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sarunohadaki · 3 years

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DQXI/Octopath Traveler Crossover

Crossover week: Home | 1 | 2 | 3| 4 | 5 | 6 | 7 | 8 |

Anyone call for a story idea with just character roles planned but no plot? Oh boy do I have the post for you! I’ve only played through chapter 2 of Octopath but from how things are going I have a few ideas for plotlines… on the whole, however, this post outlines each of the characters and their backstories.

Character descriptions under the cut because it’s long! Mentions of a character who's deaf, another character who's trans, and another character with DID.

I’ve been loving Octopath Traveler, but if there’s one thing I had to nitpick, it’s that there’s not enough moments woven in between all the characters! There’s a “travel banter” feature that covers the thinnest bases, where at some points in the game, the option for travel banter will appear on your screen and you can select it to see two characters have a short conversation. You have no choice in which characters talk to which, and you can’t go to that chat feature whenever. Also, let’s say you’re doing someone’s storyline. The other characters don’t talk in other’s cutscenes!

It sort of feels like there are eight games in one when you format the game that way. It's a little… disjointed.

Premise: Another fusion fic where the eight characters in Octopath are swapped for the team in DQXI (plus Gemma). Each character can still have their own backstories and subplots, but I am hankering hard for an overarching plot and antagonist. Maybe there’s, like, an evil League of Villains or some cult. Shouldn’t be too hard to find a place to slot that in, right?

Just like in the game, you stick to one character’s perspective and travel around to pick up the rest of your team, only in this fic, there’s varying dynamics between all the characters and oh boy it’d be prominent.

Characters

H’aanit ➡ Elimelech (El)

The Hunter

Born deaf, Elimelech hunts with his wolf companion and a quiver on his back. Despite appearances, El is not one to be underestimated; he is the pride of his village, which has recently celebrated his rite to adulthood. However, with adulthood comes an unexpected discovery, one which spurs him to leave the village in search of answers to his true heritage.

A literal strong, silent type. But has his shy moments, too. I can imagine you having to tap his shoulder to get him to see you talking to him sometimes, and he has this cute, brief look of curiosity on his face… 🥺

Similar to how H’aanit spoke in Middle and Old English, I think sign language would be interpreted the same way in this world. So everyone’s comprehension of SL is good, signing back… maybe not so good.

Animal companion (Sandy but beefed up into a wolf) would help him interact with the world, or at least keep him out of trouble.

Therion ➡ Erik

The Thief

Like the muck wiped off someone’s shoe, Erik’s not much wanted in most places, but luckily not thought about, either, which helps when he’s stealing coin purses. After a heist goes wrong, he’s tasked with retrieving priceless heirlooms to get back something important.

Does Derk fit well as replacement for Therion’s best buddy? (Sure?)

Therion was apparently well-known despite no one knowing what he looked like. Maybe I can make the opposite work for Erik.

The whole thing with Therion was getting a silver band off his wrist but I still like Erik’s canon plot more, so I’d find a way to shove that in.

Tressa ➡ Gemma

The Merchant

An ambitious and overly friendly adventure wannabe, Gemma uses an anonymous journal as her guide to the wonderful — and perilous — world beneath her feet.

Original plot for Tressa tracks fine, although wouldn’t it be cool if Gemma’s journal were written by Sudo Nim??

Old Dragon Quest had merchant classes, too. Wonder if there’s anything in those mechanics I could add to this fic.

Gemma and El hit it off right away and converse excitedly about everything from cuisine to cute boys. Though… no one tells Erik, who thinks they’re crushing on each other. (love triangle that really isn’t, haha!)

Cyrus ➡ Rab

The Scholar

Newly retired and looking for a new purpose in life, Rab decides to answer a decade-old mystery. While scholarly work has always been a hobby for him, he’s prepared to get to the bottom of this puzzle and hone his analytical skills in the process.

Definitely NOT following Cyrus’s plotline here

I could still have fired Rab (similar to Cyrus) and claimed workplace discrimination, but I like my alternative: “Rab was the head of a royal estate but got bored and ‘quit,’ putting someone else in charge so he could go fart off elsewhere.”

Is Rab related to El in this??? He could be. (Sercretly.)

Alfyn ➡ Sylvia

The Performer

A talented performer with an elusive path, Sylvia has called many places home. Following in the path of a traveler who once changed her life, she sets out to bring smiles to people’s faces and avoid the roots of a past that refuses to leave her alone.

Alfyn was last on the list when I was doing matching so sorry Sylv that you got matched with this backstory. But I can adjust it to make it work

Sylvia and Alfyn both have the goal of cheering up sick kids and ya know I think Sylv could learn some healing stuff along the way! She’s much more than just a pretty face, you know.

Someone from Sylvia’s path definitely shows up again and that will be trouble for her

Primrose ➡ Jade

The Dancer

Jade’s patience and sharp mind have sustained her through years of hard living, although it is all worth it when she finds her chance to exact revenge upon those who killed her father.

— Pretty straightforward, can take a lot from Octopath’s plot for this one.

— Hard decision of whether to somehow incorporate this into Hendrik’s storyline or make Jade’s father and the king Hendrik serves two completely different people

Olberic ➡ Hendrik

The Warrior

An erstwhile knight of a fallen kingdom, Hendrik melts into life in a quiet mountain village until word comes of a former comrade who’d turned traitor and killed their liege.

Jasper is the traitor, obviously!

As for their slain liege… can it really be Carnelian again when that’s Jade’s storyline? Like a plot twist that they were both following the same guy this whole time? Probably not. Probably needs to be someone different. Or Carny can just be twice as dead.

Ophilia ➡ Serenica (Serena and Veronica)

The Cleric

A level-headed cleric, Serenica serves the faith alongside her adoptive family. She takes up the torch to fulfil a traditional pilgrimage to rekindle light across the realm.

This one is complicated and I’m not sure how I’m going to do it yet

I wanted Veronica and Serena to both inhabit the same body and considered them having Dissociative Identity Disorder. I am very not sure about this. If I do it that way, I’d want to do it properly, with a sensitivity reader, research, etc. Because being respectful is Cool.

(P.s. There was fanart but someone (me) misplaced the art and never took photos of it???)

#Crossover Week #my fic ideas #my writing #Octopath Traveler #dqxi #deaf character #dissociative identity disorder #trans character #character with DID #why am i nervous hahah...

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lilydalexf · 3 years

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Old School X is a project interviewing X-Files fanfic authors who were posting fic during the original run of the show. New interviews are posted every Tuesday.

Interview with Rae

Rae has 16 stories at Gossamer. If you like MSR, you should go check them out, including (but not limited to) the fun-titled, banter-filled The Cat, an Espresso and a Bag of Sunflower Seeds. Big thanks to Rae for doing this interview.

Does it surprise you that people are still interested in reading your X-Files fanfics and others that were posted during the original run of the show (1993-2002)?

It surprises me that anyone reads my fanfic at all, let alone they are reading it 20 years after I wrote it!

But in the same vein, I am still actively reading xfiles fanfic and I tend to read the older fics, or new fics by authors I recognize or remember from back in the day. I cannot explain this lack of rationale. 🤷

What do you think of when you think about your X-Files fandom experience? What did you take away from it?

I had a great experience with the X-Files fandom! I made some fantastic friends - many even attended my wedding! I didn't really get involved in the dramas that went on. I was aware of it, but really, I just wanted to discuss my show with people that loved it like I did and read the fic, so I ignored all the other static.

Social media didn't really exist during the show's original run. How were you most involved with the X-Files online (atxc, message board, email mailing list, etc.)?

Mainly message boards. AOL chat rooms, Yahoo groups, etc. We would all sign on after the episode aired and chat about it. Deconstruct it. And then we started traveling to meet each other and the real fun began!

What did you take away from your experience with X-Files fic or with the fandom in general?

It was definitely a growing experience. It forced me to step outside my comfort zone a little bit. Traveling to NYC, LA and Chicago to meet people just to fangirl with. Meeting Gillian and getting a picture with her - it was wild.

Different shared experiences that "real life" family and friends just didn't understand. It was fun and exciting.

What was it that got you hooked on the X-Files as a show?

So I came to the show late in the game. I was sick, lying in bed channel surfing and caught the last 5 minutes of Fight the Future and immediately wanted to know why this woman was sitting in the snow holding onto this man. I spent the summer recording episodes on FX during the week and watching them all weekend and was somehow able to pretty much catch up on the first 6 seasons in time for the 7th season premiere.

What got you involved with X-Files fanfic?

In my quest to know all the things that summer before the 7th season, I discovered AOL chat rooms that led me to different discussions on the show in general and at one point, a link was posted to whatever fanfic was hot that minute and I was instantly hooked.

What is your relationship like now to X-Files fandom?

I often feel like a wallflower at a party. I'm on the fringe, looking in to see what's going on. I don't bother anyone and most people don't even know I'm there. Every now and then I'll send feedback on a story, or I might even participate in a random discussion, but I feel it's a little more difficult these days without the chatrooms and discussion boards. Following people on tumblr or twitter and trying to engage in those platforms is more awkward since it feels so much more personal. It's like I'm intruding on someone's personal space. Or having to scroll through non-fandom stuff to find the fic. The message boards were a more even playing field I guess? It's hard to explain.

When I'm hardcore searching for something...anything to read, I'll refer to "The Classics" list. There are still many on there I haven't read.

I miss ephemeral.

Were you involved with any fandoms after the X-Files? If so, what was it like compared to X-Files?

No. No other characters have ever interested me beyond the story we're given within the confines of the show/movie/book like Mulder and Scully did. My friends would dive into Harry Potter or Marvel or (fill in the blank with anything) and I would try to get excited, but there's nothing.

Who are some of your favorite fictional characters? Why?

Well, Scully because she's so bad-ass. She's always so certain of her convictions. We don't see her second-guess herself often.

Anne of Green Gables because against all odds, she still sees the beauty in everything.

Jo in Little Women because she is just so tenacious. She knows what she wants.

Hermione in Harry Potter. She knows the most important thing she'll do is help Harry and there is value in that, so she gives it all she's got.

Do you ever still watch The X-Files or think about Mulder and Scully?

I do. A couple of years after the original run was over, I lost a dear friend (met because of XF) and then later I had my first baby and life just got busy in a very different way so I fell out of the fandom and just dropped all of it.

And then there was the revival. I waited until all episodes aired and then binge-watched them. And I did the same with season 11, but waited about 6 mos after it aired to watch it, rewatching the whole series from the beginning, first.

But now I turn it on a few times a week while I'm folding laundry or making dinner or some other chore. It's nice to have it on in the background because I don't have to pay close attention because I know what's going to happen. I've actually watched the whole series a few times this way.

Do you ever still read X-Files fic? Fic in another fandom?

I still read XF fic. It's still my favorite thing to read. I am always looking for the next great fic to lose myself in. Back in the day, I would read any pairing, any genre...I was game for anything, as long as it was XF fic. I'm a little more choosy, now, but only because my free-time is more limited. I only want to read MSR and I'm not at all interested in revival fics.

Do you have any favorite X-Files fanfic stories or authors?

I am partial to the novel-length AU and canon-divergent stories. I love everything by Prufrock's Love and Bonetree. I have read Paracelsus, A Moment in the Sun and the Goshen/Secret World series countless times. Journal 1999 and Journal 2000 by MD1016, The Mastodon Diaries by akaJake, Blinded by White Light by Dashak, Deliverance From Evil by Char Chaffin and Tess.

I could go on all day.

My absolute favorite story is Arizona Highways by Fialka.

I am partial to Scully angst. And the Emily storyline just kills me, so when authors take those elements and write a kick-ass story, I am there for it.

What is your favorite of your own fics, X-Files and/or otherwise?

How awful is it that I had to look up my fics to answer this question? I don't know that I have a favorite. That's like asking a mother which child she favors. Maybe One of the Damned.

Do you think you'll ever write another X-Files story? Or dust off and post an oldie that for whatever reason never made it online?

I won't say never, but I don't think so. I've tried to start one or two with some ideas I've had, but I haven't gotten far with them.

Do you still write fic now? Or other creative work?

No. I don't even have time to read as often as I would like to.

Where do you get ideas for stories?

Usually what if scenarios - I try to work out different ways the story could go in my head. I would usually have the guts of the story written in my head before I typed the first word.

What's the story behind your pen name?

There was already a well-known Rachel posting fic when I got started, so I just decided to go with a nickname - Rae.

Do your friends and family know about your fic and, if so, what have been their reactions?

My husband is crazy supportive and tries to convince me to write again All. The. Time. I never hid my XF obsession from anyone, but I don't think I told many people about my writing.

Is there a place online (tumblr, twitter, AO3, etc.) where people can find you and/or your stories now?

I am on tumblr and twitter, but like I said above, I don't really post. All of my stories are at Gossamer.

(Posted by Lilydale on February 9, 2021)

#new post #old school x #xfiles fanfic #xf fanfic #xf fanfic author interviews #rae

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estoniacobaltpayne · 3 years

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Judgement Day

Chapter 1: Devising Deceit

Summary: Desperate, a force user bargains for her freedom; if she acquires the ‘asset’ deemed top priority, she would be free from the life that has enslaved her. Years of training has prepared her, but she’s stubborn and unlucky and more often than not she’s biting off more than she can chew. Maybe pulling the long con is the only path to freedom, but if it is, there’s a Mandalorian blocking it.

Warnings: language, implications of creepy old men

Pairing: Din Djarin X Reader

Prologue: Here!

Arvala-7 was hot. Despicably so. It was as if its creation was solely intended to irritate her on her quest. She would have thought she would have been more accustomed to the heat, but even the stuffy cargo holds on the dingy and dank ships she stowed away upon weren’t as unbearable as the waves of oppressing heat radiating from the red sand.

Hell, even Jakku hadn’t been this unbearably hot.

Luckily, Darth Ragna didn’t have long to linger in her suffering for too long. An isolated base appeared before her, and along with it brought the beginning of her journey towards freedom. Taking out the guards would be quick work, especially with her abilities. Really, what could they offer themselves for protection? Blasters? A canon at most? Surely, nothing to suppress her unnatural abilities. A forgotten base such as this one would in no way be equipped with such advanced, expensive, and rare technology.

And so she began her fight. The blasters were easy to manipulate into disintegration, and their users were easy enough to mindlessly toss aside without a single touch. The first canon was just the same. The second canon was a surprise, but took just as little effort. Then the crew of the base rolled out another 3 canons simultaneously. She was falling behind in her attacks. She now played the role of the defence, and damn, was their offence growing stronger? Or was the heat of the sun really that bad? How comical. The sun bringing down someone as powerful as her.

But it wasn’t the sun. It was the syringe sticking out of her arm. Did these unintelligent life forms really just... gain the upper hand? Did they really just have the audacity to shoot her with… what was it?

What was-

The last thing she saw was the same damned red sand kicked in her face by the boots of the soldiers running towards her. She couldn’t even feel it stinging her eyes, coating her skin, dirtying her hair. And after another moment in slow motion, she lost her ability to keep her eyes open.

The last thing she registered was the sharp voice that eternally plagued her head; “you should be better than this, pathetic child.”

And then, she was nothing.

——

Rumbling.

Outside.

Outside where?

Where is inside?

Darth Ragna pushed herself off the ground. She spit out some of the red sand that still lingered in her mouth. How long had she been out? Why couldn’t she feel the force? How did those buffoons even get the upper hand?

She lifted up her arms to shake some of pesky sand that was in her hair. It was impossibly tangled in every direction, and the sweat and sand coating her head was making the itching on her scalp nearly unbearable. But something was impeding her attempt to soother herself; handcuffs. A very familiar model of handcuffs.

“If you can’t control yourself, then I get to control you. Understand, girl?”

A tall man with skin as pale as his soul and a grip to match pulls along a young girl, not even old enough to have 2 digits in her age.

“Please! I can! I can be good! I promise! I-“

He turns around and cuts her off sharply, “no! This is the last time you disobey me! If you didn’t want the cuffs, you would have contemplated your actions before you enacted them! Pray I don’t devise a worse punishment!”

A pair of handcuffs encircled her wrists. They were a clean chrome colour, that, when paired with the glowing blue technology underneath their surface, suppressed every ounce of ability to connect with the force. She was alone now.

It was the same type of handcuffs that were forced upon Ragna now.

But now, they were such a small problem compared to the IG-11 droid imposing over her body that was limp on the floor. She backed herself up the wall, trying to put as much space between herself and the killer droid as possible. After all, her powers in the force were useless, thanks to the cuffs, and she was useless against the droid.

But its focus was not on her, anyways.

Its target was stubbornly aimed on the pram to her right. She couldn’t see into it, but she new from the intel she was given back home that, if it was the asset she was sent to acquire, it was a child. The droid had its blaster aimed into its center; but it dropped to the ground with a hole in its head as suddenly and as unceremoniously as it had been brought into this world. Its effortless destruction was brought upon it before it got the chance to terminate the child.

