Tumgik
#it must have been so tiring
jarpadandjensens · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Jensen Ackles appreciation week 2024 | Day 3 | directing moments | directing Season 6
469 notes · View notes
tapakah0 · 4 months
Text
@somerandomdudelmao
2K notes · View notes
birdsong-warriors · 11 days
Text
I don't want to talk about this much, but it may affect page uploads.
Saturday night, I was assaulted and strangled by my brother. This is not the first time he's done this, but it was severely excalated this time. I deserved it. Honestly, I wish he'd succeeded so nobody would have to deal with my shit anymore. I'm still very much in crisis mode, and I'm so sorry if I disappear. I'm praying I can continue working despite the situation, but this may warrant a short break.
I'm so sorry for any inconvenience this may cause, and I'm even more sorry I'm bringing this up at all. I need to stop talking from now on, honestly. I just wanted to communicate why I may poof. I don't know. I'm scared, and I can't do this. But I have to keep going.
I'm sorry. I'm so sorry.
216 notes · View notes
hailsatanacab · 8 months
Note
For the prompt ask game!
9. Sleep deprivation and/or 37. Secret Relationship and/or 40. Identity reveal/major secret reveal
(I selected a few so you can chose the one that resonates the most.)
For any DPxDC characters. <3
*emerges from a google docs, covered in blood and panting* i did it... it is done.
thank you for the prompt!! because i love a challenge, or because i can't stop myself, i went and did all of them!! for everyone!! everyone is sleep deprived and everyone is revealing secrets ^^'
Danny/Tim, mentioned Jazz/Jason
(๑•́ ₃ •̀๑) enjoy!! prompt ask game
kid napping
“Red Robin, sound off. Status?”
“All good here, Oracle. Everything okay?”
It’s been a slow night, never a good sign. Pent up energy itches under his skin and he stretches when he stands, preparing for whatever Oracle is going to throw his way. It’s going to be something, he can tell.
“Good.” Relief briefly colours her voice answers, before she becomes serious again, keys clacking away in the background. “There’s been a report from Agent A. It appears that one Timothy Drake has been kidnapped and is being ransomed for five million dollars and a helicopter. I’m tracing the call now.”
“A helicopter, too? Kidnappers these days, used to be they just wanted their money and that would be the end of it… a fucking helicopter, wow.” Red Hood scoffs, and Red Robin can’t help but join in the laughter over the comms.
“Doesn’t exactly sound like these are the brightest tools in the shed now, does it, Hood? Wonder what poor schmuck they’ve got instead.” Nightwing says, slightly out of breath. 
The smile slips off Red Robin’s face and clammy, cold dread shivers down his spine. A stone settles in his stomach. He wets his lips and clears his throat. “Oracle, can you pull up the CCTV on my apartment near WE? Any closer to tracing the call?”
“Still on the trace, they’re using a jammer. Agent A is cooperating so they should phone back soon, which will help.” she reports, falling into silence as he finds the video feed.
“You know who it is?”
“I hope not.”
It’s tense, he taps his feet on the rooftop, fingers tightening over his grapple as he fights the urge to fly off the roof and check for himself. It better not be him. Please, dear God, don’t let it not be him.
“What are you thinking, Red Robin?” Batman growls through the comms. Red Robin can hear the wind under his words, whipping fast as he no doubt makes his way over to his position.
“I had a, uh, a friend coming over tonight. From behind, he… he could be mistaken for Tim Drake.”
The jokes fall silent, the comms growing serious as they pick up on his tone.
“Well, fuck.” 
“Eloquent as always, Hood.”
“Shut up, bat-brat.”
“You were right, Red Robin, it looks like it was your… friend they caught, instead. About two hours before the call came in. I’m following their van now, I should have the destination soon. In the meantime, it looks like they’re heading towards the docks.”
Red Robin throws himself off the building, shooting his grapple as low as he dares to get the fastest swing he can. 
They have Danny. 
Worry gnaws at his gut even as gravity pulls it into his throat with another swing.
Danny is… And Red Robin means this in the nicest way possible, but Danny is fragile. They haven’t talked about it, but RR knows that Danny has health problems. Something plaguing him since he was young, that’s landed him in the hospital more than once. A weak heart, far too slow to be normal, possibly chronic fatigue—he’s always so tired, falling asleep anywhere he can.
Sometimes, he doesn’t even need to put his head down. Once, when they had gone to the corner store to get some popcorn to enjoy their movie (which Danny had explicitly and repeatedly promised he wouldn’t snore through this time), Danny had rested his head on Tim’s shoulder while they were waiting and he’d just… gone. On his feet, asleep, just like that.
He’d laughed, when Tim woke him up. Apologised. Said Tim made him feel safe enough to fall asleep just about anywhere and—
Red Robin grits his teeth and corrects his course as Oracle updates them with more precise coordinates.
Tim had carried him home that night, piggy-back for four blocks, but by the end of it, he wasn’t tired at all. And that’s another thing, Danny’s just so light. It’s concerning.
They never did watch that movie, but it’s a night that Tim can’t help remembering fondly all the same. They’d ended up rewatching some old sitcom that Danny’s seen countless times but Tim’s never really bothered with, Danny drifting off to sleep again and Tim eventually following him, because… sleep is easy with Danny.
It’s the same for him, he thinks. He can’t explain it, but he feels safe enough to sleep with Danny, too.
He needs to be alright.
“So… Is this friend just a friend? Or a friend friend?” 
“A friend, Nightwing. Now hurry up.”
He’s not in the mood to play these games, not now. There’s a reason why none of them know about Danny, and this is one of them. His family, as much as he loves them, are just too damn nosey for their own good.
