#makes me understand it tbh | Explore Tumblr Posts and Blogs

inkskinned · 1 year

Text

one of the things about being an educator is that you hear what parents want their kids to be able to do a lot. they want their kid to be an astronaut or a ballerina or a politician. they want them to get off that damn phone. be better about socializing. stop spending so much time indoors. learn to control their own temper. to just "fucking listen", which means to be obedient.

one of the things i learned in my pedagogy classes is that it's almost always easier to roleplay how you want someone to act. it's almost always easier to explain why a rule exists, rather than simply setting the rule and demanding adherence.

i want my kids to be kind. i want them to ask me what book they should read next, and i want to read that book with them so we can discuss it. i want my kid to be able to tell me hey that hurt my feelings without worrying i'll punish them. i want my kid to be proud of small things and come running up to me to tell me about them. i want them to say "nah, i get why this rule exists, but i get to hate it" and know that i don't need them to be grateful-for-the-roof-overhead while washing the dishes. i want them to teach me things. i want them to say - this isn't safe. i'm calling my mom and getting out of this. i want them to hear me apologize when i do fuck up; and i want them to want to come home.

the other day a parent was telling me she didn't understand why her kid "just got so angry." this woman had flown off the handle at me.

my dad - traditional catholic that he is - resents my sentiment of "gentle parenting". he says they'll grow up spoiled, horrible, pretentious. granola, he spits.

i am going to be kind to them. i am going to set the example, i think. and whatever they choose become in the meantime - i'm going to love them for it.

#writeblr #i was doing a lot with high school students. over and over again #other teachers kept asking me what i was doing differently - why the kids listened to me. i am not particularly foreboding #and i have a pretty firm personal policy of never reacting in anger #godhelpme.#i was always kind of taken aback #because in general the kids were pretty easy. i explained i needed to keep everything “PG-13” because this was my workplace #and it was kind of their workplace #too. besides #i love swearing #and since i couldn't swear #neither could they - so if they were going to say “fuck” or become violent #they needed to choose a really specific time #because we only get “the one”.. sure enough - nobody wanted to waste the one very specific “fuck” utterance. kids listened.#i think just because - that rule makes sense. the kids understand that i don't want to be unfair to them #that censorship is stupid #but that i'm under these rules too so like let's ride it out together #also i look young and tbh between me and u nobody wants to make the nice english teacher cry #the way these kids defended me to their friends was really genuinely so heartwarming bc the Grouchy Frat Boy #would be like MISS RAQUEL DOESN'T DESERVE THAT KIND OF AN ATTITUDE BRO DON'T TALK BACK TO HER

5K notes · View notes

chloesimaginationthings · 4 months

Note

When I’m in the “childhood trauma” competition and my opponent is Michael Afton 💀💀

#ask reply #love this you get it that’s just how Michael is #tbh maybe Movie Vanessa would also understand #I might have to redraw this idea into a comic oops #we’ll see 🙏🏾#this is equally funny and tragic just like Michael as a whole #love when yall make funny edits of my work btw #they always make me smile too vibes all around

2K notes · View notes

tea-kettlezztoo · 5 months

Text

Idk how to explain it, but seeing Voice of the Hunted going from fearing the Princess to wanting to help after seeing her really hits hard. He spent the whole Beast and most of The Den chapter desperately trying to prevent you from being eaten or killed by her

But when he sees what she's become, he feels sympathy for her. Despite his previous fear, he wants to help her instead

#slay the princess #the den #the voice of the hunted #i have such a hard time explaining this game tbh #ik whats going on but idk how to put it into words #i love hunted and stubborn easily my among my favorites w/ paranoid and contrarian #makes me think of werewolves #i mean shes clearly a giant kitty cat but idk makes me think of werewolves for some reason #like theyre big scary beasts but when you truly understand whats happening you feel bad for them #though that also depends on the iteration of werewolves as well

2K notes · View notes

turtleblogatlast · 1 month

Text

Man “Battle Nexus: New York” was a great episode but I do have one major gripe with it.

Like. Raph being paired up with Ghostbear? Makes sense. Works great. Works amazing, even.