But whatever managed to take out an IG-11 droid so very easily was more concerning to Darth Ragna; and that’s when she noticed the Mandalorian.

The visor of his silver helmet was trained upon her. The chest plates the colour of the sand beneath his feet rose and fell in gentle breaths; too gentle considering the energy he must have exerted to take out the guards outside. Speaking of which: if he could take them out, why couldn’t she? If she couldn’t out-fight a few hired guns, how the hell was she supposed to take out this beast of a Mandalorian? Even if her abilities in the force had been unsuppressed?

She thought quickly; the only way to get out of this alive was to out-wit the Mandalorian. If she was able to successfully convince him that she was sent here to care for the asset, then she might be able to gain his trust. And once she did, she would, quite literally, stab him in the back, and take the asset as her own bounty. And so, in a rushed, nearly unbelievable string of jumbled words, she put on, truly, her best act. But her rushed stammering, she could tell, did little to sway the bounty hunter. After her speech, he simply stared at her, unmoving.

Finally, after Ragna began to think that he would just end her then and there, he let out a gruff, “how do you explain the cuffs, then?”

His voice was like nothing she had ever heard; rough, raw, authentic. It stunned her into silence. It wasn’t until he let out a tensed, “well?” that she responded.

“They didn’t believe me! Even after showing them that I, too, am a wielder of the force, they still locked me up here!”

The Mandalorian was really going against his better judgement when he helped her up off the floor. But for Ragna, things were starting to go her way. She just had to sell her feigned kindness and hope that he warmed up to her quickly.

“Thank you! You have no idea how refreshing it is to have someone sane at a time like this! Imagine if those gunman had just left me here. How rude! I can’t even think of it! Truly, you live up to the reputation of your people! Now, if you would oblige me once more and take off these cuffs?”

The Mandalorian was already halfway out the door with the child, when he bluntly replied, “no.”

Well, damn.

——

And damn once more. Ragna had really expected her situation to be much easier than it was turning out to be. A caravan of Jawas had raided the Mandalorian’s ship for parts (not that there was much worth scavenging, as she bluntly said to the ship’s owner). Her new travel companion enlisted the help of a former ally to try and remedy the situation. An Ugnaut named Kuill, who mentioned in passing his indentured servitude in the Empire. Ragna stiffened. Did he… did he know of her? If he did, he didn’t seem to let on, a relief to Ragna. If she were to be found out, she would be facing instant death via Mandalorian.

Honestly, it was the damned cuffs. This whole ordeal could have been over and done with had that stubborn Mandalorian just taken those handcuffs off her. But until he did, she could do nothing to help in any way. Not when the Mandalorian went to fight the mudhorn did he take them off, and not even when he was fixing his ship. She could have helped and this all would have gone much faster, and she was sure to make that fact known to the Mandalorian in a feeble attempt to win his faith, but he did nothing but ignore her.

More importantly, she couldn’t carry out her plan to kill the Mandalorian and take the child to the Imperials herself if she was still held hostage in the force suppressing cuffs. She attempted to reach out to him; to establish a faux acquaintanceship with him in order to sway him into trusting her, but as soon as she initiated a conversation, he took the child and hid himself away in the cockpit. He locked the doors and didn’t dare retreat for the majority of the ride to Nevarro, as she believed he mentioned they were going, which was her last chance to enact any semblance of her plan. But alas, he still did not remove the force suppressing cuffs, and she was still disabled to the force. The Mandalorian’s contact, however, proved to not be useless to her and her situation. He was one of the Imperial councilmen that approved her bargain; the child’s obtainment for her freedom. The amount of time the client spent talking to the bounty hunter was excruciating, however, as soon as he left, she made herself and her bargain loud and clear to the Imperial client.

“I bargained that should the child be brought into Imperial hands, that I would be freed.”

The Imperial was a plump man with a disapproving face. He was smart, and not one to easily let go of what he felt belonged in Imperial clutches.

“And yet, you were not the one to bring in the asset, so I do believe that your contract has been voided.”

Her jaw squared. She would be damned if some bounty hunter got in the way of her freedom.

“I helped him. I led him to it. There were too many guards. Neither could have taken them alone. My contract never said I couldn’t employ the assistance of another,” Ragna was seething. All she could do was plead. There was no way she would let go of her freedom now; not when she was so close, and she wasn’t below laying herself down at the feet of this asshat to obtain what she wanted.

“And yet, you’re sitting here in the force suppressing handcuffs I know your father so dearly loves to see you in.”

A shiver ran down Ragna’s spine. But she ignored the implications. She would weasel her way out of this.

“He wanted assurance that I wouldn’t kill him and take the reward for myself. After seeing the reward was beskar, I can’t blame him. Now, I believe my obligations are fulfilled. Please remove the cuffs.”

The Imperial client regarded her for a moment. Honestly, with how much Ragna made the Empire put up with - all her fits and acts of rebellion against her training - she’d have thought they’d be glad to be rid of her. A fact she made clear to him in his glaring silence.

After a moment he acquiesced, and ordered one of the troopers to remove them.

She was free.

——

And how beautiful freedom was.

For all of about an hour.

Ragna was enjoying some street food native to Nevarro when she heard a commotion on the next street over. She shouldn’t have investigated. Really, she should have stowed away on the nearest ship and bailed, but something pulled her towards the trouble.

And she really, should have known what was the source.

There he was, that damned Mandalorian (only now in a shiny new set of armour), carrying the child to his ship. He was conversing with someone, who, Ragna didn’t know, but before she could try and decipher their conversation, her comm beeped from her satchel.

“Come in! Ragna come in!”

She really, really, shouldn’t have answered the damned call.

“Ragna! The bounty hunter I was informed you worked with in obtaining the asset just made off with it! Tore threw nearly a half dozen troopers! Apprehend he and the child immediately!”

Rage coursed through her. She was no longer an Imperial toy!

“How dare you? My contract has been fulfilled! It is no concern of mine what happens in Imperial matters now!”

A dark cackle comes through the comm. The poor quality of the speaker mixed it with static to give it a truly horrifying and maniacal texture.

“I thought you wanted freedom in order to better carry out the will of the Empire? I see now that you have betrayed me and this entire organisation. Foolish girl. Apprehend the bounty hunter and bring us the asset, or there will be not a single crevice of this galaxy that you can hide from me.”

The comm went silent. Sigh. Should she disregard her commands and hide herself away, she would never truly be free. If she brought in the bounty hunter and child, she would never have to worry about hiding from her Imperial keepers ever again. Ragna regarded her options. She had no ship, so chasing the Mandalorian around the galaxy in an attempt to kill him was off the table. She still had her original plan though. And now, as other bounty hunters swarmed him from every angle, she had the perfect opportunity to help fight them off.

Hopefully, that would be enough for the Mandalorian to seal some trust in her.

#din djarin x reader #din djarin #the mandalorian #mandalorian fanfic #mando x reader #star wars #star wars fanfiction #fanfiction

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fallout-lou-begas · 4 years

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Questions for OC Creators

Shamelessly stole this from @tarberrymentats‘ post because I’m always a sucker for behind-the-scenes character inspiration and meaning stuff, so if you steal this in turn, feel free to tag me!

(I’m also stealing Halk’s usage of lovely art by @yesjejunus for this one 🖤)

Agnes Sands, Courier Six of the Mojave Express

A) Why are you excited about this character?

Agnes was an opportunity to create what felt like a very unorthodox OC, and it’s an opportunity that has certainly paid off. She’s not young, and she’s not a particularly pleasant or easygoing person to be around, but she’s also not the endearingly tragic loner type or a badass army-of-one. She’s not “spunky” or “fun” and isn’t the kind of Fallout character who’s necessarily motivated to do every quest, meet every companion, accomplish every thing. She’s not an important person; being an important person is anathema to her, and the looming, overarching themes of It Keeps Right On a-Hurtin’ are these ideas of the hard limits on unlikely heroism, and how you really can’t fly that far on circumstance and luck. I’m very excited for everyone to see how it goes when the going gets tough.

Furthermore, the design and writing process for Agnes was very informed by finding justifications, reasons, and origins for all of her personality traits, skills, and various hang-ups. The result is a character that feels, to me, so deeply real and well-rounded and alive, that Agnes is a person who has lived every one of her 34 years of age, and that in each of those years were key developments that molded her into the person she is. When I write her, I feel like I know her because of how intimately I’ve researched and come to understand the life she’s led. I don’t want to say it comes effortlessly, but there’s a very genuine, sculpted depth to her character that I’m proud of, and it forms the bedrock of It Keeps Right On a-Hurtin’.

It is also very important to me that Agnes is a trans woman, and is a trans woman who looks the way she does with a strong jaw and a big nose and long face and a wide body and hairy arms and so many other “masculine” features, because I wanted to create a character with a very real, visceral, visible transness to them, and for this transness to be a meaningful part of her character that informs her relationship to other people and the scarce world of the Mojave Wasteland instead of just an auxiliary character trait. She is no less of a woman for existing the way she does, but I simply wasn’t interested in creating a character or interpreting the Mojave Wasteland in a way that wouldn’t meaningfully grapple with what it really feels like, to me, to be a trans woman.

B) What inspired you to create them?

Many of Agnes’ character traits actually come from mechanical and specialization decisions that I play in game. I often joke that Agnes “just plain sucks,” but it’s true that in my Fallout: New Vegas game, I have encumbrance set to a measly 25 lbs without backpacks (necessitating her shoulder-slung duffel bag), use a directional flashlight instead of the Pip-Boy light (necessitating the shoulder-mounted flashlight), play with dramatically decreased total S.P.E.C.I.A.L. and skill points per level (which is why she’s so bad-to-average at most things except key specialties), and so on. This was the most obvious level of inspiration, and much of Agnes’ personality and backstory is reverse-engineered to justify the aspects of her character suggested and represented by her mechanical stats.

C) Did you have trouble figuring out where they fit in their own story?

Epiphanies have come over time, but ultimately I more or less hammered out Agnes’ whole “story” upfront. I have a detailed character bible saved away that covers not only her entire life pre-courier, but the story beats of her experience as the courier thrown into the center of the events of Fallout: New Vegas and the seismic geopolitical power plays leading up to the second battle of Hoover Dam. So, uh, stay tuned for each new issue of IKROAH!

D) Have they always had the same physical appearance, or have you had to edit how they look?

I wouldn’t say that I’ve meant to meaningfully change her appearance over time, but as I’ve been working on the comic, I’ve simply gotten better at drawing and the result has been an Agnes that more consistently looks like how I want her to look. One deliberate change to her appearance has been that her hair is a lot fluffier and voluminous than it used to be, just because a few other peoples’ fanart of her would be like that and I really liked how it looked.

E) Are they someone you would get along with? Would they get along with you?

Hard to say. Agnes has such a defensive, prickly, and particular personality and is so shy and anxious that she’s someone very hard to get along with in general, regardless of who you are. Cass could only ply her through a combination of drunken genuineness and total embarrassment that razor-cut right to her trauma. I don’t think I’d have the...audacious wherewithal to be that blunt with her if we’d just met. The best case scenario is that she imprints on me as a younger trans woman and feels compelled to look out for me because if there’s one soft spot she has, it’s that.

F) What do you feel when you think of your OC (pride, excitement, frustration, etc)?

Pride at the amount of work I’ve put into developing her and crafting her story so far, pride at how it’s been such a rewarding and enjoyable vehicle for getting so much better at art and writing since this summer, and occasionally sadness just because, man, I really let her fucking have it sometimes, huh.

G) What trait of theirs bothers you the most?

Her solitary lifestyle made it necessary to find a way to write Cass into the story, just so that there would be some more dialogue while she traveled. She has a lot of interpersonal flaws, her habit of going from totally reclusive and private to hollering mad with no steps in between would certainly be off-putting to me especially. She gets a bad, sad, crying kind of angry, and she doesn’t get there quick but she goes get there suddenly.

H) What trait do you admire most?

She has a dedication to her and a commitment to what she’s good at. She understands the value of stability, good work and a good job. Sometimes this value is so much to her that it keeps her stagnant, and she’s very much a person who’s stuck in their ways in so many regards, but there’s a resilience to her that may not be obvious at first, but that she simply wouldn’t have gotten this far or survived without.

I) Do you prefer to keep them in their canon universe?

Agnes’ story is so tailored to the source material of Fallout: New Vegas that I thought that transplanting her into other AUs would be difficult, but it’s actually been pretty seamless inserting her into the a modern AU with a few friends called Courier House, where instead of being a courier, she kept up her medical training and works as an EMT. That also spun off into a modern zombie AU, which is just fun and tragic in a lot of juicy ways.

I also have a lot of thoughts on an AU in which she makes it to the Commonwealth, in which she’d become Nick’s partner at the eventually-renamed Valentine and Sands Detective Agency, helping to solve cases of burglary and theft, B&E, and advises on various security concerns. She’d also get extremely invested in tracking down missing children. There are a lot of parallels and dramatic development potential between Agnes Sands and Nick Valentine that I’d kill for more time to explore one day.

J) Did you have to manipulate or exclude canon factors to allow them to create their character?

I didn’t have to, no, but I chose to and at least filled in some holes. My theory on transitional health care in the wasteland is all my own (the Followers are the primary manufacturer and distributor of hormones, which can be inefficiently synthesized from Auto-Docs so they’re not impossible to find but are considerably rare) and I’ve taken some liberties in the IKROAH canon so far for convenience, such as Primm never getting taken over by convicts and the Cassidy Caravans buyout offer being a letter at the Mojave Express instead of something she’d have had to get personally from Alice McLafferty later on. Expect a lot more little twists like this in the future.

#agnes sands #ikroah meta

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jcmorrigan · 3 years

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I saw the tag- I am gonna ask you about the crossover universe- (omg I’m literally gushing about this)

OH, IT IS TIME!

So you can find a lot of this on the “What is the WHAM ARMY?” page on my blog – I’ll try to remember to link it; I’m drafting this in a word processor first so I don’t use it. Essentially, this is the universe I’ve created for my fanfic “Taking Back the Crown,” which is about…basically my favorite villains all moving into the same house and trying to take over the multiverse. And then it got lore. And more lore. Because I cannot write anything normal. The fic is nearing its 150th chapter and I’m nowhere NEAR exhausted of all the ideas I want to put in it – it’s just my big playground for hyperfixation fun. Anyway, here’s a rundown of the major points of it!

THE CAST

The main characters are the eight villains who are the founders of the WHAM ARMY. The faction name is an acronym of their first initials. They’re my ultrafaves, the villains I always get fluttery heart for, and probably the biggest collection of losers you can imagine. I’ll put them in order of the acronym and give you some background on how each entered the team.

Wuya (Xiaolin Showdown) – So the connecting factor between these people is that Mozenrath (his name is a few slots down) is their team leader and the one who decided to build a team in the first place. Wuya was recruited when Mozenrath found her puzzle box in an ancient vault. This is set post-series for XS (and Chronicles is not at all canon), so what had happened is in the big Showdown right after Raimundo was named team leader officially in the finale, the Xiaolin Monks won ALL the Shen Gong Wu to their side and stuffed Wuya in the box. So Mozenrath found her and let her out so they could be pals. A magic potion let her regain human form fairly early on, and her power isn’t even nerfed either the way Chase Young would’ve done.

Huntsman (American Dragon: Jake Long) – ADJL is also post-series in this timeline. Mozenrath has the power to resurrect people from the dead at will because he’s memorized an ancient and incredibly complex ritual that he can execute mentally (note that this means you can remove this ability from him by tampering with his memories). The Huntsman was resurrected so as to show Mozenrath around the old Huntsclan vault (which is where they found Wuya’s puzzle box). No other Huntsclan member survived the purge except Rose (and 88 and 89, but they don’t count and aren’t in this story), so the Huntsman is starting from square one.

Ayam Aghoul (Aladdin: The Animated Series): Basically just got sick of losing. He’d teamed up with a few other rando Aladdin rogues to try and pick a fight with Maleficent, and she sent him packing. So he ended up finding one of the few residents of the Seven Deserts who was powerful enough to match him AND had a similar grudge against Maleficent.

Mozenrath (Aladdin: The Animated Series): The man of the hour and the creator of the entire team. He starts the fic by crashing Maleficent’s KH Disney Villain alliance and trying to add himself to it, but…ends up being such a disrespectful nuisance that Hades just drags him straight down to the Underworld. That moment inspired him to get his OWN band of friends and start making a name for himself.

Archibald Snatcher (The Boxtrolls): Met Mozenrath in the Underworld after his death in film canon. Annoyed Hades one too many times by claiming that he wasn’t actually supposed to die, seeing as he isn’t allergic to dairy (he is), so Hades threw him in the same cell as Mozenrath and…

Roman Torchwick (RWBY): I started writing this fic in 2016, immediately post-V3, so it’s canon-divergent after the last episode of V3 (but I got all the later-game characters to show up eventually). Which means Roman is ALSO dead at the start of this fic. He ALSO comes storming up to Hades insisting he’s not even supposed to be dead. At the same time as Snatcher is already pestering him. Which is how Mozenrath, Snatcher, and Roman end up in the same jail cell in Tartarus and get the idea that maybe they should break back into the world of the living and try to build something BETTER than what any of the three had beforehand.

