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teeny-tiny-revenge · 3 months

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It's home cinema manufacturing time! 🏴‍☠️ Gonna put my pirate show on my shelf! (I'm doing an Arts and Crafts Project and I'm making it everyone's problem.)

After seeing how much they cost, I abandoned the idea of getting a Blu-ray writer for now. For the time being, good old DVDs is what it's going to be! My TV is old and not very big, so DVD resolution is gonna be fine.

It's been ages since I last burned a DVD. For the full experience, I'm gonna create nice menus and pretty sleeves for the boxes. Graphic design is my passion! Um.

Well. First needed to find a program to do stuff with. I'm a Linux guy, so I'm using Devede. (Which is free, btw. In case someone else wants to do a low cost spot of putting pirate show on the shelf.)

DVDs fit a maximum of 120 minutes of video. So, four episodes, I thought. But after a quick attempt, the program refused to do more than three (maybe because of the menu also taking up space, and four episodes cutting pretty close to the 120 min mark?). Anyway, three episodes per disc it is. It's a pretty nice runtime for watching the entire disc, IMO. An hour and a half, and then you can return to reality to realise you should probably eat something, or go to bed because it's midnight.

OFMD with its current two seasons has a total of eighteen episodes, which is divisible by three. You get the following setup:

Disc 1: Pilot, A Damned Man, The Gentleman Pirate - That's pretty good, Stede's introduction to piracy all on one disc!

Disc 2: Discomfort in a Married State, The Best Revenge is Dressing Well, The Art of Fuckery - All bangers. Great to watch together, our boys meet and shenanigans happen!

Disc 3: This is Happening, We Gull Way Back, Act of Grace - Many romantic moments, lots of great scenes, shit hits the fan at the end there. Alright!

Disc 4: Wherever you go, there you are, Impossible Birds, Red Flags - ... Pain and angst! What have I done!?! The disc of horrors. Gotta make sure to have tissues at hand when I watch this. But hey, it also has messy bun Ed! Small mercies.

Disc 5: The Innkeeper, Fun and Games, The Curse of the Seafaring Life. - Another disc with all winners. I love all these episodes so much! (You can watch this disc to recover from the trauma of the previous one!) But seriously, this one slaps.

Disc 6: Calypso's Birthday, Man on Fire, Mermen - Great combination again. Season finale! Love and excitement!

... Honestly, except for the psychological damage of putting all the most painful episodes together, this is coming out pretty cool. Says a lot about how good the show is. I actually really love all the episodes (yes even the painful angsty episodes of massive depression). Thinking about this little project really reminded me how much I love this entire show.

So, we got a tracklist, now menus, then we can burn this stuff!

I did the menu backgrounds in GIMP. Realised I have a big folder full of screenshots I took myself, screenshots someone else took and posted on Tumblr, official promo pics for the show, and I have no idea anymore where most of them are from, because I named the files according to what's on them. Which is useful for when you want to find pics (Need a picture of cursed suit Stede? I have files named that, easy peasy!), but not so great if you wanted to give credit to whoever took a given pic you used. (It's probably @sherlockig or @ofmd-ann or @blakbonnet. Please feel credited, your beautiful screens and gifs brighten my day, and some of them are now probably part of my DVD menus. Shrunk down and cropped, but, yeah.)

I originally wanted to structure my menus as having the title of an episode, then some pics from it, then the next episode, then pics from that, and so forth, but I couldn't convince the program to give me the necessary padding between the menu items, so I ended up just putting the episode images below the menu. Still like it.

Anyway, DVD menus can also play sound! Behold a crappy video of my beautiful creation (provided entirely for sound):

It plays Gnossienne N°5!

More crappy pics of my other disc menus:

Gonna make them some nice sleeves next. Some day. Gotta make sure they all work properly first. So. I'll be on my sofa, watching my DVDs. With menus! (Edit: here are!)

#piracy ho!#ofmd #teeny rambles #ofmd dvds

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vroomvroomwee · 8 months

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I think OFMD has a much much bigger impact than we realise.

