Metapost: "The Ascendent"
**this is a meta for my fic, Pieces Still Stuck in Your Teeth, and NOT a discussion of the BG3 game canon in any way. If you try and make this into a disk-horse, I will BITE you**
(spoilers under the cut for Chapters 1-23 of Pieces Still Stuck in Your Teeth).
So... remember in the Chapter One endnote when I said I was a Spike/Buffy fan first, and a person second? x
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In more seriousness, there was a number of fictional seasonings/ingredients that went into creating what I felt was the villain of a Gothic horror, and what I felt could turn the Ascendent into something that was both 'fixable', and something I enjoyed writing.
Those ingredients were:
Spike and the idea of 'soulless' vampires in the BtVS canon - do I like this conceit of BtVS worldbuilding and how it's used in the show? No. I think it often underlines how bad Whedon is at writing romance. BUT I do think it gives Buffy this free pass for which vampires she can/can't like or adopt, and I needed some of that for my protagonist. I need a 'I can fix him' moment - BtVS has those in fucking SPADES.
Howl's Moving Castle (this one was accidental, I'm still mad at myself but I can't deny it's there) - man conducts magic ritual for power, removing an essential part of himself in the process that needs to be returned
Picture of Dorian Gray (the idea of an exterior staying pristine while something hidden suffers and decays)
Curse of Strahd (the soulless in Barovia, which I mentioned in Chapter 23)
The idea of default moral alignments in D&D. I have a whole chapter arguing against this in my thesis (mostly bc it's often applied to entire races) but I was fascinated by creating a set of circumstances where I feel like a default moral alignment is valid, actually. 7,000 deaths seems like a good set up. I wanted to imagine a being that was trapped within a default moral alignment, and the laws of its very being prevent it from being good no matter what it tries, and it knows that (this kind of creates a feedback loop with the Spike/Buffy stuff)
The parts of the BG3 canon I took and REMADE (I'm stressing this throughout, I was making a horror story and a horror monster your honour):
Astarion conducts the Rite of Profane Ascension with scars on his back, but has to scar Cazador's back personally, suggesting that um... the Rite REALLY SHOULDN'T BE CONDUCTED BY SOMEONE WHO'S GOT THOSE SCARS. Cazador wasn't going to do it that way, is all I'm saying!!
The idea that Ascended!Ending Astarion is a concentrated version of certain traits that have persisted throughout his story - his flirtiness, his understanding of sex as a mechanism and expression of power, his use of a façade as a mask for trauma he refuses to acknowledge.
The lines alluding to dissociation in the brothel foursome, post-Ascension.
The idea that Astarion seduced Tav to survive or protect himself- in my case, because I made the Ascendent empty save for Astarion's survival instinct, the idea that he would gravitate towards Tav as one of his default modes to potentially survive made sense to me - this is why it becomes an obsession.
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For me, when writing, the Ascendent is a few things:
An intensification of vampirism in a different, fucked-up direction. Yeah, A!Astarion, you can walk in sunlight and you can eat and drink and don't need blood. But you are still a hungering maw of emptiness that feels like it will never be whole or close and connected to the living - just now in a wildly different, metaphysical/existential direction! Welcome to depression, alienation, and otherness!
A soulless being, that knows it is soulless - that initially was very happy with its life but then as the years passed, increasingly spends its every waking moment knowing there is something innately wrong with it that it can't seem to shake, no matter how much it engages with life and all the pleasures of life. (see the 'every meal without savour' speech)
A magically literal metaphor for Astarion's dissociation in moments of extreme trauma, up to and including the fight with Cazador - essentially, the moments when there is nothing but a performance or an exterior, because the self/soul are suffering and they cant' come to phone right now
Astarion's survival instinct. As I say in Chapter 23 - Mephistopheles thinks it is an empty body, who's performance is trying to deny the reality of it's own existence. Rosalie, who has a bit more understanding of Astarion, sees that the performance is not just a coping mechanism but one of Astarion's main modes of survival. The Ascendent is Astarion's survival instinct/techniques for endurance, without any soul or person behind them to protect. This is how I tried to tie in the flirty, hypersexual persona and wrap it with a bow.
