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#it's just that it's such a good book to begin to understand this big; complex phenomenon that is Mafia
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Cool ask game! Could I get a rec for 16 and 27 please?
oh, hello!! thank you so much, and sorry for replying so late!
16. for an ingenious, unusual way of storytelling
mmmmmm I would say Run For Your Life by Silvana Gandolfi! it's a ya novel that tells of a true-to-life story of two Mafia victims. Santino's and Lucio's story end up intertwining in a way that is satisfying from many points of view
27. for an unreal story that feels terribly realistic
now this is probably a commonplace answer, but The Metamorphosis by Franz Kafka is just!!! the Book™!!! Gregor is such a realistic character but I guess it's no surprise, this is probably tumblr's favorite book. BUT I'd say the short story by Ryunosuke Akutagawa called The Nose could fit here too, in a different way!
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stqrgirlie0 · 15 days
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⋆✮mattheo riddle✮⋆
mattheo riddle is a complex character by nature, built by years of trauma that would make grown men go insane. he’s handled it quite well, he tells himself, but what’s a character without a traumatic background? we all need character development and mattheo riddle might just be a living example of that. his sufferings and experiences have shaped him to become the person he is today, be it better or worse. now in order to fully understand him and his character, we must start from the beginning- his childhood and family. having intense expectations be put upon him did not help, only decreasing his confidence and increasing his fear of being reprimanded for doing the “wrong” thing. the lack of affection and attention really rubbed off on him growing up, accumulating to attachment issues. with his tragically low self esteem and confidence, mattheo knew he had to make something of himself in order to gain approval from his father. it seemed that excelling in his studies at hogwarts and/or becoming a fellow death eater were the ways to go. however we all know that he did both. did he gain approval from his father? spoiler alert: he didn’t. his father didn’t want a son he wanted a soldier, a liegeman- he didn’t have time for diapers, quills and books. despite all of mattheo’s efforts, nothing he did was good enough, and that’s what started it. words became thoughts, thoughts became nightmares, and eventually, to mattheo, the nightmares became reality. he wasn’t good enough. he wasn’t worthy of his fathers attention. he was a disappointment.
when the time came and he was sent to hogwarts to “make something of himself”, mattheo’s insecurity was fuelled by looks that could kill, long stares and averting eyes. however this insecurity eventually turns into anger. the only downside was not knowing where to direct it, himself? his father? or the people around him who were just trying to help him? unintentionally, the latter, and this is where big bad Mattheo Riddle came to light. finding friends within slytherin wasn’t too hard- being the most misunderstood house, everyone just had to stick together. mattheo’s first friend was lorenzo. they both immediately clicked, and lorenzo helped bring mattheo out of his little shell and introduced him to the rest of the gang: theo, blaise and draco. it was like a dream come true to mattheo, having friends- let alone ones that actually cared about him. but obviously he couldn’t show his appreciation out loud, growing up and having to hide his feelings made him automatically think that it’s a weakness.
mattheo’s new discovery of alcohol hit him hard like a bunch of bricks. it was something he’d never felt before- relaxed, peace. nothing to think about, nothing to worry about, just silence within him and a raging party ringing in his ears. the parties started becoming more frequent, some with no purposes, just for fun. with the parties the consumption of alcohol also became more frequent. what was surprising was that no one noticed, mattheo was slowly feeding his monsters and he himself wasn’t realising.
in fourth year, mattheo found his new best friend- theo. they were inseparable during the day and during the night up at the astronomy tower. with endless things to talk about, mattheo became less scared to talk about his feelings, about how his father made him feel like nothing less than shit. listening to theo talk about his mother broke mattheo’s heart, for himself or theo- he didn’t know. for himself because he’d never felt the warm embrace of his mother or for theo because he’d never be able to feel the warm embrace of his mother ever again. the lack of a motherly presence had quite a toll on mattheo, and when it came to looking for a relationship, he needed a girl he could fall back on whenever he needed to.
going back home for summer was actually something he dreaded, because he knew what was waiting for him- nothing short of 6 weeks of hell. it wasn’t all bad, nobody actually cared what mattheo did around the house, be it lying around, rotting in bed. one could say he had freedom, but oh no he didn’t. not a single inch of him was allowed to be outside of the premises, something about protecting the heir. yes, correct. he was the only son of Lord Voldemort and the title held quite some significance. when the weeks slowly dragged by, mattheo was slightly awaiting for his fifth year at hogwarts. immediately upon arriving at the station mattheo was more than glad to see his friends, having missed them dearly during the summer. the train ride was more than entertaining, lorenzo, being the influence he is, snuck cigarettes and muggle “herbs” with him. and here’s our second coping mechanism: cigarettes. there’s no doubt he spent multiple hours staying up smoking with theo, sustaining his inner demons.
#left y’all hanging for a whole ass week😭🙏🙏 #whoops! #only a small background blurb on mattheo #YES there will be a part 2 #theyll be more like concepts and headcanons and less of a story since i can’t write stories for shit #so yeah xoxo
taglist: @iamgayforyourmom1510 @lovelyygirl8 @brownboyandthestarboyonthetrack
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I have liked the ship Cleril since the very beginning. Yes, I know that Peril is very toxic in her mannerisms, but I still feel like she can improve, and she already has! By the tenth book she's learned to not put Clay on a pedestal and trust in other dragons besides him. Obviously they shouldn't get in a relationship right away, but I think they'd be a good couple after a few years of healing.
Also, people don't focus on Clay's side of the ship enough. He's seen Peril grow and change for the better, and she was the first real friend he had outside the mountain. Plus (getting into headcanon territory now), I've noticed that a lot of dragons think that his entire personality is food. The other dragonets of destiny are not exempt from that; assuming that the books are warped in the protagonist's limited perspective, all Tsunami, Glory, and Starflight think of Clay as the food-obsessed guy first and the bigwings second. Even Moon and Qibli’s POVs do that too! Yet Clay's own book portrays him as a complex character, and Sunny sees him as her protector and likely-favorite sibling, so her book is more representative of Clay's actual mannerisms. But he's still a foodie, because of course he is.
Then we get to Peril’s book. Of all the times that Peril talks about Clay, when does she mention any food? Exactly once: when she jokes about Clay sighing because he wants a goat. Literally every other time, she's thinking about his big heart, bravery, and compassion, or all the things Clay wanted other dragons to see when they meet him, rather than his initial internalized monstrosity.
And yes, we all know that Clay likes food. It's the only thing anyone can think about. But that does not define him, and Peril seems to understand that, albeit subconsciously. Through that, I think they can bond even more, and not just because "he can help her". They lift each other up and constantly support one another when no one else is. That, in short, is why they're my favorite Wings of Fire ship.
TLDR: Cleril isn't just a "he can fix her" relationship. Trust me.
.
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Everlark (Mockingjay, Ch. 11)
in CF, katniss thought that if peeta died, she would be broken beyond repair but her realising snow's latest horror is what really does it: peeta being tortured to get at her. and she really begins breaking
"the pain over my heart returns. and from it i imagine tiny fissures spreading out into my body. through my torso, down my arms and legs, over my face, leaving it criss-crossed with cracks. one good jolt of a bunker missile and i could shatter into strange razor-sharp shards" - her descriptions of her heartbreak are so vivid, my god
it's like katniss really avoids talking about her feelings of love for peeta at any opportunity. obviously her whole 'we're friends' thing in the first two books but in this book she is clearly devastatingly heartbroken but she can't give it a name even though she can describe in vivid intense detail how her heart feels. and she says in so many ways that she loves him without outright saying it, like here: "i find finnick, feeling for some unspecified reason that he will understand." what is that unspecified reason katniss???
the annie/finnick and peeta/katniss parallels again because finnick is broken in the same way that katniss is being broken now
finnick realising that katniss loves peeta, before katniss herself does/can put a name to it. he's so real for that. (i think it's true for everyone in katniss's life because i know gale/prim/haymitch/her mother etc knows she loves peeta like that too)
i know finnick says that he's not saying in what way she loves peeta but i think it's clear, especially with the parallels with him/annie but i appreciate that he gives her this space.
but i think this is a turning point for katniss where she's able to admit to herself that she actually LOVES loves peeta, as in she's in love with him. finnick telling her that she loves him is like the missing puzzle piece she needed. she needed someone to say it like that. and now she knows and accepts it herself. she doesn't question it, she just asks him how he lives with it. she allows herself to give her love its name.
including this whole paragraph because it's kinda funny:
As I turn to go suit up as the Mockingjay, I catch Gale watching me and Finnick unhappily. What now? Does he actually think something's going on between us? Maybe he saw me go to Finnick's last night. I would've passed the Hawthornes' space to get there. I guess that probably rubbed him the wrong way. Me seeking out Finnick's company instead of his. Well, fine. I've got rope burn on my fingers, I can barely hold my eyes open, and a camera crew's waiting for me to do something brilliant. And Snow's got Peeta. Gale can think whatever he wants.
katniss is so fucking done with gale and his nonsense. "what now?" like she is breaking apart because peeta is being tortured in her name and then there's gale thinking her and finnick are flirting. complex character etc etc but gale is irritating and he needs to get a grip.
boggs confirming that peeta's warning helped district 13 in evacuating earlier - again peeta saving katniss and the people she loves, at a great risk to his own life.
finnick and haymitch are really her people in there, in 13. feeling what she feels. looking out for her. comforting her. the fact that whenever she looks at finnick, she essentially sees herself reflected back. because he too cares about peeta, and shares her suffering in regards to worrying about annie. gale doesn't come close to the friendship and support they offer.
she decided to use being the mockingjay to save peeta's life and now she realises that being the mockingjay will directly harm him and it's all just too much.
"but in the end, the only person i truly want to comfort me is haymitch, because he loves peeta too" - i think this is the first time katniss actually admits she loves peeta, and i think her earlier conversation with finnick plays a big part in it. like it all just clicked for her. and she truly knows it now. and there's no going back.
haymitch sitting by her bedside when she wakes up. that's his kid for real.
the fact that finnick lost it just after katniss did and had to be sedated too. what a broken brady bunch.
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vrisrezis · 1 year
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Hi! I hope you're having a nice night or day. May I request the bnha class 1-a characters you write for + the types of people they'd hate to be around? Basically just the people they can't stand, whether it's platonically or romantically. Thank you!
(Some manga spoilers in shoji and aoyamas part)
Izuku can stand mean people, if the treatment he received from kacchan for so long is anything to go by. But you’d have to be a special kind of mean, the kinda mean that doesn’t come from a place of some form of mistreatment, or some inferiority complex, or even because you just don’t know any better. He cannot stand people that will just pick on others for the sake of it. In his eyes, kacchan is a good person, even if he was a bit cruel in his younger days. But he hates a person that’s clearly terrible, through and through, and there’s no true reason behind it, you’re just straight up terrible. Like a comic book villain with no character depth, just straight up, no morales, just a terrible human being.
Kacchan can’t stand people he sees as weak. As he grows, his idea of weak changes. Nowadays, he can’t stand somebody who talks big and then cowers when it comes to a fight, or has the audacity to look down on others when they’re as pathetic as a koalas entire fucking existence is. (I fucking hate koalas holy shit.) Hes no stranger to putting up a front for other people, but he’s still real about who he is and he hates anyone that plays pretend for the world. He does not hide behind a facade, even if he can’t be honest about how he feels, even if he has to act tough, he’s not a liar about who he truly is and what his ideals are. He hates somebody that is too ashamed of themselves to be honest about who they truly are. Because to him, that’s fear. And to him, letting fear control you like that, to that point, is weakness.
Shoto can’t stand people that are inconsiderate and selfish. The reason he adores his class so much is because he sees the good in everyone, their kindness, their selflessness, how considerate they are of eachother, even bakugou is in his own way. But somebody that simply doesn’t care for anyone but themselves reminds him all too well about why his family fell apart to begin with, because his father was selfish and far too focused on himself and what he wanted. If you tend to be selfish but show remorse for it, and are trying to be better, he wouldn’t mind you so much. He minds people that are unapologetically selfish and simply don’t care for others. To him, it’s a dangerous trait for anyone to have.
Ejirou hates anyone that isn’t an honest person, compulsive liars annoy him and he can’t stand being around somebody he can’t trust. Ejirou is an honest guy, and is pretty much an open book. So he doesn’t understand how people could ever pride themselves in being fake. It’s completely foreign to him and he’ll never understand. He doesn’t mind small lies, and it’s not like he’s gonna deny lies all together but he can’t trust somebody who consistently lies about things. Important things or even things that don’t matter, if it’s constant he doesn’t like it, simply put.
