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jacarandaaaas · 3 months

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I remember seeing something in your tags where you said you had a few ideas for episodes for the Encanto series. Do you mind sharing them with me? if you want of course. (I've already written the basic premise for seasons 1-4 but I'm happy to hear any ideas you got)

ooh of course! these are just some brainstormed thoughts nothing substantial but

- mirabel gets her new room (because we didn’t see it in the movie)

- julieta cooking with her daughters as a bonding exercise

- bruno goes out into the town with his sisters and they talk to the townspeople about everything

- mirabels having nightmares/flashbacks of casita falling on her and starts thinking there’s cracks everywhere

- antonio and Dolores doing literally anything I love them

- alma falls back into old habits but the family’s there to steer her in the right direction

- luisa gets a fun part in her room! (Based on the concept art)

- the husbands + bruno have a boys night out !

- isa and Dolores have a heart to heart when they plan to spend the day together

- camilo and Bruno put on a play for the whole community and the whole family helps!

- pepa brings bruno around to try new things since he’s missed so much

- madrigal grandkids have a sleepover

- triplets flashback to when they first get their gifts and it’s the first week of absolute CHAOS in the encanto

- day of little candles themed ep where alma and the family go to the river and alma tells them all about pedro (maybe a flashback to life before dos oruguitas)

- isabela adjusting to her new identity and the villagers still subconsciously think of her as her “perfect” version

- someones birthday and the family throw the best party ever

- mirabel and bruno reflect on what’s changed and how the future can be scary

- this one’s entirely self indulgent but mirabel goes to the local seamstress to get advice and ends up being taken on board as an assistant

- camilo and Marco get all the town kids to partake in the ultimate encanto football match

- luisa having a day off where the family do everything for her (she deserves it)

- christmas ep because why not!

- flashback to grandkids as younger for some preteen Dolores and isa moments

- antonio starts school and is super nervous and struggles a bit but he has his family for support

- mirabel not being used to having attention on her all the time and feeling like she has to live up to new expectations because she’s “the miracle” (this isn’t her being a leader or anything this is literally just her brain assuming they expect stuff from her)

- triplets bday!! (Can be from any time)

- mirabel and Antonio have a picnic

- Dolores and Mariano get a date set up for them by camilo

- madrigal sisters talk about their feelings from when mirabel went missing

- agustin and julieta have an anniversary coming up so agustin wants to make it the most special ever (shenanigans insue)

- pepa and felix go out for the night and pepa is insanely talented on the dance floor

- all the parents go away and Bruno is left to babysit

- isabela wants to make some friends after not having many due to her wanting to keep up appearances

- Dolores wants a new outfit and goes to mirabel for help

- luisa stands up to the donkey man

- julieta and alma moments

I cant think of more on the spot so if anyone wants to leave suggestions in comments!

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tboycamilo · 3 months

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they are a family. understand the vision

#osma supremacy osmas best madrigal in laws #encanto #marco osma #fish lady #señora pezmuerto #jose encanto #alejandra encanto #marcmilo #camilo madrigal #disney encanto

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madrigaltriplets · 10 months

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marcmilo ✨️

#encanto #encanto fanart #camilo madrigal #marco osma #marcmilo #my doodles

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elcinelateleymickyandonie · 3 years

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Marcello Mastroianni.

Filmografía

1939 - Marionette, dir. (Carmine Gallone)

1941 - La corona de hierro (Alessandro Blasetti)

1942 - Regeneración (Mario Camerini)

1944 - I bambini ci guardano (Vittorio De Sica)

1948 - I miserabili (Riccardo Freda)

1949 - Vent'anni (Giorgio Bianchi)

1950 - Cuori sul mare (Giorgio Bianchi)

1950 - Domenica d'agosto (Luciano Emmer)

1950 - Vita da cani (Vida de perros) (Mario Monicelli y Steno)

1950 - Atto d'accusa (Giacomo Gentilomo)

1951 - Parigi è sempre Parigi (París, siempre París) (Luciano Emmer)

1951 - L'eterna catena (Anton Giulio Majano)

1952 - Le ragazze di piazza di Spagna (Tres enamoradas o Las muchachas de la plaza de España) (Luciano Emmer)

1952 - Sensualità (Clement Fracassi)

1952 - Storia di cinque città (episodio: Passaporto per l'Oriente, Romolo Macellini, [RE: 1949])

1952 - La muta di Portici (Giorgio Ansoldi)

1952 - Il viale della speranza (Dino Risi)

1953 - Gli eroi della domenica (Los héroes del domingo) (Mario Camerini)

1953 - Penne nere (Oreste Biancoli)

1953 - Febbre di vivere (Claudio Gora)

1953 - Lulù (Fernandino Cerchio)

1953 - Non è mai troppo tardi (F. W. Ratti)

1954 - Tragico ritorno (Pier Luigi Foraldo)

1954 - La valigia dei sogni (Luigi Comencini)

1954 - Cronache di poveri amanti (Carlo Lizzani)

1954 - Tempi nostri (Nuestro tiempo) (episodio: Il pupo, Alessandro Blasetti)

1954 - La principessa delle Canarie (Tirma) (P. Moffa, C. Serrano de Osma)

1954 - La schiava del peccato (La esclava del pecado) (R. Matarazzo)

1954 - Casa Ricordi (C. Gallone)

1955 - Giorni d'amore (Días de amor) (G. De Santis)

1955 - Peccato che sia una canaglia (La ladrona, su padre y el taxista) (Alessandro Blasetti)

1955 - La bella mugnaia (La bella campesina) (Mario Camerini)

1955 - Tam tam mayumbe (Cuando suena el tam-tam) (Gian Gaspare Napolitano)

1955 - La fortuna di essere donna (La suerte de ser mujer) (Alessandro Blasetti)

1956 - Il bigamo (El bígamo) (Luciano Emmer)

1957 - Padri e figli (Padres e hijos) (Mario Monicelli)

1957 - Le notti bianche (Noches blancas) (Luchino Visconti)

1957 - La ragazza della salina/Harte manner heisse liebe (Frantisek Cáp)

1957 - Il momento più bello (Luciano Emmer)

1957 - Il medico e lo stregone.

