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#if i squint hard enough they’re trans
banamine-bananime · 2 months
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just listing some of my headcanons (mostly appearance/demographics) because i like listing things and i’m procrastinating hard
caboose - 18-19 in 2552. went straight from hs graduation to basic to sim training to blood gulch. he was gonna do a program where the UNSC provides a hefty scholarship for completion of an engineering degree with a few years of service upon graduation, but got enlisted instead through a combination of paperwork being confusing for bureaucratic nonsense reasons, paperwork being confusing for deliberate predatory we-need-as-many-people-for-cannon-fodder-as-possible reasons, and him being confused by any paperwork. 6'7”, ~250 lb, very muscular and not thin but not quite chubby either, very mixed but mostly latino and arabic ethnicities, thick fluffy 3A chin-length dark brown hair that's always in his eyes, round face with cute fuzzy eyebrows and aquiline nose. him and tucker (and kinda donut and perhaps sarge) are the only motherfuckers here with a stable happy childhood. uses-no-specific-label queer cis dude.
church - we know church is 5 in blood gulch lol but it think he thought he was like 23-ish/jimmy was around that age. in jimmy's body, 5'10, ~230 lb, chubby and "normal" level of muscularity for someone who has a somewhat active job but doesn't work out much, untidy thick straight black hair that's like 2" grown-out from a buzz, face passably similar to the director if you squint but not really (e.g. shorter/squarer face, eyes hazel instead of stupidly light green). epsilon projects a similar bodytype but would probably default to a young-director-ish face if he had to make one. i think he would at some point consciously change it around if he were doing a face with any regularity. bisexual and nonbinary and will probably never fully acknowledge it but she can have some pronouns as a treat (from tex or in her own internal monologue) sometimes.
tucker - 18-19 in 2552. went straight from hs graduation to basic to sim training to blood gulch. enlisted because he was a “fuck around without any motivation or particular goals in life” kind of teenage dirtbag who was like “oh hey predatory recruiters absolutely dominating every career fair in Covenant-war-era earth. i’ve heard being in the military is very sexy and exciting and makes you a chick magnet so sure sign me up”. 5’4”, ~110 lb scrawny guy in blood gulch -> ~135 still pretty skinny but more muscular later. 4C hair with a grown-out buzz from basic in blood gulch becoming locs when it's long enough. *takes you by the shoulders very seriously* repeat after me, his eyes are BROWN. and the only acceptable other option is when they’re turning gray as in a body horror way, gray as in your body becoming something uncanny to you, gray as in the horribly blinding cold light of unfathomably vast stars lightyears away from anything you’ve ever known (read lazarus left the tomb btw. treat yourself). very handsome face in a boy-next-door-looks-very-sweet-until-he-opens-his-mouth kinda way. an only child or had like one older sibling he wasn’t very close to by the time he enlisted. i think of him as a bi cis guy but i enjoy trans hcs.
kai - 20 in 2552. 5’2”, ~200 lb, fat and top-heavy hourglass and broadset. a little muscular (it’s not immediately obvious) as she was always athletic and basic training helped, but she’s made more for endurance (body by “dancing 7 hours and walking home across town drunk and sleep-deprived”) than strength. thick upper-back-length black 2C hair that she sometimes dyes streaks in or ombre (usually brown highlights but she mixes it up). broad face and nose, big adorable eyebrows, life-endingly cute eyes and smile. alternates between no-makeup all-leg-hair realness, and full femme glam for funsies with 5 sets of fake eyelashes trying to take flight (at least three of them are inevitably going to be Just Fucking Gone by some point in the party). pansexual ipsogender intersex gal (tbh the original reason i headcanoned her having mosaic turner’s is the colorblindess [x-linked recessive traits are rarely gonna show up if you have 2 X chromsomes vs having one, so i was like, “hey her retinas could be some of her XO tissues, and with mosaicism, fertility isn’t uncommon, so it doesn’t contradict her having had abortions”] and then years later i thought about it harder and was like wait she has achromatopsia and that’s autosomal. biology nerd fail moment. but anyways she’s intersex.)
tex - her body is modelled after allison aged 33 (when she died), but bigger stronger faster idealized-by-memory-and-wanting-her-to-be-invincible-to-the-point-of-looking-more-like-she’s-on-gear-and-photoshop-than-a-natural-body. 6’2”, body looks like ~220 lb of muscle and low-body-fat (but not like, cut for bodybuilding competition level of low-body-fat), but being made largely metal, she is heavier. whereas allison was like 5’9”, 170 lb, serious-crossfit-competitor kind of build but nowhere near as built as tex. face looks very similar to allison but just… weirdly airbrushed look and looks… sharper. harsher features. more intimidating. but she’s got this crooked smile that looks kinda like a smug smirk but also like she’s not laughing at you exactly, she’s just vibing with you and the inherent comedy of the absurdity of life. but when she’s Not Smiling it's the kind of expression you start backing away from expeditiously. i think of her having shoulder-length hair she wears in a ponytail but i do love short-hair tex dearly. gnc butch gay/bi (mostly attracted to women, uses both labels) cis woman who uses any pronouns.
wash - around 31? in 2552 (would put him being recruited to pfl at about 26 which feels right for being able to slide into the Goofy Innocent Rookie role but also plausibly have achieved a pretty high non-commissioned officer rank). 5’6” -155 lb, functional muscle with a build in-between lean and stocky (“otter” as a label keeps coming to mind). i don’t have a super settled facecanon but picture him as either white or mixed white and east asian. he has not changed his bleach-blonde crewcut since he was 17 and the shock of allowing himself to change it now might kill him. gay ace trans man.
carolina - 29 in 2552 (actually the youngest among the high-ranking freelancers. she would kill (jk) to protect this secret). she did the whole 4 year military academy to commissioned officer training thing and had a couple years of normal UNSC service before unfortunately getting wrapped up in her dad’s mad science pet project. 5’8”, ~150 lb, leanly muscular. i think of her having natural red hair she dyes bright red but i love a black-haired carolina too. we’ve seen her face. straight trans woman (transitioned as a preteen). i know, i wanted her to be in the wlw club, too. unfortunately every time i try shipping her with a woman she’s like “meh. thinking about my weird khaki man.” and i’m like oh. sorry about that affliction.
sarge - 62 (?) in 2552. 5’6”, ~200 lb, stocky and solidly muscular barrel-chested slight-beer-gut old dude. chinese-american. if you somehow catch him without his helmet he’s got wraparound reflective shades so good luck ever seeing his face (he’ll tell you it’s classified). another eternal crewcut guy but his is shorter than wash’s. bi and definitely a robofucker tbh. he is cis or trans depending on what’s funnier in any given circumstance.
grif - 24 in 2552. worked in honolulu a couple years after hs graduation until kai was old enough (17) he felt he could leave. did a year at university before realizing he’s smart enough to be admitted to cornell but not to get the scholarship he realistically needs to not be in crushing debt on graduation and also there’s not nearly enough regimentation to college life to prevent him from rotting in bed paralyzed by Problems. went through basic and stationed on the doomed outpost. that Whole Thing happened and he was reassigned to sim troopers. 5’8”, ~300 lb, fat and a little bit strong against his will from an involuntarily active job (he has valiantly resisted picking up cardiovascular conditioning. he works very hard on unfitness). he’s kinda cute in a “hasn’t washed his face in 5 days and his peachfuzz/stubble patches combo is very uneven but you caught him smiling for 2 seconds and oh no it was VERY charming” way. thick 2C dark-brown hair that’s a few inches long, wears it longer later. gay trans guy (because his little sister is named “younger sibling of the same gender” so like… also lmfao how unfortunate for kai that her name, which she did not choose, misgenders her big brother. like 😭 god it is very on the grif siblings brand of “hello so the circumstances we have been put in mean that my existence [kai]/how i have to leave you here to protect my own sanity [grif] is actively making your life much harder. i am ashamed of this, let us never communicate about it ever. i love you so much.”)
simmons - 23 in 2552. tried to do university several times and had to drop out for mental health reasons (a very polite way of putting “rapid spiral into absolute disaster every time”. it leaves room for giving him the benefit of the doubt that this was a proactive “ah i should take care of myself and this is not working for me :) #selfcare #therapy” decision. this is not benefit of the doubt that anyone who knows him would extend.). I go back and forth on whether to roll with the “suspiciously specific denial of being in a unit that was stranded and had to eat their dog to survive” thing or just say he was assigned straight to sim troopers. 5’11”, ~160 lb, wirey build and has to be standing at attention or else he holds himself so awkwardly. i pretty much go with the Standard Ginger Simmons Fanon Face but light brown hair also feels right and i think his hair should be very short. i really like when people draw his prosthetics very industrial/bare mechanical frame not trying to imitate biological form, just whatever’s functional. Red circle eye, hell yeah. bi and i used to firmly believe “this guy has to be cis because there is NO WAY he would have the hutzpah and willingness to put self-authenticity over doing what he’s Supposed To Do. we’ve seen how he deals with anxiety. he would just be white-knuckling his way through dysphoria to this day” HOWEVER i have really come around to trans simmons
donut - 19-20 in 2552. i see him taking a gap year or two to work on the farm and think about what he wants to do with his life (not productively introspecting on his deeper desires in life and what would allow him to fulfill them, god no, of course not. daydreaming unrealistically. obviously.) before enlisting. i think his upbringing was fairly happy but kinda weird and a bit insular within a small community of some Beliefs and possibly homeschooled. not like exactly Fundie Christian America as you might assume with that background; american subcultures have changed enough over 500 years that this is one of many totally unrecognizable to us. like it has some roots in Fundie Christianity and homesteading-from-a-weird-reactionary-tradfamily-can’t-trust-the-gubernment-place and some in Hippie-dippiness Spirituality, not-actually-a-cult-but-sometimes-you’ll-hear-him-say-things-he-thinks-are-normal-and-you’re-like-ummmmmmmm. (Idek how that headcanon started. i think i was just like so how DO you build a guy like donut). he’s 5’10”, ~185 lb, sturdy build, i don’t think people would consider him chubby but definitely not thin. his face and hair looks like he should be on a 1960s white america boyscouts poster but like, goofy about it. i think of him being mostly white but some latino heritage he’s curious about but was not raised connected to (hence wanting to learn spanish). acearospec and gay (he’s like…. mostly asexual and aromantic but it’s complicated. he is barely aware of being gay let alone ace or aro. he just fully makes up what he thinks sexual attraction and romance are and assigns it to random feelings/experiences). cis dude or nonbinary.
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cr-noble-writes · 5 months
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Title: Vicissitude Series: Virtue and Volatility Fandom: Mass Effect Rating: Mature Characters: Jackson Shepard, Garrett Coats, Warren Mills (OMC), Steven Hackett Relationships: mShepard/Coats Tags: pre-canon, Elysium, The Blitz, canon-typical violence, implied sexual content, Outsider POV, PTSD, Drinking, trans male Shepard, renegade Shepard Word Count: 7171
Summary: Vicissitude- a variation in circumstances or fortune. Elysium, the Blitz, and choices that change the course of Jackson Shepard’s life.
Notes: So, Jackson is a study in contradictions, and even more than in Verisimilitude, I discovered while writing this fic how god damn difficult in can be to demonstrate the emotional state of a guy who flat out refuses to be aware of his own emotional state lol
Anyway, I hope you enjoy learning more about Jackson. I enjoyed writing this, even the darkest bits. Also, I’ve done a thing I don’t normally do, which is attach a song to each chapter because they’re just songs that I hard associated with the chapter while I was writing it. I’ll be putting them in the chapter notes as I post.
Just like Verisimilitude, this fic is complete, and I’ll be posting once a week on. It is important to note that while I don’t have any *super* detailed descriptions of what happens, this fic does have some darker themes.
Thank you to @rotschopf-thedrow for batting this around with me constantly for the last like… month and for alpha reading for me! And thank you to @ad-astra13 for beta reading for me <e
Special thanks to @swaps55, @bioticbooty @mallaidhsomo for helping me flesh out some of my ideas!
Read Chapter 4 Here
Excerpt:
Batarian trucks, as it turns out, aren’t that different from human ones. If he had a better omnitool, Jackson might be able to control the vehicle remotely. As it is, all he can really do is prime the eezo core and cut the brakes so the pirates can’t stop it. He grabs the frame and pulls himself under, the orange glow of the ‘tool illuminating the dust particles that kick up from the road beneath him. Dad had always been a stickler about repairing and maintaining his own equipment. Back home, they’d worked on vehicles in one of the hangars in the docking bay. It was a lot easier to get into a truck’s guts from underneath when he had access to an industrial lift. And a well-lit workspace. Jackson debates turning up the brightness of the ‘tool so he can stop squinting. They’re close enough to the encampment that even squished between the truck and the dirt, too much light will alert any patrolling guards to their position. He runs his fingers along an expanse of metal. If you pull this panel, you can access the port to drain the transmission and the brake lines.   Dad had held Jackson up so he could do it himself because he was too short to reach. Using the stepladder leaning against the nearby workbench had never crossed his mind. The panel pops off silently. If nothing else, the pirates maintain their equipment well. He feels for the hydraulic lines, wrapping a finger around them to pull them down for easier access. Having small hands is great for this kind of thing. His knife—meticulously and regularly sharpened—makes quick work of them, and he has to slide to one side to avoid a face full of brake fluid. Another panel gives him direct access to the small eezo core. At least he can see inside this compartment. A few hastily written lines of code later, Jackson replaces the panel and works his way out from under the truck.  In a pinch, use whatever you have. It doesn’t have to be pretty; it just has to work. His father had been talking about repairs, but the same is true of sabotage.
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marinabays · 1 year
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[M/M] [Sex Work] [Overstim] [Dirty Talk]
Jenny is sitting back in the wicker café chair, looking every bit the relaxed retiree she is. She looks tan. She looks good. She’s squinting at Lee’s phone, because it will be a fair few years before she admits she needs reading glasses, one leg folded over the other, bouncing her foot around with such lazy enthusiasm that Lee worries she’ll kick her cappuccino off the table. Lee thinks Jenny could still be infamous, charging S1,000 for an hour of her time, if she wanted to.
Then again, youth sells was one of the first slivers of advice Lee had managed to pry out of Jenny, after he’d sworn up and down that he was going to go into this line of work no matter what, with Jenny’s blessing or without it. “A lot of these guys are looking for something new. Their lives, their wives, their first-class trans-Atlantic flights, it’s all old hat. You get to be the shiny new thing on the block.” Countless people looking to break into the industry must have solicited help from Jenny over the years. Lee still hasn’t wrapped his head around why Jenny sees potential in him in particular.
But Lee likes being shiny. Likes being appreciated, desired, noticed, scouted. This isn’t the least logical career choice he could be making.
“Your site looks good. Who’d you hire to do it?” Jenny asks, incredulous.
Lee tries not to look too pleased. He knows it looks good. It’s got SEO coming out of its ass, too, but that’s all hidden. “I did it myself, ‘s not that hard. What do you think about the photos?”
“They’re nice.” Jenny zooms in with two fingers, considering. “Tasteful. In my day you paywalled anything racier than underwear shots, but these days all bets are off.”
“Did those myself too.” All it took was a secondhand DSLR, a couple of ring lights, and a bootleg copy of Lightroom.
“You’ve got a full bio, gallery, wishlist, and services page, and you haven’t even had a client yet?”
Lee crosses his arms in front of him, tucks his chin into the neck of his hoodie. “With how much you’re telling me to charge, I can’t have anyone realizing this is my first go ‘round. Everyone wants a virgin but no one wants an amateur.”
“Hey, don’t quote me at me,” Jenny warns, but he looks fond. “Please tell me you’re at least not planning on dressing like this.” She looks Lee up and down. Her evaluation of Lee’s dress sense is obvious.
“I’ve got nice clothes,” Lee protests. They’ve all still got the tags on, but he was going to make sure he tried them on before his first booking. He’d just been really busy.
Jenny is unconvinced, but she doesn’t say it. She just smiles over the lip of her coffee, looking satisfied with the execution of her mentorly duties.
“Here,” she says, and reaches under her chair. She brings out an expensive-looking shopping bag, the kind of thing Lee wouldn’t dream of touching on his student budget. “I know it’s just going to end up on the floor, but I can’t have any protegé of mine wearing something that came from Target.”
Lee wants to argue, but he’s gone all in on being cheeky, not rude. He’s already taking Jenny’s time, mentorship, advice, and gifts. He doesn’t need to try her patience as well. “Thank you.”
Jenny waves him off. “Don’t worry about it. Just promise me you’ll be safe, alright? Remember the basics? You’re your own best friend when you’re out there. Just— keep your head on straight, yeah?”
Lee nods but if he’s being honest he’s thinking more about how much he’d like to be like Jenny, when he gets to be that old. Jenny’s got croissant crumbs down her blouse and doesn’t seem bothered by it. She’s embodying a kind of unselfconscious ease that has been totally alien to Lee’s twenty-one years on earth. But maybe he can be like that one day. Maybe once enough people tell him he’s beautiful in cold, hard cash.
The guy’s “name” is Andrew, and apparently he’s a cheapskate because he only books an hour-long session. Still, the message is the most exciting email Lee’s received since his college acceptance.
He tells Jenny the time and place and makes plans to check in five minutes after the session is meant to end. The check-in and a can of pepper spray in his backpack are all he has in terms of safety, a fact which only really sinks in once he exits the elevator and is finally alone in the silent, extravagantly carpeted hotel hallway.
It all feels a bit surreal. He’d asked himself a million times if he was really ready for this and made sure the answer was an emphatic yes. He’d thought about it for so long, planned it down to the millimeter. But he still has to focus on the things that remind him that this isn’t a daydream: touching the silky lining of the sharply cut blazer Jenny bought him, checking the Signal notifications on his phone, running his finger over the condom packet in his back pocket to make sure that it’s still there. There’s probably never been a more important time to think with his head and not his dick, but he’s already half-hard in these new paint-on jeans.
Eventually, he just stuffs his headphones into his bag and tries to focus instead on not obviously blushing, on not thinking too much about how good it felt to finger himself open in the shower before he left, on not accidentally knocking on the wrong room.
Andrew is wearing an oversized tie-dye t-shirt when he opens the door. The floor behind him is covered in discarded clothes, and the air is thick with herbal steam from the shower. “Hiya, Gordon?”
Lee tilts his head in a way that he hopes comes across more as an interested coquette than puzzled bird. “Hey, Andrew? Can I come in?”
Lee had expected older. A lot older. Andrew seems youthful at least. On the inquiry form he had unhelpfully listed his occupation as traveling businessman, but with his tattoos, he looks more like a lifestyle influencer. He’s got a smile big enough for YouTube, beckoning Lee into the room like they’re old friends and not strangers. “Sorry about the—er—everything. Travel lifestyle, you know how it is.”
Lee hasn’t traveled in years, but his website still has a Fly Me To You section. He glances at the dresser. There’s a heavy, expensive-looking watch laying on its side next to an unmarked envelope. Just where he asked for it. It’s odd to think that he’s set the rules of the interaction before they’re even met, but he supposes that’s the point. “Don’t worry about it. I’ve seen worse.”
He should really, really count the money first. Another winning piece of rookie advice from Jenny. He slips the envelope into his pocket instead.
He can feel Andrew watching him. He examines the view of the city through the picture window instead. “Are you in town for long?”
“Through the end of the week. Do you deepthroat? It didn’t say in your bio.”
Jesus Christ. It sounds like he’s asking Lee what he had for lunch. Lee doesn’t miss a beat though, just arches his eyebrow and turns to look Andrew in the eyes. “Er, yeah? Part of the job description, isn’t it?”
