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#interview larry
alwaysxlarrie · 10 months
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sir u are not subtle: a gif series | 1/?
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carpe-mamilia · 6 months
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Ghosts’ Larry Rickard Explains Why They Chose the Captain’s First Name
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Photo: Monumental,Guido Mandozzi
It couldn’t be a joke. That was one rule laid down by the Ghosts creators when it came to choosing a first name for Willbond’s character. Until series five, the WWII ghost had been known only as The Captain – a mystery seized upon by fans of the show.
“It was the question we got asked more than anything. His name,” actor and writer Larry Rickard tells Den of Geek. “Once we got to series three, you could see that we were deliberately cutting away and deliberately avoiding it. We were fuelling the fire because we knew at some point we’d tell them.”
In “Carpe Diem”, the episode written by Rickard and Ben Willbond that finally reveals The Captain’s death story, they did tell us. After years of guessing, clue-spotting and debate, Ghosts revealed that The Captain’s first name is James. At the same time, we also learned that James’ colleague Lieutenant Havers’ first name was Anthony.
The ordinariness of those two names, says Rickard, is the point.
“The only thing we were really clear about is that we didn’t want one of those names that only exists in tellyland. It shouldn’t be ‘Cormoran’ or ‘Endeavour’. They should just be some men’s names and they’re important to them. The point was that they were everyday.”
Choosing first names for The Captain and Havers was a long process not unlike naming a baby, Rickard agrees. “It almost comes down to looking at the faces of the characters and saying, what’s right?”
“We talked for ages. For a long time I kept thinking ‘Duncan and James’, and then I was like ah no! That would have turned it into a gag and been awful!” Inescapably in the minds of a certain generation, Duncan James is a member of noughties boyband Blue. “Maybe with Anthony I was thinking of Anthony Costa!” Rickard says in mock horror, referencing another member of the band.
Lieutenant Havers wasn’t just The Captain’s second in command while stationed at Button House; he was also the man James loved. Because homosexuality was criminalised in England during James’ lifetime, he was forced to hide his feelings for Anthony from society, and to some extent even from himself.
In “Carpe Diem”, the ghosts (mistakenly) prepare for the last day of their afterlives, prompting The Captain to finally tell his story. Though not explicit about his sexual identity, the others understand and accept what he tells them – and led by Lady Button, all agree that he’s a brave man.
Getting the balance right of what The Captain does and doesn’t say was key to the episode. “It wasn’t just a personal choice of his to go ‘I’m going to remain in the closet’,” explains Rickard. “There wasn’t an option there to explore the things that either of them felt. That couldn’t be done back then – there are so many stories which have come out since the War about the dangers of doing that.
“We wanted to tell his personal story but also try to ensure that there was a level at which you understood why they couldn’t be open, that even in this moment where he’s finally telling the other ghosts his story, he never comes out and says it overtly because that would be too much for him as a character from that time.
“He says enough for them to know, and enough for him to feel unburdened but it’s in the fact that they’re using their first names which militarily they would never have done, and in the literal passing of the baton”.
The baton is a bonus reveal when fans learned that The Captain’s military stick wasn’t a memento of his career, but of Havers. As James suffers a fatal heart attack during a VE day celebration at Button House, Anthony rushes to his side and the stick passes from one to the other as they share a moment of tragic understanding.
“From really early on, we had the idea that anything you’re holding [when you die] stays with you. So it wasn’t just your clothes you were wearing, we had the stuff with Thomas’ letter reappearing in his pocket and so on. And the assumption being that it was something The Captain couldn’t put down, it felt so nice to be able to say it was something he didn’t want to put down.”
Rickard lists “Carpe Diem”, co-written with Ben Willbond, among his series five highlights. He’s pleased with the end result, praises Willbond’s performance, and loved being on set to see Button House dressed for the 1940s. He’s particularly pleased that a checklist of moments they wanted to land with the audience all managed to be included. “Normally something’s fallen by the wayside just because of the way TV’s made, it’s always imperfect or it’s slightly rushed, but it feels like it’s all there.”
Rickard and Willbond also knew by this point in the show’s lifetime, that they could trust Ghosts fans to pick up on small details. “Nothing is missed,” he says. “Early on, you’re always thinking, is that going to get across? But once we got to series five, there are little tiny things within corners of shots and you know that’s going to be spotted. Particularly in that very short exchange between Havers and the Captain. We worried less about the minutiae of it because you go, that’s going to be rewound and rewatched, nothing will be missed.”