1958 - I soliti ignoti (Rufufú) (Mario Monicelli)

1958 - Racconti d'estate (Sirenas en sociedad) (G. Franciolini)

1959 - Un ettaro di cielo (Una hectárea de cielo) (Aglauco Casadio)

1959 - La legge (La ley) (Jules Dassin)

1959 - Amore e guai (Angelo Dorigo)

1959 - Contro la legge (Fiavio Calzavara, [RE:1950])

1959 - Il nemico di mia moglie (El enemigo de mi mujer) (Gianni Puccini)

1959 - Tutti innamorati (Papá se ha enamorado) (Giuseppe Orlandini)

1959 - Fernando I, re di Napoli (G. Franciolini)

1960 - La dolce vita (Federico Fellini)

1960 - Adua e le compagne (Adua y sus amigas) (A. Pietrangeli)

1960 - Il bell'Antonio (El bello Antonio) (Mauro Bolognini)

1961 - La notte (La noche) (Michelangelo Antonioni)

1961 - L'assassino (El asesino) (Elio Petri)

1961 - Fantasmi a Roma (Fantasmas de Roma) (A. Pietrangeli)

1961 - Divorzio all'italiana (Divorcio a la italiana) (Pietro Germi)

1962 - Vie privée (Una vida privada) (Louis Malle)

1962 - Cronaca familiare (Crónica familiar) (Valerio Zurlini)

1963 - Otto e mezzo - 8½ (Ocho y medio) (Federico Fellini)

1963 - I compagni (Los camaradas) (Mario Monicelli)

1964 - Ieri, oggi, domani (Ayer, hoy y mañana) (Vittorio De Sica)

1964 - Matrimonio all'italiana (Matrimonio a la italiana) (Vittorio De Sica)

1965 - Casanova '70 (Mario Monicelli)

1965 - La decima vittima (La víctima nº 10) (Elio Petri)

1965 - Oggi, domani, dopodomani (episodios: L'uomo dei 5 palloni, L'ora di punta, La moglie bionda) (E. De Filippo, Marco Ferreri, L. Salce)

1965 - L'uomo dei cinque palloni (Marco Ferreri)

1966 - Io, io, io... e gli altri (Yo, yo, yo... y los demás) (Alessandro Blasetti)

1966 - Spara forte, più forte, non capisco (Dispara fuerte, más fuerte, no lo entiendo) (E. De Filippo)

1967 - Lo straniero (El extranjero) (Luchino Visconti)

1968 - Questi fantasmi (Renato Castellani)

1968 - Amanti (Vittorio De Sica)

1968 - Diamonds for Breakfast (Christopher Morahan)

1970 - Giochi particolari (Franco Indovina)

1970 - Dramma della gelosia - tutti i particolari in cronaca (El demonio de los celos) (Ettore Scola)

1970 - Los girasoles (I girasoli) (Vittorio De Sica)

1970 - Leo the Last (John Boorman)

1971 - Fellini Roma.

1971 - Correva l'anno di grazia 1870 (TV) (Alfredo Giannetti)

1971 - Permette? Rocco Papaleo (Ettore Scola)

1971 - Scipione detto anche l'africano (Luigi Magni)

1971 - La moglie del prete (Dino Risi)

1971 - Ça n'arrive qu'aux autres (Nadine Trintignant)

1972 - Liza / La cagna (Marco Ferreri)

1972 - What? (Roman Polanski)

1973 - L'événement le plus important depuis que l'homme a marché sur la lune (Jacques Demy)

1973 - Allonsanfan (Paolo y Vittorio Taviani)

1973 - Mordi e fuggi (Dino Risi)

1973 - La Grande Bouffe (Marco Ferreri)

1973 - Muerte en Roma (Rappresaglia, de George P. Cosmatos)

1973 - Salut l'artiste (Yves Robert)

1974 - Ne touche pas à la femme blanche (Marco Ferreri)

1974 - C'eravamo tanto amati / Una mujer y tres hombres / (Nos habíamos querido tanto) cameo (Ettore Scola)

1975 - La pupa del gangster (Giorgio Capitani)

1975 - Per le antiche scale (Por las antiguas escaleras) (Mauro Bolognini)

1975 - La donna della domenica (Salvatore Santamaria)

1976 - Todo modo (Elio Petri)

1977 - Una giornata particolare (Ettore Scola)

1978 - Bye bye monkey (Marco Ferreri)

1978 - Cosi come sei (Alberto Lattuada)

1980 - Città di donne (Federico Fellini)

1981 - La piel (Liliana Cavani)

1983 - Gabriela, Cravo e Canela (Naib)

1983 - Historia de Piera (Marco Ferreri)

1985 - Le due vite di Mattia Pascal (Mario Monicelli)

1985 - Maccheroni (Ettore Scola)

1986 - Ginger e Fred (Federico Fellini)

1987 - Ojos negros (Nikita Mikhalkov)

1987 - O melissokomos (El apicultor) (Theo Angelopoulos)

1989 - Splendor (Ettore Scola)

1990 - Stanno tutti bene de Giuseppe Tornatore .... como Matteo Scuro

1991 - Le voleur d'enfants (Christian de Chalonge)

1992 - Used People (Romance otoñal), de Beeban Kidron

1993 - Un, deux, trois, soleil, de Bertrand Blier

1993 - De eso no se habla (Maria Luisa Bemberg)

1994 - Prêt-à-porter (Robert Altman)

1995 - Al di là delle nuvole (Michelangelo Antonioni y Wim Wenders)

1995 - Sostiene Pereira (Roberto Faenza)

1995 - Trois vies & une seule mort (Tres vidas y una sola muerte) (Raúl Ruiz)

1995 - Las cien y una noches (Agnès Varda)

1997 - Viagem ao Princípio do Mundo (Viaje al principio del mundo) (Manoel de Oliveira).

Premios y nominaciones

Premios Oscarː

1963 - Mejor Actor: Divorcio a la italiana

1978 - Mejor Actor: Una jornada particular

1988 - Mejor Actor: Ojos negros

Festival Internacional de Cine de Cannes

1970 Mejor actor

1987 Mejor actor

Distinciones honoríficas

- Caballero Gran Cruz de la Orden al Mérito de la República Italiana (1994)

- Gran Oficial de la Orden al Mérito de la República Italiana (1987).

Créditos: Tomado de Wikipedia

https://es.wikipedia.org/wiki/Marcello_Mastroianni

#HONDURASQUEDATEENCASA

#ELCINELATELEYMICKYANDONIE

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jaimeariansencespedes · 3 years

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EL DUELO DEL SABOR - CRONICAS DE JAIMEARIANSEN CÉSPEDES.

Una de las gratas recompensas que me concedió ser Director de Extensión Cultural de la Universidad de Lima, en la década de 1970, fue el conocer y disfrutar de la amistad del Doctor Luis Alberto Sánchez, sin duda alguna uno de los intelectuales peruanos más ilustres del siglo XX. Nacido en 1900, fue un destacado político, maestro, escritor, historiador, crítico de arte, periodista y gran gourmet. Ocupó durante su fructífera vida todos los cargos importantes de la política y la intelectualidad peruana, nada menos que Presidente y Vicepresidente del País, de las Cámaras Legislativas, de la Asamblea Constituyente, tres veces Rector de la Universidad de San Marcos y podríamos mencionar docenas de otros cargos trascendentes.

