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#like people tend not to write as much fic for canon ships
stellacendia · 1 year
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I've got a complicated history with the concept of romance. I had a relationship in high school that, while technically romantic, was more or less "I like you the same amount as my other friends except we kiss sometimes." I've always had friendships that were incredibly intense, at least on my end. And when the person on the other end of that friendship was single, I felt that intensity was... more or less returned enough for me to be content. Not everyone values friendships like I do, I get it. Good enough for me.
Then that friend would get a romantic partner, and suddenly it felt like I mattered way less. And, god, I've always tried to be reasonable about it, I've tried to be understanding and nice. Of course my friend wants to spend a lot of time with their partner, especially when the relationship is new. Of course the partner is important too, of course romance is important to my friend. I can't be selfish and deny my friend time with their partner. I should try to be friends with the partner so that we can all spend time together. No, it's definitely not third-wheeling, not when we're all friends with each other!
But yeah, I felt replaced. Also horribly guilty for feeling replaced, but to me.... that friend was the most important person in the world. I'd do anything for that person, no questions asked. Follow them to the ends of the earth, let my entire universe revolve around them. (Is this healthy? Maybe not. Probably not. Did it anyway. Don't know how not to.) And it just fucken sucks when that person simply won't offer the same devotion in return. They'll offer it to their romantic partner, because the romantic partner is always more important than any platonic relationships. They'll offer it conditionally to me, when they're between relationships, only to drop me again the moment they start up another romance.
It's this messy cycle that keeps me endlessly questioning whether or not I'm really aromantic. Cause most of the time I feel like I am! I do not and have never needed romance. And then I catch myself daydreaming about a future where I have a partner that acts in all the ways a romantic partner does and have a mini identity crisis.
And I think, I've figured it out. I don't actually want a romantic relationship. What I want is for someone to finally offer me back the same kind of devotion most commonly found in romantic relationships, the same kind of devotion I offer my closest friends. For once I want to be somebody's most important person, instead of always being second best.
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alastors-antlers · 3 months
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Being someone who sees a lot of talk about shipping Alastor (sexually, romantically) in fanworks, I just want to take some time to talk about both sides of the issue. It's long, I know - please, please bear with me until the end, and I hope you'll understand what I mean in a bit.
I hope this helps someone, but as an aroace person who understands the frustration and hurt, this is often how it feels to me:
Alastor, being one of the limited cases of aspec rep that I've seen and one of even fewer which I actually enjoyed, means a lot to me.
That being said, his canon rep establishes that he's aroace but not much about how this factors into his life or relationships at all -- and when there's a gap in canon, I turn to fanfiction, which tends to spotlight characters' queerness even when the source material doesn't or can't. Don't we all want to see ourselves in the media we engage with?
When I pull up AO3, there are already a good number of fics about him. Great! Some of them are definitely incredible; but as I read on, it starts to seem like a lot of fics I see acknowledge that he's asexual or aromantic in some way but don't really factor that into the story. It reads like you could have written the story without keeping his queer identity in mind, and it would've come out the same.
Even when representation that does resonate with me exists, it starts to be exhausting to pick through the slash tags to see which ones are written in an aspec-coded way, so I wonder if it would be easier to not read anything with slash at all. On the other hand, when you filter ships out completely, only a tiny fraction of the fanworks are left.
People often respond that aspec people can have relationships, and I think we tend to know that. They can have sex, some can experience sexual attraction in select situations, they can romance others beyond romantic attraction -- any combination of things. But some aroace people don't want either, and sometimes we're struggling to see ourselves in how Alastor is typically portrayed.
Out of all of the fics, sex-repulsed, totally aromantic Alastor isn't seen much. And when Alastor's limited canon seems to be pretty supportive of a reading where he is those things...
Sometimes, you start to feel lost. If fics were evenly distributed along the aroace spectrum of experiences, wouldn't you expect more fics of him being the "totally uninterested" brand of aroace? But there aren't. People seem to have a preference toward seeing him in relationships. Even if they mean well, it can make you think: what does that say about how we view asexuality/aromanticism as a whole?
Is there something less interesting about Alastor, when romance is taken out of the picture? Do others find him less appealing as a character if they can't see him dating, or in love, or having sex or wanting it? Why do we need romance, when romance is already everywhere else, when it doesn't even feel like he was originally really interested? It brings to mind a struggle to be societally accepted, even today.
Even when it's not technically wrong to write Alastor as you see him, being told that we should all be able to ship him however we want can feel like this:
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It brings to mind people who try to swing in with misinformed good intentions, telling us "oh, you're aromantic? but you can still have romantic relationships, right? so you can still be normal." when all we want is to be okay outside of the normal.
Or trying to find a partner who can be with us, out of everyone who tells us "I know you don't enjoy sex, and that's okay, but I can't have a romantic relationship with you without it." and being so tired of hoping for someone who gets it.
Or talking with peers, and hearing them all commiserate and fawn over their experiences with love, then telling them about someone you like non-romantically and getting "aww, it sounds like somebody's got a crush!" but not being believed when you tell them it's not like that at all.
Alastor is not a big deal, not really, not in the grand scheme of things. But in an allonormative world, it can feel like a sudden splash of cold water when we were expecting a warm fire to sit around. Even within this ecosystem, we squint to see ourselves reflected.
Society isn't built for us. It can be exhausting to be reminded of that.
~~~
I hope to support people writing Alastor as any variation of aspec, or not even aspec at all. At the end of the day, I think that fanon is really whatever you want it to be, and everyone has their own reasons for writing what they find enjoyable. They should be allowed to do so, and I want to believe that people do what they do with good intentions.
They want to imagine scenarios with the templates of characters they love, and that's okay; even beyond sexuality/queer identities/etc., fan interpretations of characters can be incredibly, wildly different from who they really are in the story anyway, and that's what I try to remind myself. But still, I also can't help feeling disappointed about the aroace representation we could have seen.
(Is Alastor canonically sex-repulsed? Uhh, maybe. If I had to guess, that'd be my top guess, but this might be a hot take: I wouldn't really say there's enough to go off of considering that this view is supported by Angel propositioning him both times, and it's not like Alastor is a particularly big fan of Angel at those points anyway lol)
To my fellow aroaces struggling with Alastor's fandom rep: if you need a break from it all; if you need to block the tags that you hate; if you need to talk to someone about how you're feeling; that's okay. It makes sense that you'd want more representation in a way that helps you feel seen and validated and less alone. I can't speak for everyone, but I think I get it.
I don't have any solutions for how you're feeling, because sometimes I'm feeling the same way. I understand that you want others to get your position and you have the right to express your feelings, but even if you're correct, often being angry or frustrated won't help change others' minds, so let's try to save our energy and take care of ourselves.
Something that helps me to think about is that even now, asexuality is gaining more visibility. We're gaining support. Real change is happening in the world that's helping incredible amounts of aspec people feel freer to be themselves. And maybe one day, we won't be reaching to protect our scraps of representation.
Let's fight until that day together <3
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ao3commentoftheday · 6 months
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Hello there! This question isn’t so much about popularity as it is about feeling lonely in fandom spaces. I’m in a relatively small fandom where it’s easy to “run into” the same users who write fanfic and draw fanart a lot. Over the years I’ve tried doing all the usual things to make fandom friends, like commenting a LOT on fanfic when new works are posted, being friendly in my author’s notes, being friendly on tumblr, complimenting artists works and reblogging and just generally trying to share the love so to speak.
People will reblog my art on here, but on AO3 I tend to get crickets on most of my stuff. Especially on fics for my OTP. My OTP is notttt popular in the fandom. It’s actually a lot of people’s NOTP because it “takes away” from the canon couple. I’ve accepted a long time ago that I’m going to get less readers because of the shipping stuff alone. But even on my works that aren’t shipping focused at all, it’s just crickets.
It just kinda sucks to try so hard to make fandom buddies and see them all having fun together and constantly feel like the kid sitting alone in the corner. I keep wondering if people in the fandom don’t like my fics just because of the shipping thing because I know I’m not a bad writer. But like I said, I’ve tried reaching out to people, be encouraging and show joy at what they create, but I just keep wondering what I’m doing wrong to make fellow fans not want to be friends with me. I’ve been focusing on just doing my own thing but yeah, it sucks not having anybody to fangirl with.
First of all anon, *hugs*. Being lonely sucks, and I'm sorry to hear you're in that situation.
When it comes to the other folks in your fandom, I don't think it's necessarily that they don't want to be friends with you. I think you might just need to do a little extra legwork to get in the friendship door.
It's not really fair, but it is kind of human nature, that if there is a perceived difference with someone else, we tend to keep them at a bit of a distance. It doesn't mean we dislike them! It just means that it takes more effort for us to get past that difference and see them as a friend. The more we do it, of course, the easier it gets and you might not even notice the hiccup anymore - in person.
You're probably in the "acquaintance zone," if you'll allow me to use the phrase. People probably have a generally positive impression of you because you're nice and you're friendly and you're encouraging. But if most of their conversations are happening in a ship-centric venue, for example, then you're not going to have access to the full spectrum of community with them.
You mention that other folks see your OTP as a NOTP. Do you feel the same way in reverse? They might assume that you do, and that's what's keeping you out of those convos. If you actually don't mind their ship and simply prefer your own, you could always attempt to make a foray in that direction? Let them know you don't mind being exposed to their shipping talk?
Another thing you could try would be to identify the multishippers. In my experience, those are the folks who are most open to befriending folks who don't ship the main pairing. They can see possibilities all over the place, and they're happy to be exposed to new ideas.
