobia to turn cis queers against trans queers. use racism to turn white queer against brown queer & brown against black queer.#use sexism to turn queer men against queer women#use biphobia to turn sexualities against each other#use gender binary to turn trans people against each other#use classism to turn wealthier queer against poor homeless or incarcerated queer#and finally make queer a dirty word for the portion that will only ever treat this as being about them instead of us.#do you know how racism worked? how conservatives work? they find the biggest umbrella and get under it together#not trying to credit them but look how it works. if we expect to be able to fight back we have to unite. union is not erasure.#individual identity does matter. so does the collective community identity. time and place.
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violexides · 1 year
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9/11 [handshake] holy fucking bingle: 
people (especially white queer people) diverting a conversation about America’s Islamophobia and racism to instead make jokes & center their own struggles in a dialogue that is distinctly not about them. 
like i have found the sheer comedy of “holy fucking bingle” and “i stay silly :3″ extremely funny, and i think there is a lot of conversation to be had about exclusionist discourse, 
but i think there is a strong LACK of conversation about the Islamophobia and the racism that is prevalent in the TSA. with 9/11 people tend to joke about it in a way to be like a “gotcha nationalists!” but the people making those jokes are majority non-Arab, non-Muslim, non-Middle-Eastern, just unrelated people making light out of an event that has killed and harmed and affected millions of people. me included. 
it shouldn’t feel like a constant fight to get people to fucking listen to Muslims Arabs & Middle-Easterners when we talk about our struggles in this country. however I feel like especially in the queer community, a lot of people would rather talk about their experiences with homophobia than address any of the biases and stigma they uphold against us. 
look i am not going to shame people for laughing at holy fucking bingle, i don’t think that’s the point here. but i need people to care about the Islamophobia of this country. I need people who aren’t Muslims to think about why they feel as if Islamophobic policies hurt them more than actual Muslims, why they hide behind their own marginalized identity to shield the fact that they have Islamophobic and racist beliefs, etc. 
i’m tired of knowing that literal children are on the No Fly List and people are ignoring it to talk about exclusionism. honestly. 
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txttletale · 6 months
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niceys positive anon!! i don't agree with you on everything but you are so clearly like well read and well rounded that you've helped me think through a lot of my own inconsistencies and hypocrises in my own political and social thought, even if i do have slightly different conclusions at times then u (mainly because i believe there's more of a place for idealism and 'mind politics' than u do). anyway this is a preamble to ask if you have recommended reading in the past and if not if you had any recommended reading? there's some obvious like Read Marx but beyond that im always a little lost wading through theory and given you seem well read and i always admire your takes, i wondered about your recs
it's been a while since i've done a big reading list post so--bearing in mind that my specific areas of 'expertise' (i say that in huge quotation marks obvsies i'm just a girlblogger) are imperialism and media studies, here are some books and essays/pamphlets i recommend. the bolded ones are ones that i consider foundational to my politics
BASICS OF MARXISM
friedrich engels, principles of commmunism
friedrich engels, socialism: utopian & scientific
karl marx, the german ideology
karl marx, wage labour & capital
mao zedong, on contradiction
nikolai bukharin, anarchy and scientific communism
rosa luxemburg, reform or revolution?
v.i lenin, left-wing communism: an infantile disorder
v.i. lenin, the state & revolution
v.i. lenin, what is to be done?
IMPERIALISM
aijaz ahmed, iraq, afghanistan, and the imperialism of our time
albert memmi, the colonizer and the colonized
che guevara, on socialism and internationalism (ed. aijaz ahmad)
eduardo galeano, the open veins of latin america
edward said, orientalism
fernando cardoso, dependency and development in latin america
frantz fanon, black skin, white masks
frantz fanon, the wretched of the earth
greg grandin, empire's workshop
kwame nkrumah, neocolonialism, the last stage of imperialism
michael parenti, against empire
naomi klein, the shock doctrine
ruy mauro marini, the dialectics of dependency
v.i. lenin, imperialism: the highest stage of capitalism
vijay prashad, red star over the third world
vincent bevins, the jakarta method
walter rodney, how europe underdeveloped africa
william blum, killing hope
zak cope, divided world divided class
zak cope, the wealth of (some) nations
MEDIA & CULTURAL STUDIES
antonio gramsci, the prison notebooks
ed. mick gidley, representing others: white views of indigenous peoples
ed. stuart hall, representation: cultural representations and signifying pratices
gilles deleuze & felix guattari, capitalism & schizophrenia
jacques derrida, margins of philosophy
jacques derrida, speech and phenomena
michael parenti, inventing reality
michel foucault, disicipline and punish
michel foucault, the archeology of knowledge
natasha schull, addiction by design
nick snricek, platform capitalism
noam chomsky and edward herman, manufacturing consent
regis tove stella, imagining the other
richard sennett and jonathan cobb, the hidden injuries of class
safiya umoja noble, algoriths of oppression
stuart hall, cultural studies 1983: a theoretical history
theodor adorno and max horkheimer, the culture industry
walter benjamin, the work of art in the age of mechanical reproduction
OTHER
angela davis, women, race, and class
anna louise strong, cash and violence in laos and vietnam
anna louise strong, the soviets expected it
anna louise strong, when serfs stood up in tibet
carrie hamilton, sexual revolutions in cuba
chris chitty, sexual hegemony
christian fuchs, theorizing and analysing digital labor
eds. jules joanne gleeson and elle o'rourke, transgender marxism
elaine scarry, the body in pain
jules joanne gleeson, this infamous proposal
michael parenti, blackshirts & reds
paulo freire, pedagogy of the oppressed
peter drucker, warped: gay normality and queer anticapitalism
rosemary hennessy, profit and pleasure
sophie lewis, abolish the family
suzy kim, everyday life in the north korean revolution
walter rodney, the russian revolution: a view from the third world
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