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#like the literal TITLE
comradekatara · 11 months
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I don't understand people that claim Aang is weak or a coward because he didn't kill Ozai. In fact, I think I that him deciding not to commit murder would make him the exact opposite. As someone who does consider themselves weak and cowardly, I would have agreed to kill Ozai had I been pressured to do so.
exactly !!! fucking SAY THAT. aang choosing the values of his people over a world that insists that his people were weak and deserved to die, that their values have no place here, in a world that seemingly necessitates a "kill or be killed" mindset, IS his strength. he faces down his closest friends, his past lives (including an air nomad!), and does eventually agree that he has no choice, that he must kill the firelord, there is no other way to end the war. but then, the lion turtle, who rose out of the depths of the ocean, summoned from an ancient time before the avatar even existed, because it heard aang's call to the spirits for guidance, agrees with him, that there is another way, that aang's people were right to value spirits over dangerous, destructive power. and when he faces down ozai, when he sees the man who wants to exterminate him, a child, for his supposed "weakness," he does not let his own infinite power get the better of him. he controls the full force of the avatar, of his past lives who tell him otherwise. "even with all the power in the world, you're still weak," ozai tells him, but that level of self-control is what makes him strong. the fact that he would rather stay true to himself and represent the people who had no place in ozai's world is what true power looks like. he is the purifying light to ozai's cruel destruction. if he had killed ozai, he might have made ozai a martyr to the fire nation, but instead he simply sheds ozai of his weapon of mass destruction, and proves to him, on the hundred year anniversary of the day the fire nation committed genocide against his people, that his cultural values matter, that he still has a place in this world and the spirits have a place in this world. with all the power at his disposal at the avatar, killing ozai would have been the easy thing to do. but he uses meditation and pacifism to come to his own conclusion. he is strong enough to break the cycle of violence.
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haunted-xander · 3 months
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The rebirth demo has me so hyped how DARE you make me wait until the end of the month for the full game
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corruptimles · 2 years
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That makes my Miku Movie Marathon for this year’s #MikuAllWeeku! If anyone has a favourite from the set, I'd love to hear it. Until next time...  
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koiihpon · 2 months
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Don’t wait up…
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colored this panel from @thegunnsara's Back to the Past comic (part 6) :]
the bottom panel was so striking when I first saw it that I just needed to color it heheh sorry it took a while to finish ><
orig under cut vvvv
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yabee-tea · 1 year
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WELCOME!! To my Rise AU, affectionately dubbed the Double Pendulum AU!!
I'm hoping to use this series as a way to practice art and storytelling, but also to get a lot of the funky ideas I've had floating in my head out. LMK what y'all think!!
I've got some big plans for this one so I hope you'll stick around for the journey :))
[first]/[next]
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mangofanarts · 6 months
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Sunny and their crown friends (aka, their bodyguard, chauffeur and Accountant)
EDIT: @this-is-a-name-dont-worry Thank you for letting me know about their pronouns!! I wasn't aware :>!! Unfortunately I can't edit my tags to change some of it to they because I'm on mobile tho I'll use they/them for sunny more in the future!!
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lazy-b1rdy · 2 months
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a helpful hand
first comic i actually meant as a comic? no wayy :0
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close up of the lil doodle at the end
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GHAHAHAHAHAHSGJHKHDgdsdFQ
(srry for any misspellings)
This is how Stan met the Narrator physically for the first time >:3
dialogue bc i don't think my hand writing is understandable
Narrator: "Finally had enough of that broom closet? Good. Now just fix up your tie and then we can continue the story"
Stanley: [Nope]
Narrator: "Stanley."
"Stanleyy."
"Just fix the damn tie" >:(
Stanley: [Why do you care so much?]
Narrator: "It looks tacky and unprofessional" ]:(
[Ouch! Too bad that i don't care.] >:P
Narrator: "Fine! But i won't let you walk around like that."
Stanley: [Well good luck with that because i'm not doing it myse-]
Narrator: *His hand appears*
*Stanley gets pulled by the tie by the Narrator's detached hand*
Stanley: [Wha-]
last panel is of the Narrator fixing Stanley's tie while the other watches the hands sweating a bit
Narrator: *fixing the tie*
Stanley: *using all his willpower not to touch the him*
Narrator: "See? You look so much better with it neatly made!"
