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#if you disagree with me that's fine
anneapocalypse · 1 year
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On Dragon Age II's Ending
The ending of Dragon Age 2 has always felt to me like the least morally ambiguous of any of the games' mage-templar decisions and frankly one of the least ambiguous "big" decisions in the series.
DA2 makes it extremely obvious that the Circle mages are about to be executed for something that absolutely none of them had any part in and no one, not even the Knight-Commander, is arguing that that isn't the case. You can feel whatever kind of way about what Anders did, and still recognize the staggering injustice of killing all the Circle mages for something that everyone, including the Knight-Commander calling for their deaths, is fully aware they did not do.
And just in case that wasn't clear, someone made a point of dropping in that bit of ambient dialogue telling us that Meredith is already trying to get clearance for the Right of Annulment before the explosion; she's just looking for an excuse. The game is pretty clear about the injustice of this situation, regardless of how many demons and blood mages there may or may not be in Kirkwall.
I'm a chronic replayer who enjoys making up new characters every time to see things I haven't seen before and I didn't have a particularly difficult time coming up with in-character, circumstantial reasons why a character might annul the Circle in DAO or recruit the templars in DAI and believe they're doing the right thing. For the former: dwarven noble who knows little about magic and believes what the Knight-Commander tells her, and chooses the wrong dialogue option with Morrigan in the party so Wynne attacks and therefore is not present in the party as an emotional anchor and a voice for the mages, and listens to Cullen when he says it's too dangerous to let any of the mages live. For the latter: non-mage human noble from a Chantry-connected family who just implicitly trusts templars, as he was raised to. Or Dalish elf who walks into Redcliffe, sees a magister stinking up the place and says "Well, the Dread Wolf take the lot of you then" and turns around and marches straight to Therinfal, conscripts the templars, disbanding the Order in the process. Just a couple of easy examples I've actually played.
But the ending of DA2 is a choice between "Yes, I will help to execute these people for something everyone knows they didn't do" or "No, I will not do that and I will help them defend themselves and escape." Of course it's possible to come up with in-character reasons to make the former choice, and I have! But it's much less of a choice a character could just stumble into, and you have to do a lot more ideological contortions for a character to do that and believe they're doing the right thing.
Yes, there are a lot of blood mages and demons in Kirkwall. While we don't get a lot of opportunities to treat blood mage NPCs with much nuance apart from Merrill as most blood mages are programmed to attack on sight (and this is likely a product of the game's tight development deadline), the game itself offers an explanation for this in the writings of the Band of Three, the Enigma of Kirkwall codex entry that you can collect throughout the story. While you have to look to find it, this history does make it clear that Kirkwall is meant to be an outlier, for reasons both political and historical (which is another post for another day). And Merrill herself, whether you agree with her viewpoints or not, does offer an important counterpoint: a character designed to be sympathetic while giving a more nuanced perspective to the player on why a mage might choose to use blood magic.
And yeah, even with the fact that the game makes you fight Orsino in the mage ending, I still think this. It's clumsily executed, yes, but Orsino going all blood magic harvester abomination is just one more example of what the game has been showing us all along: that mages (like most people) turn to extreme measures when they're backed into corners with no sense of hope, and the templars then use those extreme actions to justify further abuses of mages. I don't think it was strictly necessary (and for what it's worth, Mark Darrah agrees with that; it's a decision that was made out of concern for gameplay balance more than narrative and in hindsight he's said that he thinks it was a mistake), and I definitely think it could have been executed better, but as it stands it does fit an ongoing theme, and Orsino's actions still do not justify the murder of every other mage in the Circle.