Denki hates being around people that are overly snobby. He really can’t stand being around overly confident rich kids (bakugou doesn’t count because he isn’t snobby lol). It’s not like he minds his rich friends, he likes em! Maybe he’s a little jealous but that’s all! But he really can’t stand somebody snobby and judge-mental just because people happen to have less than you or whatever the reason may be for your bitchiness. He doesn’t mind somebody that’s bitchy, he deals with bakugou on a everyday basis. However, he does mind somebody that’s bitchy just because they happen to be rich and often brag about the money they have.
Sero cannot stand people that prey on the weak in order to make themselves feel better. How pathetic do you have to be? Honestly, nothing makes him more angry and it’s partially why he wants to be a pro hero so much. He wants to protect others from the likes of people that abuse their power and pick on those in weaker positions. He wants to be a person high in power, but for the good reasons. He would despise bakugou in junior high, but at the same time he is all for people changing and becoming better people. Seeing you first hand be a shit person to the “weak” would seriously piss him off.
Ochako hates people that simply revel in hatred, who enjoy it. She thinks it’s sad, people like that probably don’t have much going for them and don’t have much to enjoy in life if they enjoy hating others and others hating them. While she may sympathize with you she still can’t stand you, and everything it is you stand for. She can’t be around somebody that brings drama everywhere they go and is always itching for a fight, or to hurt other peoples feelings. It’s so attention seeking it’s embarrassing. If she didn’t feel so bad for you, she’d tell you off a lot more.
Mina can’t find it in her to hate most people, but she will say she cannot stand people that are… well… sadistic. Even in a sexual manner and even if it’s a consensual thing she just… hates it. Like way more than the average person. She thinks you’re horrible.. so HORRIBLE for enjoying peoples suffering and while that’s how most people would feel she has a special hatred for people like that and it makes her stomach turn and it makes her feel so unpleasant, even if it’s just bullying and poking fun, if you enjoy doing that so much, for the sake of just seeing somebody cry it sickens her.
Momo can’t stand people with next to no manners. The kinda people that would pick their nose in a public space, those kinda people just disgust her. A lot more petty than everyone else on this list but she was raised a certain way and she just can’t believe that some people aren’t the same? Most people on this list would find it gross but not enough to hate them, but momo finds herself really being unable to be your friend because who does that so openly? She doesn’t even hate bakugou like that, and he’s rude as hell. She doesn’t even mind him that much but even she can get annoyed with some of the conversations she overhears him have. She’s not a snob or anything, she just values politeness a lot.
Jirou can’t stand people that make fun of people for their interests. A personal thing she’s always hated, she used to always get made fun of for wanting to be a pro, whilst having a passion for music. It’s caused her to have some issues with it herself, so she just hates anyone that makes fun of people for enjoying something they love. They’re not doing anything wrong! It’s not a crime to have a hobby. She understands criticisms of different things people enjoy, but shitting on somebody for their interests isn’t rocking at all, in her opinion.
Tsu can’t stand people that don’t listen. If it’s an accident, she can get over it cause she knows it’s not their fault, but if it’s because you clearly don’t care and it’s on purpose it can be upsetting because it’s clear you don’t care about how she feels or what she has to say. This is a pretty standard thing to hate in a person, but she hates it especially. She hates being ignored in general, so this is a bit more than just a pet peeve and she’s not against dropping you rather quickly over it either.
Tokoyami can’t stand people that act kind but secretly are just snobby assholes. The audacity you have to act like you care for others, when in reality you’re simply using them for your own benefit. The audacity you have to act kind, and when somebody realizes it? You act like a victim? Truly annoying. He hates people like that and he’s not one to shy away from calling you out on that shit either. He can never get over it, how can somebody be like that? The hawks situation, with twice really eats him up inside. Somebody he idolized so much, could he really be like that. Could he? Was he just pretending to be a carefree bird, or was he just so carefree he didn’t even care if he murdered a man? Things like this keep him up at night.
Shoji hates people that discriminate against others. Of course, everyone on this list does but naturally he has a special distain for it, as somebody that’s been hurt and discriminated against for his appearance. He will hold a special hatred for you, especially if you’re in UA with him. How could somebody aim to be a hero but be … like that?
Aoyama would hate somebody with villainous traits to them. Perhaps it’s because it reminds him of who he is. That he’s no better than a villain himself. Even if this wasn’t something he desired. He can’t stand being around people that use and abuse others. It just upsets him to his very core.
iida hates people that seek vengeance. It’s obvious why. He hates those that are vengeful, constantly looking for fights, even for the sake of others. It’s even worse if you’re being self righteous about it. It just reminds him of what he thinks is the worst mistake he ever made. He sees himself. He hates it so much it hurts to describe. So he finds himself constantly trying to change you, fix you. He knows it’s wrong though, you are who you are. He just happens to hate who you are.
Ojirou is a chill guy, you’ll find it’s very hard for him to hate people. But he hates people that are just… annoying. You’d have to be a special kinda annoying. The type to be overly two faced and talking shit about everyone you meet. Like a middle schooler. It’s just so tiring and draining to be around somebody so negative and he can’t stand it. But what he hates even more is that he’s acting like what he hates too. Because at the end of the day he acts nice, when he secretly hates your guts.
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shuobox · 6 months
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Hiii * kicks my feet as i try and make sense of your vague backstory *
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Cassie rose…. White pumpkin beloved . wowie
Her backstory is so like. I want to study her like a bug sometimes. What on gods green earth is going on with her and the old builders
While thinking about it i pieced together a very delusional viewpoint of what i THINK mightve happened that would make cassie so . intent. on getting “”home””
(Inspired off of @/zoomire ‘s prodigy!cassie + vamp!cassie hc/au)
When the Atlas (portal hallway but like, not a hallway, think more like… layered backrooms cube with weird gravity and staircases. like those illusion paintings. With portals everywhere) was at its beginnings, found and studied by the old builders, the group was carefully discovering these new and strange places.
It didn’t take long for them to gather that these places can be dangerous. But where theres danger there are endless bounties that are BEYOND valuable in price.
It’s what helped them make this odd… …town? Place? When Harper created the respawn machine from parts gathered from the other worlds, it changed so much. Harper and Otto (and a certain… man) knew to be wary, but Mevia and Hadrian wanted to harness this newfound discovery by the reigns. It would be a waste, after all.
It didn’t take long for them to realize that it is verrrry easy to die out in these places. Its dangerous and its no good trying to juggle handling these games and something with boundless potential that is the Atlas.
Hadrian and Mevia knew the other three wouldn’t agree to it under any circumstance, ever. It was beyond immoral in a lot of ways, put simply, but the two had already discussed and planned and prepared.
They snuck out and into the Atlas as they usually did, no one batting an eye, and it was a few hours before they emerged. Hadrian holding a small, sleeping toddler.
To say Harper had questions and Otto was beyond appalled that they pulled a whole person— no less a child— into their world, far from their original home, would be an understatement.
Hadrian reassured they found the child when she was being held captive in a dying town with illagers patrolling all around. It was for the benefit of the child, if nothing else.
They didn’t argue. Much. They were aware that trying to wander back in and place the child back exactly to where she was would be useless; Hadrian and Mevia knew the portals better than they did and they weren’t letting up. Otto gave up; the debate that had settled between Harper and Hadrian did grant him the slightest idea to create something to navigate the Atlas.
Cassie grew up alongside the old builders. She’d learn from Harper most of Redstone and general morals and advice; Hadrian would teach her about combat and the games (to say Cassie found him as the least favourite teacher would be an understatement), Otto taught her to read and write, and once she was older, Mevia taught her about the more brutal sides of anatomy, where to strike and how fast or slow depending on the reaction you want.
When Cassie was 15, she was handed the Atlas Compass (because i dont ljke the idea of there being a book that just wooshes a big arrow to where u need to go), benign tools, and pushed into the portal network with a simple task. An easy one at first; find an ore you wouldn’t usually find back at home through one of the realms. Document a mob and bring back a body part of it. Etc, etc
She didn’t know much about the Atlas. The old builders never told her much— only vague information and that she’ll understand when she’s older.
The tasks would get a bit harder, a bit more complex each time; juggling beating the living hell out of people in the games when her tools had expended their use and fighting back swarms of mobs fetching items and blocks and finding a portal back.
She always sought praise that came from Hadrian himself. He was the mastermind of the games after all; the one who’d fearlessly taken her out from a terrible predicament when she was younger, one she hardly remembers anyway, and had always travelled the Atlas with confidence.
He always told her that he had such high hopes and expectations for her; that what she’s doing is worth it, that she’ll understand everything, and that he’s so, so proud of the way she turned out.
Supposedly.
Okay i give up on writing anything further because head hurty ouuu
Cassie would like. Eventually snap with the whole having to be champion over and over again to please hadrian because him seeming disappointed in her hurt cassie (saw him as a father figure lol) and also the whole thing with her having to toil through the Atlas and if she didn’t she’d get shoved in there anyway
After Harper leaves (and certain someone) and theres nobody shedding a positive light on cassie’s life anymore; she slowly starts going numb and then haywire from a cycle that is seemingly never making the three old builders satisfied
After the two leave Hadrian and Mevia get more and more harsh and expecting of Cassie; occasionally just getting her to do the work for them
maybe when she comes back all beaten and bruised and wounded after the games or after an expedition and is sent back to the atlas the next day when she’s hardly healed up enough, saying she has to do this again and so on— it makes her crack . and she attempts to attack Mevia. effectively killing her but the respawn machine causes her to come back anyway . maybe a fire happens in the process bcz of mevia’s tnt tendencies idk
Listen. Mevia and Hadrian are like. They are not good influences on anybody and were especially not to younger Cassie. They are nnnnnot built to try and raise easily influenceable kids. They are terrible parental/guardian figures that Cassie looked up to and sought appreciation for
(I mean, Hadrian always described Cassie as *his* kid. And so did the players of the games. )
Otto tries to get through to Cassie with words but accidentally distracted her as Hadrian already knocks her out and just sort of. Drags her into a dimension far away . Otto feeling guilt knowing he probably could’ve done something or reached out but it being too late now; tossing her into a quiet and dreary dimension where the nights are twice longer and dead rise stronger. Leaving her for dead.
And Cassie wakes up. beaten and limbs weak dragging herself to wherever she can find shelter . mind recollecting moments of before her impromptu snork mimimi time . and just like her role models all she can think about is causing immense suffering to all of them
(Hadrian and Mevia for obvious reasons, Otto for not doing anything and standing by watching, Harper and yay you guessed it Soren — for leaving)
and yeaa she like sets the traps and kills plany of people with several fruitless attempts at her murder mansion before the order of the stone come along and trap her in her own trap
(White pumpkin in this ver is … WAYYY more brutal…. Girl has a lot of pent up rage and shes learnt from the most gruesome sadistic ppl out there)
BUT ☝️ that was in fact not the end for her
But i don’t want to say too much bcz j want to reveal the last oc and then make a big ol post about my ramblings of my au . so huzzah
Headcanun time
- when I say she jokes in subtle ways I mean she’ll super casually slip it into a convo. She finds this incredibly amusing
- got Winslow when she was around ~13 or so. Would talk to her cat when she was alone and still does it today
^ Winslow got caught in one of Mevia’s explosives/fire, resulting in the loss of his leg :o( she didn’t talk to Mevia for months when it happened
- enjoys painting and reading to pass the time. Does not understand the concept of public libraries and will just take a book if she wants it (she doesn’t have a preference for any particular genre)
- got her whole “white pumpkin” alter ego idea from a murder mystery book she read from Otto’s collection
- she actually has really good wording on whatever she’s feeling. Mainly struggles to be vulnerable enough to say it aloud.
- still holds some spite towards Harper, Soren and Otto but ☝️ at least its not murderous intent anymore
- prefers axes and daggers above other weapons
- has a phobia of deep, dark waters + claustrophobic. Doesn’t like rain purely because it gets her wet and she dislikes the feeling.
- cut her hair around the time she was stuck in the mansion. Yes that means she has been there for a while given when the order of the stone came by, cassie’s hair was nearer to her shoulders.