Recently, there's indeed been an increase in diversity, especially with queer characters, in media. But it's always somehow along the lines of pushing a little bit just to test the waters, just enough so that people will think you're progressive, while not daring to anger the Conservative audience. Somehow, dancing on the line between inclusive and not diverging from the norm which creates a sort of compromise if you will, a product that doesn't give either side what it wants.

The people who are searching for themselves in these modern characters are left shallow, are left to settle with the barest minimum, inclusivity that's half-assed and not so much well intentioned as it is a cashgrab to lure you in.

And David Jenkins completely swerved around that. He decided he's not going to play that game of fetch with his fans. No no no. He went all out. No more pretense. No more selfishness and greed. And this next part that I'm going to mention is the point of the post.

David Jenkins cracked his audiences. He disected their brains and figured out their wants and wishes. These past couple decades, ever since franchises like POTC, Harry Potter, and Marvel came out, Hollywood has understood this notion where it believes people want to see quality rather than soul. That it wants to see big explosions and high-tech suits and resolution upped to the max. That might have been the case up to several years ago, but lately, with new audiences coming up, these things have changed.

Now that everything in the real world is continuously and relentlessly going to shit from every direction, with newer generations getting a picture of what's to come and wanting no part in it, losing hope every day, people don't really care about those things anymore. They don't care about how big your budget is or how oscar-worthy your movie is. They care about comfort. They care about safety. They care about love.

And David Jenkins realised that. He realised it much much sooner than some big studios are still failing to do. We all realise the show didn't have much of a budget, hell it doesn't even give a shit about historical accuracy or consistency. But what it did care about were realistic characters. Characters who have different personalities (unlike every new Marvel character lately), who are complex and nuanced, who have different body types, different genders, different nationalities, different races, different sexualities. Everyone is their own person. Everyone has a history and a reason for their actions. And not just that but the WAY David gave a giant fuck you to every queerbait show and movie was impressive and BOLD as fuck. He saw that game of playpretense and decided he didn't want any part in it. Because quite frankly, it's cruel. And by caring about his audiences he managed to take the entire world by storm

Finally, the world might realise what viewers are actually looking for. It's not millions and millions of dollars spent on making the most expensive and grand movie of the year. Its love. It's comfort. This man basically brought a new renaissance to film making. And I cencerely hope studios realise what this means (and also start paying their workers!!)

#ofmd #ourflagmeansdeath #our flag means death #david jenkins

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tacticalrefrigerator · 7 months

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For personal reasons im gonna ignore the last 10 ish minutes of season two episode 8. it's not canon its a fucked up fan fiction that someone wrote :)

⚠️Season two episode eight spoilers⚠️

Genuinely tho why the fuck did David Jenkins think that THAT was an appropriate send-off for izzy? To be a representation of the metaphorical death of blackbeard? That's it??? That's all he was in the end? His death taking blackbeard with him leaving just Edward?

My question is why couldn't he have lived and his "send off" be becoming Captain izzy hands aiding Zheng and company in revenge against prince ricky? He could have lived and taken on the role of "blackbeard" while leaving Ed and Stede to be innkeepers, that being the "death" of blackbeard. Or if Izzy had to die why couldn't the death of blackbeard be literal? Killing blackbeard and his first mate Izzy Hands, leaving not a trace of blackbeard leaving stede and company to either continue piracy or split up. I'll never be able to watch season two the same way knowing they, traumatized, abused, disabled, and grew Izzy all for him to die as a pawn for Ed's story. That was fucking soul crushing.

It wasn't even a character arc for Izzy, his own death. It was an obstacle for FUCKING ED. So everything leading up to this point, all of his growth, his acceptance within the crew as the unicorn, the abuse from Kraken!Blackbeard, the finding of himself, ALL OF THAT WAS FOR FUCKING NOTHING???

