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#life beside the tracks

trashquisitor-shirozora · 2 years

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Hi all!

Touched some grass, maybe touched too much grass, and got wiped out by a headache. The weekly weekday grind is about to begin so I’m going to temper my contributions to the ongoing conversations around and about the dinluke fandom.

That said, I’ve had quite a bit of catching up to do and want to say the following-

While the discourse quickly centered around dark!dinluke and dark!dinluke creators, I agree with Withercrown’s latest and other later posts from others that this group is not solely to blame for what’s been happening to this fandom. The dark!dinluke corner may be the most highly visible one and have contributed much to the toxic stereotypes, tropes, and trends that have dominated much of the fanworks we see nowadays, but they are not the only ones and cannot be solely blamed for every ill that seems to plague and diminish the ship’s fandom. There are many other fanworks that don’t share the same themes and (infamous? improper? nonexistent?) tags as the dark!dinluke corner but feature many of the same problems - racism, racialized xenophobia, homophobia, heterosexism, gendered stereotypes.

I did my part in centering the debate around them and also on the racism and xenophobia surrounding Din Djarin and Pedro Pascal with my responses to asks, my reblogs, my tags. While I know these conversations needed to be had (and they keep needing to be had, why do we keep needing to have these conversations???), I should’ve done more to highlight the other major problems with the fandom. I also didn’t speak up when discussions and headcanons fetishized and applied heterosexist ideas and tropes onto gay/MLM relationships and characters, and that’s something I need to work on. I’ve complained in private spaces many times my frustrations with characterizations of Luke in particular but never took them public. Seems like it’s time to end that.

It also bears reminding that all of these major problems with the dinluke ship and fandom that had been driving people away and reducing participation in these spaces are not separate. They are not isolated, they are not single issues to be addressed one by one. These are inter-connected and intersectional. Any effort to do better and to make a better community needs to take into account how we should approach Din and Luke as individuals and in a relationship. I do what I can while keeping in mind how Din is perceived because of his actor and I do the same for Luke (and for every other character in Star Wars, really, they all deserve this).

I’m just a human, I will fuck up (I have fucked up), but I’m always striving to correct myself, learn, and do better - for me, for the people in fandom, and for a ship I very much love.

I have a few asks in my inbox but I want to spend the rest of the night being productive with other things so I’ll address them later in the week. I’m also keeping anon asks off in the meantime for the same reasons. When will anon asks get turned back on? That’s for me to know and for you to find out.

Take care of yourselves. Do what you must for your sake. I’ll see y’all on the flip side.

#dinluke #skydalorian #tbh when I made that post I didn't expect it to blow up or kickstart another weekend of discoursing #I'm glad for it though I think we strayed too far from all the major issues Withercrown had brought up in his original post #but here's the thing - Withercrown was simply the straw that broke my camel's back #my poor camel had to bear the weight of all of my frustrations and anger toward not just dark!dinluke but other dinluke fans #I'm the poor fool who sat on that back with my silence and my fears about fandom and then that straw came down on my head #on a personal note - I hated gendered stereotypes and tropes all my life and my discomfort has led to me questioning myself #(one could argue that vico ortiz and OFMD's jim jimenez led me to seriously asking myself if I wasn't as cis as I thought I was)#that discomfort has also made me hyperaware of characters being assigned these traits and roles based on racialized and heterosexist ideas #it was never just the racism or xenophobia but also how the racism and xenophobia played into characterizing din and luke a certain way #the thing about intersectionality (besides it being really about frameworks of power and legal systems in the US) is that it is hard #it is hard work because it asks you to take into account so many facets of identity and inequality and you can lose track or focus #and it is ongoing. it never ends. so long as these systems and structures are in place we have to live and breathe it #it doesn't just go away after a weekend of volleying back and forth about statistics and identity #for me the hurt really began in 2016 with the finnpoe discourse which only worsened with The Last Jedi the next year #these hurts never left and will never leave because fandom doesn't learn doesn't do better #but I'm truly tired of being quiet and of wallowing silently in despair and of losing hope #so if I have to lob fireballs into the dinluke tag and show myself then so be it