^ ties it up now so it doesn’t get in the way as much
- Winslow likes sitting/laying across her shoulders like some weird lil scarf when he doesn’t feel like walking. Cassie loves it when he does this because she can hear and feel him purring
- enjoys logic puzzles/puzzles in general. Enjoys it even more when its a particularly complex one, even if its needlessly difficult. (Gets it from Harper…)
(Oc is next !! ヽ(ヅ)ノ also i suck at wording cassies story soz)
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astronicht · 2 months
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re: Mordor's location
I'm confused! I can understand being annoyed that Mordor is in the east (for me, it's because any new birth/new beginnings symbolism fails. BUT on the other hand, it works great with tolkien's biblical stuff - from study.com, "'East of Eden' is an allusion to the Biblical Book of Genesis. After Cain murders his brother Abel, he is exiled to the land of Nod, 'east of Eden' (Genesis 4:16)". I LOVE Tolkien's biblical symbolism, and smeagol murdering his brother is a direct cain/abel reference, so having the evil be to the east really works for me.
So I guess I'm just wondering if a) the symbolism thing is what irritates you about Mordor's location (or if there's something else I'm missing), and b) how does the evil being in the north resolve this?
Hey cool question!
Caveat that I’m literally just liveblogging my first ever read of LOTR, so while I read Hobbit as a kid and I know the movies and a good portion of the medieval prose and poetry Tolkien is drawing on very well, the only LOTR text I can reference is… from the Shire to Weathertop. Additionally, my perspective is as a medievalist, but I wasn't raised Christian and can’t speak to Tolkien’s personal faith, just to how he might use (and does use) historical Christianity (and a bunch of non-Christian narratives) in his work. At least like. Up to Weathertop.
Short answer a) not exactly! b) Because I expected evil to be in the north, and it checked that box. So-- your particular interest in Christian symbolism is immediately relevant here, because about 700 years before the King James Bible, in the medieval literature (and medieval Christianity) among which Tolkien has settled his own Middle-Earth, people had very very strong feelings about the cardinal directions, and North was heavily associated with Lucifer — this being stated explicitly in an Old English retelling of Genesis called The Old English Hexameron. Here, Lucifer's fall starts like this:
"with a presumptuous pride (moodiness) he said that he would make his throne above the stars of God, over the height of the clouds, in the north part, and be like unto God." (p. 17; not my translation but my guy Henry Wilkins Norman nailed it)
mid dyrstigre modignysse cwæð ðæt he wolde wyrcan his cynesetl bufan Godes tunglum ofer ðæra wolcna heannysse on ðam norð dæle and beon Gode gelic. (p. 16)
In non-Christian stories (though written down centuries later by Christians), the Gylfaginning in the Prose Edda describes Hel as “down and to the North” (sorry, just a link wiki here). So, same idea, and beyond these texts, North is generally associated with hell, death, or evil in early medieval literature, much more clearly than East usually is (even factoring in Old English and Old Norse stories about Cain, Attila the Hun, and the more exciting fauna of the Indian subcontinent, all of which formed the early medieval idea of East). Thus, finding out that an original Big Bad, of whom Sauron was “but a servant,” had once made his throne in the north made me go “OH! He didn’t forget after all!” in utter frustrated delight. My confusion wasn't exactly with evil in the east; it was the lack of evil in the north.
(this reply is really long, but my main point ends here, for anyone looking to bail out)
Actually, Genesis retellings in Old English are absolutely fascinating; I’m not wedded to Christian-only symbolism, but if it’s what you enjoy a lot, I very much suggest looking into the Hexameron and Genesis A, both great examples and very well known to Tolkien.
Personally I suspect I'll end up reading the symbolism of Mordor in the east as a more complex and varied thing than solely a reference to Cain's banishment. But to be really clear, in saying that I'm definitely not saying that Cain and Nod aren't valid interpretations (especially when they work for you so well!). Just my guess and my perspective. Old evil in the north and Mordor in the east is really interesting! So was the story of how Hobbits etc wandered out of the east to colonize the Shire, in another early medieval echo. And with Aragorn's throwaway "In those days the Great Enemy, of whom Sauron of Mordor was but a servant, dwelt in Angband in the North" I got an extra point on the map, from which the story immediately unspooled into an even wider and richer thing. Which is so neat, I love everyone in this bar, etc.
Just a quick further note on Smeagol, because I happen to have just gone past this bit and it's fresh! As far as I know at uhhh this very early point in LOTR (maybe it's changed later), Deagol was not his brother but simply his friend: “He had a friend called Deagol, of a similar sort, sharper-eyed but not so quick and strong” (though if you like the Cain and Abel imagery, this doesn't change that much tbh! I can see how it hits that note regardless). They are under the same matriarch (perhaps implying family ties) who eventually throws Smeagol out years after Deagol's murder; I liked that bit, bc I have no idea where Tolkien's pulling proto-hobbit matriarchs from yet, and Smeagol later lied and said the matriarch had given him the One Ring, implying that she was a ring-giver like an Old English/Norse thane or king. Smeagol and Deagol (and Frodo) are also wrapped up in lots of different tropes and symbols; Cain and Abel, yes, but also Beowulf and Grendel, and probably some other stuff I'll notice in like 10 years and yell at the ghost of Tolkien about. I think these stories work so well because they’re layers upon layers. It’s stories all the way down, you know!
Much like this reply, which is endless, so sorry about that.
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wonryllis · 2 months
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please give writing tips too
sure love! everyone’s different so in no way would the same things work for all but these are some tips that have helped me improve and just you know expand my horizons.
feel free to add your own points to this to help people more!!
001. READ READ AND READ (I CAN’T STRESS ENOUGH ON THIS BUT THIS IS THE MAIN KEY). be it fics, or novels or normal story books even non-fiction. reading will help in expanding your vocabulary and grammar, and give you an idea on how to build words in different kinds of scenarios. how to set the mood and what kind of details will have the most impact.
002. for expanding your vocabulary i would suggest searching up words you come across and don’t know the meaning of. don’t skip them, search them up and try understanding what they mean and look through what other words have similar meanings(synonyms)
003. CONSTANTLY PRACTICE WRITING. even if you’re not going to post it anywhere, just try writing a little bit on different themes. in that way you will be able to find out more about your writing style and flair as well as what points you need to work on.
004. STOP HESITATING TO REWRITE. there’s hardly anything one gets right at the first shot. and the same goes for writing. rewriting pieces will help you figure out what you should’ve added that you didn’t the first time and how changing the order of words or adding new literary devices(metaphors, similes, anecdotes etc) can make more of an impact.
005. DON’T BE AFRAID TO EXPLORE DIFFERENT GENRES. just 100 words can also help with experience. search up different genres that interest you and try coming up with a short scenario if you can.
13 points more under the cut!
006. TRIAL AND ERROR. don’t be let down if you fail to write a specific type of au, theme or trope. it takes certain amount of time and experience to be able to write different genres or anything as such. you need to have exposure to that topic to be able to create imagination on it.
007. with that being said, when you pick up a certain trope, au, theme or any topic you want/plan to write on: DO PROPER AND A LOT OF RESEARCH. trust me, it helps a lot.
008. as well in relation to the point above when writing a story, make sure to plan a rough outline. what kind of characters you’re going for, what events are going to define your story, how do you want the ending and the beginning to be. what your protagonist(s) is going for, what all they would be facing throughout and such.
009. SET A MORAL/POINT OF VIEW YOU WANT TO CONVEY through your writing. it helps you have a basis, a particular aim and drive behind what you wish to leave an impression through. it could be anything complex like dark themes of toxicity or even anything as simple as comfort. you just need to know what you’re writing for.
010. for inspiration i would suggest, LISTENING TO SONGS. any song you’re listening to, try thinking of a story behind it. for example let’s take taylor swift’s “no body no crime” go through the lyrics, the vibe and think what type of story could have this as background music. or what kind of a story could have that type of no body no crime summary?
011. KNOW WHEN TO SHOW THINGS RATHER THAT TELLING THEM. too much of anything is never good. when writing, it’s important to keep the balance between descriptions, narratives and dialogues. try thinking what are the things that would be better when described, for example the relationship between your characters: it’s something which is better shown than told. like how they treat each other, how they see each other, their dynamics in general is not something that can be told through a big lengthy dialogue or JUST one paragraph(short drabbles being an exception)
012. an additional point to the one above would be, try keeping yourself in the reader’s position and see what pulls you in more. what makes you feel the emotions better.
013. PICTURE THE SETTING YOU WANT TO WRITE ON. close your eyes and think of any type of place that you would like to write the story in. a suburb? or an abandoned city for an apocalypse? this will help in brainstorming for ideas.
014. INTO THE CHARACTER’S MIND. this is a very important point. explore the world within the mind of the character, something that defines them. THIS IS ANOTHER BIG KEY TO IMPROVE, pull your readers into the character(s)’ mind, show them the fears, the memories, the feelings, the thoughts, the hopes and dreams. it helps them understand the character and get into the story.
015. when using dialogues keep in mind that the DIALOGUES SHOULD ALWAYS BE MEANINGFUL AND REALISTIC. unnecessary talks aren’t often attractive so write what is necessary, needed. even with humor, excessive fun is not always impressive. and short but impactful dialogues always literally always leave the best impression.
016. CHALLENGE YOURSELF. try starting off strong since the very beginning. strong meaning starting off with words that leave a lasting impression. or words that pull you in with intrigue.
017. LEARN TO PACE YOURSELF. first of all it’s okay to take a break. actually its very important. pushing yourself beyond limits would never give positive results. know when you need to stop, cause being tired is not going to give better ideas or better word building. let yourself go into writer’s block, don’t fight it. you’ll come back better than when you’re forcing yourself to stay put and continue.
018. and last but not least. KNOW THAT IMPROVEMENT TAKES TIME. don’t be disappointed or discouraged if you are not good today. not being good today doesn’t mean you won’t ever be good. keep trying and with little to little progress over time, you will see yourself getting there. don’t lose hope🤗! YOU CAN DO IT!!!
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arminsumi · 7 months
Text
it's disheartening for writers to see "part 2 when??" comments, you know why?
because there's a lot of effort and thought behind one post. it takes far less time to read than it took for us to curate it.
the idea comes, we pen it down. then we look for inspiration to build upon this idea. we make notes on dialogue, pacing, structure. we highlight important aspects, underline the main feeling and hidden messages and subtle details we want to incorporate. we make sure everything aligns with the character to make sure they're not ooc or two-dimensional. and that's just the beginning stages of one fic idea.
then we write it. now for me, personally, when it flows easily i take two hours to write. but then there are some fics that take months. actual literal months. because the idea does not flow easily, but i hold onto it because i know it has potential. then i write multiple versions, sometimes they're 1k+ and i scrap them, all 1k+ words in the trash, just to make a "better" version which will go into the end post.
then we continue writing it, and some fics that get big wordcounts make us nervous because of all that editing and proofreading we have to do, which alone will take a long time. for me, editing can take more time than actually writing it. i have so many finished pieces in my drafts that aren't published or stay untouched because there's a complex jumble of 5k words that i need lots off energy to meticulously edit. errors, misspellings, restructuring. editing is sometimes such a nightmare that it deters me and then fics get avoided.
then there's the final touches. the banners, the warnings list, the layout, the aesthetics, etc. sometimes making banners takes a long time because of finding the right pictures and editing them too. or finding color schemes/combos that please the eye. a lot of artistic effort goes into post layout alone. there's so many tabs open it's a mess, and i constantly open and close and reopen and close, various sites for various tools to make everything look proper and neat and good for the eye and pleasing to the mind. and let's not even get started on the warnings list. it's probably my least favorite part, because i have to be very careful and proofread with a sharp eye to make sure i don't miss something that could cause the reader to accidentally have an uncomfortable experience.
and then it's published.
this baby post raised in the drafts, something that we put so much thought and care into, and now can you imagine the frown a writer makes at "part 2" comments? this whole post took a long time to make, and to just ask for more makes us feel like we're not satisfying you enough or we didn't do enough even though we did everything. it's appreciated that you enjoy it and want more, but it's still disheartening and even discouraging. imagine if you went up to your favorite author after reading their book and said "when is the sequel?" without saying anything else. it's weird. it makes us feel bad.
so please try to refrain from asking "part 2 when??" and maybe say a simple "i like this because xyz" or appreciate something about the post. even two emojis can give us an idea of how much you liked it or what you thought of it.
reblogs and comments or any feedback on the content we made is so super appreciated. writers want to know what you thought, it's fun to see reactions or understand what aspects you enjoyed. engagement is inspiring and motivational.