I wanted a monster that was undeniably scary, and monstrous to me (oh? you can't fit in or be happy no matter what you do and no matter how hard you try, and you think there's something intrinsically off? how's that autism diagnosis going Emma) but that I also felt sympathy and true sorrow for. I needed to have motivations for him chasing after Tav that I could write meaningfully from and sympathise with.
Not only has Astarion used Tav as a life-raft once before, they've also proven to be the most secure thing he's ever clung to. Of course a rabid survival instinct Astarion would become obsessed, and see them as a potential solution to the problem (this was then intensified by Rosalie also being a walking, overbearing moral compass, and having bound him in a contract in the first week of living, accidentally - a lawful good immoveable objects meets a default moral alignment unstoppable force.)
...Because I also wanted that moral alignment spice!! Wizards of the Coast, default moral alignment is fucked up actually!!! Imagine something trying so desperately to be good - literally being bound in a pact and having been told to be good - but the laws of the universe and its very essence are like "nah mate, we kind of want to destroy and annihilate everything, we're neutral evil personified". That's scary!! that's fucked up!! that's what a birth from 7000 deaths gets you!!!
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So, now for the actual timeline, for people who aren't interested in my silly musings but mostly just want answers lmfao.
Rosalie makes the decision not to intervene in Cazador's mansion, making it seem like she'll support whatever decision Astarion will make there.
Rite of Profane Ascension happens. Astarion conducts the ritual, rips his own soul from his body, the Ascendent is born with literally zero context. Mephistopheles is fucked in Cania, because a bunch of stuff has just gone wrong.
(oh, by the way, the Ascendent knows Infernal as a default language. Bc it's born from an Infernal rite.)
The Ascendent is now default neutral evil, and feeling some kind of way. Rosalie and him break up. He's supposed to have everything, but the one thing he thought was a done deal - his most stalwart suppporter - just rejected him.
Netherbrain defeat (the Ascendent is not invited. Imagine being an all-powerful, hypersexual survival instinct vampire, and your ex-girlfriend neither wants you for sex, nor your power.)
Rosalie accidentally binds the Ascendent (a soulless devil) in a pact demanding that he never kill anyone, when that's literally what the Ascendent's new existence/new default moral alignment is driving him to do. Then, she fucks off and goes into hiding.
Well. The Ascendent can just get another wizard, to help him learn all of Cazador's secrets to cope [Hemlock is recruited].
The years go by! The Ascendent is doing sooooo well. Everything is great, guys! I'm rich, I'm beautiful, I have lavish parties and lots of sex - why do I feel nothing? I'm a vampire perfected - I have no hunger for blood, I can walk in the sun, I can enjoy all the freedoms of a living, breathing man - why do I feel like I'm starving? Why does everything turn to ashes in my mouth? I have friends - oops, I've sabotaged all those friendships with my innate neutral evil destruction. Why can't I feel anything? What's wrong with me? I'm doing everything right? Why doesn't it feel that way?
Also, I can't kill anything to feel better about it, because my hidden ex-girlfriend bound me in a pact.
In this time, to reflect the gradual degradation of the Ascendent's happiness and it's increasing awareness that it is something Other and innately wrong, the reflection starts going weird. Starts going strange. Starts getting a bit fucked up. Almost as if, when he looks in the mirror and sees a person, *nothing* should be what's there. Imagine being a spawn who couldn't see your reflection, and then a vampire who could see it's reflection, but knows that they're innately empty. Knows there's nothing there. I'd freak out a little bit about it as well tbh, I'd go a bit tooth and claw and elongated jaw about it.
The Ascendent finally admits that's there must be something kinda fucked about it. Life just ain't working out, lads. He starts looking for any and all impossible cures that will help with the malaise in his soul (and that innate essence problem, caused by default moral alignment). These include: more bad decisions, such as a house in Cania bc the Ascendent is hoping he'll feel more at home with devils than he does with mortals. All it does is make him feel more isolated and alone.
But eventually, he settles on two things! - Wish (Hemlock's idea), and Rosalie (the Ascendent's idea). Clearly, we just need Rosalie back! Her leaving is actually what fucked him up in the first place - none of this existential bullshit! She fixed us one, she can fix us again.