This character meant so much to me for so many reasons. He was an angry, traumatized man who was clinging to an ideal of someone who'd changed. As he grows as a character he realizes that Blackbeard doesn't exist anymore and what's left is Edward Teach, the man he fell for, his best friend. He realizes he's accepted by the crew of the revenge, and in turn realizes he's finally part of something again. His growth as an older queer disabled man from a hardened jerk who couldn't let go of blackbeard was beautiful to watch. And they cut it short. Izzy spoke to me as a character, watching him die in such an, undignified way killed me inside. I have very little in common with izzy yes. He's a 50 something heavily traumatized disabled man living in the (though not historically accurate) 1700's , im a queer, able bodied, teen from colorado in the 21st century who rants on tumblr for fun. But watching episode 6 in particular, knowing what he was in season 1, watching him fearful to be himself then be accepted beautifully when he started singing, accepted as their unicorn dressing in drag, performing during Calypso's birthday, It spoke to me. That process of being terrified of being yourself then finally finding the group that loves you for you. I related to that point in his story so much. I was and still in a sense am terrified of being myself. Im a weird little gay trans guy who's into weird niches. Seeing that struggle in a character and watching his acceptance resonated with me and meant the world and beyond to my little queer heart.

And another thing, Jenkins didn't even fucking tell Con that izzy would be killed when he signed onto ofmd 2. He broke the news halfway through FILMING. A character that meant that much to both Con and the fanbase was killed off to be nothing more than a CHARACTER ARC FOR EDWARD. And the actor who brought Izzy Hands to life was none the wiser until he'd already agreed to play Izzy again.

Now knowing that the story might go on without Izzy, without Con constantly reposting fanart of izzy, without his sass, without his vaguely nsfw quips. It makes the idea of season three less appetizing, for lack of a better word. Izzy was a key part of why i loved season 2 and was willing to excuse how rushed it was.

That's my 2 cents about that absolute bullshit ending to Izzy's story.

#izzy hands #ofmd s2 spoilers #ofmd spoilers #ofmd season 2 spoilers #ofmd izzy #david jenkins #taika waititi #con o'neill #rhys darby

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plantsjustwannahavefun · 3 months

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What if I told you that Izzy's entire character arc is actually a metaphor for OFMD itself, as a show, and its journey.

The way Izzy started out as this weird, conventionally unpalatable character that didn't seem to amount to much from the first glance, yet unexpectedly ended up gathering a small yet substantial fanbase around him that recognised his potential from the start and was so unprecedently feral, vocal and dedicated that it became a sort of fanbase within a fanbase.

The way Izzy had such an incredible, amazing arc of character growth that even his worst haters were forced to acknowledge the importance of his character and his place in the story and appreciate Con’s talent as an actor.

The way Izzy went from “subtextually queer” (as in all of us knew of course but it was still subtle enough make a lot of the fans confidently claim he was straight…) to openly and proudly queer with one single scene after which no one could deny it anymore.

The way Izzy kept getting beaten down yet surviving against all odds. Literally having body parts repeatedly slashed off, and not only did this not kill him, the crew collectively used their creativity and good will to take something “damaged” and turn it into something beautiful (yes this is about the budget).

The way Izzy had always known that pirate life was unlikely to last long or end the way he wanted to because, in the end, they’d always be outsiders fighting the system (“The only retirement we get is death”, “It’s not about getting what you want”), but he accepted it and focused on the good parts, the things that really mattered to him and made him happy (“Not moving on is worse”; his speech about the crew as his family).

The way Izzy did die, in the end. Even though he didn't have to, even though it could have been avoided, and the justifications we were given fell short when all of the nuances and other angles were taken into account. Because the inevitable force of the narrative was stronger than him. Because characters like him were typically destined to die in stories like that.