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wen-kexing-apologist · 9 months
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Hi....If you don't mind, can I ask, what are your top 10 (or top 7) favorite media (can be books/ manga/ anime/movies/tv series)? Why do you love them? Sorry if you've answered this question before......Thanks....
Thank you for the Ask! Typically I find these questions difficult because I consume a lot of content and I love so many things dearly, and I inevitably forget about things that I cherish and then feel bad about it. So here are 10 of my favorite pieces of media I’ve pulled from my mental list of all the things in the world that have made an impact on me, I’m going to do these in alphabetical order
180 Degrees Longitude Passes Through Us 
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I only saw this show recently but it is an absolutely gorgeous piece of media. I have a bit of a theater background and this show definitely reads like a stage play, in the dialogue, in the setting, in the way that Nike carries himself around the space as Inthawut. This is a perfect piece of media in my opinion. The performances are a masterclass in acting, the use of vertical lines that place barriers between the characters or that cage them in, the complicated dynamics between the characters, the throughlines of grief and pain and loneliness that just radiates out of the screen for every character in this story. I have been through some shit, let me tell you, but there was a ten second moment in the final episode of this show that sent me in to the worst emotional distress of my entire life for a totally innocuous, complete reasonable, and minimally tragic scene and for that it does deserve immense praise. 
Big Eden 
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I am making up for forgetting to put Pike on my Favorite Characters list by remembering to put  Big Eden on my favorite media list! I saw Big Eden for the first time in my freshman year of college. Back then I was not aware of, or at leas was not acknowledging my own queerness, and to find a film like this one just healed a part of my soul I didn’t know was wounded. When I say I watched this film back to back two or three times when I first saw it, I mean that this is one of if not the only film that I have immediately started from the beginning the second that the credits started rolling. I love this film for what it gave me, an older queer romance, non-existent homophobia, PIKE! Some of the greatest lines of all time, that to this day get reactions out of me, mainly:
“I just want things to be nice for him” 
and
"Well, screw you, Henry Hart. I do know what love is. You are my family. And I'm sorry... I'm sorry if that's not good enough for you."
And
“Why can’t you see how much love there is that people want to pour on top of you? I can’t help thinking that your grandma and I didn’t do right by you somehow. I feel like maybe we taught you something wrong, because you won’t tell me who you are. Did we teach you shame? Did I teach you that? Because it would break my heart if I had,” (watch the scene here)
Don't let the stars go out at night, don't let the moon break your heart, indeed.
I Told Sunset About You and I Promised You The Moon
ITSAY/IPYTM is two parts of one continuous story and therefore counts as a single piece of media. 
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I just got done gushing about this show the other night, because for me it is a foundational piece of queer media. It is one of my favorite pieces of media, point blank, period. Queer characters are allowed to complex, three-dimensional, and frustrating. They are allowed to make mistakes, and hurt the people they care about in their quest to better understand themselves. They are human. And the emotional honesty and vulnerability that the script and the actors showed struck deep in to my experiences figuring out my own identity. It has some of the strongest characterization that I have ever seen in media. The actors commit to the craft, the production team clearly put love and care in to every aspect of this show, every frame of it. The director trusted the audience to understand what was happening and trust the actors to play with silence. There is so much silence in this show because the actors portray so much with just the way they move around the space, the way they carry themselves, the way they look at each other. It is a gorgeous, gorgeous piece of media. It took me three watchthroughs of I Told Sunset About You before I was able to form a single analytical thought about it, because the first time I saw this show my brain went fuzzy. This show rewired my brain and changed my DNA. 
And as a side note, anyone that thinks that Billkin is a bad actor or a bad crier can kindly meet me outside the Denny’s parking lot at 3am because I will not stand for Billkin slander in my household. That man is absolutely demolished the role of Teh. The constant fidgeting, the way his whole body just screams out whatever he is feeling without him ever having to say a word. 
Moonlight Chicken 
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I have talked numerous times about why this show remains my favorite, and a lot of that has to do with the community that I gained around me because of it. But stepping back to the piece itself, I love how much this show is really dedicated to the importance of community. To showing the different mindsets of three generations of queer people, the way they struggle and don’t. The conversations that happen around poverty, and disability, and grief. The way that Li Ming and Heart are screaming to be understood. The way Jim has been hurt too many times and how that makes him scared to start over with Wen. The way Aof was able to take this BL structure and transform it into the story whose primary focus is on how a queer elder keeps and cultivates a relationship with his queer nephew. Jim and Li Ming’s relationship is the focal point of this show and I am so grateful to have that. The acting is phenomenal, the lighting is incredible, and it is a very technically strong piece. I know that Aof tends to tell us sad gay stories, but by god am I in love with every single Aof show I have seen (GOBK(with Jojo), ATOTS, HCTM, BB, MLC)
Pushing Daisies
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What a deeply deeply tragic story wrapped up in the shiniest paper! I will never get over the fact this show got canceled because it is one of the greatest of all time. I love that Lee Pace has acknowledged how queer this show is, and how intentional that was, even though it was not discussed at the time of its release. Like, fundamentally this is a show about a man named Ned and his partner Chuck who can never touch. I’ll talk about this a little later too, but I am just such a sucker for stories where people can’t touch each other. I love the angst in it, the wanting to, the need to be intimate, to comfort, to care for someone and just…not being able to hold them. I loved watching how Ned and Chuck navigated this issue, the kissing through plastic wrap, the dancing in beekeeper suits, them getting excited for winter cause it meant they could wear gloves and hold hands like any other couple. 
This show is hilarious and funny and fast, with a really intriguing concept and an extremely clear vision and it did not deserve the end it got. 
I heard it might be on HBO Max, not sure if that is still true, but if you can find you, and you haven’t seen it, you should absolutely watch it, and if you have seen it, this is your reminder to watch it again. 
Sense8
Before I begin, I just want to say 
FUCK
NETFLIX
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Once again, another incredible show, with very interesting themes, and things to say was canceled before it’s time. I will die mad about the fact that Netflix did not give this show the room it deserved to tell the story THAT THEY PITCHED TO NETFLIX AS A FIVE SEASON ARC. This show was so good, it got my homophobic dad to watch the whole thing without even squirming at the gay sex (like he did when he watched Game of Thrones). 
I love love love love love this show. I love the way it connects people from all over the world, I love that these random strangers become a family, I love what it says about every day people being important, having important skills, and how much that can vary from being a good actor, knowing chemistry, driving, and being a skilled martial artist. I love how sex positive this show was. I love the utilization of orgies to demonstrate the way these characters are all connected to each other. I loved the mystery behind it all, they way the function of this psyllium network got progressively more understandable to us as time went on in much the same way that the characters get used to it. I love the humanization of drug users, that it touches on the struggles of trans people, queer people, eldest daughters, poor people, etc etc etc; ON BODY AUTONOMY IN MEDICINE!!! I truly believe there is something for everyone in this show and even though I am mad we really only got a two hour filmed storyboard of general concepts the Wachowski sisters were planning on diving in to over the next three seasons, I do love with my whole heart, for the memes, that Nom’s mother gets over her transphobia as a result of one very good weed brownie. 
Six of Crows and Crooked Kingdom
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I got in to these books after seeing the first season of Shadow and Bone on Netflix. Full disclosure, I did not read the Shadow and Bone trilogy, I will not read the Shadow and Bone trilogy, I do not care about the Shadow and Bone trilogy. This is a Crows Only household. Six of Crows and Crooked Kingdom are very incredible heist books first of all. The main plot is compelling in and of itself, before you even add the characters in to it. And what phenomenal characters we have: Kaz, Inej, Jesper, Wylan, Matthias, NINA MY BELOVED. I’m glad they aged them up for the show, but it is very funny to me to think of a bunch of gremlin teenagers running around and taking down criminal empires for the sake of revenge...and coin. Leigh Bardugo is a disabled woman and I love that she gave Kaz her same disability because it means that we get a really authentic portrayal of disability. His cane is seen as important, he is never embarrassed by it, and his chronic pain is always highlighted. (can we also talk about how pissed Kaz was when Genya offered to fix his leg?). I love how contradictory he is, how much he loves Inej and wants to be with her, and wants to touch her, and the way his trauma and touch repulsion just constantly stops him from being physical able to do what he actually wants. Inej, who loves Kaz back, and sees the boy underneath the image of a monster he has crafted for himself, who has her own hang ups around touch and understands Kaz, but values herself enough to not pursue a relationship with him if he will not or cannot work on himself. Who grew claws with the knives she carries with her, who herself is a walking contradiction, deeply religious and also murderous, and so brave, and kind, and patient, and who I love with my whole heart. 
Wylan, whose own father tried to have him killed because he was dyslexic. Jesper who has been hiding who he is because of what his power did to his mother, who is always the comedic relief while harboring pain, our favorite gambling addict, ADHD, gunslinger. Matthais who has to confront a lifetime’s worth of propaganda. Nina who is just an all around badass motherfucker, who is fat and sexy and brilliant. My favorite superspy <3
The Fall (2006) dir. Tarsem Singh 
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You really have to go looking for this film if you ever want to watch it, because it has almost entirely been wiped away, which sucks because it is one of my favorite movies. Why? 
Because it is one of, if not the most visually stunning piece of media I have ever seen. The plot for this film is a stuntman (played by Lee Pace) falls, is injured, and hospitalized at the same time as a 5-year-old Romanian immigrant who fell and broke her arm picking oranges. Roy (the stuntman) starts telling Alexandria (the little girl) a story, to manipulate her in to doing things for him, like spying on people and stealing pain meds. The movie cuts between real life, present day, and this grandiose epic tale that he is telling. This was 150% a passion project on Tarsem’s part, he spent 30 million of his own money making this movie, for it to only make 3 million in theaters upon it’s release. It took four years to film and was filmed in 24 different locations. 
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I love the overarching story, and how the growing friendship Roy builds with this little girl literally saves his life. The cast of characters is certainly interesting, Charles Darwin is a character in Roy’s story, but by GOD is it just a great watch, hours of stunning cinematography, with incredible costumes. Would highly recommend watching this if you can find it. 
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The Magnus Archives
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I love this podcast for many reasons. First, because I think it was absolutely brilliant to start this show off as almost an anthology, lulling the audience in to a false sense of security by having each early episode be completely unrelated to one another, until they aren’t. Until names start popping up in multiple tales, until monsters and ghosts and any number of other unexplained creepy things start showing up in other people’s stories. How slowly you start to realize everything is connected and always has been. That set up was just…beautifully handled. Second, I love what this show says about survival and fear. That the more we believe in fear, the more powerful it gets. I love how often the survivors of these tales come out the other side of these experiences by thinking of people that are important to them, people they love. When The Buried tried to get that spelunker trapped in the cave, it was the thought of finding her sister, of getting help for her sister that got her through the other side. When Martin is in The Lonely, it is his thoughts of Jon that get him through the other side. I love that the avatar of Death is kind. I love that the Boneturner just wants to build a garden. I love the experiences and the world that Johnathan Simms builds in every story, and that he is able to create so many different types of fears, a little something for everyone. I love the heart at the center of this show. 
The Princess Bride
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Again, another piece of media that is fast paced and full of quips, with a beautiful, ridiculous, hilarious story, and a solid emotional core. I was raised on this film, which is part of why I love it so much. You can see and feel how much fun the cast had making this film. To this day it is beloved, highly quotable, and poignant. Also a great fencing movie, but I’m biased on that end as a fencer myself. I don't have much more to say about this film because I think it is perfect and I have no notes, but I will say I love how much this film helped Mandy Patinkin process his own grief around the loss of his father.
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tio-trile · 9 months
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Hi, I read your answer to that ask, describing what happened in season 2. Know that I completely respect that you don't like it (I loved it). But you have a few things wrong or don't know about them (maybe?).
So, Aziraphale is a landlord but he really doesn't care. He forgives Maggie 8 months of rent for a few records that are worth like 20 pounds. He's chill.
(Yeah Crowley throwing the books was a bit ooc but it was also hilarious, i laugh so hard when he did it a second time.)
I kind of agree with you on the Gabriel x Beelzebub, they were a bit cringe and quite sudden (I ship them in fanfic but they are meh in cannon). I thing their relationship was more about getting rid of Gabriel for plot reasons. So Aziraphale can be involved with the Second Coming.