The arow pointing at the hands: 'clueless'
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quirkylilcumlord · 2 months
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will forever have beef w the fact that toph is like literally the only character in atla with a surname.
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laundrybiscuits · 1 year
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(Continued from this snippet! Content notes: police interrogation, homophobia)
“You don’t look gay.” The detective gives Steve a very obvious once-over. Steve tries to look gayer as subtly as he can. 
“Sorry,” he says. “Guess I’ll have to let my boyfriend know you don’t think I look gay enough to fuck him.”
The detective’s face twists slightly, like he’s smelled something bad. “No need to be like that. I’m just saying, I bet a good-looking guy like you could get a girlfriend pretty easy.”
“You’re not my type,” says Steve. He smiles with his teeth, even though his heart is going fast and he can feel his palms starting to sweat. 
The detective’s hands tense, and Steve wonders if he’s about to get hit, but they relax again and the detective sits back.
“Just doing my job,” says the detective. “Because, funny enough, we asked around with all your little friends, and it seems like you used to be a bit of a ladies’ man.”
“Things change,” says Steve. 
“In fact…seems like none of your friends ever even saw you talk to Munson before. Moved in different circles and everything. I remember what high school was like.”
The detective leans close. 
“So why would the captain of the swim team, a nice normal boy from a good family with a string of pretty girlfriends, ever—ever—stick his neck out like this for some murdering scum like Munson? That’s what I’m trying to figure out, here.”
“Don’t fucking talk about him like that,” says Steve. His mouth is dry. His pulse is thundering in his ears. “He didn’t kill anyone. He was with me the whole time. He’s—he didn’t kill anyone.”
“Hm,” says the detective. 
It takes a while for them to stop interrogating him. They keep asking him the same questions over and over, trying to trip him up. He asks for water and doesn’t get it. In the back of his mind, a hysterical little voice is shrieking Scoops Ahoy! I work for Scoops Ahoy!, but he manages to keep it locked down. Doesn’t let himself get baited, just keeps repeating that Eddie was with him the whole time and neither of them know anything. 
It takes a while, but it’s over eventually.
When he leaves the station, Eddie’s standing outside with Hopper and Joyce Byers, wearing a shirt and jeans that definitely belonged to Jonathan at some point. Eddie’s got his hands tucked into his armpits, looking antsy and tense, but he’s free and standing on his own two feet. It’s a pretty big upgrade from when Steve last saw him about a week or two ago. 
It’s almost too easy to go straight over to him, wrapping him up in a tight hug like they’ve had their arms around each other a million times. 
“Oof. Easy there, tiger,” laughs Eddie. “I’m, uh, still a little fragile.”
“Sorry,” says Steve, and loosens his hold. He doesn’t let go all the way.
“Come on, boys,” says Joyce. “I’m taking you two home. Steve, Eddie’s been staying with us, but we’re a little short on spare beds and it’s not great for his recovery. We’re moving him to your place until we can figure out something better, okay?” 
———
Joyce drops them off and helps carry in a few garbage bags full of Eddie’s stuff. There’s not that much.
And then the door closes behind her, and Steve’s alone with Eddie for the first time since—actually, maybe ever. 
“So,” says Eddie. “What…the fuck, Harrington.”
“Is that an actual question?” Steve says. He rolls his shoulders, trying to get some of the stiffness out. “I mean, didn’t Hopper and Mrs. Byers explain everything to you?”
“Kind of? I mean, I still think this is probably the worst idea of all time, but they told me—anyway, what I meant just now was a much more personalized and individual what the fuck. As in, why the fuck would you agree to any of this? You know you’re never gonna get another girl in this town to look at you now.”
“Dumping me already? Ice cold, man.”
Eddie groans and actually throws his hands in the air in frustration. Steve hadn’t known people did that in real life. 
“Jesus christ.” Eddie wheels around and grabs two of the garbage bags. “I can’t do this right now, I need to take a fucking nap. We will be discussing this later.”
“Still don’t know what there is to discuss,” says Steve, but he picks up the last garbage bag and leads the way to the spare room. 