But just because he died doesn't mean his story had been for nothing. He still got to live – against all odds, against his own expectations. He got to be reborn and experience this beautiful transformation, rediscover himself, find peace and happiness and people who loved him, and love them in return. Yes, it was short. So short. He should have had more time. But the little time he did have is unforgettable. It really is written in permanent ink. It will always have been, and nothing can take it away now. The crew mourned him and made him a beautiful monument. They refused to throw his body away into the sea. His body would continue nourishing their garden forever. They will move on, but they’ll never forget him. They’ll keep tending to his grave and planting flowers around it.

And the very last shot was that of seagull!Buttons landing on the grave. A little touch of magic. We don't know what it means. Izzy definitely seemed totally, irrevocably, unambiguously dead. The show itself told us so. And yet. You never know. The world's a strange place. Every once in a while the impossible does happen, and a man’s undying devotion and longing for the sea overpowers the mundane reality around him.

#well this was either cringe or inspired #but the realisation struck me like a sledgehammer and I just couldn't let it go #had to put this out there #consider this my eulogy to the show #izzy hands #ofmd #our flag means death

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mysteriouslybluepirate · 7 months

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hi bestie saw ur post and im kinda curious about this since it's something not a lot of ppl are talking about next to ed's arc and izzy's death and all— what do you think about how they handled stede in the finale? I felt like a lot of the "incompetent wannabe pirate" jokes undermined his progress this season and also him deciding to stay at the inn with ed felt odd as he expressed he wanted to be a pirate and sail the sea. just wondering what other people think about that

[Oct 31, 2023]

Before we get into it, you are allowed to enjoy this show! My past (and next few) responses WILL be negative, but you aren't wrong for agreeing or disagreeing with most posts. Thanks to all the people who have already sent in messages! I can't wait to respond!!

I am an Izzy fan first and foremost, but how a show handles it's protagonist says a LOT about how it handles it' characters overall!

TLDR for this post: In any character-centric media, explore your characters as characters first. Develop your plot around them and their arcs. Don't treat an ensemble cast as faceless props for the story you're trying to tell. Stede's arc is weird because Stede is shoved in places where it feels like he doesn't fit anymore.

Creating a narrative focused on central character conflicts can work. This is how S1 was written. Stede and his actions directly lead to revealing truths of the world that push the plot forward. This worked because I'd argue the strongest part of OFMD overall is its characters. S2 misses out on this strongest aspect by only referencing its characters when it needs something from them.

S1 We went from Stede killing a guy-> The Act of Grace. S2 Stede tells a guy he shouldn't be an idiot and leave behind a calling card -> burning down the Republic of Pirates and killing Izzy. S2 doesn't feel as tied to Stede's arc of growing into a pirate. But Stede isn't the only person this has fucked over.

Each crew member has their role established from S1, we fans know how they work as a family. But in S2 most of the cast can be swapped out interchangeably unless its something that features this side character NICHE (Wee John in drag being good with fabrics, Roach being a cook).

Sadly, by focusing on the larger Zheng vs. Military arc, a story our characters BARELY caused, the audience misses out on potential character development. Instead of our characters facing the consequences of their actions, our favorite side characters are used as faceless narrative tools. This is largely why the crew was abandoned this season unless they had a romantic side plot. Seeing The Revenge sail off in episode 8, it feels like we barely care about them at all anymore.

As seen from @the-buttspie 's comment, even Stede's arc isn't left out of the firing range. His characterization in episode 8 is constantly thrown back and forth between 'Captain doing his best' and 'Village idiot' if the scene needs it.

Analyzing WHY I started to dislike Stede post episode 4 is FASCINATING, and I feel that digging all the way back to the beginning is a smart way to look at his character growth this season.

FRAMING: Stede's early story get's fucked over pacing-wise because his storyline happens side by side to that of Ed/Izzy.

Any dramatic moment is cut short to show just how much the other crew is NOT about to die. Every time I watch S2 with a new person, for episodes 1-3, they'll comment on how much they don't care about Stede's plot. Which is not a thing you'd want for your protagonist in a season of TV that's only 8 episodes long.

