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So there's this web novel called Worm.
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[art source]
 It's about a dark and edgy world that's full of superpowered folks, and which is, therefore, about three steps away from dystopian collapse. Many places are already there.
The story is about a teenage bullying victim who gains powers, and uses them to become a very dangerous supervillain, despite her best efforts.
And anyone familiar with the RWBY fandom may have just gone "wait, this sounds familiar. Are there a lot of fics where a main character gets an alternate power set?"
Yes, yes there are.
In this fanfic I'm about to complain about, Taylor gets an already existing power that's already broken.
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Canon has "Path to Victory", which is almost literally just an "I WIN" button. It tells "Contessa" what she needs to do to succeed at almost any goal she wants. She's a big blindspot for people who can see the future.
Some powerful entities can't be accurately predicted, she can't predict how people will "trigger" and get their powers, and she's terrible in space.
Taylor has the darker, edgier little brother. Which is just an "I WIN" button, with no “almost”. It means she gets to do whatever she wants, and she’s a borderline sociopath.
Someone tries to mind-whammy taylor? Nope, doesn't work.
Contessa tries to use PTV.on Taylor? Doesn't work.
Look, this is obviously, transparently a stompfic. And there two ways to go with that.
ROFLSTOMP, or take it seriously.
Make it a humour fic, or focus on how the protagonist seems strange to those around them, and how they see everyone else as strange in return. Also how the protagonists actions affect various people and the system. 
If you want challenge just give them mutually contradictory goals. The power can't do x without risking or losing y and certainly can't take care of z at the same time.
I read a Harry potter story which gave Snape the path to victory and the last published chapter was snape sitting in a bar trying to figure out what he wanted to do next. Looking back, that was probably meant to represent the author.
You can tell a good dramatic story with an OP protagonist. You just have to work harder.
This story mostly worked hard on setting up literally contrived situations so Taylor can kill someone in amusing fashion. And people's amusing reactions. That's the main selling point.
And of course the author and Taylor say that she has no more moral issues with killing. Because ROFLSTOMP.
In fact, one of the first things she does is literally stomp Sophia to death.
Taylor will still go after hard drug dealers because they hurt people, but she'll leave soft drug dealers alone. And of course she hates the local Nazi gang.
In short, she's a very selective sociopath.
So the story tries to mix both types, including with Sociopolitical Commentary™. It doesn't work very well.
At one point Taylor cracks a joke about tech Bros. 
Fun fact: Worm  takes place in an alternate universe where there is a very slim chance that they would develop that particular slang. A universe that is culturally very different from our own. In fact, I'm pretty sure the original webnovel ended before "tech bro" was even really a phrase.
And when Taylor kills the local Injustice League, she gets the bounty, and decides to donate it to the city. Specifically, she announces, the general public. 
And in case anyone was wondering why it can’t be given to businesses directly, she says trickle down economics doesn't work.
Let's ignore whether that's true or not. Trickle down economics usually refers to tax cuts. Not handouts and bailouts. Also the phrase was popularized mainly with Ronald Reagan's tax cuts.
Note that superheroes and villains started appearing on record in 1984. Reagan's first tax cuts were in 1981. His second were in 86. By 1985 in the worm universe, the breakfast club came out with Nic cage as bender. Superheroes didn't go public until 1987.
So it's possible that the phrase could still exist in the worm universe.
But it does seem strange that a teenager with little interest in politics happens to use it. In fact it seems a lot more like something an adult writer from our universe would use.*
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And besides all that, it's just getting one note. No char development. Even the people reacting to Taylor do it the same way.
I mean I knew this was going to be self indulgent Mary Sue nonsense from the jump, so I really have nobody to blame but myself.
*To be fair, precedent does exist in canon. There's a character called Nice Guy. He can make himself appear to be a non threat, or even socially invisible, even when people are actively trying to find him or he's slitting a throat. Which sounds a lot like the 2000s  internet feminist stereotype of a nice guy. Ironically, the character concept was originally for a girl.
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ellecdc · 2 months
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My love!! I have an idea for fic (only if you want to of course) james potter x reader where james is obsessed with reader’s tits and after a minor couple arguments james was still sulking and reader wants him to be the first one to talk to her so she wear very revealing clothes to tease him and he give in.
It doesn’t have to be a smut, just teasing and fluff!
hahaha awe this is so funny - the best part is, it would so work!!! Thanks for requesting 🫶
James Potter x fem!reader
CW: mention of boobs/tits/love of tits - no smut, joke about dying from suffocation on account of boobies
You were being petty; both of you were. In fact, the two of you seemed to be working overtime just to stay mad at each other at this point.
You can’t even really remember what you had argued about in the first place that caused this rift between you and James; all you knew was that you were not going to be the first to apologize.
It had been a few days since the big blow up that saw James uncharacteristically stern and firm in his words and left you feeling horribly defensive in response. Words were said, feelings were hurt, and now you were here.
Here being this awkward quasi-polite energy in your few measly interactions as you tried to co-exist in the same flat.
He made dinner one night - shrimp korma and a side of homemade naan - and you may have been mad, but you weren’t a jerk, so you thanked him for it.
You had been cleaning the flat one day and started a load of wash. You had more than enough room for more clothes, and not doing James’ wash just for the sake of it wasn’t worth the extra hit to your water bill (which wasn’t an issue, but old habits die hard in your case), so you threw his in too. And once it was washed and dried, well, you figured you might as well fold it and put it away for him. 
He had to begrudgingly thank you for that as well.
So now it was the weekend, and the two of you were clearly dying to update each other on your weeks. You couldn’t help but admit that you really missed James. You missed chatting with him, you missed laughing with him, you missed venting to him, and you missing cuddling with him.
There were other things you missed but... that was neither here nor there. 
All this to say, the feud needed to end.
But you were steadfast in your stance that you were not going to break first.
The idea came to you yesterday morning when James returned from his run sans shirt and muscles glistening with sweat in a way that actually had your mouth watering like some kind of deranged off-brand Pavlov experiment. The worst part was that James had noticed you ogling him and walked away to shower (alone, the bastard) with a self-satisfied smirk on his face.
No matter, this just served to give you your brilliant master plan to win him back.
You had something James adored... two things, as a matter of fact.
Anyone who knows James Potter knows that James is a certified Boob Guy™. More specifically, James Potter loved your tits. You had two assets free to use in this battle, and you weren’t going to let that advantage go to waste. 
The weather, it seemed, supported your master plan and was finally warm and sunny enough to break out some of your more... revealing clothing. Today’s ensemble consisted of a particularly low neckline and tight-fitting tank top. You gathered a book and a bottle of water as you walked towards the back door for the terrace. James, being completely unable to break his good mannerdness even in the face of petty feuds, jumped up to get the door for you when he noticed that your hands were full. 
You made a point to use your elbows to encourage the girls a little closer together as he approached, causing him to stumble in his steps as his eyes strayed from his destination.
“Thanks, Jamie.” You murmured quietly, making sure a cool sense of indifference still coloured your tone. That seemed to shake James from his reverie as he looked up at you, a look of regret seeming to cross his face briefly at not being able to do what he would normally opt to in this situation (i.e., shove his face between them and die due to suffocation). 
“’Course.” He offered instead of saying “oh my god I love your boobies” and cleared his throat, closing the door gently behind you as you made your way to a lounge chair. 
You knew James wouldn’t have gotten far, so you read a few pages before deciding to step up this little ruse.
You slipped your tank top off to display your torso, boobs only supported by a thin bandeau wrapping around your chest. You poured a little water into your hair and then onto your chest to cool off when you heard a solid thunk on the panned glass of your back door. 
When you turned to look, you saw James’ retreating form and the tell-tale imprint of his forehead against the window where he had been standing previously. 
Though you knew you made an impact today, James seemed resolute in his sulking. No matter, tomorrow was a brand-new day.
Being a brand-new day, your morning outfit was a pair of joggers that you rolled the waist band a few times to expose more abdomen paired with a cropped top that was probably a touch too cropped to begin with, let alone paired with your currently braless state.
You could have sworn you heard James try (and fail) to suppress a groan as you entered the kitchen. You hid a smirk as you offered him a faint ‘morning’ and began readying yourself a cup of tea.
Apparently, James’ self-restraint snapped when you stood on your tip-toes to reach the honey on the second shelf of your cupboard; the action of you raising your arm causing your shirt to also lift sinfully.
“Angel.” He keened, causing you to turn your (what you hoped to look like an) innocent expression on him.
“Yes, Jamie?”
He groaned again and stood from the breakfast table, taking slow, cautious steps towards you. “I’m so sorry, love I... I hate that I let us go this long upset with each other.”
Your mouth pinched to the side as you spread your arms – inviting James into your embrace which he was all too eager to accept. “I’m sorry too, bubs. I’ve been immature.”
He half-chuckled half-groaned into your shoulder as the two of you relished in the feel of being in the other’s arms. 
“You are a cheeky little minx, torturing me like this.” He muttered.
“Like what?”
James scoffed and pulled back to look at you incredulously, but any mirth in his face was completely curtailed by the fondness oozing from his warm brown eyes.
“Oh, I’ve missed you.” He said as he bent his knees to be at eye level with your tits before he shoved his face right between them.
You rolled your eyes though he couldn’t see it, asking “who? Me or my tits?”
He was quiet for a moment as he thought about his answer. “Both?” He said, voice muffled from his place in your chest.
“I’ll allow it on account of your withdrawal.” You conceded. 
Note to self: all future arguments can be solved by flashing a little under-boob. 