Andrew shrugs. “Takes all sorts.” He pulls his shirt over his head, revealing more tattoos and tan skin. He is, truth be told, very good looking. Lee goes to the gym, obviously, and the photos on his website were specifically taken to showcase it. He never expected a client to give him a run for his money. Andrew really doesn’t need to be paying for sex, but Lee won’t be running out to file a complaint. “We don’t have that much time, I figured I might as well get comfortable.”
“Yeah, of course. You, uh, you look really good.” Lee does his best to keep up. He’s meant to be the impressive one here, not the other way around.
Still, Andrew seems charmed by it, smiling as he sits on the edge of the bed. He spreads his legs wide, relaxed and lazy and completely unsubtle. It’s as wide-open an invitation as Lee will ever get. He strips off the jacket and folds it over the chair in the corner with as much care as he can. Then he shucks off the rest of his clothes onto the floor before he can second-guess himself. Andrew just stares with open appreciation, especially when he gets to the things the photos didn’t show.
“Do you mind if I—?”
“No, go ahead,” Andrew says, his voice dry. It may have been a prepared line but it works, and has Andrew leaning forward in anticipation as Lee’s underwear falls to the floor.
It’s a little embarrassing to be so hard already. Ideally, Lee would like to be a little more aloof, playing a little harder to get, a seasoned professional. Still, he strokes himself a few times, since Andrew is watching. This is all happening quicker than he’d imagined, no polite small talk, but he’s not sure he could have waited much longer anyway. Anxiety and arousal are working together to slowly swallow him whole. He can’t really believe he’s doing this.
Condom, right. Remember the basics. He snags it from his pants and sinks to his knees with as much grace as he can manage, which isn’t much. It’s familiar and strange at the same time, but he relies on his instincts and doesn’t waste any time. Andrew hardens nicely against his lips, the satisfying physical evidence of what Lee can do to guys, when he tries.
There’s no use playing coy when Andrew’s been so upfront about what he wants. Lee takes a deep breath and relaxes his throat, then takes Andrew as far down as he can manage. It’s worth it for how Andrew goes from silent to swearing in no time at all, his fingers tangling in Lee’s hair.
Just as Andrew is getting completely taut and hard on Lee’s tongue, and Lee starts letting pride drive him to suck deeper, to the edge of gagging, Andrew tugs lightly on the back of Lee’s hair, pulling him away. Lee goes, looking up at Andrew with big eyes. He knows he looks good. He keeps working Andrew’s dick with his hand, pleased by how he can make Andrew bite his lip and breathe out hard.
“Not yet,” Andrew says, stopping Lee’s hand with his own. He still squeezes hard at the base, looking down at Lee with a spark of something mischievous in his eyes. He ushers Lee to his feet and onto the bed, maneuvering him with warm, steady hands until he’s bent forward over Andrew’s lap, his ass high in the air.
Of the less-bad scenarios Lee had imagined for tonight, the worst was if he had to lead the whole thing himself and improvise a suite of suitable sex acts that would get him a good rating on PrivateDelights. Andrew, thankfully, seems more than willing to ask for what he wants. Lee tries not to feel too much like he’s slacking on the job.
“This is what I’ve been thinking about all day. I was looking at your pictures.” Lee preens a little at that, rocks back and forth on his knees. Andrew hums and runs a hand down Lee’s side, across his abs. “Couldn’t stop thinking about how I was going to get my hands all over you. I already got myself off in the shower once before you came.”
Andrew’s voice is nice. It’s low and always seems to be poised on the edge of a joke, which makes it more satisfying when he turns dead-serious and filthy. The head of his cock brushes Lee’s thigh, but Lee ignores it for now, Andrew’s attention clearly all on him. This is something he’s confident that he’s good at, taking the attention with an aw-shucks bashfulness that he’s been assured is a much more popular persona than a dirty-talking porn star.
There are two lube-slick fingers rubbing at his hole, and then they’re pushing in, slow and firm. Lee forces himself to relax and properly enjoy it. He’s been turned on for so long, he can’t stop himself sighing in relief. The stretch is delightful and so much better, thicker, than when he did it himself. He curves his back a little deeper, presents his ass with a little more flair, and moans when Andrew adds a third finger.
“I wish you could see yourself right now,” Andrew breathes, his breath blowing across Lee’s lower back, sending pinprick shivers up his spine. Lee can imagine it, but he wishes he couldn’t. The thought is too much, too quick. Andrew’s hands are so big, his fingers would be stretching him obscenely wide. Lee wants more, wants a break— he needs a clear head, but his neurons are only transmitting analog fuzz, no signal.
They’ve got an hour to kill and Lee is going to come before his guy even fucks him. It’s just poor customer service.
Andrew rubs slowly, purposefully over his prostate. It’s a blast of static at the edges of Lee’s reality, slowly occluding his other thoughts. Lee moans into the duvet, a bit of precome dripping off his cock and onto Andrew’s knee. Andrew chuckles at that, bringing his other hand up to rub his palm over Lee’s balls. “That’s good for you, then?”
“Oh, you might want to— Your hand on— I might come.”
Andrew just leans in closer, so he can whisper right into Lee’s ear. “That’s so fucking hot. Do you think you can handle me inside you when you’re all sensitive?” Lee squeezes his eyes closed and nods his head. He can do anything, if he’s asked. He can be good, adaptable, impressive, worth it. “Good, I want you to try. I want to see the faces you make.”
“Anything you want, Andrew.”
“I want to see you suck your fingers, will you do that for me? That’s good, just like that, nice and full.”
It doesn’t take long after that. Andrew fingers him in time with short, quick strokes over his cock, keeps running his mouth about how he looks so pretty, baby, yeah, just let go, just let it all out. Andrew is so clearly getting off on how into it Lee is letting himself be, so Lee slips his fingers out of his mouth and yelps when he comes, rides it out and thrusts back on Andrew’s fingers until it’s too much stimulation to bear. Then he collapses across Andrew’s knee.
Andrew keeps his word and barely gives Lee a second to recover before he picks him up by the hips and flips him over so they’re face-to-face. It’s the closest they’ve been to kissing, Andrew staring down at Lee as he struggles to catch his breath. He disappears for a moment to wipe the mess off his thigh and then he’s back, pushing Lee’s knee up towards his chest and whistles when he sees how far it bends. Lee does not have the spare mental capacity to even be proud of himself anymore. “You ready?” Andrew asks, rubbing the head of his cock over the lube on Lee’s inner thigh.
“Yeah, yeah, go on, please—”
Andrew hisses as he pushes in with one slow thrust, bottoming out and sitting there as Lee spasms around him.
Lee doesn’t know what to do with his hands. He grasps at the sheets and covers his face and grasps at Andrew’s shoulders and keeps moving because all of his nerve endings are firing at once and the energy from it needs to go somewhere. Andrew only pulls out halfway before pushing back in, not relenting for a moment. “It’s, ah, it’s too much, but don’t, don’t stop—”
“You can take it darling, you’re perfect for this, come on.”
Lee anchors himself to the bed, caught between pushing back into Andrew’s thrusts and squirming away from the overstimulation. It doesn’t help that Andrew is rubbing his thumb over the come-sticky tip of Lee’s soft cock in time with his thrusts. Andrew is so focused on him — it’s nothing like he expected. He thought of himself as entering a service industry, but here he is letting Andrew do all the work. The feeling of Andrew watching his jigsaw expectations fail to fit is almost as overwhelming as the sheer physical sensation of being dragged to the limit and hauled over it without warning.
Lee wants to say something to wrestle a bit of control, a bit of dignity back, but Andrew can’t seem to stop talking. “Jesus, you’re big. I bet all the guys love that big dick, don’t they?”
Lee almost chokes on his own tongue “‘S all yours,” he bites out. He can still do this, sell the fantasy— exclusivity, for an hour.
But Andrew doesn’t seem to want to play ball. “Bet they want to see it bounce when they fuck you, huh? They want to see you come all over yourself while you ride them?”
Lee can barely focus on Andrew’s words, on formulating a reply, let alone on keeping his back arched and his eyes half-lidded like a centerfold. He probably looks sweaty and half insane by now. Andrew’s cock keeps glancing off his prostate, an electric shock every time.
“You’re my first,” Lee admits, before he can stop himself. Andrew stops moving. Fuck, shit, shit. “I mean, I’m not, I have had sex before, don’t worry—”
Andrew is still very much balls deep in Lee’s ass and breathing hard. “But you’ve never done this before, sunshine?”
Lee is now very, very glad he has his eyes closed. He really looks like a fucking amateur now. He can feel the blush spreading down his neck, giving him away, but still, he smiles through it. “Someone had to be the first client, right?”
Andrew swears under his breath. “You know, I wouldn’t have guessed. You’re a natural.”
He pulls out slow and then shoves back in, knocking Lee’s breath out of him with the force of it. It takes no time to get back up to pace, even faster now, like being first really turns him on, makes him want it more. Andrew’s bracketing him with both arms, his body so close over Lee’s that Lee can smell Andrew’s eucalyptus aftershave and feel his breath on his neck. “You take my cock like you’ve had a lot of practice. You do this a lot? You figured you could get paid doing what you love, laying on your back and just taking it?”
Lee is caught out entirely. It makes his heart beat in double-time, makes him want to haul Andrew closer. “Yeah, you’re right, fuck, don’t stop.”
Andrew laughs at that, a burst of hot air against Lee’s ear that somehow feels as good as getting fucked. “Wouldn’t dream of it.”
Lee should have his guard up, should never have let it slip at all, but he’s too far gone now. If all the guys can be like Andrew, he doesn’t think he’ll ever quit. “Wish you could fuck me without the condom,” he says, which is stupid, so incredibly stupid and dangerous and goes against everything he’s told himself but he means it and the thought alone is making him hard again, fuck. He wants every guy to be like Andrew but he really, really can’t do this ever again. It’s too late to think about it or say anything different. He opens his eyes in time to see Andrew’s eyes go almost comically wide.
“Wish I could too, wish I could see my come dripping out of you. You look like an angel, baby.” Andrew’s getting wild, arrhythmic, and Lee does his best to squeeze tight and wring it out of him.
“Call me Lee.”
“Yeah? Want to give you everything, Lee. Want you to take it ‘cause you like it.” His fingers dig deep into Lee’s hips, as though it were possible for them to be any closer than they already are.
There’s $600 in cash in an envelope on the floor, and that’s reason enough to like this, but Andrew is pulling Lee back onto his dick with every thrust and Lee is throwing every carefully learned lesson about how to get fucked for money out the window, along with his higher brain function. Andrew’s hand is so good, almost painful on Lee’s cock and Lee’s name is on Andrew’s tongue, and Lee just about chokes out, “I like it, I like it,” before Andrew groans into Lee’s neck and trembles through his orgasm.
Slowly, slowly, Andrew disentangles himself from Lee’s body, lets go of his hips, slides out of him, flops to the side and stares up at the ceiling like he’s been etherized or maybe just struck over the head with a heavy object. His dumbstruck silence feels like a victory, even though Lee is similarly quiet. Lee just focuses on how Andrew’s breathing slowly goes back to normal and wonders how exactly he let himself fuck up this badly. He’s still maddeningly hard, again, and he can’t do anything about it but breathe and try to let it go like an unscratched itch.
Maybe when he gets back to his flat he can count the money and actually get himself off again, thinking about Andrew’s scent.
If he does this again, he’s going to have to prepare better. If he does this again, he’s going to have to be ready for clients like Andrew, who are hot enough and attentive enough and responsive enough to stroke his ego in just the right way to make him utterly stupid.
He rolls over and kisses Andrew for what feels like the rest of the hour, then grabs his clothes and leaves just in time to pick up Jenny’s call.
Lee gets back from his evening lecture late. Nothing would feel better than turning off his brain, eating the leftover pasta in the fridge, and falling asleep watching speedruns. Still, he checks his email as he shovels the spaghetti into his mouth, because that’s how his life is now. He’s a young businessman, of sorts. An entrepreneur. There are a few new inquiries in his inbox, but the guys don’t have any references. Apparently they can’t read the rules. He marks them read and moves on, slowly putting his fork down as he spots a familiar name.
Hey Lee, I mean, Hey Gordon ;) I’m in town again this week. I was hoping to connect... i heard you’re doing overnights now?
Either way, here’s the place I’m staying. Can i reach you at the same number?
Andrew
P.s.
Do you take gifts? I was just in paris and i couldn’t stop thinking about you
Lee should really just mark it read like the others. He has plenty of regulars on his calendar, and more inquiries than he needs to fill in the gaps. He’s got a cozy, steady business going. Rookie mistakes can stay rookie mistakes. Jenny taught him that.But the idea of being thought of, longed after, by a handsome man on the streets of Paris — well, he’s only human isn’t he? It’s been a year, but he’s still got Andrew’s number in his phone. He licks a spot of tomato sauce from his lip and tries not to smile too hard when Andrew texts him back immediately.
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moonssugar · 2 years
Text
someone of my characters genders be like cis but in scare quotes
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vaspider · 3 years
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'only tenet of TERFism is transmisogyny' EXCUSE ME NO ITS ALL TRANS PEOPLE. They don't want any trans person to exist. What the hell.
Some people just gotta center their own suffering always, even when they're hurting other people by doing so. I've seen this a lot in younger queer folx of all stripes, this need to be the one that hurts the most, you know?
There's a reason the phrase Oppression Olympics exists, and it's because it's a common behavior or phenomenon in oppressed communities. I see it in the disability community, too.
What I think is important to understand when we talk about how trans people suffer under transphobia is that different groups are targeted differently. I'm not the first person to say this, of course.
Now, like, this is very rough sketchy stuff, and each person's individual experiences will vary, but in my general experience, the rough breakdown of the way in which transphobia lands on trans people kind of breaks down like this:
Binary trans women tend to suffer under a lens of hypervisibility. Everything they do is seen, analyzed, and torn apart. Their struggles are generally the ones centered in the arguments of allies, "allies," and transphobes. Even when trans women are the focus of helpful attention, that hypervisibility can cause exhaustion, because they need to perform perform perform, and be perfect, all the time. It's hard for trans women to just be without feeling like they're on camera, all the time. A lot of the time, they are on camera, because trans women's bodily autonomy and right to privacy are just never respected by transphobes (and often by supposed "allies" who feel free to ask the most invasive questions and get upset when trans women won't answer them), and even if they're not literally on camera, they're supposed to perform as the best examples of transfemininity, because if they don't, then they become the next 'look at this bad trans, all trans are this bad trans' example that TERFs point at and use as a broad brush to paint all trans women. If they're not perfect all the time and have a day where they snap at someone while someone is recording, or make a mistake, or anything, it has a horrible tendency to go viral. You can think of at least three instances right now off the top of your head, right? Right.
Binary trans men tend to suffer from hyperinvisibility. This comes from inside and outside the community -- a lot of trans men talk about being told they can't lead in community because they've 'got male privilege,' that their struggles are discarded, that they're talked over and unable to discuss the things they face, which means they don't get the support they need. Now, there are TERFs and transphobes who absolutely do focus their attention on trans men to the exclusion of or to the deprioritization of the oppression of trans women -- that's where we get Tavistock and Irreversible Damage and Fourth Wave Now and all the other bullshit which focuses on the idea that trans men are "transing the gay away," specifically "transing our butch lesbians" and "stealing butches." But again, generally speaking, trans men face harmful levels of invisibility where trans women face harmful levels of visibility. That's why transmascs in general have issues like lack of understanding even by supposedly trans-competent doctors as to how HRT affects our bodies, why trans men (and transmascs in general) report things like transphobes attacking them with transmisogynistic comments and assuming that every trans person online is a trans woman, etc.
Non-binary (here used as an umbrella term for all identities outside of binary man/woman, to include agender, genderfluid, non-binary, and infinite other identities) AFAB people tend to suffer from a different, very specific form of hypervisibility, unless they start to appear too masculine, and then they slip into hyperinvisibility. This is where we get things like "women and non-binary people" that codes all non-binary people as "AFAB people I can sort of squint and view as women," and people who fall into this category tend to get a lot of attention, a lot of derision from all sides of the spectrum. This is the "blue-haired tenderqueer" sneering that we get from both within and without the queer community, where there's an assumption that these people are just cosplaying an identity, that they're not really trans, etc. Having been in the visibility category and slipped into the invisibility category within the last, oh, year or so, and having two binary trans women in my family to compare notes with, the experiences are unnervingly similar. The difference between the experience that those women have had and the experience that I have had is that according to transphobes, I'm a traitor to my womanhood and performing femininity wrong and taking on a fake identity to escape female oppression because I'm not strong enough to bear up under it, but too cowardly to become a trans man, or... something, whereas they're taking on a fake identity to sneak into women's spaces because they're perverts.
Non-binary (umbrella identity etc) AMAB people tend to suffer from their own very specific form of hyperinvisibility, unless they start to present "too feminine", and then they slip into the hypervisibility which affects binary trans women, but with a little different fuckery in which everyone just assumes they're a trans woman, and therefore they get misgendered by everyone across the spectrum of queer/non-queer/etc. Non-binary AMAB people are generally treated like they don't exist, and when they are spoken about, are often discussed in the context of 'they should just admit they're trans women or gay men,' or if they present 'too feminine,' are subjected to the same sort of horrific attention that trans women get.
Again, a lot of this is very simplistic, and doesn't add in a lot of other complicating factors like race, disability, class, etc. Trans men of color, for example, can run into a different sort of hypervisibility because as they move further through their transition, they begin to be seen in the world as a man of color. It's not really mine to speak on beyond that, but I don't want to neglect saying 'this is really really simplistic and there's more to it than that' over and over.
I really hate breaking it down this simply because it feels like creating another binary (our society does like a binary!) for non-binary people, but like, I can't really talk about my shared experiences with other trans people without putting some framework around it. Someday, I'll be able to do that without categories. Wouldn't that be awesome?
I think we do our entire community a huge disservice when we talk about transphobia as if it's a single snake trying to take bites out of only one part of the community, and not a many-headed hydra, able to attack us from multiple different directions. I also think that focusing on one form of oppression keeps us from forming meaningful solidary and coalitions; the more divided we are, the easier it is for the people who literally want us all to stop existing to pick us off one by one. We see this all across the queer community and it's only ramping up as the attacks on our community escalate from without; people tend to turn on the ones closest to them when they get really scared, and to blame the person standing next to them for the pain they're suffering. It's the "close enough to hit" phenomenon, and it's why we see ridiculous things like "bi women make cis men think that lesbians can be won over," rather than acknowledging that bi women aren't the ones causing that: cis men are the ones causing that. The bi women in that case are close enough to hit. Transmascs are close enough to hit. Trans women are close enough to blame for the problems of transmascs, which makes it possible for TERFs to lure transmascs in and attempt to detransition them, subjecting them to gaslighting and manipulation and then using them as sock puppets.
TERFs do focus a lot on transmisogyny. They focus a lot on transmisandry, too. Debating which one is more prevalent and 'worse' not only misses the point, because transmascs and transfems face very different and totally rotten attention from cis society as a whole, including cis queers. We need to like, not do that anymore: we need to give each other the space to talk about our unique circumstances, but we also need to work harder on looking at each other through a lens of solidarity and trying to see that our struggles are different but not unrelated, and that if we keep downing on each other like this, we're not going to get anywhere except in a much more difficult situation as the people who don't want any of us to exist keep picking us off.