Stede goes through a really strong arc from S1 to the start of S2. For the first three episodes of S2, he puts the needs of his crew before the needs of himself. Literally making sure his crew is safe before going down to see Ed's corpse. I genuinely enjoyed how Stede stepped up for his family. How he doesn't blame the Revenge crew for killing Ed, realizing that yes. Ed is the love of his life and also a man who has seriously hurt so many people.

Eps 4-5: From that we see him trying to talk it through with Ed. While both of them aren't telling the whole truth, it's a good start! We're midway through the season, so we should expect things to get fleshed out more soon.

Until Stede decides 'I'm going to bring a man that tortured my family for 80+ days onboard less than 24 hours after my crew voted him off' Yes. Stede loves Ed to a stupid extent, but this starts the trend for Stede to be dangerously selfish this season using his power as captain to overwrite the want of his crew, a habit of his that partially gets Izzy killed.

I really enjoyed Stede in episode 5, and for me, this felt most like the Stede we recognize growing into a real Captain with hints of who he was. I think it says a lot that Stede still misses his layers and silks. That he craves the softness he used to have in the form of that cursed jacket. But as soon as Izzy is like 'you idiot, please listen to them, they will mutiny' Stede gives it up!!!! He's grown. He's listening to Izzy, he's talking with his crew! This episode did the one thing I wish the season did more of, show the reunited crew just living their lives.

This is where Stede stands out, it lets him be a bit more of a leader to the crew. Let him find his groove again. I loved it!!

Now: Killing Ned Low.

Stede choosing to kill Ned Low is the first time Stede killing someone counts. Yes, he burned down the ship French ship. But this is the first time the audience is supposed to care. I think this moment WAS in character and a really important moment for Stede. He chose this. This wasn't up to crew vote, Ned insulted Ed so fuck him, he deserves to die. Ned walks the plank, also referencing historical Bonnet's tendency to do the same thing.

This is where both Ed and Stede make an in-character mistake, having their first time after the rush of 'oh shit, I'm still alive, and I'm hurting and you're here too'. They don't regret their first time, clearly, they both enjoyed it, but both of them can't ignore what fueled it. Stede has had 3 episodes to re-establish himself with his crew, and now has very little time for the rest of the season with them to show off his growth. That's why, after the party, we don't feel like this show is showing off a family anymore. Even when reunited, they barely feel like a united front.

But from this point on, I personally feel that Stede should have toned down the humor a bit and act like he did in episode 3. Well, I'm getting a bit ahead of myself so-

Episode 7: Stede enjoys being popular, following in Ed's footsteps. He holds his ground against Ed, and overall this feels like a natural progression of his arc from episode 5. He knows what he wants in life and Ed not communicating is genuinely frustrating for him. Him being heartbroken and trying to fight Zheng like she's Izzy is one of the few callbacks I feel that works. As it compares a Stede who was supported by his crew, to this Stede who feels totally alone. I loved Stede this episode, only to be disappointed by-

Episode 8:

Where Ed is allowed to have his silly moments in private, I feel that Stede fluctuates between silly and serious WAY too much for us to take him seriously. Stede's response to Ed telling him he loved him being 'I know' also felt off to me.

"You're not a dick, life's a dick" This line is frustrating to me as it's Stede's response to Ed apologizing. Genuinely apologizing for his actions in the previous episode. This could have been a moment for us to feel like Stede and Ed were a united front but Stede's constant joking and not taking shit semi-seriously. Yes. He feels more comfortable around his family which is amazing.

But I can't help but point out how Stede chooses to go along with a plan the rest of the crew doesn't like. What NARRATIVE purpose was there for Stede trying to sell the captain? He has money, clearly. With the loot they still have, and a future alliance with Zheng.

Stede fucks up. His choice a plan that gets Izzy killed. The writers sacrificed Stede being a competent Captain who cares about his crew into what is described as a 'suicide mission' to push Izzy into his rushed death. A disservice to both characters.

ONTO:

Stede abandons piracy

I'm not shocked they did this, not after the other flubs of the episode, but I hate that it wasn't a conversation held between Ed and Stede.