And then there's that thing where Hawke can only receive the support of the nobility and become Viscount if they side with the templars, thereby agreeing to uphold the existing power structures in Kirkwall. It's easy to miss if you've never played through the templar ending (and also because Hawke doesn't hold the position for long and Inquisition doesn't really acknowledge that they ever did Correction: It is actually mentioned in the Champion of Kirkwall codex entry, and possibly other places as well, my memory just failed me), but to me that outcomes is absolutely inspired. It serves to highlight how deeply intertwined the nobility are with the Chantry. The nobles of Kirkwall want Meredith deposed because they feel she's overstepped her bounds by denying them a proper viscount, but they are not anti-Chantry or anti-Circle; they still want mages locked up, and they probably also remember what happened the last time Kirkwall's nobility decided to try and contest the Chantry's power in their city (see: Perrin Threnhold).
I find the templar ending genuinely interesting to play through in terms of seeing the story from that angle, and in terms of what it has to say about power structures and politics in Thedas generally and in Kirkwall in specific, which I also wrote about recently. (To say nothing of how differently it frames Varric in Inquisition when the Hawke he idolizes is the Hawke who slaughtered Kirkwall's mages to a one.) I would honestly recommend playing it at least once for lore reasons if you're into that sort of thing. But I would hardly say that you as a player come out of that ending feeling like you're playing the good guy.
And I'm not even arguing that all choices in the games should be this in-your-face. On the contrary, I don't think they all should. I like it when it's possible for a character to make a choice with unintended outcomes, or get accidentally locked into a worse choice because of previous decisions (like annulling the Circle and then being forced to kill Connor or Isolde). Those are some of my favorite kind of choices in these games. In this particular case, I do think the extreme nature of the choice is important to the story, both as the catalyst for the mage rebellion and to underscore why Anders did what he did.
So when people tell me that DA2 "both sideses" the mage-templar conflict... I respect that it's possible to feel that way about it, but I just don't see it. The game allows the player to role-play a character who might make various choices within its narrative; that is not the same thing as presenting all choices as morally equivalent in-universe, and it has never been the same thing, in any of these games.
If you're looking for one mage-templar choice that puts the injustice squarely in your face, I think the ending of DA2 is very much that.
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poorly-drawn-mdzs · 19 days
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Unsolved Mysteries.
[First] Prev <–-> Next
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kaladinkholins · 3 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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turtleblogatlast · 4 months
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Leo frowns at his phone.
Or more specifically, at the test on his phone.
Around him, he hears the sound of his brothers tapping their own devices, much faster than he is. Looking up just makes Leo feel worse about his own progress - or lack-thereof.
Mikey’s the fastest, speeding through the test like nobody’s business. He’d been the one to make them all do this stupid test in the first place, so it makes sense that he’s having a blast.
Raph’s slower than Mikey is, but he’s still clearly answering the questions at a steady pace. Sometimes he looks unsure, but he powers through anyway.
Donnie often looks frustrated, which relieves Leo somewhat because at least someone is struggling like him. But that “struggle” isn’t nearly as big as his own, considering that Donnie is answering about as fast as Raph is.
Leo turns his gaze back down to his own test. He’s still near the beginning, he thinks.
He’d put the same answer for the past seven questions - the middle of the road answer, neither a “yes” or a “no.” Then, whenever he does come across one that is more one direction than the other, he second guesses himself and restarts the test!
Sure, there are a few he could definitely give a yes or a no to, but…never the “strongly agree” or “strongly disagree” that the test seemed to want from him.
He eyes his twin sitting nearby, the softshell absorbed in the test. Maybe Leo should copy what Donnie put for some of these…
“DONE!” Mikey’s shout makes Leo freeze in place just as he started to lean over.
“What?” Donnie squawks, “No way you’re already finished, you must’ve been cheating!”
“It’s a personality test, Dee!” Mikey stuck his tongue out, “You can’t cheat at those!”
Leo settles back into his seat.
Ignoring Donnie’s mutterings about how it was “just because it’s not an academic test” that he didn’t finish first, Raph smiles encouragingly at Mikey.
“Hey, good job! So what’d you get, Mike?”
Mikey looks back down at his test, reading aloud, “Says that I got the “Campaigner”!”
“What’s that mean?” Leo asks, his phone screen going dark.