Mad Madam Mim (The Sword in the Stone): Mozenrath, immediately after breaking out of the Underworld, attempted to take over Arthur’s kingdom by just walking in and throwing magic around. It backfired horribly when Merlin showed up. But then Mim showed up to counter Merlin and realized that maybe she had a potential friend here who was as blackhearted as she.

Yzma (The Emperor’s New Groove): Post-TENG, no KNG or TENS (but I reference things from TENS every now and again). Merlin turned Mozenrath into a rat, so Mim brought him to Yzma’s Secret Lab to change him back. There, they found Yzma as a cat, and she so desperately wanted out of her living situation that she added herself to the team. She was also restored to human form shortly thereafter.

There is a potential ninth member of the core in the form of Vexen (Kingdom Hearts). KH is canon-divergent after DDD and basically ignores almost every game that comes out after Fragmentary Passage. Vexen, as Even, was trying to integrate into life as a hero in Radiant Garden, except everyone annoyed him way too much, so he decided to go be with people that would give right back any insults he dished out. And then realized he was much happier being on the evil team and doing mad science with no ethics. However, he will not be promoted to the upper ranks because 1. it would spoil the acronym and 2. he is unanimously agreed-upon to be the biggest wet blanket of the group and nobody wants him at the founder parties.

(Imagine my disbelief when the actual canon arc for Vexen was THE REVERSE ONE IN WHICH HE JUST DECIDES TO GO LIVE AT RADIANT GARDEN AND NOT BE ANNOYED BY ANYTHING and that’s why JC doesn’t like Kingdom Hearts III)

Anyway, this crew is a bunch of silly friends who enjoy partying, singing, dancing, drag, indulging in vices, causing mayhem, taking over cities, arranging for mass murder, piecing together smear campaigns…but they’re all pretty much ride or die for each other. And that goes double for the ships of the set: Mozenrath/Huntsman, Mim/Aghoul, Wuya/Yzma, and my favorite ship to end all favorites, Roman/Snatcher (RedHatBlackHat is the ship name).

From there, you have a B-Squad of, like, seventy other people based on my faves. Nonnie, I know you saw this because of Vincent Edgeworth, Victor Blake, and Albert Krueger, and they are three of COUNTLESS examples. It’s a found crime family that keeps getting bigger as I get more fave villains and there’s hardly a rhyme or a reason. Currently, they live in a floating fortress designed when they stole Terra Cyclonia (Storm Hawks) and hefted it out into the aether between worlds with crystal technology.

They have a rival hero faction in the form of the Cinnamons: a gathering of people who they’ve wronged who turned out to make pretty good friends themselves. While the WHAM ARMY are the villain-protag team that you feel slightly bad loving the escapades of, the Cinnamons are the rainbows, fluff, sunshine, (secret crippling depression and anxiety), and pep-talkers of the multiverse. They’re the deuteragonist team as opposed to the “villains” of the story. They also have eight “leaders,” but they were picked up a little less quickly than the WHAM ARMY founders, instead coming together over the span of a much longer quest. These people are:

Sora (Kingdom Hearts): Heart of the team and the person who pulled them all together, because Sora loves everyone. He, Riku, and Kairi witnessed the WHAM ARMY wreaking destruction on both Radiant Garden and Disney Castle, and Sora decided no one gets to treat his homes-away-from-home like that and get away with it! Between Mozenrath and the still-looming threats of Maleficent and Xehanort, he’s now collecting pals from all worlds to fight against evil and do as much good as they can do! (While having sleepovers.)

Ruby Rose (RWBY): Before she, Nora, Ren, and Jaune could get into Mistral, Sora interrupted them on their path and directed them right back around to Vale with the news that Roman Torchwick was back in action. After an incident involving the Destiny Trio and Team RNJR having to team up and actually kill the massive Grimm unleashed in the V3 endgame, they all headed out to Radiant Garden together to continue their mission.

Papyrus (Undertale): Sora found him while exploring worlds and they clicked immediately as pals. Then the WHAM ARMY, who was living in Mt. Ebott at the time, sparked an anti-monster racist sentiment through the town, and Papyrus was advised to leave the world for his own safety, so he went traveling with Sora.

Stork (Storm Hawks): Maleficent, who is also an active player in this game, made a power play by destroying the Condor with the entire Storm Hawks team onboard while they were on the Far Side of Atmos (post-series). Stork, believing himself to be the only survivor, attempted to take his own life – only for Sora to show up just in time and offer him something better: hope that his friends survived, and new friends to tag along with until they could prove either way.

Jasmine (Aladdin): The Cinnamons came looking to Agrabah for more information on Mozenrath. When Jasmine heard he was causing chaos, she decided to get personally involved.

Katara (Avatar: The Last Airbender): Post-ATLA, no LoK. Sora made a trip to the Fire Nation to see if he could head off the WHAM ARMY’s latest scheme, and ran into the Gaang along the way. After helping Katara, Aang, and Zuko protect the Fire Nation from a very near miss, Sora invited them to come travel with him. Only Katara accepted at first, the other two wanting to clean things up on their homeworld.

Kazuichi Soda (DanganRonpa): Post-SDR2, no DR3. Xehanort requested Izuru Kamukura be used as a vessel, and Kazuichi went in Izuru/Hajime’s place so his buddy didn’t have to. But the first chance he got, Kazuichi turned and ran from the Castle That Never Was…where Sora had just crash-landed. Kazuichi patched up Sora’s ship, and immediately became part of his crew. (Worth noting: in this AU, the Remnants of Despair were never brainwashed and were completely aware of what they were doing. Kazuichi is basically a redemption story, trying to be a better person to make up for the hell he caused. Also, while on the Despair side, he’d hacked off his leg to sew Junko’s in its place, disabling himself – that leg goes through an arc regarding what prosthesis is in its place.)

Rapunzel (Tangled): After the Vardaros arc of S2 of Rapunzel’s Tangled Adventure. Rapunzel was targeted by the WHAM ARMY because she was essentially a living MacGuffin for one of their spells. Sora showed up, and Rapunzel decided to go along with him for safety AND fun, leaving Cassandra to continue the pilgrimage to the Dark Kingdom. (Wrote this before KHIII was out. And before the Evil Cass twist.)

And just like the WHAM ARMY, these folks have a huge B-squad that lives in the Radiant Garden castle and helps them deal with the various tragedies they have to clean up after. Riku, Kairi, and Jaune Arc in particular get a decent amount of stage time.

As you can see, Maleficent (Sleeping Beauty/Kingdom Hearts) and her forces are another big set of chess pieces on the board! After she sent Mozenrath to gay baby jail and it didn’t stick, she’s been trying to continue plans for domination as usual but ALSO wipe the WHAM ARMY off the face of the multiverse. She, Jafar (Aladdin), Ursula (The Little Mermaid), and Hades (Hercules) all came straight here from KH. But I’m working to model that team’s inner circle on the team in “Quite a Glittering Assemblage,” the sister fic by gavillain (it’s basically this premise but Maleficent gets a team to start instead, but similarities end there, his is a whole different, fresh, and fun flavor). I’ve just gotten all these characters intro’d instory, but the other biggies are Loki (Marvel – I based him in the Cinematic Universe but he’s kind of just an amalgamation of Lokis), Dr. Doom (Marvel), Captain Hook (Once Upon a Time), Russell Edgington (True Blood), and Fish Mooney (Gotham). Currently, they operate out of the Forbidden Mountain in the Enchanted Dominion.

There’s also a very new addition as of the 140’s chapters: the Heathens. This is a squad of villains with moral lines in the sand (and some antiheroes or corrupted heroes). Basically, these aren’t your killers for fun. These are the people who steal candy from the gas station and think they’re slick, but the point is they’re enjoying themselves so just let it happen. The four founders of this one are Harley Quinn (DC – based on The Batman but an amalgamation of Harleys that leans sympathetic), Yang Xiao Long (RWBY), Giovanni Potage (Epithet Erased), and Velvet Crowe (Tales of Berseria). Currently, they operate out of the old mansion in Twilight Town.

The Xehanorts are here, and that team is largely who you think it is – though I stripped away Vexen, Demyx, Marluxia, Larxene, and Luxord in order to replace them ALL with Xaldin. More crossover shenanigans to come on this front. This team isn’t very active – they’re waiting for the Keyblade War – but they’re operating out of the World That Never Was.

There’s also another side villain faction: the Morbians, led by Mirage (Aladdin: The Animated Series). These are the demons of fear, the stuff that lurks in your nightmares, and…the villains I really like but who I don’t quite think fit in with the WHAM ARMY or any other more prominent group. But to give you an idea of what the flavor of this team is, she’s recruited not one but TWO Boogeymen – Pitch Black (Rise of the Guardians) and Oogie Boogie (The Nightmare Before Christmas).

There will be more villain factions to come, and I kind of want to splinter the Cinnamons to multiple bases as well. Obviously it’s easier to split villains up because they’re fun to write at war with each other – when I have hero teams come up against each other, usually they end up becoming best buddies instead of fighting, and that’s how I like it, but that’s why there’s just ONE BIG HERO TEAM as opposed to the many villain squads rattling around.

THE SETTING

So as you have probably gleaned, the multiverse setup is largely based on Kingdom Hearts, which is one of my favorite things (in the KH1 through Fragmentary Passage era anyway). There are many worlds that can be visited either by Gummi Ship or Corridor of Darkness. Basically any evil-aligned sorcerer can use Corridors in this ‘verse – they’ve opened their souls to Darkness and have magic, so they can do so.

The implication is that every world represents a separate “story” or part of one. As in if it’s a work of fiction HERE, it’s a world THERE. Some characters are actually savvy enough to know they’re fictional (e.g. Megavolt from Darkwing Duck, Xayide from The Neverending Story). Most of them aren’t built to handle the news, though, and just shrug it off if told. (No, really, the cosmic order prevents them from taking that news seriously if they’re not from something that regularly leans on the fourth wall anyway.)

But sometimes, things get AU’d in without their full worlds. I was inspired by how Final Fantasy is treated in canon KH, and once I started bringing in more FF stuff by the same method, I felt motivated to do that with MORE fandoms if I felt the characters could be divorced from their settings and histories easily. I’ve done it for most Disney Channel non-animated properties as well as Satellite City (ain’t that the worst combo you’ve ever looked at). I’m planning to do it for Fire Emblem: Radiant Dawn because I’m coming up on a location I want to delve into the civilization of but don’t have many canon characters for, so guess what, you get the FE cast now.

Major worlds or relevant locations in play are the Cyclonian warship, Radiant Garden, Twilight Town, and occasionally the Enchanted Dominion, but we move from plotline to plotline with journeys to many, many, MANY worlds of things I want to play with the settings and casts of. Also, the Cyclonian warship is about to get replaced with another WHAM ARMY base; we’ll get there.

THE STORY

For the first major “book” of TBTC, the WHAM ARMY has found a spell that they think will let them conquer the entire multiverse by giving them control over Kingdom Hearts itself. All they have do to is collect a bunch of MacGuffins that correspond to twelve elements: fire, water, earth, air, light, darkness, life, death, time, space, entropy, and aether. In order to do this, they visit the worlds of KH, RWBY, Avatar, Storm Hawks, Okami, Undertale, Wakfu, The Legend of Zelda, The Neverending Story, My Little Pony: Friendship Is Magic, and many many more. The Cinnamons catch wind of what they’re doing and start assembling. Meanwhile Maleficent is on the hunt for the Book of Prophecies and starts hiring villains on her team as well. After many madcap adventures and some devastating tragedies near endgame, the Cinnamons accidentally put the Book of Prophecies in Maleficent’s hands at the same time that Maleficent finally captures Mozenrath and gets him under heel. The WHAM ARMY and Cinnamons both launch attacks on Maleficent’s forces, and each walks away with what they came for. This is also the part where we slowburn up to the four major WHAM ARMY ships and many Cinnamon ships. In the end, the WHAM ARMY actually gets all the ingredients for their spell, but what they don’t know is it will actually cause the DESTRUCTION of the worlds. So an outside force intervenes (Discord from MLPFIM, who later joins the WHAM ARMY because he wants friends who actually appreciate him as a villain and won’t make him change) to stop them, and the next thing they know, they’re starting from square one.

We’re now in the second “book” of this story. The Cinnamons are gathering up all lost friends – the rest of Team RWBY, the Gaang, the Storm Hawks (who did in fact survive the explosion), the lost KH characters. The WHAM ARMY, on the other hand, is gathering up more villains to bolster their forces for a new evil plan: to conquer the worlds one by one, starting with Atlantis (Disney’s Atlantis: The Lost Empire) and using portals to link to other territories of interest. While the WHAM ARMY is essentially working through a to-do list of what they need before they can launch such a massive invasion, the Cinnamons are finding strength in numbers because the writing’s on the wall that between Mozenrath, Maleficent, Mirage, and Xehanort, things are going to get worse before they get better, and as evil builds, good will need to rise to protect the innocent. As for Maleficent, she’s no longer able to chase the Book of Prophecies, and so, because she’s got Hades, Loki, and Salem (RWBY) there and they’re all like “Even though we’re pretty godlike, we are not that happy with how the gods we knew have run things,” Maleficent’s new goal is to slaughter the gods of all pantheons (minus those in her care) and replace them with her allies.

Anyway, as I had said in the post you saw, Anon – I basically take everything fictional I love and shove it into this AU for daydreams because it lets me imagine my faves having CROSSOVER INTERACTIONS and doing cool epic stuff on a multi-world scale. (But as much as I’ve talked up the epic aspect, a lot of it is just…like…people fucking around and hosting karaoke nights.) Anyway, I hope this gave you a good sense of the madness, and I hope it serves as a reminder to everyone that they can and should just. Make a daydream and/or fanfic universe that’s indulgent as hell. Just do it.

#wham army #tbtc #long post #i considered a read more #but i hate the tiny text on my blog #i need a new blog theme

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rainofaugustsith · 4 years

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Rain Plays SWTOR: Feast of Prosperity Review

On Tuesday SWTOR began a new three- week event, the Feast of Prosperity. After taking canon Viri through the event, I’m sadly feeling...underwhelmed. The premise of the event is that two Hutts, seeking to improve their reputations (and obliquely that of the Hutt Cartel) are staging a huge feast for the “underprivileged” on many worlds. You meet them in Nar Shaddaa and it’s left to you to decide if their motives are altruistic or not. You pick up the event by speaking to the ‘festival crier’ on the Fleet. They are near the elevator on the side of the fleet where you QT in if you use your legacy fleet travel. They send you to Nar Shaddaa. On Nar Shaddaa the event is located upstairs near the GIS headquarters and the area where you start the Republic planetary arc on the Promenade. There are four main mission chains: 1. Cantina rush (has weekly and daily missions. Also has a harder mode) 2. Cooking (has weekly, daily and challenge missions. Also has a harder mode) 3. Gathering ingredients (has weekly and daily missions) 4. Story chain The Cantina Rush mission puts you in control of a hapless astromech serving droid as it tries to deliver meals to tables in the cantina as the patrons scream and pound the tables. There is a timer - if you don’t get the meal to the correct table in time, the customers get angry. The hard mode is less lenient and will fail you on the mission if you miss too many tables. It’s very cute, but if you have ever worked in customer service - particularly as a restaurant server or a bartender - you may not find this mission fun. Because you already know what it’s like to be in the weeds and have belligerent customers bellowing at you.

The Cooking missions are similar to the Nico Okarr Alliance Alert: you have to gather and prepare ingredients around the kitchen and make them into a meal. You’re guided by prompts on screen. The hard mode has a timer on how long you can take to find each ingredient and complete each step; the regular mode does not. This is a good approximation of how Lana and Viri would actually look in a kitchen: Completely clueless. I personally found this more fun than the cantina mission. You can also get a hidden achievement if you throw the food at the customers, which was very satisfying. If you’ve worked in customer service ever in your life, you’ve probably wanted to throw something. Here’s your chance.

For the ingredient gathering missions, you have to go to various planets to defeat specific NPCs for ingredients. The “special request” missions require you to kill world bosses but the others require you to defeat regular creature NPCs. However, there are a lot of players vying for these NPCS, it’s all open world, and thus, this isn’t the most pleasant thing to try to complete. The world bosses cannot be done solo, so one must group for those. There are a very limited number of the mobs needed in open world, which again encourages grouping. I just noped out of these missions. I’m not going to group for World Bosses and I’m not going to spend my time racing other players to get mobs in the open world. The story chain requires you - this week - to go to Rishi to talk to the locals and try to convince them to let the Feast happen there. You get a story nugget along the way: Rishi is no longer controlled by the Nova Blades but by a council of former pirates, etc. who are trying to keep the peace without crime. They understandably don’t want anything to do with the Cartel and don’t want the Cartel’s events on Rishi.