Mikey being paired up with Meatsweats? Yeah that checks out!!

Donnie getting…Hypno…? I mean. I guess Donnie doesn’t like magic so it kindaaa works but Kendra would have been a much better choice to me personally. Maybe Big Mama didn’t wanna include a human or something…

And Leo getting…uh…one of the Sando Brothers???? Of all villains? Nah let’s be real, his main villain is more Big Mama herself (or Leo could be considered his own worst enemy lmao-). Hell Hypno would have probably worked better here considering their shared love for magic tricks and stuff, but Carl Sando????

#rottmnt #rise of the teenage mutant ninja turtles #battle nexus: new york #nah this will always be baffling to me #like no joke big mama really is Leo’s main villain so it makes sense that she’s not paired with him #given that she’s running this all #but giving him ONE of the Sando brothers?? not even both???#outrageous #hypno or even warren would have been better here tbh #at least there’s some basis there for both and either option would have been so fun #not that what we got WASNT fun it def was but the sando bro was the weak link because no one cares about him #and I would have killed for a Donnie Kendra forced team up 😭#Donnie also could have worked with Stockboy ig or hell even Repo tbh?#but Kendra is the much more interesting and fitting choice here for him imo #honestly though this post was made because I do NOT understand the choice of CARL SANDO #both of them together are forgettable enough #separating them gets rid of the one thing they even had #I remember watching and being like who tf is that #he’s got some funny moments but man anyone would have been better 😭#going back to Kendra and Donnie because I LOVE their dynamic #the result of their team up could have ended exactly the same as canon #only instead of Kendra not knowing chess it’s instead her and Donnie arguing about what the right move would be #and they never actually make a move because of it

331 notes · View notes

bigturtl · 2 months

Text

i am enjoying some mustache tony

#stevetony #marvel #i'm playing midnight suns rn and tbh it's making me fully appreciate + prefer mustache tony #being into marvel means drawing stevetony kisses [heart hands]. i know who i am + i understand my values

344 notes · View notes

flowercrowngods · 2 months

Text

It's unreal. The light is streaming in through the windows, the curtains still drawn to block out the midday heat, tinging their living room in golden hues that match so well with the light grey fabric of their new sofa.

Eddie should probably snap out of it and head over to the windows, open the curtains and let the light in, and with it the warmth and fresh air of a surprisingly wonderful day.

It's March, he hears the echoes of Steve's giddy voice a week or two ago. Everything's better in March.

Eddie didn't agree then, and he's not sure he agrees now, but he must admit there is something magical about this moment.

Still he remains rooted to the spot, leather jacket heavy on his shoulders, his hands hidden in the sleeves of it, just in case this really is a dream. Just in case someone will come in and snap him out of it, take away their couch and leave an eviction notice.

It's dumb. But Eddie doesn't deal well with things that are unreal. Things that he knows aren't meant for him. Things that he knows he only gets in this one play-through of his life, while millions of other Eddie Munsons are out there in parallel universes who never get to even lay eyes upon a couch this nice. Let alone buy it. From their own real adult money.

It's a corner sofa, the fabric light grey, and he remembers it being harder than it looks. Solid. Just perfect for both their fucked up backs, scar tissue pulling if they sit wrong for too long, phantom pain and muscle aches coming in hot when all they want is to just relax and enjoy a lazy evening.

Eddie bites his lip, trailing his eyes along the pristine fabric, the pillows lining the back of it, the flawless stitches keeping everything in shape.

They have a couch now. A sofa.

It's so fucking unreal.

He drops to the floor right then and there, sitting with his back against the wall, and never once taking his eyes off their sofa. It feels important to look at it for a while. It feels important to wait for Steve. It feels... It feels like maybe he'll ruin everything if he goes and sits on it now.

And it feels really fucking big.

At some point he hears the front door opening, their lock going so smoothly now that Steve fixed it with some graphite, and the sound makes Eddie smile. That's another thing that's unreal. The key barely making any noise, the lock not rattling, the door not creaking and cracking. Eddie pulls a strand of hair between his lips, the smile feeling too silly for this room, for this home, for everything he gets to have now.