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kelpiemomma · 2 years

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thinking i need to redraw my tragedy wolves again

#kelp tracks #the ogs #my one and only tragedy #(besides my life lmao)

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tearlessrain · 1 month

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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

#I found their original stuff while I was researching various waterhorses and their folklore for no reason #because one of the characters in their original work happens to be an each uisge #and then it turned out it ALSO included a lot of figures from welsh folklore in general #so yknow if you happen to have my incredibly specific hyperfixations you'll love it but even if you don't it's great #I didn't mean to bring up phantom of the opera so much it just happens to be very relevant to a lot of my talking points #I haven't actually seen it in years

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eelhound · 9 months

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"The idea of reforming Omelas is a pleasant idea, to be sure, but it is one that Le Guin herself specifically tells us is not an option. No reform of Omelas is possible — at least, not without destroying Omelas itself:

If the child were brought up into the sunlight out of that vile place, if it were cleaned and fed and comforted, that would be a good thing, indeed; but if it were done, in that day and hour all the prosperity and beauty and delight of Omelas would wither and be destroyed. Those are the terms.

'Those are the terms', indeed. Le Guin’s original story is careful to cast the underlying evil of Omelas as un-addressable — not, as some have suggested, to 'cheat' or create a false dilemma, but as an intentionally insurmountable challenge to the reader. The premise of Omelas feels unfair because it is meant to be unfair. Instead of racing to find a clever solution ('Free the child! Replace it with a robot! Have everyone suffer a little bit instead of one person all at once!'), the reader is forced to consider how they might cope with moral injustice that is so foundational to their very way of life that it cannot be undone. Confronted with the choice to give up your entire way of life or allow someone else to suffer, what do you do? Do you stay and enjoy the fruits of their pain? Or do you reject this devil’s compromise at your own expense, even knowing that it may not even help? And through implication, we are then forced to consider whether we are — at this very moment! — already in exactly this situation. At what cost does our happiness come? And, even more significantly, at whose expense? And what, in fact, can be done? Can anything?

This is the essential and agonizing question that Le Guin poses, and we avoid it at our peril. It’s easy, but thoroughly besides the point, to say — as the narrator of 'The Ones Who Don’t Walk Away' does — that you would simply keep the nice things about Omelas, and work to address the bad. You might as well say that you would solve the trolley problem by putting rockets on the trolley and having it jump over the people tied to the tracks. Le Guin’s challenge is one that can only be resolved by introspection, because the challenge is one levied against the discomforting awareness of our own complicity; to 'reject the premise' is to reject this (all too real) discomfort in favor of empty wish fulfillment. A happy fairytale about the nobility of our imagined efforts against a hypothetical evil profits no one but ourselves (and I would argue that in the long run it robs us as well).

But in addition to being morally evasive, treating Omelas as a puzzle to be solved (or as a piece of straightforward didactic moralism) also flattens the depth of the original story. We are not really meant to understand Le Guin’s 'walking away' as a literal abandonment of a problem, nor as a self-satisfied 'Sounds bad, but I’m outta here', the way Vivier’s response piece or others of its ilk do; rather, it is framed as a rejection of complacency. This is why those who leave are shown not as triumphant heroes, but as harried and desperate fools; hopeless, troubled souls setting forth on a journey that may well be doomed from the start — because isn’t that the fate of most people who set out to fight the injustices they see, and that they cannot help but see once they have been made aware of it? The story is a metaphor, not a math problem, and 'walking away' might just as easily encompass any form of sincere and fully committed struggle against injustice: a lonely, often thankless journey, yet one which is no less essential for its difficulty."

- Kurt Schiller, from "Omelas, Je T'aime." Blood Knife, 8 July 2022.

#kurt schiller #ursula k. le guin #quote #quotations #the ones who walk away from omelas #trolley problem #activism #introspection #discomfort #reform #revolution #suffering #ethics #morality

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darkbluekies · 5 months

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Talking to the dead

Mafia!yandere x reader

Warnings: dead sibling, mentions of digging up the grave

He's furious that you've escaped. Infuriated that you managed to slip past the guards again. He wants to put a bullet through their chests. They've tracked you down to the cemetery, a weird place, Silas thinks.

