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#lobo talks
lobotr-on · 5 months
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Thinking about the Doctor bigenerating, deciding he needs to let his hair down after all that, travelling to christmas 2023, getting dressed up in his KILT (!!!) and tank top and going for a wee dance solo clubbing is SO.......arghhhhhhh!!!!
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pokeberry5 · 11 months
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i'm not really sure what the main thrust of this post is, but this yj98 arc has been haunting me literally since I read it months ago, so I've put together a brief(ish) overview of the salient points and the questions it's left me with
aka
that time young justice was sent to a literal intergalactic war front
aka
young justice has even more complex ptsd than you probably thought!!
yj98 #35
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the premise is that there's a global war against imperiex, spearheaded by president (blech) luthor. as minors, they can't be drafted into it
(i hunted around and apparently Our Worlds at War, with Imperiex as the big bad, is the broader context, which i didn't feel like reading for this)
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instead, they're going to be attached to a "sort of super medical unit" called the "paradocs"
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the way they're persuaded to accept their role (instead of?? fighting on the front lines?? jeez kon) is to conceive of themselves as saving active-combat superheroes for their children they're leaving at home (creating an implicit distinction between those children and themselves, which i find sad)
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yj is specifically a "search and rescue team"
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with a civilian cissie king-jones as their qualified emergency medical technician (so her public persona is an olympic champion, actress, and volunteer veteran of an intergalactic war???)
is cissie the only one performing medical services then? do any of the others pick anything up from her, if these missions last long enough? (do tim and cissie bond as the only non-powered people they know going into a space war?)
yj98 #36
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they've run "a couple" successful missions behind enemy lines: what does this mean for the duration of this role?
(i'm not sure if reading Our Worlds at War would help determine how long this all lasted, but if someone who has read it has answers, i'd love to know)
also, were they in space the whole time or going back in between? (i also really really want to know what batman thinks of his protégé being part of a space war. related, did cassie tell her mom??)
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Superboy Vol 4 #91: War Letters gives some context to this
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(kon putting on a brave face!!)
but also:
even as paramedics they were participating in active combat, fighting off scavengers
the lack of specifics, the mention of the fact that he's met "a lot of interesting cats in the field," and of "things" he's seen—there's a sense that he's seen a lot but not enough yet for it to no longer be shocking. or, that what they're seeing is so savage that it never ceases to be shocking.
this also implies that they've met and rescued a slew of people from across the universe. does yj have intergalactic connections? do random alien soldiers remember this small group of earth children that saved them?
this panel also shows kon (and likely the rest of them) amidst recovering jl members. what does the broader jl think of this group of kids in an acknowledged war zone, seeing them beaten down like this? (it's unclear whether kon actually went and rescued kyle rayner here or is just helping him around the medical area, but there must be some sort of lasting impression from this)
they get diverged from their rescue mission and end up on apokolips
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bart experiences death when one of his "scouts" is killed—this has a lasting impression on him (addressed later) and kon blames himself, since it was his decision to chase after steel that landed them here. do the two of them ever talk about this? (they don't in yj at least)
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yj98 #36 contd.
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kon's accusation shows that this arc happened right after the drama between batman and the jla during tower of babel (the secret contingency plan drama)
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and after batman's betrayal of tim's identity to spoiler (rip tim being betrayed on multiple fronts)
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(tim putting on a strong front :'))
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i find it interesting that tim considers his state "a world of grays" in contrast to kon's "black and white" attitude. balancing a multitude of considerations is a "world of grays?" anyway, tim staring death in the face and admitting he's scared :')
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and then tim gets to watch lil lobo die (he does technically come back but!) and says explicitly that another part of innocence he didn't know he had died with lobo. this can't be his first time witnessing a death given gotham's everything, so is it because this is the first time he's watched a comrade die (and so brutally too)?
yj98 #37
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and then! we get extended(?) mental torture on apokolips, enough to drive to tim to attempted homicide (both in the dream world and out of it)
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(he was made to watch kon and cassie get murdered brutally in front of him jsyk)
and once he's out:
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(does this ever haunt tim? that he almost broke batman's one rule? also parallels with dick beating the joker to death later on tim's behalf)
yj98 #38
the fallout:
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we see that after experiencing his scout's death on apokolips, bart's been left with a fear of death strong enough to get him to leave yj (i don't actually know how this gets resolved?? it must happen in his solo bc he just sort of reappears a few mini arcs later...)