The team were also grateful they’d resisted the temptation to tell The Captain’s story sooner. “We’d talked about it every series since series two, whether or not now was the time, but because he’s such a hard and starchy character in a lot of ways you needed the time to understand his softer side I think before you had that final honest beat from him.”
“What a ridiculously normal name to have so much weight put on it for five years,” laughs Rickard fondly. “Good old James.”
From Den of Geek
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yaad-gyal · 6 months
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This Mario kart interview haunts me to this day. It is less than seven and a half minutes long and i feel like i could talk about it for at least an hour and a half. There’s just so much going on:
Harry forgetting his alibi for Valentine’s Day because he was trying to make Louis seem like a bad boyfriend for leaving him alone to be with Eleanor
the interviewer being the darkest of larries
Louis practically outing Liam
Harry and Louis completely forgetting how mario kart is played so they can tell everyone about their bedroom habits
Zayn wanting to yeet himself from the building
everyone making fun of Liam for bussing quick
Etc, etc, etc again i could go on for hours
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warningsine · 15 days
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GIRLS5EVA • Summer Dutkowsky
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jimhowickfan1 · 1 month
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sipped-lapped-swilled · 7 months
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Do yourself a favour and take a look at this really cute interview
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kiwikiwiandkiwi · 2 years
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— NEXT TO YOU
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twopoppies · 11 months
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This audio is real or? https://twitter.com/eversincenyyyy/status/1670395476015759361?s=46&t=BRJY4ZQz89uxpR8KiGdarQ
Yeah. It’s an interview from 2017 when he was promoting HS1. From the way it sounds to me, he was absolutely unprepared for someone to ask him so directly if it was about Louis. So he stumbled around trying to use his prepared answer, but also knowing that he couldn’t lead people into thinking the song was about a man. Especially not about the man half his fandom believed he’d been involved with for the past five years. Especially not at the very beginning of his solo career.
What I find really interesting is that the very next interview he did was with Zach Sang. And he was asked a very similar question: “Was Sweet Creature written about a specific person?”
The way he answered very much sounds to me like this was more along the lines of his prepared answer, but also he was making up for his blunder previously.
Interviewer: Harry, was Sweet Creature written about a specific person?
Harry: *deep breath* um...in my opinion, I think most songs are written for one listener, in my personal opinion, in the way that I think, you know, people write books, they probably write them for one reader. and uhm...yeah I think it's a really amazing way of being able to say something to someone that, maybe they'll never know it's about them, maybe there's one thing in there that only they will know is about them. I think it's...you know like I said it's so much easier to say something in a song than it is to say it to someone. and I think it's...it's really amazing to be able to communicate through that and be able to wrap up everything you want to say in three and a half minutes and say it in a song.
And he goes on to say:
Interviewer: So does this person know that the song is written about them?
Harry: .....um...I actually don't know. I think the thing that's important to remember is it's not always necessarily...um...the first thing that you might think of but I obviously...would never...tell someone that what they thought was wrong. I think the best thing about music is that everyone can take away different things from stuff--
I don’t have a recording from this interview, but this is taken from a transcript written that day.
If the song was about his sister, why wouldn’t he just say so?
At the end of the day, his point is that he’s not going to tell anyone they’re wrong about their interpretation of his music. So, if you think it’s about Gemma, go ahead. If you think it’s about Louis, go ahead. Stop creating so much drama and just enjoy the music.
In reference to this
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laf-outloud · 19 days
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What beautiful words Jared has to say about working on Walker and with the people involved.
He also talks about making the switch from CW to Nexstar, as well as teasing things between Cordell, Captain James, and the Jackal.
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alwaysxlarrie · 9 months
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sir u are not subtle: a gif series | 3/?
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larentsbabie · 19 days
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For everyone getting their panties in a twist over the recent denial, I only have 4 simple things to say.
1. Every time he gets a chance, he says a huge load of bullshit. All he has to say is, “Despite what people think, Harry and I are not in a relationship and never have been.” It’s a simple straight denial. How hard is that? But no. It’s always him going on a tangent over a fucking “chicken Parmesan” which is not even related to the “ship” and him going on a tangent about “iPhone conspiracies” and “google”.
2. If a rumor doesn’t go away after 14 damn years, maybe it’s time antis and locals start thinking that it might not be a rumor.