Caption: Jek: We’re all on the up and up now, you see. A respectable local government and all. No criminal rule! Viri: I”m here to promote the Festival of Prosperity. I did honestly feel uncomfortable about this - one gets the feeling the Rishi council is right and the Hutts’ interventions are not noble.

The quest chain requires you to carry out small missions to get on the council members’ good sides. Again, these involve either clickables or mobs in open world in very limited space and quantity. After I saw posts about people queuing up or waiting an hour to do the Rishi quests, I noped out. There is no reputation for the Feast, but you can earn achievements, as well as currency that can be used at the vendor. They have some tables and baskets of food that look as though they would work well if you are trying to create a kitchen or restaurant in your stronghold. There’s a very ridiculous chef’s hat. There are emotes, pets and vehicles, and they seem to be offering a lot. In their infinite wisdom they are also selling an item that allows you to throw food on people. Yup, just like the snowballs and sparkle bombs. Sigh. My overall analysis is that the cantina and cooking games are cute and entertaining, and I’ll shoot for the weekly on them with canon Viri, but I am not going to bother with any of the open world/gathering quests. I’m not super excited about bringing other characters over.

#swtor #rain plays swtor #feast of prosperity #swtor events

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xwickedxspiritx · 4 years

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I have no idea if there’s a subsect of people who both love the Captive Prince novels and the Buffy The Vampire Slayer TV show, but as a person who adores both, I couldn’t get this AU out of my head.

For those who haven’t watched BTVS, it’s a 90s show about a teenage girl who becomes the Slayer -- a young woman who’s gifted extraordinary strength and fighting abilities in order to fend off vampires and other demons.

Let’s say Captive Prince characters exist in this world, in the modern day. I imagine Laurent comes from a long line of Watchers, the (usually male) scholars who are paired with Slayers to guide them. Basically, Slayers are expected to handle the fighting, Watchers usually stand on the sidelines and offer knowledge about demons’ weaknesses or when the next apocalypse will show up.

Aleron and Laurent’s uncle are Watchers, though they’ve never been paired with a Slayer. There’s only one Slayer at a time, and her powers get passed on to the next girl every couple of years (they have short life expectancies, unfortunately.) Auguste is a Watcher-in-training, and he’s totally against the current system. He think it’s unfair for Watchers to expect Slayers to do all the fighting and take on 99 percent of the risks, while Watchers usually sit back, maybe offer some advice, and also make a lot of money while Slayers get nothing.

His opinions don’t really make him popular, even though people are predisposed to love Auguste. They think it’s brave, but other Watchers fear that they’ll actually be expected to share some of their wealth with Slayers, or to take up weapons. But Auguste trains day in and day out, knowing he can’t match up to a Slayer’s superhuman strength but wanting to make himself a partner that could be relied upon.

At 13, Laurent’s dream is that he can follow in his brother’s footsteps to some degree. He hasn’t really started training to fight, since his brother worries he’d get overzealous and try to fight actually fight demons, but he reads as much as he can of demonology lore. Auguste is super proud of him, and they plan that when Auguste gets paired with a Slayer, Laurent will come along and be the brains of the operation.

Slayers fight lots of demons, but killing vampires is their primary fight. Vampires are demons who used to be human but were turned, losing their lives and their souls. They don’t age, but they can be killed with a stake in the heart, decapitation, fire, sunlight or lots of holy water.

The most infamous vampire of the day is Damianos. He and his brother Kastor were once sons of a prosperous noble family in Greece a few centuries back, but a beautiful blonde vampire named Jokaste turned them both. For 300 years or so, they’ve traveled as a group throughout Europe, wreaking carnage wherever they go. I imagine Jokaste would play them off each other, continuing relationships with both at the same time. Damianos doesn’t really care, but Kastor nurses a bitter jealousy.

As vampires, they’re not capable of remorse. Atrocities are commonplace. Damianos delights in finding strong warriors he can defeat and kill, or beautiful maidens he can feed from. Perhaps he’s even killed one or two Slayers.

When they’re sighted in France present-day, the de Vere family goes on high alert. But Laurent’s uncle is scheming. Maybe he’s after powerful, extremely dangerous magical artifacts that the de Vere family has been entrusted with, but which Aleron and Auguste keep away from him.

So Laurent’s uncle makes his move and kills his brother. But he sets it up to look like it’s Damianos who’s responsible -- Damianos, who’s known as one of the most dangerous demons in the world. Vampires aren’t super high on the demon totem pole, but Damianos fights with a skill no other vampire possesses.

Auguste believes the lie wholeheartedly and makes up his mind to go after Damianos. Let’s say the currently Slayer is also a Frenchwoman, maybe a younger Vannes, and they’re friends, though not officially partnered. They go after Damianos, who doesn’t even know, or care, about the de Vere family.

It goes badly. Damianos might not know what’s incensed Auguste and Vannes, but he likes a good fight in any case. He’s delighted, really, that two strong fighters sought him out instead of the other way around -- and he looks forward to killing them.

They put up a good fight, but Damianos is skilled on a level they didn’t expect. He gets a hit on Vannes that knocks her down hard, and Auguste, who’s been disarmed of a sword he was wielding, sees that she’s about to die. And suddenly, through all the grief and pain, he feels selfish.

If Vannes dies, the world loses a Slayer who has experience and hardiness, who could still save so many lives. If she dies, her powers get passed on, but they have no idea who’ll get them next, and Auguste has learned what a terrible burden it is to be the Slayer -- to be forced to give up your life to an often thankless duty.

So when Damianos raises the sword to cut Vannes down, Auguste leaps in the way and takes the blow. He tells Vannes to run, because while he dragged her into this fight for vengeance, Damianos isn’t the biggest fish to fry in terms of saving the world from demons.

Vannes hates herself for it, but she does run. And Auguste resists to the end, but he dies.

Auguste takes his last breath while Laurent struggles to get to him, held back by his uncle. They’ve been in a hidden vantage point. Laurent was so sure Auguste and Vannes would win, and when the tide turns, his uncle holds him back, saying no, Laurent, your brother wouldn’t want you to throw your life away, would he?

So Laurent watches, like the kind of Watcher he and Auguste were so determined to reject. He watches as Damianos looks at Auguste’s corpse without a care in the world. He watches as Damianos licks blood off his fingers and grins with satisfaction.

Damianos leaves France shortly after, and seven long years begin for Laurent. Years where he learns that his uncle doesn’t have his best interests in mind after all. Where he suffers abuse, and realizes that his uncle could care less about a Watcher’s duty -- he’s taking the de Vere family’s dangerous artifacts and selling them to whoever can pay for them. Maybe he’s been in league with, and is scheming to take over, Wolfram & Hart, an international law firm that specializes in enabling demons’ interests. Evil, but pays well.

By the time Laurent’s twenty, he’s a full-fledged demon hunter all on his own. He knows he’ll never have the power a Slayer would have, but he’s trained himself ruthlessly just like in canon. He’s matched that with an encyclopedic knowledge of demonology and the occult that’s unmatched by any other current Watcher.

Of course, Laurent’s uncle campaigns among the Watcher’s Council to convince them that Laurent is unfit for the position, that he’s dangerously obsessed with the vampire Damianos and would only get a slayer attached to him killed. The Council agrees, and even with all of Laurent’s skill and knowledge, he’s never invited to any Watcher business.

So he goes freelance. Laurent tracks and kills demons across France, maybe venturing into other countries as well. He builds his own network with other demon hunters, and gets a reputation of being ruthless and unbeatable.

With him is Berenger, another Watcher-in-training who was friends with Auguste. Maybe he had to leave the Watchers because of his lover -- Ancel, an incubus. Obviously, the Watchers aren’t big on human/demon couples. Then the rest of the gang -- Jord, Lazar, Orlant, etc. Perhaps Aimeric tags along by Jord’s side as a plant from his uncle.

(I wish Captive Prince had more usable female characters that could also fit in with this. Let’s say Laurent has a lot of female cousins from his mother’s side who are badass demon fighters.)

But his uncle wasn’t wrong that Laurent has an obsession. A hatred and quest for vengeance that kept him going through the worst years -- his desire to kill Damianos, the soulless vampire.

But Damianos hasn’t been seen in years, pretty much since the day he killed Auguste. Unknown to Laurent, Damianos got himself in trouble soon after he left France. He kidnapped and tortured Kashel (sorry!) and then carelessly left her body to be found by her clan of powerful witches.

Obviously, Halvik and the rest of the clan are enraged. They resolve to curse him with a punishment far worse than death, something that will make him suffer for the rest of his eternal life.

They give him back his human soul.

Without a soul, Damianos could kill, rape and otherwise destroy without any pangs of conscience. While the demon retained the human Damen’s memories and some parts of his personality, as a vampire he was slave to his basest instincts. His lust, both for fighting and sex, and his lack of empathy for what other people feel and experience.

But when his soul is returned, Damen’s better instincts come rushing back -- his sense of honor, his capacity for love, his belief in fair play and doing the right thing. He’s ripped out of the afterlife and forced to confront 300+ years of senseless violence and brutality, and to remember each person whose life he took or ruined.

At first, he’s lost. He goes to Jokaste and Kastor, but they reject him. Jokaste’s not a fan of his return to morality, and Kastor jumps at the chance to ditch Damen for good and have Jokaste to himself.

Let’s say that for a few years, Damen despairs. What does a vampire with a soul do with his life? He can’t live as a human, because he won’t age, he can’t walk in daylight without catching on fire, and he still needs blood to survive (though now he buys pigs’ blood from the butcher.) He wants to make up for what he’s done, but he has no idea how. He returns to his hometown in Greece, seeking some sort of comfort.

There, he meets Nikandros. He’s a fledgling demon hunter who only started hunting demons because his family was killed by them. Most humans have no idea demons exist, so he got thrown into that world headfirst. No superpowers, but he’s athletic and strategic.

He realizes what Damen is pretty quickly, though he knows nothing of his history. He’s ready to kill him without mercy, since no one’s ever heard of a “good vampire.” But Damen wins his trust -- maybe Nikandros gets outnumbered in a fight, and Damen swoops in to help him. Eventually, they team up, and Damen finds a new purpose -- and a means of redemption -- in fighting other demons and keeping innocent people safe.

Meanwhile, Laurent’s pissed that in seven years, there’s been no new sightings of Damianos or any word on his exploits. Damianos was never one to hide, so it’s baffling that he basically disappears. Laurent never considers that he might have been killed -- he saw for himself just how good he was.

As much as he wants to devote himself to hunting Damianos down, there’s the rest of the world to worry about. He also knows that if he confront Damianos too early, he’ll throw away his life for nothing. So he keeps training, keeps killing other demons, and tries not to think about the countless other victims Damianos surely must be racking up.

Suddenly, he gets word that a potential apocalypse might be happening soon in Greece. Vannes died about a year after Auguste (though she lived to save the world a few times in that period), and currently there’s a very new Slayer in Mexico who’s pretty untrained. Still, the Watcher’s Council wants to send her anyway, fairly unconcerned with whether she dies or not, since a new one will just take her place.

The new Slayer’s Watcher just died, and she hasn’t been assigned a new one. Laurent’s uncle volunteers him for the job, saying that since Laurent’s always wanted more of a role, this is perfect. The Council agrees, though of course they all figure Laurent and the Slayer will probably die.

Laurent knows what his uncle is up to, but he wants to go. Even if the risk to his life is greater than ever before, he knows it’s what Auguste would do. The new Slayer is just fifteen years old, and he won’t leave her alone to face the end of the world. He’ll train her to the best of his ability, then fight by her side. His team agrees to go as well, because despite the odds, they believe in Laurent.

So this sets Laurent on a collision course with Damen. I imagine that Laurent sets up camp in Athens, meets the Slayer, grows very attached, and starts training her. They don’t have much time, only three months before a potential apocalypse -- the world falling into hell, etc, etc.

Damen and Nikandros have also heard of the coming apocalypse, and naturally they’re also determined to prevent it. But when they arrive in Athens, they hear that the Slayer’s in town. And she’s not alone -- she’s got a whole team that fights beside her. For a Slayer, that’s pretty unheard of, and Damen is shocked -- he’s known (killed) a few Slayers, and they were always, always alone.

So he’s curious. He’s not stupid enough to make his presence known when the Slayer’s around, but he starts lurking a bit, tries to learn more about her and her team. Eventually, he catches them fighting a group of vampires.

He can tell the Slayer has a lot to learn. Even with superhuman strength and agility, she’s hesitant, doesn’t move confidently in a way that could really harness that power.

But he sees someone who does fight with confidence, even arrogance, who moves like quicksilver even though he has to be a normal human.

He sees Laurent, and a part of him’s already in love.

But he recognizes that scent. He sees the resemblance between the younger brother and the older, who he remembers all too well. Even though Laurent was hidden, Damianos knew he was there that night. Yet even as a vampire, he had no interest in hurting children.

Damen sees Laurent, the Slayer and the rest of the gang kill a dozen vampires like it’s nothing. He’s never seen teamwork like that, except for maybe him and Nikandros. It’s obvious that Laurent’s the leader, and Damen is possessed with the overwhelming, but futile, urge to know him, to understand what’s in the mind behind that golden hair.

But Damen knows he has no right to know anything about Laurent. Even with Kastor’s rejection of him, he still loves his brother. Killing a person’s brother is not something you forgive. Even though Damen and Damianos aren’t truly the same person, Damen still carries a deep guilt for everything Damianos did in his skin.

All the same, he can’t resist lurking a bit more, just to get a few more glimpses of Laurent in battle. He gets a bit stalkerish, finding out where Laurent’s team is camping out, getting an idea of each member and their fighting style, their personality. Of course, he’s also fighting demons with Nikandros. Let’s say that as the apocalypse gears up, more and more demons are drawn to Athens, so it’s a fight just to keep the city from burning down in the meantime.

It’s inevitable that their paths cross for real. Laurent, still a bit solitary at heart, goes on long walks by himself to think and to drink in the local history and art. One night, he’s set upon by several demons eager to rid the town of him. Damen had also been following Laurent at a distance, curious about what he did when not fighting.

Laurent’s armed, but only with a small dagger. Damen watches him fight three or four demons singlehandedly and is impressed yet again by his skill and versatility. But he realizes that it’s not enough -- Laurent’s going to at the very least get badly injured during this fight.

Even knowing it’s a bad idea, that he’s basically signing his death warrant, Damen rushes in to save him. He fights off the demons easily, having enhanced strength that Laurent can’t match with any amount of training.

Laurent, on the ground and bleeding, can’t believe his eyes. Damen, like the sweet idiot he is, offers to help him back to their camp, thereby admitting that he’s been aware of Laurent and his location this whole time.

Laurent lunges at him, overcome with rage, but he passes out from his injuries. So Damen does what he promises and takes him back to camp. Laurent’s team is surprised, horrified and even a little amused at this infamous vampire carrying Laurent in like he’s something precious, setting him down softly and then escaping before they can stop him.

When Laurent wakes up, he thinks it was a dream. But he saw it himself -- Damianos is really back, and Laurent has no idea what he’s playing at. Did he hunt Laurent here, wanting to kill him for some reason? Why didn’t he take the chance he had?

Laurent decides it’s Damianos’s typical MO -- he wants a good fight, and Laurent was too injured to be interesting enough to kill. But he recovers, and now he’s ready. Damianos is in Athens, and so is he, and their battle will come any day now.

But instead, Damen starts jumping into Laurent’s fights whenever it looks like things might take a turn for the worse. He even helps the Slayer once or twice when she’s caught alone by a pack of demons. Nikandros thinks he’s an absolute moron, and he rightly deduces that, despite all common sense, Damen has feelings for Laurent and wants to be close to him any way he can. More than that, he just wants to help Laurent, to make up in some small way for the harm he caused him.

With each friendly save from Damen, Laurent grows more and more incensed. He’s convinced Damen is playing some sort of game with him, although that was never Damianos’s style. Again and again, Damen helps him and his team. Sometimes he’ll even show up with tips about a new demon in town, or something about the swiftly approaching apocalypse.

It comes to a head one day when Damen and Laurent are both captured by a witch who wants to use them for some nefarious ritual. They’re chained in a cellar, out of each other’s reach but forced for once to stay in the same room, able to see and talk to each other.

At first, Laurent wants to ignore Damen. Being in the room with his brother’s killer, and not distracted by an imminent fight to survive, is almost too much for him. But then he takes the chance to pour all the invective he can on Damen, his tongue the only weapon he currently has.

Damen takes it all silently. And when Laurent’s spent, when his grief chokes him, Damen tells Laurent that he knows he can never make up for what he’s done. That he’s been selfish to force his presence on Laurent during those fights. He’s honest, so he tells Laurent how much he admires him. Not for his looks or even just his fighting ability, but for the way he guides and protects the Slayer, the way he looks out for his team.