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antique-traveler · 2 years
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i remember you mentioning you’re planning on writing trans matt, and i’m so excited. trans matt is so special to me and i feel like he isn’t written enough. like if u squint hard enough you can act like matt’s scars are top surgery scars. like i fr believe that foggy would get curious one day and go through ALL of matt’s scars with him (kinda like that one scene in season two with elektra) maybe in college or sometime right after they just met
anon this was such a good idea god i loved writing this so much. the other trans!matt piece is still very much in the planning stage rn (also i'm debating if i want it to be mattfoggy or xreader, lmk y'all's thoughts) but thank you for giving me an excuse to write something kinda short and sweet :-D
2k, T, warnings: slight internalized transphobia, references to sex but not nsfw
[note: foggy's reception to matt coming out is definitely kinda clumsy, but i wanna let y'all know it's not transphobic. i just figure that it's 2012 and he's probably not very educated on modern gender theory, yknow?]
Matt’s gotta know he’s hot, right? Sighted or not, surely he knows that every member of the human race swoons at his biceps and jawline and smile. Foggy knows that if he had muscles like that, he’d never put on a shirt, ever, but somehow Matt seems almost… self conscious of his body. 
Granted, they’ve only known each other a few weeks, so Matt could still be getting over some new roomie shyness, but Matt’s not shy about anything else, is the thing. He doesn’t hold back when he complains about his professors, he gladly circles an arm around Foggy’s shoulders when they stumble home together after a long night of drinking. Despite all that, though, Foggy’s still only ever seen Matt shirtless, like, twice. Foggy had only gotten a brief glimpse of Matt’s fucking six pack abs before he turned around to pull a sweatshirt over his head.
He’s obviously smokin’, Foggy already knows that, even if his hips are maybe a little wider than the average underwear model, but Foggy notices something else, too: Matt’s got scars. He’s not covered in them, Foggy only counted four or five, but they’re certainly noticeable. There are a couple thin, white ones on his back, the line running across his shoulder and collarbone near his neck, and the dark, diagonal line just to the right of Matt’s belly button. Most noticeable, though, are the two long, faded lines that span over his ribcage, sort of underlining each of his well-defined pecs. 
Foggy’s not one to judge, and they certainly do not detract from Matt’s hotness, but Foggy knows that that amount of scars is pretty rare for a run-of-the-mill twenty-two-year-old, and he’s seen enough horror movies about evil nuns to be a little skeptical of the orphanage where Matt grew up. 
Foggy tries to bring it up one night in early October when they’re both getting ready for bed and he sees another flash of Matt’s muscular bare back.
“Hey, Mattothy?” Foggy asks, trying to sound as casual and nonchalant as possible.
Matt pushes his head through the top of his hoodie and is adorably unaware of how messy his hair is when he turns to face Foggy. “Yes, Foggward?”
“What’s the deal with all the scars, man? Are you in, like, a secret ninja fight club or something?”
Matt pales a little bit before letting out the most forced laugh Foggy’s ever heard. “No, it’s a… it’s a long story, Fog. Maybe I’ll tell you later.”
Matt definitely won’t be telling him later, Foggy knows that much. Clearly he doesn’t want to share with the class, though, so Foggy begrudgingly lets it go for now. “Alright, bud,” he says after a moment of raising an eyebrow that Matt can’t see. “Well, I’m calling it a night.”
“Don’t let the bed bugs bite,” Matt says with a reserved smile.
Foggy flicks off the lamp on his nightstand and lays back on his pillow, trying not to form theories about all Matt’s scars as he drifts off.
><><><
Two nights ago, Matt gave Foggy the best blowjob he’s ever given, and he’s been riding the high ever since. He knew that Foggy was attracted to him, of course. Knew it from the moment he stepped into their dorm for the first time and all of Foggy’s blood immediately flew south for the winter, but to find out that that attraction was more than just physical, that’s the part that Matt didn’t expect. Matt’s never had a friend like Foggy before, and he’s pretty sure that for a while he just thought that all best friends gave each other dreams about getting married and retiring to a lakeside cabin, but now he knows better.
This thing between them is so new it’s barely even a “thing”, just kissing and giddy laughter, but it’s still the best thing that’s ever happened to Matt. Better than putting on his first testosterone patch, better than legally changing his name to Matthew Michael, even better than running his fingers over his chest for the first time once the bandages were off. Remembering all those moments, though, reminds Matt of the one thing that might ruin this amazing new thing he and Foggy have between them. For now, Foggy hasn’t actually asked to sleep with him yet, for now, Foggy hasn’t discovered the box of T patches tucked away under Matt’s bed, for now, Foggy doesn’t know that Matthew Michael Murdock has only been Matthew Michael Murdock for three years.
So anyway, two days after clumsily stuttering through a confession and smiling into a first kiss and kneeling slowly in front of Foggy, the two of them are getting ready for bed. Matt’s only just pulled his hoodie off over his head when Foggy speaks up from his bed.
“Hey, Matty,” he says before Matt can put on a sleep shirt. “Come over here.”
Matt awkwardly holds up a t-shirt and quietly asks, “Can I just–”
“Nope,” Foggy laughs. “I don’t think you know how hot you are if you’re that eager to put a shirt back on. You do realize that six packs are actually incredibly attractive, right?”
Matt feels heat rush to his face and makes his way to Foggy’s bed. “Uh, I guess? I didn’t really know if what I could feel was very visible, in my defense.”
Foggy just scoffs and pulls Matt onto the bed with him, wriggling around until they’re both laying side-by-side, facing each other. Once they’re both settled in, Foggy pushes forward and kisses Matt gently, like a compliment. Matt smiles as he pulls away, and he can feel Foggy’s eyes roaming over his body.
After a moment, Foggy’s breath catches and he finally asks, “Will you actually tell me where you got all these scars?” Matt’s heart drops and before he can object, Foggy cuts back in. “And you’ve already evaded the question once. You’re not ‘long story’-ing your way out of this one, mister.”
Matt feels his mouth go dry and tries to keep his cool. He hesitates for a second, then shifts on the bed so he’s lying on his back, face still pointed at Foggy. If Foggy can’t see the two on his back, maybe Matt won’t have to tell him about Stick. He cautiously raises a hand to run over the scar across his shoulder.
“This one,” he starts, “is from my accident. It wasn’t very deep, but it was still too long to go without stitches.” The breath that Foggy lets out is shallow and sad, so Matt attempts to lighten the mood as he describes the one on his belly. “This one comes with a very exciting and dramatic backstory. I got it when I faced off against an evil foe named appendicitis.”
Foggy thankfully laughs at that, but soon he goes quiet. “What about the ones on your chest?” He lays a gentle finger on the puckered skin below Matt’s nipple and Matt feels his pulse skyrocket and bile threaten to gather at the back of his throat.
He’d hoped he’d get a little bit more time with Foggy before telling him, hoped he’d get just a couple of weeks of being loved by someone who viewed him as a man without question. He knows that everything’s about to change now, though. If he’s lucky, Foggy will just let him down easy, they can finish out the semester as distant, awkward roommates, and then Foggy will request a room change for the spring term. If he’s not lucky… well, Matt doesn’t want to think about what will happen if he’s not lucky.
Foggy must notice Matt’s demeanor change, because he shifts a little closer to him on the bed and rests a hand on his shoulder. “Are you okay, Matt? I’m sorry if I crossed a line or something, you don’t have to talk about it if–”
“No, Foggy,” Matt cuts him off, “it’s okay. I, um… this is something you need to know about, before this thing we have goes any further.” Matt takes a deep breath and turns his face  up towards the ceiling. “I’m transgender. The scars are from when I had my… my breasts removed.”
Foggy goes completely still next to him, so Matt swallows the lump in his throat and tries to continue as confidently as he can. “I came out a few years ago, but I’ve always been this way, you know? I just couldn’t really talk about it at St. Agnes. My dad left me some money, and you know I’ve picked up some tutoring jobs, and a lot of that money goes towards…” Matt trails off and clears his throat. He’s almost done, just a little bit more and then he can let Foggy be disgusted. “So I– I came out sophomore year of undergrad, and I changed my name, and I have these patches I wear with hormones in them. I, um… sorry that this probably isn’t what you were expecting.”
Foggy doesn’t say a word for a moment, just breathes slowly through his open mouth. In a small voice, he finally says, “You, um, you have a… a bulge, though?”
Matt feels the weight of his packer from where it rests against him in his boxer-briefs and blushes what must be a bright red. “It’s fake. It’s a silicone thing so I can, you know, use a urinal and stuff.” When Foggy stays silent, Matt finally turns his face back towards him and feels a rebel tear slip out of the corner of his eye. He wishes he’d kept his glasses on. “Foggy? Can you please say something?”
“Matty, I don’t–” Foggy cuts himself off, then moves to prop himself up on his elbow. “You didn’t think I’d wanna end things over this, did you?” 
Matt’s jaw drops open and he flushes again. “I, uh… kinda?”
“Is this why you didn’t want me to… reciprocate, the other night?”
“Yeah,” Matt admits before pushing himself up to lean against Foggy’s headboard.
Foggy sighs and seems to weigh his words. “I’ve never met anyone else who’s… like you. I’m definitely surprised, but… Matty, I really like you. I think you’re smart and funny and kind and, like, really hot, and none of that changes just ‘cause you’re– ‘cause you used to be–” Foggy stops mid-sentence and lets out a heavy breath. “Shit, I’m probably saying this all wrong. What I mean is that I care about you a lot, Matt, and I wanna keep doing all the… kissing and stuff. I don’t care if you don’t have a dick or if you used to have boobs or anything like that.”
Matt laughs wetly and lets the relief wash over him. “Thank you, Fog.”
“Is it weird that I said ‘boobs’?” Foggy asks with a shaky laugh. “I feel like ‘boobs’ was an inappropriate word for the gravity of this conversation.”
“No,” Matt gets through in between giggles, “you’re an adult, you’re allowed to say ‘boobs’. It’s not like I have them anymore, anyway.”
Foggy smiles and gets a little more serious again. “I’m attracted to you as a man, okay, Matt? Like, you were the confirmation that I’m not straight. I wanna make sure you know that.”
“Thank you, Foggy,” Matt says again, still smiling. Foggy leans over and kisses him hungrily and Matt kisses right back. Matt feels Foggy’s lips on his own, and every movement feels like a promise, like he’s pressing Matt’s name into his own mouth.
Foggy pulls away after a few minutes and lays a hand on Matt’s hip. “You know, if you’re okay with me going, uh, down there, I’d be happy to… return the favor from the other day.”
Matt blushes for the hundredth time that night and his whole body starts to fill with warmth. This is what he thought he’d never get, this is the dream scenario that he barely ever let himself consider for fear of disappointing himself. He nods as Foggy starts to undo his fly, and drops his head back down on the pillow. 
Now this is the best thing to ever happen to Matt.
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nightingaelic · 3 years
Note
Fnv Companions react to Fem Courier being trans girl (sorry feel abit of self projection today hahah)
Don't feel sorry for wanting to see yourself reflected in the world around you, we all want to know that we belong.
The Forecaster frowned, and his eyes moved rapidly from left to right as if scanning some hidden radar. "Your face does the thinking... two to the skull, yet one gets up," he said.
The courier who stood before the boy nodded and touched her fingers to her temple, almost reflexively. "That's me."
"Odds are against you," the Forecaster went on, squinting. "But they're just numbers after the two-to-one. You've changed suits once, clubs to diamonds, and now you're playing the hand you've been dealt."
At this, the courier stiffened suddenly. "Um..."
The Forecaster went on, unaware of his customer's discomfort. "But you don't let it rest, you shuffle and stack, and a gamble... a gamble that may pay off? But how? Forecast: Rapidly changing conditions."
"Um... thanks." The courier counted out the caps and handed them over to the boy, then beat a hasty retreat from beneath the overpass.
Once back atop Highway 95, she took her traveling companion aside. "Before you think I worked for some Mojave faction and deserted, that thing he said about changing suits... I didn't think he'd... what he meant was... I wasn't always..."
She sighed and ran a hand over her head. "Hell, it's about time I told you anyway. I'm trans."
Arcade Gannon: Arcade stopped her before she could stumble into an over-explanation. "It's, uh, it's okay. I... may have already known."
"You..." The courier's eyes widened. "You did? But who told you?"
"I, um..." Arcade straightened his glasses and looked up at the sky, avoiding eye contact. "Oh boy. Doctor Usanagi..."
Immediately, the courier's eyes narrowed. "... doesn't betray doctor-patient confidentiality, but I was in one of her medical clinics that day you came in for the NEMEAN sub-dermal armor," Arcade finished hastily. "She, uh, asked me and a couple of the others to help her close you up."
"Oh." The courier relaxed her stance a bit. "Oh yeah, I remember. I mean, I don't remember you, but I do remember signing the form that said I was okay with med student assistance. Why didn't you say anything, when I first asked you to tag along?"
Arcade shrugged. "I don't betray doctor-patient confidentiality either. Usanagi hammers that into you pretty hard on day one. Besides, something like that doesn't matter much outside of a doctor's office."
Craig Boone: Boone shrugged. "Okay."
The courier's eyes darted around his countenance, looking for some kind of stronger reaction. "Nothing? Not even a 'congratulations' or a disapproving grimace? Who are you, Boone?"
"Unconcerned," he shot back testily. "Unless it affects your aim somehow, it's not a problem. If that's what you're asking."
The courier sighed. "No, it's... you're fine. I guess I'm still pretty defensive about it. Especially around NCR types."
Boone nodded. "There were a few officers that Manny and I operated under who weren't the open-minded sort. They didn't last long."
Lily Bowen: Lily looked positively stormy. "Did that young man just air your personal business for the whole trading post to hear without a care in the world?" she thundered, with all her grandmotherly might. "Let's go back, dearie, I need to give him a piece of my mind."
"Lily, no," the courier protested, grabbing the nightkin's arm before she could stomp off toward the overpass again. "He probably doesn't even know what he said, it's just part of his gift. And no one's going to put two and two together unless I tell them outright, like I did you."
"If you say so, pumpkin." Lily smiled and settled herself. "But I can always ask Leo for a little help if anyone has cross words for you about this."
The courier sighed and patted her companion's arm. "No need for that, Lily. That reminds me, you should take your medication today."
Lily wrapped her up in a hug. "You take such good care of Grandma, my sweet girl."
Raul Alfonso Tejada: "Mija." Raul smiled. "How long you been holding onto that for?"
The courier let out the breath she'd taken, and her shoulders sank back to a normal level. "Well not everyone takes news like that too well. I didn't know if you would... mind."
"Mind?" Raul shook his head. "Oye. I've lived a long time, out here in the desert. It's a lonely place, even if you're surrounded by a crowd on the Strip. You can lose yourself pretty easily, lose sight of what you want, what you are. I'd know better than most. If you held onto who you want to be, then that's a victory, in the Mojave."
"Um..." The courier's eyes were shiny with tears, but before Raul could comment or pull out a handkerchief, she'd enveloped him in an unexpected hug. "Thanks, viejo."
Rose of Sharon Cassidy: "Well, I'll be a gecko's uncle." Cass grinned. "You're serious? All this time on the road together, and you didn't think you could tell me that? I'm wounded, Six."
"Hey now, you were slow to trust me, too," the courier pointed out with a growing smirk. "I was gonna tell you after the Silver Rush situation, if we made it out alive, but then we did and you were riding so high at the Atomic Wrangler that I didn't want to dampen your memory of that day."
"Dampen my..." Cass chuckled and clapped the courier on the shoulder. "Better fix your metaphor there, Six. Rain in the desert is a good thing. And trust between friends would never dampen my day."
She held up a hand before the courier could protest. "I know, I know what you were worried about. Trust me, I'm not the type to froth at the mouth over propriety or 'family values.' Thought you'd've picked up on that, with my smart mouth and wanderin' eyes."
"Wandering..." The courier ducked out from under her arm and danced away, laughing. "Uh-uh. I helped you with your vendetta, now you help me with mine. Then we'll buy a drink at the Tops and talk, whiskey rose."
Veronica Santangelo: "You..." Veronica's eyes went as wide as the Mojave's full moon. "Oh. Oh."
Slowly, the Scribe sank into a sitting position on the cracked asphalt. "That explains a few things, I suppose."
The courier sat down next to her. "Like what?"
Veronica started ticking things off on her fingers. "Both that guy in Primm and the bartender in Goodsprings called you by a different name, but they were the same name and it sounded kind of like yours so I wrote it off as a coincidence. Benny didn't recognize you right away, even though he shot you in the head. And Arcade locked us all out of your room that time you took some shrapnel to the torso and were laid up in the Lucky 38 until you weren't covered in bandages."
"Oh yeah." The courier grinned. "Surprised you didn't piece it together sooner, then."
"I sometimes forget that's something people can do," Veronica admitted. "Remember when I said that some in the Brotherhood don't look too kindly on those who choose relationships that don't produce new children? Well, ditto and worse for those who want to transition. Most of the ones brave enough to do it anyway don't stay Brotherhood for long."
ED-E: The eyebot beeped in mock surprise, then whizzed around the courier three times playing triumphant music. She giggled and swatted the bot away playfully. "Go on then. I have no idea how you could've known, but there it is."
ED-E beeped quizzically once it came to a stop.
"Why hide it?" the courier responded. "Well, unlike robots, some people think it's strange to change your... parts. Or even just your classification. Honestly, it's old-world thinking, no clue."
The eyebot beeped long and low, almost like a coo of affection and reassurance.
"Thanks, ED-E," the courier said with a smile. "I'll try to remember that."
Rex: Rex cocked his head to the side. The courier knelt down to his level and scratched his ears, inspecting his new brain and cybernetic limbs as she did.
"I don't know why I'm telling you this," she murmured, increasing her attentions as Rex leaned into her. "You probably already knew, with that amazing nose of yours. I think your owner knows, otherwise why keep spouting that line of his whenever I come around?"
Rex whined, and the courier smiled. "You know. 'Do what's right for you, so long as it don't hurt no one.' Got that seared into my brain as surely as that bullet, thanks to him. I bet that king he's worshipping never even said that."
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you're the pink in my cheeks (i'm a little bit soft)
summary: "and i know we'll never grow old together / cause you'll never grow old to me / you're the pink in my cheeks / and i love that it means i'm a little bit soft / you're the pink in my cheeks / and i love that it means i'm a little bit soft"
- "monster," marceline (adventure time)
(OR: 5.4k of soft domestic lesbian!analogical, featuring lesbian!moceit, trans male!remus, trans female!roman, and Gay Shenanigans)
a/n: huge thank you to dandie for beta'ing this fic!
i just wanted to write wlw is that so wrong of me? no. no it is not.
CW: alcohol mentions, a few sex jokes, swearing, one implied instance of potential sexual activity (although it doesn't go any farther than making out; if you want to skip that part, skip the section that starts with "Did you get the right kind of popcorn?")
word count: ~5.4k
read it on ao3!!
“I think I may be going insane,” Logan says, squinting at her laptop screen. Virginia, hanging upside-down in the armchair, looks up from her phone and blinks.
“And why is that?”
“Because I am starting to agree with Rosie’s anti-Florida agenda.”
“I didn’t realize that there was an anti-Florida agenda.”
“Rosie has one, and I have always thought it facetious. However, if this laboratory does not start sending me my requested samples and information in a timely manner, I will be forced to concede that Rosie may have . . . a point.”
“You, agreeing with a lit major? I never thought I’d see the day,” Virginia teases. Logan initially resists the urge to stick her tongue out or flip Virginia off, because that would be childish, but then she remembers that Virginia does not care about her childishness, so she sticks her tongue out. Virginia snorts with laughter, and Logan feels warm, fizzy pop-rocks bursting in her chest.
Her phone buzzes next to her, and she picks it up. There’s a new message blinking for her attention on the screen.
[from: snesbian (snake lesbian)]
a, b, or c
[to: snesbian (snake lesbian)]
. . . What?
[from: snesbian (snake lesbian)]
*rolls eyes*
[from: snesbian (snake lesbian)]
i need you to make a selection, logan. a, b, or c.