“You know that doesn’t answer my question at all.”
“Then why don’t you ask something intelligible, rather than continue with your childish antics?” Robin snarks, and for once, Red Robin has to agree with him. Or, rather, he’s grateful for the distraction that it gives him.
Tim has secrets. He’s sure that Danny does, too, and so far—aside from the standard background check he always runs on new friends and friend friends alike—he’s done very well to respect them. He just can’t say that his family would do the same.
They can be overwhelming, to say the least, and Tim has tried his best to protect Danny from that.
Only to fail to protect him in every other way that it counts.
“How long have you guys been ‘friends’?”
“Nightwing, save it, please.”
“What’s his name?”
He ignores him.
Red Robin lands on the building first, thank goodness. He wastes no time in finding a skylight that can be pried open fairly quietly, slipping inside without a second thought.
“Wait for backup, Red Robin, that is an order!” Batman says, when he lets them know he’s in.
“Negative, Batman. I’m getting him back.”
“Red Robin!”
He weaves silently through the desks on the second floor of the warehouse, always moving, always keeping a trained eye on the shadows around him.
When he reaches the stairs, he hears voices.
“Looks like three of them, armed. The-the hostage is tied to a chair in the middle of the room, he…” Red Robin takes a steadying breath. The person has a burlap sack over their head is slumped to the side, from where he is, Red Robin can’t see if his chest is moving. There’s blood on the floor. “He needs medical assistance. Another two on the northside entrance.”
The comms explode in admonitions, everyone pleading with him to stay where he is, to wait for help, but fuck that. With a tap, he switches them off and he can finally, just about make out the words of the kidnappers as he creeps down the first few steps.
“—shouldn’t he have woken up by now?”
“I don’t know, man, you’re the one that hit him! Do you think he’s—”
“No! I didn’t even hit him that hard, I swear!” the man cries, holding his hands up in surrender. “I just couldn’t take any more of his stupid jokes!”
If there was any doubt in Red Robin’s mind that they picked up Danny by mistake, it’s gone now. Yeah. If you get Danny, you get his stupid jokes, too.
He creeps closer. 
There’s some storage crates between him and Danny, if he can get behind there without being seen then that leaves him in a good position for when whoever’s next in takes out the guys at the front. He can’t do anything without them gone first, not without risking them taking shots inside and endangering Danny.
The man that hit Danny circles round behind him and grabs at his hands.
“What are you even doing, Pat? Who gives a shit, leave him alone.”
“I’m just checking! I just gotta see!”
“Fuck’s sake, guys, who cares? We just gotta get our money, that’s it—”
“And our helicopter!”
“And our—”
“Shit, I can’t find a pulse! Shit, Frank, I killed him, I—”
Jason told him once that when the Pits overtook him, he used to see green. Instead of blacking out, he’d be swimming in that putrid Lazarus colour and he’d slip into that rage and bad things would happen.
He’s heard of people seeing red, too, but really, he thinks that’s more of a literary device.
Tim doesn’t see anything aside from his targets.
A barrage of birdarangs take the guns from the guys at the front, the three around Danny startling badly enough that the guy that kil—that’s behind Danny—stumbles, losing his footing.
Only one of them shoots.
Amateurs. 
There’s a round of curses on the comms as the shots come through. Oracle must have turned them back on.
“Fucking hell—Nightwing and I are at the front, Red Robin, don’t worry about them.”
Red Robin’s barely listening.
He spins, kicking the largest guy in the stomach hard enough so that he doubles over, wheezing. Following through the movement, another kick lands on the side of his head and he’s down. 
The second one, Frank, gets his wits about him and raises his gun, spraying wildly. He’s a shit shot, going wide in panic, and Red Robin simply ducks and rushes forward, keeping low. Tackling the guy, he grabs the gun off of him and uses it to smash him across the face, once, twice, three times, before he stops moving.
“Oracle, get police and paramedics on scene, now.” Batman says, the displeasure in his voice evident. “Red Robin, Robin and I are coming in from the top.”
Pat hasn’t even made it up off the floor yet, scrambling backwards, fear plain on his face. 
Red Robin stands, breathing heavily, gun still in hand.
“I’m sorry, I’m sorry, I swear I didn’t mean to do it! Please—please, don’t, please!”
Red Robin doesn’t kill.
Well, no, Red Robin doesn’t normally kill.
No, that’s not quite right, either.
Red Robin has killed. Red Robin will more than likely kill again. Red Robin sees no problem with killing.
The gun is up, pointing towards the guy without any real thought about it.
Footsteps rush behind him, the familiar heavy footfalls of Batman and Robin, so he doesn’t bother turning around. The gun follows the guy as he keeps pulling himself backwards, snot and tears mingling down his face.
“Red Robin,” Batman says, softly.
It’s always weird hearing Batman’s voice like that. It’s not the first time, obviously—Batman can’t use his scary intimidating voice on victims or children, after all—but having it used on him is weird. 
“Breathe.”
“He’s dead. They killed him.”
If hearing Batman’s voice was weird, Red Robin can’t even recognise his own.
Distantly, he realises he’s dissociating. There’s a tightness in his chest, it’s hard to breathe, a growing buzz drowns out any noise in his ears and he can’t think, he can’t—
A heavy hand squeezes his shoulder, jolting him out of his thoughts. Batman reaches around and gently removes the gun from his grip, and Tim feels the instant loss of it. He should have done it, why hadn’t he done it?
Robin takes care of the last man, his crying cut off by a swift kick to the head. Nightwing and Red Hood join them, zip-tying the men on the floor and starting to drag them back to the entrance of the warehouse one by one.