Because he just can’t stop himself, because some part of him still craves for Laurent to see him in a positive light, he also tells him about the curse. That the Damianos he knew is gone, and that Damen carries his sins but is not that same demon.

Laurent still thinks it’s a trick. He’s forced to rely on Damen to get out of the witch’s cellar, but when they’re free, he challenges Damen to a fight. No holds barred, in which victory means death for the opponent.

Damen agrees, because he feels it’s what Laurent is owed, that chance to take out his rage. And a part of him that sounds too much like Damianos is eager to feel for himself Laurent’s prowess for battle.

So they fight. Laurent gives it everything he’s got, everything he took seven years to build. Like in canon, it isn’t enough. Damen doesn’t hold back, respecting Laurent’s anger and skill too much.

But when it comes time for the final blow Laurent’s expecting, looking up at Damen in hatred, it doesn’t come. The monster Damianos, the soulless vampire, has a look in his eyes that Laurent can’t fathom.

Damen tells Laurent that if he wants to take his life, he’s earned it through the suffering Damianos caused him and so many others. But Damen doesn’t want to see the world end, and he knows that Laurent needs him to stop the apocalypse. The Slayer, though improving in leaps and bounds through Laurent’s tutelage, can’t be expected to take on the end of the world by herself. And she isn’t yet the partner that Laurent needs -- that Damen can be.

Laurent’s tempted to take up his weapon again and cut Damen down from behind, but he’s also realizing that the apocalypse is coming too soon, and he, his team and the Slayer might not be enough. Damen, however, has 300 years of experience with demons, has seen apocalypses from a distance and is surprisingly intelligent behind all that muscle.

He accept Damen’s offer, as painful as it is. He’ll work with Damen (and begrudgingly, Nikandros) to stop the apocalypse with the help of the Slayer. But when it’s over, they’ll fight again, and Laurent will win. He’ll kill Damianos.

In the month left before the end of the world, they’re together constantly. Laurent doesn’t take this gracefully, using his vicious tongue against Damen at every opportunity. But Damen sees how he is with the Slayer, how he’s strict but gentle in teaching her. He falls in love with Laurent even more.

For Laurent, it grows harder and harder to deny how, at least professionally, Damen completes him, makes him a better hunter. His eye for strategy finds what Laurent misses, and his strength and skill in battle still manage to shock Laurent sometimes. Again and again, Damen saves his life, and against his judgment, Laurent saves Damen’s life too. They become the scourge of the Greek underworld.

When the apocalypse comes, they’re ready. It’s not easy, but they stop it, and they all manage to survive. Damen grins at him, and Laurent can’t stop looking at him.

When it’s over, they fight again, one on one. This time, Laurent really does win. Over the past month, he’s watched Damen like a hawk, partly for any hint of betrayal and partly because he just can’t figure him out. He’s starting to believe that Damen really did get his soul back, but if that’s true, what does that mean for Laurent? Damen’s still a vampire, still wears the face of his brother’s killer.

But Damen’s also the one who fought by his side like no one else ever has, ever could. He talked with Laurent through the night, planning and strategizing, making up for what Laurent overlooked. Damen, a vampire, helped Laurent train the Slayer, his natural enemy.

So with the blade at Damen’s neck, Laurent stops. It’s the most difficult thing he’s ever had to do, but he lets his anger go. As much as he hates Damianos the vampire, he’s seen Damen the man beneath the monster, and he can’t kill him.

The Slayer returns to Mexico, and she asks Laurent to return as her full-time Watcher. The Council isn’t happy about it, but it’s hard to argue after his stunning success.

Laurent’s team is on board to go with him. And Damen says, well, he’s never been to the Americas. (Nikandros, ever-suffering, goes with them, too afraid to leave Damen to Laurent’s mercy. He’s the only family he has left.)

After that, it’s slow but inevitable. Damen and Laurent come together, helpless to do anything else. For the first time in Laurent’s life, and even Damen’s centuries-long existence, they both feel they’ve found a true partner they can trust. A person they love more than they thought possible.

On the night of Laurent’s twenty-first birthday, they consummate that partnership. It’s a moment of true happiness for both of them, for two people who felt unworthy of that kind of happiness, who thought they’d never find it again after all they’ve lost.

But the curse that returned Damen’s soul wasn’t full-proof. He was meant to suffer, to never find a moment’s rest under the burdens of his guilt. Finding happiness with Laurent changes that. It breaks the curse.

He staggers out of the room as Laurent sleeps peacefully. Damen tries to cling to his soul with everything he has, but the pull is too strong.

When Laurent wakes up, he’s alone. At first, he’s irritated, then he’s afraid that Damen’s run off to some fight. A day passes, and he can’t find him everywhere.

But Laurent’s network has started to whisper. The whole underworld beneath Mexico City is buzzing.

And it says, Damianos is back.

Laurent loses his lover, his partner, and is faced again with his brother’s killer. A soulless vampire who remembers the last eight years with disdain. Who’s obsessed with Laurent, which isn’t exactly new, but now sees him as the ideal target -- someone he wants to defeat in every way possible.

To make things worse, Laurent’s uncle shows up. An extraordinarily powerful artifact has been unearthed in Mexico -- Acathla, a demon turned to stone centuries ago, who if reawoken can swallow the world into hell.

Laurent’s facing his uncle on one side and Damianos on the other, who’s joined up again with Jokaste and Kastor. He knows that with Damianos returned, he finally does have a chance at true revenge -- and yet now, when he looks at Damianos, all he sees is Damen.

Laurent takes down his uncle and his whole network of smugglers before he can sell Acathla to the highest bidder. But at the last moment, Damianos sweeps in and steals Acathla right from under him, killing Orlant in the process.

Now, it’s do or die. If Laurent doesn’t fight Damianos and kill him, he could use Acathla to end the world. For months, he’s scoured every possible resource for knowledge on the curse, something that could bring Damen back.

He thinks he’s finally found something, but it’s badly translated and Laurent doesn’t have the gift for magics that it would require. Ancel pulls out a precocious young witch, Nicaise, that he says he can do it, but Laurent says no. Magic is dangerous, especially a curse on the level of Damen’s, and he doesn’t want a young teenager taking that risk.

So he steels himself and goes to face Damianos. When Jokaste and Kastor stand in his way, Laurent manages to kill Kastor, and Jokaste makes her escape. He’s left with Damianos, who’s enraged at his brother’s death. Damianos, despite himself, also hates Laurent for the emptiness inside him, the hole left by the love Damen felt for the human.

Except that emptiness loses him the edge Damen always seemed to have. Once again, Laurent has his blade against the vampire’s neck, the neck of his enemy and his lover.

Of course, Ancel and Nicaise didn’t listen to Laurent when he told them not to try the curse. It’s hell on Nicaise, and probably opens some doors he can’t close again, but the power passes through him -- and it works.

Laurent sees a light go back into Damen’s eyes, right as he’s bringing down his sword. He can’t believe it -- he’s too afraid of being wrong -- but Damen gasps, falls to his knees and looks at Laurent like hasn’t seen him in years. The curse hits him like a train, and he doesn’t remember Acathla or losing his soul.

For the first time in months, Damen’s arms are around Laurent. There’s a kiss to his hair, to his forehead, and then to his lips, and Laurent finally allows himself to hope.

But when he opens his eyes again, he sees what Damen can’t -- that Acathla’s eyes are also open. He’s awake and ready to suck the world into hell, unless the one who awakened him is sacrificed into that pit first.

And Laurent finally understands what his brother felt in those last moments. What every Slayer knows. That duty comes before everything, before love and before life.

So he kisses Damen one more time. He tells him, for the first time, that he loves him. And he tells him to close his eyes, knowing he will, because Damen trusts him without reservation.

In a mockery of all the times he could never do it, Laurent’s blade goes so easily through Damen’s heart, pinning him to Acathla. He looks into Damen’s shocked eyes as the vampire is thrown into hell. The portal closes with a snap.

Laurent is alone.

(If you are a BTVS fan and you’ve seen season three, you know how this goes. Damen will return from hell by some act of god or devil, throwing Laurent into turmoil again -- after everything, what would it mean to forgive Damen for a second time? But unlike with their counterparts Angel and Buffy, I like to think true love conquers all in their case.)

#captive prince #laurent of vere #damen #damianos #buffy the vampire slayer au #lamen

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electronicdelusionstarlight · 4 years

Text

We need to talk about Project AHO

Project AHO is a DLC sized quest mod for Skyrim. It has 6500+ endorsement, and almost 118K unique downloads, and promises to add a hidden Telvanni settlement, 40+ new locations, 20+ fully voiced NPCs, new perks, new weapons, a new house, all dwemer or telvanni themed, and a non linear main quest with more than 12 side quests added in.

It's also, to use a particularly abused word as of late, fucking problematic.

The Mod Page doesn't mention many details about the mod, but it sure loves to point out how complex and varied the NPCs AI is, almost like real people with real moralities and real routines.

Anyway, Due to probably a bug (Mod is not supposed to not start till level 15) and the fact the abandoned prison is close to the place where you can trigger the mod, I barelly started a new Skyrim game and gotten Kaidan as we got out of prison together, before I was REMINDED FORCIBLY just why I couldn't stand this mod in the first place back in 2018.

So, small nitpick first: the game (should) suggest you at level 15 to free your followers before going to Mixwater Mill since they may cause bugs if they are mixed in the mod. This is bad for roleplaying reason since why would you logically decide to go there alone (want to buy some wood for your new house and you want to surprise them, so they wait you home?), but I would get beyond it if the rest of the Mod hadn't been... about that.

That being said, here's the meat of the issue:

If you reach the Mill after level 15, possibly with no follower, a Orc will approach you. Exiting his dialogue will only trigger the end of the scene early, he's essential, and whatever you do, whatever happens, whatever you say to him about his quest, what happens next is unavoidable.

He starts to hype you up with Trinimac and Daggerfall lore, which got me pretty excited at first when I played the mod for the first time, since, again, they only mentioned this being about a Hidden Telvanni settlement built over a Dwemer Ruin in the rift, so I thought the mod was going to be about the Boethia - Triminac Vore and Scat party that gave us the Dunmer and the Orcs, at least tangentially, so I go for the excited, eager to help dialogue route with him as he talks about epic quests and shit, except after we reach the last line, he goes something like "actually, this was all a diversion for having my mates sneak behind you and knock you out."

You are knocked out. No one can help you, you can do nothing to stop it, you can't even fight or talk or teleport your way out of it. It's scripted and it's unavoidable.

Next thing you know, you wake up in a cramped cell in prisoners rags, a mind control amulet at your neck, and 4 other prisoners.

Which is when the slave auction starts.

Project AHO is a mod about slavery. Is a mod about the Last Dragonborn, away from their loved ones, is tricked, ambushed and captured by a secret settlement of Telvanni wizards, before getting sold at a fucking slave auction.

And then, after all is said and done, after you’ve literally getting enslaved by Neloth 2.0, forced to fulfill tasks for him as the game, very pointedly, tries to make you empathize with this FUCKING SLAVERS via side quests (Oh, the daughter of the local hunter wants to travel the world and have adventures, and you can have a nice and friendly pint of beer with the fucking SLAVE CATCHER that captured you, and you meet another slave who didn’t get his tongue cut out, unlike most of the other ones in the bloody place, how nice, how fucking human of them), the game has the fucking AUDACITY to have the fucking leader of the settlement free you (not out of anything, but because your master is doing shady shit on the side and has kicked you out of his mansion after the last task), and then go, after you understandably ask why the FUCK shouldn’t you burn the place to the ground: “Oh, but slavery is such an important and integral part of our culture and economy, we dunmer will never change and will always have slaves so why should you bother, you are free now!”

This mod. In a escapist fucking game such as Skyrim. Is bad. Is REALLY bad.

Even putting aside the obvious lore reasons (Morrowind abolished slavery 200+ years ago under House Hlaalu, and even if they lynched them for it they are STILL not having slavery today), or the whole “Ah, the empire and the thalmor and the stormcloak know about this and they support us behind the scenes, in fact some of them partecipated at the auction you were on, there is a prosperous slave trade all over Tamriel!” bullshit, the whole thing is:

1) IN POOR FUCKING TASTE.

2) SERIOUSLY, WHO THE FUCK WANTS TO PLAY THIS? SLAVE SIMULATOR FOR HALF THE QUEST MOD, GO DO MINDLESS FETCH QUESTS FOR YOU MASTER, YOU’RE NOT ALLOWED TO DO ANYTHING BY YOURSELF, YOU HAVE TO CLEAN THE CELL OF ANOTHER SLAVE THAT COULDN’T SURVIVE HIS EXPERIMENTS, THIS IS FUCKING BAD.

3) THE FUCKING... MIND CONTROL AMULET ROBBING YOU OF ANY AGENCY? YOU CANNOT KILL NOR ATTACK NOR DO ANYTHING TILL YOU REMOVE IT AND YOU CAN’T REMOVE IT TILL HALF THE GAME SO WHAT WAS PRESENTED AS A “NON LINEAR MAIN QUEST” IS ACTUALLY A RAILROADED BULLSHIT TOWARD A MAJOR CHOICE BETWEEN RAZING THE SETTLEMENT TO THE GROUND WITH A SPACESHIP OR LETTING THE SETTLEMENT BE (YOU KNOW, CLASSIC BETHESDA MORAL DILEMMA, EXCEPT THE SETTLEMENT IS FILLED WITH SLAVERS AND SLAVES)

Which is sad because the aesthetic and some of the shit added to this are pretty cool overall, there is a “Dwemer Chess Board” thing that is missing some pieces that you can collect through the settlement and after you get them all and place them on the board you get a perk on team fighting, which would be a nice thing to have in a mod if it wasn’t for, again, the FUCKING SLAVERY!

Like, fuck, just imagine the slave auction:

Scripted scene, you can’t do anything, you are marched with the other slaves to a stage, the orc guy is the auction master, he sells:

1) The first slave, a vampire, to your future master.

2) Then an argonian young woman (”Plucked fresh from the windhelm docks” they say, and they sell her to some noble dude as his “new handmaiden,” which is SO FUCKING CREEPY ON SO MANY LEVELS LIKE... Even if you put aside the prospect of knowing her from the docks both in and out of universe (There is a potential Argonian spouse at the windhelm docks after all), this is bad? SO SO FUCKING BAD? BY ALL POSSIBLE ANGLES?)

3) Then they can’t sell a 50 year old argonian dude so they go “remove lot number 3 from the auction blog) and they gut him right in front of me??? By then going “he’ll make a good purse” because HOLY FUCK?????

4) Then you get sold in a auction battle between Neloth 2.0 but shittier and the local blacksmith, both locals (this, again, after mentioning that if you get sold to a local they’ll cut your tongue out), and you then get sold to Neloth 2.0 but shittier...

You can’t fucking stop any of this. You can’t do a “destroy the dark brotherhood” questline, you can’t prevent the kidnapping, even if you go out the city, some dumb magic will stop you from revealing its location to the competent authorities, who, again, are actually in cahoots with the slavers, so it’s not like they’d help!

And the mod clearly tries to make you, again, empathize and understand the fucking SLAVERS and their fucking position as SLAVERS like some BULLSHIT because fucking CENTRISM or some shit and REALLY?

So... to end this shit: Project AHO? Is some sort of weird, borderline feticistic mod about dunmers still being slavers and fucking rolling with it. It breaks canon and lore (after presenting itself as a mod that explores and faithfully depicts the lore), has a very railroady main quest after, again, mentioning its non linear path, and, agAIN, TRIES REALLY HARD TO MAKE YOU EMPATHIZE WITH THOSE BASTARDS.

So, I give it a 2 BB8s out of 10 for the dumb star wars reference companion, if you want to play it be fucking warned by its content.

#skyrim #elder scrolls #project aho #critical #tes #telvanni #tw: slavery

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cosmiciaria · 4 years

Text

Assassin’s Creed: Syndicate Review! (spoiler free - long post)

It's done! I finished my first AC game ever! And I loved it!! YAAAY!!

First things first: this is going to be an honest review. I liked the game, A LOT, more than I expected, actually, but it has flaws. Not many that I could find personally, but it has. But before I delve deeper into it, let's have an overview of the game.

AC: Syndicate is the ninth?, installment in the Assassin's Creed franchise. It's a sequel to Unity, that came out just a year before, but you don't need to play any of the other AC games to plunge into this one (or any of them, to be honest), since each game tells a self-contained story. If you've been living under a rock for the past decade or you don't know a thing about videogames, Assassin's Creed games follow a character in the present time, joining the Order of the Assassins, warriors and masters of stealth that have been at odds with the Templars since time immemorial. The Templars desire the pieces of Eden, magical artifacts created with ancient technology by the Precursors, gods and goddesses that somehow bear the names of the Roman pantheon members. These pieces of Eden are extremely dangerous in the wrong hands, but have been long lost to the folds of History and withered pages of books. The Assassins must find them in today's world, through the genetic memories buried within the DNA of the descendants of the Assassins that at some point in History have come into contact with those artifacts.