[to: snesbian (snake lesbian)]
I am confused. What am I selecting between?
[from: snesbian (snake lesbian)]
wouldn’t you like to know, weather boy
[to: snesbian (snake lesbian)]
Yes. I would like to know. That is why I asked you.
[to: snesbian (snake lesbian)]
Also, I am not a meteorologist. Or a boy.
[from: snesbian (snake lesbian)]
it’s a meme, i’m sure v will be happy to show you the og. but first: make a choice
[to: snesbian (snake lesbian)]
Option B, I suppose?
[from: snesbian (snake lesbian)]
vodka it is!
[to: snesbian (snake lesbian)]
Wait, what?
Her phone buzzes again, another text thread lighting up, and Logan abandons the now-fruitless conversation with Jan to see that her wife has texted.
[from: soda poppy]
y is jan fillin a thermos with vodka and sayin u gave her the go ahead? >:(
[to: soda poppy]
I am unsure. She texted me asking me to make a choice between “a, b, and c” with no context given. When I eventually selected “b,” she excitedly mentioned vodka and logged off.
[from: soda poppy]
her an remy r going 2 a pta meeting tonight an i guess they’re goin drunk
[to: soda poppy]
Is that a . . . normal occurrence?
[from: soda poppy]
sadly yeah
[to: soda poppy]
Wait, is she even allowed to attend PTA meetings? You two don’t have any children?
[from: soda poppy]
she’s on the school board so she has the right 2 attend. idk if she’s supposed to or not but its never stopped her b4
“Everythin’ good over there?” Virginia asks.
“I believe I may have just enabled Jan to attend a PTA meeting drunk.” Virginia snorts, swiping at her phone.
“Good for her, honestly. The only reason she and Poppy live in that neighborhood is so that Jan can flaunt her wife in front of all the capital-s Straight people, because she’s a petty fuckin’ bitch.”
“That is a strange word choice for your best friend.”
“I hate Jan, she’s a bitch,” Virginia says, smirking fondly at her phone. Logan knows her girlfriend well enough to know that this statement is disingenuous, so she stands up, stretching her arms above her head, and leans down to drop a kiss onto Virginia’s forehead.
*~*~*~*~*
Logan blinks awake slowly, feeling for the position of her limbs. She’s on her left side, left arm tucked up under her pillow to cradle her head, wrapped in the thick comforter of their bed. Her right arm is slung across Virginia’s body, and her girlfriend is pressed up against her, head tucked right under Logan’s chin and face nestled into her neck and chest. Virginia breathes, slow and deep and even, and Logan hums, huffing out a soft exhale.
She carefully wiggles out of bed, tucking the comforter around Virginia’s curled-up form. Virginia grumbles when the cool morning air slips against her skin, because she is a foolish woman who insists upon sleeping in short shorts and a spaghetti-strap tank top no matter the current weather patterns. Logan wraps her up, making sure that she’s shifted into the middle of the warm divot of body heat, and Virginia settles in, asleep again in a heartbeat.
Logan turns to the corner chair, where her early-morning outfit is already laid out: athletic leggings, a sports bra, a moisture-wicking quarter zip jacket. She changes quietly, lights off, and tugs on a pair of ankle socks before slinking into the bathroom. Once the door is shut, she flicks on the soft lights over the vanity and carefully undoes her sleep braid. Normally, Virginia does Logan’s hair, because Logan is not good at dealing with her wavy, tangled, curly mess, but she won’t wake up her girlfriend for that. She can, at bare minimum, pull her hair up into a high ponytail for running purposes.
They live in a small town only a short walk (and even shorter bike ride) from the beach, full of little two-story brightly-colored beach cottages. Logan steps off her front porch, pulls out her phone, and quickly shoots a text.
[to: ginny <3]
I am headed to the beach for my weekly run. I will likely return before you wake up, but in case I do not: I will be back before 9 AM.
[to: ginny <3]
I love you <3
Logan kicks up the kickstand on her bike, runs her fingers over the glossy dark-blue paint flecked with white and silver and gold to mimic stars, and swings one leg over the bike seat. She carefully pedals out into the narrow road and heads for the beach. The cool early-morning air whips past her face, and she chances a glance up at the dark-blue-turning-light-blue-grey sky and smiles.
She’s always been an early-morning morning person, anyway.
*~*~*~*~*
Logan’s sneakers dig into the hard-packed wet sand along the water’s edge as she runs. Seagulls scatter in front of her, and the podcast Virginia recommended hums in her ear. The sun creeps up, up, up onto the horizon, coloring the blue-grey into streaks of brilliant pink and orange and gold, light reflecting off the water in resplendent diamond sparkles.
Logan runs half a mile down the beach, turns around, runs back to where she started and then runs half a mile in the other direction before turning around and running back to her starting point. By the time she’s bent over, hands on her knees, huffing out breath while her legs burn pleasantly, the sun has emerged fully from the ocean, and Logan is beginning to wish she had worn a visor.
She takes a moment to appreciate the sensory experiences of being on a nearly-abandoned beach: the scent of salt water, the sound of waves crashing against sand, the errant cries of gulls squabbling over fish. Their little beach is not nearly pristine enough for a tourist attraction, and too far north along the Atlantic coast to be warm year-round. Still, Logan loves it, and cannot imagine living anywhere else.
She hunts along the water’s edge as she walks, briefly, a cool-down before the bike ride home. She finds a few things worth photographing, a few crabs to shoo back into the ocean, and a few things worth gathering: an intact clam shell whose smooth curve runs unbroken from the heel of her palm to the tip of her index finger when she lays it flat in her hand, a light gray rock worn smooth by the waves that turns dark-gray-almost-black when wet, a small spiral shell that she thinks may have broken off of the top of a snail shell. Logan wraps all three things carefully in a small handkerchief from the little bag she keeps in her bike basket, pulling out her phone to note the time (8:37 AM) and the message notification flashing at her.
[from: ginny<3]
dunno why you insist on being a morning person. stop by the dunkin on your way back and get us breakfast?
[to: ginny<3]
You had Dunkin for breakfast three times this week. You should consume something healthy.
[from: ginny <3]
>:( >:( >:( >:(
[from: ginny <3]
counterpoint: you bringing me dunkin is better than me not eating breakfast at all. which is the alternative because i do not want to get up and prepare anything
[to: ginny <3]
Your womanly wiles will not work on me in regards to Dunkin breakfast.
[from: ginny <3]
bitch (affectionate)
[to: ginny <3]
Would you like me to make you breakfast on my return, beloved?
[from: ginny <3]
. . .
[from: ginny <3]
will you make me an omelette? with all the cheesy goo an shit?
[to: ginny <3]
I will make you an omelette with some degree of “cheese goo.”
Logan slides her phone into her pocket, huffing out a laugh at her girlfriend’s behavior, and hops onto her bike again.
*~*~*~*~*
“Your omelettes are always so much better than mine,” Virginia says, moaning as she sinks her teeth into an enormous bite of egg and cheese. Logan, calmly dicing bell peppers to mix into her own omelette, smiles.
“All food tastes better when it is prepared by someone who is not you.”
“You’ve clearly never had anything the twins have cooked.” Virginia takes another bite, pops a multivitamin into her mouth, and chases it down with a gulp of milk. “Besides, it tastes better because you made it.”
“I am not the most accomplished chef in the world, certainly, but I am glad you enjoy my cooking.”
Virginia laughs softly. “Lo, I like your food because it’s prepared by someone who loves me. I can taste the love in everything you make for me.”
Logan turns back to her peppers to hide her blush. “Love is not a measurable ingredient when cooking.” Virginia laughs again, louder this time; when Logan sets the knife down, she hears Virginia’s chair scrape out behind her as she stands, feels her arms wrap around her waist, feels the cool skin of her face press into her neck.
“Love you.”
*~*~*~*~*
“Stressful day at work?” Logan asks, hearing the door slam.
Virginia kicks off her flats, sending them flying into the wall with a clatter. Logan sets down her crochet project and moves toward the entrance of their house, where Virginia is shrugging off her rainjacket to reveal a mint-green Peter Pan-collared blouse and dark gray dress pants. “The stressiest.”
Logan takes the jacket and shakes it out on the tiled entranceway before hanging it on the hook. “I am sorry, beloved.”
“Lots of assessments, lots of parents who don’t understand why I’m assessing their kid, lots of parents insisting that there’s nothing wrong with their kid, or that there’s no way their kid could possibly have the deficits that I’m seeing. Like, I wouldn’t make this shit up, you know? Literally, let me help your child. You came to me, remember? I’m not in the habit of imposing myself onto people.”
“That sounds very stressful,” Logan says. She tries to picture a life where she spends all her time interacting with people she doesn’t know on a regular basis instead of her little corner of the university biochemistry lab where she only has to interact with three or four known people and her immediate supervisor, mostly by email. It sends icy fingers skittering down her spine.
“It is, I hate it. I mean, Kitty’s my supervisor until I get my C’s, so if I have problems I can consult with her, but like . . . why are people the way that they are.”
Logan stretches up and presses a gentle kiss to Virginia’s cheek. “I love you, Ginny.”
Virginia exhales and folds herself around Logan, draping her body over her girlfriend and going limp and boneless. “I don’t wanna be a real person for the rest of the night.”
“That can be arranged.”
“But it’s my night to make dinner.”
“I do not mind switching and having you make dinner tomorrow,” Logan says. “This is an acceptable deviation from the routine.” Virginia pushes her face into Logan’s neck, and Logan nuzzles the side of her head, and she sighs like the entire world has lifted off her chest.
*~*~*~*~*
(This is how it starts:
Logan, taking a class on British literature in her sophomore year because she needs to meet her core requirements. Logan, meeting Rosie, disagreeing with her on almost every single point she raises in class, hating when they’re paired up for their midterm project but earning the best grade in the class overall. Logan, seeing a text from Rosie about how her housemate needs people to participate in a research study for extra credit. Logan, making the long trek down to the health sciences building and seeing Virginia for the first time, thinking that she’s pretty and not knowing that she’ll be thinking that for the rest of her life.)
*~*~*~*~*
“Hello, gorgeous,” Virginia hums.
“Are you talking to me or to the mint plant?” Logan says, aggressively stabbing her pointer finger against the Delete key. It clacks loudly, and she mutters an insult under her breath. “I am going to set myself on fire. I swear to god, I am.”
“Obviously the mint plant,” Virginia says, turning and dropping a kiss on Logan’s head. “You okay, honey?” Logan grumbles more and shoves the laptop away from her with a disgruntled noise. Virginia moves the laptop away and leans over to kiss her forehead.
“I am trying to politely word an email whose essence boils down to, ‘If you do not send me my fucking samples in a timely manner, I am going to be forced to commit an Atrocity the likes of which this earth has never seen’,” Logan says.
Virginia laughs so hard that she sits down on the tiled kitchen floor, wiping tears from her eyes. “You are so funny,” she wheezes. Logan feels her irritation fade a little under the brightness of her girlfriend’s joy. “Let me see the email, I’m good at professional bullshitting.”
*~*~*~*~*
“Braid my hair!” Rosie says, throwing herself down onto the couch. Logan lifts her laptop up just in time to keep Rosie’s head from slamming into the keyboard.
“Ginny is your best bet for braids, Rosie. I have limited experience.”
“It doesn’t have to be fancy, It just has to be off my neck.”
Logan saves her document and sets her laptop on the coffee table, poking at Rosie’s ribs until she slides onto the floor and settles cross-legged between Logan’s thighs. “A comb and some hair-ties would be appreciated.”
“REMUS!” Rosie shouts.
“WHAT?”
“BRING ME A BRUSH AND SOME HAIR BANDS!”
“GET YOUR OWN!”
“I’m going to kill that man,” Rosie mutters, rolling to her feet. There are suspicious muffled thumping noises from the other room for a few minutes before Rosie emerges, victorious, hair somehow even messier than it was in the first place.
“You are the single loudest person I have ever met,” Logan sighs, taking the comb and the hair ties and beginning to drag it through Rosie’s curls. Rosie winces, just a little, at the pull of the comb, and Logan tries to be more gentle.
“Thank you!”
“I did not say that was a compliment.
“Hey!”
*~*~*~*~*
Logan tugs her sweatshirt sleeves down from where she’d rolled them up previously, shivering a little. Part of her wishes that she had worn leggings instead of capris as she drags the folding chair a little closer to the bonfire, toes dragging through the still-sun-warmed sand. The speaker set up on the food table blasts some sort of current pop music, and Rosie and Poppy dance around each other, chanting the lyrics at each other. They are both very loud and very off-key and, Logan suspects, fairly drunk as well. Remus is in the ocean (definitely buzzed, potentially naked) and Jan is standing at the edge of the ocean, watching to make sure he stays alive.
“Hey,” someone says, low and rumbling in her ear. Logan does not flinch (just barely) and turns to see Virginia, holding a plastic cup with a poorly-drawn sketch of the state of Virginia on it. Her hair is starting to come loose from its messy bun, and her sweater sleeves keep sliding down over her wrists and nearly dunking into her drink, and her breath smells sweet and alcoholic. When she lifts her hand to Logan’s cheek, her fingers are cool, and Logan shivers.
“How’s my girl?” Virginia asks.
“Cold,” Logan answers honestly. Virginia laughs, tipping her head back and exposing the long strip of her neck. Logan wants to lick it.
“You’re adorable,” Virginia says, leaning in and pressing her mouth against Logan’s ear. Her breath is warm and slightly damp. “So pretty, my Logan, and so smart. I bet you know exactly what chemical compounds are making the flames turn that color, hmmm?”
Logan can feel her face burning hotter than the bonfire, but Virginia just sits languidly in her lap, feet propped up on the armrest. Her toes are painted pale purple, and the glitter sparkles in the firelight.
“How many drinks have you had?” Logan asks.
“Enough to feel all tingly,” Virginia says, swirling whatever’s in her cup. “How many have you had?”
“None,” Logan answers honestly. Virginia leans her head against Logan’s shoulder, and her wispy frizz tickled Logan’s nose. She sneezes, and Virginia giggles in the high-pitched, superficial way she only giggles when she gets really, really drunk.
“You sound so cute when you sneeze.”
“I do not.”
“Of course you do,” and now Virginia is looking at her, eyes glowing warm in the firelight. “You sound cute when you do anything. You’re cute when you exist. You’re cute no matter what. I love you more than I’ve ever loved anyone.”
Logan hates the taste of alcohol, but she leans in and kisses Virginia anyway.
*~*~*~*~*
“Lo.”
“Hmmm?”
“Pick a color.”
“What?”
“I’m painting my toes again. Pick a color for me.”
Logan flops over onto her stomach, staring at the neat row of creme polishes sitting on their ottoman. Virginia’s bare feet are propped up in front of them, spread apart awkwardly with neon lemon gel toe spreaders, and she studies the nail polish like she’s trying to determine which vial isn’t poisoned.
“I like that one,” she says finally, pointing to a pale pink polish the color of the flowers Virginia brought her on their first date. Virginia hums, picking the bottle up and tilting it critically in the light.
“Not the one I would have picked, but I said you could pick, so I guess we’re doing it.”
Virginia tosses some bottles of toppers (or “tacos” as she calls them, slang from one of the YouTubers she likes) onto the bed while she paints her toes, and Logan sifts through them to settle on a blue-yellow iridescent one.
“I do not know how you can get behind wearing something called a Unicorn Skin,” Logan says. Virginia just shrugs and plucks the bottle from her hand. Their fingers overlap - Logan’s warm from where they’ve been tucked under her body, Virginia’s cool from where they’ve been gripping the glass bottle. Impulsively, Logan lifts Virginia’s fingers and kisses the tips.
“You’re going to smear the polish,” Virginia mutters, even though she painted her fingers earlier today and they’ve been dry for a while. She doesn’t bother to yank her fingers away, either, so Logan kisses them again.
*~*~*~*~*
“Logan!”
Logan is fully aware that the only thing keeping Poppy from crashing into her like a floral-sundress-covered cannonball is the casserole dish in her hands. She counts her blessings and steps aside to let Poppy in.
“Where’s Jan?”
“Getting something from the car! It’s my turn to drive us home, so she brought something to drink.”
Jan primly kicks the passenger side door shut with her heeled ankle boots, a bottle of wine grasped by the neck in each hand.
“I hope you do not intend to drink both of those in their entirety tonight,” Logan says. Jan rolls her eyes and offers one of the bottles to her.
“This one is a gift for you and Ginia. The other one is for me.”
“None for Poppy?”
“Poppy is the designated driver, so she will not be drinking. And I know she already told you that.” Logan rolls her eyes, and Jan flips her off. “Are you going to invite me in or not?”
“What are you, a vampire?” Virginia shouts from the kitchen.
“Only one of us dresses like the undead, darling, and it isn’t me,” Jan calls back, stepping into the house. “Are the twins here yet?”
“They cannot attend. Remus has orchestra practice and Rosie is teaching a dance class. You already knew both of these facts, because you are in the group text.”
“I am not.”
“You responded to a message in the group thread fifteen minutes ago.”
“That was the NSA agent assigned to monitor me.”
“You are a liar.”
“What else is new?”
*~*~*~*~*
groupchat name: be gay do crime
soda poppy: hey every1! DONUT 4get to make ur bakesale goodies and drop them off at r house by 7 am on fri!
lo tide: Please use normal words. I am begging you.
snesbian (snake lesbian): then beg.
lo tide: I do not recall asking for your opinion.
snesbian (snake lesbian): and yet i give it to you anyway. am i not generous
virgin: if you don’t stop making fun of my gf i swear to god
virgin: also remus if you don’t stop changing my name i’m gonna end you
virgin has changed their name to gin(ny) and tonic!
gin(ny) and tonic: much better anyway
violets are blue rosie is me: i believe you meant anygay
gin(ny) and tonic: i said what i fucking said
ace attorney irl: you changed your name :(
gin(ny) and tonic: every day the Lord regrets giving all of us mod powers in this chat
snesbian (snake lesbian): i have no such regrets
lo tide: Can we circle back to the bake sale, please?
soda poppy: Whatchu wanna kno???
lo tide: I assume it is school related?
soda poppy: yep!
soda poppy: fundraising 4 this year’s art club field trip! since im the faculty advisor im in charge of approving and setting up 4 the fundraisers
lo tide: I see. And why, exactly, is it our responsibility to make things for this fundraiser? Should it not be the students’ responsibility?
soda poppy: they r makin stuff 4 it but also i gotta make sure some of the stuff will b edible yknow
lo tide: I see.
gin(ny) and tonic: listen i know that jan is like. a professional pastry chef an shit. but i’m not making anything fancy like a cheesecake or smthn
gin(ny) and tonic: i’m making like. fuckin brownies
snesbian (snake lesbian): smh don’t you care about the Children at all?
gin(ny) and tonic: no. they’re not my kids
ace attorney irl: i will make cookies
soda poppy: u cannot make them inappropriate shapes
ace attorney irl: :(
violets are blue rosie is me: do not worry, i will make sure they are an appropriate shape
violets are blue rosie is me: i’ll make cupcakes!
lo tide: I believe I have a recipe for lemon squares that I can make. Will lemon squares be sufficient?
soda poppy: yeah! just keep ur stuff free of common allergens like tree nuts
gin(ny) and tonic: so my plan to just yeet you a bag of reese’s peanut butter cups and call it a contribution is out then
*~*~*~*~*
Virginia throws a box of brownie mix into the cart and dusts her hands off. “There. Done.”
Logan raises an eyebrow.
“Don’t give me that look, we have the rest of the ingredients at home. We have tap water, we have oil, we have eggs, we don’t need anything else. What do we need for your lemon thingies?”