But looking for Rosalie hasn't worked out. In order to get a shot at her, the Ascendent goes and bargains for his own soul from Mephistopheles. Mephistopheles, adding a new sheet in excel titled 'what the fuck happens when i give this soulless monster a soul to play with?', agrees and starts tracking his new data.
Obviously, just putting the soul back in yourself will fix you. But the Ascendent, the nothingness living inside Astarion's body, will die. Taking the soul back would erase itself. The Ascendent - who is survival instinct personified - would never do this.
So instead, it starts interviewing and cannibalising the soul. Bc a soul is what it needs, this is the closest it's ever felt to being alive. Bc it's made this all about Rosalie, he thinks he's found his solution. The chase is making him feel alive again. It's true love, lads! not the soul.
Wish auction happens - the Ascendent is beaten to the punch by some unknown (hot) wizard.
This avenue cut off, the Ascendent makes the decision to try and win Rosalie back.
Astarion advises that to make her come back to the Gate, he should murder a bunch of people. Because this comes from the soul, not the soulless devil nothingness, it circumvents the pact.
...The events of Pieces begin!
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And finally - the Ascendent tries to destroy Jar!Starion for many reasons in Chapter 19:
The Ascendent knows that it dies, if the soul and the body get reunited (or is that constant high alert survival instinct just no longer needed, because the problem is fixed? you decide.)
The Ascendent values Tav above itself. Tav is going to fix them. Astarion believes he could never fix himself.
Dissociation - that soul isn't me. I'm here, looking at my soul. If I get too close, it'll kill me.
Self-hatred - that soul isn't me. That man made a mistake, and I've had to live with the consequences. He doesn't deserve to live, for what he's made me become.
The knowledge that Rosalie/Tav will only ever want that version of him, not the one that's living and breathing, that sees itself as the most wretched, fucked-up version of itself. So... give them no choice. They have to deal with me and love me at my worst.
And if the Rite didn't work - if the version of the Ascendent walking around isn't the best one, and the one people want... what was it all for? Why does the Ascendent feel like this? Why does it have to suffer?
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....And, that's my little meta post! If anyone has any questions about the timeline or any motivations at any points in the fic, I'm obviously more than happy to explain things via ask/comment, as always!
TLDR: I just wanted to make a Gothic horror. I wanted a dark romance, fucked up obsession vampire/mortal dynamic, but I also wanted a situation that was scary for both Astarion and my Tav. I personally think an Astarion who is so dissociated and separate from reality that he feels that in his bones daily, is scary. It's the lingering impact of the traumas the Rite and those 7,000 souls embodied.
I was literally just trying to make it a horror, for everyone involved.
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my stand in episode 1 thoughts, feelings, etc.
OHOHOOO FINALLY. FINALLY I FEEL INSANE ABOUT A SHOW AGAIN. poom phuripan my absolute beloved, i've missed you so fucking much.
the show really eases you into everything and so far i don't mind the back and forth, i think it's interesting to see the direct consequences and THEN the story of how we got here. i don't know if my opinion on that will change later but for right now it's really pleasing me. i also really like this gradual introduction we're getting into everything and the sort of thriller/mystery vibe to it all. it's giving me some very loose/vague manner of death vibes.
i immediately don't like the vibes of tong or wut but i'm reserving any real accusations until later, but i'm def side eyeing them. i've got my eye on you two.
it really took my brain some getting used to to understanding the joe we're seeing is joe's consciousness and everyone else is seeing the joe that was shown in his reflection in the hospital (i've never seen vice versa or many other shows that do this, forgive me) but once i wrapped my head around it i actually quite like it. mostly bc it means i still get to see a lot of poom.
anyway - thus far this has one of my favorite romance tropes; guy who is used to being treated badly/ignored and man who has too much love to give (to someone who may or may not deserve it, judgement withstanding on that rn.) joe is just such a heart eyed fool and i'm so glad to see poom in another role of lovesick, unfairly attractive, dork. it's a role he plays so well and he immediately endears you to joe so fucking much.