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methoughtsphantom · 3 months
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DP x DC
not me thinking about imaginary scenarios of ten year old Tim Drake in the ghost zone (pariah’s castle)
where Tim thinks it’s strangely soothing that despite being the only one whose steps connect to the ground, there’s not that eerie silence that befell drake manor
strange blob creatures chitter softly and nip at his hair and swooshes and wisps of wind betray the presence of an invisible ghost
which after following he realizes it’s almost like he’s trailing after the black dark shadow that is batman again
which gives him the idea that, maybe, just this one time, he can play the part of robin
that in mind Tim makes out a game of sneaking to the side of ghosts that look like they’re brooding and if they can spot him he loses
most just grunt in response (very in character) while others fuss over him and ask questions which Tim uses to infodump
he also politely asks the ghost that always asks him how he’s doing to instead say the word “report”
(the ghost looks at him weirdly but humors him and besides the answer would be the same anyways)
Tim also(!!)
gets on the case of why the walls lack tangibility when he is the one leaning on them (he doesn’t live down the time he wanted to look cool only to fall through the wall)
hyperfixates on how gravity works in the ghost zone because he couldn’t do a skateboard trick he has pulled off many many times and he’s salty about it
tries to figure out where they are getting human food from (cause it’s hot enough to be homemade but also there’s no kitchen —so how could it be) (also he wants coffee)
finds out the dude that often gives him a side eye when he finds that Tim knows how to do something (math homework), is next in line for the throne and yet doesn’t have a single “mingle and talk people up” bone in his body. (despite it his networking is a solid 7/10)
gets a ghost horse to adopt him what
discovers pretty quickly that there are rooms to which he can’t phase through (a.k.a. he’s not allowed entry) to which he begrudgingly backs off even though that stands in his way of doing a very thorough layout™ of the place (robin would)
sulks over the lack of extreme sports in the place
(Danny takes him to the Far Frozen where they go tire sliding in the snow and where tim learns how to use a skateboard skate and also that ghost ice cream is just as good as normal ice cream)
sulks again cuz he caught a common cold
also because there’s no sun or moon poor Timmy’s already screwed sleep schedule gets more messed up to the point no one knows when or where he will fall asleep
(ghosts find him in the most unhinged of places with a signature purple cloak draped over him every. single. time.)
overall, be a menace
see-> the time he threatened to build ghost weapons he’d somehow memorized the blueprints of cause Danny wouldn’t let him visit the radium girls factory but yes the renaissance period
see-> that time he went through the whole ghost energy and how to work with it book section in the library and half an hour later had a prototype of a star wars laser beam made
(note: bribing only works for hot chocolate, not for letting him keep cool-looking guns)
just tim having the time of his life
clockwork being no help at all (the ghost loves being a cryptid)
and danny trying not to get attached while he progressively gets more concerned over this chaos child he emotionally adopted as his little brother
(to fit canon cause i want it to this would just be until Danny finds the dimension little Timmy is from, then they can safely yeet the child back to the moment he first went missing)
anyways before anyone knows it’s been three months
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leportraitducadavre · 6 months
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You know there’s a weird connection between the fandom’s perceived idea of “good writing” and their personal feelings about specific characters. “I like this character, therefore, they’re well written” and viceversa, “I dislike this character, therefore, they’re badly written” –I’ve seen this in many fandoms and with different characters, but there’s no fandom where this is more noticeable than in the “anti Sakura” portion of the audience.
Before we start, let me be clear on something: I don’t personally like Sakura, I don’t consider myself a fan of hers (or her stans, which are just as annoying as Hinata’s), nor I believe she’s the “heroine” of a story that has no room for a character with such status (I’ve said this before, Naruto is the hero and Sasuke is the antagonist -there’s no necessity nor space for anyone else as Sakura is merely the female character with most panel time, yet she doesn’t move the plot forward and she isn’t relevant to the development of other key characters, as most of them completely ignore her existence).
“Likeability” isn’t a determining factor when it comes to labelling a character “well” or “badly” written, such notion relies on subjective factors which makes it impossible to objectively determine the overall value of a character inside a story.
The most important factor to label a character “goodly written” has more to do with how well they represent their theological narrative. For instance, Danzo -who I genuinely despise, is amazingly written, as he spot on tackles the subject of extreme-nationalistic world view, while Itachi -on the other hand, is sort-of all over the place as he subscribes to Danzo’s ideology and defends it with the same actions, yet Kishimoto desperately wanted to keep him inside the “good guys” group, which ultimately failed and took down anything Itachi might have had going for him (besides other inconsistencies as he’s presented as a genius who made nothing but mistake after mistake). There’s a reason why the antagonists are often the ones with the best characterizations, as they aren’t tied to been “morally correct” or “likeable” in order to reflect their thematic plot, which is why the better characters in Naruto happen to be Uchiha (Sasuke, Obito, Madara).
Sakura has no weight inside the plot, as she is mostly used for support of either Naruto and (to a lesser extent) Sasuke, she stands narratively in the same spectrum as most “good” characters of the show, so she’s thematically not much more relevant than the rest of K-11; yet she’s given more depth than many other characters, as she’s a layered character of whom we see both her strengths and flaws, something we can’t say for other characters, such as Hinata.
In the Hyüga princess™’s case, her personality is mostly one dimensional as she is a thematic piece used to deepen Neji’s character. In case you haven’t noticed, she was constructed in opposition to him: She needs to be shy in order for Naruto to take pity on her when Neji insults her (as Neji is mostly arrogant and outspoken), she’s comically bad because Neji is a prodigy, she’s “a freak” (said by Naruto himself) because Neji isn't, she’s a slave owner because Neji is her slave, and so on –the only thing she has that wasn’t built in order to oppose her cousin was her infatuation with Naruto, something she makes a priority.
Everything we “know” about Hinata was mostly fandom-made, Hinata is shy and soft spoken, why is she considered “nice”? We never saw her worrying about anyone but Naruto: She was glad Kiba lost his match and offered Naruto the ointment to treat his wounds, she diminished her cousin’s trauma and endorsed the oppressive system of her clan, we never see her visiting Kiba after he returned from his mission to bring Sasuke back to Konoha (something we see Ino and Sakura do with their respective teammates, and while Hinata was recovering from Neji’s attack, she had enough strength to train and go see the Chünin Exams final stage, at no point is mentioned she was bed-ridden, as Sasuke had enough time to recover from Gaara’s attack before escaping the village), she thought about Naruto’s warm hand seconds after her cousin died and she was the only character not shown to be glad about Shikamaru being alive as we saw her pouting and thinking about how much she wanted to be beside Naruto. Furthermore, is there any scene in which she appears where she’s not thinking or talking about Naruto or where he is not the main focus?
How come a character designed to be nothing more than support (for Neji and Naruto, as her infatuation with him was built in order to have some oppositional force to the idea of “nobody likes him”, as Naruto has an unrequited love for Sakura during the whole duration of the manga) is “better written” than Sakura, who despite herself being also support she has far more thematically ground to move around (Kishimoto explores through her different themes, even if they aren’t relevant to the plot itself, such as romantical obsession, low self-esteem and the decisions/characteristics that are driven by it, female friendship, and few others).
Honest question: It’s her sad background reason enough to like Hinata? Do you truly need a “compelling” backstory in order to claim a character is “better written” than others? Sakura was bullied because she was shy, Hinata -being the Hyüga heir, wasn’t shown to suffer the same fate at the hands of her classmates. Think about it this way, while Sakura was being bullied and had to be helped by Ino, Hinata was being trained by her father and witnessing Hiashi torture her uncle while Neji cried, helpless! –and just a few years later, she used that exact knowledge to insult him! So she’s not really that nice after all!
What is it with the obsession of both fandoms with the idea of “potential” and how, apparently, they were “robbed of it” (what “potential”? When did Hinata even hint at improving her fighting techniques? She was defeated every single time! When did Sakura, who canonically has a smaller chakra pool than both Sasuke and Naruto, have the possibility of surpass literally Ashura and Indra’s reincarnations? Them having more panel time will mean absolutely nothing as we’ll see them doing the exact same thing we already see them do only twice as much. “Potential” is about exploring a latent ability of them, Hinata has none and Sakura’s chakra flux control was properly exploited!).
There’s more to say about this, but I’m honestly tired at this point…
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I am once again having a thought™ and I just went on a full-on rant to a friend, thought I'd share my thoughts with y'all to see if anyone agrees.
Yes, it's about Hadesgame Patrochilles, buckle up.
Currently reading the Iliad, I noticed that not only are Achilles and Patroclus extremely well-written in Hades (that we're all aware of, I think), but also that there are many many layers to their relationship and the one they have with Zagreus.
First thing that hit me while reading the og Patrochilles and how they're written is how drastically different they are in Hades compared to their original alive selves. They're basically each the complete opposite of what they were when they were alive: Achilles, once prideful, arrogant and impulsive, once his rage was appeased, now became wise, patient, calm, an actually good mentor to Zagreus, in whom he must see a lot of his younger self. Patroclus, on the other hand, once famously gentle and kind, became bitter and dismissive. That can easily be explained by the fact that decades and decades alone after death can drastically change someone. Achilles, so guilty about what his pride did to Patroclus, matured and became wiser; and Patroclus, because of years alone abandoned, lost his faith in the glory of war (and in Achilles).
They basically became the opposite of what they were when they were alive, because of years of loneliness and longing and reflecting on this war they were a part of.
BUT THAT'S NOT ALL GUYS. When you dig a bit (mostly by chatting with Achilles and listening to Patroclus ramble to himself), you learn that what made them mostly change, aside from the circumstances of their deaths, is their longing for each other, and that despite all that change, they both retain the ONE TRAIT that caused their deaths.
Achilles, even in death, remains unbelievably stubborn, unshakable in his decisions (or in this case, his decision to stay away from Patroclus so that he can rest in Elysium) until Patroclus (through Zagreus) manages to shake him out of it.
And Patroclus, ever so bitter and depressed Patroclus, remains deeply kind and generous. He broods there in his glade, but when Zagreus shows up, polite, just passing by, in need of help, Patroclus offers him what little he has to keep going.
It drives me insane to see that after dying, Patroclus is the one who became impulsive and ready to 'risk it all', because he simply has nothing left to lose. Meanwhile, Achilles, so scarred by Patroclus' death (caused by him and his hubris and his pride), is terrified of risking anything, because the one thing he has left to lose is Patroclus' place in Elysium, and he simply can't bring himself to understand that Patroclus wants to be by his side anywhere rather than alone up there.
And they could have never reconciled without Zagreus' intervention. Because somehow, Zagreus is a mirror of both of them, in his own way.
And because on top of being impusilve and stubborn (like Achilles) as well as kind and caring (like Patroclus), Zagreus is the one guy down here, the only one who fights against his fate with all his goddamn might.
Because he wants to see his mother. He wants to find his place in this world. He wants to be acknowledged and respected. So he fights, against the Fates themselves (by just being alive, he does, I'll remind), against Hades, to get what he wants. Achilles and Patroclus both succumbed to their own destinies in the worst way. Of course it would resonate with them.