“Apparently, I’m an “enthusiastic, creative, and sociable free-spirit”.” Mikey reads, smiling at them, “You think it fits?”
“Oh, to a T, bro!” Leo laughs, giving Mikey a thumbs up, making Mikey’s smile grow larger.
Inside, Leo was feeling a lot more mixed about this. He has no idea how Mikey knew himself so well. Maybe Donnie was right and Mikey did cheat, because how could he answer those questions so easily?
Leo’s phone burns in his hand. He keeps it locked.
“Wow, that really is you.” Raph says, his eyes flitting back and forth between his own test and Mikey, “Do you think it fits?”
“I guess? It’s fun to see at least!” Mikey shrugs with a grin.
“Hold on, I think…” Raph makes a noise of satisfaction, “Okay, done!”
“Sigh, now I’m relegated to the straggler group.” Donnie grumbles, his thumbs moving faster as he tries rushing through the questions.
“Ooh, what’d you get Raph?” Mikey asks, practically bouncing in curiosity.
“Says, uh…I got something called the “Consul”?” He squints his eyes to read more, “Uh, “caring, social, and community-minded.””
“Sounds about right to me.” Leo nods. Can’t be more “community-minded” than being a hero.
“Yeah, no one’s more caring than you, Raphie!” Mikey says, moving to lean across Raph’s shell.
“You do put the community in mind, that’s for sure.” Donnie states, not looking up.
Raph chuckles, a bit embarrassed, “Aw, thanks. It’s just some test, but it feels kinda good to hear that.”
Just a test. Right.
Leo unlocks his screen.
The test stares back at him.
Right. Okay. He can do this. He can.
The screen ends up going dark again.
Frustration builds up in Leo. Was he even halfway done with the test? At this rate, soon even Donnie will-
“FINISHED.”
Leo unlocks his phone.
“What’d you get, DonTon?” Leo asks as his thumb taps the top right of the screen.
Donnie puffs up proudly, a self sure grin on his face, “I got the result “Logician” which states that I, obviously, am an “innovative inventor with a thirst for knowledge.” Truly could not have described me better, if I do say so myself.”
“It is pretty accurate.” Raph agrees with a nod, “Even calls you an inventor, so extra accurate.”
“Super accurate.” Mikey jumps in, eyes shining.
“Yes, yes, almost like reading my own character synopsis.” Donnie’s grin had not dwindled since the word “innovative” had left his mouth.
Leo just nods along, eyes on his own screen as he skims the words. “Yeah, kinda creepy how close it got. Could have called you a nerd for extra accuracy, though.”
Donnie turns to him, eyes narrowing, “Have you even finished your test? I can think of a few words that’d describe you fairly well.”
“Test-y, huh?”
Before Donnie can strangle Leo, Raph cuts in.
“Ok, ok, calm it down, guys.” He rolls his eyes before turning to Leo. “But really, you’re not done yet?”
“Leo’s taking this self reflection seriously.” Mikey sports a faux intellectual expression as he gives a jokingly serious nod. “Maybe we all should’ve taken our time.”
“Says the one who sped through the whole thing in a record time.” Donnie mutters.
Leo waves them all off, “Nah, I finished it ages ago.”
He grins when Donnie immediately shoots him a suspicious glare. “Oh, you did, did you? Then what could you have possibly gotten, Nardo?”
“I’m glad you asked!” Leo clears his throat, “Neon Leon just so happens to be an “Entertainer.””
“Ah. That confirms it. This test is meaningless.” Donnie drones.
“Hey-“
“What’s an Entertainer like?” Mikey asks with a tilt of his head, still hanging off of Raph’s shell.
“Glad you asked, Miguel!” Leo exclaims, “It says that “life is never boring” around yours truly~”
He emphasizes this “result” of his by waving his phone with said “result” on screen.
It’s just an image he found of his chosen personality result, but they don’t need to know that.
Raph nods slowly, “Well, I guess that’s true…”
“”Never boring” is one way to put it.” Donnie hums.