Durante un buen tiempo -para mí- tuvimos un acuerdo de amigos con el doctor Sánchez, el de almorzar quincenalmente: uno escogía el restaurante y el otro pagaba la cuenta, en forma alternada. Eran las dos o tres horas que yo más esperaba y que por supuesto disfrutaba plenamente, principalmente por el privilegio de escuchar la cátedra más versada, con una minuciosidad increíble referida a las fechas, nombres y descripción de las personas, sobre diversos temas culturales, principalmente historia, literatura, teatro, mitología y por supuesto gastronomía.

En la conversación era frecuente el tema del proceso de aculturación de la cocina peruana y las influencias de las diversas etnias a través de las diferentes etapas. Su capítulo preferido era el francés y recuerdo con vivo interés una de las historias que me contó y que titulamos “El Duelo del Sabor”. A su vez esta historia le fue relatada al Doctor Sánchez, cincuenta años antes, por otro singular personaje y protagonista del hecho, don José de la Riva Agüero y Osma, Marqués de Monte Alegre y Aulestia.

Resulta que por el año de 1891 se fundó en Lima el Colegio de los Sagrados Corazones, más conocido con el nombre de La Recoleta, dirigido por sacerdotes franceses. La primera Promoción fue la de 1901, de ella formaban parte, entre otros, los ilustres Francisco y Ventura García Calderón, Eduardo Barrios Hudtwalker, Raimundo Morales de la Torre, Manuel Gallagher, Fernando Melgar, Juan Bautista de Lavalle y José de la Riva Agüero, sin lugar a dudas un grupo excelente que daría relucientes frutos a la literatura y en general a la cultura peruana

Esta extraordinaria generación había sido formada bajo las principales influencias culturales de la época, el positivismo y el idealismo personificado por los filósofos y poetas Bergson y Guyau, también era notorio el aporte cultural del uruguayo José Enrique Rodó, cuya obra “Ariel”, publicada en 1900, se convirtió en el breviario de esta Promoción.

Habían sido responsables de este muy alto nivel cultural sus distinguidos profesores, la mayoría frailes franceses, entre ellos había sólo un español, llamado Plácido Ayala, gran maestro de literatura y castellano. Entre los galos destacaban el padre Armel Le Borgny, que era el profesor de arte, el padre Fulberto de Meringo, de filosofía y el que dirigía el colegio era el ya anciano y paternal Donato Loir y como en cada grupo hay un gran severo, éste era el alsaciano Cosme Lohr.

Como la política de los curas recoletanos era prudente, la participación de un sacerdote peruano era aconsejable. La congregación eligió al padre Elías Soto, natural de Arequipa, inquieto, porfiado y en extremo regionalista, para incorporarlo al plantel de profesores y lo mandaron de viaje de instrucción a Europa. Cuando regresó a la patria, Elías se complacía en narrar a los alumnos su viaje, del cual había traído la convicción de que París “valía menos que Lima, la Tres Veces Coronada Villa” y por supuesto que su comida era inferior a la peruana, cantaleta que disgustaba profundamente al padre Cosme que lo refutaba airadamente.

Un día y a propuesta de nuestro grupo de jóvenes estudiantes, se planteó la necesidad de establecer un duelo gastronómico, entre Elías y Cosme y ellos serían los “severos” jueces. El lance se realizaría el siguiente sábado en un lugar neutral que sería la casa de los Riva Agüero. Los dos frailes deberían elegir un plato especial que los representara, según previo sorteo del tema central, proporcionarían la receta, escogerían los insumos y supervisarían la preparación que estaría a cargo de Matilde, la vieja cocinera de la sofisticada dueña de casa, doña Dolores de Osma y Riglos, madre del Marqués de Monte Alegre.

La mañana del sábado 9 de noviembre de 1901 fue de un ajetreo inusitado en la gran mansión de la cuarta cuadra de la calle de la Amargura, hoy jirón Camaná. Cerca de la Iglesia de San Agustín, la casona del Marqués de Monte Alegre lucía alto y ancho postigo, doble reja entre el vestíbulo y el primer patio que terminaba en un corredor que daba al gran comedor, una de las puertas de ese salón daba al segundo patio que lo comunicaba con la cocina y la despensa. Ese día el pato sería el tema principal del gran duelo del sabor.

Evidentemente, una contienda de esta naturaleza era insólita y difícil de realizar por lo subjetivo del fallo. A la señora Dolores le parecía la contienda ordinaria y estúpida, pero el hombre propone y dispone. En este caso el singular grupo de jóvenes tomó el “duelo” como algo muy serio, estaban inundados de los ideales caballerescos de hace cien años, cuando no habían límites.

Catorce se sentaron a la mesa principal, saborearon primero el Pato a la Naranja, según el sorteo, receta francesa proporcionada por Cosme, luego se sirvió el Arroz con Pato, receta norteña presentada por el padre Elías. Ambos platos fueron acompañados por el mismo vino tinto Chambolle-Musigny. Después, como sobremesa, una interesante y apasionada deliberación y luego el veredicto.

El joven José de la Riva Agüero, alza la copa de vino y dice con voz pausada y altisonante, a manera de brindis, parafraseando al celebre Chocano:

Señores, soy un cantor de América, autóctona y salvaje;

hoy represento a los caballeros miembros del jurado,

en este caso mi lira sí tiene sabor y mi brindis un ideal.

Mis versos son pensados y no se mecen colgados de un ramaje

con un vaivén pausado de hamaca tropical.

Cuando nos sentimos Incas, le rendimos vasallaje

al Sol, que nos da el cetro de su poder real;

cuando nos sentimos europeos y evocamos el Coloniaje

parecen las estrofas trompetas de cristal.

La fantasía nos viene de un abolengo moro;

los Andes son de plata, pero el León de oro;

y las dos castas se funden con épico fragor.

La sangre es europea, e incaico es el latido;

y de no ser poetas, quizás hubiéramos sido

blancos aventureros o emperadores incas.

Declaro a este duelo del sabor, como un delicioso empate. [email protected]

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fashournalist · 4 years

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Thank you, Isentia Content Hub: An open letter to my colleagues.

Eleven days ago, it has exactly been two years since I first started working at Isentia. I remember feeling scared whether I’d belong, and what kind of people I’ll be working with. I remember I kept telling myself “Bawal maattach, Grace, as some alumni have said, when you enter the real world, you’re there to work. Just do your job well and be a team player, but don’t invest your emotions.” But here I am, after two years, with so many beautiful memories with amazing people. I did get attached after all, and it’s worth it. Because I did not only have colleagues, I met a new family.