Maybe I'm thinking too hard about this. But there are so many parallels to draw here! Think about Achilles, who practically raised Zagreus, instructed him in myths, history, combat and arms. Seeing this kid, a prince, gifted for combat, craving for recognition and respect? That would ring a bell. And Zagreus is already a dual kind of person, he's the red eye and the green eye, he's the Olympian and the goddess with a mortal father. He's rage and fierceness (Achilles) and he's kindness and generosity (Patroclus).
And Zagreus hates the status quo. In his own life, and in the one of others. He does this for multiple people in Hades (Sisyphus, Orpheus and Eurydice, Hypnos and Thanatos, Nyx and Chaos...), he just can't stand people suffering when he knows there is something that could be done. He rattles the house and wreaks havoc in his father's well-ordered world, because he knows damn well he's the only one with enough balls to do it.
The thing is that if Zagreus had never intervened, Achilles and Patroclus would never have seen each other. Achilles took the first step toward redemption by giving up his place in Elysium (his glory, his pride, what he fought so hard for) so that Patroclus could stay there instead, as a way of apologizing for what he did to him and atone for his mistakes; but after that, he was left frozen in his own guilt, refusing to try and think of a way to see Patroclus again. And Pat, well... He's given up. Like how he gave up on reasoning with Achilles back in Troy. So he just waits there, even he doesn't know what for. It takes this bisexual disaster of a god to barge in and shake things up, until Patroclus finally reached out to Achilles, gives him that message (risk it all), the last push Achilles needed to finally move.
So yeah I just think they're neat-
This concludes my thought™.
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autismprotocol · 6 days
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TMAG Theory Board Update (EP 11-12)
Hi guys sorry about the late posting I've just started a new quarter of college and its been pretty hectic. also got into my school design BFA program so pretty stoked about that! Anyways lets get into the Episode Breakdowns because even though not a lot of lore related things happened I still have a lot to talk about
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For the breakdown I'll separate each by episode in sequential order
What Happened in Episode 11: Marked
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Celias Rude Awakening- we jump right into the weirdness straight away with Celia waking up on the side of the interstate. she indicates that this is not a weird occurrence and ends the scene by telling someone named Jack that she's "on her way." If you remember episode 8 after Celia and Sam talk to Gerry and Gertrude, she mentions stuff about wanting help with her own mystery. When Sam asks about it she says she's looking into Time travel, other dimentions and teleportation. Many people have theorized that maybe Celia is just a super heavy sleepwalker, but I think the she teleports random places out of nowhere. This could be a side effect of her reality hopping if this Celia is originally from The archives universe.
As for the identity of Jack I'm not quite sure about that yet. I cross referenced the name Jack with past episodes of TMA. The only thing that came up was Jack Barnabas from the statement about dating Agnes Montague (aka an avatar of the desolation and Jesus-like figure for the cult of the lightless flame) So Unless Celia is secretly Agnes of Agnes reincarnated , I can't find any way to link Barnabas to Celia. (if anyone has a theory feel free to send it my way.)
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Sam Lore- this one is pretty minor story-wise but I thought it was interesting. Before the statement for the episode is presented we get some classic Sam and Alice Banter ™ most of it is pretty lighthearted but I noticed Sam mention something that could indicate he might be an amputee.
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These could not mean anything and I find it weird that it hasn't been mentioned until now but thought it was kind of cool and I will probably be drawing sam with a prothetic leg in the future cause I really like this head-canon. It also begs to question if he is missing a leg. it might have anything to do with his past as a Magnus institute test subject but then again could just be a fun character detail added by Jonny and/or Alex .
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The Statement- Getting into the statement we get another Ink5oul appearance. Also possible Ink5oul identifying as she/they. (and lets be honest being a fear avatar is pretty non binary core). I found this Episode gave me a feeling of a hybrid between the Vast, Buried and the Flesh some people are theorizing that is might be a new entity called the Deep but I think that the fear of the ocean could easily apply to the vast or buried. Not much to say about this story though pretty standard Magnus horror that also gave us a hint to what Ink5oul's goal could be/which entity they serve.
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Post Bonzo- Gwen has a debrief with Lena after her first Externals Liason assignment and her meeting with Mr. Bonzo. Undoubtedly Gwen is still pretty shaken from her encounter, even arriving late to work due to sleeplessness. Gwen is able to ask Lena a few questions mainly she wanted to know who's name was written on the letter given to Bonzo
Lena is largely unhelpful but tells Gwen she should have worked it out by now and if not to pay close attention to the case load for the next couple of days. before the latest episode my guess was Klaus because that is the only person mentioned so far that the OIAR intends to kill. but more on that later
Marked- Now were getting to my favorite thing about this episode. This episode title can have two meanings. The first is the more literal interpretation. Tattoos are marking of the body and the case this episode was all about tattoos so easily a good name would be marked. But I believe this is a red herring meant to misguide listeners who have not consumed all 200 episodes of TMA because if you know the world of Magnus Archives the term Marked takes on a entirely different meaning.
In TMA the term marked is used to indicate that somebody has been influenced by one or more or the fears and are one their way to becoming an Avatar. I think this could be a coded way to tell the audience someone in the OIAR has been marked. I have two potential candidates
Alice Dyer- Alice has been having dreams about the Institute after her and Sam's adventure into the ruins. also she mentions feeling like someone's watching her (common to people influenced or fed upon by the Ceaseless Watcher/The Eye) My guess if she is marked it would be by the Eye.
Gwendolyn Bouchard: Probably the most likely culprit. The main way an entitly tends to mark people is through encounters with other avatars. Gwen has just had an encounter with Mr Bonzo last episode who I strongly believe must be an avatar of some sort.
What Happened in Episode 12: Getting Off
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Aww Sam!!- Sam asked Celia out and it was adorably awkward. not much to say I just loved this interaction and I'm longing for a new Magnus brand office romance hopefully is wont be an agonizing slowburn that ends tragically like a certain pair of morons from Archives (I love you Jon and Martin but Jesus christ)
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It's Bonzo time bitches!!- Probably one of the most gruesome Magnus statement I've ever listened to (good work Alex) Mr Bonzo completely annihilated some poor dude at his bachelor party. Based on the date of the Incident the I can confidently say that whoever Baz (the groom) was he was our mystery person the OIAR sent Mr Bonzo to get rid of. Along with some of the bloodiest imagery we learned a few things about Bonzo. The most interesting detail is that Bonzo has to be summoned by playing his theme song I think the CD of his theme song acts somewhat like the tapes did in TMA by materialising out of nowhere. Also fun fact you know that torn seam that is right down Bonzo's middle? that is actually is his mouth lined with rows sharp teeth so I guess I know that now (so fun) Moral of the story dont f*ck with Mr. Bonzo
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Alice knows something: Theres been this recurring audio glitch throughout TMAGP thatnks to a few extremly observent fans we have started to relize that these glitches are not at all random and are actually letting the audience know when a character is lying (i actually reposted somones deepdive into all the istances of this glitch so far if you guys are intrested in knowing more) why i bring this up now is becuase since we know when any charater is lying we also know when they are being truthful if there is no glitch when they say somthing and at the end of this episode this interaction occurs
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Alice goes ahead and makes a joke about this to annoy Gwen but the fact theres no audio glitch when she says "I know" means she does actually know who is behind the OIAR and is activly refusing to share it with Gwen or the others. What do you know Alice!?
and that's about it im already loving these next batch of episodes and am so excited to learn more (ERROR has to show up somtime )
thanks to everyone who resonded the poll on the last update I will continue to include drawings into the breakdown even if it takes me a little bit of time to post. anyways I wrote this all in one sitting and I'm about ready to pass out so thanks again and the ask box and comments are always open for discussion and theory crafting.
-Echo
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sussusamogus47 · 11 months
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I just wanted to call to attention the board games in the final puzzle room, bc I haven't really seen anyone talk about them all that much.
I genuinely can't tell if they were all deliberately chosen for what they are, or if instead it was a case of what the set designers (of Genloss, not Showfall) could get their hands on, but the relative obscurity/odd choice of games makes me think that for the most part it was deliberate.
Lemme explain, starting with the most interesting one first.
Game One: My 2 Homes
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This game is most notable because it's the one boardgame that Ranboo actually calls out by name, and one of two (if i remember right) that they ever interact with. What's clever though is how it could easily be written off -- Jerma asks the three of them for examples of things in the room, and he provides one. End of story right?
But consider first that the mind control over them has been getting stronger and stronger, and the past few rooms we've been seeing them become more NPC-like, interacting with things less and less, taking less of an interest in other things.
What makes it more interesting in my opinion though, is the fact that the game is meant to help children "communicate and process their feelings about divorce".
What does this mean though?
Well, looking at the verb definitions of divorce, there's two ways it can be taken:
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You could make an argument for the first definition, sure. But just look at that second definition. Separate or dissociate something from something else. Aka Ranboo and reality.
Suddenly Ranboo's calling out of the game looks more like a call for help. To use the game for its intended purpose and say "I'm still here, please help me. I don't want this to continue."
I could be stretching here. But the subtly of it is really good, and imo wouldn't be out of place.
Game Two: Maul of America
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The pun in this one is actually what made me notice the oddity of some of the choices of these board games. For those who mightn't know, the Mall of America is one of the largest malls in the United States.
The premise of this game is simple: You're in a mall during the zombie apocalypse, and have to fight your way out. One player controls all of the zombies, and each other player controls themselves, obviously.
The parallels here alone are honestly astounding lol
But wait, there's more!! Upon rewatching this entire section, I believe this is the only other board game that Ranboo ever interacts with. Even more interestingly, I believe this might be the only game in the room that has its pieces outside of the box and partially set up.
For reference:
Here's an image of the board + some of the pieces, courtesy of boardgamegeek.com
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And here's the closest, best shot I could get of the board:
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Notice the standing pieces, the flipped over ones, and their positions relative to one another. Red is flipped, blue and orange are standing up. One zombie is standing, the rest are flipped. Blue is by red, and orange is by a zombie.
Now I'm sure you know, but for Dramatic Effect ™ I'd like to point out the primary colours of each person's outfit in this room:
Red
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Blue
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Orange
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So then, Ranboo, Sneeg, and Austin are obviously intended to be the players here, with either Showfall (or the founder) controlling the zombies. Sneeg's blue token is likely closer to Ran's red one to indicate that they know each other, which supports some of the other theories around that.