He stops dead in his tracks when he sees you sit by a tombstone, talking. There's no one around, who are you holding conversation with? He tells his men to stand by while he sneaks over.

"I'm in danger", you sob and chuckle slightly. "I've put myself in a dangerous situation, you know. I wish you were here. I could need a big sister/brother now. I need guidance. I don't know what to do, I'm so scared. Everything is terrifying." You sigh. "Well, now I've told you everything that has happened since you passed away. Quite the story, isn't it? Yeah ... I really miss you."

Silas sighs and scratches his neck, looking back at his guards, thinking. He knew that your sibling was dead, but he never imagined that he would find you like this.

"Y/N", he says carefully, wanting to catch you attention.

You gasp and hug the stone for dear life.

"Don't take him/her!" you scream in a heartbreaking tone.

Silas walks over to you, sinking down beside you. His heart breaks.

"I'm not going to take them", he reassures you. "Why don't you introduce me? Or have you already done that? I heard you told everything."

You still hug the stone tightly. Silas puts his hand on your shoulder, reassuring you that he won't dig up the grave and steal your sibling. He brings you back and takes a look at the name on the stone before placing his hand on it. I'll protect them, he thinks and hopes that your big brother/sister will hear him, I will die for them.

Silas brings your shaking, sobbing body into his arms and kisses the top of your head. He won't punish you for this, his heart can't allow it.

While taking your defeated form to the car, he turns to his men and tells them to visit the grave every week to plant new flowers, water them, light candles, and clean the stone. And if they ever miss a week, he will kill them.

#yandere #yandere x reader #yandere x you #yandere imagines #yandere drabbles #yandere oc x you #yandere mafia #yandere fics #yandere oc x reader #yandere stories #yandere angst #yandere drabble #yandere short stories

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pucksandpower · 6 months

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Fairytale

Charles Leclerc x Princess of Monaco!Reader

Summary: Charles Leclerc has everything he could ask for (off the track, at least) including a fairytale romance … except no one actually believes that his girlfriend is really his girlfriend

Charles sighs as he walks into the drivers’ lounge, bracing himself for the inevitable teasing. Ever since he had casually mentioned having a girlfriend, and more specifically who the girlfriend in question is, his friends have been merciless.

“Wow, if it isn’t Prince Charles in the flesh! Back from another romantic getaway with his imaginary princess,” Max laughs as he enters.

“Come on mates, lay off,” Charles pleads half-heartedly. He knows it is useless.

“I just don’t get it,” Lando chimes in. “There’s no shame in admitting that you’re single. We’re racing drivers, we don’t exactly always have time for relationships.”

“Maybe his standards are too high,” Pierre suggests. “He’s actually holding out for real royalty or something.”

The others laugh as Charles feels his face grow warm. If only they believed him.

“You know what you need?” Carlos grins. “A nice Spanish girl to set you up with. My sister’s friend Elena is single, I could give you her number.”

Charles rolls his eyes. “I told you, I have a girlfriend. Why is that so hard to believe?”

“Because we’ve never seen her!” Max exclaims. “You talk about her all the time but she never comes to races or appears in photos. She might as well be a unicorn.”

“Maybe she’s just embarrassed to be seen with Charles,” Lando teases.

Charles frowns, stung by Lando’s words. If only they knew the truth. The reality is that his girlfriend is extremely famous in her own right and values the little privacy she has left too much to be seen at races. Her life is already public enough without adding the scrutiny that anyone connected to a Formula 1 driver inevitably receives on top of it. Besides, she has her own royal duties to attend to.

“Come on guys, that’s unfair,” Pierre says gently, noticing Charles’ discomfort. “If Charles says he has a girlfriend, we should believe him.”

“Thank yo—” Charles starts to say with relief. At least someone is on his side.

“Even if she is imaginary,” Pierre adds with a smirk.