No one says a word.
Shrugging off Batman’s hand, Tim moves towards the chair.
Shaking, he takes a deep breath and removes the sack. The small part of him that was left hoping it wasn’t him, it couldn’t be him, please dear God let it not be him, shatters.
Even dead, he looks peaceful.
Tim’s seen death. He’s no stranger to it, he’s seen what it can do to a person. There’s some blood coagulating over his eyebrows, but otherwise, he looks peaceful. Is that comforting? That he didn’t suffer?
Danny’s head lolls to the side as the sack comes completely away, his hair flopping over his eyes. Tim’s been on at him to get a haircut lately, he thinks it’ll be nice tidied up a bit, just on the sides. It’ll get rid of that permanent bedhead. Help him with job interviews, he’s got to be thinking about that now that he’s in his last year of college.
It’s about the only thing that’ll hold him back, Tim thinks. Danny’s brilliant. Any employer would be a fool to turn him down because of his shaggy hair, but employers are stupid so it makes sense to put your best foot forward and—
Tim falls to his knees.
Fuck.
He’s dead, he’s really—Danny’s skin is horribly pale, cold to the touch. Gone is his bright, cheerful smile. 
“Danny, I’m sorry, I’m so, so sorry, I—” 
He stops himself with a deep, shuddering breath. He can’t break down here, he can’t, he can’t, he can’t.
Instead, he tips forward to rest his head in Danny’s lap, arms curling around himself. They were too late. They got here as fast as they could and they were too late.
 “Danny, I’m so sorry…” he whispers. “I… I love you, I love you, I’m sorry.”
Dimly, he can feel the others standing around them. Someone crouches down beside him, resting a comforting arm over his back, but he doesn’t turn his head to see who it is. He squeezes his grip on Danny’s legs tighter.
“Come on, baby bird. Let’s—”
They’re interrupted by a huge, honking snore as Danny jerks himself awake.
Tim’s head snaps up, staring at Danny with wide eyes.
“You were asleep?” Red Robin springs up, several different emotions rapidly flip flopping through him.
“Wha… What?” Danny heaves a yawn, blinking blearily down at him. “Sorry, I’m just… they were shit kidnappers, man, really boring. Honestly, worst abduction yet.”
“You were asleep? I thought you were dead!”
“Not mutually exlusive, you know.” Danny says through another yawn. He rolls his neck around with an almighty crack and glances at everyone. “Didn’t think I’d warrant the whole Bat brigade, though…”
“The kidnappers thought they had Tim Drake.” Batman supplies, while Red Robin tries to work through the emotional whiplash.
“Ah, makes sense… wait.” Danny sits up suddenly, squinting at Red Robin. “Did you say you loved me?”
“No, of course not, why would I—”
“Tim? Is that—are you—are you Red Robin?”
“Everyone, hold the fuck up!” Red Hood shouts from the other side of the warehouse, having finished securing the perps to a streetlight outside. “Double R is dating Danny fucking Nightingale?”
Well, there goes his identity… Oh, who’s he kidding, Danny’s smart. There’s no way he could have salvaged that. This was not how he thought the night was going to go.
“Cranberry, is that you?” Danny twists in his chair, somehow delighted to see Red Hood rescuing him, too. “I thought I smelled you lurking about!”
“Shut it, you little shit. Since when were you dating this dweeb?”
“I’m sorry,” Red Robin pleads, hands in the air to try and slow down the onslaught of information and insults, “you two know each other?”
“Cranberry?” Nightwing echoes, looking as lost as Red Robin feels.
“Yeah, Cranberry—The Cranberries—zombie, zombie, zombie-ie-ie. Obviously. Also he’s wearing a big, fuck off red helmet.”
“Yeah, sure, makes sense.”
It’s about the only thing that does.
“And please don’t call my boyfriend a dweeb, Cranberry. Especially when he just said he loves me for the first time.”
“He only said it because he thought you were dead.”
“I am dead, so it counts.”
“Only half, so I’d say that puts you at a solid ‘like’. Tim’s—and savour this, Tim, because I’m only going to say it once—Tim’s intelligent, so I’m sure he’ll come to his senses soon.”
Danny just throws Red Hood such a shit-eating grin. A level of feral that Tim’s only seen before in Damian. 
“That’s what I used to say about Jazz, too.”
Hood scoffs in offence, and to be honest, Tim’s not sure where he should go from here. What the hell is happening, how do they know each other?
“Come on, is anyone going to untie me or am I really meeting your family mafia-style?”
“Do it yourself, Slimer.” Red Hood laughs, crossing his arms.
“Ugh, you suck so much. I’ll fucking slime you, just you wait. Can’t believe Jazz even likes you, I preferred it when she was dating Johnny.”
And then, without Danny doing anything other than muttering obscenities at Red Hood, the ropes fall to the ground. In one swift motion, Danny stands up and stretches himself to his full height of 5’6.
“All of you need to explain, now.” commands Batman, and honestly, Red Robin’s very much on his side of it.
“I can’t believe it… Jason and Timmy are both in secret relationships? That’s… How come no one told me?” Poor Nightwing sounds the most shocked out of all of them. He turns to Damian and clasps onto both of his shoulders. “You’re not secretly dating, are you, D? Please tell me you’re not, please tell me you’re single, please?”
Of course, Robin just clicks his tongue and pushes his hands away. Really, Red Robin doesn’t think that Nightwing’s in any danger of that happening, he’d be surprised if anyone could stand Robin enough to actually date him.
He shakes his head and turns to Danny, who’s staring right back at him, worry clear on his face.