But then why's Ranboo's token flipped? And what's with the zombie?
Well this is where we pull into Speculation Station, because I'm honestly not too sure. I'd like to say that the flipped token indicates Ranboo's mind controlled state, but then why isn't Sneeg's flipped too? After all, we all saw him get forcefully controlled by the Showfall Crew. My only other guess is that it hints at the ending, where somehow Austin and Sneeg survive and escape Showfall where Ranboo doesn't, but I feel like that's shaky at best so idrk.
Similar problems occur with the zombie, too. You could say it's Ranboo being mind controlled by the zombie player, but then Sneeg should have one too if that's the case. It can't really be Jerma bc he's well, dead by this point. It could maybe be the camera operator? But we also see the rats behind the curtain so wouldn't they have one too?
I really don't know honestly. But I've been going on about this one for a while lol so I should probably move on.
Game Three: Anti-Monopoly
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This one is basically what it says on the tin: Anti-Monopoly, or a trust busting game where players have to go around dismantling large corporations. Depending on the size of the company, (oligopoly, trust, or monopoly) you need one to three tokens respectively to take them down.
I'd imagine that Showfall is a pretty large corporation, so my guess is that the symbolism here is meant to be Hetch's (or even Ranboo's) intention to dismantle the company. If the former, it could maybe mean that Hetch isn't here to actually help Ranboo, but is instead using him for in order to dismantle Showfall, which would be a twist for sure.
Game Four: Twister Moves
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This seems like a version of Twister with maybe a musical chair-esque aspect to it. Someone plays as the DJ and plays music, and calls out moves to the other players.
If I had to guess, this is meant to symbolize Showfall's control over people, and how they tell them what to do.
Miscellaneous Games
These ones I don't really have much (or anything) for, honestly. I'm mostly putting them here in case anyone has any ideas, or in case they're somehow relevant.
I also have to stop adding images unfortunately bc I've hit the app's limit :(
Battleground: Crossbows and Catapults
Interestingly enough I had this as a kid lol. Used to play with just the lil plastic castles and guys a lot, not really playing the game. Anyway, the premise is you use the rubber-band powered disc launchers on top of the castles to knock down the other team's guys. Apparently hitting their flag gets you bonus lives or something, so maybe that's relevant?
Star Wars 100 Piece Puzzle (1996)
I.. actually really doubt this one's relevant. It seems a bit too mainstream for it to be, and it's also a puzzle. The date could maybe be relevant? Piece count? Or somehow the characters on it (Luke, Leia, Vader) are, but I just can't think of anything that'd work here, so my best guess is it's a red herring.
Classico (??)
I literally couldn't find anything on this one that matched the box, so I'm at a total loss.
Closing Remarks
Well, I hope that was all comprehendable :D I spent the past two hours or so putting it all together, and honestly in the process of doing so found wayy more to it than I initially thought.
And with that, I bid you adieu!
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AITA for not showing my mom her mail from a government agency?
(submitted march 10th) ✉️🧑‍🦽
i (27nb) live with my parents (50s M+F) and am disabled. due to my disabilities, i have been trying to get on SSI (disability income in the USA). this process takes an extremely long time (i started it last april, 2023, and have still yet to get a verdict) and they check medical records as well as school/work records AND ask for references who know how your disability affects your personal life.
i don't really have anyone other than my parents to act as my references, so i put down my mom as my reference. now, mom knows about my disability and how it affects me, but she refuses to believe it's as bad as it is, and wants me to get a job, even though i can't leave the house most days. she gets annoyed/angry with me when i have to use my cane or other accessibility aids and also makes me do the most chores around the house. this is all the background info.
a couple weeks ago, towards the end of february, mom and i both got letters from social security. i opened mine quickly and responded, and saw hers, but decided not to mention it. after all, when we bring in the mail, we put it all in one place, and mom and dad go through it and deal with the important stuff. the day after the letters came i saw that the disability one had been moved to mom's desk with another important looking letter (looks like some insurance thing), presumably so mom would remember to take care of them later. then she just... never did.
it's been like two weeks. despite how long the process takes, social security DEMAND that you answer them within a few days of receiving their letter, or they'll move forward in their process without a response from you. so the window for mom to answer this letter has almost definitely passed. i never brought it up to her, because 1. i assumed she had seen it and just never gotten back to it, and 2. i thought that her testimony as my "reference" might actually hurt my chances of getting on disability.
reasons i might be TA:
this is mail from a government agency, which is objectively pretty important.
the other important looking letter on top of the disability one hasn't been dealt with either, which might also be time-sensitive.
i'm assuming that my mother wouldn't provide helpful testimony for my case, when she actually might.
reasons i might be NTA(/NAH):
i have very good reasons to believe mom would say my disability isn't as bad as it is, and potentially hurt my case.
she saw the letter and moved it somewhere to deal with later, i didn't hide it from her. she just forgot and i (deliberately) didn't remind her.
social security has mom's phone number too. if they desperately need to speak with her, they can call her (they've called me before in addition to sending letters, so i know this is Something They Do and not just a hypothetical "they could").
by the time this gets spit out of the Processing Vortex™ it's gonna be waaaaaaay too late for the letter(s) to be answered, so this isn't a question of "should i tell her about it?", just "was i a dick for this?"
What are these acronyms?
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musical-chick-13 · 2 years
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I think people who pick one character from AsoIaF/GoT to be The Protagonist are missing the point, because pretty much all of the characters think THEY are The Protagonist™ and that’s ultimately what screws them over.
(I also want to preface this by saying that that’s the reason I find these characters so interesting, and that this is not meant to insult any of them. I LOVE this story, and this is one of the many reasons why.)
Cersei thinks she’s the Villain Protagonist™ of a gritty drama. Even if it doesn’t make sense for things to work out for her, she assumes they will, seeing everyone around her as faceless idiots serving her narrative. Anyone and everyone will betray her because that’s what always happens in stories like this, so she won’t give them a chance to ever get there. People will move the way she assumes they will; everyone is predictable and stupid and shallow and cowardly. And as such, no one possesses the necessary skills to take her down. If she’s more ruthless and ambitious and paranoid than everyone else, she’ll get what she wants. But that’s not how life actually works, so all she does is alienate those around her, even necessary allies. People aren’t always predictable, not all of them are compliant or subservient or easily-frightened or incompetent. And if you prioritize ruthlessness and distrust, the people who aren’t those things aren’t going to see any reason to keep you around or give you aid.
Jaime thinks he’s a Cynical Misunderstood Antihero. He doesn’t need to work on bettering himself or de-internalizing his violent impulses, because he’s not the problem, it’s society, it’s people’s incorrect assessment of him. Look, he made a friend in Brienne, that must mean he’s not all bad, right? He thinks this story ends in a Public Image Rehabilitation, but he still conflates love with violence, and he still has a fucked up relationship with consent, he’s arrogant to a fault, he still insults Brienne (and just about everyone else) when the opportunity presents itself, and he never bothers trying to change that. And it’s all of this that prevents him from every truly becoming a good person. He’s so mired in this idea of being misunderstood that he doesn’t make a concerted effort to prove that he actually is. People think he’s an oath-breaker, that he has too big of an ego, that he doesn’t care about the people he swore to protect, and he thinks that simply going, “Yeah, but they don’t have the whole picture” is enough in and of itself to prove them wrong because, in a lot of stories, it is. But all his behavior does is cement his reputation as these things.
Dany thinks she’s The Chosen One, which means whatever she does is automatically the right decision. People will accept her rule because it’s hers, she deserves it, it’s morally right. All of her enemies are blanketedly wrong on all accounts in all cases. Her goals supersede anyone else’s because those goals are the way to a Happy Ending, and she doesn’t consider that other people might not see it that way. Many people’s gripes with her stem from gross places like misogyny or wanting to continue keeping slaves, but she forgets to acknowledge that some people’s issues with her might actually be valid. And that The Chosen One is actually a terrifying idea to people outside that person’s immediate personal context. She has three sentient WMDs, essentially. And if she thinks that using them is always morally correct, that the fallout from doing so can’t possibly be a problem because she’s using them and it’s for a noble cause, you end up with what happened in Astapor; and you end up with Drogon killing a child in Mereen and, eventually, her demise at the end of the show.
Sansa starts out thinking she’s an Optimistic Child Hero in a fairytale. This leads to her being held captive at court (she trusted that the authority figures were benevolent), writing a letter to her family that almost comes back to bite her to a deadly degree once her sister finds out in the show (she thought she could solve everything herself via a peaceful resolution), and to her trusting a complete monster of a boy until it’s too late (she thought he was Prince Charming). She thinks that being the Soft, Beautiful Heroine means people will love her and everything will end nicely and neatly, but sometimes instead of “love”, people just take advantage of you. And sometimes their reaction to your beauty isn’t innocent appreciation-sometimes you end up with Littlefinger. (Or Tyrion or The Hound who...let’s just leave it at “they have their own issues,” especially book-wise.) This morphs into assuming that a fairytale-esque betrayal will befall her with every new person she meets. It’s why she defends Petyr after his murder of Lysa, and it’s why she doesn’t leave with Brienne; if she’s going to be betrayed anyway, she might as well at least stick with a villain she understands.
Ned thinks he’s the Noble Hero in a typical fantasy series. He doesn’t consider everyone else’s capacity for cruelty or the idea that honor alone might not be enough. Sometimes there are no perfect choices, sometimes mercy does not give you the end goal you envisioned, and sometimes you can try your best and that can all be undone by one impulsive, unforeseeable action. You can’t honor your way out of ruthless political conflict.
Robb thinks he’s a Romantic War Hero, and thus everything will magically work out for him. His ideals and his marriage will conquer everything. But he broke a marriage promise to a powerful family, and that has consequences. The world won’t bend to his will, not even if he is doing the right thing or has noble goals, not even if he’s had war success, not even if the people at home love him, not even if he’s in love (show) or doing the most honorable thing he can (books). He thinks that being the hero means he can make it through Westeros without having to play the game, and he gets murdered for it.