Small fandoms can be rough when you're into a niche part of it ❤️ Let's see how others handle your situation.
You can also find this question and answer on Dreamwidth.
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crimeronan · 8 months
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i actually DO think that polyamory fic and non-canon ship fic (ESPECIALLY rarepair fic) tends to be higher quality than mainstream canon gay fic. this has been my experience regardless of how complex and nuanced the canon gays actually are. i think it's because 1) canon gays are more popular, and 2) canon gays are easier to write, because you don't have to really transform the source material.
i don't mean this in an elitist way, either. i'm saying this because some of my best writing advice to people who want to get better at characterization is to explore non-canon non-mainstream pairings (or polyships). you'll find yourself asking questions like: what would make this work? what would make it different from the main gay ship? how would these two interact similarly and differently to how they do in the canon?
it's really good for broadening your understanding of character dynamics and how they change in different circumstances.
similarly -- if you're feeling burnt-out on fic in a fandom, and you've been mostly reading mainstream ship fic.... look for rarepairs. even of pairings you don't ship yourself / can't really see together! you'll get a much broader and more transformative look at the canon elements in your fandom. you may end up hating an author's takes on various rarepairs, but at least it'll be INTERESTING, you know??
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saintsenara · 10 months
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are you still doing ur asks abt the ships? if u are what r ur thoughts on wolfstar? if not have a very good day!
thank you very much for the ask anon - and thank you in particular for leading me into danger...
my answer to this is going to be - and wolfstar shippers keep calm please - similar to my jegulus one. which means the tldr is: write what you want, but i’m unlikely to read it, especially if you don’t acknowledge the difference between canon and fanon.
i have no aversion to wolfstar coming up as a background ship [let them be happy while harry/anyone are having drama, i’m all for it] but i generally don’t search out fics in which wolfstar is [one of] the central pairing(s) and tend only to read wolfstar-centric stuff if it’s written or recommended by someone whose opinion i trust. 
this isn’t because i think the pairing is unfeasible [the canonical sirius and remus very much have the vibes of people who have enjoyed each other’s bodies…] but because the community which has built up around wolfstar, both among "original wolfstar, y’know, like in canon" fans and their sworn enemies"‘marauders fandom, canon who?" fans, largely expects certain tropes and characterisations which divorce the characters from what i personally think is interesting about them.
the most egregious of these tropes, in my opinion, is the fact that wolfstar which purports to be canon-compliant or which follows the canon timeline deals so infrequently with the fact that both remus and sirius have such little trust in each other that they believed utterly sincerely that the other was a death eater.
it’s crucial that we understand the profundity of this suspicion and - therefore - what it says about the fragility of the loyalty between them prior to 1980-81. this is not a brief flash of distrust in a high-pressure couple of days at the end of october. the evidence of canon is that we’re talking about a period of months - if not a full year - in which remus and sirius not only think it justifiable to doubt the other’s loyalties, but also seem to be acting on that doubt to try to get the other in trouble.
harry is born in july 1980, at a point when voldemort has all but won the war. severus snape defects to the order at some point relatively soon after this, when voldemort decides that the potters are the family referred to in the prophecy. peter pettigrew then defects to the death eaters in the autumn of 1980 [which we know because sirius says in prisoner of azkaban that he was spying for a full year before voldemort’s fall].
snape then evidently tells dumbledore that there is a spy in the order - although he clearly doesn’t, despite a common accusation levelled against him, know this is pettigrew, since the voldemort of the first war has apparently heard of operational security, unlike his resurrected counterpart - and this leads dumbledore to demand a restriction on james and lily’s movements until - by august 1981 [the plausible date of lily’s letter to sirius in deathly hallows] - they are basically under house arrest. the implication of canon is that, by this summer at the very latest, james and lily are aware they’re being spied on, from which i think it’s reasonable to infer three things: that dumbledore has begun to suspect that sirius is the spy over the opening half of 1981; that remus, who canonically always trusts dumbledore’s judgements, uses this to confirm his own suspicions about sirius; and that sirius, whose canonical relationship with dumbledore has an undercurrent of unease, especially in order of the phoenix, picks up on this and assumes remus is briefing dumbledore against him. i think it’s also reasonable to infer that the only person convinced there isn’t a spy among his close friends is james.
peter visits the potters’ safe-house and is aware of its address, so we can assume remus and sirius are the same. by october 1981, however, there are clearly concerns that james and lily’s whereabouts are known to the death eaters - perhaps also accompanied by information from snape that voldemort, who loves a bit of symbolism, has selected halloween as the day he will strike - which trigger dumbledore’s advice that they perform the fidelius charm. dumbledore’s unease when james picks sirius as secret keeper is confirmation that he had identified sirius as the spy. that remus is never suggested as a potential candidate is confirmation that sirius believes him to be the spy - and possibly also that james is beginning to think his best friend might be onto something [i always wonder if remus’ bitterness when accusing james of being too trusting in deathly hallows is a flash of self-loathing about the fact that james didn’t trust him]. sirius then persuades james to use peter and, within a week of the charm being performed, james and lily are dead, peter has disappeared, and sirius is in azkaban.
[as an aside here, i don’t love the amount of dumbledore bashing in wolfstar, and i think it’s worth doing some dumbledore defence: sirius’ internment in azkaban without trial - a reference to an actual historical event, if you were thinking it sounded far-fetched - is not dumbledore’s fault. the wizengamot acts on dumbledore’s credible belief that sirius was the secret keeper, while sirius - who is cackling his head off the whole time - refuses to speak in his own defence. similarly, dumbledore does not deny sirius access to harry (via hagrid) when he arrives, distraught, in godric’s hollow because he’s contrived a machiavellian plan to keep harry alone and unloved with the dursleys instead of with his true family, but because all the evidence he has available to him is that harry’s life is in danger at sirius’ hands.]
so sirius spends the next twelve years in azkaban, with remus clearly nowhere near his mind. that he stays in prison, and only escapes when he has an unimpeachable chance to get his revenge and protect harry, is because he - like his narrative mirror, snape - is so haunted by his role [indirect, but he canonically thinks that he essentially cast the killing curse himself] in the death of someone he fiercely loved that he considers azkaban a punishment he deserves. 
this links to the next issue i have with a lot of wolfstar: that the defining force in both remus and sirius’ lives is james, not each other.
the dynamic of the marauders is frequently reduced to the following: wolfstar, who are best friends and lovers it would take the heat-death of the universe to pull apart; james and whichever romantic partner the story wishes to pair him with, who are the same; and peter, who is either there and completely futile, or is replaced with a fanonised female character [dorcas, marlene, alice etc. - none of whom, may i say, it makes sense to have in the same school year as the marauders, dumbledore is not actually running the order as a gang of child soldiers] or a woobiefied death eater [regulus black, barty crouch jr., evan rosier etc.].
but in canon, a different dynamic is clear. james is the lynchpin of the marauders’ world, the anchoring point to all their senses of self; and the moment he is out of the picture no bonds of loyalty remain among the other three. [it’s tempting to imagine that remus always harbours a belief that sirius is innocent, but i think that this would be less due to an unconditional affection for his friend and more due to the fact that his own self-loathing needs to believe that he couldn’t have stopped james and lily dying; which he should have done if sirius really was the culprit, since he clearly suspected he was a death eater]. 
if you asked remus, sirius, and peter, clearly each of them would describe james as their best friend [even though james’ eyes are only for sirius - he only has one best man, and harry only has one godfather], but their relationships with each other outside of james are less clearly defined, at least before sirius and remus are the only two left.
this doesn’t prevent pre-1981 [or james lives au] wolfstar - your boyfriend and your best friend being different people is fine, obviously - but it is going to change the dynamic between them in ways i think are significant and which i would like to see explored more, particularly in fics which acknowledge that - for remus and sirius - this dynamic might not lead to the healthiest relationship…
for example, during their schooldays, wolfstar are likely to talk to each other through james, rather than james being surplus to the flirtatious dynamic between them; remus is likely to feel awkward or insecure about the fact that sirius - whose personality is closer to james’ than his - is so happy and gregarious in james’ company; sirius is likely to resent remus’ tendency to stay out of the action, since the fact that he and james mutually encourage each other in their exploits is key to their relationship; remus is likely to resent the fact that sirius is treated by the potters as a second son, while he isn’t, and so on.
during the first war, even if we remove the fact they suspect each other of spying from the equation, they will clash over how to protect james - and remus will undoubtedly take this to mean that sirius cares more for james than for him. during the second war, the long shadow of james - so painful that remus can still barely talk about him, while sirius wants to do nothing but - will hover over everything.
and this leads on to the third reason i generally don’t enjoy wolfstar: that the complicated threads of their canon personalities are removed or reduced to irrelevance to make them fit fanon which has no basis in the books.
now, i’m not going to get into appearance discourse here, although yes, i prefer a tall sirius who tends to wear wizarding clothing and has never heard a single cool piece of muggle music in his life, and i prefer a hollowed and world-weary remus who doesn’t have visible scars. i think background discourse is slightly more important: a great deal of sirius is lost if he is turned into someone who likes being pureblood, who feels more comfortable around his "own kind", or who aspires to sit on the hereditary wizengamot; a great deal of remus is lost if he is turned into someone who didn’t grow up in a loving home with parents who did their best, but whose inability to give him the childhood he really deserved in the face of the prejudice against werewolves in the wizarding world encouraged his absurd gratitude towards anyone who made even a half-hearted effort to act in his interests.