As for the last 15 minutes of ep6. There is a LOT of things, of subtext and miscommunication and physical expressions and whatnot, between Aziraphale and Crowley as well as for the kiss. There were different things they were both thinking the other said and meant. I'm not good at analyzing shit, but if you scroll down the good omens tagg (if you wanna) there are amazing posts doing just that.
As for why this season feels different, and that they are "retconning" Aziraphales progres from the book and season 1, they aren't, really.
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Season 2 is just a bridge between seasons 1 and 3. So don't worry, we will be probably getting the South Downs Cottage.
And Aziraphale did realise that Heaven the system is wrong. But he still has that idea ingrained in his mind that Heaven is good, God is good. That it could be good again, only if someone could change it from within. He was definitely manipulated by Metatron. He basically got pulled back into a toxic/abusive relationship by being given everything he though he wanted. It's complex and it's deep, and again, I'm not the best person to describe it (there are many great posts). I think it's similar to Zuko’s arc from ATLA season 3 and 4. Aziraphale has to see from within the toxicity and wrongness of Heaven. (at least this is kind of my theory, sorry for rambling)
Again, I completely understand and respect your dislike of the season. Different people like different things. I just don't want you to write the show off too hastily. I really hope I didn't came on too strong and rude (if I did, know it wasn't my intention, sorry).
Okay, bye.
Thank you for being so polite and objective about it! Again, publishing some views from the other side. The landlord thing I was honestly half-joking too -- it's just fun to make fun of landlords (they're David Tennant's archnemesis, amiright /j), and honestly I can maybe see Aziraphale being enough of a bastard to do that 😂
I don't agree that "season 2 is just a bridge" because what happened this season didn't make them have no progression or stayed in the place at the end of season 1/the book -- it actively changed a lot of things. Like I said, a big one for me is Aziraphale and Crowley knowing each other as angels. That changed the beginning of the book and S1 and nothing they can do in season 3 is going to backtrack that. Getting the South Downs Cottage isn't really my ultimate goal -- I want the story, themes and vibe to feel really Good Omens, and this season just isn't doing it for me. Of course we may have different understandings of Good Omens, and I also respect that other people can have their own opinions. Thank you for understanding and respecting my dislike, you didn't come off as rude, but I'm just completely checked out now.
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characteroulette · 8 months
Note
you know what. WRIGHTWORTH IN HIGH SCHOOL AU
HERE IT IS FINALLY HOLY SHIT
Endless pining is my specialty I hope you enjoy the sillies
----
Miles was, embarrassingly, pretty sure that he'd fallen in love with his very best friend.
Since that class trial at the beginning of fourth grade, they'd become pretty inseparable. Phoenix was grateful to both Miles and Larry equally (which always led to Larry landing them in hot water and Miles having to bail them out of it), but things always seemed warmer, for lack of a better word, when it was just Miles and Phoenix. Even after Franziska entered their lives and took up most of his time, as Miles had a duty to be a good big brother to her (and she was, in all honesty, more of a handful than her small and delicate stature let on), he would always drop everything and come running whenever Phoenix called his name.
Something about Phoenix was just so inspiring. He listened so attentively when Miles talked about law and being a defence attorney and any other books he read. He had such an honest, straightforward way of looking at things that provided a valuable and very needed alternative perspective. Miles liked hearing Phoenix's thoughts on every single subject they discussed, no matter how simple or complex they could get. Hearing Phoenix talk at all was always nice, liable to send that tingling warmth throughout Miles' whole body. He had to fight down the constant urge to hold Phoenix's hand when they stood beside one another, had to break himself out of daydreaming up possible scenarios where he would get to hug his friend, or kiss him, or even ask him to join him on this journey to becoming an attorney.
So, yes. Miles was sure he was in love with his best friend. And he was entirely out of his depth.
Love seemed so foreign a concept, despite how easily it seemed to come to Larry and Phoenix both. The two had their crushes on plenty of the girls in their schools, but Miles never quite understood their reasoning when he asked them to explain it. Writing mushy love letters seemed a waste of time when he could be studying or reading more about law. He could also spend that time better by playing with his adopted sister. Or talking with his two very good friends. Mooning over someone to the point Larry always did, where he was prone to making a fool of himself with grand gestures (and always roping Phoenix in to help), never seemed like a great use of his time.
Miles supposed it wouldn't be falling in love without a little incomprehensible messiness. He'd read enough case files to know people went absolutely nutty for the ones they declared to love.
But all those cases were far too extreme. He needed to gather evidence, first and foremost. Then he could identify how exactly to build his own case here.
He went first to Mister Shields, who, despite being as ridiculous as Larry about the matter, was an adult at the least. (Miles had to ask his dad about dinner plans anyway, as the firm was working a tricky case and Miles wanted to make beef stroganoff again to cheer his dad up. It always worked.) It was pretty easy to find Mister Shields at the office on any day, but especially right now since Miles' dad took Miss Fey with him on the investigation this time. Approaching Mister Shields' desk, Miles opened with a blunt, "How can you tell you've fallen in love, Mister Shields?"
"Miles, bud!" Mister Shields laughed in good humour, as usual. He patted the top of Miles' head, mussing up Miles' hair, also as usual. "Not even a, 'hi, hello'? You're so much like your pops."
Miles pushed his hand away, growing sheepish at the unintentional praise. "Sorry. It's nice to see you, Mister Shields."
"So you think you've fallen in love, eh? Unless this is about me and my many affairs again."
Mister Shields grinned at him mischievously and Miles huffed at him. "I didn't say either of those. I'm just curious. You're always being foolish around other women and Larry's the same, so I wanted to try and understand it better. Why do you do those things?"
Mister Shields laughed some more, clearly not believing his intellectual curiosity. "Well, I'm not sure I'm the one to help you out here, Miles."
Miles frowned in confusion. "Why not?"
Mister Shields seemed like the perfect one to explain it, always getting distracted by the female witnesses and defendants. Just like Larry. He still went to visit Miss Kate and Mister Masters every so often, so his infatuation at least lasted longer than Larry's. Was he being facetious the whole time? That was rather cruel of him towards those ladies he flirted with, then. He said, "Each case of love is a lot like the trials your father takes on, with their own unique causes and players and bodies of evidence. Sometimes you can't help but fall for their beauty, other times it's their wit and charm that attracts you. And, if you're real lucky, sometimes it's them who falls for you."
Miles gave a dissatisfied hum. He did find Phoenix pretty beautiful and enjoyed the other boy's cleverness. "But how can you tell?" He insisted.
"All the usual signs." Mister Shields grinned suddenly, gearing up to really tease Miles. "Butterflies in your stomach when you're around them, wanting to do things just to make them smile and feel nice, thinking about them all the time, things like that."
"But. Aren't those all normal things to have and think around your friend?"
Miles' frown deepened. He was three for three on these supposed signs. An unease took root in his shoulders at the possible answer he had to face here. Mister Shields laughed and said, "They can be, absolutely. There ain't any rules against falling in love with your best friend, you know. In fact, in a lot of cases, it can be even better."
All this evidence stacking up against Miles wasn't great. "Love sounds far too complicated to be worth it." He mumbled in defeat.
"Chin up, bud." Mister Shields encouraged him. "Love can be a wonderful thing despite how scary it can seem at first. If you wanna follow in your dad's footsteps, you can't let a little thing like this bring you down. Face it head on, as if it were a difficult case."
"What do you think I'm doing right now?" Miles asked in a huff. Mister Shields just laughed at him and he sighed. It sounded silly, but it was pretty good advice. Mister Shields was good at sounding ridiculous while imparting actually useful advice. "Thank you, Mister Shields. I'll keep what you said in mind."
"C'mon, Miles. You gotta tell me who the lucky person is." Mister Shields said, getting a bit too eager to weedle this out of him. "I bet your old man would love to know his son's developed a crush, too. I promise I'll only tease you as much as any older brother might."
Rolling his eyes, Miles gave a parting, "Goodbye, Mister Shields."
Mister Shields continued laughing boisterously as Miles left the office and headed home. He could ask his father about dinner plans later. At the very least he had an answer now, even if it wasn't an ideal one. He was pretty sure about it to begin with, of course, but the confirmation beyond a shadow of a doubt was nice to have. Falling in love with his very best friend brought up a whole multitude of issues. Such as the fact that he'd only ever seen Phoenix and Larry get their crushes on girls, leaving Miles as the odd one out. (There was no way he would emulate either of their behaviours here. He absolutely refused.) Miles had no idea how to go about confessing to this crush, either.
Once home, he found Franziska laying across the floor and reading a book. Her favourite place to be when she and Larry weren't getting up to all kinds of mischief. He had to really talk with Larry about encouraging his little sister to break things when they were too wound up to sit still. Miles greeted her with an informative, "Father is still out on his case, so we can wait a while longer to start on dinner. Have you finished all your schoolwork all ready?"
"Have you?" She fired back, not even phased. Her wickedly sharp words were always a delight to parry. At least, so long as she didn't aim directly for his head. Her mischief was more likely to get Phoenix in trouble half the time, though, meaning Miles got maybe too used to deflecting her strikes. She hopped onto her knees and asked, "Why did you go all the way out to the office, anyway? If you really wanted to ask papa Edgeworth about dinner plans, then you should have called him."
He smiled wryly at how immediately she could call him out. He sat down on the floor beside her and admitted, "I had a question for Mister Shields, actually."
"Was it about how foolishly you've been acting lately?"
She frowned up at him, arms crossed over her chest as she judged him as harshly as a nine-year-old could. Which was quite a lot, she had a really good glare. (Got it from her real father, no doubt. Miles didn't remember too much about the man, having only seen him a handful of times while watching his father fight against him in Mister Masters' trial.) It was more familiar, too; Miles remembered how many times he'd been told by his teachers to quit glaring at everyone, that it was why he never could really make friends outside of Phoenix and Larry. In a quiet sort of admission, he said, "Love is pretty foolish, I agree. But maybe it's not entirely a bad thing."
"Ah-ha! I knew it." She crowed in triumph.
She leapt to her feet as she preened, taking advantage of their positioning in order to be taller than him for a moment. Miles shook his head at her childishness, though he said fondly, "Yes, you're very clever indeed."
"Don't patronise me. Anyone could see that you've been a fool for ages. I'm just proud you're finally admitting it to yourself." She gave a haughty little sniff, then sat back down and locked him in her intense stare. "Now, tell me everything about how this is turning your mind to rubbish. With any luck, I can offer my services in helping to set you up with him. You're positively helpless on your own, after all."
Miles laughed. "Ziska, you can't tell me you've got it all figured out."
"Why not? It's such an easy answer that it's not even a challenge worthy of my superior intellect." She tossed her head back, then glared at him once more. "But it'd be too easy if I said it for you. Admit it with your own mouth, Miles."
She cranked up that intimidation to the max. Phoenix and Larry both professed to it being a harrowing thing, and even Miles couldn't refute how uncomfortable it was to be locked down by it. But really, she was far too cute for it to have much of an effect on Miles or his father. Not that Miles would ever tell her as much. He preferred not being chased around for an hour by a rampaging Franziska. As casually as he could, he said, "Fine. I'm pretty sure that I've fallen for my best friend."
Saying it aloud was weird. Like there was no way to take back that declaration now that it was out in the open. Miles wasn't sure he was okay with that. Franziska made a noise in an overblown disgust, even sticking her tongue out. "Pretty sure? Miles, you are very foolish if you can't even recognise how foolishly you've fallen."
"And you're far too precocious for someone who's barely entering fifth grade."
She crossed her arms in a huff and said, "For as long as I've known you, you have been a fool for that even more ridiculous fool Phoenix Wright. That you're only realising it now just goes to show how much of a fool you truly are."
In spite of himself, he fell into a pout. "You don't have to call him by his full name every time. You don't do that to me or Larry."
"There is no other way to address him that would properly convey how much of a fool that boy is."
She huffed once more and Miles could see he wasn't about to convince her. Had he really always been in this sort of love with Phoenix? Of course he loved Phoenix, the other boy was his friend. But romantic love? It was harder to tell that since there was no way to distance himself from the question. Since he had nothing better to say, he gave the obvious, "Phoenix is my best friend."
"Which is why you continue to be so clueless." Franziska leaned back as she sighed in a long and dramatic display of her exasperation. Then she swiped up her book as she stood and gave him a condescending little pat on the shoulder. "Don't concern yourself so much with how hopeless you are. It is my duty as your sister to assist you in these sorts of matters, which is much better than you rightly deserve. But even my stupid brother should have a chance to be stupidly happy with his equally stupid friend."