“You are pretty fun, Leo!” Mikey says emphatically, because he’s great like that.
“Thank you, thank you, life of the party, right here.” Leo grins, pointing both thumbs at himself.
He’s careful not to go too overboard with it, or else it might tip someone off.
Not that it…really matters. It’s just a test. Like Raph said.
As the topic around him shifts to something else, jumping away from this brief activity as fast as any other among them, Leo finds himself unlocking his phone and pulling up the test again.
Unanswered questions stare at him. He knows what answers Lou Jitsu would pick. He knows what answers Jupiter Jim would pick. Hell, he knows exactly what answers his brothers would pick.
He doesn’t know what answers Leonardo would pick.
Leo stares at the test for a second longer, before he exits the site and throws himself into the conversation happening around him.
It’s just a stupid test, nothing to worry about.
Just a test…
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt leo#rottmnt headcanons#rise leo#could not ignore this idea that hit my brain haha#if you disagree with me on what personality types I gave the boys that’s fine tbh#picked mbti since it was the first one I thought of but again it like most of these tests isn’t super worth putting stock into#these tests are kinda dumb anyway but they’re fun to take#for some#anyway I love thinking about Leo struggling with his sense of identity#and in turn struggling with what is a persona and what is HIM#how much is a mask how much is built from taking traits from others how much is real how much is fake#even he doesn’t know#protagonist is probably a good choice for leo but I’m also tied to him secretly being the introverted type as well so#bit more of an ambivert maybe#he’s got aspects of a lot of them hence the difficulty answering questions#well most of his difficulty comes from an uncertainty of who he really is#again what is him and what is his mask#or masks#what even is his true self if his self is someone he’s never bothered to meet#a lot of the little details of his personality - the parts of him that we see peek out throughout the series and often on his own -#- they align with personality types that you would never think of when looking at him and his masks at face value#that’s not to say it’s all masks - he’s a goofy guy at his core - but he’s more than he lets on and we’re made privy to that in subtle ways#though fr protagonist is prob Leo’s most likely result
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shattered-earth · 5 months
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"orange peel theory" on the main 6 bg3 companions according to me
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suffersinfandom · 6 months
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Controversial opinion (?): the Kraken Era wasn’t all that dark.
There’s a whole lot of meta and fic out there that portray early season two Ed as a bloodthirsty, hyperviolent monster, and when that portrayal is challenged, the rebuttal is usually along the lines of, “I’m just doing what canon did. Did you even watch the show?”
I did watch the show, and honestly? I expected Ed to be so much worse than he was! When I see people say they didn’t think Ed did enough to redeem himself or that he went past the point of no return, I just… don’t understand.
I already went into this in my way-too-long meta about Ed and abuse, but I do think it bears repeating (in a shorter post) because it seems like Ed’s actions -- more than the actions of any other character -- are scrutinized and discussed outside of the context of, y’know… a comedy about pirates. There’s tons of casual violence in Our Flag Means Death. Sometimes the violence is even funny! 
So what does Ed actually do?
As far as I can remember (I’ve only seen season two a few of times, so correct me if I’ve missed something!), we see Ed directly harm someone twice in the first two episodes: first on the wedding boat, and then when he shoots Izzy in the leg. Kind of unimpressive numbers, yeah? Tbh, I'd expect more out of a heartbroken Blackbeard.
The first instance involves Ed shooting a man during a raid. That man has a sword through his chest before Ed fires, leading me to believe that Ed’s still following his season one pattern of keeping himself a step removed from murder (technically, the sword killed that guy). We also don’t see the murder happen; the man tumbles offscreen before Ed shoots. This makes the action less brutal. If the writers wanted us to be appalled by Ed’s violence, we would’ve gotten a graphic kill (or several).
And the second instance is Izzy. Ed shoots Izzy in the leg after he suggests that the shitty atmosphere is because of Ed’s feelings for Stede. Hot take, maybe, but I don’t think that was entirely out of line -- definitely not for a pirate captain whose first mate is acting out! Ed’s feelings for Stede are not the only problem; a significant chunk of the problem is Izzy. Izzy called in the navy and led to their capture and, more importantly, Izzy bullied Ed back into the Blackbeard persona. This is what Izzy said he wanted.