all of my preferred aspects of characterisation are canon-compliant. but deviating from canon is not a moral failing. the term is more flexible than many of its defenders acknowledge, and people are at perfect liberty to imagine that characters look, identify, or behave differently than they do in the canon narrative without that automatically bringing accusations of writing them out-of-character [after all, it’s clear in the books that both harry and hermione are white, but art and fics which portray them as a different race can still meaningfully be described as canon-compliant if that's an aim they're written to have].
similarly, rejecting canon compliance entirely is just as fine - i think you should indicate to your readers if you’re doing that, but i’m capable of using the back button and moving on with my life if you don’t.
the only hard and fast rule is don’t seek out people who do things differently to you and insult them directly, although i would also suggest that it’s worthwhile to spend a bit of time in introspection about how lots of popular wolfstar and the fandom around it - like the fandom around all slash ships - portrays queerness in ways which are heteronormative [i.e. exclusively equating bottoming with femininity] and portrays women in ways which are misogynistic [i.e. how tonks is often treated in wolfstar discourse].
however, with this said, i think there is a difference between rejecting canon compliance and yet still writing the characters in ways which feel connected in interesting ways to their complex canon selves, and just writing original characters named sirius black and remus lupin. 
because i just cannot get on board with a remus who is written as the cleverest one of the four, as assertive and direct instead of avoidant and passive-aggressive, as anything other than incredibly selfish, as anything other than an extreme people-pleaser, as being soft and sensitive [his mild manner hides the fact that he is incredibly cold and calculating - this is a man who is prepared to execute wormtail in front of three children mere minutes after learning he’s still alive], as majorly regretting the snape-versus-werewolf incident [he loves it! snape is terrified of him! he downplays it constantly!], or as functioning as the moral heart of the marauders [when sirius says in order of the phoenix that remus tried to restrain their bullying of snape, he is doing it to make remus - who is incapable of self-criticism - feel better in the face of harry’s anger] when he is in fact quite morally cowardly.
and i cannot get on board with a sirius who is written as a goofy himbo, as a constant flirt and womaniser [more grey-ace sirius, i would like to see it], as the world’s wokest king [a man who’s upset his slave isn’t sufficiently deferential to him isn’t someone who’s going to speak in queer theory buzzwords - this, of course, doesn’t prevent sirius being written as queer, non-binary, trans, femme, and so on, it just means that authors have to deal with the fact that sirius’ way of existing as any of these things will be human, rather than perfect], as a small bean unable to take care of himself [he escapes from prison and swims across the north sea! he charges into danger at the drop of a hat!], as anything other than incandescently loyal to james and harry, as - after james’ death - anything other than completely wrecked by guilt over the fact he caused it, as best friends with his brother and his gang of slytherins, or as lacking the fundamental arrogance and cruelty which make him so interesting.
and wolfstar can work, absolutely, when these things are taken into account. i find the idea of second war remus and sirius, stuck in grimmauld place together, buying harry a joint christmas present, the last survivors in a generation completely hollowed out by loss, incredibly moving. remus' choice to self-destruct in half-blood prince - having lost sirius so soon after having found him again - does, i think, justifiably indicate a change in their relationship during order of the phoenix which can be seen as romantic. i find the idea of first war remus and sirius, each in love with a man they think is a spy, wonderfully bittersweet. i find the idea of school-aged remus pining desperately for a friend who is head-over-heels in love with james to be, quite frankly, canon. 
and i also think that two original characters called sirius black and remus lupin can do whatever they want - i’ll just be closing my eyes, pretending i cannot see, and leaving them to it.
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ladykailitha · 4 months
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Look, considering I've only gotten involved in Stranger Things after season four and therefore haven't been around the fans during other new season filming starts, but my brothers/sisters/nb in fandom what the honest fuck is going on right now?
I have been a part of other fandoms when new seasons started filming and the worst I'd seen was BBC Sherlock. And you lot are behaving worst then they did.
And Jesus fuck, that's a fucking low ass bar.
(Again I am ship and let ship, kinktomato, and headcanon free for all)
But this is just what I've seen in my small deliberately secluded corner of the internet so forgive me if I get some things wrong.
Ronance fans have turned on Steddie fans.
Steddie fans are trying to eat each other over who tops and who bottoms between two horny, barely out of their teens, men.
Eddie is confirmed dead.
Dustin is trying to become Eddie.
People want Will dead because Noah Schnapps said some stupid shit regarding genocide.
And Argyle isn't coming back.
I'm going to give you my feelings on these so buckle up lets go:
1- Steddie and Ronance fans have turned on each other. And I know this because I doom scroll through steddie tag. That Ronance fans think Steddie fans are delusional and that they're going down after season five airs and there will be more Ronance fans because they're perfect for each other.
Where to even begin on this? First, never tell a shipper that their ship is never going to be canon because they don't care. Just ask all the Destiel, johnlock, and merarthur fans. Steddie fans are just going to ignore all but the most salient parts of season 5 if Eddie doesn't come back and write AUs for the rest of their lives. You know, like they have since the last scene on the Piggyback faded to black?
Secondly, I don't think I've seen much Ronance without Steddie. Granted I only read Steddie, but it seems that the two ships are tied pretty heavily together. The fruity four comes to mind. So maybe it's that they're getting tired of being a side ship next to a massive one like Steddie. Who knows. But apparently they're bitter.
And I say that because they keep tagging their anti-Steddie posts as Steddie to make sure we see it. Honestly, I just block them and go about my day. But seriously, I've never understood people's need to be shitty like posting hate on the tag for that thing. If you don't like it, fine. Block and move on.
Thirdly. Lastly. Maybe. I don't like Ronance. I saw the charms when I first joined the fandom and it was cute. Until the more I read and I realized that most of the time they don't bring up that Jonathan is even a person let alone Nancy's current boyfriend. That most of the time Steve is written wildly out of character about not caring that they're a couple and that he just wants them to be happy. Like, one Jonathan is severely under used in the fics I've read. Like Will doesn't have an older brother anymore. It's all Steve or Eddie. Which considering how you like your flavor of queer for Eddie or Steve (gay/pan/bisexual) Will talking to them about being gay makes sense, but Jonathan showed us in the last season that he is going to protect Will no matter what. Then blip! in fanfics, he's gone.
And then the whole Steve being okay with Robin not only dating an ex-girlfriend of his, but the ex. The one he thought he was going to marry. The one he dreamed a whole fucking future on. That was still hurt by two fucking years later. You either think very lowly of Steve or you just don't care. Because if you think Robin and Steve are the same person/share the same braincell/ride or die for life, there is no way even if Nancy threw herself at Robin would she even consider it. (I can write a whole ass post just on this by the way, don't get me started.)
2- This is the most recent bullshittery due to a current event about Sub Eddie. This is the worst discourse in any fandom and the worst offenders on either side tend say the most homophobic shit imaginable.
And it's pointless. Whether you think Steve is a top or bottom, whether you think he's dom or a sub. Same with Eddie. Everyone has their own flavor they prefer and they won't always match up with yours.
Personally I write them whatever feels natural for the story. But here's the major crux of the matter. I don't believe a little nerd in Bumfuck, Indiana has any idea what flagging is. I'm sorry. Left pocket, right pocket. Doesn't matter. The likely of him even knowing what BDSM is is pretty slim. I grew up in a small town. There will be some people that know, but that's because they know adults in the scene.
Don't like, don't read. Seriously, guys. Let people enjoy what they want to.
My personal feelings on the matter is that Steve is a bottom/sub because he deserves to be taken care of and Eddie would absolutely want to be that person for Steve, in and out of the bedroom. Again, you do you, beau.
3- The tombstone. Sigh. It was hard to see that. Not just because it confirms he's dead, but because it's been defaced. Most likely like fans have said, "BURN IN HELL" the poor bastard.
Having a tombstone doesn't necessarily preclude Eddie's return. There are several ways he can still comeback Kas! theory not withstanding. But the wank here is people jumping on Steddie shippers and Eddie fans in general pointing and screaming "see!"
Like we didn't have campaigns for Barb and Bob and (Billy). If someone's favorite character has died, don't be dicks when they want them to be resurrected a la Jim Hopper. Because that right there is the main reason people will still hold out hope until the final scene fades to black, okay?
I guess this one is just be nicer to each other, okay?
4- *sob* like holy fuck. Dustin you sweetheart. The long hair, the torn Hellfire t-shirt, the rings. The horns and sticking out his tongue. That poor boy needs several hugs STAT! And of course, people can't leave well enough alone on Facebook, I couldn't tell you how many of the comments were "steddie fans are going to make this all about them, aren't they?" Even though there wasn't a single comment by a Steddie making it about Steve/Eddie. But so many eye rolls. The other half were death threats against Noah Schnapp.
Which brings me to...
5- Noah Schnapp said some really shitty things about Zionism and the attack on Gaza. There is no escaping that. He said them. He double downed on them. And while yes it sucks he said those things, let's not forget he's still young and stupid. He's barely 18/19 years old. I remember being that age and saying stupid fucked up shit, and hoo boy does this make me grateful I was well into adulthood when the internet became a thing (24ish).
There are a lot of reasons to be upset by his comments and I get that. But death threats and calls for his dismissal/boycotts just seems excessive to me.
One, because the story began with a kidnapped little boy and a runaway little girl. If you get rid of one of them especially this close to the end it would fuck up the story. Now if there was more than one season left, sure. But this is literally the end. And for all we know, Will's character may already be doomed by the narrative. So calling for it now isn't go to do anything. Especially since they already had all the scripts written and would have finished filming if it hadn't been for the strikes.