Eddie pitches forwards onto the bed, arms outstretched and face mashed into the pillow. “Fuck yes, I am going to marry this goddamn mattress. Hit the lights when you leave,” he says, slightly muffled. 
For a second, Steve finds himself stepping forward with a hand outstretched to—do something. He’s not sure what. Touch Eddie’s hair, or something dumb like that. His face warms. He’s really glad Eddie isn’t looking at him and doesn’t see how he’s kind of just standing there with a hand out for no reason. 
He turns around, flicking the light switch on his way out, and doesn’t look back.
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szollibisz · 12 days
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domestic curtwen. that's it that's the post
ironically the quote is from mercy denied forever by józsef attila (translated by ozsváth zsuzsanna and frederick turner) honestly. ngl it's not a great translation, but the last verse was good
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pestopastaenjoyer · 2 months
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“Advance takes place before both adventure games!!1!!11” my brother in Christ. If this was supposedly set before sa2 then why would Sonic stay Super in space by himself for DAYS & come back w a solemn expression before smiling at the player to congratulate them for beating the game
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beanghostprincess · 7 months
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people often treat zoro as this devoted dude who would blindly and without a doubt do anything for luffy. and don't get me wrong, he definitely is! but what people usually forget, too, is that zoro is the one that keeps luffy grounded and realistic. he's his first mate. he's the one to stop luffy from being irrational or if he does something not worthy of being the captain. he trusts luffy with his heart and soul, but whenever the guy is acting stupid, he tells him without hesitation and stops him.
i'm tired of people making it look like zoro is this big, stupid swordsman who would do anything luffy asked him to because he is not. he would follow luffy to hell and back, not because it's luffy, but because he trusts him consciously and willingly. he chooses to trust luffy. he isn't a brainless dude in love with his captain. he literally stops, thinks about what luffy says, and then proceeds to either agree with his idea or to stop him right away.
why? because that's his fucking job as a first mate.
captains can and will be stupid and irrational too. being the captain of a ship is not being the one to decide everything and it doesn't make you instantly the smartest. luffy is human. he can make mistakes and he can fuck up and that's why he needs somebody like zoro with him. luffy knows this. that's why he chose zoro. not because he was the first one to appear in front of him, but because from the moment they met, luffy instantly knew he would be the one to ground him and keep him in his place if he ever got carried away.
i'm also sick of people pretending zoro's love for luffy is this huge, poetic, religious thing (it is, though) and making it seem like luffy's devotion to zoro isn't the same fucking thing. this shit is not unrequited, folks, i don't care if you don't know how to read luffy's character but the guy trusts zoro just as much too.
TL;TR: these two are not as stupid as y'all make them seem. devotion goes both ways. if luffy does something wrong, zoro will stop him. and luffy loves him trusts him just as much.
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fullmoonfireball · 6 months
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another Pikmin 4koma translation dump for y'all! funnily enough, these four have one thing in common- me not being confident in their titles!
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stevebabey · 10 months
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surrounded by your embrace
summary: when you get drunk at a party, old memories make steve worry. he really doesn't need to because all alcohol does is make you clingy. gn!reader but mentioned to wear sum eyeshadow, no warnings u and steve are just absolute goobers for each other :D wc: 2k
He goes to the bathroom for five minutes.
Five minutes and you manage to make yourself scarce. The corner you had been previously inhabiting, slurping the lip of your red solo cup while talking to some friends, is completely void of you when Steve finds his way back to it.
Your friends are still there, leaned against the wall and chattering amongst themselves. Steve clears his throat to gain their attention.
"Did you see...?" He jerks a thumb over his shoulder, asking if they'd noticed where you might've wandered off to. You've had quite a few drinks tonight already and Steve's not surprised if it means you've forgotten you're the only one he knows at this party. These are your friends, not his.
One of them points towards the kitchen and he mutters a quiet thank-you, beginning to wind his way through the people to reach the kitchen.
A fraction of unease prickles at the back of his neck. Last time he was a party and his partner ambled off, full of alcohol, it had left a couple memories that cut deep. Steve hasn't ever admitted it aloud to anyone the seeds that Nancy had sowed that night, the little insecurities that had never bothered Steve in the slightest suddenly sprouting up overnight.