They could cut the stupid joke about Ed being bad at fishing at the beginning and have these two idiots talking about their issues. Maybe establish that, yeah, piracy is a lot, and they deserve to settle down and get to know each other. Even if they return to the sea, this frames it as Ed finally finding peace and Stede getting pulled along, going against his character growth this season.

I'm surprised that they're setting this up now and not at the end of Season 3. Hell, I used to think S3 would be focused on Ed and Stede avoiding/faking their historical deaths. Given all the bullshit they'll have to clean up to wrap up all the loose ends established this season- S3 will be VERY Ed/Stede focused, I think the crew will still be inserted in without care or arc. Characters like Jim and Oluwande will be prioritized as they are in a relationship before our nonromantic characters like Wee John and Frenchie.

Stede and Ed's relationship, the driving force of the plot, still falls flat because after everything it still feels like puppy love. They've spent at most two months in person together, and two weeks in a serious relationship. I don't really feel convinced that they actually love each other. Ed still doesn't know that Stede was kidnapped at the end of S1, or why he struggles to talk about his feelings. Ed still hasn't talked about why he feels he needs to leave piracy, or his issues feeling like he doesn't belong anywhere in life. Their habit of running away the MOMENT things get hard just makes me not care about them.

I blame the size of the Izzy fandom on the fact that if you don't buy into the leads, there's almost nothing left here to sink your teeth into. The moment the show seems like they'll talk about it they hard pivot.

I hope S3ep1 happens after a LONG time jump. I want these fuckers to be snippy like two people snowed into a cabin for months. Sick of each other and bitching back and forth like no tomorrow. S3 is about genuinely breaking down their walls. Until then, I'll stick with Izzy, the Canyon, and his depressing version of this reality.

#stede bonnet #I'm a bit worried this post will reach all the Stede fans directly and they'll feel attacked. Please don't feel that way!#I genuinely enjoyed where he was going until episode 8 where Stede seemed emotionally distant the entire episode #I just wish Stede had more impact to his own central story #ofmd critical #ofmd meta #ofmd season 2 #ofmd s2 spoilers #stede bonnet critical #IDK if thats a tag #stede critical #?#ofmd s2 finale #ofmd s2

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kjthenbee · 9 months

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I know a lot of us are upset about Nandermo not becoming canon at the end of this season (I am too), but I’m honestly not surprised by this. I could tell from the beginning and as the season went on that they were still not at a place where that could happen naturally and realistically, especially with the secret Guillermo had been keeping the entire season.

My sincere hope is that for season 6, now that Guillermo knows that he doesn’t truly want to be a vampire but that he cares about the vamps and wants to stay with them, especially with Nandor, he’s going to have to reevaluate his relationship with them and his “master”.

What’s the point in serving Nandor anymore if it’s not with the goal of becoming a vampire? We know he was doing it this season to keep up appearances (and because he didn’t want to leave him), but now, everyone knows that he doesn’t want to be a vampire.

Just like Nandor said, he’s going to need to figure out what he really wants. And I think we all know what that is.

I think with this conflict of Guillermo’s being resolved, as well as the intentional choice by the writers to show just how much Nandor cares for and knows everything about Guillermo, better than he even knows himself, is going to open the door for a romantic relationship to be seriously considered by both of them.

However, this means the conflict next season could likely be not only them actually acknowledging their romantic feelings, but navigating how a romantic relationship between them could even work as a vampire and a human, because this means Guillermo will grow old and die eventually. Of course, this would be devastating to Nandor, which may be a barrier to him telling Guillermo how he really feels.

Perhaps eventually Guillermo will be ready to become a vampire, and Nandor will actually be the one to do it, which would make it a special and intimate thing in contrast to the messy and hasty way it was done with Derek (because we now know Guillermo was absolutely not ready to be a vamp). Who knows.