Fuck, he... He's alive. He's really alive.
Tim pulls him into a bone-crushing hug, fingers buried deep in his NASA shirt. Tucking his face into the crook of Danny's shoulder, he laughs wetly with the joy of it. He's alive. He hasn't lost him. He's safe.
“I’m sorry I haven’t told you before now, starshine, but…” Danny breaks the hug and softly pulls away from him to rise on his tiptoes to place a kiss his cheek. The skin burns cold where his lips touch. “I love you, too. Also, you’re gonna wanna sit down. This is going to be a lot.”
#dpxdc#dead tired#anger management#(barely but it's there haha)#dcxdp#hailsatanacrab🦀🦀writes#i'm sorry this has taken a while but also this week has kinda sucked and i'm still pissed off about that#so writing has been a nice little break from that!!!!#i hope you enjoy it!! i'm not fantastic with writing romance/ships so like... hope it's alright haha#also i feel kinda bad about not putting the whole phantom reveal too but like... we get that all that time haha#idk maybe i'll continue it#OH SHIT I FORGOT MY WRITING TAG HOLD ON#must admit - i do like that you can edit the tags now even though the new post maker sucks#anyway!!!!!!! i had this whole bit from danny's pov in the beginning where he just decided to go to sleep but realised that fucking sucked#it was so boring haha#so we got this instead!#hope the emotions came across - i feel like i have a tendency to just go cold and clinical when emotions happen#idk#oh! danny and tim met because danny's a part time barista and when tim ordered his monstrocity of a drink danny just winked and said#'ah the walking dead special coming right up!' and added another three espresso#jason and jazz met before they did though - and none of them knew they were dating the other's family#danny and jason have a bit of a rocky relationship - he's not good enough for jazz!! she deserves way better than some two-bit gangster!!#jason just thinks he's a cute overprotective brother - he really envies their relationship and wishes he could have something like that#he likes to rib danny and tbh danny is really warming up to him too - now that the gross stinky ecto is starting to filter out#(which is thanks to him and jazz - which jason does know about and is extremely grateful for)#(he really does love jazz and is a little bit jealous that tim told danny he loved him first)#(jason goes home that night and dips jazz into a kiss and whispers it into her skin over and over again)#(he loves her he loves her he loves her - and who the fuck is johnny?)#once tim gets over his shock he's doing good! of course he accepts danny there was never any question of that#he meets ellie and then introduces her to kon and the rest of the team and ellie decides she might like to do some superheroing for a bit
344 notes · View notes
gasstationpopcorn · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
61 notes · View notes
lagosbratzdoll · 7 months
Text
On Daenerys, Colonisation and Race Discourse within the ASOIAF Fandom
This has been on my mind for a good long while and honestly, as much as I would like to leave discourse in the pits, it has been bugging me intermittently over the past few weeks.
Far too many of you get on here and call people who like the fictional dragon-riding family, neo-Nazis and that sentiment is so prevalent, that white people feel comfortable telling me a black woman that I am a neo-Nazi for rooting for Daenerys Targaryen. I am upholding neo-Nazi power fantasies for wanting to see a little girl live at the end of a story. I am a neo-Nazi for wanting to see the rape survivor have the family she aches for and children with the man (or men) she loves.
Then, those same people go on spiels about how the systemic erasure of those who sing the song of the earth and other old races is not colonialism. That their removal from their home is not displacement but an agreement between two equal parties. The fact that the only place where those who sing the song of the earth exist in the present timeline is north of the wall, surrounded by the bones of their dead, is not a travesty. That the expulsion of the old races from their home isn't that bad and should not be condemned. 
Instead, people argue, completely seriously, that the harm that the First Men and Andals have caused is centuries in the past, so essentially the slate has been wiped clean. The logical leaps that are required to arrive at such a boneheaded conclusion are truly mind-boggling, and those who make such arguments are not good people. 
I am unsure how one could read those books and come away with the impression that the old races do not mourn the loss of their home. I am unsure how one could read The Last of the Giants[1] and Ygritte’s reaction to both the song and Jon’s dismissal of the ethnic cleansing of the giants then believe that the old races and the free folk have moved past their displacement. 
In Westeros, from the Wall to the broken arm of Dorne, they all speak one language despite the fact they are all different ethnicities and they all landed on the shores at different times. That is not the case in Essos, we have been introduced to at least six languages and in A Dance with Dragons, Tyrion notes that the Valyrian spoken in the Free Cities has evolved into nine distinct dialects, and they are well on their way to becoming different languages.
How would a continent as large and diverse as Westeros maintain its hegemony over the people if not for forced assimilation, discriminatory practices and violence? The brutal repression required to keep one house in power for thousands of years is nothing to sniff at. The suppression required to keep the vast majority of Westeros worshipping one (or seven) gods. The systems in place ensure that language does not grow or evolve amongst the highborns at least.
Centuries before Aegon's Landing the maesters were the definitive educational authority and even now centuries after, nothing has changed. The grey rats still decide who learns what and when they learn it. There's one in every highborn home, all correspondence passes through them, they are the healers and the councillors.
The circular logic gets even more blockheaded when you factor in the fact that Daenerys is far from the only white character in the books. She is not the only character who wishes for home. She is not the only character who draws strength from her ancestors, her bloodline and her magical creatures. 
Cersei draws strength from her family’s iconography, and the Stark children (Jon included) all draw strength from their direwolves, their home and their blood. Sansa, Arya and Bran wish to return home and their home was built on the indiscriminate murder and displacement of the indigenous peoples. Their home is built on centuries of rape, murder, exclusionary practices and sexual slavery. 