Well, that premise is true for all Assassin's Creed games. This time, we're following the same initiate we met during Black Flag and Unity, if I'm not mistaken. The previous games have followed Desmond Miles, an actual character with a face, but in these "in-between" installments, the initiate is a faceless placeholder for the player to incarnate them. But, to be honest, the present timeline is, uh, what's this word…

BORING.

Nobody cares what's going on in the present! Let's move on to the actual plot!

Syndicate takes us to Victorian London! Through the DNA of the initiate we travel in time to 1868, to the middle of the British capital. Our protagonists this time is a pair of twins: Jacob and, lo and behold, Evie Frye. I say "lo and behold" because this is the first official female assassin protagonist that we have in the mainline series of games. Prior to this game, we have Liberation which also followed a female assassin, the real first one, but that game is a spin off and mostly overlooked, since it came out only for the Vita sadly back in the day (although there's a remaster for the ps3!). Either way, all previous Assassin's Creed games (if Syndicate is the ninth, then you got the number) have starred male assassins as their protagonists. In Unity this came to a great peak when in the multiplayer co-op players were unable to play as female avatars, which caused a great ruckus. As Syndicate intended to mend many of the problems players found in Unity, we have now an official, canon female character in the main series! And I say: CHEERS TO THAT!

I MUST address this because it was one of the two reasons why I bought this game. I was never interested in the AC games but I've always wanted this one, because you could play as Evie Frye. As a female cis person, I find the lack of canon female protagonist to be baffling, to say the least (the actual word I'm looking for would be "annoying"). I'm not going to say that I'm forced to play as a male character all the time, because nobody forces me to play any game, I play them all because I wish to – but the truth is that, for many years, the videogame industry has been directed at one public only: boys. And some boys, for some reason, won't play the game if the protagonist is a girl or looks like a girl. And I don't care if the presence of a female character breaks your history immersion and whatnot: we have fricking magic in this game, do not throw historical accuracy at me for it. So, Ubisoft: I AM GLAD you created Evie Frye. She's fearless, she's relentless, she's clever, she has a clear goal in mind and solves every little piece to make the bigger plan work. She's badass without throwing her femininity off the window, and for a change she's the one saving the man in distress. I love her and her cloaks. Also she's cute as hell.

I am ALSO GLAD that Ubisoft created Jacob Frye! Jacob is a good balance to Evie, since he's more impulsive, a brawler, and likes throwing himself into battle. He speaks with fists, while never leaving his morals aside. He shows disregard for careful plans, but ultimately works in favor of them. He might sound a little stupid when I picture him this way, but he's not: he follows the creed strictly, during the assassination missions he shows clear precision, planification and ingenuity, and most importantly, he has a golden heart, and knows his ideals and principles very well. And for the love of Minerva, he's so handsome I might die.

So the Frye twins are both your protagonists this time! During the open world map and sidequests, you can switch between them on the fly. But during main missions, one of them will be assigned for you to play as and you'll be forced to complete the quest with either of them. Evie favors stealth, whereas Jacob is all about combat. This allows the player to tackle the game and the different activities as they see fit. If you're patient, probably Evie will be best for you, but if you can't handle the stealth, choose Jacob and start throwing punches! The city of London is open for you to choose the way you can liberate it.

And that takes me to my second reason why I bought this game: London.

For a not native-English-speaker as myself, who has learned and studied British English for over ten years, London will always hold a soft spot in my heart. Two years ago I was finally able to realize my dream and visit the city for the first time ever. I cried when I stepped out of St. Pancrasse station, understanding that my feet were touching English ground. So when I saw that this game not only offered me the chance to play as a female assassin, but it would also allow me to revisit London, I didn't think twice.

We follow Jacob and Evie to London, where they must meet Henry Green, the assassin watching over that city, in pursue of an important Templar figure: Starrick. Along the way to assassinate him, we'll take down other important Templar members, all responding to him. As I will keep this spoiler free, let's leave it at that. Let's just say that Starrick is in London, controlling every nook and cranny, while his second in command, Lucy Thorne, is reservedly researching the leads of a possible piece of Eden that might be hidden in the city's most secretive places.

London is so well recreated, I cried once when I stopped in front of the Big Ben. You're only able to visit and play through a portion of the city, around the Thames and Westminster, but still, even small though it seems, the map is big enough and full of activities to fulfill. The streets feel alive with its multiple, many, MANY npc's walking, running, driving carriages, interacting with each other, often having conversations as well! I was astonished when I was walking with Evie down an alley and an npc waved his hand to another npc that was some feet away, and the first one rushed to the second one to greet each other. It was such a realistic thing to see on the street that I was amazed at the technology behind it. As always, AC games excel at the presentation of countless npc's, each with a different animation and voices. On top of that, the city looks gorgeous, with so many details that I often stopped to stare, especially in the most emblematic buildings, like the different train Stations, the Parliament, St Paul's Cathedral, Westminster Abbey, and, of course, the Buckingham Palace. Everything is so faithful and vibrant and alive, that… yes, I love it. I fricking love it. I travelled again there in this game and I'm thankful for it.

There are nine sequences with 4 to 7 memories each, and all of them are different and unique enough to make them memorable. In particular, the main assassination quests were complex, using exclusive scenarios to the mission, offering the player different paths to tackle the killing – they were my favorite out of all the game. The last mission was *chef kiss*.

Apart from the main missions, you can slowly liberate each neighborhood from the Templars' claws. Each borough has a set of different activities to complete in order for you to "conquer" it. Gang wars, bounty hunts, Templar hunts, there's a lot to do. It might seem a lot at first, but you'll soon see the patterns across the sidequests, only to (unfortunately) realize that they're all the same. These can get tiresome and repetitive after a while, but they're also the best way to level up and earn money quickly. My personal favorite were the child liberations, because I felt like I was doing a good deed and also as if Charles Dickens himself was asking me to do it.

Oh, yes, Charles Dickens is in this game! CAN YOU BELIEVE IT, because I don't! He's one of my favorite authors, so, to be GIVEN a QUEST by HIM, I'm in tears guys, do you understand why I loved this game so much??

But Dickens isn't the only historical person that you'll encounter: Darwin also makes an appearance, as well as Marx (of whom I believed to be in Brussels, but I guess he visited London at some point – now I want an AC game set in Brussels), and Alexander Graham Bell, who will be your DaVinci of this game (Oh, now I want to play Ezio's games), offering you new toys to tinker with as you pave your way across the city. There are other historical people, but I won't mention them, since they're probably a spoiler, so I'll let you be surprised!

You'll have like a "hub world", or more like, a hub train – a train will be your hideout, your base, where you'll collect money, take some quests, interact with some characters and buy stuff cheaper. This train will constantly move around the city – sometimes I found myself appearing on the other side of the map because I was studying and investigating the things the train offered. I really liked the idea of a "moving base house", also it's quite fancy, and besides, I love trains. This game just keeps bringing me the good content.

Evie and Jacob are good protagonists – I'm not going to say they slay at it, but they serve the purpose. They're quite stereotypical, specially Jacob, as he seems to follow the trend Ezio imposed back in the day, and to which Arno also contributed – and Evie is quite the "polar opposite", a cliché often used on twins to express how "different they are". Their personalities are nothing new; what is endearing and worth noting, though, is their interactions. At first I thought "this is going to be another of the never-ending cases of twins acting like friends instead of siblings". I do come across this mistake more frequently than I'd like to, only broken by some exceptions (World of Final Fantasy is a really good one), even more if the twins are a boy and girl. I'm not saying twins shouldn't be friends themselves, but they're siblings first, for the love of Juno, and most creators who put twins into their stories don't seem to remember how siblings treat each other. Luckily, this game proved me wrong, since the Frye twins showed me that they're real siblings: not because they quarrel (they do, sometimes, quite forced in my opinion), but because of the way they look at each other, they care for each other, they often joke about the other, the familiarity and complicity they treat some topics with, because of the small banter that you can hear them have in the train hideout, how Jacob teases Evie with Henry or how Evie teases Jacob for the cloaks he's wearing – that, all of that, all combined, make up for a good sibling relationship and show me that these two have been brother and sister for a while now. I'm glad they ended up being one of the exceptions to this godawful rule among the fictional twin characters. I would've liked, though, maybe a few more scenes with them having a real heart to heart – I think we were robbed of one or two (specially after sequence 8 if you ask me- Jacob please, let's talk, baby).

Henry is another important character – although I thought he'd be more important. He ultimately appeared in less missions than I expected, and is soon relegated to be Evie's love interest and that's it. And even that is, uh… a little underwhelming. I kinda shipped them at first, then I was like "please, they're FRIENDS, don't force this", only to see myself getting disappointed. I think Henry needed more screentime for me to care more about him, and I definitely believe that, after that mission with Evie, we needed a cutscene with an explanation. It was kind of forgotten later, and he felt more like a plot device than anything else. I'm sad, because he could've been a great opportunity to show us a bit of Indian culture, and also because by the end of the game he's treated like another protagonist, when it doesn't feel like he'd earned it, though, considering the whole game. My opinion.

There are other characters worth mentioning, like Freddy Abberline, another historical person, whose running gag about disguises soon grew on me; Clara O'Dea, a little girl who asks us to liberate her fellow children friends from the claws of foremen who exploit them and acts like a little spy for us; Ned Wynart, who brings trans representation into the game; and some other sequence exclusive characters, who I won't mention because it will spoilerish. Let's just say that Jacob comes across a very interesting man.

On the technical department, I already said that London looks great, but I want to stress this: the whole game looks great. From cinematography to animations, I think they nailed the direction in this one. As my first AC game I can't speak for the others, but this one is a gem. I must mention though that the game crashed on me only once, and I was looking for the "destruction trophy", the one that asks you to break 5000 destructible items of the city – well, it seems I had destroyed enough and the game couldn't take any more wrecked chaos across London, but other than that I didn't encounter any bug nor any trophy didn't pop up. It looks great and it plays great: the controls are responsive, you swiftly dash across the city feeling unstoppable – sometimes controls didn't do what I wanted but it wasn't the game's fault, it was mine, so I can't blame it for my own stupidity.

The soundtrack is also such an unexpected jewel in this game. The solemn tracks that play on the background while you're peacefully traversing the city – some are lyrical and dramatic, others go well with a rainy suburb. The vibrant and electrifying tracks during battles or escapes did bring all the Sherlock Holmes movies vibes to the game. It was all – so English, if you catch my drift. The music did fit well with the British atmosphere they were aiming for.

The ending is satisfying – don't expect an opera prima, or a huge revelation, or groundbreaking plot twists. The story is fairly lineal in its presentation: this is the goal? Alright, the whole game goes for it. We can say that it's quite predictable, but let's be honest, we're not here for the ending or the things that might happen to discover the characters in the present time, we're here to assassinate people with our beautifully hidden blade – wait, that sounded way too violent – we're here for the gameplay, for the historical events, for the feeling of being an assassin, and for some world-building regarding the Precursors.

In regards to that, I cannot not mention the World War I Simulation – a rift in time appears in the Thames towards halfway through the game, and you can enter it – it will take you forward in time, to the same London that is now under the attack of the German. In this more modern time, you play as Lydia Frye, Jacob's granddaughter, also an assassin, who collaborates with no other than Winston Churchill to defeat the Templars. In this kind of DLC episode we learn way more about the Precursors, Juno, Minerva and other important figures to this world-building, that it's mostly lacking in the rest of the game. This simulation does feel like a DLC since it only offers a few hours of gameplay, the metaphor isn't in vain – it's a huge change of pace, it plays a little different since you'll be doing war stuff, and you also visit a portion of the city that isn't available in the main game: the Tower Bridge. It IS worth playing, though, not only for the trophies or for the extended map, but for what I said earlier: world-building. Juno plays a big part in this simulation, and I encourage you to play it, even though it's optional. Slowly but steadily, the world of the Precursors is unfolding before our very eyes. Also, Lydia, YASS another female assassin joins the family!

All in all, Syndicate is a positive experience. Sidequests are repetitive and mostly boring after you complete the first borough, some characters needed more screentime, Evie and Jacob could've used a sensitive cutscene with a deep conversation – but the mechanics, the gameplay, the city, the main missions, the relationship between the twins, the customization of weapons and outfits, and the fact that I literally entered Buckingham Palace after killing a royal guard or two – that, is more than enough to compensate for what it's lacking. You might be tired of the same formula over and over if you're a fan of the franchise, but do give the twins a shot. If you never play an AC game before, try this one out – it might turn you into an AC fangirl, like it did to me.

I'm a trophy hunter myself, so I'll try to platinum it! And now my eyes are intent on Unity, because, if you've seen this post, you know that Arno and Élise resemble two of my oc's, so now I need that game to be injected into my veins, thank you very much.

#assasins creed #assassins creed syndicate #syndicate #evie frye #jacob frye #henry green #evie and jacob #maxwell roth #videogame review #review #ubisoft #london #queen victoria #fredderick abberline #winston churchill

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fortunatelylori · 5 years

Note

What prophecies do you think will play out on the show? What will be the outcome and which character will the prophecy be about?

Hey, nonnie!

Hmmm … very interesting question. And a multi-layered one.

Of course the show will have to pay-off the prophecies it included from the books. Then there are prophecies that were not mentioned in the show but by the nature of revealing the endgame and by being ahead of the books, the show will either pay them off or at least give heavy hints for what they might be in the books. And then there are foreshadowing elements that aren’t really prophecies per se but serve a similar purpose in the narrative.

So let’s get started. Warning: this will get long.

Prophecies mentioned in the show

Azor Ahai

Melisandre: After the long summer, the darkness will fall heavy on the world. Stars will bleed. The cold breath of winter will freeze the seas and the Dead shall rise in the North. In the ancient books it’s written that a warrior shall draw a burning sword from the fire and that sword shall be Lightbringer.

This is very much in play, having been mentioned as recently as season 7 and I believe that by the end of season 8 we will have a definitive answer as to who and what Azor Ahai is.

I’ve talked about this before in this post. Here is an excerpt:

I think it’s far more likely that Azor Ahai is not a hero. He’s a villain and the elemental opposite to the Night King. R'hllor followers herald Azor Ahai’s second coming with such encouraging words as: “ he will bring an eternal summer” which sounds great if you worship fire but in reality an eternal summer is about as bad as an eternal winter. If the WWs unbalance the world by plunging it into night and winter, Azor Ahai is supposed not to bring balance back but to unbalance it in the opposite direction.

Considering the placement of Azor Ahai in complete opposition to the WW and the obsession with fire of the followers of R’hllor, I’d say that the best candidate for this position is one D*enerys Targareyen, which doesn’t sound surprising since many people theorize the same. The twist is that AA was never meant to be a hero but rather an antagonist. @trinuviel has a fantastic series regarding this topic and I would encourage you to read it. She goes into a lot more detail than I am able to provide.

One aspect of this prophecy that is not brought up in the show is Nissa Nissa:

To fight the darkness, Azor Ahai needed to forge a hero’s sword. He labored for thirty days and thirty nights until it was done. However, when he went to temper it in water, the sword broke. He was not one to give up easily, so he started over.

The second time he took fifty days and fifty nights to make the sword, even better than the first. To temper it this time, he captured a lion and drove the sword into its heart, but once more the steel shattered.

The third time, with a heavy heart, for he knew beforehand what he must do to finish the blade, he worked for a hundred days and nights until it was finished. This time, he called for his wife, Nissa Nissa, and asked her to bare her breast. He drove his sword into her living heart, her soul combining with the steel of the sword, creating Lightbringer, the Red Sword of Heroes.

People have been speculating for years on who might be the Nissa Nissa in the story but because this isn’t mentioned in the show, I’m not really sure this will be paid off. However, considering Melisandre’s obsession with blood magic and human sacrifice, I think there’s a possibility that a candidate will arise. And in my opinion, that would probably be Mel herself. She foretold her own death in season 7 and because of the nature of her arc, the relation to fire, blood and magic I can see her as a willing human sacrifice for the glory of the prophesied hero.

However, since I don’t think she is interpreting the prophecy of Azor Ahai correctly and that AA is probably not the person that will end the Long Night, I don’t think this human sacrifice in the form of Nissa Nissa 2.0 will have an effect or at least not the desired one.

In the comments section of the post I linked above, @trinuviel brought forth the idea that the story of Nissa Nissa and Lightbringer is a metaphorical set of instructions on how to forge Valyrian steel. And I have to say that’s a very intriguing idea and one that sounds very plausible to me for several reasons:

1. Valyrian steel swords are already magical swords and we know they are effective against the WWs. What could a burning sword do that these other swords can’t?

2. The Valyrians were known to practice blood magic and it’s theorized that’s where the source of most of their power came from, including their bond with dragons.