("i quit for a bunch of reasons ... but not a single one of them had to do with being afraid i'd get killed," cissie you're sooooo well-adjusted. she doesn't think bart's valid rip)
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this is the moment where tim quits yj because he can't deal with their lack of trust (oof) and because“i don’t need the grief of young justice,” referring to everything else going on in tim's life (batman betraying his identity to spoiler)
(he'll lose them later on anyway—does it haunt him that he came back?)
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(it's sweet that kon has someone he feels he can talk to and ask advice from)
i'm not sure if tim ever gets that apology
tldr: i kind of want one or more of yj to end up as a paramedic
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hoybero · 2 months
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i see absolutely no difference(i think ive gone insane finally)
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shiresome · 1 month
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PLEEEASE LET CRUSH MEET SUPERMAN PLEAAASE
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laufire · 2 months
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speaking as someone who makes everything about jason todd lately, some of you could stand to hear that not everything has to be about jason todd... if you dislike the guy, I promise you don't have to mention him in every post you make about the characters you supposedly care about... you can *gasp* make posts about the things you enjoy about THEM!!! if there's any you can not link back to jason, that is. he's living rent free in your mind and that has to be so fucking exhausting lmao.
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literallyanyname · 8 months
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TW: Discussions of SA and SH
So I was thinking about those two scenes in Banana Fish (the anime) where SA/SH is presented to the audience as funny. The first with the nurses in the hospital, and the second with the random doctor at the National Institute of Mental Health. Any scenes where SH or SA is depicted as humorous leaves a bad taste in my mouth. (Big Bang Theory is probably the most prominent example of this I can think of). But these scenes came off as particularly off-key, because it's literally Banana Fish. Like, did the writers legitimately forget their own narrative's theme? A good chunk of the show is dedicated to presenting and then repeatedly reinforcing the concept that SA is bad, which it is. So why would the writers of BF, who showed careful, deliberate attention to every other part of the show, put these two scenes in?
Both scenes involve women and/or femininity in some way.
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The scene that takes place between the nurses and Ash involves four female characters. These characters have already decided that they will take turns "assisting" Ash, and inform him of this in a way that is distinctly uncomfortable for both Ash and the audience. The important thing to remember in this situation as that the ones doing the harassing are meant to be interpreted as female. With the exclusion of the other scene I mentioned, every other time a character commits SH or SA, they are always male and it is always painted in a light that is meant to be unsettling and disturbing. But here, when the ones doing the harassing are female, it's supposed to be funny. Because women are not seen as capable of sexual predation, it's generally considered okay, entertaining even, to depict scenes like the one above. After all, they're women, what harm can they do?
Immediately after, Ash is shown to be highly uncomfortable. His boundaries have been threatened by people who are not supposed to take advantage of his situation. The nurses' actions obviously cause harm.
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Next, the scene with the random doctor. He enters the elevator with Ash (who is pretending to be a female nurse), Max, and Ibe (though he doesn't know Ibe is there). Although he is in the elevator with what he thinks to be two other people, he only pays attention to Ash, specifically. He proceeds to call him "sexy" and gets very much in Ash's personal space. After a brief attempt to keep up the façade, Ash punches him, and calls his actions what they are: SH.
The key detail here is that Ash is presenting himself as a woman. He is wearing a skirt, unnecessarily large fake breasts, and is speaking in a higher, softer voice than normal. Ash (and the writers) are doing their level best to make him come off as feminine at first glance. This scene would not be acceptable otherwise.
It's up for debate what the audience is supposed to take from this scene. Are we supposed to laugh at a female victim of SH, or are we (an audience that the writers probably assumed would be mostly women) supposed to get catharsis from someone who looks female punching a sexual harasser with the "physical strength of a man"? Possibly both? There's no real way to know.
I honestly can't tell if the writers did this intentionally or not. It could be a way of talking about SA perpetrated by and/or against women and how this particular category of SA is viewed differently in society. The scenes do have a very, very different tone from all instances of SA/SH within the show that exclusively involve characters who are intentionally presenting themselves as men. However, it could also be a reflection of the writers' own personal biases and stereotypes. With the attention to detail present in Banana Fish, I think it's likely the former.