We’re also told that Ed has taken more of Izzy’s toes between seasons. This isn’t cool -- bosses definitely shouldn’t be asking for their employees’ toes -- but there is a precedent for it: in season one, Ed told Stede that he used to feed people their toes for a laugh (yuck). For a laugh. This, to me, implies that it’s not a huge deal. It’s certainly not completely unexpected pirate behavior, and it seems more lenient than, like, a keelhauling or a whipping. I think both of those things would've felt way more gruesome and dark.
As far as violent actions go, that’s not a lot. Like, numerically.
Things get darker in S2E2 when Ed becomes increasingly desperate for someone, anyone, to send him to doggy heaven. He’s unhinged and working his way up to a murder-suicide before he’s stopped, but he doesn’t lay a hand on anyone. He orders Archie and Jim to fight to the death. He ignores anonymous crewmembers as they’re swept overboard in the storm. This is bad! It’s self-destructive and selfish! But violent? Monstrous? I don’t really think so.
In my opinion, the worst thing Ed does is force his crew to do violence for him -- not because it’s violence (again, they’re pirates), but because the violence hurts them. THIS is what traumatizes them! Their trauma flashbacks are scenes of them hurting others, not of Ed hurting them directly. Ed didn’t physically torture his crew (with the exception of Izzy, and that’s complicated). His crime was driving them to do one violent raid after another, killing and plundering without any joy or theatrics. Ed feels trapped in the role of Blackbeard -- the role that he’s been desperate to escape -- and, in his heartbreak, he opts to trap his crew with him. 
Yeah, Ed is messed up in the first two episodes of season two. I don’t blame the crew for almost killing him; it’s what needed to be done. I think that Jim, Archie, Frenchie, and Fang had every right to want Ed gone after Stede’s return. 
But I don’t think that Ed was a super violent monster who tortured his crew and murdered his way through his breakup. He engages in very little onscreen violence, and the person that most of his violence is focused on -- Izzy -- is the same person who told him to be violent. I think that anyone who says that Ed’s actions in the first part of season two are extremely dark is either looking at them out of context, misremembering what actually happened and just recalling the dark tone, or working with some kind of motive.
In conclusion: Ed is a man who, at his very darkest, was still operating pretty firmly within the bounds of "stuff pirates do" (but not stuff Ed has historically done, presumably).
Also look at him. Thank you.
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GIF by unearthlydust
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wumiings · 10 months
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i’m sorry are you telling me that after everything he said about his family supposedly being close— doting on his little sister and having a warm older brother whom yue qingyuan reminds him of— shen yuan was never once properly hugged before he died???
like i know he immediately tries to cover it with an uncomfy aside about how it wasn’t a pretty young woman hugging him or w/e, but he clearly isn’t talking about a first romantic hug specifically, because the context is being tackled by a crying 15-year-old whom he calls a huge baby for it.
so this is literally his first real, tight hug in his 20ish years of life and it happens in a ‘fictional’ world with a child he thinks might grow up to brutally-yet-justifiably (to his mind) torture him after he died alone and had his soul transplanted into someone else’s body.
babe??? i really don’t think your life was nearly as idyllic as you implied and i would love to know what the fuck is up with that
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People will really say "Jonathan Sims is a good guy!" or "Jonathan Sims is a bad person!" as if a prominent message of his character arc wasn't that no matter who you are, what you do, or how you behave your actions can cause harm or good without intention, and baselessly assigning morals to people who aren't deliberately causing harm is pointless because our view of them is more about how they affect us than how they actually are.
For better or worse, everyone is just a person. We're all both not at fault and entirely to blame.