However, if we give the nonsensical argument that time erases crimes air; the Starks, Lannisters and Tullys are warring to settle personal grievances in the present timeline. As a consequence of that war, thousands (a modest guesstimate) of small folk, minor nobles and even some major ones have been raped, tortured, maimed and killed.
Despite all this, no one writes meta after meta about how Sansa and her siblings must surely die for justice to be had for those who sing the song of the earth, the free folk, the giants and all the old races that fled beyond the wall.  
People write meta about Cersei and how she must die, but those are typically more misogynistic nature. They typically argue that she must die not for the “crime” of being Lannister, but for the “crime” of being Cersei and “ruining” Jamie. 
I would not mind criticisms of Dany and her peace-focused approach to ending slavery because the approach is naïve and she gives the slavers far too much ground. However, she is learning, growing and self-critiquing. At the end of A Dance with Dragons, she has decided to embrace fire and blood, her knight is breaking the false peace which is a necessary step forward.
What I find offensive is people saying that she should have planned better before she abolished slavery. And that the death, violence, and sickness that arises from her quest to eradicate slavery is somehow worse than the death, violence, and sickness that already existed in Slaver’s Bay. 
This argument often downplays the horrific conditions and suffering that exist(ed) under the slave system in Slaver's Bay. Such arguments are often in poor taste and prioritise the lives and comforts of the slavers more than the people they have enslaved.
I would not mind criticisms of Dany if people applied that same critique even-handedly. The same people who believe that Jon and Bran have done much to rectify the evil that their ancestors perpetuated believe that Dany has not done anything to right the wrongs of her ethnic kin. They praise them for the non-existent steps that they have taken, but in the same breath, they condemn Dany for not being able to immediately end the plague that is slavery. 
It is perfectly alright to not like fictional characters, no law requires you to like certain fictional characters over others. However, what is not right is making broad accusations about those who do, it is beyond the pale. It is disgusting, and annoying, and trivialises real-world issues to score cheap points against fictional characters.
Equating the survival of a teenage survivor to the restoration of a fascist house or neo-Nazi power fantasy when such designations do not exist in the world of ice and fire is strange behaviour. Saying that the teenage survivor will eventually be manipulated and raped (again) before ending up dead on her manipulator's blade is also strange behaviour. 
Dismissing the horrors of colonialism, especially when the text shows you that the involved parties are still affected by it, is not normal and often veers into real-world imperialism apologia. While criticism and analysis of characters and their actions are valid and even encouraged, it is essential that we do not resort to sweeping generalisations about other people and that we keep criticisms of characters grounded in the text. 
[1]  
Ooooooh, I am the last of the giants, my people are gone from the earth.
The last of the great mountain giants, who ruled all the world at my birth
Oh, the smallfolk have stolen my forests, they’ve stolen my rivers and hills.
And they’ve built a great wall through my valleys, and fished all the fish from my rills
In stone halls they burn their great fires, in stone halls they forge their sharp spears.
Whilst I walk alone in the mountains, with no true companion but tears.
They hunt me with dogs in the daylight, they hunt me with torches by night.
For these men who are small can never stand tall, whilst giants still walk in the light.
Oooooooh, I am the LAST of the giants, so learn well the words of my song.
For when I am gone the singing will fade, and the silence shall last long and long.
129 notes · View notes
mintybytes · 8 months
Text
Tumblr media
A demise so beautiful
130 notes · View notes
crusty · 7 months
Text
youtube
hiveswap vine compilation ... enjoy :)
76 notes · View notes
Text
Tumblr media
late night doodle
55 notes · View notes
toruq · 1 year
Photo
Tumblr media
150 notes · View notes
shokogast · 6 months
Text
more doodles because thats literally all i can do recently
Tumblr media Tumblr media Tumblr media
52 notes · View notes
theloveinc · 1 year
Text
barbarian!bakugo + buying apples. you’ll notice I didn’t put any work into this making it more … fantasy-like. And that’s bc… I still couldn’t figure out how😞
(warning: misogyny, you are described as a maiden / dress wearing, you have a pa, world building sucks, bakugo … doesn’t talk)
-
Being the only maiden on one of barbarian!Bakugo’s cross country journeys. I’m not sure yet how or why you’re there, but I’d say he’s traveling and one of his fellow clansmen took you as a prize, or maybe you just hitched a ride on their cart yourself.
But they stop in a small village one day, parking their horses at the edge of a town square of cobblestone and brick, merchant booths surrounding the small shops: of butchers and farmers and fishermen and traders, all rowdy and beaming as they show off their wares.
The men split up (the one with green hair in a leather vest declaring he needs a blacksmith, the lanky one with dark bangs in the direction of new snare wire), though the bulky blonde one (the one in thick furs and pelts who’s never really spoken to you) stays around, picking at the shiny, pink apples of a booth quite close to where the cart you sit on in boredom is parked.
“Five gold for a sack, sir” the man behind the creaky, wooden stand says. He’s stout, thin-haired and wrinkly, all his years in the sun selling fruit showing proudly on his tanned skin. He gestures to the wide array of fruits, each like a piece of candy he wants to show off.
Bakugo (you think his name his, or rather, that’s how he was introduced to you by the redhead with unnaturally sharp teeth, biggest of the group) glances up, frown thin and tense and blood red eyes narrowed. His shoulders shift, the muscles of his exposed stomach rippling as he breathes, the smooth skin of his forehead pinching as if he’s calculating a sale just as he would any other battle or raid.
The sign next to both the men clearly states that apples are two gold a sack. Pears are three, plums are one. “But I’ll give you a deal for four gold,” the man continues.