3. GRRM has purposefully pointed to the mystery surrounding the forging of Valyrian steel in story several times. There must be a pretty big reason why he hasn’t revealed how these swords are forged.

The Younger More Beautiful Queen

Maggy the Frog: Oh, yes! You’ll be queen … For a time. Then comes another. Younger. More beautiful. To cast you down and take all you hold dear.

I believe the last time Cersei mentioned her encounter with Maggy the Frog was after Myrcella was killed. So this will be paid off in season 8.

I’ve made the argument in the past that Sansa is the younger, more beautiful queen that will cast Cersei down and take all that she holds dear:

Sansa has been intimately involved in all of Cersei’s tragedies even though she is not directly responsible. She was the one that carried the poison that killed Jofferey, the war with her brother is the reason why Myrcella was sent to Dorne, Jofferey’s death leads to Tommen becoming king and eventually killing himself. And, by the end of this series, Sansa might end up as queen of the Seven Kingdoms effectively replacing Cersei.

It isn’t that Sansa is directly responsible for what happens to Cersei but that she ends up taking everything from her in a way that no one could have predicted unless you look back at the events.

There is an aspect of this prophecy that isn’t mentioned but I think will be paid off as well:

And when your tears have drowned you, the valonqar shall wrap his hands about your pale white throat and choke the life from you.

I honestly have no idea why they chose not to include this in the show since it’s part of the same conversation as the younger, more beautiful queen. They might bring it up in season 8 through another flash-back and I think that they should. Either way, I’m pretty sure we will find out who the valonqar is.

I’ve made an argument for Jaime because I think it will be a fitting end to their story and because of what Cersei told Ned about her and Jaime back in season 1:

Cersei: Jaime and I are more than brother and sister. We shared a womb. We came into this world together. We belong together.

And by that logic … they will die together. Or at least one will be the end to the other.

The Prince that was Promised

Melisandre: You should kneel before your brother. He’s the lord’s chosen. Born amidst salt and smoke.

This is a dicey one because it’s only brought up by Mel as an interchangeable title for Azor Ahai.

In the books, however, the PTWP is also brought up in relation to Rhaegar and his prophecy fulfilling quest. When D*ny visits the House of the Undying, she has a vision of her brother holding his infant son, Aegon, by Elia Martell and saying this:

Rhaegar: Aegon. What better name for a king?

Elia: Will you make a song for him?

Rhaegar: He has a song. He is the prince that was promised, and his is the song of ice and fire.

From what we know at this time, Rhaegar never brings up the Azor Ahai prophecy and we don’t know that much about the PTWP. But I tend to think these two aren’t related.

I believe the PTWP is Jon. His is the only story that is linked to both fire and ice. He is the literal product of the song of ice and fire (the son of a Targareyen and a Stark) and his story is connected to both ice and fire through out. He fights against Ice in the form of the White Walkers and he encounters both the false Azor Ahai (Stannis) and now D*ny, who is the person associated the most with fire in the series. If the Dance of Dragons 2.0 and dark D*ny theories become canon, his song of ice and fire would be his titular role in both these great wars that are about to visit Westeros. He also has “salt and smoke” imagery associated with his death (and subsequent resurrection).

So I tend to see the PTWP and AA as actually being ultimate adversaries.

What I’m doubting at the moment is whether or not the show will bother differentiating between these two. I do think that by confirming Dark D*ny and the Dance of Dragons 2.0, they will essentially pay off this prophecy but I’m not sure they’ll signal the distinction.

That’s about it on the show-included prophecies, I think.

Prophecies not mentioned in the show

The Last Hero

Legends of the north state the last hero and his companions went in search of the children of the forest during the Long Night, thousands of years ago. The only survivor of the company after attacks from giants, wights, and Others, the last hero eventually reached the children and gained their assistance. The Night’s Watch then formed and won the Battle for the Dawn. This ended the generation-long winter and sent the Others into retreat, possibly to the Land of Always Winter. The fate of the last hero is unknown

One could make an argument that this is not a prophecy but rather a story but because the Battle for the Dawn 2.0 is fast approaching, this story/prophecy will most likely be paid off in season 8.

If anyone is destined to be the hero to save the world from the Long Night that character is Bran Stark and his story is linked to the legend of the Last Hero, who is also identified as Bran the Builder. This connection is not fully established yet but I believe the characters of the Last Hero and Bran the Builder to be one and the same.

Bran is the Three Eyed Raven, he’s traveled to the Lands of Always Winter and reached the children of the forest. That’s enough evidence for me to assume that his role in season 8 and the defeat of the WWs will pay off the Legend of the Last Hero. Incidentally, Bran the Builder is mentioned in relation to our Bran by Maester Luwin in season 1.

We might also get a pay off for how the Wall and Winterfell were actually built although I do think part of this story will remain a mystery that will most likely be tackled in the Long Night prequel.

D*ny’s prophecies in the House of the Undying

… mother of dragons, daughter of death …

… mother of dragons, slayer of lies …

… mother of dragons, bride of fire …

Essentially, I believe all of these will be paid off by the Dark D*ny reveal.

three fires must you light… one for life and one for death and one to love… three mounts must you ride… one to bed and one to dread and one to love… three treasons will you know… once for blood and once for gold and once for love…

I think it was a huge mistake for the show not to include the 3 treasons prophecy in D*ny’s storyline, particularly since they included Cersei’s Younger More Beautiful Queen one. Because the three treasons prophecy works on D*ny’s psyche much in the same way it does on Cersei’s.

They both become increasingly paranoid and obsessed with these ominous predictions and are actively on the look-out for potential candidates.

However I think the pol!jon reveal will resolve the 3rd treason aspect of the prophecy as well as this:

A blue flower growing from a chink in a wall of ice, filling the air with sweetness.

A great stone beast takes wing from a smoking tower, breathing shadows.

Between the parentage reveal and Political Jon, her lover turned nephew, Jon Snow, will turn from the flower that fills the air with sweetness into the great stone beast that will oppose her.

There’s also a case to be made that the three treasons are actually treasons D*ny commits against other people, as @thelawyerthatwaspromised has detailed on her blog. And by going to war with Jon and potentially turning her back on the fight with the WWs, D*ny would essentially become a betrayer.

So either way, I think we’ll have a much clearer picture of these prophecies by the end of the show.

The dragon must have three heads

This is the continuation of the Rhaegar vision D*ny sees in the House of the Undying.

Rhaegar: He has a song. He is the prince that was promised, and his is the song of ice and fire. There must be one more. The dragon has three heads.

We don’t know much of anything about what this means or how Rhaegar thought it would link to the PTWP prophecy. I wouldn’t have included it, to be honest, if it wasn’t for the Crypts of Winterfell teaser and the staging of Jon/Arya/Sansa as a play on the original three heads of the dragon Aegon/Visenya/Rhaenys. In a previous post I said this:

The “Dragon must have 3 heads” is generally considered the reason why Rhaegar started his relationship with Lyanna and the main reason why Jon was even born. Details on this prophecy are foggy but the theory goes that at some point Rhaegar became convinced that his three children would be instrumental in saving the world and because Elia Martell was unable to bare another child after her two pregnancies, he went after teenage Lyanna Stark, thus looking to fulfill yet another prophecy: that of the Prince that was Promised whose song is the song of ice and fire.

In trying to fulfill it, Rhaegar named his children after the 3 original Targs that conquered Westeros: Elia gave him an Aegon and a Rhaenys so he went in search of his Visenya. Clearly he failed, because instead of a girl, he got a boy.

However, as GRRM points out through out his story, prophecies are tricky and the more you go out of your way to fulfill them, the more blunders you’re bound to commit. That doesn’t mean there isn’t some value to it but it will most likely come to pass in a way that you did not expect.

It makes you wonder just what the “3 heads of the dragon” might actually be about. Everyone tends to think that this prophecy is linked to the war with the WWs. However, by introducing Sansa into the mix, it changes things a bit …

What if the “Dragon must have 3 heads” prophecy isn’t related to the War of the Dawn at all but rather to the Dance of Dragons 2.0? Because in that war, Sansa would truly be instrumental: by making Jon a Stark, because of her political expertise and her strategic connections all over Westeros. So instead of creating the ultimate Targ team to face off against the apocalypse, Rhaegar not only brought down his father’s dynasty and his own in Robert’s rebellion but also created the circumstances by which, years later, his son would face off against the last scion of House Targareyen and bring about the demise of all living dragons.

While this could simply remain something that will be inferred by the way season 8 plays out, I think there’s a case to be made that we will actually get more insight here via flash-backs of Rhaegar/Lyanna.

I think it’s also possible that through these flashbacks we will find out more about the situation surrounding the abduction of Lyanna, more insight into the year they spent in the Tower of Joy and even perhaps the name that Rhaegar whispered as he lay dying on the Trident.

The Lannister gold prophecy

The wealth of the westerlands was matched, in ancient times, with the hunger of the Freehold of Valyria for precious metals, yet there seems no evidence that the dragonlords ever made contact with the lords of the Rock, Casterly or Lannister. Septon Barth speculated on the matter, referring to a Valyrian text that has since been lost, suggesting that the Freehold’s sorcerers foretold that the gold of Casterly Rock would destroy them.

This is a very obscure prophecy and I haven’t seen many people discuss it. The few that I have seen talk about this link it to the Lannister’s long lost Valyrian steel sword, Brightroar. The Valyrians, fearing this prophecy Septon Barth mentions, always refused to sell the Lannisters a sword but they managed to get their hands on one by other means:

Brightroar came into the possession of the Lannister kings in the century before the Doom of Valyria, and it is said that the weight of gold they paid for it would have been enough to raise an army.

So people speculate that it was the purchasing of this sword that lead up to the Doom of Valyria. However, I don’t really see this as a possibility because GRRM never really plays prophecies this straight.

However, one thing we do know is going to happen in season 8 is that Cersei will be acquiring the Golden Company, whose banner is simple golden cloth. She will also be paying for it with what can be described as Lannister gold.

Also since the show didn’t include the Young Griff story line, it’s not outside the realm of possibility that the GC is leaded by Jon Connington, one of Rhaegar’s best buddies and also the guy who was in love with him.

So if let’s say the GC would decide to join Jon’s forces against D*ny during the Dance of Dragons, a case can be made that Lannister Gold did in fact bring about the ultimate doom of Valyria, by killing off its last real member and putting an end to the dragons.

Then there are a few prophecies that I believe have already been paid off.

The mummer’s dragon

A cloth dragon sways on poles amidst a cheering crowd.

By essentially removing the Young Griff from the story line completely, I think the show has revealed that this young man is not Aegon Targareyen but a pretender whose lie, and life, D*ny will slay in the books.

The girl in grey prophecy

I have seen your sister in my fires, fleeing from this marriage they have made for her. Coming here, to you. A girl in grey on a dying horse, I have seen it plain as day. It has not happened yet, but it will.

I think everyone in the Jonsa fandom can agree that the girl in grey is in effect Sansa Stark and she will flee her marriage to Harry Hardyng and join Jon at the wall.

The show had Sansa fleeing her marriage to Ramsay and reaching the wall where she was reunited with a recently resurrected Jon. She was also wearing grey which is I think the show’s way of linking back to this prophecy in the books.

The Ghost of High Heart prophecies

In case anyone is not familiar with who the Ghost of High Heart is, she’s a dwarfish, albino woman who was reputed to be a woods witch in the Riverlands. Arya and the brotherhood without banners camp overnight at High Heart, to meet with the ghost to hear her tell the future, and to learn the whereabouts of Beric.

She accurately predicts a few things that have happened in both books and show. In addition, there are also these:

I dreamt of a man without a face, waiting on a bridge that swayed and swung

In the books, this is Euron hiring a Faceless Man (and potentially paying for his services with a dragon egg) to kill his brother, Balon Greyjoy, the King of the Iron Islands. In the show Euron does the deed himself, on a bridge that swayed and swung.

I dreamt of a maid at a feast with purple serpents in her hair, venom dripping from their fangs. And later I dreamt that maid again, slaying a savage giant in a castle built of snow.

This is generally believed to be about Sansa because of the poisoned hairnet she wears in her hair that eventually kills Jofferey. I’d argue that by ordering the death of Littlefinger in Winterfell (a castle in the North where there’s a lot of snow), the show has paid off the later part of this prophecy.

She also says this directly to Arya:

I see you. I see you, wolf child. Blood child. I thought it was the lord who smelled of death … You are cruel to come to my hill, cruel. I gorged on grief at Summerhall, I need none of yours. Begone from here, dark heart. Begone!

This could be nothing but the woman noticing Arya’s increasing violence and tendency towards killing but because she mentions Summerhall it’s speculated that she is referring to a future and particularly bloody event Arya will participate in. Assuming that, I would say the show has already paid that off when Arya killed off all the Freys in an act of mass murder.

This is a bit dubious, though, because of the fact that Lady Stoneheart has been cut from the show. It’s likely that it will be LS that kills off the Freys in the books and the show simply gave that particular plot point to Arya.

That doesn’t eliminate the possibility that the Ghost of High Heart is potentially referring to a future Summerhall-like event Arya will be involved in and if that is the case I fully expect the show to include it.

And finally we have what are essentially sayings that are mentioned frequently in the show but because of their implications they act like prophecy in the sense that they foreshadow future events but not in a clear cut way.

The Long Night

Melisandre: For the night is dark and full of terrors.

This is pretty self-explanatory. We’ve been told that when the WWs first came 8000 years ago, they brought a night and a winter that lasted a generation. So the WWs are back at it and are going to bring darkness and terror.

We should start preparing ourselves for at least 3 episodes of almost exclusive night time scenes. This is also supported by the actors saying that they had about 40 days worth of night time shootings which is an incredibly long time for that sort of thing.

When a Targeryen is born, the Gods flip a coin

This is obviously a saying that came about in reference to the Targeryens being or going mad more often than not.

However, at this point in the story, we have only two Targeryens left so the duality of a coin flip becomes foreshadowing for Jon and D*ny as foils.

I wish you good fortunes in the wars to come

This has only been uttered in show by adversaries, first in the Stannis/Mance conversation prior to Mance being burned alive and then in the Ned/Arthur Dane flashback. The third instance is in the Jon/D*ny good-bye scene. I don’t know about anyone else but this indicated to me … Dance of Dragons 2.0.

Sansa’s red comet prediction

The morning of King Joffrey’s name day dawned bright and windy, with the long tail of the great comet visible through the high scuttling clouds. Sansa was watching it from her tower window when Ser Arys Oakheart arrived to escort her down to the tourney grounds. “What do you think it means?” she asked him.

“Glory to your betrothed,” Ser Arys answered at once. “See how it flames across the sky today on His Grace’s name day, as if the gods themselves had raised a banner in his honor. The smallfolk have named it King Joffrey’s Comet.”

Doubtless that was what they told Joffrey; Sansa was not so sure. “I’ve heard servants calling it the Dragon’s Tail.”

“King Joffrey sits where Aegon the Dragon once sat, in the castle built by his son,” Ser Arys said. “He is the dragon’s heir - and crimson is the color of House Lannister, another sign. This comet is sent to herald Joffrey’s ascent to the throne, I have no doubt. It means that he will triumph over his enemies.”

Yeah, Jofferey wasn’t and he didn’t. If only there was a guy in this story who was the dragon’s heir and whose birth name the show incidentally spoiled as being Aegon. Glory to that guy! And to his queen!

Suffice it to say I think we will get the pay off from this scene in the form of Jonsa.

Just a small addendum before I finish: A Song of Ice and Fire is littered with prophecies, prophetic dreams, cryptic messages that can be interpreted to signal future events, etc. I probably missed a lot of them. So if there’s something you want to add here please do.

Thanks for the ask, nonnie!

#game of thrones season 8 speculation #got prophecy #jonsa #sansa stark #jon snow #anti-daenerys #arya stark #jaime lannister #cersei lannister #jaime x cersei #got speculation

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takerfoxx · 5 years

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Gonna knock off some big ones here! The fav(s) of the day are...

BOBA FETT!

Okay guys, let’s get this out straight out of the gate. I grew up as a major Star Wars fan. My dad is an old-school sci-fi nerd and it really rubbed off on me. Classic science fiction was our bread and butter growing up, and the Star Wars movies were no exception. We must’ve watched those suckers a gazillion times.

And the expanded universe? Oh, I was all over that shit! And I mean the old stuff! The Truce at Bakura, the Heir to the Empire trilogy, the Kyp Durron trilogy, both the Han Solo and Lando Calrissian trilogies (there were a lot of trilogies), Darksaber, Planet of Twilight, Shadows of the Empire, The Courtship of Princess Leia, Young Han Solo, Splinter of the Mind’s Eye, the Young Jedi Knight series, all of the Tales books, Galaxy of Fear, even less well regarded stuff like The Crystal Star. All that and more filled my bookshelves.