3. If there is nothing to hide, they wouldn’t hide their “friendship” over stupid rumors cause they’re both 30 year old men who could ignore public. But still, despite numerous mentions of them both saying they’ve been in touch. We only ever see Louis interacting with Liam and Niall and Zayn ffs but not Harry. And we see Harry interacting with Niall. We see Liam interacting with Harry but we never ever see interactions between Harry and Louis. Why?
4. Lastly, if we are claiming an artist to be closeted, you can’t be so dumb to take an “off-the-topic-denial” to be a proof of them being straight.
But yeah, sure! Go on! Twist your damn panties until you tear them apart. You won’t notice one of us give a fuck cause you mistook us for someone naive and easily manipulated.
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greatsaladavenue · 3 months
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I love this interview with them. Same chemistry, looks and giggles and being cute together and in front of a reporter they knew and who liked them too. Just one of the reason I'm not really buying the India - theory..Pre Let it be/Get Back.
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statementlou · 2 years
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in the context of an interview with someone who is deep in what the fans say and think and was like yeah fuck it I’m asking about that stuff, like stuff we don’t hear usually, from did you leak your own music to so how about that getting choked to detail about his label and a dozen other fan things, all the shit we chatter and speculate about, and about Zayn and Liam, it stands out even more glaringly than usual that talking about larry openly is simply. Not. On the table... and as usual its the silence that truly screams like. honestly. this is not normal
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reluctantjoe · 4 months
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‘After rehearsal, my face hurts from laughing!’ The Ghosts cast on fun, fame and their festive farewell
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One of the UK’s most cherished comedies is bowing out for ever. The stars talk about nicking things from the set – and being called ‘outrageous and shameful’ by Piers Morgan
Thanks, I tell the creators of Ghosts sarcastically, for making my daughter cry. The evening before, my family watched the supernatural sitcom’s final episode, and the only dry eyes in the house were mine.
This reaction, I tell Martha Howe-Douglas, Laurence Rickard, Jim Howick and Mathew Baynton over Zoom call, is going to be replicated across Britain. Did you think about how you were going to ruin everybody’s Christmas when you wrote this tearjerker? “Ah, you can but dream,” says Baynton, who plays the Romantic poet Thomas, wistfully.
The Ghosts team implore me not to reveal plot twists from the last episode, but there are some tantalising details I can share without spoiling the viewing experience. First, this is the episode where the final secret about the ghosts is revealed, namely how the Captain died. Second, there is a flash-forward to Alison and Mike in their dotage. But most of all, this is where we learn the fates of everybody, living and dead. I’d like to reveal more about whether Alison and Mike do sell land from the estate to build a golf course, or if any ghost is going to emulate Katy Wix’s character Mary and be sucked off (their words) into the spirit realm, but if I did it’s quite possible the cast would hunt me down and chop off my head. Or maybe they’d just haunt me for ever which, to be honest, doesn’t sound so bad.
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The show’s premise – that the ghosts can never leave the grounds of the house – is a tragicomic trope of Britcoms, ie that the protagonists can’t escape their fate. It was Harold’s psychic wound in Steptoe and Son, and now in Ghosts all the spirits are stuck in each others’ company for good as if Button House is a home counties Hotel California. Or if you prefer, the Horrible Histories team have made a funny Uncle Vanya.
Four talking heads nod on their respective Zoom screens.
“I always think Chekhov is funnier than it’s usually done,” says Rickard – who plays two parts, Humphrey the headless and Robin the caveman. “They’re fixed somewhere and also utterly baffled as to why they’re there. So you have these existential crises going on with people who are already dead.” “I was in a production of Vanya once,” says Howick, who plays Scout leader Pat. “It was nothing like this.”
Baynton says: “On the face of it, it’s about ghosts, but it’s really just a metaphor for what it’s like to be a person. You’re born into the world and everyone’s got different opinions about what everything means. To do that in a family sitcom always felt like an amazing trick to me. It kind of is Beckett, but it’s um ... silly Beckett.”
Cast your mind back to April 2019, when the team behind Horrible Histories unveiled a new comedy. Did your careers ever recover from Horrible Histories being endorsed by Michael Gove as a tool for teaching? “I think that was nicely ballasted by James Cleverly or Piers Morgan a few years later around Brexit saying that it was a waste of licence fee,” says Baynton. It was actually Morgan who, with his unerring grasp of the national mood, in 2020 tweeted that the show was “an outrageous, shameful abuse of public money”.
