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#it's not that I don't *want* to work
artkaninchenbau · 1 month
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A h-heartfelt reunion..?
Bonus
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egophiliac · 27 days
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bring back zooterkins, the best 17th-century swear word
I don't normally do Just Characters Swearing, but. ...this kind of wrote itself and then wouldn't leave my head. it comes from both a piece of character-writing advice that has always stuck with me, and also my conviction that Leona is 1000% funnier as a character if his dialogue has to stay G-rated. let Kalim say fuck, but don't let Leona say bastard.
(I'm sorry)
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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charlietheepicwriter7 · 3 months
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The Joker was apprehended, sitting on the ground as Batman guarded him, but the kid--"Bruce Wayne's newest ward, how tragic! Hehehe!"--was nowhere to be found. Nightwing and Red Hood desperate searched the warehouse until a shuffling noise grabbed their attention.
A kid, black haired just like the kid in the Joker's broadcast, crawling out of a pile of boxes. "Is it over?" the boy asked quietly.
Nightwing guided him to the only exit, unfortunately walking past the boy's own kidnapper. "Yeah, kid. It's over. Come on-"
Like a shot, the boy rushed the Joker and kicked him right in the balls.
The Joker wheezed like a dying squeaky toy. Red Hood froze. Nightwing immediately snatched the boy up by the armpits, but all that did was give the boy the height to attack again, punting Joker in the jaw. The clown went down and cracked his head on the floor. He did not get back up.
There was a moment of silence before Red Hood roared with laughter, his helmet distorting the sound.
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jamjoob · 7 months
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I've updated my prints & clothes store (w bonus stuff I haven't posted publically)
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All proceeds will be going towards helping the children of Gaza.
Link to my shops here & fundraiser here
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anneapocalypse · 1 year
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So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.
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chewaai · 1 year
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As Welcome to Night Vale is gaining another burst of popularity, I do wish to send out a warning to people who are very sensitive to psychotic episodes: be careful if you want to listen to it
If you're the type of person who has #unreality blacklisted, don't listen to too many episodes in a row/maybe avoid it all together?
Stay safe <3
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shivunin · 10 months
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Because I have just seen this specific thing for the second time, I would like to say:
If I reblog your art, I do not expect you to reblog (or share!) my fic in return
If I comment on your fic, I do not expect you to comment on (or read!) mine in return
My enjoyment of anyone's work does not come with strings or expectations
My friendship is not a bill that you will have to pay later
That's it!
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itsdefinitely · 2 months
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TUMBLR LEGWND ITSDEIFNITLEY ALSO DRAWS SANDERS SIDES?!?!???
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i dabble
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beyondthisdarkhouse · 11 months
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After months of research and development and market testing and perfecting the first item I feel confident selling online, I have realized... that it is an incredibly niche item that only a specific subset of absolute nerds would want to buy, and I will have to do a ton of explaining the basic idea over and over again before people generally get what it is I'm even selling. RIP me
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caffichai · 8 months
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Mudrock torso warning! Do not look below if you don't wanna see torso again!!
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Thanks everyone who participated in the poll!
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tio-trile · 8 months
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So that unwanted guest huh
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vinceaddams · 7 months
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Any tips on learning to make buttonholes? I've been putting it off for.... *checks notes* like three years.... but better late than never and all that. I don't have any fancy machines so I gotta do it by hand but that seems right up your alley.
Thanks!
It IS up my alley, yes, I do most of my buttonholes by hand!
I'm actually part way through filming an 18th century buttonhole tutorial, but I expect it'll be a few more weeks before I finish that and put it on the youtubes, so in the meantime here's the very very short version. (The long version is looking like it'll probably be about 40 minutes maybe, judging by how much script I've written compared to my last video?)
Mark your line, a bit longer than your button is wide. I usually use a graphite mechanical pencil on light fabrics, and a light coloured pencil crayon on dark ones. (I have fabric pencils too, but they're much softer and leave a thicker line.) You may want to baste the layers together around all the marked buttonholes if you're working on something big and the layers are shifty and slippery. I'm not basting here because this is just a pants placket.
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Do a little running stitch (or perhaps a running backstitch) in fine thread around the line at the width you want the finished buttonhole to be. This holds the layers of fabric together and acts as a nice little guide for when you do the buttonhole stitches.
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Cut along the marked line using a buttonhole cutter, or a woodworking chisel. Glossy magazines are the best surface to put underneath your work as you push down, and you can give it a little tap with a rubber mallet if it's not going through all the way.
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I'm aware that there are some people who cut their buttonholes open using seam rippers, and if any of them are reading this please know that that is abhorrent behaviour and I need you to stop it immediately. Stop it.
Go get a buttonhole cutter for 10 bucks and your life will be better for it. Or go to the nearest hardware store and get a little woodworking chisel. This includes machine buttonholes, use the buttonhole cutter on them too. If you continue to cut open buttonholes with a seam ripper after reading this you are personally responsible for at least 3 of the grey hairs on my head.