“Lemons, presumably.”
“You’re a comedian,” Logan deadpans. Virginia flips her off, and then leans in to kiss her cheek. “I do need lemons, though. Lemons, more eggs . . . I have a list in my phone.”
“What phone?” Virginia says, dangling Logan’s galaxy-patterned case above her head. “I think you’re too short for this, Lo.”
“Give me my phone,” Logan says, rolling her eyes. Virginia wiggles it above her head, laughing.
“Maybe you should give me something in return.”
“Like what?”
Virginia grins. “Like a kiss, perhaps?”
Logan rolls her eyes again, but she leans in and kisses Virginia gently, swiping her phone back when Virginia lowers her hand to cup her face. “Thank you for paying the toll, sweetheart.”
“You are ridiculous,” Logan says. It doesn’t stop her from gently kissing Virginia’s cheek before pushing the cart down the aisle again.
*~*~*~*~*
groupchat name: be gay do crime
lo tide: What time did you want us to drop off the baked goods, Poppy?
soda poppy: if ur gonna b in the area, u can just drop them off at my house!
ace attorney irl: i made some of the shapes inappropriate but those ones r 4 u and jan
soda poppy: what did u make 4 the bake sale?
ace attorney irl: . . .
soda poppy: what did u make 4 the children, remus.
ace attorney irl: nothin’ too crazy! jan had some normal summer shapes - suns, flip flops, etc. etc. used those
soda poppy: :D thx remus!
ace attorney irl: made some fishies too! but the octopi are just for u an jan.
ace attorney irl: i . . . may have painted dicks on them
soda poppy: well at least u warned me right
*~*~*~*~*
“Did you get the right kind of popcorn?” Logan asks.
“If by ‘the right kind’ you mean ‘your favorite kind,’ then yes, I did,” Virginia says, coming into the living room with a large yellow bowl full of fluffy popcorn. “What are we watching tonight? It’s your turn to pick, isn’t it?”
“Gay fish,” Logan says.
Virginia sets the popcorn on the coffee table and blinks at her. “That is . . . quite the description of Finding Nemo, sweetheart.”
“Not Finding Nemo, Ginny. Luca. It’s new, and it’s not explicitly gay, but there is a very obvious queer reading. I thought we could watch it together.”
“Anything with you sounds wonderful.”
“Sap,” Logan mutters. She leans in to kiss Virginia’s cheek, but Virginia turns at the last moment and presses their lips together.
“Are you sure you want to watch a movie?” she says. “We could just make out instead, if you want.” She pushes gently on Logan’s stomach, guiding her to lay on her back on the couch. Virginia lays on top of her, gently sliding a hand to rest warm and heavy on her stomach. She leans forward, pressing a gentle kiss to Logan’s neck, and then her jaw, and then rubbing their noses together.
“Tonight is movie night,” Logan says. Virginia presses their mouths together, and Logan hums, gently pressing up into the kiss. “We should be watching a movie.”
“Are you sure?” Virginia says. “I think we should pursue this avenue a little further.”
Logan squirms a little. “I - I would not - um - no, thank you.”
Virginia’s eyes, which were hazing over with something, clear as she blinks. “Okay, sweetheart.” She leans back, sits up, pulls Logan into a sitting position. “Are you alright?”
“I’m okay,” she says. “I just - I am not in the mood for that tonight. If that is okay.”
“Of course it’s okay,” Virginia says. She holds out a hand, and Logan takes it. Virginia kisses the back of it before settling herself on the couch. “I am so proud of you for expressing a boundary and telling me you were uncomfortable. I know that expressing boundaries is something that we’re both working on, and you did a wonderful job. Tell me what you want, Lo. Please?”
“I would like a kiss,” Logan says. “Just one. And then I would like to cuddle, and - and I would like us to watch Luca together. Is that acceptable?”
Virgil nods. “Of course, love. Come here, hmmm?” Logan settles next to her, and Virginia gently cups her cheek and presses their mouths together. “I love you, Logan. So much. Of course we can watch Luca now.”
Virginia lays an arm along the top of the couch, allowing Logan to cuddle up against her and rest her head on her chest. “I love you,” Logan says softly.
“I love you too, sweetpea.”
*~*~*~*~*
Logan rolls over, yawning, and feels a small weight displace itself from her thighs. She blinks awake slowly, lifting her head and pushing her curtain of curls aside to reveal a black cat mewing at her grumpily before settling into a sushi roll beside her.
“Did I wake you? I am sorry, Galileo . . .”
Galileo settles against her, purring softly, while the ash-grey cat at the foot of the bed pads slowly up to curl on Virginia’s back. “That’s your favorite spot, isn’t it, Andromeda?” The cat emits a soft “mrrrp” before settling back down to sleep. Logan yawns, smiles, and gently strokes her hears. “What should we do, girls? Shall we stay awake and be productive members of society?”
Neither cat responds, and Logan looks at Virginia. She’s haloed in the morning light, eyes tightly shut, mouth hanging open, drool leaking into a puddle on the pillow. She snores a little - one, two, three snorts before settling back into a deep sleep.
“No,” Logan decides, “we shall not.” She lays back down, gently nudging Galileo a few inches over so that she can snuggle up to Virginia. Galileo stretches out, pressing a paw directly into Logan’s cheek. Logan shoves her, and she resettles onto Logan’s feet with an indignant noise.
“You can sleep by my face when you do not kick my face,” Logan mutters, curling into her love.
*~*~*~*~*
groupchat name: be gay do crime
soda poppy: r u all comin 2 the bake sale 2morrow?!
lo tide: I was under the impression that we were only providing the baked goods. Is it not for the students at the school?
soda poppy: we got waaaayyyy more stuff than we thought so we r havin a 2nd bakesale 2morrow 4 parents an stuff!
soda poppy: we r gonna need sum help with setup though . . .
lo tide: Poppy, please do not even -
soda poppy: 🥺🥺🥺 p l e a s e
lo tide: Poppy.
snesbian (snake lesbian): logan
lo tide: If I agree to stop and pick up coffee for everyone, will that motivate you all to turn out?
violets are blue rosie is me: i’m always a slut for free coffee
lo tide: I’m sorry, where did I say that this would be free?
violets are blue rosie is me: D:<
ace attorney irl: eh i’m down for it. where you swingin’ by?
soda poppy: there’s a panera p close 2 where the bake sale is!!! it’s gonna b at the morning girl’s basketball game
lo tide: Does anyone have any issues with Panera coffee?
violets are blue rosie is me: nah. large iced coffee, add three ounces of half and half, two pumps of sugar syrup, two pumps of vanilla, and caramel drizzle.
ace attorney irl: complicated bitch much?
violets are blue rosie is me: why must the cain instinct betray me like this
ace attorney irl: the cain instinct started when we stole each other’s genders in the womb
violets are blue rosie is me: this is true this is true but you’re still a bitch
ace attorney irl: large hazelnut coffee, two sugars, please
snesbian (snake lesbian): large dark roast, black
soda poppy: medium decaf coffee, two ounces of almond milk, and two pumps of sugar syrup!
gin(ny) and tonic: large caramel latte
lo tide: You . . . are going to ride in the car with me to pick up the coffee, we can order our own coffees. I do not need your order, love.
lo tide: But I appreciate the information <3 <3
*~*~*~*~*
“We come bearing gifts,” Virginia announces loudly. “And by gifts, I mean we bought a baker’s dozen of cinnamon crunch bagels for everybody.”
“Well, there are twelve cinnamon crunch bagels and one plain bagel, bagged separately, for me,” Logan corrects, expertly balancing two coffee trays with a bagel container. “Also, we made more brownies.”
Poppy looks up from where she’s instructing two high-schoolers on how to hang a sign properly and grins, waving brightly. Jan is leaning on the table, hand on her head, sipping at a water bottle.
“Vodka or whiskey?” Logan asks dryly, handing over Jan’s black coffee. Jan blinks at her, flips her off, and drains a long swig from her cup.
“Water. Partied a little too hard with Remy last night, and now I’m hungover as shit.”
“We suspected as much, which is why we brought you an extra coffee.”
“Lifesaver,” Jan says, knocking back another long drag of coffee before taking a sip of her water bottle. (Logan suspects the bottle is actually Poppy’s, due to the sun-shiney stickers plastered all over it.) “You and Poppy both. But if you tell anyone that, I’ll gut you like a fish."
“No, you won’t,” Logan says, turning to hand Rosie and Remus their respective drinks. “You never do.”
Jan flips her off, but Virginia comes up behind her and leans her forehead against her shoulder. Logan turns, kissing her forehead, and smiles.
Life is good today, she thinks. Life is good.
(screen names!
virgin -> gin(ny) and tonic; ginny <3 = virginia (virgil)
lo tide = logan
snesbian (snake lesbian) = jan (janus)
soda poppy = poppy (patton)
ace attorney irl = remus
violets are blue rosie is me = rosie (roman) (thanks to @rosesisupposes for letting me borrow your screen name for this!)
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Hi! Idk what came over me but I thought an AU where Sander’s kid is anti-Bowie was the most hilarious thing thanks to @hidden-joy @kylesbishops and @sanderijzermans so I wrote it skdjdj
Disclaimer: it’s all fun and chaos and I don’t really know anything about how to write kids
x, x, x, x, credit to the chaos 🤪
The day Sander Driesen hears the words come out of his child’s mouth is the day he wonders if this is his child at all.
He’s standing there, leather jacket, white t-shirt and all, bleached hair icy even in the summer sun, and he looks down at the small stature in front of him. Grey-green eyes, dark locks and an air of confidence that could only be learned from a certain music-loving individual fill his sight. There’s so much innocence standing before him but a driven insistence breaks through the words spoken.
“Dad,” he hears. “I don’t know how to tell you this, but...I don’t really like David Bowie all that much.”
Sander thinks he’s lost his senses. He is definitely not hearing right. Hell, he’s only a man in his early thirties, he could not be this hard of hearing already. He tries to brace himself on the couch from falling over. Shit, he’s also too young to feel this frail.
“Wh-what do you mean you don’t like David Bowie all that much?”
The question comes out in gasps of air, ragged and winded, like he can’t believe what’s happening. He feels like his world’s spinning, like he’s entered another dimension, like there was no way, absolutely no way, his child doesn’t like David Bowie.
Denial is a pretty powerful thing, though...
See, when Alexandra Driesen was born, she brought light and life to Sander and Robbe’s eyes. She had a chubby face and squishy cheeks and eyes the colour of a summer storm. Her dark hair had been a blessing to match Robbe’s. Everything about her was as perfect as it could get. And then came the perpetual frustrations of parenthood with the screaming and the crying.
Sleep was something to be cherished at the Driesen-Ijzermans household. A few day-naps here and a doze-off there. But God, oh God, did Alexandra know how to cry in the middle of the night. Robbe and Sander spent hours upon hours holding her and swaying her and rocking her on a chair. Sander had read that sometimes music helps so he’d even done all that. Bowie usually floated in the shriek-filled room during these times and yet, Alexandra just wept.
“Come on, baby, just a little bit of sleep. Don’t you get tired of screaming all night?” Sander asked in that exhausted tone of parentese. He held her against the crook of his neck and walked around in sweats until he saw Robbe enter the room with blood-shot eyes and curls disarrayed.
“She’s still crying?” he asked with a rasp in his voice.
“She literally won’t stop and I don’t know what to do, I’ve tried everything. I’ve even got Bowie on for her,” he said.
Robbe took her from his arms and swayed her a little, cooing and kissing her tiny head.
“It’s kind of loud, though,” Robbe said to him as he then stepped over to turn off the music.
And in an instant miracle, the house was all quiet.
It seems that’s what’s always happened and Sander just hadn’t noticed it. Alexandra settled into Robbe’s chest and stretched her mouth in a heavy yawn. Her warmth radiated and glowed through Robbe, but Sander was stunned. He’s completely shocked.
“You-she-“ he stuttered clumsily for a bit. “But it was Bowie,” he said weakly.
How could his own daughter not feel at peace with Bowie? It was a connection he held with him, something connecting him and Robbe and what he hoped would connect their child to them in this little family.
“Hmmm,” Robbe hums pensively. “Maybe Bowie’s not her thing.”
“Not her thing?” Sander just about exploded. Then he suddenly remembered Alexandra’s finally gone to sleep and whispered, seething. “That is not our child!”
“Biologically, no. Legally and emotionally, yes,” smirked Robbe. “Calm down, babe, she’ll learn to like him soon enough. For now, how about we hold off on Bowie for a bit, yeah?”
He swayed her just a little more, just to really make sure she’s easing into sleep and then set her gently back down in her crib.
“How long?” Sander muttered and Robbe gave him a confused look. “How long without Bowie?”
Robbe contemplated.
“Maybe we give it six months or so,” he said.
And now it was Sander who wanted to weep. -
As the months and years went on, Alexandra had gone on without her Bowie-loving phase, only mildly being interested in the lightning bolt plushies and the songs blasting on road trips and the shirts Sander would get for her. Robbe says it just takes time for kids to get into stuff. That it’s better to leave it there in the open for them than to shove it down their throats.
“It’s barely any shoving,” Sander had grumbled.
“I know, babe. But I know how you can get sometimes,” Robbe had placed a soothing kiss upon his lips.
Still, Sander’s worries were increasingly growing.
Then a few years later, they’d adopted another beautiful girl. Mia was a radiant vision of blonde curls and brown eyes. They held a similar warmth that Robbe’s eyes held and Sander couldn’t be happier to lose himself in pools of coffee or dark, earthy soils or any other sort of metaphor for his favourite kind of brown.
To his relief, though, Mia loved listening to Bowie. She loved playing with the lightning bolt plushy and wearing all the shirts and as she grew, she and Sander had lots of music jam sessions blasting Bowie throughout the house. Alexandra was enticed into joining for a bit in the beginning but as time went on, Sander found it that she was making more and more excuses to not be in the same room when Bowie was mentioned.
“Uh, I got homework, Dad,” she’d nervously run her fingers through her hair.
“Uh, Papa needs help with dinner I think,” she’d run out with a tight smile.
“Group project due soon. Léon’s being a piece of shit and not pulling his weight at all.”
“Language,” Robbe would chastise coming around the corner.
“He’s being a dick?” she suggested.
“Fuck him.”
“Sander!”
“Sorry.”
Her interests lay instead in skateboarding with her friends, headphones in her ears listening to rap: BROCKHAMPTON and Stormzy with even a little Ed Sheeran in the mix, and keeping her hair as short as possible. She’d had a bit of a habit wearing overgrown shirts like Robbe did. But Sander found that endearing and he didn’t really think it was a case of ‘not-like-other-girls’ syndrome. He and Robbe just let her wear whatever she wanted.
And in fact, it was at thirteen years of age that Alexandra came out to the family as a boy. Sander remembers it clearly with them all huddled on the couch looking at the person in front of them with beady eyes, waiting.
“Dad, Papa, Mia. I think I’m a boy. I think I’m trans and I’d like to formally introduce myself to you all. I’m Alexander, or just Alex. And I use he/they pronouns.”
Sander had wanted to tear up, emotions flooding inside his rib cage. Happy tears, though, a joyous occasion where his son felt comfortable enough to tell them about this part of himself. That he and Robbe had created a space where he felt safe enough. Loved enough.
“I kept Alexander ‘cause, Sander,” he gestured to Sander. “But really, Alex is fine.”
And Sander wanted to cry all over again.
They’d all been encased in a huge family hug with Mia chirping that she’d ‘always wanted a big brother.’
Robbe and Sander had been quite supportive of it all, calling the school to change both the name and preferred name and asking if Alex was considering wearing a binder or getting a proper haircut. “Yes” to the haircut. “Hold off for a bit” on the binder. He’d whined a “Daaaaaad” when Sander ruffled the short brown locks. Most of Alex’s friends were cool with it, too and while it wasn’t all smooth sailing, he’d never run out of love from his family.
It was a big change and everything, but Sander thought, well...as long as he had his Bowie-loving children, it was all fine. -
It’s his worst nightmare. It’s the stuff that haunts you from the depths of the worst kind of hell, making your limbs feel like jelly. He’s cursing every name and divine entity and he’s really hoping Robbe’s right about those parallel universes because he’d love to hop over to the one where this wasn’t happening right now.
Sander’s having a hard time even looking at Alex in the eye.
“Dad?” he hears his concerned voice.
“I think I need to sit down,” says Sander, grabbing the armrest of the couch, lowering himself onto the cushion.
“It’s really not a big deal,” says Alex.
“Not a big deal?” Sander looks at him with wide eyes. “My own son hates David Bowie.”
“I never said I-“
“The man who infinitely changed my life. Space Oddity, Life on Mars, Ziggy Stardust, Ashes to Ashes. None of them?” Sander waves his arms. “You’re telling me you like none of them?”
“They’re...fine, I guess,” Alex shrugs innocently with a cringe to his face.
“Fine?” Sander squeaks.
“What’s fine?” Robbe trudges to them overhearing the conversation.
“Your son hates Bowie,” Sander squints his eyes at him.
“I do not,” says Alex. “I’m just pretty indifferent to him. He’s not exactly my style,” he shrugs, his hoodie moving with the movement.
“And what is your style?” Robbe laughs as he comes up behind him to rub his shoulders. He looks up at Sander with long lashes and a questioning smile stretching across his face. They share one of those ‘parenting looks.’ The ones where they know it’s not all that serious. But Sander thinks it is.
“A bit of rap, a bit of hip hop, some pop, some mainstream,” Alex lists off. “Not exactly the ‘80s vibes in me,” he laughs.
Robbe cheers as their tastes in music are quite similar and he proceeds to carry out their very own handshake they’d created when Alex was nine. There’s a different one with Sander. Sander, who’s getting more and more agitated by this revelation.
“Oh, okay,” he pats his knees and stands up. “Well, if you two are having such a grand time hating Bowie and bonding over your own music, I’ll just take myself and leave. No child of mine doesn’t like David Bowie,” he says dramatically.
“Sander…” Robbe looks at him.
“Dad…” says Alex.
“No, no. It’s fine. Really,” he begrudgingly walks out of the living room, almost knocking into Mia on the way.
“What’s with him?” she blinks twice and points a finger back.
Robbe sighs as he looks back at Alex.
“Your father, he…” Robbe puts a hand on his shoulder. “Bowie’s practically his life and so are the two of you, so I guess it’s really important to him that you like him, too. He’s just gonna need some time with all this.”
His eyes are apologetic and he gives him a half-smile, hand leaving his shoulder.
Alex takes in the words while Mia wiggles herself onto the couch and finds the tv remote beside her.
“You finally told him about Bowie, huh?” she gives him a gravely sad look. One that says he’s about to be doomed.
Alex just lets out a stressed breath as Robbe follows to go find Sander.
What’s so special about David Bowie anyway?
————————————————————————
Part 2 is coming! IM SO SORRY SKDJJF I just need sleep and rest
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kraviolis · 4 years
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(this is for my rival streamers au)
“OHO! You rascal! You can’t get away that easy!”
Joshua squeals in delight, kicking his feet and waving his arms, as Dr. Coomer holds him high in the air. 
It’s adorable and yet super weird to watch your professor and your son having such a good time together. You find yourself smiling at them, something warm blooming in your chest. Dr. Coomer blows a raspberry into Joshua’s cheek and makes him squeal again.
“Those two seem to be… getting along.” Dr. Bubby says. 
He’s sitting across from you, sipping at a glass of red wine. You almost wish you could ask for a glass, wanting to really soak yourself in the warmth of tonight, but unfortunately you still have to drive home.
“Yep,” You lean forward on the table, crossing your arms to hold you up. “Dr. Coomer’s actually really good with him.”