This was my open letter to Content Hub, which I hesitated to send at first after writing, because it’s too long. But thankfully, two of my teammates encouraged me to send it because they said what matters is I wrote it from my heart and it’s my farewell message to my friends. (I was one of the employees who got laid off.) It was here that I learned tears are really contagious, because after sending this letter, I received texts saying they shed a tear, too. Perhaps that’s because when I wrote it, I was shedding tears myself. Why do I feel like graduating from high school? Haha! I guess this is how close we have been. So here goes my letter, and pictures of some of the memories we have made. :)

Dear Content Hub,

This August 20, it has been exactly two years since I started working at Isentia. And now, 731 days and 41,283 summaries later, I just finished my last working day as a Broadcast Monitor. Permit me to be cheesy, I just want to thank the amazing people who made the past two years a memorable journey. I apologize in advance for the length of this email, but please know this letter came from my heart.

I'm really blessed that I got to work with you. I did not only have colleagues, I had a family. That is why whenever I reached the office, my update to my parents has always been "Happy place". It meant I arrived safely, I'm at OSMA already. And I know there have been hardships, times heartbreaking news crushed me, or times I went home way past my shift. Yet whenever I was on my home, no matter how tired I got, I just looked forward to facing the next day and working again. If world news were a play, we all get front row seats, binge-watching current events for at least 40 hours a week. It genuinely excited me that our job allows us to literally learn something new every day. But, I don't feel that way all the time; sometimes I just have burnouts and frustrations. So I think the real major reason that kept me going through it all is I had colleagues as supportive as you guys are. Allow me to thank you.

To Sydney Swans, my first team.

Working with helpful teammates like you added to my motivation as I traveled from LB to Ortigas every day for five months (when I was not yet able to find an apartment in Manila). Thank you for your devotion to Qld Premier Annastacia Palaszczuk. It showed me what client-obsessed looks like, and I committed to following that example. Your compere inside jokes and reactions to news added a lot of fun to our job. Until now, I enjoy backreading the group chat just to see your new musings or memes. Thanks a lot especially to John, Julianne, Zennon, Marco, and Kuya Ronnie.

To Fremantle Dockers, my afternoon shift team for more than a year,

Thank you for everything; for being supportive colleagues, helping me whenever I struggled, and celebrating with me whenever I improved.

Kuya Coily’s last day at our team.

How we help one another, especially during the Christmas dinner just so everyone can go to Sambokojin on time, inspires me. This was our post-Sambo bonding at Greenfield. I am also relieved that you never judged me as “walang pakisama” even though I only drank iced tea or milkshake haha. Others tend to force me to drink, but my friends at Isentia just let me finish all the food. HAHA. I appreciate people who can respect our preferences and differences. And you are witnesses that I don’t need to drink to be drunk. Based on my energy, I am drunk by default. Haha I will miss all these sessions with you and my batchmates!

I will miss our movie nights and billiard sessions (tho I'm just watching you haha) at the lounge. I wish we played more board games, too.

Isentia Outing 2019

Thank you so much also for being there for me when I lost my mother, you had my back and that will always mean a lot to me. When my Momi was still alive, she always knew I was working with great people. Thank you to every single one of you especially AJ, Morris, Evann, Aly and Kuya Mel.

I look forward to a Dockers reunion when this pandemic is over!

And my favorite teammate, Czesar. The best meetings are the ones you participated in. Thank you for all the laughter you gave us.

I also want to thank my friends outside my team, including Tomie, Zendee, LA and Nico from Collingwood Magpies.

Thank you for the dinner sessions and conversations on life and dreams!

This was LA’s birthday salubong at Kanto Breakfast :) While the next photo is a “panel discussion” at Goto Believe haha! We talked about the news we monitored, and boi, we went home at almost 5am.

Tomie, thank you for our never-ending laughter on our way home. Normally, I just want to be quiet and regain energy while traveling, but with you, it's okay to chat all the way to Quiapo.

To my favourite comperes, who will not read this but I feel like thanking anyway because some of you might share love for them: Marc Fennell, Jan Fran, Kanoa Lloyd, Jules Schiller, Sonya Feldhoff, Anna Vidot, Dave Sutherland, Tamara Oudyn, Sammy J, Paul Barry, Jeremy Corbett, David Speers, Leigh Sales and my inspiration Jesse Mulligan. Thank you because I learned so much about the world and about life from you. I will miss blogging about your stories and reacting to your insights.

To the leaders who managed me and/or accommodated my concerns,

This is my former TL, Kuya Coily :)

TL Coily, TL Angel, TL Rem, TL Nico, TL Nic, TL Jonna, TL Geoff, TL Alni, and Sup Mitch. Thank you for all your help! Thank you for the times you inspired me and my colleagues to grow as well as the times you coached me, gave constructive feedback, and helped me overcome my weaknesses so I can continuously improve.

To our Trainer Rachel, who we can consider as Content Hub's matriarch,

thank you so much because you patiently equipped every single one of us before we transitioned to live operations. To OM Dean, thank you for your feedback and praise during my regularisation.

And most of all, to Western Borlogs fam, my home for two years, I don't even know how to thank you enough.

I'm grateful you've been my batchmates at our training--and for everything after that.

Isentia Outing 2019

Sibyullee, farewell samgyup party for Jai (her last day in the company)

Seoulgyupsal, farewell samgyup party for Aiona (before she flew to Spain to teach)

office memories :)

Pantry catch-ups. I usually eat at my desk because of all the work but I’m grateful for the times I was able to join their dinner breaks hehe.

Sambokojin, Christmas dinner 2019

Dear Borlogs, thank you for all the memories, endless laughter, samgyup sessions (a regular segment haha), Friday nights, and times we comforted each other when some of us are facing a hard time. Thank you also for comforting me and my family when you and B visited the wake of my Momi. She has always heard about you (and I'm happy she met some of you) when she was still alive. Thank you for being such a great sounding board, a safe space where we can be vulnerable and strong at the same time. Also, I've never been a milk tea person until I met you guys, so thanks for that, too. My BM experience would not be the same without you. Naz, Janelle, Joey, Patty, Billie, Lou, Aiona, Jai, Nee, Mau, C, Ady, Sarah. Thank you, sists!!

If you've read until here, thank you for bearing with my lengthy cheesy, farewell note to Content Hub. I attached some photos that captured a few of the memories I spent with you, as well as some jokes I've randomly thought about while monitoring. I was reserving them for Christmas Party or something, but anyway, here they are. I am confident they will make you cringe.

So there, I will miss you and I appreciate you always. I will not forget the memories we've made along the way. Thank you for everything, Isentia Content Hub! God bless you all and stay safe.

Arrivederci :)

Always,

Grace / Mariel

(this was me when I graduated from training and was so excited to be part of Content Hub haha)

PS. Thank you to Janelle, Jai, Joey, Jai, Kuya Coily, LA, Zendee, Dots and Troy for the photos!