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marzipanandminutiae · 10 months
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I miss people using non-medicalized terms for other people's passions
like. well and good to talk about "hyperfixations," "special interests [in the context of an autistic person's favorite subject]," or "infodumping" if you have ADD/ADHD or autism, or are talking about someone who is, but...that's not everyone who feels strongly about something, obsesses, or loves talking about their interests. those words mean specific things, associated with specific forms of neurodivergence
don't assume everyone is comfortable with that language
"rambling" is a word; so is "ranting." "obsession" is a word. "passion" is a word. learn them and use them
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elspeth-catton · 5 months
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i'm so so sorry to the people that didn't get to see saltburn in theaters because imo it was truly the best way to watch it
feeding off of the energy of all the other people in a packed theater, it feels SO much more voyeuristic with strangers sitting right next to you in a dark room with all your senses heightened, the soft gasps, the shocked laughs, people mumbling "what the fuck" to their movie partner next to them under their breath, i cannot describe the high i got off of seeing it in theaters
the genuine goosebumps i had from the soundtrack in surround sound, from rosamund's gut-wrenching scream, it is just not the same at home
i feel like if you didn't see it in theaters, it's not fair to give it a terrible review because it is really a completely different experience
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otaku553 · 10 days
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Idk if u watch Bnha but i think u will love the Story right now it has over 60 Chapters.
As Yamato, Son of Kaido, heals from her wounds from a battle against her tyrannical father, a chance meeting with a injured boy in green opens her world. And that world, will change.The boy's name? Midoriya Izuku.
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I mean absolutely no offense to the writer or the people who enjoy this fic but personally I get an ick every time I read she/her pronouns for Yamato, who is canonically trans. I’m sure otherwise I would really enjoy it, since Yamato is one of my favorite characters and I’m a fan of the bnha world as well, but,,, yeah
Yamato to me is such a powerful character in terms of the impact he has had on the fanbase. Especially as someone who presents usually pretty fem and has difficulty getting people to refer to me by my own preferred pronouns, I love seeing people acknowledge Yamato’s chosen identity :)
Thanks for the recommendation though!! Crossovers are my bread and butter, so if you find any other fics you think I might like, do feel free to send them my way!
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yuujivrs · 1 year
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"i don't believe friendship between a boy and a girl exists."
being best friend with suna rintaro for years, you didn't expect to hear those words come out of his mouth while you're sitting on your bed. you were scrolling through tiktoks each on their own phone, and you saw a video with a boy joking about being in the friendzone. you laughed and shoved your phone in his face, expecting him to find it just as funny as you did. but the only reaction you got out of him was a little grin and that sentence. the sentence that left you quite a lot puzzled.
blinking fast, you frowned and looked at him: "wh-what do you mean?"
suna took a deep breath and put his arms behind his neck, getting in a restful position. "well, biologically, we're made to procreate. so when you find someone whom you can bond with, you can't help but think of them as a potential mate."
you still didn't get it. seeing your confused expression, suna breathed loudly again and dropped the scientist-like act he put on. "one of them has got to be in love with the other."
you mantained your baffled expression for a second, then burst out laughing. because he must be kidding, right? suna raised an eyebrow and looked at you with the same face as you. "what are you laughing at?"
"well, i am not in love with you!" you joked back. then your laughter faded, as the words he just said sinked in.
suna was probably hearing the wheels in your mind turn. with excessive nonchalance, and a badly hidden smirk, he checked his phone and just said: "ah, it's gotten pretty late. 'm goin' home."
and with the biggest audacity in the world, he leaned in and planted a kiss on your cheek. then he got out of your room, leaving you with the same position and expression for about five minutes.