Two, one person on the cast said something stupid and hurtful and you want to boycott the entire show for it? Like, what did David Harbor, Joe Keery, Maya Hawke, Millie Bobby Brown and all the others do to deserve you boycotting their show? If the last season tanks it could seriously hurt their careers, but hey Noah Schnapp said something bad, so fuck them?
I'm going to stop there, because this is another one I can go on and on about, but yeah. Don't hurt other people in your rush to vilify an 18 year old.
6- Eduardo Franco recently said that he didn't get a call so he didn't think he would be back. He was sure that ship had sailed.
Fans are upset, naturally. Argyle was a sweetheart and deserves better than to be cut from the story like that.
But thanks to the incident with David Harbor and Jim Hopper supposedly being dead, a lot of fans are saying he's only saying that because it's a "secret" he's coming back. Which would make sense for Eddie or any of the other character died. Martin Brenner, for example, but not Argyle. There would be no need for subterfuge. Plus, he would already be out in Georgia if he was coming back.
It's sad that he was done dirty this way, but if they split up the filming like they've done before there is still a chance he might get to come back, but as far as the current filming is concerned, yeah Argyle isn't coming back.
***
Just... be kind to each other. Remember that the other people on the end of the URL is an actual person with feelings. That people can like what they like so if they aren't hurting you, don't hurt them, okay?
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AITA for talking about incest in the incest channel?
I had been in a decently sized discord server centered around a problematic ship (significant age gap, human x monster, one of the characters wasn't technically of legal age in the canon material but it tended to be discussed as a "well when they're 18" type thing, and one of the characters was a villain who was fine w being a murderer).
In that server there was a channel focused on incest to keep it out of the other channels. I didn't really go into it much since incest wasn't really my thing, but I had an idea for a fic that focused on trauma and "wow what's the worst possible way that these characters could cope" and just overall be a kinda horror story where two people just completely lost their minds, so I decided to talk in there since I wanted to see what other people in the server thought, and get feedback on some verbiage used in the fic.
The problem is, most of the discussions in the channel were "fluffy" and focused on wow what if they held hands and made love but they were related. My story idea stuck out like a sore thumb, but I had people engage w me about the story in the channel so I kept going.
By this point though, I had run into some other problems in the server. I had pissed off the main admin by pointing out a microaggression (they said the way a character was portrayed wasn't latino enough, which I pointed out was something used against a lot of people irl so maybe they shouldn't say that. they then treated as if I had called them a bigot/racist and proceeded to attempt to shun me out of the server). I had known I was going to get kicked at some point, but there were people in the server I still enjoyed being around so I hadn't wanted to leave just bc there was a clique who really was not fond of me.
So, I'm there talking about verbiage, getting opinions from people as to which phrasing made the situation feel more discomforting (since, again, my goal was to write a horror story exploring trauma), and a friend chimed in making a joke about a character having herpes. It was at this point that all hell broke loose. Some people came in swinging that what i was writing was just "edgelord for the sake of being edgelord" and that we were making light of serious diseases (herpes). Then another person came in making fun of the people who were mad and how they would rather I write "fluffy" incest (overall making fun of the idea of incest being fluffy).
Alongside myself, a bunch of other people ended up getting banned (mostly people known to be my friends, or who sided with me during the incest debacle).
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What are these acronyms?
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olderthannetfic · 4 months
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https://www.tumblr.com/olderthannetfic/740550153935667200/httpswwwtumblrcomolderthannetfic740123102285
Yeah, there’s been a lot of wank in DS9 fandom lately about why the fandom likes Bashir so much more than Sisko that tends to blame colorism or that Sisko’s Black identity is much more a part of his character while Bashir doesn’t have strong ties to any non white culture. ….And maybe that’s PART of it, but I think the much bigger part of it is that Bashir is presented as a type of character that female fic-writing shipping fandom goes nuts for and Sisko is not. Bashir is a socially awkward overenthusiastic arrogant nerd who has a ton of homoerotic subtext with multiple other male characters and whose canon het relationships in the show are fleeting and half-assed. Sisko is older and a devoted dad and Responsible Adult who has a long-lasting, well-developed and generally well-liked canon het relationship for over half the show’s run. I think if you had the Bashir character played by a Black man who is very in touch with his Black identity and the Sisko one played by a half-English half-Arab actor who is presented as very culturally Brit, the fandom reaction would still favor the former. (In fact, TNG has something of that type of character played by a black man in the form of Geordi and the nerdy girl shipper fandom also loves him and shipping him with Data, so….)
The analysis also ignores that other kinds of fandom exist, namely the cis dude parts of it, and they tend to favor Sisko over Bashir by a wide margin; in fact Sisko is one of the most popular and Bashir one of the least popular DS9 characters in those corners. And Bashir and Alexander Siddig himself have always had a very heavily female following (to the point of being the original name for TVTropes’ page on female-dominated fandoms), even though it is obviously not just women who watch DS9. During the lockdown in 2020, Siddig was doing these Zoom meetings where he met with fans and I went to a couple of them and was briefly in the unofficial Discord for it, and it was almost entirely women + AFAB trans and non binary people. Barely any cis dudes.
It’s weird how many analyses of fandom, even very serious academic ones (like what that paper the previous ask mentioned sounds like), don’t seem to factor in the obvious factors first, the basic nature of how different kinds of fandom work, *before* concluding it must be racism or some other kind of bigotry above all else.
--
Also, to the extent that Bashir ever went near ladies, it was like... Dax in the pilot or something, and I remember watching that when it premiered and going "Ooh". Even his het options were more fanficbait-y than anything Sisko ever did.
It's not an accident those papers are like that. Cut them no slack.
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morethansky · 3 months
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where can i read your fics about crosshunt? please i need to read a good fanfic about crosshunt 😭😭😭
Omg I'm so happy you ship Crosshunt and want to read my fics about them!!! Thank you so much! I'm amphitrite on AO3.
Here are the ones I've posted so far:
i should live in salt for leaving you: (Explicit) Canon divergence from the season 1 finale where Crosshair leaves Kamino with the Batch and assumes Hunter has moved on from how they used to be FWB-ish and is bitter about it. He's wrong, of course! (Featuring wrestling and yelling and that blood Echo mentioned!)
i keep what i can of you: The framework of this one is Crosshair being the one to give Hunter his hairstyle and bandana, but the story is really about intimacy and what it means to trust someone with a blade near your throat. It follows how they get together, how they feel when they're apart, and how they try to reconnect after they're reunited. It's soft and angsty. I'm really proud of this one!
hold you by the edges: (Explicit) Maycross is the main pairing here, but the whole time they're together Crosshair is wishing he were with Hunter instead. This is A/B/O, which tbh I'm not usually a fan of, so even if you don't tend to like that, you might still like this! Basically Crosshair goes into heat during "The Outpost" and tries to prolong Mayday's life by mating with him, but Mayday is all soft and wrong, and Crosshair yearns for Hunter, who knows how rough he likes it. I'm really proud of how this one turned out.
Another Way Back: I've posted the first out of two chapters for this one. Set a month or so before Rogue One and A New Hope, it features the Batch being officers in the Rebellion and Hunter and Crosshair being an old married (power) couple. Hunter gets captured on a mission gone awry, and Crosshair goes berserk to get him back. Lots of action, which is tortuous to write, but this is one of my favorite tropes.
alone in the quiet light: This is Techwrecker with only references to Crosshunt (and Echo5), but it's my only other TBB fic, so I might as well mention it! This takes place on the journey back from Eriadu in "Plan 99," so, you know. It's super angsty. But hopefully comforting, too?
And I'm working on more Crosshunt and TBB fics, too, so keep an eye out!
Hmm, maybe I'll put together a rec list of other author's fics, too, if people would like that? Here's hoping we're getting an influx of shippers after this week's episode!
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prettyboybuckley · 27 days
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20 Questions for Fic Writers
tagged by @saybiwithme @bi-buckrights @zainclaw
How many works do you have on ao3?
160
What's your total ao3 word count?
1,070,239
What fandoms do you write for?
I've mostly written for 9-1-1, though I started off with Shameless (6 fics) and I have written some for Teen Wolf (5 fics). There's one 9-1-1 crossover with Schitt's Creek.
Top five fics by kudos:
parents always yelling (telling us to get our acts together)
i just want something to hold on to (and a little of that human touch)
I will come to you (even in my sleep)
open up again (i believe in second chances)
exes and the oh's
Do you respond to comments?
Always, even if it takes me months. I actually just caught up again (there's still a bunch to go, but right now the oldest is 17 days ago instead of 250 days...). It's just a rule I have for myself, and even with the backlog I've kept it up so far, so I'm not going to stop doing it now.
What is the fic you wrote with the angstiest ending?
I'm not a big fan of angsty endings, I generally try to at least make it a hopeful ending or, in the case of the college au, use an epilogue to fix things.
But I guess sunny skies & summer highs qualifies as an angsty ending simply because of the cliffhanger (and yes, there is still going to be a continuation, I'm working on it 🙈).
What's the fic you wrote with the happiest ending?
Choosing one out of 160 is really hard, but I think tell me, will you stay or will you run away is definitely one that deserves a mention here, because it already has a happy ending and then the epilogue just makes it even better 🥰
Do you get hate on fics?
Not commented on the fic itself, no. I've had some people talk shit about my fics on twitter, though, and not even vaguely but calling me by (user)name.
Do you write smut?
Is grass green? Yeah, I write smut 🤭 Thanks to two times kinktober, I have 95 explicit fics, by far the most used rating for my fics.
Craziest crossover:
let's have some fun tonight is my 9-1-1/Schitt's Creek crossover fic for 9-1-1 Rarepair Week, and my only crossover fic
Have you ever had a fic stolen?