For all the tiny things that matter now. All the tiny things he gets to have, turning the key's smooth slide into an allegory of everything he ever wanted but never dared to hope for.

The slide of curtains, the click-click-click of the window handle being turned to let the air in. The breeze of fresh spring air dancing around his nose.

It's all a little much. It's so fucking addicting.

And then Steve. Socked feet coming to a stop beside him, a hand landing in his hair, a voice that's so endlessly warm and fond and maybe a little worried sounding from above him, "Hi, angel."

"Hi," Eddie says, tearing his eyes away from their couch to meet Steve's. The sunlight from the windows hugs him, making him glow. Eddie smiles. He smiles and smiles and never wants to stop.

Steve hums as he leans down to press a kiss to his forehead, and Eddie weaves his arm through Steve's legs, holding onto his knee.

Everything feels a little less silly now. Like every time Steve doesn't question his little moments of sitting on the floor and just staring at things.

"We have a couch now," Eddie says, because it feels important to point out. Because Steve isn't looking at it.

"We do," he hums. "I got the call earlier. Thanks for helping with that, baby."

Eddie nods again, leaning his cheek against Steve's knee and trailing the couch again with his eyes. It looks brighter now that the curtains don't turn the room into something out of a sepia-type movie anymore.

Steve's hands comb through his hair, massaging his scalp a little with his nails. It's nice. It's warm. It's pretty.

And it's so unreal.

"I'm twenty-four," Eddie says then, and some part of him wants to carve that into the fabric. He won't. But maybe he should carve it somewhere else. "And I own a couch. It's a little crazy."

Steve comes to sit down beside him, their shoulders pressed together and he links their hands, resting them in his lap after a brushes a kiss to Eddie's knuckles.

"Why's it crazy, angel?"

He shrugs, resting his head on Steve's shoulders and curling into his warmth some more.

"Most of my life I never thought either of those would happen, y'know."

Another hum, followed by another kiss to the crown of his head. Another smile.

"But you did it," Steve whispers. "You made it. And we've got a couch now."

"We've got a couch now."

Saying it out loud doesn't make it feel any realer. It only makes his heart race and his eyes prick.

"I love you," he says, finally looking away from pretty grey fabric to meet prettier hazel eyes. "I love you so much."

Steve leans in, kissing the tip of his nose. "I love you. Thank you for buying a couch with me."

And it occurs to Eddie then that Steve understands him. Sitting there on the floor with him, hearing his words and listening to those unsaid, understanding Eddie on such a fundamental level that it should be scary. And it is, sometimes.

But he's not scared now. Because they have a couch. And they have pretty curtains that keep the light outside and still turn the room into something magical. And they have a lock that only needed a bit of graphite to let the keys glide smoothly.

And they have each other.

They stay on the floor until Steve's stomach growls, and they eat dinner with their backs against the couch and Eddie's feet in Steve's lap. They hold each other close after dinner, just breathing each other in as the breeze blows around them.

In the end, Eddie is the first to sit on the couch, with Steve standing between his legs and giving him a scalp massage in silence. In the end, Eddie buries his face in Steve's stomach to hide the tears, and Steve lets him.

Because this is real. And he gets to have this. They both do.

🤍 permanent tag list gang: @skiddit @inklessletter @aringofsalt @hellion-child @stobin-cryptid@hotluncheddie @gutterflower77@auroraplume@steddieonbigboy @n0-1-important@stevesjockstrap @brainvines @puppy-steve @izzy2210 @itsall-taken @mangoinacan13 @madigoround@pukner@i-amthepizzaman @swimmingbirdrunningrock @hammity-hammer @stevesbipanic@bitchysunflower @estrellami-1 @finntheehumaneater @goodolefashionedloverboi @awkwardgravity1 (lmk if you want on or off, for this story or permanently)