Do a whipstitch around the cut edges, to help prevent fraying while you work and to keep all those threads out of the way. (For my everyday shirts I usually do a machine buttonhole instead of this step, and then just hand stitch over it, because it's a bit faster and a lot sturdier on the thin fabrics.)
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I like to mark out my button locations at this point, because I can mark them through the holes without the buttonhole stitches getting in the way.
For the actual buttonhole stitches it's really nice if you have silk buttonhole twist, but I usually use those little balls of DMC cotton pearl/perle because it's cheap and a good weight. NOT stranded embroidery floss, no separate strands! It's got to be one smooth twisted thing!
Here's a comparison pic between silk buttonhole twist (left) and cotton pearl (right). Both can make nice looking buttonholes, but the silk is a bit nicer to work with and the knots line up more smoothly.
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I've actually only used the silk for one garment ever, but am going to try to do it more often on my nicer things. I find the cotton holds up well enough to daily wear though, despite being not ideal. The buttonholes are never the first part of my garments to wear out.
I cut a piece of about one arm's length more or less, depending on the size of buttonhole. For any hole longer than about 4cm I use 2 threads, one to do each side, because the end gets very frayed and scruffy by the time you've put it through the fabric that many times.
I wax about 2cm of the tip (Not the entire thread. I wax the outlining/overcasting thread but not the buttonhole thread itself.) to make it stick in the fabric better when I start off the thread. I don't tend to tie it, I just do a couple of stabstitches or backstitches and it holds well. (I'm generally very thorough with tying off my threads when it comes to hand sewing, but a buttonhole is basically a long row of knots, so it's pretty sturdy.)
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Put the needle through underneath, with the tip coming up right along that little outline you sewed earlier. And I personally like to take the ends that are already in my hand and wrap them around the tip of the needle like so, but a lot of people loop the other end up around the other way, so here's a link to a buttonhole video with that method. Try both and see which one you prefer, the resulting knot is the same either way.
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Sometimes I can pull the thread from the end near the needle and have the stitch look nice, but often I grab it closer to the base and give it a little wiggle to nestle it into place. This is more necessary with the cotton than it is with the silk.
The knot should be on top of the cut edge of the fabric, not in front of it.
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You can put your stitches further apart than I do if you want, they'll still work if they've got little gaps in between them.
Keep going up that edge and when you get to the end you can either flip immediately to the other side and start back down again, or you can do a bar tack. (You can also fan out the stitches around the end if you want, but I don't like to anymore because I think the rectangular ends look nicer.)
Here's a bar tack vs. no bar tack sample. They just make it look more sharp, and they reinforce the ends.
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For a bar tack do a few long stitches across the entire end.
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And then do buttonhole stitches on top of those long stitches. I also like to snag a tiny bit of the fabric underneath.
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Then stick the needle down into the fabric right where you ended that last stitch on the corner of the bar tack, so you don't pull that corner out of shape, and then just go back to making buttonhole stitches down the other side.
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Then do the second bar tack once you get back to the end.
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To finish off my thread I make it sticky with a bit more beeswax, waxing it as close to the fabric as I can get, and then bring it through to the back and pull it underneath the stitches down one side and trim it off.
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In my experience it stays put perfectly well this way without tying it off.
Voila! An beautiful buttonholes!
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If you want keyhole ones you can clip or punch a little rounded bit at one end of the cut and fan your stitches out around that and only do the bar tack at one end, like I did on my 1830's dressing gown.
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(I won't do that style in my video though, because they're not 18th century.)
Do samples before doing them on a garment! Do as many practice ones as you need to, it takes a while for them to get good! Mine did not look this nice 10 years ago.
Your first one will probably look pretty bad, but your hundredth will be much better!
Edit: Video finished!
youtube
And here's the blog post, which is mostly a slightly longer version of this post.
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inkskinned · 1 year
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there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)
i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.
i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.
and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.
HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.
now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.
my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.
i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.
by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!
keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"
similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."
the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"
if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.
the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.
godbless. when in doubt, remember that you could always start stealing their pens.
the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.
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flamingpudding · 2 months
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That's our baby hero
Protective Amity Park Au but maybe not like you would think?
Danny's identity wasn't as hidden as Sam, Tucker, Jazz and him thought. His identity was an open secret, in fact his whole town knew that Danny was their hero Phantom, well everyone but his oblivious parents but they were a case of their own. The thing was his entire town knew about his oh so big secret identity and that he was the one trying to save them from ghosts 90% of the time as well as from his own parents crazy inventions at times.
Dash shoving him into lockers like a bully? Danny didn't look good and Dash tried in crude ways to give him reasons to skip classes to rest. It also later was a good move to hide him from snoopy government agents also known as the Guys in White or GIW for short. Really his bullying played perfectly into him finding creative ways to get Danny to skip classes for rest.