PPS. Thank you so much for your heartwarming replies!!! And the food/gifts some of you sent!! I love you guys. (There, I said it. Haha! I was too shy to put that sentence in the email I sent. But this is my blog, I can write what my heart says without holding back)

^letter from AJ with a Bebi plant. She sent me oatmeal cookies and three novels too huehue she knows my weaknesses well haha thankuu ajj

^Matchaaaa from Patty thank you sist! <33

^Carbonaraaaa from Tomiee thank you siz!!!

Thank you to every single one of you. I was emotional when I wrote the open letter, but I got more nostalgic when I read your responses. I will always be thankful for the privilege of working with you and being your friend. Keep in touch, okay? We’ll still meet again. :)

Love,

Grace

#memories #grateful #work #job #Isentia #happy place #journey #personal #life #blog post #open letter #letter #colleagues #article #photojournal #thank you

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architectnews · 3 years

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2021 European Award for Architectural Heritage Intervention

5th European Award for Architectural Heritage Intervention AADIPA, Building News

2021 European Award for Architectural Heritage Intervention

Biennial prize organised by the COAC and the AADIPA – Buildings + Architects

20 May 2021

European Award for Architectural Heritage Intervention 2021

5th edition of European Award for Architectural Heritage Intervention AADIPA

The 5th edition of European Award for Architectural Heritage Intervention, with a success of participation that coincides with the celebration of its 10th anniversary, publishes the names of those shortlisted in the a and b categories.

Barcelona 20 of May – The European Award for Architectural Heritage Intervention, a biennial contest organized by the COAC (Architects’ Association of Catalonia) and AADIPA (Association of Architects for the Defence and Intervention in Architectural Heritage), has published the shortlisted works in categories A and B of the Award, in order to give visibility to a greater number of works and to recognize the optimum level of good heritage practice in Europe.

In particular, the international jury for category A -Intervention in Built Heritage-, comprising the architects Jorge Fontes, David Lorente and Marco Antonio Garcés, has chosen to shortlist the following 16 from the 202 projects presented:

With an increase of 25%, almost 300 projects presented and the consolidation of international participation, the successful fifth edition of the European Award for Architectural Heritage Intervention is set to coincide with the celebration of its tenth anniversary.

• Pleonastic is Fantastic, Lonigo, Vicenza, Italy. AMAA • Dirk and the Chocolate Factory, Girona, Spain. Anna & Eugeni Bach • Chair, blinds, cords, Girona, Spain. Arnau Estudi d’arquitectura • Old Ceramics Factory, Coimbra, Portugal. Atelier do Corvo + Luisa Bebiano Arquitectura • Oliva Artés Museum, Barcelona, Spain. BAAS arquitectura • Ragenhaus Musikschule, Bruneck, Italy. Barozzi Veiga • Hotel Nomad, Basel, Switzerland. Buchner Bründler Architekten • Merola’s Tower, Barcelona, Spain. Carles Enrich Studio • O Fieiro House, Mazaricos, La Coruña, Spain. Estudio Arturo Franco • Castle of Osma, Soria, Spain. Fernando Cobos Estudio Arquitectura • Barn house, Ávila, Spain. g+f Arquitectos • Helsinki Olympic Stadium, Helsinki, Finland. k2s architects + Arkkitehdit NRT • Royal Museum of Fine Arts (KMSKA), Antwerp, Belgium. KAAN Architecten • Brasserie Gallia, Pantin, France. Maxime Jansens Architecture + Erwan Bonduelle Architecture • BIC Monastery of San Pedro de Eslonza, León, Spain. Rodríguez Valbuena Arquitectos • Casa Batlló, Barcelona, Spain. Xavier Villanueva, Ignasi Villanueva, Mireia Bosch, Ana Atance

Out of 16 projects an incredible 9 are in Spain – surely this is not equitable. There are no comparable projects in the UK, Germany, Sweden, Norway, Denmark, Poland, Romania, Czechia, Croatia, etc? I would ask the judges to explain why the list is geographically so skewed towards Spain and southern Europe.

• Pleonastic is Fantastic, Lonigo, Vicenza, Italy. AMAA photo © Simone Bossi

• Dirk and the Chocolate Factory, Girona, Spain. Anna & Eugeni Bach photo © Eugeni Bach

• Chair, blinds, cords, Girona, Spain. Arnau Estudi d’arquitectura photo © Pep Sau

• Old Ceramics Factory, Coimbra, Portugal. Atelier do Corvo + Luisa Bebiano Arquitectura photo © Eduardo Nascimento

• Oliva Artés Museum, Barcelona, Spain. BAAS arquitectura photo © Gregori Civera

• Ragenhaus Musikschule, Bruneck, Italy. Barozzi Veiga photo © Simon Menges

• Hotel Nomad, Basel, Switzerland. Buchner Bründler Architekten photo © Ruedi Walti

• Merola’s Tower, Barcelona, Spain. Carles Enrich Studio photo © Adrià Goula

• O Fieiro House, Mazaricos, La Coruña, Spain. Estudio Arturo Franco photo © Alfonso Quiroga

• Castle of Osma, Soria, Spain. Fernando Cobos Estudio Arquitectura photo © Fernando Cobos

• Barn house, Ávila, Spain. g+f Arquitectos photo © Joaquín Mosquera Casares

• Helsinki Olympic Stadium, Helsinki, Finland. k2s architects + Arkkitehdit NRT photo © Tuomas Uusheimo

• Royal Museum of Fine Arts (KMSKA), Antwerp, Belgium. KAAN Architecten photo © Sebastian van Damme

• Brasserie Gallia, Pantin, France. Maxime Jansens Architecture + Erwan Bonduelle Architecture photo © Cécile Septet

• BIC Monastery of San Pedro de Eslonza, León, Spain. Rodríguez Valbuena Arquitectos photo © Luis Canal

• Casa Batlló, Barcelona, Spain. Xavier Villanueva, Ignasi Villanueva, Mireia Bosch, Ana Atance photo © Casa Batlló

While, in category B -Exterior Spaces- the architects, Delphine Péters, Olga Felip and Isabel Aguirre, after evaluating the 49 participating proposals, have chosen to shortlist the following 10 works:

• Provisional urbanization of Can Batlló, Barcelona, Spain. batlleiroig • Landscape and chapel of Jorba Castle, Barcelona, Spain. Carles Enrich Studio • Deep Matter Garden, Capiago Intimiano, Italy. CE-A studio + Carlo Ezechieli • Synagogue Square, Castellón, Spain. el fabricante de espheras, Grupo Aranea, Cel-Ras Arquitectura • “Illa de la Pietat” as a public space, Barcelona, Spain. Estudi d’arquitectura Toni Gironès • Valencia Central Park, Valencia, Spain. Gustafson Porter + Bowman • The Dunbar Battery, Dunbar, Scotland, United Kingdom. rankinfraser landscape architecture • Flood protection as an urban design, Grimma, Germany. Chair of Architectural Conservation and Design, TU Dresden • Can Sau. Emergency Scenery, Girona, Spain. unparelld’arquitectes • Footbridge in Tintagel Castle, Tintagel, United Kingdom. William Matthews associates + Ney & Partners