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katrinahood · 15 days
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🌙◾️🤍❤🔻☮️☯️🔶 for Diego Del Lobo please! (sorry if it's a bit long)
☾ - sleep headcanon
This man can sleep on damn near every surface. That bed with the old-ass mattress? Out in a instant. That ancient couch that should've been torched long ago? Off to Dreamland with him! A concrete floor? Well, there will be some trouble, but it'll be off to sleep eventually.
■ -  Bedroom/house/living quarters headcanon
Mysteries of the Past Era: His apartment is on the nicer side of things on the grounds that it is a little more expensive, and located in Wolf Street.
Travel in Time Era: His living quarters are decorated full of things that remind him of the 19th century, and the odd trinket imported from planets like Krep-9.
♡ - romantic headcanon
Will he paint a portrait of you if you're romantically involved with him? Yes, yes, he will.
♥ - family headcanon
Regarding his full, full name, "Alejandro" comes from a maternal uncle, "Montoya" comes from a great-grandfather's surname, and "Esteban" was originally gonna be his first name, but "Diego" was chosen in the end.
☮ - friendship headcanon
He'd get along swimmingly with both Penelope and Orlando on the grounds that he'd interest them with plenty of first-hand information about the 1800s.
♦ - quirks/hobbies headcanon
He sometimes practices calligraphy in his spare time, using, you guess it, his full, full name.
☯ - likes/dislikes headcanon
He isn't really the type to drink dessert wine. Says it's too sweet for him.
▼ - childhood headcanon
Growing up, he didn't know any English. He wouldn't start learning the language until his late teen years.
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qbpoqdp · 2 months
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March 2024
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buniyaad · 1 month
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literally my favorite line since we've come SO far as lobo and superman enthusiasts.... the idea that both the characters and their understanding of family has evolved so spectacularly is what warms me heart. i hope house of brainiac puts the superfam on the map as THE example of multigenerational immigrant families who've expanded beyond blood relations. cuz lana, and john henry, and nat, and kenan are family too! the twins, jon, lois, banshee, they're all supers bc they're all clark's loved ones. it's such a sweet panel.
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For the LIS 2 ask game: 2, 6, 8, 26, 27
2. favorite non-brother character
Karen--not in the "i want to hang out with her" favorite but the "I want to study her for days on end because she is so very Fascinating" favorite. ditches her sons for a decade and explains herself with the most bizarre teenage-leftist word salad i've ever seen. brings condoms on a trip to rescue said sons from a cult. is mia for esteban's death, multiple explosions, and Sean's eye, but shows up based on a letter from some weirdo she's never met. reenacts her and Esteban's fight-and-smoke-together ritual with Sean like he's a ken doll of his dead dad. sets a church on fire for her sons and protects them after they commit a murder. turns herself in to the cops because she loves her kids and doesn't want to spend too much time with them. refers to having children as "breeding" in that one letter to her parents. i need to put her under a microscope so bad.
6. favorite scene
torn between dancing on the bed at the beginning (FUCKING feelings) and the blood brothers border massacre (FUCKING chills). the dance scene is so sweet and also an amazing parallel to the canon romance pairing from lis1, which I love, and blood brothers is just--epic. watching Daniel reach his full potential like that, how far he'll go to protect his brother, is the most beautiful and spectacular thing in the world.
8. favorite choice
definitely the Lisbeth one. it's such an amazing culmination to an already brilliant and terrifying ep. i'm a slut for weird parallels and fucked-up christian imagery and it's just so...so fucking good, my god (literally).
the way Daniel just raises her into the air like he did the cross in the earlier scene? the way that was just a performance, but things are different now and Daniel isn't a little wolf cub doing tricks, he remembers he has teeth? Sean's cutting Daniel's metaphorical puppet strings and Daniel hoisting Lisbeth up on telekinetic ones? the callback to the fucking puma from ep 2? the fact "you raise me up" is literally a christian song i remember singing as a kid and this is the harsh reality of being actually raised high by your god? the way the heavenly space around them has been transformed into hell, all pretensions at eden stripped away? the jarring difference between the last ep where Sean is permanently marked by Daniel losing control and now he knows exactly what he's doing and the difference is so fucking real?