Dr. Bubby raises an eyebrow. “Of course he is. Harold’s always been good with kids.”
His tone of voice makes you feel like there’s something deeper going on there but you aren’t sure if it’s polite to ask about it. You turn your attention back to Joshua. He’s being chased around the living room now, somehow running with the confidence of someone that’s been able to walk for far longer than just a few months. 
(Jeez, has it already been a few months since he watched him take his first steps? It feels like it was just yesterday.)
(You suppose you understand what your mother meant when she said you weren’t allowed to grow up when you were a kid, now.)
Still, you can’t help but wonder. What was the extra meaning behind what he’d said about Dr. Coomer being good with kids? Did… did they have kids? No, no that doesn’t make sense. Neither of them had known that Joshua couldn’t read yet or chew steak on his own, despite being only a year old.
“If you have something to say it, then just say it.” Dr. Bubby cuts through your thoughts. You look at them, a little embarrassed at being caught. “Seriously. I don’t have all night, you know.”
“Sorry,” You rub the back of your neck sheepishly. “If— If it’s okay to ask… Do you two have any kids?”
Dr. Bubby chokes on his wine, coughing lightly. “Hell no! I don’t want a bunch of sticky-handed stupid little babies who can’t even read running around! I already have to deal with teaching at work- I’d fucking explode if I had to do it at home, too!”
“Yeah, no, that’s— that’s fair.” You don’t think you appreciate the implication that your son is stupid, but you shrug amicably anyways. He’s got a bit of a point.
“Besides, even if I wanted kids, neither of us can actually have any.” He admits and you frown sympathetically.
“Oh. I’m… I’m sorry to hear that.” 
“Eh, it’s whatever. Never bothered me before.” He waves a hand, as if clearing away any attempt at compassion directed towards him. 
Dr. Bubby pauses, though, and sighs. Their eyes become downcast and they stare at their wine as they swirl it gently in the glass. 
“It’s never bothered me, but… Harold, on the other hand...”
You wait patiently, letting Dr. Bubby continue at his own pace. You glance over briefly and see Dr. Coomer investigating the living room bookshelf with Joshua, showing him the various knickknacks adorning the shelves. He tells him to be gentle and holds out a glass figurine, not letting him hold it but just allowing him to run his tiny fingers across it.
“Harold’s always wanted kids,” Dr. Bubby continues, his voice far softer than it has been, drawing your gaze back. “Long before we knew each other. Long before he even knew himself. But life… life is cruel, Gordon. Life doesn’t care about you, it doesn’t care about your dreams. And sometimes, you have to make choices that no one should ever have to make.”
Dr. Bubby’s hand is trembling in… what seems to be anger. He notices, shakes his head, and knocks back the last of his wine before sitting back and scowling at the table. You’re confused, unsure of what exactly he means. You go to say as much but pause when he looks up and meets your eyes. It’s like a shadow is blanketing their face, something from deep inside rising and making itself known in their eyes.
“Back then people like us, like me and Harold— sometimes we had to choose between having a family of our own or a chance to be ourselves. Harold was told he couldn’t be given hormones without also getting a hysterectomy. The risk was too great, they told him.” They growl, baring their teeth. You notice absentmindedly that his canines are sharper than they should be. “What a load of shit. They didn’t even know if there was a risk! You know how many studies have come out since then proving those bastards wrong?”
You open your mouth, trying to make sounds but it just isn’t working.
You… you hadn’t known. Not just about what your professor had gone through at the hands of medical institutions so long ago but also that Dr. Coomer and Dr. Bubby… they’re like you. 
(You feel a completely unexplainable comfort just knowing this, now. And a terrible understanding of what Dr. Bubby means by having to make an impossible choice.)
“I… yeah.” You manage to say, eventually. “I probably read through every study about that stuff when… when I first started transitioning. That’s… God, I— I can’t even imagine being forced to make that choice.”
Bubby narrows his eyes sharply. He circles a finger around the rim of his glass and you have a sudden but distinct feeling of being thoroughly examined, all of you on display and ready to be judged. He squints more intensely, tilts his head, and then relaxes again. 
...Test passed, apparently.
“...Of course you are.” He mutters, crossing his arms. “Right. Should’ve guessed.”
You quirk your lips, half-smiling. “Trans people tend to gravitate towards each other, I’ve found. Even unknowingly.”
Dr. Bubby barks out a laugh, throwing their head back. “Ha! That’s more true than you know, but that’s a story for another time.” He nods towards the living room. “Looks like someone had a little too much fun, over there.”
You blink and then turn. You find Dr. Coomer and Joshua on the couch, your professor snoring away while Joshua is still wide awake, sitting in his lap and tapping randomly on your professor’s phone. You laugh quietly, watching the scene fondly, and see Dr. Bubby looking on with the same dopey expression in the corner of your eye.
“...It’s getting late. I should get going before Joshua starts getting overtired.” You groan as you stand, stretching. Dr. Bubby follows you with a more grumpy groan. “Should— should we leave him asleep?” 
“No, no, he’ll want to say goodnight. Also, he’ll fuck up his back if he stays there.” They say. “You get your shit. I’ll wake him up.”
You gather everything up, grabbing whatever toys you brought and stuff it all back into Josh’s diaper bag. Dr. Coomer wakes back up thanks to his husband poking his face hard enough and quickly saves himself from being locked out of his phone for too long. You pick up Joshua before he can complain about losing his new toy.
Dr. Coomer walks you out, smiling sleepily and waving goodbye to both of you. You thank him for having you over.
“The pleasure is all mine. It was a delight to have you and your boy over for dinner, Gordon.” Dr. Coomer insists.
“No!” Joshua wiggles in your arms, making a sad noise and grabby hands at your professor. He chuckles warmly and lets Joshua grab his fingers, giving him a small handshake. 
“We sure had a blast tonight, eh? But you’re still growing, and you need your rest.” Joshua’s lip wobbles and Dr. Coomers expression falls. “Oh, dear, please don’t cry. Keep your chin up. Goodbyes are tough, I know, but you’re even tougher.”
He punctuates this by pushing Joshua’s chin up gently with his fist. There’s a softness in the gesture that makes your heart melt. Unfortunately, it doesn’t do much to prevent Josh’s eyes from starting to glisten.
“Hey, it’s okay, Joshie.” You smile at Joshua, getting his attention. “We can come back and visit next week! But you have to ask if it’s okay first.” 
You look at Dr. Coomer in time to see his expression brighten at your words. Joshua turns to look at him too. 
“Pease?” He asks, not quite able to say the word, but it still makes your professor’s eyes mist up anyways.
He kneels down to look up at Joshua, taking his small hand in his much bigger one with a touching amount of gentleness. 
“I would love nothing more, my dear.”
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bosspigeon · 3 years
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Carabosse et la Fee des Lilas
Prompt: 💋Drag
Pairing: Adam/Male Detective, Bonus Found Family Vibes~
Words: 5,346
Summary: Tina spends some quality time with Arlo and Unit Bravo as they prepare for Wayhaven's first real Pride festival, Tina torments her best friend and his maybe-boyfriend (as is her god-given right), and Arlo has a big think about his favorite role and what that role allowed him to explore~
CW for references to transmisogyny and implications of past trans/homophobia
Sometimes, Tina wonders if Arlo missed his true calling. His hands are surgeon-steady as he pencils delicate patterns onto Felix’s cheeks, outlining with white eyeliner in preparation to fill them in with bold colors and glitter. Tina almost can’t wait for her turn, even though Felix looks like he’s in real, physical pain with the effort of holding as still as possible. She’s no stranger to that struggle herself.
Neither is she a stranger to Arlo’s forceful, if toothless, threats, overcome as she is by fondness when he growls that he's going to draw a mustache on Felix’s face with permanent marker if he doesn’t stop bloody bouncing.
It’s pretty fun to watch from the outside. Sure, when you first sit down when he’s like this—all sharp and snappish and “stop moving or I’ll chuck you out the window”—it’s hard to keep still, but Arlo’s got this sort of quiet intensity to him when he’s focusing on something that’s oddly meditative. He’s just a soothing presence, really. Like a capybara or something. He’s friend-shaped.
Whatever weird magic it is, it’s definitely catching, because Felix looks less like he’s about to burst, like he did when Arlo was putting down the foundation, and more like he’s enjoying the attention. Tina’s not sure how long it’s going to last, seeing as Felix has given her a run for her money in the “manic energy” department, and he’s nowhere near as caffeinated as she is at any given time, but for the time being, he’s (mostly) still and quiet.
There’s music playing, quiet enough that the broody one (she knows his name, but it seems to bug him when she calls him "the broody one," which is funny, so—) only grumbled about it for a few minutes when Arlo turned it on, and even seems to enjoy sitting close enough to Arlo’s stupidly fancy stereo system to, she guesses, feel the rumble of the bass through the floor. Vampires are weird.
Anyway, it’s Arlo’s usual sad goth boy nonsense, but as quiet as it is, and with its intense instrumentals and rumbling vocals, it’s pleasant background noise more than anything.
Nate (the handsome and charming one, because of course all Arlo’s vampire friends are handsome, so she has to differentiate between them somehow) is rifling through Arlo’s bookshelf like it’s his job, and visibly struggling to pick something to read, because Arlo’s sitting room bookshelf (the one she found at a yard sale three hours away and lashed to the top of her sedan with every single bungee cord she could find at the local hardware store because it was coffin-shaped, for god's sake) is where he keeps all his weirdo occult stuff to, quote, “make people who pop by unannounced leave faster.”
And then there’s the big, handsome, stupidly fit blonde Arlo still won’t call his boyfriend, even though they’re so obvious it’s sickening, and she means that with all the love in her heart. He’s sitting in the armchair by the bookshelf, positioned so he can look like he’s reading one of Arlo’s old music magazines and totally isn’t taking advantage of the perfect line of sight of Arlo perched on the end of his coffee table so he’s not too tall to work on Felix, sitting in a chair from the kitchen. Tina sure hopes he doesn’t think he’s subtle, being a super special vampire secret agent and all.
He seems to notice her eyeing him, at least, and keeps his attention pinned firmly on the magazine, though he is definitely not reading a single word. Nate keeps browsing, the Broody One keeps brooding, Arlo keeps working, and Felix starts to hum. Arlo gives him a sharp look, but it doesn’t seem to be moving his face in any major way, so he just rolls his eyes and keeps tracing pretty patterns onto that unfairly smooth, dark skin. Do vampires do skin care? They probably don’t even need to, and that’s probably one of the reasons people like to villainize them. It always comes down to jealousy, doesn’t it?
She sighs, loudly enough that every eye in the room turns to her, and while she did not expect the sudden attention, she knows she can at least use it to entertain herself. She homes in on Adam, and smiles when she finally looks at the magazine he’s still valiantly pretending to read. There’s a familiar man on the cover, and while she can’t be bothered to remember his name, she grins. “Oh, hey! Arlo, he’s reading the one with the guy who looks like you!”
Arlo doesn’t even look up, but he huffs out a laugh and rolls his eyes again. He’s going to give himself a headache if he keeps that up.
The comment does exactly what she wants it to, which is draw the attention of all the other vampires. Arlo even begrudgingly pulls the pencil away from Felix’s cheek so he can take a look, and he immediately bursts out laughing.
“Arlo!” he exclaims, slapping at Arlo’s knee. “You didn’t tell us you had a twin!”
Nate chuckles (warm and rich and handsome, if a sound can be called handsome) and turns from the shelf to study the magazine curiously himself. Even the Broody One peers over to see, a little smirk curling his permanently-scowling mouth.
“Considering he was born in the sixties, I definitely don’t,” Arlo drawls. “Tina’s been making that joke since we were kids. She’s just happy she’s got an audience who hasn’t heard it twelve times a week since she first saw my old Type O Negative poster.”
“Some jokes just get better with time,” Tina says archly. “Like a fine wine.”
“And some jokes age like milk,” Arlo fires back.
Adam tilts the magazine so he can look for himself, and his dour expression clouds over even more, brows furrowing and mouth twisting. He peers up at Arlo, studying him, then down again.
Got you. “Yeah, you’re right,” Tina says, nodding sagely at him. “Arlo’s much prettier.”
It has exactly the reaction she was hoping for. Arlo drops his eyeliner pencil and makes a strangled noise, glowering at her with his cute freckly cheeks going all red, and Adam, who is a good bit paler than Arlo, goes pink from the crewneck of his just-this-side-of-too-tight tee shirt to his hairline. Tina wants to punch the air as the other vampires snicker at them. Well, except for Nate. Nate’s not a snickerer. He chortles. It’s adorable.
“Speaking of pretty!” Felix crows once they’ve all had a laugh at their fearless leader’s expense. He points to his own face with both hands, dancing in his chair, and Arlo sighs and rolls his eyes again, bending to pick up the dropped pencil. Luckily, the tip isn’t broken, so he can get right back to work, once he’s given the young vampire a moment to get his wiggles out. He settles, sitting on his hands and pursing his lips when Arlo gives him a dry look. He hovers back in with the pencil, and then Felix blurts out, “How’d you get so good at this anyway? Well, I assume you’re good at it. I haven’t seen it yet.”
Arlo doesn’t say anything. He just looks at him, pencil poised, until Felix pinches his mouth shut with a quick little apology. Once Arlo’s satisfied his canvas is actually going to hold still and keep quiet, he gets back to it. “My school was pretty small, especially compared to the bigger-name performing arts schools out there,” he says after a moment of quiet focus, tracing the outline of a heart around one of Felix’s eyes. “Our department didn’t really have a huge budget, and workspace was at a premium too. We didn’t have a lot of time to prepare for performances before someone else had to use the theatre, so we all did our own makeup at once, for the most part. Sometimes we’d help each other out, because we all had our strengths and weaknesses.”
He pulls back the pencil, squinting critically at the heart like it’s not completely perfect. “Demi was the best at laying the groundwork, and at matching colors to our costumes and complexions. Viv was the best at coming up with concepts and making sure we looked like a matching set. Wendi could do insane prosthetics, and was the best at bullying our department head into giving us the money for them. I had the steadiest hands, so I always did the eyes and the details.”
“Was Wendi the one who did your Dracula look?” Tina gasps. “That one was so cool!”
“Dracula?” Felix blurts. Tina doesn’t miss how the others perk up with interest too.
Arlo glares at him, and he shrinks back with a sheepish little grin. “Yeah, we did Dracula, uh… second year, I think? That was when Tilly transferred in and started doing our choreography. She’s the one who got Professor Dacey to let us do less classical stuff and start branching out a bit.” He glances briefly at Tina, staunchly ignoring the way Felix pouts at him for dividing his attention. “And, yeah, Wendi did the prosthetics for that one.”
“She’s got to be magic,” Tina asserts. “She managed to make your sweet, mopey face look so scary.”
Felix and Mason both snicker at that, and Arlo’s mouth goes all lemon-sour pinchy, like it always does when she calls him a sad puppy man, or any variation thereof.
“Take a lap,” Arlo says to Felix. “Don’t touch your face.” He jerks his head at Tina when Felix bolts to his feet and starts zooming around the flat to get out some of his energy. “Your turn, if you’re done being a comedian.”
“I’m never done,” she says with a sunny smile, but she bounces over to take Felix’s place in the chair and closes her eyes serenely so he can start on her makeup.
“And, God, do I know it,” he grumbles under his breath, knowing full well she can hear him, and so can everyone else in the room, too.
“Do you have pictures?” Felix hollers. He’s dipped into Arlo’s studio, and he’s making no secret of rifling through the desk in there, drawers slamming and paper rustling.
Arlo tips his head back so when he sighs, loud and dramatically long-suffering, he’s not blowing his breath right in Tina’s face. She appreciates the gesture. “Bottom right drawer,” he calls back, resignation thick in his voice. Given how long he’s been putting up with Tina—and Felix might just be Tina’s second platonic soulmate (Arlo, of course, being the first)—he already knows that keeping quiet is just prolonging the inevitable. Tina opens her eyes briefly to see Felix come sailing out of the studio with a thick leather-bound album held triumphantly over his head.
“Oh, I haven’t seen that in years!” she coos happily.
Arlo bops her on the forehead pointedly with a sponge covered in foundation, and she closes her eyes obediently.
She hears Arlo’s antique sofa creak as Felix plops down onto it, rifling through the plastic pages. “Aw,” he whines, “no baby pictures?”
“I can’t imagine him ever being a baby,” Mason snorts, and he sounds closer than he was before. Tina knows better than to open her eyes while Arlo’s in the zone, though. He’ll bop her with something less soft than a sponge next time. “I figured he’s just always been a giant.”
Felix laughs, high and chiming. “No wonder Agent Priestley’s always so sour, then,” he says. Tina giggles, and it becomes an inelegant snort when Arlo bops her again on the nose.
“Ask Rebecca if you want to see my baby pictures,” Arlo mutters blandly, and Tina can feel the weight of his attention. “I doubt she has many after age two, and the ones before I’ve barely seen.”
Tina’s not a super-special supernatural secret agent, but she tries with all her might to will someone to change the subject before things get weird. Now’s as good a time as any to learn telepathy.
Felix, heart of her heart, interrupts what’s shaping up to be a real prize winner of an awkward silence with a loud gasp. “Woah!” he exclaims, and pages crinkle as he presumably holds up the book for Arlo to see. “Who’s this? Did you do her makeup too?”
Arlo’s hair rustles as he turns his head away from her, and then the hand on her cheek freezes. Tension radiates through every inch of his body, practically leaching into hers. She cautiously opens one eye, and sees Arlo sitting up impeccably straight, stiff as a board and staring at Felix like a deer in the headlights. He swallows so hard she can see his throat move. “Um,” he says, stilted and strange. “Yeah. I did.”
Tina opens both eyes and squints at the photo album. Oh.
Felix looks at the sudden strain in the way Arlo is sitting, the tightness of his posture, and looks quizzically down at the picture again.
Tina remembers that performance. She remembers Arlo dancing (ha) around the subject when she asked him teasingly if he was going to be playing the prince, who was the lead, was he excited to kiss a pretty girl?
She can’t remember the character’s name, not so many years after the fact, especially since they were all weird classical nonsense, either Latin or French or some mishmash of the two. But she remembers the costume. She remembers waiting with bated breath to see Arlo onstage, to stand and scream and cheer obnoxiously loud in support of her best friend. She shot to her feet the second she saw his obvious silhouette rise from a feather-bedecked black chariot, head and shoulders taller than anyone else onstage. The music swelled, lightning flashed, and then when the spotlight hit him, she was so stunned she plopped right back into her seat with her jaw on the floor.
Arlo’s always been one of those guys that straddled the line between pretty and handsome. Long, lustrous hair and eyelashes she would kill for, cheekbones that could kill, a defined jaw, a proud nose, and intense eyes she could only call sultry—if she hadn’t known him since they were both weird, gawky brats, she’d probably be half in love with him before figuring out she wasn’t his cup of tea. But seeing him onstage was always an adventure. He threw himself into whatever character he played, put his everything into them, from the costume to the makeup to the performance. He just became the character, and in a way that was so very Arlo, all that intensity and focus channeled into an act that completely stole the show, in Tina’s humble and completely unbiased opinion.
Carabosse! That was her name!
Carabosse was no different.
Arlo’s makeup was flawless, ghost-white foundation giving him intense Morticia Addams vibes, contouring that made his cheekbones look absolutely unreal, bold black (or maybe really dark purple?) lipstick and shiny, smoky eyeshadow that made him look ethereal and wicked, with a daggerpoint cat-eye that she spent an hour begging him to teach her after the show. When he turned his head in a sharp, birdlike motion to look down his nose at the dancers playing the King and Queen, she gasped at the way his hair rippled down his back, shiny-black and woven with actual feathers that trailed back from the ornate metal circlet resting on his brow like a bird’s crest. The costume was breathtaking, too, a tightly corseted bodice and a high collar, a dramatically billowing skirt and trailing, feathered sleeves that flared like wings whenever he moved.