• Provisional urbanization of Can Batlló, Barcelona, Spain. batlleiroig photo © Antonio Navarro Wijkmark

• Landscape and chapel of Jorba Castle, Barcelona, Spain. Carles Enrich Studio photo © Adrià Goula

• Deep Matter Garden, Capiago Intimiano, Italy. CE-A studio + Carlo Ezechieli photo © Carlo Ezechieli

• Synagogue Square, Castellón, Spain. el fabricante de espheras, Grupo Aranea, Cel-Ras Arquitectura photo © Milena Villalba

• “Illa de la Pietat” as a public space, Barcelona, Spain. Estudi d’arquitectura Toni Gironès photo © Fernando Alda

• Valencia Central Park, Valencia, Spain. Gustafson Porter + Bowman photo © Richard Bloom

• The Dunbar Battery, Dunbar, Scotland, United Kingdom. rankinfraser landscape architecture photo © rankinfraser landscape architecture

• Flood protection as an urban design, Grimma, Germany. Chair of Architectural Conservation and Design, TU Dresden photo © Till Schuster

• Can Sau. Emergency Scenery, Girona, Spain. unparelld’arquitectes photo © José Hevia

• Footbridge in Tintagel Castle, Tintagel, United Kingdom. William Matthews associates + Ney & Partners photo © David Levene

The decision of the 5th edition of the Award will be announced coinciding with the celebration of the V International Biennial on Architectural Heritage AADIPA, which the management of the Award organizes jointly with the COAC, AADIPA and the Generalitat de Catalunya and on this occasion with, Equatorial Guinea as the guest country. The event will take place on Thursday, June 17, and will culminate with the official awards ceremony and the celebration of the contest’s tenth anniversary.

Previously on e-architect:

European Award for Architectural Heritage Intervention 2019

4th edition of European Award for Architectural Heritage Intervention AADIPA

European Award for Architectural Heritage Intervention Winners 2017

3rd European Award for Architectural Heritage Intervention Winners

Winner – Renewal of Bernardas Convent in Tavira by the architect Eduardo Souto de Moura:

Bernardas Convent Reconversion photograph : Luis Ferreira Alves

Mies van der Rohe 2017 Award Winners in Barcelona

The Winners of the EU Mies Award, receive the Prize in Barcelona

EU Mies Award 2017 winners at Barcelona Pavilion:

Mies van der Rohe 2017 Award Winner

Mies van der Rohe 2017 Award Winners in Barcelona

12 May 2017 Winners of Mies van der Rohe 2017 Awards

With these two awards the Jury of the Prize highlights the quality and relevance of the collective housing program.

For the first time the main Award goes to a project of renovation of an existing building.

Photos: Marcel van der Burg

DeFlat Kleiburg in Amsterdam is the 2017 Winner of Prize. The architects are NL Architects

Kleiburg Apartment Building image from architect

Mies van der Rohe Awards: European Union Prize Shortlist for 2017

Mies van der Rohe Awards: European Union Prize

Architecture Awards

Stirling Prize

American Architecture Awards

Pritzker Prize architects

Comments / photos for the 2021 European Award for Architectural Heritage Intervention AADIPA Winners page welcome

Website: www.miesbcn.com

The post 2021 European Award for Architectural Heritage Intervention appeared first on e-architect.

#e-architect

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joseandrestabarnia · 3 years

Photo

Inventario: 02907

Autor/a: Maestro de Osma

Escuela/Taller: Castellana / Española

Título: San Antonio de Padua y San Bernardino de Siena

Materia/Soporte: Tabla

Técnica: Óleo

Dimensiones: Con Marco: Altura = 139 cm; Anchura = 106,50 cm; Profundidad = 7 cm

Sin Marco: Altura = 131,50 cm; Anchura = 97 cm

Descripción: San Antonio de Padua y San Bernardino de Siena. Óleo sobre tabla. Los dos Santos de pie y casi de cuerpo entero, sobre un fondo de gran brocado verde oscuro y oro, con dibujo grande lanceolado, bajo el cual se ven las mitras, y en el interior de una habitación con rompimiento de arco en el fondo sobre lejanía de paisaje.

Iconografía: San Antonio de Padua; San Bernardino de Siena

Datación: 1500[ca]

Historia del Objeto: En la Colección Lázaro antes de 1926

Forma de Ingreso: Donación al Estado

Información del Museo Lázaro Galdiano, en la web Colecciones en Red.

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katian5 · 4 years

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Peruánský Daniel Vizcarra získal bronzovou medaili při natáčení jihoamerických her

Daniel Vizcarra dal novou bronzovou medaili peruánské delegaci, která se účastní her Cochabamaba. (Foto: IPD )

Sledujte nás na Facebooku

Vypracování Peru.com03.06.2018 / 17:43 odp

Daniel Vizcarra dostal tuto neděli bronzovou medaili při střelbě Jihoamerických her - Cochabamba 2018 .

Peruánský obsadil třetí místo na stupních vítězů v kategorii 10m vzduchová puška mužů a dosáhl celkem 216,8 bodů.

PERU V JIHOAMERICKÝCH HRÁCH

Peruánský tým na jihoamerických hrách se skládá ze 437 sportovců, což je největší národní zastoupení v historii této soutěže.

Více než 4 000 sportovců z Argentiny, Aruba, Bolívie, Brazílie, Chile, Kolumbie, Ekvádoru, Guyany, Panamy, Paraguaye, Peru, Surinamu, Uruguaye a Venezuely bude soutěžit v 35 disciplínách na hrách, které potrvají do 9. června.

SUNDAY 27

Mariano Wong bronz v režimu karate karate.

Bronz pro Dilmer Calle v judu (-60 kg).

Zlato pro Ingrid Arandu v modalitě kata karate.

Zlato pro Isabel Aco v karate kumite modality.

Bronz od Mckenna De Bever v dohromady 200 metrů.

Týmy, badminton, stříbro.

PONDĚLÍ 28

Bronz pro Marco Rojase ve vzpírání.

Bronz pro Milagros Alfaro v kategorii -68 kg karate kumite.

Stříbro pro Jean Paul De Trazegnies v modalitě plachtění u slunečnic.

Zlato pro Alonso Wong v kategorii judo -73 kg.

Bronz pro Luis Ángeles v judu.

Zlato pro Andrea Hurtado v dámském 200m znaku.