Charles groans and puts his head in his hands as the laughter starts up again. He can’t really blame them for not believing him.

You are basically a fairytale princess — beautiful, elegant, and kind. Not to mention an actual member of the royal family. Her Serene Highness Princess Y/N Grace Stephanie Caroline of Monaco is the type of girl people write epic poems and songs about. Charles can hardly believe his luck that you had chosen him.

“Alright, that’s enough,” Daniel interrupts, taking pity on Charles. “Leave the poor man alone.”

“We’re just joking,” Max says defensively. “Charles knows we don’t mean anything by it.”

Charles gives Max a tight smile. “Sure.”

“Tell you what,” Daniel says, clapping Charles on the shoulder. “Bring your mystery girl to a race soon. We’ll all get to meet her and then you can finally prove these jokers wrong.”

Charles sighs. If only it were that simple. You have been tempted to attend races in the past but the scrutiny both of them would come under is just too much. You treasure the privacy your relationship allows. But maybe Daniel is right. Maybe it is time for you to finally meet his friends. After all, you are the love of his life. There is nothing to hide.

“Alright, deal,” Charles says finally. “I’ll ask her.”

The others exchange surprised looks, not expecting him to agree.

“Can’t wait to meet her,” Carlos says with a wink.

Charles rolls his eyes again but smiles. One way or another, he is going to prove to them that his amazing girlfriend isn’t just a figment of his imagination.

***

Charles is still thinking about you when he is suddenly accosted by Silvia, Ferrari’s Head of Communications, after practice.

“Charles! Just who I was looking for,” she says briskly. “I need to discuss something rather important with you.”

Charles suppresses a groan. Conversations with Silvia are never fun. “What’s up?” He asks with forced cheerfulness.

Silvia lowers her voice. “It’s about your relationship status. We feel it would be beneficial if you were seen dating someone … compatible.”

Charles’ eyebrows shoot up. “Compatible?”

“Yes. A model. Or perhaps an actress. Someone who would look good on your arm and boost your image.”

Charles folds his arms defensively. “What’s wrong with my girlfriend?”

Silvia waves a hand impatiently. “Yes yes, this alleged princess you keep mentioning. The problem, Charles, is that no one has seen her. No one knows if she is actually connected to you in any way. So, as far as we are concerned, for all intents and purposes, you are single.”

Charles frowns. This again. “I keep telling you that she’s really my girlfriend. Y/N is just very private.”

“Private women don’t date Formula 1 drivers,” Silvia says bluntly. “If she really was in a relationship with you, she would be here. But since that is clearly a figment of your imagination, we need to take steps.”

Charles feels his blood boil. How dare Silvia insult his relationship with Y/N? Question their connection?

“Here are profiles of suitable options,” Silvia continues, shoving a surprisingly heavy folder at him. Charles doesn’t open it.

“No.”

Silvia blinks. “No?”

“My relationship with Y/N is off limits,” Charles says firmly. “My personal life is exactly that — personal. Not to be exploited for PR.”

“Don’t be foolish,” Silvia snaps. “This is bigger than you. Your image reflects on Ferrari. We need to be able to control it.”

“No. What you need to do is back off,” Charles shoots back.

Silvia’s nostrils flare. Clearly she isn’t used to such defiance. “Charles, be reasonable—”

“I am being reasonable,” Charles interrupts. “I won’t pretend to date someone just because the team wants me to. I’m with Y/N. I don’t care if you believe me or not.”

Silvia shakes her head in disgust. “You’re making a big mistake. Don’t come crying to me when this blows up in your face.”

She storms off, heels clicking angrily against the floor.

Charles takes a deep breath, adrenaline pumping through his veins. He can’t remember the last time he stood up to Silvia like that. It felt good but also nerve-wracking. He knows she won’t let this go easily.

His phone buzzes and his heart leaps when he sees it’s a text from you.

Heard you had a rough day. Wish I could be there to make it better. I love you 💋

Charles smiles, the tension in his shoulders easing. You always knew just what to say and when to say it.

He quickly types back.