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poorly-drawn-mdzs · 10 months
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I'm sorry I let down my guard.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#xue yang#xiao xingchen#God DAMN this scene was brutal. Season 2 episode 2 is almost nothing but misery and anguish#Helena by Nickle Creek does not quite fit the comic's vibe but it is absolutely a Xue Yang song so I linked it.#The change from “Helena don't walk away...(gentle)” to “HELENA. DON'T WALK AWAY (threat)” is fantastic.#And “Don't waste your pretty sympathy - I'll always be just fine”. Xue Yang core.#Okay now for the real meat. Disclaimer first: *I really like XY.* I think he's a great character. I think his actions consistently-#come from a place of deep trauma. While his reactions and actions put him in a villainous role he is still human about his hurt#and what I'm about to say is NOT intended to be a statement of causality or villianize a group of misunderstood people.#So with that said...Man oh man does Xue Yang have a lot of BPD traits. More that just 'character who is chronically manipulative'.#The impulsivity and emotional reactions and seeking stability makes him feel like he needs that control. What other choice is there?#The part that really gets me is how he *wants* to be safe and happy. But his past experiences tell him how thats impossible#He's the kind of person who goes 'if you don't like me then you better hate me for something substantial". All (pos) or All (neg)#''Love me entirely or Hate me. But don't you dare leave me or forget about me.''#Not at all comfortable saying 'BPD coded'. Im not a psychiatrist. Just that he has TRAITS. Feel free to disagree or add your thoughts.#ppl with bpd also are not a monolith and everyone has very different experiences. Xue yang is very complex. People more so.
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taolaoo · 7 days
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There are a lot of things that make me despise dudebros. One of them is when Abigail and Arthur's relationship becomes the object of their stupid jokes.
So, Abigail and Arthur's relationship. If you ask me, I really don't think Arthur was head over heels in love with her. Absolutely not. The way he describes her and Jack in the journal is more like grieving for what was taken from him. It's so painfully obvious that he's comparing them to Eliza and Isaac in his mind. It's not love, it's just a glimpse of a lost feeling. But even if it is love, it's not in a healthy way.
An important clarification, but I also don't think Arthur ever slept with her. How could he if he had women of his own at that time? (Eliza and Mary, we don't know for sure which one he got into a relationship with first). Arthur doesn't seem to me like a man who can sleep with someone when he's already in a relationship, you know.
Bill's words in rdr1 about Abigail sleeping with everyone sound very funny coming out of his mouth in my opinion. Because first of all, it's Bill; secondly, he's a bastard who always likes to say things to piss others off; thirdly, why do you expect me to take him seriously after he said he slept with her too? I'd rather believe in flat earth than that Abigail, strong woman that she is, would let this smelly boykisser too close to breathe next to her.
What is certain between Arthur and Abigail is trust. From the way Jack is very friendly with him and not afraid to ask for his help, you could tell that Arthur has always been there for him and Abigail, especially after John left. And that's totally understandable. Because Arthur is the only man in the camp who seems normal, kind, and good enough to look after a child. (Hosea too, I'm sure he and Arthur were that strong support for Abigail when she was having a hard time, but that's a bit beside the point right now).
Because Abigail is careful and smart, maybe she even saw something in Arthur that he didn't want to tell anybody (you always know that a man can only be gentle and caring to a child when he has one of his own). That's why they have such a strong friendship, that's why Abigail can ask Arthur to take Jack fishing without a problem.
And yeah, it may be hard for Arthur because he sees ghosts of his past around them, but he doesn't say no. Because he's kind, selflessly kind to those he cares about no matter how hard he tries to deny it.
Their friendship is so underrated, I wish for once it was talked about in terms of strong friendship and trust, not some dumb pseudo romance that doesn't exist.
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turtleblogatlast · 2 months
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I honestly love the clothing styles of each of the turtles in this show and I love how these styles really incorporate their personalities as well.
Like, obviously Donnie has the best sense of style, yeah? Think that’s something pretty agreed upon here. Everything we see him put together is very meticulously crafted and clean. That goes with his personality because Donnie is a very meticulous person in general, and he knows what he likes very, very well, and knows how to flaunt it in turn. Him commenting on colors he enjoys or disapproving of outfits that the others see no problem with also shows how he just generally has an eye for this kind of thing. He doesn’t just know what looks good on himself, but also what looks good on others - and I think this ties into his love of gift giving too. Donnie also has a flair for making sure that his things have his “mark” on them, and his clothing is no exception. All that he wears and how he wears them screams “Donnie.”