Theon thinks he’s an Underdog Outcast Hero. He’ll come up from behind with an unsuspecting War Victory, and that will earn him respect, the love of his family, and a legacy he can look back on with pride. And that mindset leads him to murder two children, to drive away any allies and good grace he had at Winterfell, and the reason that the War Victory he imagined was so unexpected is because it’s completely untenable. He gets more and more desperate and it’s increasingly harder and harder to hold onto the control he’s managed to obtain. He has reasons for wanting this that make sense, and he’s been dealt a pretty bad hand in life, and he thinks that’s and his determination to overcome his personal identity struggles is enough to not only justify his actions, but ensure that those actions will be successful. And then his plan blows up in his face, he assumes he’s been miraculously saved (probably still having something to do with seeing himself as The Unexpected Hero), and ends up at Ramsay’s mercy.
Arya thinks she’s a Badass Heroine in the making, a skilled swordslady and Rebellious Princess who’s destined for more than this stuffy life of politics and dresses and formalities. But rebelling isn’t always enough. It doesn’t help with the Mycah situation, and she still needs to rely on others’ help in getting out of the city after Ned is executed. When she does try to embrace the “fully self-sufficient sword lady” idea while with the Faceless Men in Braavos, she is told to functionally discard her identity completely. She does an unauthorized kill because she, not her assassin-persona-in-training, wants to (though the victim’s identity differs in books and show), which leads to her being temporarily blinded and prevented from going on assassination missions, and outright forced to beg for food in the show. In the show, after being reinstated as an apprentice, she is tasked with killing an innocent person, refuses (rebels), and realizes that this life is one she can’t handle. She goes home, and her heading straight for her sword is one of the things that almost completely ruins her relationship with Sansa. In the upcoming Winds of Winter release, her chapter excerpt has her prioritizing revenge over her apprentice duties, and she remarks that her new identity is ruined with this rebellious action. When you rebel, there are consequences-this doesn’t change just because your intentions are good or because you are or think you are important.
Jon thinks, similarly to Ned, that he’s The Good Guy, that doing the right thing, that following The Code is paramount. He thinks that, because he’s The Good Guy, that doing the right thing with the maximum amount of good for everyone will always be a workable option, and that the heroic option will always yield the best result. This is why he thinks proclaiming his love to Ygritte in the show will end well (because love is good and conquers everything) and is, instead, shot by her several times. It’s why he doesn’t foresee a mutiny in either medium, which leads to his (temporary) death. (Let’s be real, he’s getting resurrected in the books, too, this is the one thing I’m sure of.) Because yes, everything is tense and he’s on bad terms with the Watch, but surely they wouldn’t go that far. It’s rough going, and he has to juggle the needs of several widely different groups of people, but he’s doing the right thing and that will win out; his conviction will protect him, at least for the time being while he tries to manage the bigger threat of the White Walkers. The real fight is with them, the mysterious overarching enemy, not within his own ranks. This is a story where everyone puts aside their differences to fight a greater threat-except for the times when it isn’t.
Even Catelyn isn’t immune, as she assumes that Petyr, since he’s her childhood friend, is invested in solving the mystery of what happened to Bran when he tells her the dagger used in the attack was Tyrion’s. Lysa is her sister, she can’t possibly be suspicious. She thinks the Lannisters are evil, her instincts tell her that they were behind everything, she’s the Protective Mother Heroine, so she must be right. But although she is to a certain extent correct, that’s not the complete picture. And this slightly-misplaced confidence leads her to arrest Tyrion, the retaliation of which is Tywin siccing his forces on her homeland, one of the major first steps in the upcoming political war. Then, her continued focus on saving her children-something that must take precedence because they are her children, and this is her story-leads her to taking Walder Frey’s supposed offer of a fix-it solution for Robb breaking his marital pledge at face value, despite House Frey’s reputation, and despite this neat resolution seeming far too good to be true. She’s so focused on the Lannisters-the Obvious Endgame Enemy-that she doesn’t consider the possibility of betrayal from the Freys. She thinks that the world is giving her a break-because she is so desperately looking for one, because she deserves one, because her family deserves one, and those are reasons enough for her to have one-that she doesn’t even bother to re-evaluate the situation until it’s too late.
Melisandre thinks she’s a Religious Hero, but she ends up burning a child alive and alienating one of her few remaining allies in the process (and Davos was barely an ally to begin with). She thinks she’s Doing What Needs To Be Done to serve her savior, but it hurts Stannis more than it helps him, and he just ends up being murdered by Brienne. This is obviously in the show only (at least at this point), and I don’t know if Stannis is going to burn Shireen in the books or not. Stannis thinks he’s the Lawful Hero, and thus, because according to law he’s the Rightful Ruler, anything he does is automatically excusable; he’s just righting a wrong. And in the process, he imprisons his closest friend, has a hand in murdering his brother (when kinslaying is one of the most universally hated breaches of conduct in this fictional universe), allies with a dangerous woman that much of his own court despises, and, in the show, murders his only child and drives away most of the rest of his remaining team.
They all think that, since they are the main characters of their own stories, that they’re the main character of the larger, overarching narrative. That having understandable reasons or sympathetic qualities or even just having a clear goal that they desperately want, that’s enough to cement their importance. And they think that means that they’re justified in everything they do, that everything will work out for them, that the consequences will be lesser for them than for others, because that’s what it’s like to be the main character. The whole point is that there is not A Protagonist™ and that maybe we should examine why a story needs A Protagonist™ in the first place and what that narrative tradition tells us. When GRRM said he turned down adaptation offers because they only wanted to focus on Jon and Dany, this is why.
#asoiaf#got#asoiaf meta#got meta#most of this is directly related to everyone deconstructing the archetypes they would represent in other stories#so I'm not sure how much of this is just 'deconstructing tropes' and how much of it is 'Main Character Perception Syndrome'#also obviously this isn't every character I ran out of room and honestly some of them like davos and brienne and maybe even loras#probably don't think they're The Main Character which there's a whole other essay in there about how they're The Good People#I personally think Bran never gave off 'I think I'm the main character' energy but I know haters will disagree with me on that#like...Idk his sense of self-worth kind of went away and he spent a bunch of time trying to get it back and figure out how to get by#in a society that now thought he was worthless. and how to get enjoyment out of life when his goals were no longer reachable#it read less as 'I think I'm more Important™' and more 'I'm just trying to survive man' but also I love bran I might be a little biased lmao#cersei lannister#jaime lannister#dark!dany#sansa stark#arya stark#theon greyjoy#jon snow#catelyn stark#robb stark#ned stark#melisandre#stannis baratheon#I take my life into my own hands by putting actual names in the tags but I talk about these characters and I don't know how else to tag#this to ensure people who don't want to see it won't have to see it#also for anyone wondering where tyrion is on this list: I was too tired to delve into this phenomenon regarding him because it is ESPECIALLY#prominent regarding him. and this post was already so long and talking about tyrion in this context probably would've made it TWICE as long#there genuinely isn't enough space in here to include him but know that I'm counting him too. most definitely#behold! a creation!
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plushefemme · 6 months
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✎ hello! ❤︎
✦ call me plushe :)
✦ nonbinary lesbian, she/her, white, 26
✦ single, femme4butch/stud/masc ⚢
➹ my posts ➹ my pics ➹ my asks ➹ my audios ➹ my erotica ➹
✦ this is a kink/nsfw blog. MINORS & AGELESS BIOS DNI, i do not want you here!! i try to check my followers but i am overwhelmed & baffled by the sheer number of ppl following this blog, i do My Best™
✦ message to the (cis) straight men.... don't give me any reason to block you and we'll be fine. (sidenote to queer ppl: i will not rb anything with men dni in the caption. if you don't want me rbing your stuff pls just block me or ask me not to rb, no hard feelings)
✦ exploring my feeder side, i'm also a feedee/gainer (trying to gain... we'll see) and i'm into mutual gaining
✦ mostly soft queer feedism but add a little bit of ✨spice✨
✦ tags i use as a heads up/in case you wanna blacklist: burping, intox tw, drugs tw, alcohol tw, cnc tw, breeding, force feeding, pet play, manipulation tw
✦ this blog will NOT contain: harsh teasing/humiliation, misgendering kink, forced feminization, fatphobia kink, immobility, medfet, farting, scat, vore, emeto. no hate, just not my thing!
✦ i use the tags personal, unsexy post, or not feedism related for me blabbering about random shit, blacklist if you'd rather have a one-track following experience
✦ i also tag fatphobia tw & ed mention but these rarely come up
✦ i follow from my sfw main blog
✦ this blog aims to be a safe space for trans women and transfems, gnc folks, people of color, disabled people, as well as anyone recovering/recovered from an ed
✦ other things to note: 1) attraction to fat people is not a fetish. 2) if you don’t place the safety and wellbeing of fat people above all else then go away. 3) fat liberation always. 
thanks for reading, take good care!~
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kyouka-supremacy · 7 months
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Follow up question why do think akutagawa listened to atsushi request to not kill people for 6 months? I don't think this has anything to do with dazai's approval. I like the bsd omake where akutagawa was having a hard time not killing and gin being genuinely worried about his mood!! It's funny how the entire mafioso seem okay with akutagawa's decision to not kill, until he settles his score with jinko.
I do think it was really just that Akutagawa, for how he is, keeps his promises. Once he accepted it - and he accepted it, because Akutagawa can’t turn down a challenge or a chance to prove himself -, I don’t think he ever even considered breaking it, because he’s of that kind: hyperfocused, straightforward, quite the executer, someone who doesn’t really question things but is used to stick to the directives when coming from a place he feels he has to prove himself to (that’s what Dazai made of him, after all). I do agree Dazai’s approval had secondary importance in this case. I also think Akutagawa just really wanted to kill Atsushi. He’s not used to… Question things, and he saw in keeping his promise the only way he could get to fight Atsushi in six months, which is something he really wanted to do, so he just did that. Akutagawa is quite narrow-minded and straightforward.
But again, even leaving that aside, Akutagawa being one who keeps his promises- I don’t know how to explain it, it just fits his character. It fits his being naïve and it fits his serious personality and his upbringing and moral compass. Seriously, I don’t think it was even because of Atsushi specifically, he just keeps his word in general, even if he was to give it to one of his victims before killing them. He’s a man of his word, it's in his very character introduction.