I do have some concerns about how this potential plot line could be handled by the writers, because one of my main criticisms of WWDITS in general has always been its reluctance to stick to its plot decisions as well as to allow characters to have genuinely wholesome or serious moments without a joke being tacked on at the end. Nandor and Guillermo are usually the characters that are allowed to have these moments, but I was pleasantly surprised to see that all of the vamps were allowed to have them to some degree this season. This gives me more hope for next season.

I’m sure our expectations will still be subverted somehow, because that is 100% what the writers are going for, especially with the way Nandermo went last season and the way the plot line of Guillermo’s secret was handled this season.

Honestly, after what OFMD, GO, and even the endings of WWDITS S3 & S4 have put me through, I was surprised but pretty satisfied with the genuinely happy ending we got with for S5, and I’m glad we didn’t end on a painful cliffhanger.

#wwdits spoilers #what we do in the shadows spoilers #wwdits s5 #wwdits s5 spoilers #wwdits season 5 #what we do in the shadows #what we do in the shadows s5 #what we do in the shadows season 5 #wwdits #nandor the relentless #guillermo de la cruz #nandermo #wwdits finale #wwdits s5 finale #nandor x guillermo #guillermo x nandor #wwdits speculation

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elsaqueenofstress · 7 months

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ofmd doesn't even work as the "found family <3" show it wants to be bc of its fans bc it can't even balance a full cast of characters anymore. fully forgot frenchie existed until 21 minutes into a 28 minute episodes because he didn't get a damn thing to do for. like. the sixth episode in a row.

#'found family' bruh buttons is a bird #'found family' name something wee john did this season besides drag.#'found family' what is jim's character arc. is it vico ortiz wanted to have fun.#ofmd #ofmd s2 spoilers #ofmd critical #notes

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howlsmovinglibrary · 27 days

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Hello! I saw your response to the "5 things you could talk about for an hour" tag game, and I just wanted to say that I am in fact very interested in your perspective on how fandom/fanfic has impacted media literacy and the publishing industry, if you'd ever like to yap on Tumblr about it!

hmmm... other people have said it better than me in various different tumblr posts but I'm a yapper why not?

(under the cut to save a long post)

fandom/fanfic impacts on media literacy:

media is viewed through shipping goggles first and a critical lens second (both of them are allowed! i love my shipping goggles! but i also like having multiple tools of analysis in my arsenal!)

this also sometimes means that media devolves into relationships and 'fan service' moments, above plot or delivery of a good and satisfactory story (I'm not saying OFMD but I kind of am. I'm not saying BG3 additional content that has focused on popular characters and ships above incomplete and underwritten narratives... but I kind of am)

because fandom now also has a big purity culture kick back, and fandom has become mainstream, that means mainstream media also has a purity culture kick back (for instance, everyone performing scandalised and 'disgusted' reactions to Saltburn, when actually all that is is a... psychological thriller)

fandom/fanfic impacts on the publishing industry:

the Locked Tomb's popularisation of fic-ish writing, alongside the reylo fanfic boom (Ali Hazelwood serial numbers filed off -> romance pipeline) kind of coincided perfectly with the pandemic. as did the success of Travis Baldree's coffeeshop AU, Legends and Lattes. people wanted comfort media, but at the other end, publishing industry professionals were working from home and likely spread thin. I think this created a perfect storm for 'fast fiction' (like 'fast fashion') where basically a fanfic can be quickly changed into a book with minimal editing that doesn't matter anyway bc it provides a dopamine hit. None of this is inherently bad. I don't dislike fanfic-to-published-novel on principle. What I *hate*, is bad editing. Extremely high quality editing is what trad publishing has, in a way fic doesn't. Bc fic can be as long as you want it to be, and can linger, and can have fun - it's not designed for efficiency or quality control bc that's not the point. that being said... quality control can, in fact, improve a work's quality. but trad publishing doesn't have good editing anymore, bc the pandemic proved it didn't necessarily need it, and publishing companies love to not spend money on things, especially if it will make them a profit without that care or attention.