Mikey is really fun because his styles are honestly a pendulum between super simplistic and incredibly out there. And often, you’re going to see a lot of color or patterns to both. And in my opinion I think that all reflects really well on Mikey’s character - he’s got a colorful personality but even more than that he’s incredible sure of who he himself is. Mikey’s style, I feel, is less what looks good as clothes and more what sparks joy in Mikey himself. His bright stickers he wears are a testament of that! He’s comfortable in his own skin and his style reflects this perfectly, whether he goes for a more out-there look or a more toned down one.
Now, for Leo. Okay, I think I’m actually in the minority here I feel because Leo’s style isn’t really that bad? Hear me out- if you actually look at what he wears, try taking out, like, one accessory. Suddenly, that outfit works! He even manages to put together many good outfits in the series, but his “bad” ones are the ones that tend to stand out, alas (just like how his mistakes tend to be big ones oop-) Basically, my personal look at him is not that he’s inept at styling at all, but that he has a “too much” gene. And like everyone else, this sense of style is completely like him, too. Going too far to impress when all he needed to do was slow it down some to think things through. (And funnily enough, a lot of his outfits take random aspects from his brothers too - “nothing without them” huh?)
For Raph, I feel bad for him since pretty much all of his clothes are inevitably going to be ripped, but he makes them work pretty much each time. Like Leo, Raph tends to go more sporty with his looks, but I also noticed that his stuff often goes in that in between of comfy, cool, and cute. His pajama suit in particular comes to mind in terms of “cute” as it’s more something you’d see younger children in rather than older kids, and I think it can be a subtle nod to the fact that for all Raph tries to seem older, he’s still just a kid too.
I could probably go on, but these are just all off the top of my head - I love how the boys’ personality’s come out in so many different ways.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt headcanons#rise donnie#rise leo#rise mikey#rise raph#I love fashion actually#if you’re wondering where this came from it came from me watching hours of outfit creation vids#but yeah! I honestly could probably go more into it#but I’m going off my memory for the most part rip#Leo in particular makes me sad because I disagree with like 99% of the fandom about his fashion sense LOL#I don’t think it’s bad but it’s def not close to Donnie level#Donnie is his own category#Leo though he’s not just jerseys and ripped sleeves#he wears full eye makeup as a granny and kills doing it#his pirate costume was very well put together imo#even his regular weird frog like disguise is perfectly fine when you get rid of the goggles#I ALSO don’t think Raph’s style is bad either#my boy has more difficulty with clothes since he’s limited to the stretchier stuff but like#he’s got good style!!#I’m def looking more into this all than necessary but#watch me come back to this and change it like fifty times#if you’re wondering what I mean about Leo’s outfits taking from his brothers#look at Raph’s standard disguise (the one they go out to play basketball with)#ripped sleeves and a backward cap#one of Leo’s main outfits in The Clothes Don’t Fit the Turtle?#ripped sleeves and backwards cap#incedentally these borrowed aspects actually hinder his overall look!#his outfit without them is more HIM y’know? which says a lot about allll their individual styles
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disasterbuck · 1 day
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buddie ficlet set after s7
"What about uh, Tommy?" Eddie asked, keeping his eyes down so he wouldn't see Buck's smile. "You could go with him." "Oh." Something in Buck's voice changed. "We broke up." Eddie's head snapped up so fast he almost got whiplash. He was reminded vividly of standing in this very room and finding out that Buck and Natalia had broken up – he felt a familiar thrill of excitement. "How come?" he asked. Buck pulled a face and it was his turn to look away. "He uh, wanted me to call him 'daddy'." A grunt of disgust spilled from Eddie's mouth before he could stop it. "I know," Buck said with a wry smile. "Anyway. Saturday? You and me?" Feeling much lighter than he had when he'd arrived, Eddie smiled and nodded. "You and me."
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