Bronz pro kumitovou modalitu -75 kg karate.

Stříbro pro Izrael Aco v kumitální modalitě - 84 kg karate.

Úterý 29

Bronz ve čtyřech párech ženských krátkých vesel s Alessia Palacios, Shantall Zegarra, Alexandra Castro a Valeria Palacios.

Bronz pro Hiromi Sanchez v kategorii karate kumite - 55 kg.

Zlato pro Roberta Galarretu v judo kategorii -90 kg.

Bronz pro Franka Alvarada v judo kategorii -100 kg.

Stříbro pro Azra Advic v plavání (200 metrů motýl).

STŘEDA 30

Bronz pro Daniel La Torre, José Guevara, Paula La Torre a Inés Castillo v badmintonových singlech.

Bronz pro Daniela La Torre s José Guevarou a Paula La Torre s Inés Castillo v badmintonových čtyřhrach.

Bronz pro Daniela Agüera v gymnastickém skákání koně.

Bronz pro Mckennu Debever v plavání (100 metrů zpět).

Bronz pro Gustavo Gutiérrez v plavání (400 metrů dohromady).

Bronz pro Peru v kombinovaném relé 4 × 100 metrů (Andrea Hurtado, Azra Avdic, Jessica Cattaneo a Mckenna De Bever)

ČTVRTEK 31

Stříbro pro Danielu Macíasovou v dámských badmintonových singlech.

Stříbro pro Peru v pánských čtyřhrach (Bruno Barrueto a Diego Mini) v badmintonu.

Zlato pro Peru v dámských čtyřhrach (Daniela Macías a Dánica Nishimura) v badmintonu.

Zlato pro Peru ve smíšených čtyřhrach (Dánica Nishimura a Daniel La Torre) z badmintonu.

Zlato pro Caterinu Romero v kategorii ženské plachetnice.

PÁTEK 1

Stříbro pro Alejandru de Osma v kategorii ženské postavy pro vodní lyžování.

Zlato pro Alejandru de Osma v salonu modality vodního lyžování.

Stříbro pro Alejandru de Osma ve skoku na vodní lyžích.

Bronz pro Andrea Tejadu ve skoku na vodní lyžování.

Bronz pro Rafael de Osma ve skoku na vodní lyže.

Stříbro pro Peru v mužských tenisových čtyřhrach s Jorge Pantou a Juanem Pablo Varilly.

Bronz pro Peru v jednotlivých pánských tenisech s Juanem Pablo Varilly.

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miracles-and-butterflies · 4 months

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Camilo: I'm having problems with a boy…

Isabela: Like 'his dead body won't fit in the trunk' problems or 'you like him' problems?

Camilo: 'I like him' problems.

Isabela: Too bad, I could have actually helped you with the other one

#encanto #incorrect encanto quotes #isabela madrigal #camilo madrigal #marco osma #camilo x marco

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blogdenotasinformativas-blog · 5 years

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UNA VISITA PARA TODOS

Museo incluye en su público a personas sordas

El Museo Pedro de Osma inaugura recorrido y taller con interpretes para la comunidad sorda.

Las visitas a los museos para personas con discapacidad dejaran de ser un inconveniente pues todos podremos acceder al conocimiento de nuestros ancestros. El Museo Pedro de Osma a través de recorridos con la temática de las obras del antiguo Perú buscan integrar tanto a público general como a personas con discapacidad sonora.

Este encuentro se dio el domingo 6 en el marco de la semana internacional de la persona sorda, en el distrito de Barranco. El público en general en conjunto con la comunidad Sorda fueron guiados con dos intérpretes, uno conocedor del arte virreinal y el otro conocedor de Lenguaje de Señas Peruana ambos dedicados a la exposición sobre los materiales, colores y maestros.

Al finalizar todos participaron en el taller "Maestros Plateros" donde conocieron más acerca de la técnica del repujado en aluminio. Dicha actividad se dio en la explanada del Museo Pedro de Osma ubicado en Av. Pedro de Osma 421. Esta calidad de eventos cuenta con la colaboración de Ayllu - LSP Intérpretes.

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tboycamilo · 4 months

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in the spirit of the season (mutuals posting about their encanto aus) i wanted to post about mine bc i love them and am not active enough on here and wanna change that bc sharing my stuff is fun! so without further ado here they are lol

next gen au

pretty self explanatory. the story outlines what all the madrigals (mostly the grandkids) are up to in the years following the movie. mirabel gradually takes on more of a leadership role as time passes and eventually becomes the matriarch after alma's death and with enough time to prepare for the role. under her leadership, the madrigals are less shoehorned into roles and are encouraged to express themselves more freely, but being the leader still isn't easy and things still aren't perfect - while alma is still alive, mirabel often finds herself going to her for advice and repairing their bond further in the process. she also gets a gf (lorena), i've been playing around with the idea of her being an outsider that finds her way into the encanto but i would have to flesh that plot out a little more before i make it official. dolores eventually marries mariano, but only on her terms - she realizes quickly after the movie that though she loves mariano, she wants to take things slow, and mariano is more than happy to respect that. he puts in a lot of effort to understand how her gift works and help her out with it whenever he can, and for once, she feels like the one being heard. isabela, now free of her old role as the golden child, begins to let her more adventurous side out, exploring the outskirts and forests of the encanto to observe the plant life. she hones her gift and is able to bring even more exotic plant species to the encanto and starts up a very successful garden. she also ends up marrying two village women - lilli and rosa - and the three of them adopt a daughter, jacinda, together and spoil her rotten. lilli runs a flower shop and isa helps her out immensely with this. luisa finally learns to take it easy, prioritizing rest and relaxation after so many years of working hard to serve the community - though she definitely still loves to lift and hang out with the donkeys in her spare time bc old habits die hard. she probably takes over the care and raising of the donkeys as a whole bc they love her. she marries a village woman, inés, and they adopt two daughters, valentina and ciela. camilo is actually the first grandkid to settle down - he marries his childhood best friend and love of his life marco, and the two of them have six children together - amelia, imelda, brunito, ignacio, felipe, and sofia. they have their hands quite full with fatherhood but on top of that marco works as a teacher at the encanto's school while camilo continues to volunteer in the community, eventually becoming the drama director and soccer coach for the school. antonio grows up and starts his own animal sanctuary in the encanto that becomes wildly successful. he enlists dolores' help to scope out any injured or sick animals in the forests and nurses them back to health at the sanctuary, and he often accompanies isa on her trips to the forest to keep taxonomy records of the encanto's diverse wildlife. he never had much of an interest in romance - though plenty of people swoon over his kindness to the animals - but he is very fulfilled nonetheless and couldn't be happier helping take care of his animal friends. i have a more detailed timeline and bios for the kids that i'll be posting eventually but this is the main rundown of where the grandkids are at years down the line!