The blonde ponders, inspecting the apples diligently as if they could be poison, or a waste of a trade. His eyes narrow slightly, lips pursing, and you realize, in his reaching for coin, the intuition he so usually takes pride in (saving the men once from a brutal hound attack, and you, too, another time when a swamp dweller caught the hem of your trousers) is not there… and that they don’t use the same alphabet. Maybe he can’t even… read.
“For two gold,” you call.
Both parties look to you. One set of eyes in an suspicious glare, the other in a tart and angry bitterness. The merchant’s leathery face sinks into a melted frown, his fists clenching as your own hand shields your eyes from the bright sun and hides a protective squint.
“Didn’t your pa ever tell you not to meddle in grown men’s business?” he half-shouts back, the laugh in his voice now tangled with a snarl, downright and plain rude.
“The sign says two,” swinging off your seat, you smooth down your simple frock as you point to the wooden board stained with charcoal that’s hung up next to him. “One sack of apples for two gold.”
Bakugo’s eyebrows raise for the briefest of seconds, then fall in another glare as his hand drops from where he holds his coin (in small, canvas bag tied to his belt with thin, leather cord. It sags against his hip, his pants dipping and uncovering a v-line that descends further into a region you’ve only seen once; at a bathing river in the hills, the bare curve and marks of your own hips exposed—)
“Don’t know where you picked up letters, missy,” the merchant scoffs. “Reading is men’s work.”
You approach the barbarian’s side, his head (messy with hair) tilted towards you as he watches on in silence. From the pocket of your dress, you take out two gold of your own and flick them on the table before you.
“My pa taught me how.”
Then you take Bakugo’s hand (thick and rough and hard to hold) in one of yours and march right back to the horses and cart. Bag of sweet, pink apples in the other.
377 notes · View notes
pansyfemme · 3 months
Text
im having anxiety so bad right now that im overwhelmed by noise but quiet is making me so paranoid i cant not have my headphones in
34 notes · View notes
Text
Kingdom Hearts Redemption Arcs: Isa/Saïx
To begin with, there are a few things to consider about Saïx when looking at his actions in the original Organisation. Firstly, he became a Nobody when he was a teenager, before critical parts of his psyche had fully matured, and because he was heavily groomed and gaslit into believing he couldn’t ever feel emotions while he remained a Nobody (more so than any other member), this guaranteed that this part of him would remain stunted. Secondly, he was suffering an unbearable amount of pain at the time that he clearly could not cope with and had to deal with inwardly on his own, but due to Xemnas’ gaslighting likely didn’t have the self-awareness or emotional intelligence at the time to understand what he was feeling and realise he was deceiving himself. Thirdly, he had been possessed by Xehanort for at least a good while before the events of Days and 2, possibly for years, and unlike Xigbar he was not even aware of it, let alone consensual of it. The details are very unclear as to how exactly this affected him, all we can know is that he became a much colder, crueller person who was still driven by Isa’s personal motivations and capable of consciously working against Xemnas. These things don’t lessen the pain he caused, but they are so intertwined with him that it is impossible to separate him from these influences to clearly determine how reasonable it is to expect self-control or for him to be any different, and therefore how much responsibility he has over his actions, let alone how much atonement he must do. Of all the atoners, his situation is easily the woolliest.
As for his actions, Saïx is a character with very clear reasoning and consistent motivations he never truly wavers from, so it’s fairly easy to understand why he did everything that he did.
The Castle Oblivion situation is a very tricky one, since we don’t know for sure how much of what happened came from Xemnas, Saïx or Axel’s own initiative. All we know is that Saïx gave Axel orders to eliminate some traitors that were sent to Castle Oblivion, which ended up being Marluxia and Larxene. However, since the founding members of the Organisation are either complicit in or directly responsible for keeping Saïx and Axel captive there since they were children, the plot against them can be justified as an act of self-defence. The only apprentice Isa is shown interacting with since the end of the original Organisation is Even/Vexen, and the two would have had to work out any differences for cooperation to be possible in their plot to betray Xehanort in KH3.
Taking Kairi away from Axel, imprisoning her and using her to antagonise Sora was all done on Xemnas’ orders as part of the plot to control Sora and have him complete Kingdom Hearts, and it is made very clear that openly defying Xemnas is tantamount to death. His final scenes in 2 imply that he never even really wanted to toy with Sora in the first place, he would much rather take his revenge on him in proxy of Roxas for taking his best and only friend away and instigating events that ruined his life (more on this in a bit). Isa has yet to properly interact with Sora or Kairi post recompletion, and so has not had any opportunity yet to apologise and personally make it up to them beyond his contribution to Xehanort’s defeat in 3.
Manipulating Roxas and Xion into killing each other was definitely messed up, but again was done under orders from Xemnas once it became clear the two couldn’t co-exist due to Xion’s out-of-control powers. Neither of which was Saïx’s fault. The pair can’t really blame him too much and say he shouldn’t have done it without expecting him to at least risk getting dusked or destroyed for them. It doesn’t make their situation any better, but it is understandable that Saïx would choose goals and a friend he sacrificed everything for over a decade over a couple of kids he didn’t even know and one of which he thought wasn’t a real person, accepting their fates as unfortunate and unavoidable collateral. 