At the outset, Ghosts seemed like a spin-off from Horrible Histories’ Stupid Deaths segment, in which the team recreated a laughable demise (King Harold shot in the eye at Hastings, self-styled gong farmer Richard the Raker drowning in his own poo, Aeschylus killed by an eagle dropping a tortoise on his head). The eponymous Ghosts often died similarly stupidly: Howick’s Scout leader Pat died in an archery accident and wears an arrow through his neck for all eternity; Lolly Adefope’s Georgian noblewoman Kitty was slain by a spider bite from a transatlantically imported pineapple.
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In episode one, thirtysomething herberts Alison and Mike move into an ancestral pile that she’s inherited, only to find that it’s haunted. After she falls through a window and cracks her head open, Alison can see the ghosts but Mike can’t – though if he could he would probably put out the lights of the dead Romantic poet who keeps putting the moves on his wife.
Ghosts has been a lovely antidote to our times. For the cast too, making it has been a joy. “We’re very different people,” says Rickard, “but the thing we’ve got in common is a sense of humour. And if you can have one thing in common, that is the best thing, because it’s a light, fun, nice thing you want to keep returning to.
“At the end of rehearsal day, my face hurts from laughing. It’s a really unusual feeling that you’re giving yourself a headache from having a good time, without being horribly drunk.”
A few days later, I interview Charlotte Ritchie and Kiell Smith-Bynoe, who play Alison and Mike. “I think it has real kindness at the heart of it,” says Ritchie. “The core of the show, I think, is that all these people you might label as different are navigating things together.”
That said, Ghosts also manages to tackle some pretty important social issues. The second world war army veteran Captain, whose love for a junior officer dare not speak its name, is fondly imagined. More significant yet is the representation of people of colour. Smith-Bynoe says he was especially delighted when last year’s Christmas special depicted something he’d never seen on TV before: a Black family having Christmas dinner. “I’ve had couples come up to me and, them being an interracial couple, say that it means a lot to them to see that at the forefront. It’s not talked about, just there.”
Ghosts has made the pair famous. “If I wear Alison’s jumpers when I go out, I get recognised,” says Ritchie. Or misrecognised: “I was out the other day and this woman came up to me and said: ‘Liked you in Fleabag.’ So I went with it.” “Why not?” laughs Smith-Bynoe. “I had a thing where somebody was convinced I did a warm-up for Mo Gilligan.” But you never have done? “Of course not! But it was hard to convince them I knew better.”
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Both Ritchie and Smith-Bynoe would like to have a word with the writers. They’re not happy the show has come to an end. “I’ve got nothing in January,” she says. “Me neither.” They have a point. They are unemployed in a cost of living crisis while several of the writer-actors on the show have parlayed their fame into work on other lucrative franchises. Baynton can now be seen as Fickelgruber opposite Timothée Chalamet as the eponymous Wonka, while Simon Farnaby co-wrote Wonka, Paddington 2 and the forthcoming Paddington in Peru.
In theory, Ghosts need never end: spirits are eternal, so shouldn’t a sitcom about them be, too? Perhaps the Ghosts team should consider making a spin-off. What would be the Frasier to Ghosts’ Cheers, I ask. “Mick,” says Baynton. He means the ghost who shares the cellar of Button House with other plague victims, each one played by a member of the main cast. “It’d be called Mick with an exclamation mark. And it’d have a live audience. I’d come on and say: ‘Hello everyone! Hiya! I’m home!’ Like Happy Days. Don’t even bother with the makeup, the lights aren’t on.” It sounds terrible, to be fair.
Perhaps we have to accept that Ghosts is dead. Certainly, the cast have plundered the set for memorabilia. Ritchie has snaffled Alison’s jumpers, Smith-Bynoe took Mike’s monocle, Howe-Douglas has Lady Button’s rings and Ben Willbond has taken the Captain’s stick. Rickard proudly holds up Humphrey’s severed head to camera.
All that remains now are the repeats. “I think, more so than drama, people will go back to comedies they love and want to experience them again and find more in them,” says Baynton. “There are plenty of shows that are comfort. Sometimes you put them on so you can have a nap.” He seems to be suggesting that Ghosts is part of that soporific canon. I look at the four screens, each interviewee giggling happily at the thought of Britain not sobbing over the last episode, but dozing through repeats. It may be ending with a Christmas special, but Ghosts will be haunting us for many years to come.
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jimhowickfan1 · 6 months
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iamnmbr3 · 9 months
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the moment when you realize an ai would've written a better larry show than mike waldron bc an ai would've been trained on previous loki content and thus, unlike mike, would've actually watched the films
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