"You just want to make fun of me some more." Miles argued, brushing her hand off his shoulder.
"Well, that's just the compensation I'm owed from putting up with all your foolishness."
She grinned sharply at him, his only warning for her incoming mischief, and he scrambled to his feet to give chase as she rushed off. She managed to grab his phone out of his bag and composed several over the top and sappy texts, all of which she sent to Phoenix with her signature all over them. Miles ended up laughing too hard to stop her sooner. It was all in good fun, anyway. Phoenix and Larry both had to be used to her hijacking hid phone by this point.
Right as they were preparing to get things out for dinner, their father returned with good news on the investigation. Miss Fey couldn't join them this time, so Miles and Franziska both helped as best they could in preparing dinner with their father. As they all laughed and had fun, Miles put the matter of this whole crush on his best friend to the side. He could always talk more about it with Phoenix later.
//
Phoenix had Larry pretty beat in their game when his phone chimed.
"Ooh, mister popular." Larry teased him immediately.
Phoenix rolled his eyes and finished their match, much to Larry's chagrin, then set aside his controller in order to check what it was. "It's probably my mom wanting me back home. Or Miles. His dad's on this pretty difficult case right now and he said he'd keep me updated."
"Ugh, you guys are such nerds."
Larry threw his own controller up in the air as he collapsed backwards with a dramatic groan. Ever the ridiculous one. Phoenix giggled at him, but when he saw the texts were indeed from Miles, his heart did skip a beat. It was silly, this was probably nothing more than some neat insights into the legal world, and yet more and more recently, he enjoyed any excuse to chat with his very best friend.
As he read the text, however, his giddiness fell to confusion. This was decidedly not Miles texting him. Judging by how often they called him a fool, it was undoubtedly Franziska.
Which made it all the stranger that it was a declaration of love and friendship that Phoenix was a fool for not taking more seriously.
Too curious to leave him be, Larry sat up to peek over Phoenix's shoulder at the screen and asked, "Is it your mom? D'ya have to go home now?"
Phoenix smiles in the end. No use overthinking it when it was just another one of Franziska's crazy pranks. "Nah, it's Franziska. She says I'm not worthy of being Miles' best friend."
Larry frowned at him, incredulous. "Dude, Ziska doesn't even have a phone."
"She hijacks Miles' all the time, Larry. Mostly to text you, I'm pretty sure."
"Wait, that was her?"
Larry scrambled to get his own phone and Phoenix laughed at his silliness. Before Phoenix could send any replies, he got another message. Then two more. She was really on a roll. Each one was more obviously her than the last and he appreciated her enthusiasm, but her lack of any tact was definitely more than a little suspicious.
"I guess that explains why Edgey would send me messages calling me a fool until he hit the character limit." Larry sighed, tucking his phone away and rubbing the side of his head in annoyance. "Man, if she'd coordinated this with me better, we could'a totally caught Edgey by surprise for his last birthday."
Phoenix shook his head at the memory. "Miles reads his texts, you know."
"That's another thing! He could'a told me it wasn't him. Why didn't he tell me she got his phone?"
"Maybe he knows you're smart enough to figure it out by yourself."
Larry groaned and flopped back over dramatically. Then he looked straight at Phoenix, suddenly no nonsense, and said, "So. You gonna do anything about what she told you?"
It always caught Phoenix unawares when he'd do this. Phoenix had to remind himself that Larry was mostly a goofball as a deliberate choice. He shrugged and said, "I mean, it's only according to her. She likes to mess with us."
She and Larry were usually the only ones to find their insane pranks funny. They were actually pretty scary when they teamed up, able to understand each other on a level of chaos beyond the rest of the world's comprehension. Franziska's ideas had no limits and Larry was a filthy enabler as long as he found the bit funny enough. Larry shook his head and said, "This is too mean spirited to be just a prank. C'mon, Nick."
"Mean spirited is how I'd describe her on her best day." Phoenix grumbled.
Larry hoisted himself up to meet Phoenix's level and said, "Fine. But you can't keep running away from it forever."
Confused, Phoenix asked, "Running away from what?"
"Don't play dumb here, Nick. You might be able to get away with that with Edgey, but not me." Larry grinned suddenly, goofy and worryingly confident. "You've been crushing on Edgey since we first met. Aren't you happy to hear he likes you back?"
"Wh-What?"
Though he was no doubt blushing from how much embarrassment flooded him, Phoenix huffed indignantly at his ridiculous friend. He hadn't been crushing on Miles that long. He'd had plenty of crushes, but none of them were on his best friend. (At least, that was his story and he was sticking to it until he died.) Larry tilted his head from side to side as he went on, thinking things over aloud. "I mean, you totally deserve someone way less of a stick in the mud than Edgey. Then again, you liked that girl Daria so I guess there's no accounting for taste. And I guess they say opposites do attract. Like fire and water, bread and butter."
How were bread and butter opposites? Phoenix said sternly, "I don't have a crush on Miles."
"Yes you do." Larry rejected him point black. Which, fair. He had Phoenix on that point. It was still annoying. "Ooh, you should totally let me help you confess to him, since he's getting help from Ziska on his. I'm great at making up memorable and grand romantic gestures. Just as Lisabelle! She was so into me while we were together."
Giving up for now on convincing Larry otherwise (he could be surprisingly stubborn about the worst things), Phoenix interjected quickly. "No, Larry, I'm good on my own here. I also remember how you and Lisabelle broke up."
Larry hung his head in defeat a moment before springing right back up and into action. "So, what's your plan here, then? You gotta say something, it'd be real awkward to just leave it hanging in the air between you two. Please tell me you got at least half a plan, Nick."
"I don't, because Miles and I are happy being just friends and that's it." Phoenix tried one last time.
"But you're missing out on so much more potential!" Larry shouted, throwing his hands up in the air. "Think of all the cuddling you two could be doing. The smooching! You could hold his hand like ten times more often."
"Okay, okay!" Phoenix shushed him, glancing fearfully towards the room door. He had no other choice to resign himself to this, didn't he? Sighing, he said in a much more defeated tone, "I don't know if I should plan it out. I'd rather it happen naturally, forcing it would just make it weird, you know?"
Miles was his best friend. What if he ended up finding Phoenix weird for this whole crush thing? Phoenix sighed again at the thought of it.
"Besides, you know me and plans don't mix."
Larry let his head loll back in agreement on that one. "You're like the luckiest unlucky person in the world."
Phoenix nodded tiredly in agreement. It was a fair assessment. Any time he ran into a worst case scenario (like getting such bad food poisoning on his birthday that he was out for two whole days, or that class trial which started it all), he'd also end up better off than anyone expected (Miles became his friend, they got those Signal Samurai charms for each other, they got to attend the same school and mostly stuck in the same classes). His mom called it the Wright curse jokingly, since his dad apparently used to have the same sort of wildly fluctuating luck.
"Well, you gotta at least try something." Larry went on, insistent on wringing out every single one of Phoenix's misgivings on this matter. "Edgey's just as crazy about you as you are for him. Ziska ain't playing here."
"How would you know?" Phoenix asked in a huff.
"C'mon, Nick. I know you're so dense that you missed every signal Lilah was throwing at you, but you can't tell me you haven't noticed how much Edgey's into you."
Larry levelled him with that too serious look again and Phoenix shied away. His phone buzzed again and he took the distraction gratefully. It was actually from Miles this time, apologising for Franziska's rapid fire texts and promising a chance to talk about this new breakthrough his father made in his case. Notably, he didn't mention anything about the contents of those texts; he probably knew Phoenix was smart enough to discredit them as Franziska's doing.
Larry scooted over to read over his shoulder again. Phoenix's throat went dry all of a sudden, closing up at the thought of addressing something so daunting as this thing he never wanted to even admit to.
"I just. I don't want to assume anything." He said in a mumble.
Larry rested his chin onto Phoenix's shoulder. "You're scared of everything going tits up like it usually does for you." He clarified.
Phoenix frowned at him a moment, then went back to staring at his phone. If he spoke it into existence, then it became real. There'd be no taking it back. "What if he thinks it's too weird?" He asked, grasping for any excuse he could. "You know he's never understood it when you or me had a crush on someone. What if he decides it's too awkward being my friend anymore?"
"You never know until you try." Larry pointed out.
Phoenix put his phone away and stood, upsetting Larry's position. "I should get home before mom starts worrying."
"Oh, come on, Nick!" Larry shouted, flopping onto the floor. "Where's that fighting spirit you always got? Charge on ahead like you usually do, act first and think later."
"It deserves more thought that our usual brainless approach." Phoenix protested in return.
He shook his head and left Larry's house, pausing to say goodbye to Larry's parents. They were always nice, even when he and Larry were being way too rowdy like they were. As he walked home, Phoenix worried at his lip and thought this over some more. Of course Larry would want to help. Of course Franziska would, too. They were friends, they had the best intentions. But this was way too delicate of a matter to leave it to them. It was too delicate a matter to leave to Phoenix, really! Yet he had no choice but to figure it out himself, considering it was mostly his problem to begin with.
No, that wasn't fair. It wasn't a problem, it was Miles. Nothing about Miles could ever really be a problem. Not when he was so wonderful and smart and Phoenix really was too far gone for him by this point.
He didn't pull his phone back out until he was safely at home and in his room. Larry was right, even if Phoenix was loathe to admit it. There really was no better way to know how this would turn out unless he asked. Letting that question hang in the air between them would be so much worse than ripping that blanket right off.
It took him at least a minute to punch in his statement: "If we're being serious here, then I think I'd like being your boyfriend."
He stared at it for another minute or two, then braced himself and sent it. There, bandaid ripped right off. No taking it back now.
Waiting for a response was just as agonising. He wanted to both toss his phone across his room so he wouldn't check it obsessively and to shove it beneath his pillow so he could at least hear when Miles responded. If Miles even would respond. It was dinner time now, so there was a good chance Miles wouldn't even see his text until later.
He had to put it out of his mind. He had to so something else for a while.
He went and joined his mom in the end, helping her finish up dinner preparations. He wasn't as good as Miles was in the kitchen (or Franziska, who was way too fast at learning what Miles' dad taught them), but he could follow her direction and do enough. He could even manage his weird luck enough to not make a disaster of things. That had to count for something.
As he settled into bed for the night, he saw he did get a reply. His whole body froze, but he pushed past that dread and read Miles' reply.
"If it's all right with you, I think we should discuss this more in-person. Sleep well, Phoenix."
It was both nerve-wracking and hopeful at the same time. It could end really, really badly, or it could turn out just fine. Phoenix was tempted to send back something more, to pour out all of these things swirling around in him, but he supposed they could do that more efficiently tomorrow. Hopefully. Maybe. Gosh, he hoped Miles wasn't about to crush all his hopes here.
Things would be fine. They had to be. Miles was his best friend here.
What he ended up sending was a simple, "Sounds good! Seeya tomorrow!"
Then he pushed his phone onto his nightstand and wrapped himself up into his blanket, resolving to fall asleep and not think about it any longer.
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ivyveil · 2 years
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Support Your Local Business (Eddie Munson)
the one where Y/N was her old school's main plug and Eddie doesn't need competition fucking up his sales
genre: dr*gs :O, they get physically close <3, Y/N has a diary which is honestly a trigger for some people (including me b/c I forget to write in mine)
A/N: Inspiration from this idea I had. Trying to get my feet wet again in the realm of fanfic, would love to know your <3 thoughts <3 and if there's any ideas y'all have as well! The ST universe is sooo interesting and Eddie is genuinely a deeply fleshed out character for :'( what happened :'( ANYWAY enjoy and ty for reading!
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Navigating the druggies of a high school is more complex than people give credit for. Frankly, it’s an art.
You’d be safe to assume the art kids dabbled, their paintbrushes swapped for poorly rolled joints and their sketchbooks crammed ajar by plant bits along the spines. Athletes were a hit-or-miss, depending on their aspirations to make it in the Big Leagues of universities, but as those with their own secrets tend to do, they wouldn’t be likely to rat you out to any semblance of authority. The more studious of the student population were almost guaranteed to be customers around finals, and it was within your moral code to give swell discounts if they’d pass your name along to those at their tutoring sessions. A symbiotic environment, if you will, requires a constant input of energy to maintain homeostasis. And from roots to powders to flowers, you were the main girl for energy.