I wish you were here too. No matter what anyone says, they can’t change my feelings for you. I love you so much ❤️

He hits send, imagining your smile as you read his text. It doesn’t matter what his team, the media, or even his fellow drivers think. His relationship with you is real and authentic. Someday he’ll find a way for you to be by his side. But for now, your private moments together are enough.

Charles knows staying with you is the right decision, PR be damned. You are his soulmate — the fairytale princess he never expected to find but thanks God every single day that he did. Your love is worth fighting for. And someday, when the time is right, he’ll finally be able to show the world that what you have together is very real.

***

Charles groans as he notices multiple missed calls from his brothers. He has been avoiding their calls lately, knowing they would just tease him mercilessly about his girlfriend. But he knows he can’t dodge them forever.

Taking a deep breath, he calls Arthur back.

“Well, well, well, if it isn’t Prince Charles himself, taking time away from his busy schedule of dating princesses to spare a chat with us commoners,” Arthur says slyly upon answering.

Charles rolls his eyes. “Very funny. What do you want?”

“We just wanted to check in on our brother and see how life with Monegasque royalty is treating you,” Lorenzo chimes in. Charles realizes he must be on speaker.

“Oh yes, Princess Y/N,” Arthur says in an exaggerated swoony voice. “Our brother’s one true love since he was 15 years old and had that giant poster of her plastered on his wall.”

Charles feels his face flush. He knows exactly what poster Arthur is referencing — a stunning photo of you in a ballgown from a high society event years ago. Teenage Charles has ripped it out of a magazine and hung it up reverently in his room, gazing at it longingly.

“Don’t be ridiculous,” he sputters. “I never had a poster.”

“Oh really?” Lorenzo laughs. “I seem to recall you cutting out every picture you could find of her and keeping a little scrapbook.”

Charles cringes internally. Okay, maybe his teenage obsession had been a bit … enthusiastic. But he can’t help that he had recognized you as his dream girl even then.

“Alright, so maybe I had a tiny crush on her,” Charles admits. “But it is not crazy that we ended up together.”

Arthur cackles. “You used to kiss her photos goodnight before going to bed! You were completely obsessed!”

“Remember how he tried to sneak into that royal gala at Salle des Etoiles to see her?” Lorenzo adds. “He was totally insane.”

Charles grimaces at the memory. Okay, not his finest moment.

“Face it Charles, you’ve been in love with the imaginary idea of Princess Y/N since you were in nappies,” Arthur teases. “No shame in admitting she wouldn't even give you the time of day now.”

Charles feels his frustration rising. Why does no one believe him?

“Because your so-called relationship makes no sense!” Lorenzo says, accurately reading his silence. “She’s a literal princess and you’re … you.”

“Gee, thanks,” Charles grumbles. He knows his brothers are just teasing but it still stings.

“Come on, just admit you made the whole thing up to get everyone off your back,” Arthur prods.

Charles sighs loudly. “For the millionth time, what we have is 100 percent real! Just because it seems unlikely doesn’t mean it didn’t happen. I don’t care if none of you believe me, I love her and she loves me.”

His brothers are silent for a moment.

“You alright there?” Arthur asks, his voice softening.

“Yes, I just wish everyone would stop questioning my relationship all the time,” Charles admits. “It hurts.”

“We’re only joking Charles, we don’t mean any harm,” Lorenzo says gently.

“I know,” Charles replies. “Doesn’t make it any easier to hear constantly though.”

“You’re right, we took the teasing too far,” Arthur says. “We’ll lay off from now on.”

Charles smiles slightly. “Thanks. And someday soon I will prove to you that it is real.”

His brothers are silent for a moment.

“Keep telling yourself that,” Arthur finally laughs.

Charles groans and runs a hand through his hair in frustration. Clearly nothing he says would convince his stubborn brothers that his relationship with you was real and not merely a childhood fantasy.

“Alright, well, I should get going,” Charles mumbles, eager to get off the phone.

“Chin up, we’re only teasing,” Lorenzo says lightly. “Have fun with your imaginary princess!”