And the way he moved! Arlo’s dancing changed with every role, whatever he felt would suit the character. One of her favorites was always his Hans-Peter (she had a soft spot for that one, and had ever since she was little—one of the first Christmas gifts her stepmom had ever given her was little storybook version of The Nutcracker that came with a CD) because his dancing was so stiff and stridently mechanical, he looked like a real toy soldier come to life. But his villains moved with a slinking, predatory prowl she’d only ever seen in monster movies, and never in something like a ballet. His Carabosse was as beautiful as she was terrifying, and it was incredible to watch. She wanted to fling herself at him after the show and babble at him endlessly like she always did, but she spent a solid minute staring at him slack-jawed, until he shifted awkwardly and looked down, and the confident intimidation of the Wicked Fairy sloughed away to reveal Arlo underneath.
He almost melted into the floor with relief when she finally startled to babble.
She puts a hand on his shoulder and squeezes, and he takes a slow, deep breath, offering Felix a strained smile. “Take a closer look, mate,” he says quietly.
Felix does. He looks up and squints at Arlo, and then back down at the photo. Tina has to bite her lip so she doesn’t laugh when he looks over at Adam, still holding the magazine with that metal singer that kind of looks like Arlo on it, and then back at Arlo. His mouth drops open into a little o, and he shoots to his feet and shouts, “No way!”
Mason was allowed his name back briefly, but he goes right back to Broody One when he grimaces at Felix and slinks pettishly back to his corner.
Arlo’s shoulders are practically around his ears, but he tries to keep smiling. “Yeah. Sleeping Beauty. Fourth year. I was the Wicked Fairy.”
“He was amazing,” Tina declares, shoulders back and chin tipped up challengingly. “The costume was insane, but the way he played her was absolutely, ridiculously badass.”
“You look awesome!” Felix blurts, still gawking down at the photo. He flips to the next page, and squeaks happily when he finds more pictures, from different angles, showing off the costume, the way Arlo loomed over the other dancers, the way he commanded the stage. Tina should really find out who took the pictures and send them her thanks, because they really put in the work. “Your makeup, your dress, your hair! How’d you even do that?”
Arlo laughs, and it sounds so utterly relieved, Tina’s heart breaks a little. Arlo’s always been sensitive, and for someone who dresses and holds himself the way he does, he worries more than he lets on what people think of him. Especially people he cares about. She squeezes his shoulder again, and he bites his lip when he glances back at her and smiles hesitantly.
“A lot of wire, and enough hairspray to choke a bloody cow,” he says, twisting around and slinging his long legs over the coffee table so he can face the sofa. “I think we bought every bag of black feathers the craft store had, and then spent an entire weekend painting them with this stupidly expensive embossing powder. We had to get, like, ten pots of the stuff, because the craft store only had pots the size of a quarter.”
“I admire your dedication,” Nate says pleasantly, strolling over to peer over Arlo’s shoulder. They tighten just a bit before relaxing slowly. “That costuming is superb. I’ve seen professional productions that weren’t half so detailed.”
“That would be Viv’s work,” Arlo laughs, looking down at the pictures fondly. “She took whatever cheap garbage the department had for us, raided the nearest clearance fabric rack, and worked her magic. The employees at that little craft store loved and hated us in equal measure.”
Arlo is still tense, but he’s loosening up little by little, and with him Tina does too. The easy camaraderie is soothing, and she knows how much Arlo cares about his vampire friends, so it’s got to be a huge weight off his shoulders to be able to let his guard down around them. He deserves that. He deserves to be able to be himself.
Adam standing up draws Arlo’s attention like nothing else could, and he freezes like a startled rabbit again looking up at the burly blonde vampire as he approaches the sofa. He looks a split second from bolting. Tina sits up straighter and gives Adam her most daring look, squaring her shoulders to make it perfectly clear she's ready to fight the second he opens his mouth. She’ll definitely lose, sure, but she’ll make as much trouble as she can before she goes down.
He reaches out, his hand hesitating before it touches the album’s glossy page, and he looks up at Arlo with a questioning tilt to his brows. Arlo looks like he’s barely breathing, but he nods, and Adam slips one of the pictures from its sleeve. He straightens his spine, shoulders back, holding the photo and studying it carefully. His face is impossible to read, about as expressive as a bloody brick wall. Tina’s vibrating with nervous energy. She’ll fight a vampire, though. She will.
When Adam does finally speak, his voice comes out so softly Tina almost doesn’t hear it over the adrenaline rushing through her. “You look… striking.”
Striking. Oh my god.
She wants to laugh. They’re ridiculous.
“Thanks,” Arlo chokes out, his cheeks and ears going red this time.
Oh my god. Tina covers her mouth with both hands. Arlo glowers at her. It’s a lot less threatening when he’s blushing like that. “I didn’t say anything,” she mumbles against her palms.
“Your face,” he hisses, and she yelps.
“Oh! Shit!” She pulls her hands away, and he grabs her by the chin to check the damage with a click of his tongue.
Tina thought things would get better once Arlo actually kissed the man (and maybe got a leg over, but that’s only her business when she can finally get Arlo to actually talk about if the big, beefy Adonis is as missionary-with-the-lights-off as he looks) but at least they’re not just staring longingly at each other from across the room and then getting all sad about it anymore . Thankfully, Felix seems to be an old hand at clearing up the weird tension between the two of them, chiming in a delighted, “I’ve never seen you look so scary!” as he rifles through all the pictures from the Sleeping Beauty show. “I mean, you’re pretty scary when you go all furry, but also, you sort of just look like a big lanky puppy, because it’s just you, you know? This is someone else! Who is she! She's so cool!”
Arlo sighs and turns around to fix whatever Tina’s ruined with her foundation, and throws himself back into dolling her up. Thankfully, the actual festival’s not for a while yet. She complained about the unnecessarily early start when Arlo suggested the time, but now she’s glad he’s such a persnickety prick about scheduling. “I had a lot of fun with it,” he admits, shrugging his shoulders. “The original script notes said to get, y’know, sort of silly with it, but I wasn’t a big fan of that angle for a character like her. Yeah, I wanted to be campy, but not in the way…” He purses his lips. “Okay, well, Nate probably knows this, but a lot of classical ballets that have a female villains do this thing with them that I hate.” He frowns deeply, patting at Tina’s chin with gentle ferocity. “ An evil female character is supposed to be sort of… sort of a cautionary tale, I guess? Like your typical bitter spinster crone, the old hag, or the wicked stepsisters, things like that. So they’ll specifically cast a male dancer and put them in bright, gaudy facepaint and garish costumes that are supposed to be cartoonish and ugly, that you're supposed to find funny, to show you that this character is bad because she’s indelicate and mannish, and that’s why she’s evil.”
His mouth twists around the words, and he looks up, back at the vampires, leaving Tina a moment to really appreciate that Arlo’s comfortable enough with them to do what he’s only ever really done with her—which is ramble about something he’s passionate about. It’s always fun to watch. He turns back to her, and she just wishes his hands weren’t occupied, because he’s a big hand-talker otherwise. “I got the role because the professor thought it would be funny to stick me in a role like that, being so tall and, y’know,” he gestures vaguely to his faded old band tee and dark jeans, the thick leather cuff around his wrist. Tina doesn’t see what he really means, seeing as he looks cozy and content right now, but she gets what he’s going for. “He was expecting me to be awkward about it. The big, tough guy doing drag as the creepy crone caricature.” He huffs. “I talked with Demi about it, and we decided to say fuck that.” He sits up straighter, tilts up his chin, and looks down his nose at Tina.
She peers up at him, wide-eyed, and suddenly wonders if this is how Demi felt, playing Aurora when Carabosse looked down her nose at her like an insect under her heel.
“I thought Carabosse deserved better,” Arlo says fiercely. “If I was going to be a villain, I was going to be a damned good villain. I was going to tower over all the delicate, dainty little princesses and fairies, and I was going to be fierce. Professor Dacey wanted Aurora, and Candide, and Florine to be the epitome of sweet, delicate femininity, the ideal damsel in any classical show. Carabosse is supposed to be the complete opposite. You’re supposed to root against her, not want to be her. She’s a threat to the idea of womanhood, of the ideal feminine. She’s bold and selfish and she takes what she wants. I leaned into that. I even danced en pointe for parts of it, even though Carabosse isn't supposed to, and between the rehearsals and the actual performance, I thought my feet were gonna fall off, but it was worth it.”
Arlo smiles, and Tina is thrilled by the wickedness of it. She thinks she even sees just a hint of fang. Arlo’s been so careful about showing his teeth, ever since he told her what happened to him, why he disappeared for so long, so it's somehow special for him to feel like he can show her even a hint of what he’s become.
“Professor Dacey was pissed, afterwards, of course,” Arlo laughs, but there’s an edge to it. He seems to shrink. From Arlo to Carabosse to Arlo again. He looks down at his hands as they work on Tina more than at her face. “He didn’t, y’know, say anything he could have gotten fired over, but he did rail about being left out of planning and the budget and all that rot. Got even madder when Demi pointed out we’d spent our own money on the costumes. I think if he was tall enough to look down on me, he would have.” He snorts, a bitter curl to his mouth. Tina thinks of it painted bold, dark purple, thinks of how it would look with those teeth behind it. She wonders if he’d let her do his makeup for the festival. She’s not nearly as good at details as he is, but she’s no slouch either.
“You should have let me put raw fish in his hubcaps,” Tina mutters, just to make Arlo laugh. It works, and she beams at him.
“Would have been a waste of fish,” he mumbles, sucking his teeth. He finally picks up a bright eyeshadow palette and starts waffling over colors. He’s quiet while he deliberates, but after a while, he sighs. “I liked being Carabosse,” he says, like it’s a secret. Like he’s trying very hard not to be ashamed.
“I wish I could have seen it,” Adam says, almost dreamily. Tina could scream. “I— We could have, I mean. All of us. In solidarity.”
“Smooth,” Felix whispers.
“I’m sure it was a phenomenal performance,” Nate adds helpfully. He’s taken the album from Felix to flip through to some of Arlo’s other shows. “The passion you have for your characters shines through in just photos. It’s quite impressive.”
“You should have gone pro,” Tina mutters. “You’d be a household name by now.”
Arlo snorts and bops her with the brush. How many bops is that now? She’s certainly on a roll today. “And who’d keep you in line back here?” he teases.
Tina squints up at him and sticks out her tongue. “Like you’ve ever even tried to keep me in line, you big softie. You love the chaos, just admit it.”
“I’ll admit you to the hospital when you do something stupid and get yourself hurt again, how about that?”
They bicker like children back and forth while Arlo finishes her makeup, a wash of pink, purple, and blue eyeshadow and matching lipstick, overlaid with a lustrous sparkle to her cheekbones and a cute little black heart-shaped beauty mark under one eye. Felix gets a bi flag heart to match her eyeshadow around one eye, and then the rest is a sort of confetti splash of sparkly stars and hearts in every color. Even Nate goes for the bi eyeshadow (Bi-shadow? She should have been saying that this whole time!), making him, Tina, and Felix a matching set, and Mason consents to a very simple pan flag on his cheek. Tina suspects Adam only allows the eyeshadow treatment so he can have Arlo cup his face all tenderly, but she keeps the thought (mostly) to herself. He looks good in pastels, she thinks when she sees the finished blue, pink, and white.
Arlo draws a little heart under his eye too. The heart in Tina's chest almost explodes with warmth.
And then Arlo disappears into the bathroom, leaving the rest of them to entertain themselves while he gets ready on his own. They go through the album some more, and Tina tells them all about her favorite shows, because she went to every single one she could manage, and got Arlo’s school friends to send her videos of the ones she couldn’t. Tina Poname is Arlo Priestley’s number one fan, and that will never change. Not even now that she's got some competition.
When Arlo comes out of the bathroom, they all look up in sync, and he stands there, shifting anxiously from foot to foot under the attention, and lifts his hands in a stilted shrug. “So?” he asks, smiling nervously. He’s changed clothes, too. Tight pants, big boots, a mesh-sleeved black shirt underneath his patch-and-pin-covered denim vest. His wrists jingle with chunky bracelets, and his hair is braided neatly over one shoulder. But his makeup is what really steals the show. That insanely sharp cat-eye, of course, but one eye is done up in blue, pink, and white, and the other in yellow, white, purple, and black. He smiles timidly. “I, uh, I couldn’t really decide on just one,” he says, sticking his gloved hands into the pockets of his vest. “I’m, um, I’m not sure which one’s really right for me yet, I guess?” He shrugs again, and Tina watches delightedly as Adam stands up slowly, his eyes on Arlo with such an awed intensity she wonders if he even remembers there’s other people in the room. Arlo keeps babbling as he approaches, the words tumbling nervously from his black-painted lips. “I sort of like matching with you, Adam, and I know they’re both fine, but I—”
Adam grabs him by the lapels of his jacket, yanks him down to his level, and silences him with a kiss. Tina throws her arms up in the air with an impulsive shriek of “WOO!” that Felix echoes even louder. They high-five over Mason’s head, and he looks like he wants to throw them both out the window. Nate sits by with a pleasant little smile, which only fades when he takes note of the clock.
Adam and Arlo are still kissing, Arlo’s hands cupped around the vampire’s cheeks and Adam clinging to his vest like he'll drown if he lets go. Tina thinks she might see a hint of tongue when Nate loudly clears his throat.
They break apart with an indecent smacking noise, and Tina yelps out a sharp laugh when she sees Arlo’s black lipstick smeared all around Adam’s mouth.
Nate crosses his arms and smiles dryly at them. “Why don’t you two go fix your faces,” he suggests. “The rest of us will make sure the car is packed for the festival.”
“Um, yes. You— We—” Arlo fumbles for a bit, touching his smeared lips, his eyes just a bit dazed. He and Adam look at each other, and then flee for the bathroom together.
Tina’s never been more excited for a festival in her life.
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cryinginthebackseat · 3 years
Text
you’ve got more poison than sugar - part ii
part i    part iii  AO3 
Fandom: Call Of Duty
Pairing: Russell Adler x Bell
Words: 2.918
Warnings: some mild sexual content and swearings, like usual
Author’s note: okay, i know this one's a little short but i promise there'll be more coming on the next chapter, i promise.
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The first time Bell showed her face at Langley, it was two weeks after the program. She wore beige, a ruffled high-neck blouse that made her hazel eyes, like charred nut shells, hard and just about indestructible, popped.
She stood at the lobby, regarding the place like she’d waltzed into a wrong banquet hall, the band played in the background, chandeliers dripping like arctic icicles, the bar drenched in opulent gold.
She didn’t belong here.
But Adler met her there, anyway, Hudson in tow.
“Have I ever done something to him?” Bell asked after the rather short-lived meeting, squinting at the vacant spot Hudson left them. She’d yielded very few words. When she did, it’d been all business, crisp, so it surprised him now to hear her uttering something with more than 2 syllables.
“What do you mean?”
“Have I deliberately done something to piss him off?” she elaborated, quieter, but the glower remained.
Adler carefully studied her behind his tinted shades. It still troubled him to a degree that he couldn’t read her. Like she locked herself off. They say eyes are the window to the soul, but thus far, he saw nothing. Fuck the poets.
“No. At least, not as far as I can tell,” he grits out, curious to see where she was heading with the conversation. “Why?”
Bell hummed, but seemingly unconvinced. A beat, then: “He doesn’t seem to like me that much.”
You don’t belong here, he thought and his face went cagier, back stiffer, but no doubt intrigued. Very much so by this mysteriously curious creature.
Perceptive and diamond-sharp intelligent, he pondered. They might have secured the bag after all.
“It's not you. That’s just as warm and fuzzy you’ll see Hudson with everyone, trust me,” he uttered, hoping that she bought the fib. She did. At least, he thought so. “Come on, Bell, we’ve got a job to do.”
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Adler finds her outside the garage the next night, smoking alone, reading in secret. The ground is still wet from the rain, straggling cloud wisps and every artery of this place fucking freezes his bones. Bell ditches her gloves inside, but has her coat on, the collar popped up like antennae.
"You aren't cold?" he asks when she doesn’t notice him. Too engrossed in her own bubble. She does look better, though. Park is right about that one at least.
"I'm good," she answers without looking up. "Am I needed for something inside?"
"No, just thought I could use some fresh air."
He’s studying her, raking her from head to toe. Suddenly, he doesn’t care if she would notice him. Then he steps closer, standing next to her, lifting his cigarette to his mouth.
“What are you reading?”
There’s something about this secret element to her that has him on his toes. Everything about her is curious- frustratingly curious, careful, as Bell rolls her neck to meet him. In the low light, she looks quite new, he learns. And his eyes beg for him to linger.  
“Amerika. Kafka,” she says. “Have you read it?”
A subtle shake of his head and, “No.” While Bell nods, silent, like she doesn't know what else to say to him. “Should I? Give it a read?” Adler adds, just to keep the conversation going.
She shrugs, a cloud of smoke escaping her nostrils. “I can’t say that Kafka is ever a favorite of mine, but he really is sui generis. And Amerika is probably the most approachable of all his works? It’s funny too.”
“I never thought I’d hear Kafka and funny in the same sentence.”
“Yeah, well, it’s very subtle. And if only you can understand his nightmarish sense of humor, that is,” she explains, shrugging again, like she’s embarrassed. “I don’t know, maybe you’ll like it.”
Frankly, he hates Kafka. He hates his vatic, dead-eye vision of the world; that acute sense of hopelessness clinging onto his main protagonists like vines, but Adler finds himself nodding, anyway.
“Sure, lend me your copy once you're done with it." If she’s surprised by his answer, she does not tell her. But Adler thinks she’s smiling though- just the barest quirk of her lips, but it’s enough for him to know that she appreciates the gesture.
A brief, unmapped silence ensues.
"I'm sorry, by the way."
Adler arches an eyebrow at her. "For what?"
Bell slots a bookmark into the book, closes it, frowns at it.
"For yesterday. I, uh… I feel like I was being insolent to you.”
He looks sidelong at Bell and tries to read her. Her expression is raw and open, a painting visible through a small tear in the paper. For some reason, that catches him by surprise.
“You already apologized, you know?” Adler teases lamely.
“I know, but still it was uncalled for and very unprofessional of me. You’re my CO, not some random BND agent I’m forced to work with. I shouldn’t have said that," she mumbles softly and sighs, world-weary, heavy, sounding like a woman twice her age. "It will not happen again. I promise you."
"Hey, consider it water under the bridge, kid. You’re in a rather rough place right now, I wouldn’t hold it against you,” he tells her, fond. “What matters is you’re alright. We can’t catch Perseus if you’re green around the gills.”
Her eyes meet his. He meets her back.
“Thank you.” And Bell rotates her body to face him. Mussed brunette hair and sharp cheekbones, mouth kinked up in sympathy as she says, “Is this what you have to put up with all these years?"
He summons a smirk. "With you? More or less."
And then the woman does the unexpected; Bell laughs. She fucking laughs. Delicate sounding, like a tinkling glass, petals wrapped in satin, moonbeams through frosted windows. It dies, too soon to his liking. Adler privately lets the sound of her laughter replays in his head, as if trying to pocket it.
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It’s only after Ukraine when he discovers that she smells different. That wintry floral smell of hers that he’s accustomed to is commingling with something else.
But now-
Now, there's music in the air.