But that was Micanopy, Florida. And this was Hawkins, Indiana.
School had been in session for a few weeks now, your entrance and new-ness to the small town having begun to lose its sparkly edges. Eyes only tended to follow your shape when you'd fuck up the fashion taste of the Midwest again, being a newcomer to actual seasons and all. But to no worry, for this meant: it was time to set up shop.
You had some stash left over from your time in Florida. Having to leave in the middle of summer meant you had been maintaining an inventory to carry you through the parties drenched in humidity and sloppy mosquitoes, but couldn’t clean it out quick enough before the landlord began tossing your shit out of the AC and into the swamp. He only had so much mercy for a minor who was obviously lying about when their parents were coming back - and more importantly, was 3 months behind on rent.
A rare sense of desperation had led you to call your grandparents, on your mother’s side, who were still living nestled in Hawkins and had no clue where their Lucinda was, either. Aghast at the notion of you making it by on your own, they opened their doors immediately and scrapped some of their savings to pay for your flight up. While grateful, you were beginning to understand why your mother had made her Great Escape from the small-ass town to begin with.
But the monotony of attending a dreary school, heading home, ensuring your grandmother had the oven turned on for dinner, and heading back out to the Hawkins High Gymnasium to trade out some baggies was a cycle you’d never settle into too deep of a comfort with, as one overly warm Tuesday would shake it up forever.
“What d’you think you’re doing, exactly?”
The sound came before the visual, a shadow cutting off your inspection of your nail beds.
Berkeley, an acquaintance from your geography class and your local business promoter, had just disappeared around the corner and you hadn’t expected company til the next group of shifty juniors arrived at 4:00. Despite never touching the goods herself (which made her the obvious employee choice), Berkeley was sweet and at 5’9, offered the perfect bodyguard-esque profile when the beefier clientele requested time in your books. Several athletes had just left, rendering her services closed for the day (and she had some plans with a band kid she was really looking forward to, you didn’t have the heart to ask her to stay).
But this boy was neither beefy nor a junior–raising your eyes, immediately your attention drew to his handcuff-style belt, his hands stacked pointedly on his narrow hips. You were familiar with his onset layers of bedragged jackets, but on this abnormally warm day, all that donned his chest were a thin grey tee and a faded crimson plaid overwear.
Eddie.
“Think I’m resting against a wall, Munson.”
You knew where this was going, and frankly was surprised it had taken so long to catch his attention. Maybe disappointed?
“You said you’d never tried drugs here before, now you’re out here selling?” His eyes narrowed, and when he leaned in slightly you caught a faint trace of nicotine.
Feigning nonchalance, you shrugged. You put your hands behind to the small of your back, swaying slightly against the cool bricks.
“Just getting rid of some stash I had from Florida, Ed. ‘S no big deal, shouldn’t affect your business.”
“Well it does-” Eddie’s voice crept into singing territory, something that would’ve made you significantly more scared if he had been in musical theater (they never know a cue to stop) “-when you’re offering Teddie McGuffason prices 30% below mine. He pays my electric, sweetheart, and I like my electric.”
You blinked at him innocently. “How are you failing math? I was aiming for 40, but guess I missed.”
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You supposed this was all due to your first meeting with Eddie–right before establishing your consumer base, you’d decided to do some market research in who was already supplying Hawkins’ darlings with adrenaline, booze, and more. And once you did, he became a fixation for your small-town boredom.
As previously expressed, it’s difficult to pinpoint who to ask when it comes to buying drugs at school, especially when you don’t know a single soul to rely on for helpful advice. People tended to be suspicious of strangers–even more so when they’d known the school their whole life–and you didn’t want to come off like a narc. Which meant all of the obvious potheads were out of the count, for they tended to be the most paranoid. The highs are high and the lows are low.
It had turned out to be simpler than you reckoned–after a few misses and awkward cover ups, it was Berkeley who came to your rescue, after overhearing an unsuccessful to suss out the football team. No matter how hard you implied it, the big boy just wasn’t understanding what you were after. He’d even given you his number, in a daft sort of confusion.
“Howard’s not the brightest,” Berkeley said with a laugh,  leaning  against the lockers,“But it has nothing to do with what’s in Eddie’s lunchbox.”
At this point in your friendship, she was merely the girl two rows back from you who commented on your shirt once, saying she admired the color. It was a standard blue, but to a girl in a new town, that was a bold move indicating a fast kinship ahead. Although not discernable in any particular clique in the school, her pleated dresses and appropriately fluffed hair indicated a sense of conformity that read as hospitable. Berkeley could be trusted.
“I’m actually headed to Eddie’s now, I’m picking up for my younger brother ‘n his friends. They’re scared of him,” she swung her arms, holding several textbooks to her chest, as if attempting to dismiss the fear as nothing but misplaced, “I can make the introduction, if you’d like? He doesn’t like to meet new people, but I guess there haven’t been many new people for him to meet.”
You two soon were ducking into the brush of the forest, the tree leaves parting a forgiving shade from the warmth of the season. From what Berkeley had said, you’d assumed you were headed directly to Eddie’s house. But she stopped before a picnic table, sat in an empty clearing a few yards away from the fields.
The infamous grey lunchbox rested on the table’s end furthest from you, the gangly boy’s sneakers tucked onto the seat and his whole body crouched before a shaky joint he was in the middle of rolling. It was a Kodak moment, of sorts–a squashed portrayal of boyish and rugged, dirty man.
Sensing someone’s presence, the corners of his lips drew up from its purse and he began to speak as he inspected his handywork.
“Well, well, well, if it isn’t Ms. Berks back to do a little delivery for Tommy dearest. Tell me, is he still scared I’m hexing the goods?”
“Ah, he’ll get over it,” Berkeley rolled her eyes, “But if you are happenin’ to do so, would you mind hexing him into taking a shower every now ‘n again? Boy smells like he’s living in the locker rooms.”
At this, Eddie let out a quick laugh, tucking the roll behind his ear and standing straight up on the bench seat. With his full attention now on his customer, it took approximately a millisecond for him to notice your presence as well. You, stood far below, head craned back to take a proper gander at the hand-sewn patches, frizzy curls, and scattering of rings adorning his clenched knuckles. He did the same to you, from above, spotting the fresh look of someone who hadn’t been bored to tears by every inch of the town yet. You were New and he hadn’t accounted for New. He wasn't sure he liked it.
“Who’s this?”
“She’s from Florida.”
“People are from there? I thought they just went there to die.”
“They kept tryin’ but didn’t take, so they let me go.”
It seemed your ability to speak threw Eddie for a shock, as he fell backwards off the bench. More aptly–threw himself off the bench, and after a quick scamper up, he, unperturbed, dusted the stray pebbles off his jacket before thrusting his hand before yours. Now it was a wider smile, teeth shining, and his eyes sparkling with an open sense of welcome that had your stomach twinge with...something.
“Hi, how’d’yo’do, I’m Eddie Munson–Town Freak, Dungeon Master, and Housewife to lovely Mary J. It is a pleasure...?”
You finished him off with your name, unable to keep some nervous laughter in as he grasped, and shook, one of your hands with both of his wrapped firmly around. Despite his appraisal from before, the eye contact was kept at this closer distance, and you were feeling uncomfortably noticed. You heard Berkeley mutter an Oh Jesus.
“Does the Floridian want some too,” his head turned back to Berkeley, “or is she just getting the full Hawkins tour?”
Berkeley shrugged at that, turning towards you. Originally, you had planned on sussing out the town’s dealer to see what they were missing, potentially sell your stash over to them and leave the business entirely. There were too many risks from the start, and not knowing your clientele could be a real shot to the foot. But there was something about Eddie that dug under your skin, not wanting the conversation to turn business-focused so quickly. You decided you needed to learn more about him - as a responsible interested party should for business.
So you let out a few white lies, about never having done weed before (a classic), and pretty soon you, Eddie, and Berkeley were all tucked away in the picnic bench. Legs swinging against the cement, shared smoke spilling from your throats.
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“Wanted to try your product out, see my competition,” you explained, raising an eyebrow.
Back against the brick wall, Eddie’s face was more contorted with annoyance than welcome, his jaw tightening as his eyes shifted down from your nails, to your face, to the soccer team practicing out on the fields. Although it didn’t feel as warm, perhaps, as that first memory, it certainly felt more natural to have this character of a man treating you more as a nuisance than something of interest. The balance had been struck and you were determined to keep the paces.
He looked cute when he was pissed off, easy on the eyes and loud on the ears. Was best to have him ranting, rather than looking, lest he see the hearts you were half-sure formed in your pupils by the minute.
(“Men who are hot, it comes at a cost,” Berkeley had stated factually, when you mentioned your slight crush to her once. “His just potentially happens to be human sacrifice.”
“And who are we to judge?” you crowed, tapping beer bottles against hers. She rolled her eyes but cheers-ed along with, dutifully taking a sip before agreeing, “Not I!”)
“And after your stash is gone?” he sighed, hands splaying briefly out to his sides.
“Hmm, maybe I’ll see if I could sort out some supply chain practices. Hey!” you snapped your fingers, as if an idea had just struck, “Who do you use?”
Eddie was not amused.
“Look, Y/L/N, I’m all for local businesses and I definitely don’t fuck with any sort of monopoly. But I’m starting to lose customers to your shenanigans and” one of his long fingertips pressed against your shirt “Reefer Rick is loyal to me, and me only.”
Silence hung between you both, the tension palatable with irritation. Your stomach felt like you’d gone down a roller coaster with no warning. This was too close. Too close. Too close. Initiate Plan Eddie Step Away Before I Kiss Your Nose Tip.
“Sorry, is his government name Reefer Rick? Or was that an alliterative business decision?”
“Christ, how th’fuck you think I’d know?” His finger lowered, his body flinging around in typical Eddie fashion. Plan achieved.
“He’s old as shit, they could’ve named it after him. Just don’t even try going down that road, because that’s when I’d start taking this personally.” His rambunctious fidgeting came to a pause, his focus narrowing on you once more.
“And you don’t want me taking this personally, Y/N, right?”
His eyes narrowed slightly, his body shifting more languidly as his implied threat hung in the air. While fear definitely played its role in your reaction to his bristling annoyance, there was undeniably a thrill that shocked the back of your neck. Now this was something outside the mundane, this was New.
You were overcome with the feeling Eddie Munson was nothing but a performance, and he had every scene rehearsed to perfection. He was absolutely the wackiest, nerdiest drug dealer you’d ever met (and Florida didn’t have this notion of one-per-school, that’s for sure) but despite the obnoxious tales you’d heard secondhand, you couldn’t let him go. There was something you understood, something crazy you could see behind his eyes, a transparency you loathed in yourself and wanted to peel off on him.
But giving up your sales? Eddie would dissipate quicker than you could take up a line, your paths rarely to cross again. His home out in Forest Hills was agonizingly close to your grandparents’ modest house but with differing schedules and his proclivity towards actively spending time with freshmen, it wouldn’t be reliable. You liked reliable. Reliable but distant but close but not intimate. Easy.
“Excuse me?” a gentle, scared voice whimpered. You looked to the side and saw Peter, your next client.
“Toots, Eds. Gotta make my bag,” you winked at him, quick, and honestly without thinking (because if you had it would have never happened, the process and set-up of a wink took months of confidence build-up that only burst through due to a happenstance of absolute insanity, for sure. A fucking wink! Your diary was going to get pages of content from this moment alone).
Eddie sucked his tongue against his teeth, clearly displeased by your dismissal. Taking a few steps backward, he raised a hand your way. “Wormhole Coffee’s looking for some new staff. Might be worth looking into, when you’re out of a jo-b!” he called out, tilting his head in mocking shame.
You jeered some nonsensical gibberish his way, throwing together something about how his blends weren't even that good anyway and shouldn't he be bullying some freshmen about their lack of dexterity.
At the last second, before he pivoted on his sneaker heel and took off towards his van, there was a brief moment where you were both smiling at each other. And it was pure, it was warm, and it was enough contact to whirl you into action. As soon after Peter became another satisfied customer supporting his local business, you were going home and calling Berkeley to find out where this fucking Reefer Rick lived...
A/N: side-note if eddie was my plug i would simply die. I have some ideas to make this into a mini series but it fully depends on how I feel about this in the morning <3 so def lmk what you thought here and check out my other works here xoxo
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autismmydearwatson · 3 months
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My eighth fucking attempt at posting my highlights reel of Thrawn
A great tactician creates plans. A good tactician recognizes the soundness of a plan presented to him. A fair tactician must see the plan succeed before offering approval.