Worst is, he can't make himself forget that night. He remembers the spill of red punch on her white shirt vividly. Remembers the sting behind his eyes. Remembers how later on she'd come back in the middle of everything with Jonathan by her side and Steve had just... known.
But you're not Nancy and he knows that. He knows that this is a different party, you're a different person, it's a whole different relationship—
Yet, those insecurities have rooted deep and Steve can feel them shifting painfully inside him as his worries get away from him. Like vines wrapping tight around his ribcage the longer it takes to find you.
You're aren't by the drink station on the kitchen bench and looking out at the sea of people in the living room, you aren't there either. Steve pulls his collar away from his neck, feeling the prickle roll down his skin again. You've gone, something in his head whispers meanly, You've left him and found someone else at this party. Someone without his baggage, someone without his neediness, someone—
Steve scrubs a hand down his face and shoves away his ugly thoughts. None of them are fair to you — you who has been nothing but impossibly and endlessly sweet on him in the one month you and Steve have been dating. He inhales sharply to clear his head and scans the crowd again. Nothing.
Just as he's turning to go bug your friends again, he spots movement out the corner on his eye, someone shuffling about the walk-in pantry. Steve walks closer and peers in. It's you.
Delight and relief bloom together in his chest and he rounds the corner with a shaky smile, leaning up against the door frame. "There you are."
You turn with a little hiccup, clearly startled.
Steve adores how the recognition on your face melts into excitement, steamrolling his anxieties in an instant, and you drop whatever is in your hands and leap for your boyfriend.
"Steve!"
"That's me," He says with a smile, arms opening for you to burrow yourself in. You do so, arms twisting around his middle and face smushing against his chest and he welcomes the warmth of you in his arms. He expects you to move after a minute but you stay put, pressed right up against him, hold only tightening.
"I couldn't find you." You whine.
"You were looking for me in the pantry?"
"Nooooo," The drinks you've had have turned your usual drama up to 11. You dig your face out of his chest and rest your chin against it instead, forcing Steve to look directly down to meet your eyes. "S'just went to get water from th' kitchen 'n' then I saw they have a box of Fruit Roll-Ups."
You say this all as if it's incredibly self-explanatory why you're in the pantry while you're also looking for your boyfriend. Steve looks over your head and spies the spilled box on the ground you were holding just a few moment prior. Lo and behold, half a dozen Fruit Roll-Ups are scattered on the ground.
"Fruit Roll-Ups, Steve." You whisper with more emphasis.
He laughs a little, looking back down at you and thinking how pretty you look tonight. There's this blue crystal-coloured eyeshadow lightly smudged across your eyelids and it glitters beneath the low hanging bulb of the pantry.
"Well, I'm sure you can have one." He nods to gesture behind you. "Melanie won't mind, you're her friend."
Melanie, the party's host, had been tucked up and fast asleep in her bed with a big red bucket by her side when he had opened her door trying to find the bathroom. Steve definitely thinks she won't mind letting you gorge yourself of a single Fruit Roll-Up. Or a couple. Whatever, he won't tell on you.
"You think?"
Steve rubs your back lightly and goads you back towards the snack you're clearly hungry for. Your hands slide out of the hug reluctantly but the moment you turn, you're scuttling over to the treats. Steve chuckles watching you plop yourself down, sitting down on the cold tiles. You're in shorts. Steve can see your goosebumps from here.
He takes a few steps and crouches down, taking a seat next to you, leaning his back up against a beam. You're trying to tear into one of the packets but the moment Steve's back in your view, you're pouting and holding it out to him.
Steve pretends to scoff, taking the packet and opening it easily, but really, he loves that you ask him to do those things. Loves doing little things for you. He offers it back to you and you pluck it from his hands with glee.
He assumes you'll sink your teeth into it but you stare at it for a moment before you surprise him, crawling forward and all bout clambering into his lap.
It's rather inelegant, your drunkenness not helping and you push the heel of your hand just two inches from where it would really hurt, making Steve wince in anticipation. He holds his hands up and out of the way and lets you settle yourself.
A quiet revelation makes something in his chest glows hotly. You're always affectionate, always want to be touching him, but this is another level for you — there's a shyness around PDA that you usually carry that seems to have been shed tonight. Anyone could peer in the pantry and see you curled up in his arms and lap and you seem too enamoured with him to even care.