throughout most of the episode i was like ooh this is a bummer but the angst isn't too bad. and then. AND THEN.
ming coming over to joe's house and making a move on him, again, from the perspective of behind joe - where he looks so much like tong. the lamenting about him being a virgin and joe offering himself up to him. and then ming turning him back around to face the mirror. this way he looks so much like tong, he can pretend it's tong, and yet at the same time joe's face is right there, reflected back in the mirror, inescapable. i'm fucking eating this up, finally some good fucking food.
idk i'm probably not touching on everything i want to, it's been a long ass time since i've done one of these, but this is just what immediately comes to mind. now time to go make a gifset lmao.
(if you give me novel spoilers i WILL hunt you for sport)
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Something that bugs me a little is the insistence that Gohan actively hates to fight period. Bc that's not true!
(This ignores everything that happened outside the original manga/the DBZ anime)
Yes, he lacks Goku's or Vegeta's laser-focus on all things martial arts, but let's be real, all half Saiyans do. Goten & Trunks sure have more passion for fighting than Gohan does but they're much more "human" about it than their dads and have other interests in their lives too.
But while Gohan originally became a fighter out of necessity and had little choice in the matter there are instances when he clearly shows that he is totally capable of enjoying himself in a fight.
For once there's obviously his fight against Cell - once he snapped his "Saiyan side" took the lead and he was enjoying himself a little too much (and ruined it, like a good Saiyan must).
But it also becomes clear in the early Buu arc. Yeah, initially he's not rly interested in the tournament and wouldn't have participated if not for Videl forcing him.
But once he was in he was in. He even got a little annoyed by Videl interrupting his training, and he did want to win. If he really hated it so much he could have entered with the plan of failing the preliminaries, or losing in the first round. But the thought never crossed his mind. I think if you'd suggested he botches it deliberately to get out of it he'd been horrified.
He was going to have fun with it! I think his most "Saiyan" trait is that he's a bit of a showman lol. He likes to be flashy! And he likes to boast! He COULD have just used a plain costume and mask to hide hid identity but nope, Great Saiyaman it is! He likes being seen and being known as a crazy strong superhero. Maybe he'd have been into pro-wrestling with their fancy costumes and showmanship
Even before things went off the rails at the tournament and Buu arc was set in motion he was ready to go. And yes his crush on Videl might have served as motivation: "haha cool she won't be disappointed if someone beats her dad! (I can date her if I beat her dad)" -> he WOULD have thrown Satan out of the ring if he'd gotten to fight him, no questions asked.
And once he, Goku & Vegeta are in Babidi's spaceship it gets even clearer: now, no one is forcing him to fight. Ofc Gohan always wanted to fight when it was necessary, even at 5yo he wouldn't stay home, he made it very clear that he was going to Namek.
But while they were going through the levels in Babidi's ship this still wasn't a serious thing. Pui Pui and Yakon were a joke for them. Vegeta was getting pissed, ok, but aside from that it was just fun and games for them, and Gohan could easily have said "nah have at it you two, I'm sitting this one out" but never once did he so much as consider NOT taking part in rock-paper-scissoring it out to decide who gets to go first.
He was eager to fight Dabra! Dabra told them to take him on 3:1 and Gohan flat out told him "no way, this is MY fight!".
And if Vegeta had interfered with that fight to end it quicker I'm 100% sure Gohan would have decked him in the face and told him to fuck off. (Maybe that would have cooled Geets' mood a little lol.)
The problem isn't that Gohan hates fighting from the bottom of his heart. He doesn't.
The problem is he grew up with a dad who was 100% a fighter and a mum who was 100% into education, and he didn't find a balance. He didn't even know that might be an option! He thought he'd HAVE to choose one thing, and one alone, and so he chose education.
Who could have taught him otherwise? Maaaaybe Piccolo (post-reunification with Kami), but tbh I think he didn't want to give Gohan the feeling he had to fight. I think Piccolo feels a little bad for putting 4-5yo Gohan through the wringer so much.
Like idk. Let my boy be both. Let him have Goku's legacy as well as make his own!