Those with no tactical ability at all may never understand or accept it.
Nor will such people understand or accept the tactician. To those without that ability, those who possess it are a mystery.
And when a mind is too deficient in understanding, the resulting gap is often filled with resentment.
"I'm like dropping hints that I think my boss is a fucking idiot. Anyway Rossi if you're out there--"
Eli winced. In general, not shooting a civilian population was a perfectly sensible approach to combat. More sensible, in fact, than he would have expected from a lot of Imperial officers.
THIS IS SO FUNNY I need a Live Eli Reaction to Thrawn bombing Lothal.
There are things in the universe that are simply and purely evil. A warrior does not seek to understand them, or to compromise with them. He seeks only to obliterate them.
THE HYPOCRISY. THE HUBRIS. MY BROTHER IN THE FORCE YOU ARE WORKING FOR AND COMPROMISING WITH THE EVIL
"Why do you seek high rank?"
It was a question many had asked over the years. Thrawn had asked it of himself. The answer never seemed to satisfy the questioner. "Because there are problems that must be solved. Some cannot be solved by anyone except me."
"I see." Vanto was silent a moment. "Senior Lieutenant Hammerly was able to stall them for a bit by telling them you were consulting with the local chief. But they expect you to call back."
"Of course." Thrawn said. "I will do so immediately."
"What will you tell them?"
"The truth."
Vanto had now asked the question. He was no more satisfied than anyone who had come before him.
Thrawn wondered if anyone would ever be satisfied. Or if they would ever understand.
There's so much going on here. The HUBRIS. THE WAR DOG COMPLEX. "Some cannot be solved by anyone except me" THE AUTISM. Important context: this happens after Thrawn burns down civilian farmland.
"I'm Arihnda Pryce. You probably won't remember, but we met once at an Ascension Week reception in the Alisandre Hotel, back when you were a senior lieutenant."
The fact that Arihnda and Thrawn keep inevitably coincidentally crossing paths in the 2017 book is hilarious. The Force is conspiring to draw them together through the machinations of the universe across time and space just so she can piss him off in Rebels season 4 by blowing his entire TIE Defender project to fucking smithereens the moment his back is turned
"But it does not matter. However these beings were pressed into service, they are now Imperial assets. They will be treated as such."
LIVE ME REACTION WHAT THE FUCKK😧😧😧😧😧😧😧😧😧
Through the west-facing window, the sun was beginning to set.
For a moment she watched, thinking back to the evening when her mother was arrested and their lives changed forever. At the time she'd thought how the people in big cities probably never saw the horizon or the sunset, and had wondered if they ever thought about such things. Or whether they even cared.
Arihnda had lived on Coruscant, in the galaxys ultimate big city.
And as she gazed out the window, she realized that she really didn't care.
Oogh. No thoughts, just. OOOOOOUUUUUUUGGGGHHHH
"I have read about the nightswan," Thrawn called after him. "Have you?"
Nightswan turns partially back. His face is obscured by shadow. His body stance again holds weariness, along with a quiet dread. "You refer to the fact that it sings only as night is falling?"
"Yes," Thrawn said. "You do not expect your stand to succeed, do you?"
"I know that it won't succeed." Nightswan said.
"That does not necessarily mean the end. I can give orders for you to be taken unharmed."
"They'll be ignored. Half the troops here are Batonn Defense, and Restos is determined to get rid of me."
"Then come with me now."
"A man must do what he must, Admiral Thrawn. Even if his stand is against the fall of eternal night."
HUARGHH. JUST. NIGHTSWAN. NIGHTSWAN SAVE ME NIGHTSWAN. GODDAMN. HE KNOWS HES DOOMED, HE KNOWS HE WONT SURVIVE THIS STORY, FOR ALL HIS GENIUS HE IS STILL A DESPERATE MAN. EVEN IF HIS STAND IS AGAINST THE FALL OF ETERNAL NIGHT AUGH
"Your report, Colonel, said his death was confirmed?"
"Yes, sir." Yularen said, "His body was found and identified in one of the outer areas, where the damage was less severe. He was probably checking on the perimeter." He hesitated. "Possibly preparing to stand alongside the defenders there."
"Yes." Thrawn said.
And so it was over. The path had ended. The pattern was broken.
The song of the Nightswan was silence. The galaxy would be the worse for its loss.
NOOOOOOOOOOO. FUCK. NIGHTSWAN WAS MY FAVORITE AND PROBABLY THE ONLY CHARACTER WITH A REAL MORAL COMPASS. FUCK. RIP NIGHTSWAN YOU SERVED SO MUCH CUNT THE EMPIRE HAD TO GET YOU KILLED BEFORE THE REBELLION COULD BE PUT TOGETHER
It is said that one should keep ones allies within view, and ones enemies within reach.
A valid statement. One must be able to read an allys strengths, so as to determine how best to use him. One must similarly be able to read an enemy's weaknesses, so as to determine how best to defeat him.
But what of friends?
There is no accepted answer, perhaps because true friendship is so exceedingly rare. But I have formulated my own.
A friend need not be kept either within sight or within reach. A friend must be allowed the freedom to find and follow his own path.
If one is fortunate, those paths will for a time join. But if the paths separate, it is comforting to know that a friend still graces the universe with his skills, and his viewpoint, and his presence.
For if one is remembered by a friend, one is never truly gone.
I'm not one to claim Zahn is a master of prose but holy shit. Holy shit the final journal opening of the epilogue is pure art. He really put his whole Zahnussy into half a page of morally bankrupt Grand Admiral Thrawn (who uses lethal force against teenagers and commits so many war crimes he even pisses off Palpatine and can't understand the nuances of social interaction) talking about the value of having a real friend. Every lacking opportunity for poetics was given to the epilogue. Kinda. "When one is remembered by a friend, one is never truly gone" kinda. The platonic aspect of Thrawn and Elis bond is so deep and far-reaching that he's going to be HONEST about it for once?? For all how he loves Eli he also values him just for being there??? I'm gonf throw up. Imagine having a friend so dear to you that it forces you to be honest about it
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peonycats · 1 year
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First i love your art
Second// TELL US ABOUT IRAQ JORDAN REALTIONSHIP BECAUSE THEY HAVE SO MUCH HISTORY TOGETHER AND WERE MARRIED IN 1958
like gimme headcanons , explanation.anything
Im desperate for these two
+ i hope you have a great day♥️♥️
First of all, thank you so much for your words!!! I hope you have a great day too 💞
Second of all, WOO... there's a lot you could write about the two! The following information is mostly by @letttalias so give her the credit 🥳
Prior to the 20th century, neither had particularly strong ties to one another. Iraq wasn't geographically close enough to be acquainted with Jordan's mother Nabataea (likely for the best) and even during the Ottoman era Jordan kept to Syria's side of that arrangement. They were of course aware of each other, Iraq knowing Jordan as "that one quiet kid that hangs around Syria and Palestine and Kuwait likes to pick on," and Jordan better knew Iraq's "general deal" because of Iraq Being a Big Deal Back Then (particularly during the Abbasid Caliphate) and Jordan's nature as a calculating mfer. But beyond that? Didn't have any particularly strong feelings on each other 🤷‍♂️
Now we exit the Ottoman era and enter the Hashemite era, which was a strange time for Jordan, as he found himself isolated from his Levantine neighbors; Syria was grieving Hejaz's death and with it, the death of the Pan-Arab State Dream Team Federation 1.0, Palestine and Lebanon were cut off from him in a way he hadn't ever experienced before (for varying and complex reasons), and things all around just seemed super unstable. For all those factors, Jordan saw value in allying himself with Iraq (which took a few attempts to accomplish), someone who was in a similar situation in him and so a part of him hoped could understand him a little bit better.
However, the Hashemites weren't popular whatsoever in Iraq, and this is really where their differences came out in full force. Jordan is a 🐍 and is more than used to putting aside sentimentality and personal feelings in the pursuit of his own security, but Iraq is less able and willing to do that, placing a higher premium on his own "personhood" (as far as a nation can have that to begin with) So while Jordan saw the Hashemites as a tool to keep himself in Britain's good books and maintaining a degree of independence granted to a western ally/puppet (depending on who you ask) vs the other Levantine states, Iraq saw the Hashemites as a rule imposed by outsiders trying to keep him subjugated and trying to prevent the vision of a wider Arab movement. This difference is the source of a lot of their disagreements and conflicts in the short-lived Arab Federation 💦
But their personal ties during the union? It was probably polite and distant at the best of times. Even if they hadn't had that many prior interactions, Jordan saw Iraq as one of his elders and thus, gave an appropriate level of respect for that, and who can say no to Iraq's cheerful and upbeat personality? They weren't exactly venting hardcore to each other, but they weren't spending a lot of time with each other to begin with, indicating the disconnected nature of the Arab Federation, and so, their relationship remained distant. Maybe they didn't reach the heights of the Syria-Egypt Union (whatever those are), but it also means they didn't really reach its pits.
(One of the exceptions to this distant, cool relationship is Iraq venting to Jordan in his moments of weakness about Kuwait lmao)
Following the coup, things were icy between them to put it mildly; Jordan saw Iraq as "collateral damage" and a victim of his unstable state, and Iraq viewed him as a "callous youngster." Things did eventually calm down the 70s, and their relationship returned to amicability. I still don't think they're particularly close, but they can hang out and chill, and even Jordan these days can acknowledge Iraq's steadfastness in holding to his personal convictions, even if he thinks it's foolish. Iraq probably jokes to Jordan all the time about lightening up "Akhi, I'm the old man here, not you!"
TL;DR
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drowninginthepond · 8 months
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depathologizing NPD
i have a passion for psychology so i regularily knock through a lot of stigma in the science - but for the love of god - ive never seen a dumpsterfire as big as NPD. and in this case its not about the horrendous social stigma narcissists have, but the raw science and even intracommunal stigma that persists like a tick. researching NPD has really once again made me realize how faulty the DSM is (useless as a diagnostic tool), books released by professionals on the subject are so stigmatized that i had to dig out the acceptable 5% to even be able to get ANY kind of information, ive been in arguments with psychologists over this topic - its crazy! even the online community of pwNPD has (understandably) internalized this stigma and spreads it. i feel like the more i read the farther i get from the truth.
NPD is horribly demonized. it gives me a deja vu to the scientific beginnings of pretty much every disorder - where all parts of it are seen as sick, deviant, fundamentally ill-intended and incurable. none of which is the actual truth for NPD. unfortunately this persists in the minds of professionals & the community, people refuse to acknowledge positive traits of the disorder, pathologize human needs and emotions and get distracted from what NPD actually is: a complex condition with up and downsides. this ranges from "supply" (acknowledgement, admiration, validation) to "narc rage" (anger, fight response) to "ego" (self-esteem) and the whole basket of words people have made up to deviate the experiences of pwNPD to those of humans. i see this in the complete lack of reality in the offical NPD criteria in the DSM-5, which is at least somewhat improved by the little backdoor that is the alternative personality disorder model at the back of the book. i see this in literature that gives fifty pages to interpersonal difficulties and "how to stop being an arse", but only one to narcissistic collapse. pwNPD are continuously getting attributes out of nowhere, lack of empathy equals lack of compassion, needing admiration and acknowledgement means getting it through vile, manipulative ways, seeing oneself as superior means treating others like garbage - i only have to ask myself in what reality these people live that strategies like these genuinely lead to the effect pwNPD crave for. surprise: it doesnt work. and im saying that as someone who HAS used vile strategies, but that was because i was mislead and acting like an asshole and not because of my NPD. NPD merely lets you crave and how you get there is your own personal choice. it is not innate to the disorder.
im not sure how to proceed from here. i realized the stigma has been a huge boulder on me emotionally and ive been pathologizing things about myself that are simply not worth pathologizing. it has essentially worsened my symptoms instead of relieving them, i feel guilty about being confident, having expectations, enjoying fame or having people skills, when none of these are actually bad. it makes me go "ah, of course, im a narcissist. im grandiose, have extreme standards, need my ass kissed and am manipulative". when actually i just take pride in myself, want to have quality, want me and my work to be acknowledged and have a good eye for social machinations. there are of course parts of NPD that i suffer from and need treatment for, but there are also parts of it that dont, and even parts that make me thrive. its simply not the way it gets black-painted by psychology ever so often.
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