My head over feet Buddie valentine's two-parter got posted as one chapter in Wattpad work with over 30 fics once. Filed a DMCA and Wattpad took it down within two hours.
Have you ever had a fic translated?
Two of my fics have been translated into Russian afaik, one on ao3 and one on Ficbook
Have you ever cowritten a fic before?
Nope. It may be a nice challenge for the future? Not sure who I'd do it with.
All time favourite ship?
Gotta go for Buddie on that one, lol. Especially if you look at my writing history. But I often tend to hyperfixate on one ship at a time (current reading obsession is McDanno)
What's a wip you want to finish but doubt you ever will?
Buck's POV of if love is art then you might be my masterpiece. I really want to, but at this point it's been two years since the original so I don't know if it'd be worth it either. (I know not everyone was happy about how I ended it, but I doubt any of them are still waiting for more). Writing a different POV of the same fic takes an amount of planning that my brain just really struggles with. And I could pick up where the last chapter (before the epilogue) picks up, but I think that way there would be some crucial information about Buck missing.
What are your writing strengths?
I've been told quite a lot of times that I am good at keeping characters, well, in character, even when putting them in partial or complete AU's. Of course, what is in character or not is subjective, but I do always challenge myself to work as much of the canon backstory and personality into who they are in the AU as possible.
And I like to think I'm pretty good at writing smut.
What are your writing weaknesses?
I'm terrible at pacing, which multiple of my long fics prove. It'll be drawn out first and then suddenly rushing. And being ESL I do struggle with things like sentence structure and grammar pretty regularly still.
Thoughts on dialogue in another language?
As long as there is some kind of translation provided somewhere I like it, but I'm not so quick to use it myself. Not beyond a few Spanish words here and there (generally pet names between Eddie and his family we've seen on the show or the occasional curse word when I feel it fits better than an English one, but I usually need to employ help from Spanish-speaking friends for those).
First fandom you wrote in?
Shameless! I binged that right before I started 9-1-1 and combined with the creative writing minor I was doing, it was actually what got me back into writing in general and what made me write my first ever fic.
Favorite fic you've written?
My in your arms i feel safe-series (which I always lovingly refer to as the ace kink fic) is definitely one of my favorites simply because of how personal it is to me and for the reason behind me writing it in the first place.
Other strong contenders are i would've loved you forever (it's never enough but i wanted it to be) and i'm begging you, come home to me (Teen Wolf, Thiam)
tagging @monsterrae1 @rogerzsteven @loserdiaz @watchyourbuck
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avelera · 2 years
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One reason I love and tend to put in my fics a headcanon that Hob is functionally immortal on his own now—that even if Death theoretically withdrew the favor he wouldn’t die OR she in fact never gave the ability to him the first place she just let Dream think she did—is because of how much it would blow Dream’s mind.
Dream is, honestly, a monarchist. He is a monarch so it makes sense. He believes people are born into a certain station and role and even if it’s painful he holds himself to that same standard as he does his subjects. (Also an understandable mindset to have when being born into a role makes you a king, but I digress.) He treats mortals as lesser, not always and there’s a lot of caveats, but he definitely thinks he has the measure of humanity and he’s not always impressed or apt to change his behavior at a mere human’s request. He’s an arrogant sonofabitch and it’s literally the plot of the show that his imprisonment and ordeal begin to soften this arrogance. This isn’t conjecture.
So I love the idea that Dream has Hob in this little mental box labeled “Normal Human (exception: can’t die)(exception to exception: unless we change our minds)” and that he treats Hob as he would a human who just happens to have one unusual trait. He doesn’t share information with Hob. He clearly thinks himself superior at the beginning of their encounters. This changes of course, otherwise I wouldn’t ship them.
But I am just utterly tickled by the idea of Dream being all, “Yes, I have feelings for this human but he is just a human, born that way and fated to die someday, unless the Endless or the gods or the fae intervene, so it was never meant to be or I’ve learned from experience it can only end in tragedy.” Only for Death to pop in and be like “Oh, no, Hob is actually immortal now. He did it on his own. He wasn’t born that way, he really did just decide not to die and it’s a funny old universe that he wanted it enough that it actually worked.”
Like, that would make Dream’s head explode. That someone could achieve godhood or a supernatural nature not by birthright or blood, but by just being INCREDIBLY DRIVEN to wanting one thing more than any other creature ever has, and that is to live. And it’s just a random dude from a rainy island in the Middle Ages who watched half his village die of the Black Death and decided that wouldn’t be him. Just. Phenomenal. It’s just a weird thing that happened that it worked, but it’s the sort of weird things that often happens in the Sandman world, Dream just can’t wrap his mind around Hob being someone who achieves specialness on his own.
Anyway, I’m rambling. I should clarify I do not think this is canon. This is just a bit of headcanon I like to put in fics I write that I think isn’t necessarily contradicted by the show (my comic refresh has not yet begun in earnest so maybe there’s something there idk). It’s just fun to stick it to a blood-right idealizing monarchist brooding old as balls Dream lord the idea he doesn’t have it all figured out.
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divinekangaroo · 6 months
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Thanks @palmviolet for tagging me!
How many works do you have on AO3? 154
2. What’s your total AO3 word count? 900k
3. What fandoms do you write for? Peaky Blinders, Final Fantasy XII, Final Fantasy VII, Dragon Age II, The Professionals.
4. What are your top 5 fics by kudos? Interesting and not straightforward question: I've been writing since 2007 and only rebooted my fics to AO3 in 2023. I backdated them to time of writing rather than posting live into the current update stream. I was vaguely curious to see what *actually* attracts readers through the AO3 search engine. So, my current top five are all Peaky Blinders Tommy/Lizzie fics, and given my small followers list, everyone following me will probably already have read them!
5. Do you respond to comments? Why or why not? I do, and it’s my vain (both senses of the term) struggle with how to do it appropriately. I am conscious of how comments, particularly on an AO3 "archival" fic, can weight a reader's further interpretation/engagement of or with fic by that author, and that I'll never put so much time into comments as I do into fic.
6. What is the fic you wrote with the angstiest ending? 7. What’s the fic you wrote with the happiest ending? The fics I thought of picking for these two pretty much overlapped. Perhaps this shows just how I approach happiness – it’s moments, it’s never an ending.
8. Do you get hate on fics? Only old Dragon Age fics. Interesting period of time where any fic author that didn't unequivocally support the moral rightness of one particular character's opinions was targeted. Like: ok to write torture/rape fics of this character, but only if it was clear the author thought this character was morally right. Such a destructive troll.
9. Do you write smut? If so, what kind? I'll write sex, mostly as part of a larger arc rather than standalone smut; often it is a partial scenario rather than linear start-to-end event written in a rhythm to support a coherent wanking rise-to-climax read. I'm pleased if people find it pushes their buttons, but I'm also not bothered if it doesn't. I do approach smut as one of many possible lenses or frames for a character, however, so smut that detaches from character confuses me.
10. Do you write crossovers? What’s the craziest one you’ve written? Sometimes but they have to feel really right. I think I tend more to fusion or pastiche (I think those are the terms?) rather than crossover: I take a particular character concept/theme and port them into a particular environmental context which is not possible in the canon to see what happens. The only one I still have up is a FFXII/Dragonriders of Pern fic (incomplete) which was going to be all about the horrible knowledge of socially accepted and endorsed ritualised rape and forced feminisation of a character.
11. Have you ever had a fic stolen? I'm not that popular to notice.
12. Have you ever had a fic translated? I have a memory of one in FFXII but can't recall.
13. Have you ever co-written a fic before? Yes! Taught me a lot, including the kind of writer I am - difficult to collaborate as my push to complete within a motivational urge period will always be greater than a long-haul effort, and I struggle to be available for other people. I’m either good at the front end ideas-generation, or a micro detail ‘write this particular thing/scene and fill it with goodness’, and not very good at the middle bit – the long slot of planning and plotting and aiming for consistency etc. I am so grateful fandom exists to support non-traditional prose formats which let me play with writing and thinking and engagement without needing to produce to book-style production standards.
14. What’s your all time favourite ship? I usually fixate on a character, and pairings allow means to explore that character rather than being an end game.
15. What’s a WIP you want to finish but doubt you ever will? Oh they all carry this potential. *cries* The issue for me is loss of motivational drive/thinking; because I rarely have good structural notes etc if I lose my immediate thread of 'thinking of everything all at once' I find it hard to pick up again later. I also stop some fics because I realise how ambitious the scope really is, and I feel like I can’t do them justice.
16. What are your writing strengths? Speed-sketcher? Completionist? Tests multiple ideas rapidly and freely and never worries about something 'being wrong' because there's always another fic to try? Intuitive gut level hits on characterisation here and there?
17. What are your writing weaknesses? Editing, pacing, I can't sustain long fic, I frequently move characters around like paper dolls for the sake of the cool and forget they need their own internal motivation.
18. Thoughts on writing dialogue in another language in fic? I prefer the kind of cant-based/dialect-based approach which splices non-English terms fluidly into English dialogue, mostly because as a child of many migrants this has been my world experience. I do suck at writing this, hence my frequent use of cop-outs to say 'language shift here, meanwhile still writing in English'. But when it’s done well it hits so many of my sweet spots.
19. First fandom you wrote for? FFVII.
20. Favourite fic you’ve written? Anything in my Personal Favourites list: https://archiveofourown.org/series/3728710. (I'm still too close to Peaky Blinders to pick a fav, it'll take about five years of distance!)
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bourbon-ontherocks · 2 months
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20 questions for writers
I was tagged by @pia-writes-things (ty!!! ❤️)
1. How many works do you have on AO3?
46!