#steddie fic #steddie fanfic #steddie #steve x eddie #listen i have a couch now and if you know me you know that i get really fucking emo about the tiniest things #i fixed my lock with graphite btw when i was blackout drunk. it still fills me with so much joy #sorry tag list gang idk what this is but it wanted out #i could write fics/poems/whatever about the most mundane things until the end of my days tbh so today we have: couch #dio words #dio's steddie ramblings #the hurt/comfort is implied like you'll catch it when you reflect on the words but most importantly this is healing. and comfort. and fluff #and so much love and understanding it makes me wanna throw up

330 notes · View notes

thermodynamic-comedian · 1 month

Text

one of the many differences between jonathan sims and arthur lester is that jon thinks he's a monster for his mistakes and his nature and arthur thinks he's just a shitty human. jon feels guilty for everything bad that happens near him, but also doesn't hold himself accountable and thinks this is just his nature. arthur refuses to let anyone make him feel bad for more than what he's responsible for, but he will never stop trying to redeem himself for the things he is responsible for. they're both stuck in very, very different mindsets regarding their own morality. i find them so fascinating to be honest

#i used to have like zero thoughts about jon but tbh comparing him to arthur is making me understand why yall think abt him so much #tma #the magnus archives #malevolent #malevolent podcast #malevpod #jonathan sims #arthur lester

279 notes · View notes

bixels · 5 months

Note

hey um. u sure make a lot of art about lesbians for a man. you're normal about us, right? ;;

What? Yeah, I’m normal about y’all.

#I understand the suspicion and where you’re coming from I really do but strange thing to ask an artist tbh #ill say this. I try to be cognizant of my positionality as a queer man who enjoys sapphic ships and am constantly checking myself to make #sure my art doesn’t go into territories I don’t feel comfortable with. thereve been times I’ve second guessed myself while drawing rarijack #and thought “Is this too much?’’ and I have to check with my partner who is sapphic.#but also I’m a queer artist who likes drawing queer love. if my content makes you uncomfortable I’d be happy to start a dialogue about it #but there’s a reason why I’ve not drawn women kissing or being explicitly intimate.#anyways my art and thoughts about gay men are not so normal because I like cock so do what you will with that info #ask me #anon

267 notes · View notes

volitioncheck · 9 months

Text

does near every single post-canon DE fic out there need to be tagged ‘Sober Harry Du Bois’? i’m getting so tired of it.

do i expect every single piece of fan content to have to fully delve into the often-depressing always-complex topic of addiction? not really. sometimes you just want to write/read a silly fluffy romance one-shot, whatever. i get it. but i think my issue is specifically with the fact that for nearly every sillyfluffy au out there, there almost must be a ‘sober harry du bois’ tag. and it does feel very slapped-on more often than not.

i think to me it is an unconscious statement that nothing *good* can ever happen to harry du bois until he is completely and permanently sober. before solving the next big case, he has to be sober. before quitting the force, he has to be sober. before falling in love with kim, he has to be sober. before accomplishing anything, starting any sort of recovery, making any life improvement, he must first be sober.

sobriety as a goal, as a journey, and honestly as a concept in of itself is not as cut and dry as so many people think it is. and i think it would serve a lot of people well if they did some introspection on the implications of how nearly every single post-canon fic that isn’t dealing directly with harry’s addiction have him as completely sober instead.

if the plot of the fic isn’t going to touch directly on harry’s substance use (and again, i’m not demanding that every single fic should), why does that mean that sober!harry must be the default?

i think i am just tired of reading a casefic, a smutty one-shot, a fantasy au, whatever, where it almost seems that before getting on with the plot, the author feels obligated to first assure us that the harry we’re reading about is a Sober Harry. it’s established with a couple lines in the exposition, probably about his improved appearance, a tag up top, and then never brought up again; a checkmarked box. like the societal image of An Addict has completely prevented people from being able to imagine a person just, continuing to live life, while still struggling with addiction.

life happens, with all of its backslides and achievements, mundanity and changes, to people with drug addictions just as much as people who don’t. is a post-canon harry who isn’t sober not worth writing about?

i think so. i think the game we all played thinks so too. in fact i think that sentiment is woven into the game’s very core. i just wish i saw that reflected in our fan content more.