(I've read about Dragon Ball Online a little and tbh Gohan writing a book on ki and making it widely known? Perfect. I love it. Best idea ever. Probably the best thing that happened to DB since the original manga and Z anime ended. I am accepting this as canon 100%.)
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thinking about a no upside down au steddie fic where steve and eddie run into each other years after moving away from hawkins, and eddie remembers steve and his fall from grace as king, and is kind of intrigued to see what kind of person he is now
and steve doesn’t remember him at all at first, because, look, eddie changed his hair again, and steve’s had a few head injuries (no upside down but i imagine he still went thru some shit with the party and with robin), and he didn’t really think about eddie in high school anyway, and he’s trying to forget about hawkins as much as possible (besides the kiddos, but they’re all moved out for college now, anyway) (obviously he lives with robin)
but steve is different now, happier, more open, flirts with guys, flirts with EDDIE, and eddie….. well, he wants to know more! and he tells steve he knows him from hawkins, and steve’s sunny little smile flickers a little, but he just apologizes for not remembering him and mentions he has some memory problems
and they get to know each other, and eventually as eddie tells him more (and maybe with the help of some yearbooks) steve remembers eddie. and. well. they like getting to know each other. and they like each other. and then they get together
eventually they’ve been together for a while, and eddie thinks he wants to maybe introduce steve to wayne, and he mentions he’s going to go back to hawkins for a long weekend (as he’s done a couple times) and this time he’d like steve to join him
and again steve’s sunny smile flickers a bit, but he says he’d love to meet eddie’s uncle, and… they go to hawkins. and it goes well— meeting wayne, at least, but steve seems a little on edge the whole time they’re there, tense when they drive in, fidgety when they go to the grocery store, et cetera. eddie thinks maybe steve is nervous about staying with the man who raised eddie, which is ridiculous, because wayne LOVES steve.
it’s not til they leave the town altogether that steve relaxes, and eddie realizes it wasn’t “meeting the parents” but rather going back to hawkins. and speaking of meeting the parents, steve didn’t ever bring his own up, even though eddie knew they still lived in hawkins. and the way steve glanced around whenever they went in public, like he was scared of getting recognized
and he asks about it, and steve doesn’t really want to talk about it, but he gives eddie snippets of it. people he wanted to leave behind in hawkins, memories that resurfaced, things he wants to forget
eddie goes back to see wayne sometimes, and the first time he doesn’t know whether to ask steve to come, so he just mentions he’s thinking about going to hawkins for some weekend and steve immediately starts making plans with him as if the invite is implicit. they go back to hawkins several more times, steve still tense and pent up the whole time they’re there
over time steve reveals more and more to eddie. everything that made hawkins hell for him, from the things he himself did in high school to the things people did to him. stuff tommy and carol and billy said to him. some of it is just typical high school bullshit (and oh, the nancy thing.) some of it is the tragedies steve went through, the horrors he had to protect his kids from. the injuries he sustained. more generally the homophobia that permeated the whole town, keeping steve from being himself. the lack of support in the indiana public school system for a high school senior who’s had two concussions and gone through incredible trauma.
his parents. the reason why steve’s mail is addressed to ‘steve buckley’ now, not ‘steve harrington’.
(that doesn’t come out until much, much later, and eddie is kicking himself for ever suggesting steve come back to hawkins.)
eddie, who hardly had an easy time of it in hawkins, is absolutely blown away by what steve had gone through in the same town, right under his nose. the entire persona that steve was trying to leave behind — the cool as a cucumber, unaffected, douchey mask he wore to hide all that he had endured. the head injuries. the emotional tragedies he had gone through. the way he had to be the rock for the kids even as he went through the same things as them.
he tries to tell steve they never have to go back to hawkins again, and steve is having none of it. he tells steve wayne can come visit them in their new city, and steve thinks that’s completely unfair to the man who had raised eddie, seriously, you’re going to make him come all the way up here?
and well i don’t know exactly what the ending is but steve is so stubborn about trying to love hawkins because it was eddie’s home and he wants to be able to go see wayne because wayne deserves to see his kid and eddie deserves to see his uncle and steve doesn’t want to be the problem :(
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