Making Axel choose between a friendship with him and a friendship with Roxas and Xion was also complicated. While he was definitely trying to get Axel to choose him, Saïx wasn’t the source of this conflict, the situation itself was. Axel couldn’t help earn Xemnas’ trust and carry out Saïx’s plans to take control of the Organisation, find Subject X and get their lives back while he was deliberately defying Xemnas to protect Roxas and Xion. Jealousy was at play here, but Saïx was also laying out a cold hard truth that their interests were mutually exclusive, and by nobody’s fault. If we’re also including their confrontation in the manga when Axel tries to rescue Kairi, I fault Axel more than Saix here. Not only was Saïx at his most possessed here, he was also in Berserk form with limited awareness and memory, driven only by a desire to take out anything considered a threat, and Axel put Saïx’s life at risk the moment he turned his back on him and put him in a kill-or-be-killed situation.
Lastly, the main one people think of, his unnecessarily cruel treatment of Roxas and Xion. This is the only one not motivated at least partly by some form of preservation or ulterior motive. One big point to get out of the way is the fact that Saïx was fully aware of Xion’s nature from the get-go and she only ever looked like the white featureless animated mannequin Vexen showed him in the lab, no more human-looking than a Dusk, just dressed up in a black coat, and was likely under the impression from Vexen that she was merely an imitation of life. It’s understandable that perceptions like this would influence his treatment, though it was still a horrible way to treat someone regardless.
Sadly there is much more to it than that. His main reason for this is lashing out from suffering a colossal betrayal from Axel. He was forced to watch the three form bonds of friendship and get their hearts and humanity back while his own friendship with Axel crumbled and he remained empty, when out of all the organisation members, Saïx was the most desperate to get those things back. The only friend he had - and a friend he constantly risked his neck for - ditched and replaced him when he needed him most. Despite warning Axel that their interests were mutually exclusive, Axel still chose to abandon Saïx and an entire decade’s worth of goals Saïx had sacrificed everything for and did nothing to stop their destruction until it was almost too late, all to protect Roxas and Xion. He lost everything he still had and cared about in the name of the trio’s friendship, and he became a hollow broken man and a brainwashed slave trapped under the command of an abuser he hated with almost no hope of escape or happiness. To make things worse, at no point does he ever understand why his life has gone so horribly wrong. His treatment of Roxas and Xion was reprehensible, completely undeserved and unfair regardless of how much control he had and unjustified for as much control he did have (to Roxas and Xion at least, feelings of rage and betrayal towards Axel is completely justified), but I am sadly not surprised in the least that this was enough to drive him beyond breaking point.
What he did to make it up to the three though is something that often gets overlooked because of how subtly it was implied in game (and possibly some wilful ignorance and denial from Saïx haters), though Re:Mind helps a lot with this. As soon as he became more himself, he self-reflected, recontextualised his actions through his original values, felt remorse for what he did, put all his rage and jealousy and pain and pride aside, admitted his flaws and vulnerabilities, corrected toxic behaviour and saved the people he hurt. The idea to have Vexen and Demyx create and deliver the replicas for Roxas and Xion was his. He planned to bring back Roxas and Xion, betray Xehanort and orchestrate his defeat to save the world and craft the brightest future, and he risked his life to make that a reality. There is literally nothing more he could have done for them by this point in the story. The only thing I can fault with this is that it could have perhaps been made a bit clearer, an official apology is still owed and it wouldn’t have taken much effort to briefly add one during his “death” scene even if there is still a lot of talking out to do, though Isa is a man who speaks with actions more than words, and his actions spoke loud and clear. Overall, a great redemption that I can only fault for not getting quite enough spotlight.
(Interestingly his story has a lot of parallels with Riku, but with some critical differences. Riku was manipulated and possessed for a few weeks altogether, Saïx went through years of it, and secondly Riku turned against Sora after mistakenly believing Sora would abandon him and Kairi, while Saïx was absolutely abandoned by Axel when Axel turned against him.)  
30 notes · View notes
problemswithbooks · 7 months
Text
So, watched live action One Piece and now I'm watching/reading the OG stuff. No where close to done but my brain decided to fixate on Arlong so I can't help but talk about him a bit.
Something that I find kind of interesting about Arlong is that if you read his backstory then go back to the main Arc he was in you actually realize he's way more mellow then he was in the past. Now, he's still awful but given what we're shown of him in Jinbe's flashbacks I think it kind of shows that he did, in a weird way (and not in the way Fisher Tiger would have wanted) changed due to Fisher Tiger's words on not killing humans.
In the past Arlong was constantly advocating for killing humans and terrorizing them so they'd learn their place. He never warms up to Koala despite the rest of the crew--including his own friends coming to like her. Everyone is sad to see her go even Kurobi who is later one of the worst in Arlong's crew.
After Fisher Tiger's Death it's clear Arlong was going to kill everyone in Koala's village (and no doubt would have killed Koala). He was stopped and put in Impel Down--a notoriously hellish prison (run by humans). It's not clear how long he was there, but probably at least a few months, which is a long time in a place like that.
After his pardon he leaves Jinbe and the Grand Line. Presumably he started taking over villages pretty soon after.
Now, what I find interesting is that this is by far the most justified Arlong is in his hate of humans, yet it's also the nicest we ever see him being to them. Before Fisher Tiger's death and reveal of being a slave, or his time in Impel Down Arlong hated humans because of things that although affected him were not things he himself suffered.
Arlong was never a slave, and at least Hachi, Chew and Kurobi were also never slaves. They were all orphans and this might have been the fault of human pirates who attacked Fish-Men Island, but we don't know that for sure, and it's never brought up as a grievance of theirs. They know Fish-men and mermaids are taken as slaves and they surely get racist treatment from the visiting humans, but they don't have first hand experience with human cruelty--like slavery or murder.