2. What's your total AO3 word count?
703,271. Which is, um, a lot.
3. What fandoms do you write for?
Good Girls (formerly), HPI (formerly), and l'Art du Crime. There's also a random bit for les Combattantes, and one GG fic has a shared universe with Graceland. I'm very mono-fandom lol.
4. What are your top 5 fics by kudos?
Take A Dip
It's All Coming Back To Me
It Hurts When I See You Struggle
Love And War
We're Living In A Powder Keg And Giving Off Sparks
Unsurprisingly, these are all GG fics, although I don't think my kudos ranking is accurate because most of these were impacted by the great kudos-bombing gate from 2020 so it's hard to tell what's actually my most kudo-ed fic.
5. Do you respond to comments?
Absolutely. My secret goal is to keep the conversation going back and forth for the longest possible time because I love the opportunity for a good ramble about my writing 😈
6. What is the fic you wrote with the angstiest ending?
I wanna say Ad vitam æternam (L'art du crime)? I mean, it's literally an MCD fic, so, not that merry... Also if I remember correctly, Always lost in the sea (HPI) doesn't end on a very hopeful note either.
7. What’s the fic you wrote with the happiest ending?
I don't know? All of them? None? I generally tend to go for happy open endings with that extra bit of bittersweet so I really couldn't tell. But hey, maybe the ending to that thing I'm currently writing actually is the happiest of it all, because oh boy, things do get cheesy at some point 🥺
8. Do you get hate on fics?
No at all! Unless you count that one person who commented on several chapters of whichever long GG fic I wrote just to point blank hate on Beth character lol
9. Do you write smut? If so, what kind?
Of course I do (in English only), I like my porn toxic and desperate and angsty with just the right amount of power play and mutual hatred. Basically, I write hatefuck 😂
10. Do you write crossovers? What’s the craziest one you’ve written?
Not really, no... I've tried a couple of times, but I think I'm better at/more interested in mimicking existing interactions than inventing a dynamic between characters who never met canonically (and also, boy the kind of SETUP you need to justify some characters crossing paths... it's just too much work). I'm more of a cameo/easter egg kind of writer, so once in a while I'll allow a character from another fandom to pop up in a fic and say hi, but it's really a blink-and-you'll-miss-it kind of encounter.
I guess my craziest attempt would be that Crazy Ex-Girlfriend / Good Girls crossover that I never finished though, cause like, super different moods?
11. Have you ever had a fic stolen?
Not that I'm aware of but I don't really attempt to know
12. Have you ever had a fic translated?
Yes! By myself lol. I once posted a fic in two languages before acknowledging it was a hell of an additional work 😭
13. Have you ever co-written a fic before?
Kinda? We never finished nor even posted it but at some point we shared a quite unhinged co-writing story with @whiskeyjack and @00gangfriend00 and it was a lot of fun 🥰
14. What’s your all time favorite ship?
You... you guys have that? You don't just live by your Ship of the Moment just to instantly forget about it and hop on the Next Ship when it shows up? I'm sorry but I don't think I have one of those.
15. What’s a WIP you want to finish but doubt you ever will?
What a trap question!!! 😂
It's All Coming Back To Me, obviously. Look, I really really want to finish it, not even for me at this point, but for the 120-something people who subscribed to it, for the faithful readers who still leave me comments every now and then hoping for closure. I know how it ends. I have it partially written. I just don't seem to know how to write for Good Girls anymore, and getting my head back into it feels like such an insurmountable load of work, I just- I'm trying, ok?
But like, if someone's interested in helping, or even writing that ending based on my notes (and getting full and proper credits for it obvi), just let me know! I'm really open to it 🥲
16. What are your writing strengths?
Probably dialogues? I've been told many times that my dialogues feel very close to the original, and the thing is, I write about TV shows and I have a very good ear so I think I catch quite easily the actors' voices and tones and mannerisms in my head, so every time I write down a line, I play it several times in my mind with the character's voice to determine whether they would say it like that or not. Looks like it's not working so bad.
Also I *think* I'm not too bad at stream-of-consciousness inner monologues. At least it's one of my favourite things to write so there's that.
17. What are your writing weaknesses?
Action scenes (that includes sex lol). Filling the gaps between the important parts. Descriptions. Setting up the scene.
18. Thoughts on writing dialogue in another language in fic?
Like, featuring two different languages inside the same fic, or writing in different languages? I'm not sure I've ever really written the first one? I guess I find it a bit clunky, occasionally I've written scenes that included a character whose native language wasn't the one of the fic, and I'd give them a line or two if that's relevant to the plot (for instance, if characters are lost somewhere in another country, I can add a line/dialogue in another language for comedic effect. Or it can be a way for a character to whisper something for themselves), but the logistics are quite nightmarish, you gotta either assume your audience knows the second language, or translate the lines in the author's note, or have another character translate it in a way that doesn't sound too articifial, that's really really tedious haha
19. First fandom you wrote for?
Good Girls.
20. Favorite fic you’ve written?
You think I know that? Out of FOURTY-SIX??? Lol. Get out.
Tagging: @sdktrs12 @joeyjoeylee if you're around @riosnecktattoo @humanbra @hemerae-ramblings @sothischickshe @asteraceae-blue
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crimeronan · 1 month
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On the topic of How Do You Handle XYZ Comment, I've always wondered how you handle terrible responses on your toh takes. Like I know the toh fandom doesn't lack piss on the poor reading comprehension and they also really enjoy wildly out of touch takes, but I've never seen any comments on your princess luz stuff of that nature. I'm sure they must be there but maybe I'm too early? But anyway, how do you tend to deal with the "acktually shipping luz and Hunter is incest" and the "ur not a real lesbian because putting amity in a poly ship is lesbian erasure" and the "as a white person kinda sus you make the poc woman an empress" kind of responses? Ones that are technically not hate and maybe if you squint could be from people who aren't inherently trying to do bad but just lack the maturity needed to engage with the internet at large?
this ask made me giggle. honestly, i haven't received as much pushback as you might expect! way less pushback than i expected. in the princess AU, i've gotten a LOT more "this is actually too grotesque for me to stomach" comments than "this is problematic" comments, which is fine. horror-thriller isn't for everyone, those comments do not upset me.
i have had a Few run-ins with bad faith people, whom i mostly block. there's one prolific commenter in toh tumblr fandom who would repeatedly write angry essays on my humor meta posts -- essays that were all about how belos is too evil to be sympathetic and/or about how hunter is a soft gentle boy who shouldn't be jokingly referred to as evil. then they'd go "i can't help my active and conscious decision to type a bunch of rude fucking words and then my active and conscious decision to send those rude fucking words because i'm autistic :(((" around the fourth or fifth time this happened, i was fucking done with that nonsense and finally blocked them. shoulda done it after the first comment tbh!! no more autism exceptions.
as for the rest of it, my main management strategy is to simply.... preempt the bad faith comments?
i had a LOT more unpleasant and conflict-filled fandom experiences when i was in the raven cycle fandom. that was my first exposure to "you can't ship multi-gender polycules if anyone involved is gay" and "queerplatonic het relationships are just heteronormativity shipping that you're trying to get away with." having dealt with those takes before, i've found a few different ways to disarm bad faith readers before they get started.
first is to be super open and honest about my interests. i talk about what i find compelling in different relationships All The Damn Time. it's really hard for anyone to accuse me of only wanting hunter to fuck amity if they've seen, like.... anything i've said about hunter and amity.
same with hunter and luz. the only negative reactions i've really gotten to how they're written in the princess AU is like.... two people being squicked by camila thinking they're romantically involved. i REALLY expected more pushback on the touchyfeely bed sharing stuff, but from what i remember, there's never been Any....? not even from people who consider them siblings.
i expected a lot of pushback on how mean hunter and amity are to each other, since it's taken So much farther than the canon. but it turns out that there's a very large overlap between people who like dark horror AUs and people who like hunter and amity murdering each other. (in a fluffy fic i don't think this characterization would fly Nearly as easily.)
i find that being funny really disarms people, too. when you look at any of my toh meta posts that could be controversial, they're basically all funny. people are a lot more willing to listen to what you have to say if you make them laugh, and it's harder for them to get angry at you.
and then the last thing is that i think i'm in sort of a privileged position in toh fandom. i've written a lot of controversial subjects and relationships and characterizations.... but i've also written some WILDLY popular mainstream fic. and people who like the mainstream fic don't really want to beef with me about differing niche opinions, bc there's a level of respect there. which they might not have for a writer they don't like.
but anyway. when things Do happen, i almost always just block and move on. there are so many people here who get what i'm talking about that there's no need for me to try to convert people who don't, you know??
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saintsenara · 2 months
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I know you responded with a meme, but if you're able I'd love to hear your thoughts on harry/hermione 👀
fine. i'll scream into a pillow periodically and get through this...
obviously, i don't actually find the concept of harmony sincerely upsetting - people shipping things is never that deep, and because, as i've said before, i subscribe to the principle that any pairing is possible if you just have enough nerve. i've been recommended some harmony fics by people who are fonder of the ship, and while i've not found them immediately compelling, i do appreciate that there are plenty of people who disagree.
but my feelings are basically the same for harmony as they are for dramione: that it's never done interestingly.
harmony is - like all hermione pairings except [broadly] romione - a breeding ground for fanon!hermione, who is perfect and flawless and so clever she can solve millennia-old mysteries in afternoon. i hate this version of the character because i find her boring - it's just standard self-insert stuff, which is fine but not something i have any interest in reading. i similarly dislike the version of harry who appears in these stories, who ends up - like all men in hermione pairings except [broadly] ron - being either this impossibly sophisticated and suave intellectual with the body of a greek god or a doormat who's happy to shut the fuck up forever and do whatever she says.