Arthur and Lorenzo explode into more laughter as Charles quickly hangs up, his face burning. Someday, he will prove to them and everyone else that his amazing girlfriend isn’t just a figment of his imagination. No matter how long it takes.

***

Charles sinks into the familiar couch in his sports psychologist’s office, exhausted after a long day on the simulator and endless teasing from his team.

“Rough day out there?” Dr. Anderson asks kindly, noticing the strain on Charles’ face.

“That’s an understatement,” Charles sighs. “The car is just so slow this year. We keep trying new setups and tweaks but nothing helps. And the strategy is somehow even worse than the pace. It’s like the team wants me to fail.”

Dr. Anderson nods sympathetically. “That must be very frustrating. Tell me more about how it’s impacting you.”

Charles launches into a tirade about the endless issues with the car, the incompetent strategists, and the lack of proper communication from his engineers. Dr. Anderson listens patiently, letting him vent his pent-up anger and disappointment.

After a lengthy rant, Charles finally runs out of steam. “Anyway, it’s just been a terrible season,” he concludes glumly.

“I can certainly understand why you feel that way,” Dr. Anderson says. “It sounds like the team is letting you down in many ways.”

Charles nods, feeling some of the tension leave his shoulders after unloading. It helps to talk about it with someone whose job is not to judge.

“Is there anything else bothering you lately?” Dr. Anderson asks gently. “Any other sources of stress?”

Charles hesitates. He and Dr. Anderson have been working together for years, ever since he joined Ferrari. He knows he can open up to her.

“It’s just … well, besides the team stuff, no one believes me about my girlfriend,” he admits.

Dr. Anderson raises her eyebrows. “I see. Tell me more about that.”

Charles explains the endless teasing from his fellow drivers, the manipulation attempts by the PR team, and the doubtful reactions from his own family. How despite his best efforts, no one seems willing to accept that he is really dating Princess Y/N of Monaco.

“It’s so frustrating!" He bursts out at the end. “I don’t know what else I can do to convince them that we are actually together.”

Dr. Anderson purses her lips, jotting down notes. “I can understand why their doubt would upset you. It must be painful to have your relationship questioned.”

“Exactly!" Charles exclaims, throwing his hands up. “You get it. I knew I could talk to you.”

Dr. Anderson gives him a sympathetic smile.

Charles leaves the appointment feeling much better, confident that his psychologist believes him and is on his side.

As he is exiting, Charles notices Dr. Anderson’s notebook left open on her desk. Before he can stop himself, his eyes scan the page and focus on his name.

He feels his heart sink as he reads.

Charles Leclerc: deflecting from pain of difficult season by creating elaborate fantasy relationship. Fixation on celebrity crush indicates deeper self-esteem issues. Recommend to confront delusion directly in next session.

Charles reels, shock and anger swirling through him. Not even his own psychologist believes him! She thinks he is living in some weird fantasy.

Swallowing the bitter taste in his mouth, Charles straightens his shoulders and walks out. He has never felt more alone and frustrated in his conviction. But he refuses to give up. No matter what anyone says, his love for you is real. And one day, somehow, he will prove it to the world.

***

Charles is back at his family home in Monaco during a rare few days off. He is puttering around the kitchen while his mother cooks dinner.

“Oh, by the way, Y/N is coming over for dinner tonight,” Charles mentions casually. “I want you all to finally meet her.”

Pascale laughs lightly without looking up from the stove. “Of course, sweetie.”

Charles frowns. “I’m serious, maman. She’ll be here in an hour.”

“Mhmm, I’m sure she will,” Pascale replies indulgently. Charles huffs in annoyance.

Just then, his brothers come into the kitchen, freshly showered after playing football outside.

“Hey Charles, how’s life with your imaginary girlfriend?” Lorenzo immediately teases.

“She’s actually coming over for dinner tonight,” Charles says tersely.

Arthur lets out a loud laugh. “Yeah right! Good one.” He grabs a piece of bread from the counter, still chuckling.

Charles throws his hands up in exasperation. “Why does no one ever believe me about her?”