Not until Fisher Tiger is killed for helping a human girl go home after being a slave do they experience real loss due to humans. From there, Arlong is captured and imprisoned in Impel Down where he was surely treated terrible by humans during his time there (given they treat everyone bad there). Yet, despite saying he's the anger of the fish-men he does not actually kill nearly as many humans as you'd think, given how he acts in the past.
In fact in a lot of ways he seems to try not to kill humans if he can get away with other methods of control instead.
Tumblr media
This is when he takes over Nami's village. This is not long after Fisher Tiger's death which Arlong wanted to kill an entire village for. Yet, now, despite a huge uprising happening, with nearly the entire village of humans trying to attack them, he's not going for the kill.
Tumblr media
This is him probably less then a year before the panel above. He's furious and saying he embodies the rage of all Fish-Men. Yet he arrives to the village and tells his crew not to kill anyone despite their open hostility.
Yes, he wants money because he (supposedly) wants to take over the East Blue(world?) but he's already got his money and killing a few villagers should be no big deal--he plans on taking over more anyway.
In the end though, he does only kill Bell-mere due to her lack of money. She makes a good example, of course, but he was more then willing to let her live, despite her shoving a gun in his mouth before she used the money for Nami and her sister.
This is a huge change in a short amount of time.
Tumblr media
This is another time he and his crew don't kill for zero reason. They have been attacked all day by members of Luffy's crew. Zoro absolutely beat the shit out of his guys earlier that day. He was furious when Usopp dared to fire on him (to the point of flipping a damn house) but now they just leave two strangers (so not cash cows) alive? Usopp--was worth Arlong's anger, but suddenly two other random humans doing the same thing aren't worth killing?
Tumblr media Tumblr media
This is how he responds to Zoro being what I would assume is racist given what Arlong says. He does not know who this guy is--Zoro was found tied to a boat and just brought to him and his first words are racist. Yet, Arlong lets it 'slide once'. Again this is the guy who hit a child for no reason except she was human way before he lost Fisher Tiger or went to the human torture prison. Yet now he's putting up with a stranger calling him racist names?
Going back to Usopp, this is how furious Arlong was when he was attacked:
Tumblr media Tumblr media
He's so furious that for a moment he's willing to destroy one of his money making villages, right after losing one not to long ago, just to kill one human guy who didn't actually hurt him, nor are they a rebelling villager.
Yet this is how he acts once Usopp gets caught.
Tumblr media Tumblr media
This is after he comes back to Arlong Park to find most of his crew beaten to a pulp by Zoro. He flipped a house he was so pissed off at Usopp, ready to destroy an entire village that he gets good money from (and which he needs to keep Nami around) but suddenly after his crew is hurt he's not in the mood for killing Usopp ASAP?!
Also, he was only in Nami's village because he saw Genzo had a weapon. He thought the village was going to rebel like the last one and he wanted to nip it in the bud and kill Genzo before it got to far. That was the only reason he was there and yet, after Usopp makes him absolutely furious he and Kurobi leave Genzo alive.
Flashback Arlong, who was barely held back by Fisher Tiger would never have left any of these humans alive. They were in his eyes disrespectful, not fearing him like he wants, and most did not give him money--the only benefit he sees to keeping humans around. Yet, he lets all of them live--maybe he has plans to kill them later, but again, past Arlong would kill them ASAP.
I know that the most likely reason for this is because Oda didn't have everything with Arlong and Jinbe's past in his brain at this point (there's ten years or more between these parts in the story). Not only that he can't have important people like Usopp and Zoro being killed off. He also seemed less willing to kill characters off in the start of the manga, which is why Genzo and Zoro's friends lived (killing Genzo would also have been way to mean to Nami).
But from an in character perspective you could see this as Arlong being affected by Fisher Tiger's words of not killing humans. No, he can't fully follow that rule, let alone Fisher Tiger's orders to not treat humans badly. Arlong has hated humans for far to long, and he was barely managing to restrain himself for Fisher Tiger despite respecting/caring for the man with his whole heart.
He can't not kill humans or treat them like crap--but he can come up with excuses that limit how many he kills. A 'well, if they pay me, they can live', or a 'they're to weak to kill so I won't', or 'I'll give this guy a warning for insulting me before I kill him'.
He lets his crew drag him away from Nami's village because he doesn't really want to destroy it (for monetary gain not kindness obviously). Kurobi doesn't kill Genzo because he wasn't told to so he lets him off, despite that being the only reason they came in the first place (despite defiantly knowing killing him wouldn't get him in trouble and is Arlong's intention). That gives Arlong time to calm down and by the time Usopp is caught he's more willing to take the time to ask him what he's doing there and then let Nami deal with him.
Part of it might also be Arlong knowing Jinbe will come kick his ass as soon as he finds out he's been killing/terrifying humans. He can bribe the Marines, but only to a point. If he was slaughtering every human that looked at him wrong or said something racist he'd be to much of a threat for higher-up the Marines to ignore. Eventually they'd tell Jinbe to deal with him and Jinbe would. Arlong would know that and given he was beaten easily by Jinbe he also knows he'd lose immediately (and either be killed or sent back to Impel Down).
Either way, he's showing some restraint even though he doesn't have someone like Fisher Tiger, or Jinbe directly telling him to. For whatever reason Arlong is way more willing to keep humans alive if he can come up with an excuse for it. Which I find kind of fascinating and adds some depth to his character that I don't think was necessarily intentional, but is the strength of the writing that Oda was able to add something years down the line that somehow didn't conflict with what's already established.
41 notes · View notes
goldkirk · 6 months
Text
YouTube has now started recommending me PragerU Kids videos and I want to throw my phone out the windowwwwwww
29 notes · View notes