[i also hate - obviously, since he's my king - the way harmony stories are often even more egregious than dramione ones in writing ron as a cruel and violent misogynist who is ontologically indistinct from your average death eater. and i think it somewhat proves my point that neither of these ships work particularly well that this character assassination has to take place in order to make them plausible...]
and i think the flattening of harry and hermione's personalities within most harmony is the main thing which keeps the ship from being interesting. because - while i certainly don't go in for the common anti-harmony argument that harry actively dislikes hermione - it's undeniable that there is a lot about the two of them which wouldn't be conducive to a harmonious [lol] relationship.
their communication styles - hermione works through problems by debating them, harry prefers not to be challenged - are the obvious one. their ways of expressing affection - hermione shows people she cares about them by nagging them and meddling in their lives, harry very much does not - are another. they have extremely different views about authority, they decompress in different ways [harry is someone who clearly needs to keep physically active to clear his head, hermione is much more of a homebody], and harry's impulsiveness is a poor match for hermione's fondness for planning.
they are also similar in ways which would cause them to butt heads. both have a tendency towards obsessiveness, which they rely in canon on ron pulling them out of. both have a significant capacity for cruelty and extremely black-and-white moral codes - harry has a tendency towards forming judgements on people and situations based on whether they are people he likes or things he benefits from [i.e. how he's appalled by dobby's treatment because his masters are the malfoys, but doesn't give a shit about kreacher's because his abusive master is sirius], while hermione tends to regard any rule-breaking she does as justified even if she'd regard it as outrageous from anyone else [i.e. her fury over harry appearing to use felix felicis to improve's ron's performance at quidditch when she herself confunded cormac mclaggen to get him onto the team...]. both have a tendency towards giving people the silent treatment when they're angry. both are incredibly stubborn...
and so on.
obviously, they also have positive qualities in common too - a shared loyalty, for one - but it always seems to me that the standard move in harmony is for authors to completely ignore these conflicting traits, either really over-egging what makes harry and hermione compatible platonically in the books or just inventing similarities [especially intellectual ones] to justify the pairing. whereas i would much prefer to see just how difficult it would be for harry and hermione to fall and sustain being in love with each other, and i've never seen that done compellingly.
but the conflict i'd love to see explored in harmony fics most of all, but which never seems to be acknowledged by fans of the pairing, is that [despite the fanon slander that ron is the person who behaves poorly towards her] harry is often horrible to hermione and hermione is often scared of harry.
this is at its most profound after ron leaves the horcrux hunt in deathly hallows, but we see several times throughout canon that - if ron isn't there to mediate between them - harry often treats hermione in a way which can be considered downright cruel. if she criticises him in a way he considers unjustifiable, he tends to side with other people against her [ron in prisoner of azkaban over the firebolt; ginny in half-blood prince over snape's textbook]. if she tries to reason with him he often beats her down with the force of his emotions [i.e. when she tries to get him to think about whether his vision of sirius in the department of mysteries might be a trick] or his convictions [i.e. when he lures her into near-death by being certain that nagini is really bathilda bagshot], and she often ends up having to soothe or appease him when he's the one who's screamed at her.
hermione is also scared more generally of harry's experiences - she's by far the least amenable of the trio to talking about voldemort [even though she says his name earlier than ron does] - and mission, which puts up a barrier between them which will be difficult to bring down post-war. i think there's something which could be really interesting there - the most interesting dynamic in hinny, after all, is when harry and ginny's tendency to not actually be honest with each other is explored - but unfortunately at the minute that sort of character work is drowning in a sea of "ron is so stupid and harry and i just love talking about classic literature, come darling, put on your leather trousers and let us solve world hunger; i look like emma watson" nonsense.
dull!
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eavenne · 9 months
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Thoughts on JJBA Ships (1/?): GioMis
Hi guys! Since Tumblr facilitates more long-form posts, I decided to make a series covering my thoughts on my favourite JJBA ships. This will include how I like to characterise the ship, headcanons, etc. And since GioMis was the ship that made me watch JJBA in the first place, I see no better place to begin.
TW: Child abuse, neglect (canon)
GioMis
1) Analysis
To me, this ship is about the love that blossoms between two people who are very different in many ways, but are drawn together by their strong similarities. It is an opposites attract ship, but ultimately, Giorno and Mista work so well together (platonically and romantically) because they share certain similar values.
This is basically covered in canon and is somewhat self-evident, so I won't go into it too much. Throughout Part 5, Giorno and Mista are generally both very supportive of each other, as they support each other through their weakest moments. The White Album fight is the prime example of this, as Mista is there for Giorno when he loses hope and vice versa. Mista's refusal to leave Giorno behind echoes how Giorno refused to leave Fugo behind earlier, and is very touching, reflecting how they both deeply value the lives of their comrades. Their resolves are the same, and in the White Album fight, both of them remind each other of their own resolve, echoing each other in a beautiful way.
While Giorno's ideals are more similar to Bucciarati's, and Bucciarati can be considered the 'main Jobro' of Part 5, Mista feels more like Giorno's closest friend than Bucciarati does. They are very frequently paired together and continuously protect and inspire each other, and they're even together in the ending. It's clear that Giorno and Mista were meant to be a pair (platonically at least).
2) Why I Like It
I'm generally just a huge sucker for opposites attract ships in the vein of "Reserved person x Upbeat person" so...honestly, it was inevitable, and that (plus Giorno being my favourite character) is definitely the main reason why I like this. Pretty much all of my otps follow this pattern. But I think the reason why this is my JoJo otp is that I just really like how they are paired together. They develop a strong mutual trust and respect, quickly come to rely on each other, and have each others' backs, despite being very different people. I love how they are always looking to each other despite only having known each other for a week. It just feels like a match made in heaven; two people who gravitated to each other so naturally and easily that being together just feels right. This is amplified by the ending.
3) My Characterisation / Headcanons
As a fic writer, how I characterise them kind of depends on the fic I'm writing (outside of GioMis, I have written both Dark! Manipulative! Giorno and Team as Family! Giorno). However, separate from that, I do have certain headcanons that inform the way I see the ship. So, below are my favourite ways of characterising this ship.
a. Giorno's feelings for Mista
I like to hc Giorno as falling for Mista fairly early on. He starts to crush on Mista either after the White Album arc or in his early days as Don.
The reason why I hc this is that, well...post-White Album, Giorno seems to really like touching Mista. The infamous gun pose aside, someone pointed out to me that Giorno tends to unnecessarily cradle Mista a lot. As they mentioned, the most egregious instance happened during the Diavolo fight. Trish almost died, but Giorno catches a falling Mista and just stares at him (thinking about Bucciarati)...he only checks on Trish when Mista mentions that he's glad she's safe. He doesn't even heal Mista when Mista asked, and he takes quite a while to lay Mista down, so that means he just wanted to hold him, lmfao. And perhaps he was reflecting on how Mista was thankfully still alive while Bucciarati had died...so, he was holding Mista in his arms, grateful that Mista is still breathing.
This is, of course, contrasted by how Giorno starts nervously sweating when Mista touches his shoulder when they betray the boss. I like to think that Giorno got a bit flustered by Mista's closeness, his stomach doing little flips etc, which was why he reacted that way. After all, it's a pretty random reaction otherwise (he also nervously sweats in response to Abbacchio sometimes, but Abbacchio is shouting in his face) and it seems a bit much for mere surprise. So, that's why I choose to put on shipping goggles and interpret it this way, haha!
(There's also the cover art of the last volume, where Giorno is reaching for Mista's hand...sadly, that detail was covered by the logo in the cover itself, but the art shows their hands touching).
Anyway, I hc that Giorno falls for Mista because...other than them sharing the same resolve, he's also uncomplicated, straightforward, funny, genuinely friendly and supportive. To be clear, Mista isn't unconditionally or always supportive of Giorno; he questions Giorno a couple of times during the plane arc, and not very nicely, either. He also disbelieves Giorno during the Diavolo fight. However, Mista is also Giorno's first ally besides Bucciarati, and he is the most open to Giorno's ideas among the team. When Giorno needs help with something, it's Mista he turns to (seen in the plane arc). So, it seems that among Team Bucciarati, Giorno feels most familiar with and supported by Mista (and Bucciarati, but he seems more familiar with Mista).
With the 'supportive' part of my list addressed, I'll turn to the other reasons. I think that for Giorno, who grew up having to learn how to read people in order to navigate perilous situations, someone as straightforward and uncomplicated as Mista must be pretty nice to be around. With Mista, he doesn't have to think too hard about intentions or guess at something he's hiding. Mista is just Mista. There's an honesty and frankness to him that, for Giorno, must make him easier to be around. It would also show a certain strength of character, because Mista is an eccentric person who is unashamed of his own eccentricity and has embraced it; Giorno probably tries to hide the 'weird' parts of himself, so he admires, respects and is attracted to Mista for this.
As for the 'friendly' part of the equation...well, I think that pre-canon, Giorno never really had friends. If he did, those relationships were probably mostly transactional. After all, the gangster bribed Giorno's bullies into getting along with him, which is hardly a model for healthy friendships. It's stated that Giorno felt like he was the scum of the earth, which changed after he met the gangster...but this most likely didn't extend to whether he felt people as a whole would actually like him for who he is. Giorno is implied to be rather awkward when he lacks a script friendship-wise (when Trish and Narancia are having a heart-to-heart during the Green Day arc, Giorno is just...standing there...frozen in place, and this could also explain his nervous reaction when Mista unexpectedly comes to him and touches his shoulder). I think that's because he's never really had genuine friends.