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About how the promise could ever possibly concile with his Mafioso job, thinking about it is my personal treat! It gives back some kind of dignity and authority to Akutagawa after all the mud I so often have fun throwing at him ahah. I think I already summed up pretty well what I think about the matter in the tags here:
Surprisingly, I think Akutagawa has enough power to do that. Despite all the mud I throw at him he *is* one of the most powerful pm members and like... Realistically‚ now that Dazai is gone‚ what is keeping him in the pm anyway? On the other hand, it would indeed be a great loss for Mori to lose him. So I do believe to some extent they just make Akutagawa do whatever he wants to do; which most of the time is killing and maiming so that's quite convenient! But if for six months he decided to limit himself to the maiming part I don't think there's much they can do about it. Besides, I believe it's an important aspect of Akutagawa's character how... You could say‚ capricious, but overall simply untamable and unrestrainable he is. I think that although they never directly confronted about it‚ both Mori and Akutagawa know Mori has to leave Akutagawa enough freedom of action to keep him in after Dazai left. Because again‚ seriously - and that's a whole post for another time -‚ what is keeping Akutagawa in the pm after the dark era events? He doesn't hold any sincere loyalty to the pm like Chuuya does– his true loyalty still lies to Dazai beyond what even Akutagawa himself acknowledges. He can't fear pm retaliation like virtually any other member would, because he's objectively powerful enough that wouldn't be a problem for him. I mean who would they send after him? Chuuya? I mean they technically could‚ but it's going to be unpleasant for everyone. Tl;dr Akutagawa one day really showed up (unannounced) to Mori's office and told him that he‚ ruthless mafioso pm rabid dog™‚ wouldn't have killed anyone for six months and Mori just had to roll with it. But that's fundamentally tied to Akutagawa's whole character and his characteristics of being wild and unpredictable and especially uncontrollable. (Gin's reaction would be indeed hilarious though. Really SHE is the only person left in the pm that holds power over him I'm not joking)
I do actually believe that Akutagawa, despite not being an executive, has enough power to decide what he does and doesn’t do in the mafia. He’s the most valuable member that isn’t an executive, and one of the most powerful members overall. He’s often played a key role in the pm’s major conflicts. Mori has direct interest not to lose him. Yet Akutagawa has no real reason to stay in the pm? He joined because of Dazai, but Dazai is not there anymore. He never showed true loyalty to the pm outside of doing his job. It really is just a job for him- a job he’s quite good at doing, a job that’s perfectly fit for him, but still a job he can abandon any time. There are universes where Akutagawa doesn’t work for the pm. But that doesn't change the fact that it would be a great loss for Mori if Akutagawa left, so if Akutagawa one day is just like, “no killing commissions for the next six months”, Mori just has to deal with it. And Akutagawa – who after all has a very powerfull skill, and after Dazai left was able to climb the ranks easily – has enough authority to do that. He’s not an executive (and I firmly believe he will never become one), but he is not below executives either; in the story he’s always shown receiving orders from the organization boss directly and answering to him only.
Akutagawa is a wild beast. He doesn’t like being kept under the leash. Dazai had (and still has) complete control over him, but that’s because he’s Dazai, and because of the circumstances in which they met; that said, Akutagawa isn’t willing to let anyone else control him very easily, and after Dazai left the pm, Akutagawa stayed, but at his own conditions. Which more often than not align with the pm’s, because he’s good at killing, and gets some kind of satisfaction from it, so he’s fit for the job; but if he ever decided to temporary change the terms, to do as he pleases and not kill anyone for six months, that’s for the others to deal, because there’s no changing his mind (and you don't want to contradict Akutagawa).
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agoldengalaxy · 1 year
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always thinking about the narumitsu wedding. just.
- desiree delite plans it
- miles shyly asks gumshoe to be his best man a few months before. gumshoe bursts into tears and does not stop crying whenever he sees miles from then on. he cries even harder during the ceremony
- maya and larry duke it out to be nick’s best man. maya wins, so larry settles for being a made up title that he doesn’t know is made up, since he’s friends with both of them and kinda got them together in the first place
- ray shields walks miles down the aisle
- pearl is the flower girl, and when she reaches the end of the aisle, she rushes over to hug phoenix before taking her seat
- trucy is the ring bearer. she makes the rings magically disappear, but just as phoenix is freaking out, she pulls them from her pocket with a smirk
- the judge is in tears during the ceremony because he’s seen them both grow up so much since they began and he’s grateful he doesn’t have to deal with their blatant pining in the courtroom anymore
- franziska sits in the very front row, her whip out and ready ‘in case anyone wants to object to this foolish marriage’. nobody dares comment on the tears rolling down her cheeks
- apollo’s chords of steel officiate the wedding
- ema is so happy she’s crying, but to take attention off of herself she turns to klavier and whispers, ‘you’ll be next, glamour boy’ while she nods toward apollo. klavier turns bright red
- athena is the first to cheer when they kiss. simon has to hold her down
- at the reception, kay and sebastian give a toast to That Man™, while miles buries his face in his hands and phoenix laughs
- lotta hart takes pictures for them. she’s the one who catches the bouquet. for the rest of the night, she dances with larry, much to his surprise and delight
- at the end of the night, maya channels mia, who tells phoenix she’s very proud and happy for him. she does the same for miles with gregory, who cries upon seeing his son all dressed up and smiling
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motherofplatypus · 11 months
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Miraculous S4 Review: Representation
And so, here we are, one episode before the finale. Out of order, but we're no stranger to that. Can't believe it's almost over, and boy am I glad because this insanity finally come to an end.
The episode, as per usual, was bad. But it's not the usual kind of bad, and was pretty much decent compared to the last 4 episodes. So, it's an improvement, I guess(?).
So, in short, this episode confirmed that Felix and Adrien are sentimonsters, and Kagami as extension, but I'll talk about that in another post. While there are people who seem to dislike the idea of Fe and Ad being senti, i personally like it. Mostly because they did really well in teasing us about this, until they just drag it out so hard and hardly even trying to do so in S4-5.
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So, anyway, the review. Apparently, there's an election for the new mayor between Bustier and that fencing mustache (I remember his name, but it's a pain to write it down).
So they do have election. Huh, who woulda thunk? Feels like just one episode ago they ignore this crucial part for plot convenience to make a teenage girl even more like satan for absolutely no logical reason. Ooh, right, it was one episode ago. Well, two, but my point still stands.
Oh, Miraculous, you just love making things convenient for you, don't you?
Then we see Adrien being Sad Boy™ like he always was, and Plagg had to comfort him. And I really love Plagg here and so far he's been getting consistent development with his relationship with Adrien, that's more interesting than the Love Square tbh.
Then, Adrien down bad for Mari and wanted to reveal himself and fly all the way to Paris because he hated being there.
I appreciate the effort and dedication for love, but wouldn't it be better if you just, idk, ran away before you're in London? Just a thought.
Yeah yeah, there's the ring and stuffs and every single reason why Adrien cannot grow a spine for himself or anyone that's not Marinette. Tell me something I didn't know about Adrien.
Bonus: Here's what That Guy do whenever we demand Adrien to grow as a person.
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Moving on, I'd love to talk about how everyone glorifying Mari for the 500th time, but it's nowhere near how pissed I am when they tease Julerose and Marcthaniel. Yes, it's cute to see how Marc and Nath looks like they're "bonding" in secret and Jules being protective over Rose. If this were happening 2 seasons ago, I would've scream in fangirl, but like every other things in miraculous, its either overdue or irrelevant.
Look, I appreciate their sorry excuse of an effort to give us representation (roll credits), but if you actually mean it, either actually doing it or stop teasing it for 5 seasons and make them so much of a side characters that we literally couldn't care less about them. Seriously, this is a serious case, especially with Nath and Marc that I honestly don't see why they even got a miraculous, to the point i thought Lila would get one since those two are so pointless and irrelevant.
Onto the next one, we have Gabridiot Agreste. The man with two brain cells who's fighting for third place. He realized Adrien was gone, barged into Nathalie's room while she's watching his dead wife video, and took the wedding ring from her.
First off, it's quite hilarious that the red part of Nathalie's hair turned white. I know this symbolize that she's dying, but the way it looks, it's like she's purposefully dyeing her hair white to show how dead she is.
Second, I'm getting real tired of watching Emilie saying the same line, on the same phone, for the 50th time this season. This is the equivalent of Gabe talking to her corpse whenever he's about to do a criminal activity that ended up in him failing in the most embarrassing way. Yes, we get it, she wants Gabe to be a good father, you don't need to remind us every single episode how much of a failure he is at becoming one. Also, if your role after 5 seasons is to be a broken record on a phone, just go back to your coffin.
Also, it's probably just me forgetting and i refuse to check every episode to prove it, but what's the reason for Nathalie not to show the video to Gabe? Or has Gabe seen it but ignore it? Please remind me.
Either way, still with Gabridiot, who apparently lacks the bare minimum intelligence to even be classified as a jellyfish, who think that Adrien, who's in London, somehow managed to escape and went allllll the way back to Paris in less than a day. This jump into conclusion stupidity almost match the one we got in Ephemeral, but at least not as outrageously stupid as that episode. Still can't believe that episode even exist.
So he akumatized himself into Nightormentor, and I must say I quite like his costume. Sure, it's basically Collector dress in a drag, but it kinda looks good. Except for the face, that traffic cone head and glasses are a huge no.
Still talking about London to Paris, how the heck did Argos get himself and Kagami into Paris at the same pace as Chat with flying cat add ons? Did he make a jet sentimonster to fly them there? Nah, no way. The whole reason he got the peacock was to prevent anymore sentimonster getting created and killed. Heck, he was absolutely devastated when he had to snap that Red Moon from existence. So there's absolutely no way he'd be doing that, right? Right?
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Sigh, who am i kidding.
So, he created a new sentimonster, a tripod, to give Mari a cheap show of his origin and Adrien's, and basically confirmed they're feather boys. Wow! This is big, right?! Right?! But, of course, with the abundance of brain cells in the show, Mari didn't connect the dot and only take it as Felix's story that I'm not even sure if she realized Felix is a senti, let alone Adrien.
Okay, maybe she did realize Fefe is senti, but my bet is that she's still doesn't know Adriboy is a senti. That's literally too much to ask for the show standard, speaking from experience.
Speaking of didn't connect the dots, Felix literally blatantly told Mari that Gabe is Monarch in the video and she didn't get it? Does Adrien filled up that much space in her head that she ignores the very obvious info presented in front of her? Hello? Brain cells? Basic common sense? Toddler level of intelligence? Where are you all?!