what i will also say, is there is a reason it's easy to file the serial numbers off. reylo fics are very far from canon, for a number of reasons. Legends and Lattes is a coffeeshop AU, without any character work. This doesn't mean they are bad. It just means they feed into a general trend of 'fic as tropes' - rather than 'fic as character study', for instance - which in turn means that romance in particular has also become 'romance as tropes' (or even 'romance as smut' which is another thing I have feelings about, bc bad editing + fiction as smut = really, really bad smut actually lads)

in general 'fiction as tropes' has then obviously been aided by tiktok as the primary marketing platform. rather than provide an explanation of your story, providing an explanation of its tropes encourages your book being read this way

another thing that has happened as a result of fic is 'queer rep' as being 'there is queer people in it' or 'there is queer romance in it'. again, not inherently a bad thing. i love a gay book. but gay and queer experiences exist on a spectrum. a book with queer MCs for the sake of having queer MCs may end up feeling tokenistic, if the writer has included queer rep for the sake of queer rep, or (and we need to admit this happens!) to be trendy!! to hit on the 'queer rep' zeitgeist!!! similarly, a queer book without any romance in it can still be queer, but gods forbid we have *that* conversation.

As I said, all of these things have been discussed in tumblr posts far better than mine. In terms of my personal experience - teaching undergraduate literature classes, this is what I've noticed:

because of fandom or social media with fandom lite edges, a lot of my students are very up-to-date on things such as intersectional feminism, gender performativity, compulsory heterosexuality, queer coding, etc. I don't need to define these terms, whereas they were defined when I was an undergrad.

however, the flipside of this is they often approach the texts I teach only with a contemporary mindset. The biggest example I have of this is Jane Eyre. Jane Eyre actually benefits from a contemporary mindset - after being heralded as feminist in the 1960s, intersectional criticisms in the 1980s/90s by postcolonial critics called out its racist treatment of Bertha Mason. BUT if I have to read another essay about Jane Eyre's relationship with Rochester being 'problematic', I will scream. Not bc I don't agree, but because criticisms of this novel need to also acknowledge that in the victorian era, such a blatant discussion of female sexual desire was radical for its time. That class and sexism was a big enough issue in the 19th century that for Jane to get to marry a man from the landed gentry on equal footing was a big deal at the time. It's fine if you decide Jane Eyre isn't feminist! but you need to prove that through multiple critical lenses and not just a jezebel-article style treatise. (for instance, one essay critiqued the male gaze in Jane Eyre... Jane Eyre was written by a woman looking very disrespectfully actually, and also... film hadn't been invented yet. while the male gaze existed in art, the normalising of female objectification, sexually, required film. also... the male gaze is a term that requires a man with eyes to be making that piece of art.)

the other biggest problem I have when teaching, is the 'queer character as queer representation' thing, and ESPECIALLY "good queer representation means morally good queer characters'. I teach Giovanni's Room. Anyone who has read Giovanni's Room, knows that the main character is both gay... and a bad person. That book isn't just talking about being gay, but about being closeted, trapped in compulsory heteronormativity, and also... 1950s racism. One of the biggest challenges for me as a teacher is to ask students "don't just tell me there's gay people in it, look at what those gay people are doing. is queerness portrayed positively or negatively? what aspects of the experience are being represented? do these aspects have value, especially when it is a queer artist making the art?"

(people also feel like they can't call a gay character mean or bad, because of the whole 'gay is inherently virtuous' part of fandom's mindset. spoilers: gay people can suck too. and are allowed to be portrayed as such in fiction, once you have a tool in your toolkit known as nuance).

anyway, aside from the fact it means i occasionally struggle to find good romance books bc I want not just well written sex but character development - which fanfic has! I'm not saying fanfic doesn't have it! but the fanfic that gets published sometimes doesn't, and certainly very rarely has both! - my teaching is absolutely where I see fandom's impact most clearly.

#asks #hope this was vaguely interesting lmfao

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