swap

essentially follows the plot of the movie but the sides of the family swap roles. instead of alma, pedro is the head of the family. pepa has the gift of healing food and felix is her clumsy husband, camilo is the golden child with the wonderful floral gift, dolores is the middle child with the gift of super strength, and antonio is the baby of his side of the family, cursed to a giftless existence (and being the main character of the storyline). on the other side of the family, julieta's emotions control the weather while agustin keeps her calm, luisa is the eldest with the ability to hear a pin drop from miles away, isabela is the mischievous shapeshifting middle child, and mirabel is the youngest member of the family and gains the ability to speak with animals. bruno is still bruno. did i make this au entirely to put camilo in pretty pink outfits and make him a mean annoying gay? maybe.

pirates

the warm color family is a fearsome and renowned pirate crew descended from the notorious husband-wife pirate duo alma and pedro madrigal (the latter is dead and the former has long since retired), with pepa as the captain and felix as the first mate. pepa was estranged from her mother and siblings in her youth as she attempted to learn more about her parents' past, and she soon set out on her own to live the pirate life that alma tried so hard to keep her children out of. in the meantime, julieta and her family form their own rival crew and set sail in search of pepa to take their vengeance. bruno tries his best to be a good mama's boy and stay home, but he is soon taken hostage by the fearless captain hernando, a legendary pirate who has feuded with both madrigal sisters and their crews for a while now. he grows rather fond of his bargaining chip over time and bruno eventually becomes the captain's lover and first mate. when the sisters finally put aside their squabbles and unite to save their brother from their enemy's clutches, it's a very awkward family reunion. also everyone has their gifts and uses them to help their crew in one way or another. eventually when the two sides of the family unite, the grandkids take up a ship of their own with mirabel as the new captain.

roommates

marco and camilo are college roommates with luca and alberto. that's literally it no linear plot just vibes. luca is a first year astronomy student, alberto is a second year student and undeclared, marco and camilo are third years and marco is majoring in education while being on the soccer team and camilo is majoring in theatre (🤢). alberto and camilo despise each other but also camilo is lowkey crushing. camilo and marco are already dating and alberto and luca are also definitely together but heavily in denial about it. they fight over dishes being left in the sink and decorate their dorm all cute

the fall

wrote a ten chapter fic about this one so read that if you wanna know what it entails but tl;dr au where the family never recovers after the fall of casita and they go their separate ways, with dolores camilo and isa fully moving out, their whereabouts unknown - until, ten years later, mirabel takes it upon herself to track them down, reunite the family once and for all, and save the miracle for real this time. will she succeed? what have the runaways all been up to over these past ten years? read it and find out i'm not telling you! also this fic/au is quite old compared to the others so no marco 😔 fly high king

mamma mia

the silliest dumbest most self indulgent au ever. camilo centric of course. the storyline is literally just mamma mia but with camilo. he has twin daughters and one of them (ima) is getting married and wants to invite her other biological father to the wedding - the only problem is she doesn't know who that is, and if camilo's old diary describing all his old hookups in detail is to be believed, there's three possibilities - marco osma, dante velazquez, and nicolas sorelli (the latter two are ocs, i'll probably post their bios at some point lol also nicolas is trans so he's definitely not the other dad but he's stealth so he's just going along for the ride). she invites all three of them to her wedding and they reunite with camilo for the first time in twenty years. drama ensues. camilo marries marco at the end regardless of if he's the dad or not (but he probably is - they never find out for sure). isa is tanya (so lilli is pepper ofc) and mirabel is rosie (except she doesn't end up with one of the dads at the end bc she actually respects herself). ima's fiancées identity is yet to be determined bc i don't have a partner oc for her but i do know she's a lesbian so. gay greek weddings! camilo in overalls! love wins!

runaway camilo

this one is a rewrite of the canon plot to a degree but not really enough to be considered a full on au. plays with the scrapped concept of camilo looking completely different after the fall of casita that didn't make it into the final movie, which is like one of my favorite concepts ever especially because of how easily it plays into trans camilo. in this rewrite, camilo has basically used his gift to masculinize himself perpetually since his ceremony, which all but cures his dysphoria - that is, until casita falls, he loses the gift he had become dependent on, and it all blows up in his face. he's unrecognizable when the dust clears, and rather than be seen in such a state, he flees the scene and goes missing just around the same time as mirabel. the family is split as pepa and felix go looking for their son while the cool color family goes looking for mirabel, and both are found within a few days - camilo in the depths of the forest, skin scraped and clothes ragged from running into the forest with reckless abandon, practically digging his own grave and ready to give up for good. when he's found, it takes a LONG time for him to allow anyone to see him, much less recover from the trauma. the rewrite basically involves these events and the aftermath. luckily camilo does get his gift back when casita is rebuilt but the scars are forever and he probably still has nightmares about losing his gift well into adulthood and has to learn to become comfortable going without his gift for short bouts of time in order to get more comfortable lest the worst case scenario happens again! more or less a transmilo angst fest add-on to the main plot of the movie. mimi needs a hug 💔

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jaimeariansencespedes · 3 years

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003 - BITACORA DE JAC - EL DUELO DEL SABOR -

Como la política de los curas recoletanos era prudente, la participación de un sacerdote peruano era aconsejable. La congregación eligió al padre Elías Soto, natural de Arequipa, inquieto, porfiado y en extremo regionalista, para incorporarlo al plantel de profesores y lo mandaron de viaje de instrucción a Europa. Cuando regresó a la patria, Elías se complacía en narrar a los alumnos su viaje, del cual había traído la convicción de que París “valía menos que Lima, la Tres Veces Coronada Villa”y por supuesto que su comida era inferior a la peruana, cantaleta que disgustaba profundamente al padre Cosme que lo refutaba airadamente.

El joven José de la Riva Agüero, alza la copa de vino y dice con voz pausada y altisonante, a manera de brindis, parafraseando al celebre Chocano:

Señores, soy un cantor de América, autóctona y salvaje;

hoy represento a los caballeros miembros del jurado,

en este caso mi lira sí tiene sabor y mi brindis un ideal.

Mis versos son pensados y no se mecen colgados de un ramaje

con un vaivén pausado de hamaca tropical.

Cuando nos sentimos Incas, le rendimos vasallaje

al Sol, que nos da el cetro de su poder real;

cuando nos sentimos europeos y evocamos el Coloniaje

parecen las estrofas trompetas de cristal.

La fantasía nos viene de un abolengo moro;

los Andes son de plata, pero el León de oro;

y las dos castas se funden con épico fragor.

La sangre es europea, e incaico es el latido;

y de no ser poetas, quizás hubiéramos sido

blancos aventureros o emperadores incas.

Declaro a este duelo del sabor, como un delicioso empate. [email protected]

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