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Back to the point, what happened to the tripod? Oh right, it got snapped out after it send the message to Marinette to fight for Adrien. To fight Gabe for love.
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Remember folks, murder is okay as long as it's for Adrienette.
Also, if the whole purpose is to just give Mari a message, why would he need to take Kagami there as well? It's not like the message is on live. Heck, they didn't even stay until the message is over, so it's clear that it's pre-recorded, or just some magic bullshit, but basically they're not needed to be that close.
"But the amok is in Kagami's ring, and she needs to be there to control it."
Like I said, she's not needed to be there.
Okay, that's not exactly important. Since we're still talking about Kagami, let's talk about plot hole number 451: Kagami knows Mari is Ladybug since Perfection.
Remember a certain blue haired boy going into voluntary exile because he knows the identity of the heroes? No? Neither do the writers.
If she knows Mari is LB since that very episode, why hasn't Monarch learned about that crucial info? She got akumatized TWICE after knowing that, and neither of them meant anything until now. That piece of knowledge should've been in Monarch's ear since ages ago.
"But Kagami wasn't sure if Mari is LB."
My point still stands strong, tall, and mighty. They made Gabe jump into conclusion that Adrien is Chat by him saying "My Lady". I'm just using their stupidity on them.
Then we got Anticat, or I'd like to call it Walmart Chat Blanc. Aside from the hideous blue hair and eye wrecking visual of the dream sequence, this pissed me off real fucking bad, because this can only means one thing: Chat Blanc is irrelevant.
We waited 2 seasons, one of which caused Chat Noir getting depressed because Ladybug refuse to speak about the white world destroyer cat, and the moment he knows about it, it's not from Ladybug and not even what exactly happened. It's just a nightmare. It's not real. He still doesn't know that that event actually real.
We were, once again, robbed of seeing something we have been waiting for years to happen.
Sadly, that's not the end of it.
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On side note, I find it hilariously ironic that when Chat wake up from the nightmare, the first person he saw was Kim. "Hey, that's the person i tried to kill a few days ago. Now I have infinite Cataclysm to do so."
Dude woke up from a nightmare into another nightmare, lmao.
So anyway, Gabe lost to a bunch of teenagers once more, they win, and he kept the akuma in a jar so that LB can purify it. I mean, what's a Miraculous: Tales of Ladybug and Chat Noir would do without Ladybug appearing, right? Like how the show could not go on without Chat Noir appearing in the episode, right? Of course.
Anyway, remember the whole reason LB needs to purify the akuma is because it will multiply if left too long? Like, idk, an hour at most. And how long did Chat left the butterly? Why haven't that flappity flap flap not self-reproducing like rabbit on steroids during mating season?
Also, can't he just Cataclysm the akuma? We know in Chat Blanc it's possible and have no side effect whatsoever. Plus, he can now use multiple Cataclysms. Just get rid of it. You have no qualm when you tried to Cataclysm Scarabella, your principal, and your friend whose face is the first thing you saw when you wake up from your nightmare, so what gives?
Oh right, it's the villain. He has qualms only when it comes to hurting the villain. I forgot.
Also, let's take a moment of silence for Chat, who finally got an episode where he's the one shining, where he's supposed to be the one who save the day, but ended up being utterly useless and needed help from a bunch of teenagers.
Look, I'm not saying he shouldn't get help or anything, but how hard are you going to glorify Ladybug for being able to win a fight by herself and never let Chat do the same, not even once?
And then both Adrien and Kagami came back to their abusive parents. Just, why? I get why Adrien came back, aside from the nightmare and his inability to grow a spine, but Kagami? You have your own freedom, you got balls bigger than Adrien could ever have, and you're independent. Just stay with Felix, hide, and Amelie most likely already know your circumstances too, or at least she'll let you stay for Felix's sake.
"But she might not feel comfortable doing that."
You know who else should not be comfortable doing something? Chat Noir when he's down to murder people that he knows.
Also also, don't any of them gonna ask how the hell they ran away? No? Of course not. And Gabridiot and Tomoron decided to become a very reasonable and good parents and put their kids inside an entirely white, mental asylum-esque room where the only color they can see is their clothes and hair.
Seems familiar?
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Yep, they are batshit insane.
And please don't tell me that square on the corner is their bed. Good lord, I know you're angry they disobey you, but treat them humanely at least.
All in all, this is 6/10. Lots of dumb moments as per usual, but it's not blatantly moronic like half of the episodes this season has. I quite like Nightormentor's costume and how Plagg comfort Adrien in that small scene. I'm surprised that I'm not furious at all, just mildly annoyed. Overall, it's decent.
Then again, this has been my opinion, and now it's your turn. Do you like it, or hate it? Is this a good build up for the finale? Leave your thoughts down below, and I will see you in the next one. Byeee.
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ms-scarletwings · 8 months
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Media Musin’ Monday, #7:
Screw You, Nickalodeon: Making Fiends Deserved Better
I have no idea how anyone could seriously believe that the entertainment industrial complex™ even tries anymore to hold the illusion of a just or meritocratic realm. No holds barred, I have my issues with about every company still clinging like barnacles to the tragic, sinking ship that cable TV has become, but if you want me to point to a network that’s given me an entire skeleton of bones to pick by this point, and I’m underlining Nickelodeon in red at the top of my list.
It’s not because they host some bad shows, no. It’s not a sour grapes reaction to the untimely end of some of my favorite shows either, and though the entire rotten apple situation with creators like Dan Schneider and Butch Hartman certainly added to barrel’s spoilage, I would still feel every bit of my disdain for Nick’s tv group for the one cardinal sin they have committed again and again and again to ad nauseum- their ongoing phase of running a talent slaughterhouse.
It sounds hyperbolic, but I’d call it a fair observation: Spongebob is widely aknowledged as legitimately both the best and the worst thing to happen to this corner of kid’s media, hands down, but I don’t blame the little yellow guy one bit. He’s only another victim to the mess, and as much as I would love to go on a whole dossier spiel of the history of Nickalodeon from the 90s “golden age” to a full list of the dozens of shows and creators their execs have royally fucked over in the name of chasing the ratings dragon… for one, that’s been done a hundred times by other people at this point, and much better than I could. For two, that would take all freaking day. Just off the top of any cartoon savvy person’s head you’d vaguely recall the assassination of Legend of Korra, El Tigre, or Invader Zim, but that can is filled with so many “blink and you’ll miss it” smaller shows that were barely given two steps out of the starting gate, it pads down an entire TVTropes article on the subject. Dozens of them, shows that Nick all but basically set up for failure before quietly shipping them to the peaceful farm upstate- by which I mean shuffled off to inconsistent time blocks and lower priority channels so they could burn out their final approved episodes in hospice. Nicktoons alone garnered a hell of a reputation for exactly what I’m talking about, but that’s show biz, or… something.
Their worst and probably most audacious offense of all? Let me tell you about the fate of the charming world of a little girl who made fiends.
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There’s no better place to talk about the end than the beginning.
Making Fiends, I mean, the original Making Fiends was a series of flash-animated shorts among a handful of other early 2000s web cartoons made by Amy Winfrey.
✨ Just, in case you didn’t recognize or feel something for that name, Amy Winfrey is one of the utter beasts of cartoons in general, not purely kids’ media. Songwriter, directing, animation, screenwriting, voice acting… you name a part of the process, and she’s probably dipped her toe in there at some point. Professionally, she broke into the industry contributing work to earliest season of South Park, and while she personally is most known for and associated with Making Fiends, the likely most prominent body of work she’s been a part of would be Bojack Horseman, wherein she’s credited as a director for many of its strongest episodes, including (but not limited to):
- “Free Churro”
- “The Telescope”
- "Sunk Cost and All That"
- “The View from Halfway Down”
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- Amy Winfrey and her spouse (Peter Merryman) making a cameo appearance in the BJH episode “sunk cost and all that”
And even before all of that, she’s been at this animation stuff since the 90s and it shows in a loaded up portfolio of accolades and projects, both professional and personal.
The relevance of this information is to help put in some perspective to just how rotten of a deal she comparatively got with Nickelodeon, when one of those passion creations got a chance to join the network’s airing list.
But to sum up the idea of the web series proper, it independently released 24 short episodes in total, each centered around the antics of two girls engaged in both a completely one sided friendship and nemesis-ship. The show’s namesake refers to the single action the evil little Vendetta is most known for- creating a variety of servant monsters, many of which she uses to secure her rule over the port town of Clamburg, and all its inhabitants. Charlotte, on the other hand, is the quintessential “children’s show” character: near inhumanly kind, cheerful, and naive. So much so that she’s oblivious to her “best friend’s” near daily attempts to murder her, or the fact that she, you know, despises her.
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In 2006, Nickelodeon took an interest in Winfrey’s toon and the prospect of adapting it into a TV series, reportedly because a daughter of a studio employee was a huge fan.
And fun fact btw, this was actually the first time that Nick did this approach of turning an indie web animation into one of their shows, but it certainly wasn’t the last if you remember this was also the origin of Breadwinners.
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And as far as the audience was concerned, it was quite the successful transition! The TV version pretty much kept all of the major beats and vibes of the original, with polished animation, the same voice actors, and some stylistic upgrades to the art/environmental designs. For a brief time, it was the highest rated thing on its release channel too. Someone I don’t quite recall the name of once endearingly referred to the show as “baby’s first grimdark” and I adore how fitting of a summary that is. It sports a charmingly unique art style, memorable soundtrack, and I can swear to y’all, the humor aged like a fine wine.
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“Why don’t you pretend to be dead?”
“:) ok!”
*slam*
(Also, sidenote, the entire series is still up on your tube, in HD, completely free to watch!)
So, if it’s such a neat little show, then why on earth does barely a soul seem to remember it existing? And even fewer scare who recall knowing about the show during its 2008 release?
Because Nickelodeon Studios, without hyperbole, set this show up for failure at every single turn before it even got a fighting chance.
People know of some shows that Nick treated like garbage, but this one they treated like absolute shit for reasons I can’t fathom.
Making Fiends, for one, never actually saw the light of day on the main network channel, as per the original plans. It was actually instead delegated over to Nick’s sister channel, Nicktoons, by a last minute decision.