Valerie hunting him and other ghosts? Well she was hunting him in the very beginning, but then it became an attempt to make him stop fighting the ghosts on their behalf but in the end it turned into her trying her best to be the support to him that Sam and Tucker couldn't be in a fight. Let alone taking 'night shifts' from him so Danny could get at least a good nights rest every now and then.
Sam's parents the Mansons? Sure they didn't like him that much from the start anyway but most of their anger later stemmed from the danger their daughter was willingly get into to help their reckless teenhero that shouldn't be a hero at his age anyway. Let alone shoulder the responsible for their entire town at the age of 14.
Tuckers parents? They were glad any time Danny stayed over with their son, even attempting to subtitle convince the boys to have more sleepovers at their home. Surely being a hero with ghost powers and living in a house of ghost hunting parents wasn't easy on Danny. They were glad that they could give him some peace at their home. They willingly ignored it when Danny showed up late night in Tuckers room, getting patched up by their son.
The entire town apparently hating him with all these negative newspapers and comments? All fake in a desperate attempt to get the 14 years old teenager with a bad sleeping schedule and powers to stop risking his damned life, half-life. Surely if they appeared not thankful the kid would get the hint and stop playing hero. Like seriously he was a kid! Who's bright idea was it to let a kid fight these dangerous appearing ghosts?! Oh right the poor kids parents were incompetent when it came to ghost hunting and it wasn't like they could just up and do it without destroying the kids confidence. Plus the GIW were no help either.
Vlad becoming Mayor was not exactly their plan but they thought maybe they could use that as some help to convince Danny more that he didn't need to play hero for them just because he got powers now. That didn't turn out like they hoped and THAT plan was dismissed quickly. Especially when the GIW showed up. They learned their lesson sort of quickly after that, at least when it came to people from out of Amity did not mean well.
Lancer, at first when Danny first showed up as Phantom, had attempted to get into contact with the Justice League several times, so that Danny would actually get the professional help he needed and get some sleep at night as well as the time he needed for his schooling so that heroing wouldn't be the only career path he would be forced into. The additional point of getting the kid training too for his powers was also very tempting, there are only so many chemical breakers they could allow the him to break before they HAD to sort of ban him from touching them again.
But when the GIW appeared in their town they stopped trying to reach the Justice League. Suspecting that that was the answer they sent in regards to their SOS calls. Amity Parks protectiveness over their teenheroes that sacrificed to much skyrocketed. They started to sabotage the Agents subtitle. Always working within the limits of the orders and finding the loop holes.
"Oh but we did comply, not our fault that you guys tripped and let Phantom escape."
"Wupp, sorry I got that from the Fentons for self defence, but it looks like I need to work on my aim."
"I am so sorry, my car is stuck! See my tire is popped I can't get out of your vans way."
The fact that Amity Parks weather report was more a report on the ghosts, the Fenton parents and the GIW was all a tactic for them all to keep each other informed so they could execute any step to ensure their -by now- towns sweethearts safety. Even if they still tried to turn the poor kid away from being a hero with all the unnecessary mean comments and articles.
So when one day a hero from the Justice League showed up it was predictable that they all were suspicious of it. Even more so when that hero came with a bunch of teenage heroes. Apparently they were here to investigate a bunch of ignored calls one of the teenheroes found in their call logs. Some of the adults eyed Lancer who in turn was glaring at the heroes fessed up, he hadn't attempted to call them ever since they decided to sent the GIW into their town. Which apparently was more of a cover as these heroes showed an interest in the Fentons research of Ectoplasm pretty quickly.
Well now Batman and his flock of bats and birds were confronted with a very unhappy town that was apparently very protective of their hero and 'accidentally' continued to manage to block them from making contact with said teenhero. And who where these Guys in white suits that tried to suck it up to Batman? Better question why was the entire town suddenly hostile towards them when they started to look into the Fenton Family that had a connection to Lazarus Water?
Meanwhile Danny is confused by his towns newfound favouritism towards Batman and his entourage and how whenever he went to find out what was that about everyone seems to deflect. Even Sam, Tucker and Jazz were confused by what was going on!
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deep-space-lines · 1 month
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okay but like. I just had the weirdest thought about that ‘don’t look I’m naked’ comic. Which is that that’s essentially the same thing Adam and Eve did after they ate the fruit of knowledge of good&evil. So I feel like the theological implications of that could kneecap Gabe if he doesn’t think V1 is a being with free will.
yeah ok. i dunno man. is this anything
((side note. this isn’t necessarily meant to be in-character or story-accurate or take place at any particular point in time, just a way to explore some Thoughts. i was also imagining more that V1’s words aren't actually spoken, more like Gabriel’s more articulate interpretation of whatever garbled mechanical noise V1 is using to communicate. I think an angel could do that.))
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and then they fucked nasty the end
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