#i really hope my point is understandable in that it isn’t that i think that stories where harry *does* become sober aren’t also valuable.#or that i want every post-canon harry to *not* be sober.#but rather questioning why there seems to be a subconcious necessity for harry to be sober to have kind things happen to him.#disco elysium #harry du bois #also obligatory because i am putting this in the main tag:#this isn’t a callout or vague on any one person/creator/group of people in particular #it’s more of a prompt to discussion on a very broad trend #one informed by insidious biases that live in all of us because we live in a society etc #that none of us are immune to but all of us have a responsibility to acknowledge #if there is goal to this post it’s to provoke introspection. not individual attacks #anyways i love quietly consuming fan content until something annoys me enough to make my own post about it #i do wish i Participated in fan communities more tbh especially this one i’m just shy lol #most of the time.#me talking

473 notes · View notes

caffeinatedopossum · 4 months

Text

I actually find it really bizarre and counter intuitive that clinically speaking, you cannot legally be diagnosed with a personality disorder until you're at least 18. The reason given for this is because "the personality has not fully developed before this age" like ???

Ah yes, my favorite strategy. Not diagnosing the problem until it's already been virtually cemented into your brain for life! Wouldn't it be easier (and more painless) to address the problem before it's fully developed?

#im also certain that the age that personality fully forms at is not a universally agreed upon number #like idk. maybe this raises less questions about age and more about the potential consequences of pathologizing personalities #it feels a little fucked up to me that some mental illness are 'just' mental illnesses while others are deemed a thing synonymous with you #and i can understand if some people with personality disorders do really heavily identify with their disorders #thats fine!#i also think the average person has a concept of personality which is relatively stagnant and thats just not realistic tbh #i mean if you think personality is stagnant then yours probably is so in rhat sense youre not wrong #but personality can absolutely change and i dont think it makes you a 'different person'#i think its a natural progression #anyways. got a little derailed but the point im trying to make is #lets find a way to give people with personality disorders a more realistic hope for recovery without invalidating them #and also lets maybe try to treat personality disorders preemptively so they don't get worse

224 notes · View notes

tropicalgummy · 9 months

Text

Henry's eyes flick upward, hazy and hot, and unmistakably lock with Alex's at the edge of the stage, smiling broad and messy.

Alex feels somewhere, under the fifty layers of booze, something crystal clear, a shared knowledge of how rare and wonderful this version of Henry is. — Red, White and Royal Blue by Casey McQuiston

#rwrb #red white and royal blue #alex claremont diaz #henry fox mountchristen windsor #gif #mine #my favorite scene #you dont understand #it makes me so happy to see henry like this.#i wish the scene was a bit more chaotic and quite frankly messy as in the book #and i wish june and bea were there and all the bar patrons shouting #but man oh man #alex fell in love right here #and same tbh

419 notes · View notes

angelsdean · 6 months

Text

I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.

So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?

Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.

Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.

Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.

So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)

And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."

So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)

And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."

But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.

Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)

So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.

Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.

Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.

Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.

#long post #LONG-ass post #but it needed to be said!#i'm sorry if you think every creative involved with spn was a braindead asshole but the thing is.#even the most mediocre of writers understands a thing or two abt symbolism and writers working in TV are plagued by S&P #countless writers have talked abt the S&P bullshit and having to tweak and edit down their work to get past censors #it's a reality of writing for television #and the people who understand all this and understand the context of making TV in the early 2000s (to present tbh!) aren't 'delusional'#i'm sorry but it's naive to think that queer stories and queer characters are free to be told even nowadays. it's still a constant battle #times have changed but unfortunately not as much as you'd think #the confession !!!!! the confession still struggled to air and what we got was so obviously hacked down to bits!!!!!!#how can anyone think getting destiel content into the show was ever easy?#how can anyone think the pro-destiel writers weren't constantly having to be careful and underhanded in their writing?#there's a reason queercoding and subtext exist and it's this!!! it's censorship from TPTB #anyways. people much older than me have been talking abt this for ages. younger fans who are used to more open queer rep need to understand #it hasn't always been that easy and even nowadays SO many networks are still not willing to take a risk on queer stories #so creators do what they can #vic.txt

315 notes · View notes