Enter Mista. Mista is a pretty friendly person; his excited and personable reaction to Giorno's jellyfish trick reflects this, and he gets along with Giorno pretty well afterwards. Mista seems really fascinated by Giorno's abilities and, as seen in Sleeping Slaves, likes to ruminate on really random thought experiments. I like to think that Giorno has a strong interest in biology, which is why he's able to use his stand so effectively. He clearly really likes animals, even those seen as weird or distasteful by others. However, I doubt he expressed this much to the people around him. I think Giorno doesn't feel anyone would be interested in that, or in him at a deeper level, as a person outside of his charming front and dream.
However, I think that post-canon, things would be different, because Mista seems like the type of person who would actually be interested in long rambling conversations about biology and animals. After all, he canonically began such a conversation. I think Mista would like and engage with the enthusiastic biology nerd side of Giorno when it inevitably slips out, which would surprise Giorno. He would begin to drop his guard and let a bit more of his inner self come out, and as Mista continued to encourage and support him, he would fall even harder for him. Mista would be Giorno's first actual friend. He would care about him in a way that Giorno hasn't known outside of the gangster, and Mista would eventually become someone warm, predictable, safe and comfortable for Giorno—someone he can trust in every sense of the word. However, I do think Giorno might be a bit overwhelmed by and freaked out by his feelings, and uncomfortable with how comfortable he is with Mista.
(Even besides that, it would take them some time to get there, though, as Mista would also take time to fully trust Giorno's judgment. He is very supportive of him in canon, but not always, even when Giorno's action is justified; I think these instances would be reduced as time goes on and they know each other better).
I think Giorno would also fall for Mista because Mista is just solid, dependable, and a sunny, quirky person. I don't have any deep reasons for this, but Giorno does remark once that Mista is an interesting person, and I think he'd find Mista refreshing and intriguing. Mista is his loyal, dependable right-hand-man, his warm and safe friend, and someone who likes and celebrates who he is, both as the powerful Don and as an awkward and emotionally repressed but kind and gentle person. Giorno would feel loved and appreciated by Mista, whom he also thinks is an incredible person whom he admires and respects for his resolve and willingness to be himself no matter what, and that's why I think he'd fall very, very hard for him.
Of course, though, he'd realise this and then despair because he'd think his feelings were unrequited. To me, Giorno doesn't seem like he'd confess unless he was certain that he'd be accepted. So, he'd probably pine silently for a couple of years.
b. Mista's feelings for Giorno
I like to hc Mista as falling for Giorno as the years go by. This is mostly because Giorno is 15 when they meet and it makes me a bit uncomfortable for Mista to be interested so early on, but nevertheless, I feel that Giorno seems to have a crush in canon (shipping glasses on, though, well, he did stick his hand in Mista's pants) whereas Mista's actions are friendly.
Even though he wasn't romantically interested at first, I think Mista has always really liked and appreciated Giorno. To me, Mista would initially like Giorno (platonically or otherwise) because he's determined, resolved, ambitious...he shines bright like the sun, and Mista is in awe at its light. Following Giorno, being with Giorno, feels right to him. To Mista, Giorno is just super cool. That's why he followed him, and that's why he has some level of interest in him.
However, I like to think that Mista only truly began to fall for Giorno when he got to know him as a person. As the years go by, he spends more time with Giorno and sees beyond the composed, intelligent leader (a side he also adores) to realise that Giorno is a kind, gentle, sometimes playful, awkward but well-meaning person. There's a softness to him hidden beneath the cool exterior, and it's this side and the new understanding he has because of it that makes Mista begin to have feelings for Giorno. He wants to see more of this hidden side, to bring it out, because it's extremely endearing. Giorno's confidence, dreams and resolve dazzle Mista; Giorno's kind, gentle, playful and sweet interior charms him and draws him in. He loves both sides of Giorno; he loves all of Giorno, and will tell him exactly why if Giorno ever expresses confusion as to why Mista likes him.
In addition, Giorno is very accepting of Mista. Many people find Mista weird or question his outlook on life, but Giorno just accepts it as Mista being Mista. Mista is Mista, and he doesn't want to change that. He is careful about and respects Mista's 4 phobia, he doesn't understand but comes to accept how Mista operates based on gut feelings and whims. Giorno probably finds this somewhat annoying and frustrating at times, but he also seems a bit fond of it and is refreshed by it, and he relies on Mista's confidence and draws strength from it as well. As Mista is probably used to his way of life and outlook being questioned, Giorno's accommodation of him would be welcome and touching.
Mista probably is also the type to laugh things off and not take things too seriously, but sometimes he probably should actually take things seriously, which is when Giorno comes in. Giorno, because he knows Mista very well, would try and encourage Mista to deal with whatever he has to deal with, which Mista would find very touching.
I think Mista would take a while to realise he loves Giorno. He probably dates a couple of women, but he just never clicks with them in the way he does with Giorno. Mista eventually begins to feel as though settling down with a woman feels like a betrayal of Giorno for some reason; he reasons that this is because he's so deep in mafia life that it's hard to have a relationship outside of it, but eventually he figures out that he's actually in love with Giorno. His bi awakening probably happens when someone (Fugo, probably) tells him that he talks about Giorno as if he has a thing for him, at which point Mista realises he likes men and that he wants Giorno, specifically. After this, never one to miss his shot, Mista probably asks Giorno out, which is how they get together.
c. Their relationship
So, I think they would have some early bumps in the road because they might have communication problems (this isn't anywhere I have gone in my writing, nor do I think I will anytime soon, but I have thought about this at length). Namely, Giorno probably has some attachment issues and is dealing with confusing feelings that he isn't telling Mista about, and Mista doesn't really say what Giorno needs to hear concerning the very little that Giorno does tell him about since their love and his feelings are so simple to him (whereas to Giorno it is complicated, overwhelming and anxiety-inducing), so they have some problems.
Given his childhood, I think Giorno is very possibly an insecurely attached person. How exactly this would manifest / what that attachment style would be, I don't know, because I haven't really written this into any of my fics and don't feel entirely comfortable speculating / analysing in specific...but I do think he might be pretty overwhelmed and feel like he needs to run away from Mista, despite wanting to be close with him, yet be initially unwilling to actually communicate his feelings. I could see him feeling this way about their friendship generally, even though Mista feels like home to him and he generally feels safe and warm around him; this would explode when they get together and he now has to deal with added closeness (emotional and physical) as well as boyfriend expectations. I also think he might be confused as to why Mista is interested, because he didn't see it coming and Mista suddenly coming out as bi blindsided him. A part of him might think it's too good to be true, and it's just a whim.
Eventually, I think Giorno would build up anxiety, fear and resentment and might begin actually avoiding Mista, leading to them arguing about it one day and hashing it all out. They'd work through it, though, and learn how to communicate better (and Giorno would probably eventually be inspired to read up about his issues and, in his typical determined way, try very very hard to find strategies to work with them). Ultimately, at the core of this relationship is the immense trust and respect they have for one another, and I think the bedrock is strong enough such that they can eventually figure things out, as both of them care about each other deeply and would be willing to try.
Another interesting aspect is whether Mista would come before or after Giorno's dream. I have written a fic about the latter, but I also planned a fic where the former happened and Giorno basically almost caused the downfall of Passione because he made a failed risky gamble to save Mista's life when an enemy threatened to kill him (Mista lived. Many members of Passione died). Currently, I think I'm leaning towards Giorno's dream always coming first. It would be a point of contention at first, but I think they would come to accept it, even though they aren't entirely comfortable with it. After all, Giorno's dedication to his dream is part of why Mista admires him, and Giorno became the Don knowing that Mista might have to die for his dream if it came to it. The day will come when this will be a non factor, and they are both waiting for that day.
Otherwise, I think Giorno and Mista would be a pretty harmonious couple. Giorno seems like he'd be a bit of an overthinker who's prone to stress, and Mista's easygoing nature and confidence in Giorno's abilities would soothe him. On the other hand, Giorno's drive and ambition would spur Mista forward, inspiring him and bringing him great joy. They would get annoyed and frustrated with each other on occasion, but I don't think they are the type of couple who would have nasty, terrible fights. Mista would snap at Giorno and Giorno would become cold, but it wouldn't escalate terribly.
Ultimately, they would both just love each other very, very much. Mista would probably cheerfully tell Giorno this very often, but Giorno might take longer, not because he doesn't but because the words would catch in his throat and it'd be hard to say, as words alone fail to express how deeply and intensely he feels for Mista. They'd probably be in a secret relationship because, well, mafia, but Fugo and Trish would know they're dating. I won't call it a 'happily ever after' for them, as relationships take more effort than the term suggests, but I think they'd be happy together.
4) Conclusion
I just really like this ship, okay?? ^^ All GioMis is good GioMis, of course—I like this ship platonically, romantically, functional, dysfunctional, heck I adore it unrequited (on Giorno's side)—but my favourite GioMis is post-canon timeskip GioMis. That just feels like the natural progression of their relationship, of this duo that grew closer and closer until life became unimaginable without one another.
I don't know how well this post will do lmao but I may do another one of these (it will probably be BruAbba as I have a lot of thoughts on that ship...I made some tweets that got surprisingly popular considering my tiny account). I may also make a list of allllll the GioMis moments in canon (albeit through my shipping goggles) if anyone is interested. If you read all of my rambling, thank you LOL and I hope you enjoyed my GioMis brainrot.
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