But like many young Star Wars fans, my boy was the guy that got like four lines of dialogue and quickly gets killed off in the first half of the third film.

It’s hard to really articulate what made Boba Fett so appealing. I think it’s part of the air of mystery around him. In Empire, he strides in with a totally badass design, is the guy to track down and capture the heroes, backtalks Darth Vader and gets away with it, and escapes with one of the main characters in tow. I guess that caused people to become intrigued by him and want to see what he would do in the last film. And sure enough, he shows up looking all cool and mysterious, flies into a direct confrontation with both Luke Skywalker and Han Solo, seems to get the upper hand...and is summarily dispatched by a fluke accident.

Lame.

So I guess many who would become Star Wars writers were, like myself, let down by this, and sought to “correct” this by giving ol’ Boba his own mythos, complex history, cast of closely-related characters, and make it so that he escaped the damn worm and would go on to cross paths with the heroes in every obligatory “The one with Boba Fett!” entry in every long-running Star Wars book series ever.

And boy, did I eat it up!

The Bounty Hunter Wars! An entry in both Tales From the Bounty Hunters and Tales From Jabba’s Palace! Endless comics! The aforementioned obligatory Boba Fett books! All of this created a character that became almost revered by the fandom, who cast a shadow over the whole multi-verse. I bought the books, played with the toys, and even wrote a short little Boba Fett story in sixth grade. I mean, this guy was just cool.

Needless to say, I’m not the Star Wars fan I once was. I mean, the only one of these movies since RotJ that I’ve actually liked is also one of the least popular, so that’s a thing. Hell, I was debating putting up a Star Wars entry to begin with. But man, even if I’m not all that into Star Wars anymore, it can’t be denied that for a time it reigned supreme, and Boba Fett was, in my world, the king.

(Though lowkey, it was kind of hilarious watching writers try to reconcile the already established Boba Fett origin with the one created by the prequels after Attack of the Clones dropped)

He’s no good to me dead.

Also...

DARTH REVAN!

So I went from almost not doing a Star Wars entry to doing one with multiple characters. Yeah, go figure.

All right. So, Knights of the Old Republic is probably my last great foray into Star Wars before sort of slipping out of the fandom. It was recommended to me by a work friend, so I popped over to EB Games (remember them?), grabbed up a used copy, popped it into my X-Box, and...

I think I averaged about eight hours a day on those games. Each of them.

It was one of the best gaming experiences I’ve ever had, a wholly new Star Wars story taking place centuries before the films (and yet somehow still having the same technology level) that features none of the classic characters, but still felt very much Star Wars, but also its own thing: a sprawling space adventure as you, the apprentice Jedi, joins up with a ragtag group of companions and travel the galaxy trying to thwart a rogue Sith Lord from finding some long lost superweapon. The worlds you visit! The characters you meet! The quests, the leveling, the force powers, the plot, everything was just so fresh and so cool!

And then you get to the twist, a twist that is now notorious for being one of the best twists in gaming history: finding out that you aren’t just some new Jedi rising up to stop a Sith Lord: you are actually DARTH MOTHERFUCKING REVAN, the Sith Lord that was the master of the current Sith Lord, long thought dead but had actually been captured, mind-wiped and reprogrammed by the Jedi! What do you do with this new information? Well, that’s up to you!

Needless to say, when this was revealed in the game, I started screaming, and screaming loudly. What a twist! What a game-changer!

Now granted, being the PC of an RPG means that Revan’s personality was decided by the player’s choices, so he didn’t get much of a canon personality of his own, but that still doesn’t change the fact that he’s the centerpoint of one of the coolest pieces of the Star Wars EU that there is, and that’s worth a lot in my opinion.

Also, Bastila was bae, just sayin’. Sort of a proto-Serana, if you ask me.

(note: yes, I know about his role in SWTOR and don’t care for it. No, I haven’t read the novels yet, but I do intend to)

Honor is a fool's prize. Glory is of no use to the dead.

And finally...

GRAND ADMIRAL THRAWN!

The Heir to the Empire is the granddaddy of the OG Expanded Universe. I mean, Splinter of the Mind’s Eye technically came first, but no one remembers that. No, it was all about Timothy Zahn’s epic follow-up to the original Star Wars trilogy, which set the gold standard for the series for years to come and also introduced several of its most iconic characters. Mara Jade? She came from here. Talon Kardde? Also here.

And then you have the trilogy’s centerpiece, Grand Admiral Thrawn.

It’s sort of interesting how iconic Thrawn has become as a Star Wars villain, given how different he is from all of them. I mean, he’s not a Sith. Hell, he’s not force sensitive at all. He’s a military officer, in a series where they tend to be treated as expendable underlings. But through actually using his brain, studying his opponents’ strategies and cultures, making use of the resources available to him, and actually being fair to his subordinates, he’s gone on to almost rival Darth Vader in popularity in some circles. A brilliant tactician who managed to (mostly) overcome the Empire’s prejudice against non-humans through sheer efficiency, he came incredibly close to bringing the New Republic to its knees simply by outplaying them at every turn. His knack for figuring out his opponents’ thought process simply through studying their cultures’ works of art was inspired, and those who tried to outsmart him often came to regret it. What was more, he also was surprisingly honorable, having a strict moral code. He simply believed that the Empire was the best way to run things, and acted accordingly. Though don’t let that fool you into thinking that he wasn’t just as ruthless as anyone else in the Empire. He was just smarter than most about it.

While there was admittedly a lot of crap in the EU that Disney was wise to get rid of, losing characters like Thrawn was a major blow, which was why it was so awesome to see him return in the Rebels tv show. I literally have seen videos of grown men crying with joy just through watching his reveal trailer. And while I don’t have the time or means to watch Rebels for myself, I do want to give it a go sometime in the future, and Thrawn is a big part of that.

But it was so artistically done.

#star wars #knights of the old republic #heir to the empire #boba fett #darth revan #grand admiral thrawn #fav of the day

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seekeroftruthpromestein · 5 years

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I feel when I live blog I am putting a lot of effort in trying to keep the reader up with the story. Narrating most things and feeling guilty when I miss a few steps. Anyway. Here were with Selene and them on a ghost adventure! Then we’ll go see Sally.

I love Alice is afraid of ghosts still. I wonder if Ilias is the same?

Speak of the devil. But question. How did you GET here?

Gonna just use my live blogging technique to keep this handy.

There were a few times in the original Trilogy Alice pulled her weight. The game framed it as she was unsure of herself, but Monsters going around hunting and attacking random people should be easy. It is nice that she was there to help Luka clear up misunderstandings and such, but Monster Girl Quest the original was a very Doyle written game.

What I mean by that is that the game has to write around its pretenses. Monsters Raping people and the Hero traveling with the end boss. I admit I really do like the Hero traveling with the End Boss idea. It actually tied the game pretty well and if we take Luka never losing as Canon, we can squint and pretend that Alice would have tottally saved him if he got himself in trouble (as she does in unwinnable battles like Granberia, Nanbai, and the Kraken).

But here we finally get an Alice who isn’t tied by Doyle Constraints. She isn’t “Super Overpowered”, and gets to help on a constant basis. She and everyone else who wants to save the world.

...

Anyway. This is just a 1:1 rip from the game after this. Pretty standard. Kill Beezlebub, return, learn that Selene was actually Selene the whole time! Whaaat! And then we go hold a service and what do we find?

Selene.

You should have just burnt the boat down. But seriously. This is the ultimate nightmare. Those things are like... terrifying. Who knows what will happen once they get out. We have to hurry! We have to find them! or-

oh.

Or we can just recruit them.

This is just gonna be “Promestein brings up weird tangents at weird times” hour. But as I progress I am realizing a huge significant difference in the games battle system from its predecessor. (No shit sherlock I know.) There’s a big emphasis diffrence between the two of Tactics vs Strategy. And most people don’t know the difference between the two.

Strategy is done in a War Room. Where you figure the pieces before the battle, plan things, and try to win the battle before the battle even starts.

Tactics are about how you do things while the battle has began. The changing of methods to counteract unforeseen circumstances.

These are typically used interchangeably but they are key differences. In MGQ, it was 100% tactics. You had no way of altering the cards given to you, just how you played them in battle. as such, the game revolved around giving you interesting but limited options. It revolved around the Spirits. Each one providing a down right required defense and often which one you thought was the best differed from how you played the game.

In MGQ Trilogy, each battle was something of a puzzle. But you had no way of changing what you had.

In Paradox, this changes. You have so many options there is sometimes downright choice paralysis. However, for the most part, once you get into a groove, you sort of only have *Two* Battle strats. Maybe three. The “Random Encounter” strat where you just spam AOE attacks, or strong single attacks. And then the “Boss” strat, where you buff the party on turn 1, and then go ham.

I weirdly wish they forced you to fight these one on one. Or at least like, with less party. Maybe only allow “One Person” to fight with him. Which then it would give you a choice between a few people with special dialog for all of them. But that’s nitpicky and already a lot.

So yeah, a one x one fight with Sally would mean that the fight could cater to a Luka Fight. If it is given enough warning ahead of time then the game is justified. Especially if its a trend. It would allow you to focus on Just Luka.

Anyway. Now Granberia is fighting us.

The Granberia of MGQ carved her own path and did what she felt was right. In spite of the Monster Lords Orders and wishes. She followed her orders when asked, but everything she did was 100% what she felt was right, and when she fought Luka, it was as a Rival she understood and wanted to test the mettle of.

Now, she’s just following orders. Even if she’s hesitant to them, it feels off.

Granberia has always been Lawful Good. But a lot of people tend to forget what that MEANS. Lawful GOOD is still good. You question your orders when given if they go against your core ideals. It was Luka’s driving question.

That being said. I’m sure this plot makes a LOT more sense of we picked Ilias. Because if we were traveling with her, I can see why Granberia would track us down. And, like I said in an earlier tangent. This is one of the neat times they address Alice. But this time, it’s actually significant.

Oh hey! Was not expecting this!

Hey that’s your daughter!

Anyway. That’s all for now. Next time I’ll go to the Tartarus Rift.

#Prommey Plays Paradox #Paradyx 2

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oldtvandcomics · 5 years

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MY OPINION ABOUT ENDGAME

I’ve written this nice long YouTube comment about Endgame, and it contains pretty much everything that I think about that movie, so I’m just going to copypaste it here. Because of the subject of the video, a lot is about Steve/Bucky not becoming canon and what happened instead.

Spoilers after the break.

Ok, I don't care, I have OPINIONS and need to share them somewhere.

1) Stucky was never going to be canon and I think most of us are adult enough to admit that. HOWEVER what the movie did in general felt as if it would ignore everything we know about Steve, Bucky and Peggy.

- Did they keep Steve and Bucky apart? Totally.

- Steve ending up with Peggy. Would have been nice, IF that was where they had been going since 2011. It is not. They had a movie together where they have some flirting going on (a lot less than other superhero love stories, if you ask me, but shipping googles, don't ask me). After that, Peggy got an entire season about mourning Steve and slowly accepting his death, and a second where she started dating again, and Steve two plus movies where his motivation was mostly "OMG, Bucky is alive" and "I need to protect Bucky". THEY BOTH MOVED ON. This felt like a last minute "let's do something that gets Steve out of the way and will count as a happy ending".

- Steve living in the past. Ok, ok, ok, this is a BIG one for me. As many others have pointed out, he is now in a time where he full well knows Bucky is being held prisoner and tortured, and it's either letting it happen or key points in history will change. He is also watching SHIELD being founded and recruiting former HYDRA agents, as consequence of which PEOPLE WILL DIE, and Steve knows that, because HE'S BEEN THERE. Is he just going to sit there and let it happen??

Also, if we are already at it: Imagine the following scenario. It is the early 50s and Steve Rogers has just returned from the future (2023, right?) to spend the rest of his days with the love of his life, Peggy. Segregation is still a thing. Residential schools are still a thing. Women don't have the same rights as men. Queer people don't have any rights, period. Disabled and mentally ill people are being constantly mistreated, part out of ableism and part out of genuine ignorance in the medical field. The US is in cold war with the Soviet Union, and both sides do stuff that are not ok, and also highly classified. Steve, having lived in the future knows about them because it's history. Should I continue?

We normal people would maybe play the well-behaved time traveller and sit around waiting for history to happen, BUT NOT STEVE ROGERS. He is famous, and very influential because of his status as Captain America, and he has got a significantly smaller tolerance for bullsh*t than the other people in his time, because he has seen a world that is more accepting. He is going to try to fight everything at once. This is going to be chaos.

- Finally, and I haven't seen this pointed out yet, but HOWARD. Steve just returned to a time when Howard Stark was still the Howard Stark we know from The First Avenger and Agent Carter. A little weird and egocentric and visibly ND, but all in all a nice guy. I don't even know where to start with how much chaos this is going to cause. The memory of Steve Rogers has been a driving force behind Howard's entire life. Having him actually BE there will 1) prevent him from idolising him, and 2) Steve will be able to say little things to him like "Howard, you really have got a nice son there, maybe you could spend some more time with him?". Will Tony without his abusive childhood still become Iron Man? I think so, yes. Will it still completely change who he is as a person? Also yes...? Don't even mention that Steve perfectly knows how Howard and his wife are going to die, namely assassinated by Bucky, because...

(Also, remember Agent Carter season 1 when Howard openly told Peggy tat he'd been in love with Steve? Yeah, that is going to be a fun discussion when they announce their engagement. Seriously, someone should write it.)

Conclusion: While I understand how the idea of Steve returning to Peggy might have sounded good on paper, the writers just didn't think it through and as a consequence, it feels rushed and as if they'd just butchered not only one, but at least three or four of our beloved characters and their story arcs.

2) My opinion about Endgame was that it was nice. But definitely not good or something I'd want to rewatch anytime soon.

- It bit off more than it can chew. One movie to close off six character arcs is not enough by far. They should have made at least three. One for Steve and Tony, one for Clint and Natasha, and one for Bruce and Thor.

-> Tony's character arc was the one I was almost completely happy with. Minus the Pepper wearing the suit bit, which I feel should have been a big emotional moment but instead was just kind of there and came a little out of nowhere. Steve, see above, would have needed either a different ending or a whole lot more thought in it.

-> Clint becoming a pretty terrible serial killer was just somehow never dealt with?? Because THAT? That would have needed a complete movie to make sense and to give him time to actually redeem himself. Natasha... Redemption equals death. I'm not a fan of that trope, especially because she already seemed to have redeemed herself at that point? She didn't need to die? Also, fine, I get why it could make sense, but killing off the one female protagonist these movies had for quite some time feels really, really... It makes me feel cheated. Given more time, they could have developed the whole arc better.

->Bruce making peace with the Hulk IS exactly what should have happened to him. HOWEVER, it all happened in that short moment when the screen was black and read "five years later". That is... Not what I'd call good character development. Again, this would have needed TIME. Give him a movie. Combine his story with that of Thor. Could have been great.

-> Thor. This is the one that makes me just ANGRY, so I'm giving it it's own bullet point. Look, what happened to him completely makes sense. It also feels as if the movie hadn't taken him and his pain seriously. Like that scene in his cabin, that was totally played for laughs, and after that, they just didn't give him enough time. And I get it, there WAS NO TIME. There was just too much going on.

But people, alcoholism and PTSD are SERIOUS subjects, and if you want them there, you need to commit to write them properly. Marvel can do that, as they have proven with their Demon In A Bottle storyline, Iron Man 3 or The Incredible Hulk episode Alice In Discoland. But these are all separate stories that revolve around these themes. There is no way someone could manage a nuanced and sensitive representation in an ensemble movie that also juggles at least eight other characters and aims to close off eleven years worth of movies. There is just not enough time.

So what they should have done instead: Either make Endgame three movies, and give Thor and Bruce one where they can support each other while dealing with his trauma and the Hulk, or just leave out the entire arc. Thor's arc was finished in Thor: Ragnarok. He became king, learned to accept that his father had done many bad things and made peace with Loki. They should have left it there and only used him to drive the action forward instead of trying to have him evolve in any direction.

(In this version, the massacre at the beginning of Infinity War shouldn't have happened. Give them some more time to arrive on Earth, and than call Thor and Bruce away to fight Thanos while Loki is benched because the Asgardians need an acting king. Thor behaves more or less the way he did in Ragnarok, goes on his quest to get the axe, and Endgame is just plain different.)

- While I do enjoy a good "everything is bad AU", Endgame didn't make it work. Probably because they messed up the characters part.

- Nice call backs, though. Especially the one when they redid the Star Lord dancing in the cave scene, and than cut to Rhodey and Nebula watching him looking like a complete idiot. :D I really liked that one.

- Good action scenes. The end fight when all the dusted heroes came out of the portal and they were these dark silhouettes with a bright light behind their backs! Wheeeeeeeeeeee!!!

Conclusion: Nice movie. Not a fan. Only half achieved what it set out to do.

#marvel #avengers endgame #avengers engame spoilers #avengers endgame review #stucky

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