Nicktoons, fyi, was not carried by most cable packages. I obviously lived on it as a kid, and it was functionally to Nick what I remember Boomerang being to Carton Network- the cable block where reruns of much older but loved shows were shoveled off to once they finished their days on the main channel.
Second, it was quietly premiered with barely a couple farts of advertising, too. I remember maybe seeing one preview as a kid, on Nicktoons.
And I guess, not keeping either of these in mind, Nick then abruptly pulled the plug on the whole thing, citing the tried and true “low ratings” explanation and leaving it at that.
Not counting years of post-cancelation reruns, the show actively ran from October 4, 2008, to November 1, 2008.
That is roughly a month between premiere and the end production date.
One season. Six entire episodes.
Seven whole additional completed scripts abandoned on the table.
Yeah.
I’m a touch salty about it still.
And with the shutting down of the Nicktoons network social media in 2018, any additional acknowledgment of the show from Nickelodoen themselves has kind of vanished to my knowledge. Like, it’s almost no wonder you already had to be part of the cult following to know about it, when Nick has been quiet about the calf they sent to auction since. Worst part is, they still hogged the rights to the show instead of idk, wild idea, giving it back over to Winfrey. I can only imagine people get away with entire reuploads of the series under the otherwise very IP protective Nick’s nose as another display of how low and bastardly those execs really view Making Fiends.
And that sucks! Wow! But I guess in a “be happy it happened, not sad it ended” way, I’m kind of glad for the fact that we can still enjoy and pass around the show that we did get to experience at all, rather than see it fade into true lost media territory.
Even today, about 16 whole years later, I know for a fact there are still plenty of other fans that remember and cherish the splash this tiny show made in that big, brutal pond. So, in that manner, you can’t truly call Making Fiends dead and gone.
A bittersweet story to think about, and only one of many down a long list, but ultimately one I’m happy to be able to tell at all.
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Even if all the while still raising a giant middle finger to the network for the ending.
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zaranthropy · 2 months
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I've been looking at Suzumi star pages (particularly the arabic ones) and getting some Symbolism Revelations™ this evening that people may enjoy as food for thought.
Starting with the most lore-related one, Benny's name is often theorized to come from Benetnasch, the first star in the Big Dipper constellation. What nobody tells you however is that benny's star is originally called Alkaid, "the leader". Benetnasch comes from banaatunna'ash (Arabic; "بنات نعش", "the mourning maidens" lit. "Daughters of the bier") and is the arabic name of the big dipper constellation. A bier is a stand on which a corpse, coffin, or casket containing a corpse is placed to lie in state or to be carried to the grave. This relates to the original myth of Banaatunna'ash.
for the Bedouins of the Syrian desert, the Daughters of Nash accuse al-Jaday, i.e. Polaris, to have killed their father. But al-Farqadân [Ursa Minor] deem that the killer is not al-Jaday but Suhayl, and interpose between them and the North star. That is the reason why they are called al Hawâjzîn, “the Interposers”: they prevent the daughters from slaking their thirst for vengeance, and condemn them to turn indefinitely around the Pole.
From Our Arabic Heritage in the Celestial Vault.
Why this is interesting is because not only is Benny depicted to be the "leader" of the Suzumi collective– in the same constellation's naming origins (which influenced the names of Alkaid and Benetnasch), not only is Suzumi as a whole a being who seeks to sate their bloodlust for vengeance on Tsubakura, there also exists a Hamal among Alkaid's two companion stars, the other two mourning maidens.
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The daughters of the bier, i.e. the mourning maidens, are the three stars of the handle of the Big Dipper, Alkaid, Mizar, and Alioth; while the four stars of the bowl, Megrez, Phecda, Merak, and Dubhe, are the bier.
From Medieval Islamic Astronomy.
Considering how Hamee often refers to themself as a maiden, this could point to a potential explanation as to why they do this.
Moving onto Hamee's star, Hamal – the current name of the star – (arabic; "حَمْل") refers to a little year-old lamb originally and not the ram as one may envision when looking at its relationship to Aries, this was an interpertation later introduced by the Greek. The star itself also is originally called "the horns of the lamb", specifically in reference to the tiny nubs you'd see on the head of a first-year fat tailed sheep, and is a similar case as with Benetnasch [name of constellation becomes the name of star because "wah arabic complicated" or something]. This exact type of sheep is also the one that would've been there for Jesus times if biblical allegories are your thing (parable of the lost sheep comes to mind). Also, in modern usage, the star is called "the headbutter/the headstrong", (Arabic; الناطح), so do with that what you will.
Arde has to have had the coolest one by far methinks, as Aldebaran is the only Suzumi star name that doesn't originally belong to a constellation and retains its original Arabic form plus it's the one with the most well-rounded mythology and cultural significance that just so happens to fit Arde well. To start, let's talk about the constellation right next to Aldebaran. Al-Thuriyya (Pleiades) has to be THE most famous constellation in Arab star mythology, being also related to Suhail (remember that guy?), and is also the reason of the name Aldebaran (Arabic; الدِبَران (full historical name; "الهادي الدِبَران")), meaning "The Follower" or "The Pursuing One", being given to the star right on its northwestern side.
According to an Arab legend from some point in the 7th century, Aldebaran was a poor and destitute person, while Al-Thuriyya was a beautiful and young girl. She impressed Aldebaran, so he decided to propose to her. He wanted someone to accompany him to the engagement ceremony, but he did not find anyone. So he went to the moon and asked him to try as much as he could to marry him to her, and the moon complied and went to her. But she refused, and after the moon pressed her, she said: “What should I do with this runt who has no money?”. The moon returned and told Aldebaran what had happened, but Aldebaran insisted on marrying her. He only owned sheep, so he took them all to Al-Thuriyya so that she would agree to marry him. The twenty sheep that Aldebaran led to the Pleiades are what came to be called “The Hyades,” which became the name of a star cluster that appears close to Aldebaran in the sky. The two stars near Aldebaran are his dogs, which he took with him and the sheep. As such, Aldebaran began to guide (follow) the Pleiades in the sky forever, along with his sheep, guiding them wherever they went. Thus, Aldebaran became a symbol of loyalty, while the Pleiades became a symbol of treachery. This loyalty was even mentioned in some Arabic proverbs: “More loyal than Al-Hadi (Al-Hadi Al-Dabran (Aldebaran)) and more treacherous than Al-Thuriyya (the Pleiades).”
Aldebaran also takes onto some mythology of its own as well, being a star whose rising is known to signal the beginning of the harshest periods of summer– Aldebaran became a star of ill omen to the Arabs of ancient times, even earning its own threatening rhymed prose;
اذا طلع الدبران, توقدت الحزان, وكرهت النيران, واستعرت الذبان, ويبست الغدران, ورمت بأنفسها حيث شاءت الصبيان.
When Aldebaran [the Follower] rises, the rugged lands abounding in jagged rocks burn, the fires are hated, the flies spread like fire, the pools of water left by torrents dry up, and the young children throw themselves wherever they desire.
From When the Follower Rises.
Seeing as Arde is the Suzumi who often keeps Hamee in check, holding them on a proverbial leash, them being "the follower" makes a lot of sense when you consider their canonical position (as one who herds sheep (Hamee) while following the leader (Benny)). They also share similarities with Benetnasch, having two lesser stars associated with them (the "dogs") and being the brightest star of their respective constellations. Hamee is the only one who only has one lesser star, poor hambone.
Tl;dr I'm just sharing my silly region-locked star lore for everyone else to enjoy 😊 hope this unlocks as much Suzumi headcanons in your brain as it did mine
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lazypanartist · 2 years
Text
Poly Relationship ft. Eduardo, Bart, and Jaime
AN - I just. Love these three. I shipped BluePulse when it was getting more prominent, I shipped GoldenFlash pretty much as SOON as I saw more then .5 seconds of screen time together (lol), and I just think that having 2 slightly more responsible partners is good for Bart ^-^ And you, ofc, but that's not important (jk)
Notes: established relationship
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WHOOH BOY
Where to begin
Bart instigates a lot of things in the relationship
Kissing
Cuddles
Dates
Noth that the other two don't, but Ed and Jaime *typically* plan them out better
Bart is just sporadic
He gets an idea for a date?
Guess what! As soon as lunch is over, y'all are headed to a movie!
Jaime has to deal with the scarab, and now all of you do now, too
Kaji Da sends him an intrusive thoughts and Jaime sometimes just. Blurts out a response
You've figured out by now when Jaime's talking to you guys or the scarab
Ed likes flirting
All of them do, but
Semi-casual arm over the shoulder as he asks for your thoughts on one of his new metateens' cases
Taking you to STAR while the others are on missions so you're not alone
Doing his best to ensure that you have a good relationship with his dad
(As long as you're treating him and any of the metateens right, he loves you already)
On that front, they all want their families to like you!
Barry and Iris are just glad that Bart's happy
And the twins love you!
Jaime's parents don't know for sure..
But Miligro has given you the Sibling Talk™
She still adores you, but don't you DARE hurt her big brother or his boyfriends!
Lots of lunch dates
As I said earlier, Bart typically 'plans' a lot of dates
But it's a good way to ensure you all get to spend time together
Bart will eat anyone's leftovers
If you're a picky eater, they can always find a place you'll like
Our speedster has probably eaten at EVERY restaurant anywhere he frequents, not just because of his metabolism, but because they just. Didn't exist in his future
He just wants the experience!
And ofc you're all happy to accommodate each other's needs
Sometimes Ed and his dad still fight
If he comes to you guys angry, it's either cuddle time or alone time
He's good at vocalizing it; doesn't want to snap at anyone for something that isn't their fault
We love growth ^-^
Jaime probably is the most in tune with you
The scarab *can* be helpful sometimes!
If you're upset and hiding it he'll still check in with you, make sure you're actually okay
One more for Eddie..
He left STAR because of the mistreatment he and his new friends were experiencing. He hates seeing any injustice in the world; it's wy he became a hero
If you ever experience discrimination or bullying for any reason, ofc they're all there to help you, but Ed is an instigator; he may dive into the issue with his heart instead of his head
It's weird to say be careful in such situations, but it's always good to have either Bart or Jaime there when you let Ed know what's going on
You're all there for each other, all the time, no questions asked
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I think that's enough rambling for this one. Ciao for now!
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