“Boys, that’s enough,” Pascale chides gently. “Let your brother dream.”

Charles opens his mouth to retort but just then, the doorbell rings. His eyes widen.

“I’ll get it!" He yells, dashing for the door. He takes a deep breath before swinging it open to reveal you standing there casually in jeans and a sweater, looking effortlessly gorgeous.

“Surprise!" You laugh, pulling him into a tight hug. Charles melts into your embrace, all his stress and frustration fading away.

“You have no idea how happy I am to see you right now,” he murmurs into your hair.

You pull back to smile at him tenderly. “I’ve been looking forward to this for ages. I want your family to know how much I love you.”

Charles grins and takes your hand, leading your into the kitchen where his stunned family waits.

Pascale’s mouth is hanging open in shock. The piece of bread Arthur is holding falls to the floor with a dull thump.

“Y-your Serene Highness,” Pascale finally manages to stammer out, hastily wiping her hands on a towel. “What an honor, we weren’t expecting you ...”

She shoots an accusatory look at Charles, who throws up his hands defensively. “I told you she was coming!”

Pascale flushes. “Yes, well, I didn’t think … that is … we would have prepared ...”

You step forward gracefully, immediately putting Pascale at ease. “Please, just call me Y/N. I’ve been dying to meet Charles’ family.”

As you effortlessly charm his mother and brothers, Charles stands back watching with a satisfied smile. The shock and sheepishness on his family’s faces is vindicating after so many months of teasing and disbelief.

Charles has never been one to say “I told you so” but … I told you so.

***

The cheers of the crowd are deafening as the chequered flag waves for Charles at the Monaco Grand Prix. He can hardly believe it — finally, a win at his home race!

As he pulls into parc fermé and jumps out of the car, the emotions hit him. Pure elation at ending the long wait for a home victory. Relief at overcoming the team’s doubts. But most of all, excitement for what comes next.

The podium ceremony.

And with the Monegasque royal family presenting the trophies as usual, Charles knows exactly who will be handing him the winner’s trophy.

He can barely stand still through the anthems, eager for his moment with you. The weekend has been agony, so close to you yet having to pretend that there is nothing between the two of you.

But not anymore.

At last, the royal family walks onto the podium led by none other than Princess Y/N. Charles’ heart skips a beat at the sight of you gliding towards him in a figure-hugging red midi dress, sunlight glinting off your carefully styled hair. You somehow manage to become more and more beautiful every time he sees you.

Stopping in front of him, you give him a subtle wink before launching into the customary congratulatory speech. Charles nods along, not hearing a word as he zones out while admiring the stunning woman he gets to call his own.

At last, you turn to pick up the trophy. “It is my honor to present this trophy to our victor, who represents Monaco with pride in everything he does, Charles Leclerc,” you announce, holding it out to him with a brilliant smile.

In that moment, Charles throws all caution to the wind. As he accepts the trophy, he reaches out and pulls you into a passionate kiss.

The crowd below erupts in shocked cheers and screams. You melt into the kiss for a blissful moment before gently pulling back, your eyes sparkling. Charles grins at you breathlessly.

“Worth the wait?” He murmurs.

“Absolutely,” you whisper back, squeezing his hand. “I’m so proud of you, mon amour.”

Turning back to the roaring crowd, Charles wraps an arm around your waist and thrusts your linked hands into the air in triumph.

Looking out at the paddock, Charles sees the priceless dumbfounded looks on his fellow drivers’ faces. The Ferrari PR team looks ready to pass out in horror. Reporters are screaming questions and snapping photos frantically.

But Charles only has eyes for the radiant princess at his side. At long last, he has made your love public for the whole world to see.

Later, after celebrations around the circuit have started winding down in favor of moving to lounges and clubs for the night, Charles and you escape for a private moment together.

“That was quite the reveal,” you say with an amused quirk of your eyebrow.

Charles laughs. “I know, subtlety has never been my strong suit. I hope you don’t mind.”

You caress his face tenderly. “Of course not. I’m happy to finally be by your side. No more hiding.”