the way it's the most ruthless choice in the game, maybe even in the franchise, this vengeance for nothing more than vengeance's sake, and it turns out that's a perfectly good reason? Sean facing Lisbeth at Daniel's side where she had been only a few minutes ago? Daniel saying she tried to use me like he's heartbroken and she hurt you with the fury of a thousand suns? the wiki describing Lisbeth as being hung from a "telekinetic noose" and it calls back to Sean being "Judge Diaz" to Daniel's executioner, to Judas Iscariot hanging himself, to Daniel's dream suicide at the beginning of the ep, to hell, even Kate Marsh's suicide in lis1?
the cain vs abel vibes of this whole ep, brother and brother unsure who is the righteous and who is the damned, sean's forehead literally being blooded like a mark of cain, only to turn together on the force that tried to split them up like that? the way Lisbeth has spent the whole episode forcing godhood upon Daniel until she suddenly realizes that gods have the capacity for judgement? Lisbeth trying to adopt Daniel and Karen coming back for him, but Sean is the one who gets to influence what Daniel ultimately does, the secondary access to godlike power that he's earned through all his hard work and self-sacrifice, his love and care and determination to fix his mistakes, where the others have only offered abuse and neglect?
the alternative where Sean tells Nicholas shoot me in the face and live with it before he blows Lisbeth away and lives with it just fine? Karen seeing what her children are truly capable of in every sense of the word, having to live with what they became to survive when she wasn't there for them? Sean spending the whole episode being helpless and heartbroken and brutalized in so many ways, only to very suddenly be gifted more power than he's ever had in his life, this complete control over the life and death over another human being? how fucking satisfying it is for him to either kill his little brother's abuser or let Daniel do it himself?
just. fucking. fucking HELL (literally). this episode.
26. one headcanon?
i kind of like the idea of the Diaz family having a generational reputation in Puerto Lobos for being a little bit Weird--like nothing on Daniel's scale, but there are rumors, whispers, stories of miracles and ghosts and strange happenings on their land, of secret truths older than colonization. not everybody can decide if it's of god or the devil, but when the parents die and young Esteban leaves, the whole town feels like it's lost something more than just a mechanic. nobody really has the guts to go onto the property until two young brothers set up shop there, and the other citizens can't help thinking something important has settled back into place.
27. one au?
detroit become human! inspired by this art and a playthrough i've been watching a friend do, lol. would love Esteban as an android mechanic taking in two lost little androids from a discontinued child line and giving them a home and a last name, only for them to get in trouble when they're caught "deviating" (gaining sentience) and he gets murdered defending them from the police, so they have to go on the run...
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lobotr-on · 6 months
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Frankenstein except the monster is an evil maniac who craves eternal life and her girlfriend is a deranged scientist who’s loser enough to do her bidding and keep reanimating her
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blusandbirds · 3 months
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dallas: the first time i met jacob on set, he put me into a headlock and shoved me into a door
so this is just them then, like not even in character, it's just them
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twilightprince101 · 6 months
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So, despite him barely getting under fifteen minutes of total screentime, he completely outshines Puss in his own movie. But the thing is, despite him being just a stand in symbol for Death, there are several layers to him hinted at in small actions, the most obvious one being that he's a force of nature acting selfishly, which technically doesn't really make him a force of nature? But also he makes an obscure greek mythology reference, so a lot of people actually pin him as a bit of a drama queen in that regard--
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brucenorris007 · 1 year
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also, hey, also also
can we talk about how it wasn’t until after Puss told Kitty, told anyone and said aloud that Death’s after him that anyone other than Puss actually sees Death???
Prior to that sequence on the fallen star, no one else reacts to Death’s presence except Puss and his past lives!
it’s about the shedding of the legend
it’s about the death of the guy that Puss used to be!
*vibrating*
the moment Puss admitted to what exactly was scaring him, that he fully repaid the trust Kitty had shown him by telling her his wish, is the moment that Puss in Boots, the legend, died, because he’d made room
the moment when Death confronts him, when Puss picks up his blade again, is the moment he fully accepts that ninth death of who he used to be, is the moment he buries the legend, and the swordfight with Lobo is his rebirth in the flames as Puss the individual who fights not for spectacle, but for life
MmmmmMMMMMMMMMMMMMM!
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ninjiniz · 1 year
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Me whenever someone mentions the relationship between Will and Hannibal :
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monoukotori · 6 months
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They just, have cute voices in spanish, uwu
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