Steve grins and chides himself for ever being worried earlier.
"Hi." You say, finally situated comfortably. Steve's not sure it is comfortable, sitting sideways in his lap with one leg twisted nearly underneath you and one out in front, sorta curled in, but you seem content enough. He places one hand on the small of your back, the other holding just above your knee.
"Hi there. Comfy now?"
"Very. Can you pass me my roll-up please?"
You've dropped it in your wriggle to get closer to him and its rolled nearly under the shelf Steve's leaning up besides. He leans over and retrieves it, thanks God for the wrapper, and produces it for you.
"A gift." He says, drinking in how your face washes over with delight. With the lights haloing behind your head, your hair frizzy from dancing earlier, he thinks you look like an angel.
"That's right!" You take it from him and pull it close to your chest, attention back on him. "I wanted to give you a kiss, to say thank you."
Steve feels his heart flutter, a stutter in the beats at the utter tenderness of your words. He squeezes your knee and turns his face, holding out his cheek.
"Well, go on then."
You giggle and it's the most dreamy honeyed noise Steve's ever heard. You lean in and plant a big wet kiss on his cheek with a happy hum, pulling back with a mwah!
"Thank you for the kiss, sweetheart." He rubs the hand on your back lightly and you soften at his words completely, pure giddiness running rampant across your features.
Steve soaks it all in, unsure of the last time he knew someone who gave him love so freely. You seem to have endless amounts of it for him. You don't even mind when he's greedy with you.
You finally peel back the wrapper of the Fruit Roll-Up and gobble a bit of it down. You chew and swallow and lean all your weight against him, your shoulder pressing into his. You're close, a couple more inches and the tip of his nose would brush yours. A bashful expression flits across your features.
"I like when you call me sweetheart."
"You do?"
You nod enthusiastically.
"That's good," Steve says, fondness coating each word. " 'Cos I like calling you sweetheart, sweetheart."
It's so cheesy that Steve thinks you shouldn't laugh, but you do because you're wonderful. He grins, his fingers on your knee tightening slightly as you look over him, your eyes crinkled up by your grin. The alcohol makes you brash enough to stare and you look at his face intently for a moment before you huff.
“God!” You drop your head back with a dramatic sigh and sink your teeth into your bottom lip to try contain your giddy grin. It doesn’t work in the slightest. “That look.”
"What? What look?”
You tip your head back up and Steve can read the shyness on your expression, pulling at your eyebrows.
“You know,” You say, a little embarrassed, which is even more adorable on you while drunk. You're flustered over your words, like you know you wouldn't normally have said them if you were sober. “You just get this look sometimes, when you’re looking at me—”
Steve frowns for a moment, minuscule, as he thinks of what face you might be referring to.
“—and your eyes get all intense and- ugh! It still makes nervous when you do it.” You’ve drop your head again, forward this time, to hide your face in his shoulder. You pat your tummy theatrically and then clutch it, voice lowering to a whisper in his ear. “These butterflies are your doing, Harrington.”
Steve laughs, entirely too pleased with himself —he still makes you nervous. Ditto, he thinks. “Is that so?”
"Mmhm." You hum and Steve feels you place a soft kiss on one of the moles on his neck. His breath catches and his heart flip-flops. You wiggle a bit but it's just to try get closer to him, your nose nuzzling against his neck. A tired sigh escapes you.
"You tired? Wanna go home?" He asks.
You nod sluggishly but make no attempt to move. Steve chuckles lightly, his hand still soothing up and down your back gently, not helping in the least he knows. Still, he can't help himself; he wants to ply you with love, with comfort, if he can. You sigh happily.
"N' a minute." You mumble. Your words are slurring the more tired you get. "Just wanna be at a party with my super hot and amazing boyfriend for one more minute. S'okay?"
Steve's heart crumples and he can feel his entire body curl up, his legs sliding up an inch, his hands tensing, all involuntarily reactions to try bring you in closer to him. There is an ache in his very core but it's a lovely ache. Steve feels a burn behind his eyes. He blinks and presses a long kiss to your hairline.
"Yeah, sweetheart," He murmurs into your hair. "That's more than okay with me."