Charles kisses you deeply, all the love and longing of the past months pouring into it.

When you finally break apart, foreheads touching, he murmurs, “No more doubts. No more teasing. They all know now that you’re real and all mine.”

“Forever yours,” you whisper back. And seal it with another perfect kiss.

***

“I can’t believe it. I just … actually can’t believe it,” Max mutters, staring at the large screens around the paddock that are showing you and Charles gazing adoringly into each other’s eyes during the post-race interviews.

“Lord Perceval … dating an actual princess,” Carlos muses in disbelief.

“And not just any princess, his teenage celebrity crush!" Lando exclaims.

“I guess we owe him an apology,” Pierre says sheepishly.

“Big time,” Daniel agrees. “We gave him so much crap for making her up.”

“Speak of the devil,” Max mutters as Charles strides into the room, hand-in-hand with you.

An awkward silence descends on the group. Charles clears his throat, enjoying their obvious discomfort.

“I believe you all know my girlfriend, Her Serene Highness Y/N Grace Stephanie Caroline, Hereditary Princess of Monaco and Marquise of Baux. But you can just call her Your Serene Highness or Princess Y/N,” he says politely.

The guys mumble greetings, not quite meeting your eyes. You smile graciously. “You can just call me Y/N. Any friend of Charles is a friend of mine and there’s no need for titles around friends.”

Charles narrows his eyes. “Actually I don’t think that will be necessary. I believe they should maintain protocol and address you properly.”

You shoots him a look. “Darling, it’s fine, really. I want your friends to feel comfortable around me.”

But Charles crosses his arms, not budging. “No, it’s not fine. I must insist that they observe the formal mode of address for royalty.”

The drivers shift awkwardly again. You pull Charles aside with a soothing smile.

“What are you doing?” You whisper. “I’m trying to put them at ease.”

“I know but they deserve to squirm for a bit after how much they mocked us,” Charles whispers back petulantly.

You bite back a smile. “Don’t be silly. I know their teasing hurt but let’s move past it. Can you really blame them for thinking it sounds like a made up fairytale? Put yourself in their shoes.”

Charles sighs. “I guess you’re right ... I just want them to respect you.”

“They will, in time,” you say gently. “But forcing them to be overly formal won’t accomplish that. I’m still just me.”

Charles nods reluctantly. “Okay fine, we’ll do it your way.”

You turn back to the drivers who are trying to act natural and pretending that they didn’t just listen in on your conversation with a bright smile. “I’ve heard so much about all of you,” you say. “Charles speaks very highly of his fellow drivers.”

“We’re, uh, happy to finally meet you too,” Max manages to get out.

“Yeah, congrats mate,” Daniel offers weakly.

More awkward silence follows. Charles smirks, deciding to twist the knife a bit more.

“I know you all had your doubts about me landing a catch like Y/N,” he says casually. “But I can’t blame you. Even I can hardly believe someone so incredible would fall for me.”

He gazes at you adoringly as you blush prettily while the drivers fidget uneasily.

“Anyway, as you can now see, she’s real and we are happier than ever!" Charles concludes brightly.

“We’re really sorry for not believing you,” Lando bursts out sincerely. “And all the teasing.”

The others chime in with apologies and congratulations. Charles graciously accepts, reassuring them no hard feelings.

After you have throughly charmed them all and departed, the group surrounds Charles excitedly.

“Alright, you have to give us all the details,” Max demands. “How did you meet? How did you get her to go out with you? When did it get serious?”

Charles just laughs. “It’s a long story. But the important thing is that she’s the only one for me. Despite everyone doubting us, our love was real from the start.”

“Pretty epic to have a real life princess as your soulmate,” Pierre says dreamily.

“Just remember you knew me back when you all thought she was imaginary,” Charles jokes.

“We’ll never live it down,” Carlos groans goodnaturedly.

Charles smiles, feeling lighter and happier than he has in ages. The long struggle to prove himself has been worth it. Now he has everything — the win, the girl, and the utter shock and joy of proving to the world that even his wildest dreams can come true.

And this is only the beginning for him and his beloved princess.

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