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aroaceleovaldez · 4 months
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im really not a fan of Rick's recent trend of recycling bits of his writing that got a good reaction the first time and acting as if that's a valid substitute for. actually bothering to write something original a second time around. It's clearly just there as a callback and nothing more.
It's "Nico's rage exploded" and "Percy's rage exploded" with the exact same paragraph formatting. It's CoTG having titles like "My Singing Makes Things Worse, and Everyone Is Totally Shocked" (reference to TLO, when Percy says he thinks his singing would cause an avalanche) or "Pretty Much the Best Good-Night Kiss Ever" (reference to TLO "Pretty much the best underwater kiss of all time") or any other number of near word-for-word references to the first series. It's Nico calling Percy "seaweed brain" in Un Natale Mezzosangue (when Percy says in TTC that anybody but Annabeth calling him that is a major offense). It's Nico and Will falling into Tartarus in TSATS word-for-word referencing Percy and Annabeth in House of Hades, despite it not making any sense for their characters (and otherwise being written as Percabeth 2™). It's the show making huge changes but keeping random "fan-favorite references" (mostly overusing "seaweed brain" and "wise girl" and emphasizing percabeth) only because they're popular in-jokes and considering that a faithful enough adaptation to market it heavily as such. It's lazy writing.
And it's a disservice to the series and to the audience, because it clearly shows Rick doesn't have original ideas anymore (though given all his writing is heavily derivative to begin with, it begs the question how much was original in the first place and how much he has difficulty when he doesn't have a structured mythological plot to work from) and that there is an expectation that the audience will just sit down and accept that behavior hook-line-and-sinker. Everything recently is clearly such lip-service to the audience, either in retcons that are overt speaking-to-camera acknowledgements of things he's been criticized on or wink-wink-nudge-nudges of community in-jokes that have no business in the actual text (see: over-use of ship names in canon). Especially since Rick tends to be about 5 years behind on the fandom uptake. It's just so disappointing to see.
#pjo#riordanverse#tsats crit#pjo tv crit#rr crit#< OH BOY A TRIPLE#MCGA's reference to Jason's concussions in the chapter titles is on thin ice but can stay for now#callbacks can work! in-jokes and references can work! see: Percy's dam joke in Son of Neptune#or Percy in the musical making the joke about his singing causing an avalanche as a reference to TLO#or any other number of references in the musical#but you need to know when they belong and when they ABSOLUTELY DO NOT#and when it's a fun nod and when it just feels like you're copying your own homework#a great example actually - i was recently reading an *excellent* fic by @vivitalks#and in it Jason uses the phrase ''you knock me out'' as a fun nod to Jason's ''you're a knock-out'' in TLH#that's a good little reference! that's how you do it!#a character who has already used one phrase uses a similar phrase. because theyre the type of person to say that phrase.#that's already been established. and it highlights something about their character that they return to that phrase#in that fic it highlights that Jason is a total dork especially when it comes to romance#Percy's ''dam'' joke reference in SoN works because it's only used once very briefly and it's very quickly brushed by#and it's literally Percy making a reference to his own past and acknowledging that he's doing that. it's his own in-joke! that's reasonable#it's not reasonable to expect FOUR DIFFERENT PEOPLE to have the EXACT SAME REACTION to FALLING INTO SUPERHELL#especially when they're established to all be EXTREMELY DIFFERENT CHARACTERS with DIFFERENT DYNAMICS#long post //
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pencap · 3 months
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the coward's way out
if the fates conspire that only one of us may live, then lover, it must be you.
i will save you the grand speeches about how you are good and deserving. you are. you are. you are, but in the end, that is not the reason why.
the world may call me brave or strong or selfless but lover, you know the truth don't you?
in the end, i am only more afraid of facing a world without you than i am of facing death of facing anything.
in the end, i am only too weak to be the one left behind to pick up the pieces of a broken life a broken promise a broken heart and keep on bleeding when the blood in your heart is already dry.
i'm sorry. i'm sorry. but will you let me be selfish one last time?
can i ask you to live for me? to face what i feared most so that i might find peace in my eternal sleep with a smile upon my face?
if it is cruel of me to ask, then i beg you to forgive me. or curse my name and hate me if you must, only live.
only live, my lover so that my life and my death and all that came in between may mean something. may mean everything.
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