Sims does this sometimes, bringing his Zenith Trans-Oceanic, or as he would call it the Tranny, to the safehouse and they would tune in to international radio stations. Cream's Sunshine Of Your Love is playing- or more specifically, their song is 5 seconds away from being cut off abruptly by the DJ. The song reminds him of Vietnam, regrettably. The root of all madness.
“Next up, is my favorite ever track-to-track transition on an album. This is Pink Floyd’s Brain Damage and-”
Adler stops whatever it is he’s scribbling. He sits up, ramrod straight.
“Mind switching to another station?” he asks suddenly, glances up at Sims quickly who, as Adler suspected, is giving him a rather odd look.
“Why?”
"I've always hated Pink Floyd." Only because he’s out of reason. Only because he can feel Bell’s confused stare, searing into his temple. Only because it’s the only way of escaping this. "Change it, please."
Sims opens his mouth. The unspoken: how about that time in Denver?
The telling jerk of Adler’s lips warns him not to ask.
The other man clamps his mouth shut, seemingly gets the message and switches to a different station. He never brings his radio again.
━━━━━━━━━━━━━━━
Frank Woods is exactly how Adler saw him last time- or since Hue City, that is: tigerish and intimidating- a kick in the head voice, a hurricane in the shape of a man and he is making his way to him right now.
“Can I talk to you for a sec?”
"So talk."
Woods shakes his head. "Not here."
Adler looks at him at last now, curiosity creeping over him. He then stubs his cigarette, nods once and leads them both to his office.
Once they’re inside, he locks the door, secures the blinds.
“What is it?” Adler takes a seat behind his desk. Woods remains standing. He paces around the room, a hand on his bearded chin.
“What the fuck is going on with your girl?”
Adler doesn’t know which one is worse, the fact that Woods manages to sniff out something going on with Bell or that he just addresses her as his girl. Either way, it's bad. Either way, Adler should have expected the former issue. Woods is astute as he is dangerous. There's a reason why the CIA gave the green light for Mason and Hudson to save him in Da Nang all those years ago, after all.
"What about her?" Adler asks, even-toned, giving nothing away. Even though he is in the ‘need to know’ column regarding Bell’s brainwashing, this is something Adler initially wishes he could keep under wraps.
“Don’t bullshit me, Adler. She has that look on her face- I see it in her eyes. The exact same look Mason has been wearing since ‘Nam,” Woods tells him, point-blank, never being the one to settle for niceties. After Hudson, Adler thinks he simply can’t tolerate the agency anymore.
“I saw it all, remember? Had a fucking front row seat to his relapse and shit, so don’t tell me she’s alright. Not when it looks like she could snap out of it any moment.” Woods has his hands on the table and looks at him dead-on. “Tell me I’m right. Tell me there is something wrong with her.”
He regards the other man coolly. Woods is no longer asking. Adler is out of move.
“You're right,” he answers simply, eventually, tipping his king over on its side, stopping the clock. "Did you talk to Hudson regarding this?"
"Since when did I report to Agent stick-up-his-ass? Fuck no. That's why I came straight to you.” Woods heaves a heavy sigh, like he’s the one with all these burdens. “Now, what the hell’s wrong with her?”
“She’s suffering from brain damage."
“Shit. All that ‘cause of MK-Ultra?”
“One of the few factors that caused it, yes.”
His mouth goes flat. "How bad is it?”
“Bad. We’re trying to minimize for any collateral as we speak, at least until we finally get our hands on Perseus. But she… she might not make it.” Adler leans back in his chair, like his body feels heavy all of the sudden.
Woods nods. Uncharacteristically silent, looking strangely contemplative, sympathetic even. That should be categorized as an oddity itself, Woods and him, two proud Americans, Vietnam veterans and she’s just another red, another blood they would indubitably sacrifice for their country and they’re sympathizing with her? Yet something deep inside Adler, something resonates like the throat of a storm, sinks its teeth into him, confounds him, every time he thinks of her.
Woods crosses his arms over his chest, glances at the door, as if someone might knock anytime soon, then back to him.
"So, what's the plan?" He quickly adds, "if things go south, what are you gonna do?"
"It won't come to that. She'll come through, I know it," Adler counters, suddenly defensive. Whatever the use of his tone indicates, Woods ignores it.
"You sure about that?”
"Are you doubting me?” Adler spits out a retort. A quiet fury grasps him tight, but he forces himself to keep under a tight lid.
Woods holds his hands up in mock surrender.
"Look, I’m just saying, that woman is a loose cannon- you can’t be too careful."
"We have everything under control, Woods. And this is the least of your worry right now."
"Alright, okay. If you say you and Park have her contained already, then fine. I trust you,” he says and heads for the door.
“Oh, and one more thing,” Woods says again. He’s facing the door, back to him. “Whatever happens, keep Mason in the dark about any of this."
“Of course. He isn’t on a need to know basis from the very start, you know that.”
"Good. ‘cause the less he knows the better." Woods pauses like he's constructing an entire sentence in his head. He peers over his shoulder. "I mean it. He’s been through enough. I don’t know which ground you crawled up from, but up here, some people implement this kind of civility to other people.”
The words sting, yet Adler stares back at him, seemingly unfazed. "What, you’re saying that I’m simply heartless?”
“Nah,” Woods says, satirical and sardonic. “You’re just Adler.” And with that, he’s gone.
1976
━━━━━━━━━━━━━━━
It was eight o'clock on a mid-September evening and Adler found himself coming home to an empty house.
His wife had already left a week prior, crossing the country with a self-proclaimed film critic she'd met at the premiere of The Shining last summer, but Adler didn't know that yet.
He went to the kitchen. Dropped his suitcase, pulled off his coat and scarf. He reeked of cigarettes, cheap air freshener and jet fuel- air travel is simply sickening, in terms of its cost and smell- and in a desperate need of a hot bath.
"Honey?" He switched the lights on. She wasn't here. So Adler headed upstairs, to their room where they would rest their bones every night for the past 15 years. The door was slightly ajar. He expected to see her sleeping from under the duvet, hair splaying all over the pillow.
What he found was a folded note on his bedside table. He stared at it, his heart at his throat, fearing the worst, the unimaginable. He picked the letter and unfolded it.
Forgive me.
Russell,
Live or die, but don't poison everything .
His head did pirouette. So, this was it. This was what it felt like, he thought.
Not heartbreak, not sadness. But a collapse of the world- his world and all he could do was watch from the sidelines.
━━━━━━━━━━━━━━━
1981
Adler stares at the words now, sleeves rolled up, anatomical heart. The paper is fading, wrinkled and it smells like smoke and decay and tears, capped with something akin to regret.
It has his name on it, begins with it, and ends with an apology, written in cursive. Like microscopic snakes dancing around his peripheral vision, hissing in his ears.
Live or die, but don't poison everything.
No one likes to be told that they are sick, but Russell Adler has learned to acknowledge it, embrace it, weaponize it. Her words mean zero shit to him now. You can't condemn someone to the depths of hell when it's the only place he's known all his life.
So, he takes the letter for the last time, remembering how the ink used to smudge his calloused fingers, crumples it up, that satisfying crunch dins in his palm, and tosses it into the fireplace.
The paper crackles. Good fucking riddance. It really takes all this time for him to grow the guts, apparently, and he just stares and stares as the fire begins to engulf everything, wiping away his past failure.
He promises he would never fail again, at anything. No matter what the cost, failure is never going to be an option.
━━━━━━━━━━━━━━━
Bell arrives at the garage with frantic eyes, a half-burnt cigarette between her lips and uncharacteristically late. Color peppering her cheeks- red, like an apple bitten into.
“I’m sorry, I overslept,” is her excuse, but she’s looking at the room strangely, he thinks, almost like she’s seeking a particular face.
When she makes her way to her desk, when she whizzes past him by the board and her planet is entering his orbit for the first time in the morning, Adler, as if by accident or by design, inhales deeply.
His breath snags.
She smells like someone else.
━━━━━━━━━━━━━━━
(Someone fucked her last night)
The telephone rings in the distance.
“Sims. Yeah, sure, let me get him. Hold on.” He puts the call on hold. “Doc, you might wanna take this one.”
(Someone was in her bed; beside her, above her, under her. Inside her. He imagines her fingers digging into the mattress as they rolled her onto her stomach, mouth trailing down the ladder of her spine. Their breaths intermingled in the seraphic glow of her hotel room)
Adler mechanically crosses the room and picks the receiver.
“Adler.”
(If he herds her away from prying eyes and pushes down the collar of her shirt, would he see the evidence there, taunting him? If he kisses her, would he taste them instead of her? )
"Perhaps," he says over the phone, his face hard. "But my decision is final. I'm sending Woods and Mason to Yamantau. They'll leave in a few days."
(Did they make her come?)
"Of course. Why do you think I chose them for this mission?"
(If she made them?)
“Most likely, but we're prepared for this- you know we are," Adler says, customer service polite, an old recording on a playback. "Right. Well, that concludes the matter then. Yeah, you have a wonderful day to yourself.”
Adler hangs up the telephone. Breathes out a sigh. He pinches the bridge of his nose for a few good seconds, before remembering that he has an audience.
"Oof. Sounds rough," comments Sims, dark eyes slanting in concern.
(Maybe she likes that, rough. Teeth biting the back of her shoulder, that sweet juxtaposition of pain and pleasure coursing through their veins, his hand curling around her throat from behind as she pants and mewls like-)
(But this isn’t about him. Never about him)
"That's one way to put it."
Someone else fucked her. It shouldn't leave an acrid taste in his mouth, but it does.
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prettywarriors · 3 years
Note
Ok ill bite whats the worst mg series
alright, whats the worst magical girl series in your opinion?
Thanks you two for letting me do some yelling. The obvious guess would likely be one of the recent edgelord shows right? Magical Girl Site or something similar? But nay I say, for while MGS and Day Break Illusion and such and what not generally tell you what to expect right away. Don't like super violence and suffering? Watch something else is the clear message from the get go. One of the bait and switch series then like Madoka or maybe Yuki Yuna? For what faults they may or may not have, at least these series do something and are interesting, even if you're not huge on what goes down in the series. A parody then? They range from affectionate to banned in New Zealand but regardless of quality and their feelings for MGs, it's a parody. It's a joke and shouldn't be taken seriously (plus they're usually short so you can just forget about them forever).
So what makes a series terrible then, I am sure you are asking. IMO? Setting expectations for an interesting and enjoyable series, and then dashing them to hell.
Come with me below the cut, as I talk about Key Princess Story: Kagihime Eternal Alice Rondo!
Spoilers abound so if you care about those for a 15 year old series, click away.
Background: Kagihime was a 4 volume manga that ran from 2004-2006 that was picked up for a 13 episode anime adaptation near the end of its run. The manga is created by a pair (Kaishaku) who you may know for making Magical Nyan Nyan Taruto. Kannazuki no Miko, and Steel Angel Kurumi, and the anime had a script written by the same writer (Mamiko Ikeda) for Tenshi Ni Narumon who also did some script writing for Princess Tutu and Seven of Seven. The anime also had 6 character music videos which are fairly simple but a nice addition to the series for the main girls. Discotek has been publishing the anime in the states in recent years, and the manga was brought over by *squints at book spine* Dr Master Publications.
The Premise: Girls transform and enter weird outside of reality spaces to fight each other with giant keys to take each other’s stories to create a third Alice In Wonderland story.
Well, an off-brand Alice story written by Alternate L. Takion, rather than Lewis Carroll/Charles Dodgson, that while the series uses all the aesthetic hallmarks of the tradition Alice, the little we see of the in universe Alice story is clearly different. Which is fine, at the end of the day, it’s still about someone who loves the Alice stories and wishes there was more, and even makes his own fanfiction version. His? Oh yeah, while the girls do all the fighting, the main character is Aruto, a teen boy who loves Alice, and for reasons we don’t know till late game, can enter the liminal spaces that the ‘Alice Users’ fight in. He chases a girl who looks like the Alice he sees in his story, who is named Arisu, and gets roped into this fanfic battle royale. He is also the older brother of the very needy Kirihara, who also ends up being and Alice User. As does Kirihara’s bff Kisa. To round out the group of enemies-turned-friends-who-will-work-together-to-collect-the-Eternal-Alice-without-having-to-fight-eachother group is a young genius researcher Kirika who wants to know more about Aruto’s connection that allows him to enter the spaces where the girls fight.
Then there’s all the other girls, some of whom still have real importance to the story and some who have a few panels or 2 scenes total. But with a whole bunch of girls to design, the creators reached out to a whole lot of other people to have them create designs! Eventually the battle gets down to the last few girls, there’s a confrontation with the guy running the whole thing, and while the anime and manga vary quite a bit the whole time, in both version Aruto ends up with Kirihara. Oh and Arisu was created by Aruto’s super imagination powers.  
The Promise: Here on is subjective, particularly with what I personally saw as potential from this series. because I need you to understand how much I want to like this series. 
~Alice in Wonderland themed: I know some people aren’t alice fans and that’s fine you do you but as a big alice fan this is great. We have a few alice episodes and themed characters amongst series like CCS and MGRP, and even Alice themes in other series like Tweeny Witches and Alice 19th. But damn it I am down for Alice series.
~Giant Keyyyyyyyys: Yeah yeah Kingdom Hearts but these keys are much more staff like for a lot of the characters which ads and air of elegance rather than the KH ones that for me at least feel well designed for big ol props rather than actual weapons. We also get...
~Weapon variety: It counts as a key if it’s a thorn whip that can be shaped like a key right? How about a giant pocket knife? Crossbows can also be keys. Hush. And we have this variety because
~Guest Artists: For magical girl series where we have a variety of outfits designed by different people, we have Kagihime, Uta~Kata, and uhh I guess Magia Record? But that’s a mobile game with a hella number of characters and with how mobile game works I wouldn’t count it just because it’s less the intent of the series to have variety and more the nature of having lots of girls. (Precure doesn’t count because unless I missed a memo each season’s set is still by one designer). If a series isn’t about a team and therefore doesn’t need cohesion, bringing in other artists is a great way for variety and new looks. 
~The long term goal: Fighting with other people who love the same piece of media you do in hopes of creating new material that will be viewed as official? That’s just fandom nowadays. But it’s a legitimate interesting concept, and opens up so many doors for a message for the series, be it ‘what you create is no less valuable than the canon work’ or ‘it’s hard to let go when something you love doesn’t have more to it but you can still love it for what it is’ or ‘bond with the people who like the thing you like ya idiot instead of fighting about it’. The concept is interesting and there are so many narrative ways you can take this.
~Gays: Between the anime and manga, we have at least 5 wlw. Is it a magical girl series without some gays? (side note- the manga had a short thing where the MC wears a girl’s uniform and is pretty comfortable in it and while there is no way this was the intent, between that and the emphasis on the stories that live in girls and how the fight zones have no men, I’m just saying, Trans girl Aruto.)
~Greater Fairy Tale Premise: We meet a Little Match Girl based MG who is obsessed with Andersen rather than the Alice books, and touch on a Sleeping Beauty character in the manga. The manga at least implies that classic stories and fairy tale authors uh. Live on in a liminal space as immortals with world warping powers within that world and there could be opportunities for other girls in the real world to fight for Little Mermaid 2: Electric Boogaloo.
The Good: Everything has positive points, no matter how bad it is.
~Character Designs: Some of those looks slap. As do most of their weapons. 
~Backgrounds: I have a strong opinion on backgrounds in anime that can be easily boiled down to old watercolor backgrounds good, modern filtered photos as background bad, and as a 2006 series, this might not be Memole nice but they’re quite attractive. 
~Splash Pages: Easily my favorite thing after the designs, each chapter’s title page for the manga just has a character standing in a setting. Which is not everyone’s thing I’m sure but it’s a nice simplistic way to let the characters breathe imo. Even if at least some of the settings were deffo traced. But that’s how backgrounds work to some extent? If I ever get to the Met again, I am tracking down this exact photo, but here is a likely candidate for an example.
~Different Versions: I do not understand the need to make an adaptation that tries to be a 1:1. Kagihime had the same ideas and characters and did some of the same beats but very much had a different finale story and a lot of changes in the middle (like the Alice cops in the manga). Again, not something everyone probably wants I’m sure, but I very appreciate this, especially since the Anime kept good pace with the number of Manga chapters (reading the manga again while watching the anime at 3.8x speed just now was very interesting to see the different interpretations of events in a different medium.)
The ‘Fine’: Yeah.
~Anime Visuals: Look 2006 was still early enough into digipaint that I will give it a total pass on these. The colors are too bright but in a very bland way, the lineart is nothing interesting, and the faces are. Iffy. But it’s not total garbage to look at (probably helped by backgrounds and character designs...) it just came out in an era where not enough people knew how to stylize things to account for the weakness of the tools of the time. (It was 4 years earlier but I feel Kagihime is the polar opposite of Chobits with its painfully bland color palette while still being just. Flat. Sorry for the drive by Chii.) 
~Music?: There sure were songs. Obviously, they are nothing to me.
The Bad: CW for.... somehow all the big things to an extent. 
~Fanservice: Look, I am fine with fanservice, especially for a series that’s, ya know, not targeted at kids, big Mai Hime fan here even if I would recommend skipping the panty thief episode. And honestly the series generally isn’t fanservicey, at least by the modern standards of having the camera choosing under the skirt rather than an over the shoulder shot like I’ve seen plenty in other shows. Even the sexier outfits like the rose whip dominatrix aren’t bad BUT. When the girls fight. One takes her phallic key and drives it into another girls chest between the boobs while the loser cries in pain and then her book comes out and when the victor rips out pages, the loser’s clothes also rip. It is very SuperS Amazon Trio assault metaphor-y. There’s also a bit of fanservice with the sister becauseeeee....
~Incest: If you read the premise up there, first wow good job because I’m sure not re-reading that, you might have noticed I said MC ends up with his sister. As someone who is a big mythology fan and watches plenty of anime, I have a decent tolerance for your obligatory ‘oh we’re siblings but actually cousins so our feelings are okay’ or whatever the fuck Citrus has going on I don’t know that series and I don’t vibe BUT. I have limits and boy did this series go beyond that because multiple episodes are dedicated to the sister being in love with the brother? And the brother returns her feelings but knows that they are wrong so he put everything he likes in his sister into his version of Alice who, of course, physically manifests as Arisu who he creates accidentally with his uh. Magic imagination powers. But again in both versions MC still ends up with his sister. Hey, at least the manga eventually said the boy was adopted when the sister was like, 3, so if nothing else no blood relations? The anime did not ad this. -_-
~Under Utilized Characters: Arisu’s gradual revelation that she has no childhood memories because she isn’t a real person is so interesting and they don’t do nothing with it but also? That’s the kind of thing I personally would love to dig into and Kagihime, while touching on this world shattering revelation, easily loops back to So Anyway She Should Fight For The Man and to hell with developing a life or personality outside of what has been written for her. The rest of the main 5 were 2 note characters which. Could be worse? The most interesting character ends up being the child genius who accidentally murdered her childhood bestie (and/or lover? depending on version) and her coming to terms with that (the friend is alive but the version changes how and why she thinks she’s dead). Then the villain has the motivation of ‘i lost my creativity and now have become an immortal living outside of normal space and am getting girls to fight each other because that’s like a story so I’m still relevant right?’. But shoutout to the anime for then taking death of the author literally. The numerous other girls are canon fodder outside of like. The manga version of the dead gf and the little match girl.
~Battle Royale: This is not a thing I have an issue with generally. Again, but Mai Hime fan, I need to read MGRP 11, BUT by not developing the non-main girls there is no emotional connection which makes them just canon fodder and that’s boring as sin for a royale system. The initial main character fights revolve so much around the MC guy being there that they fall flat, and the 2 or 3 final battles in both versions still feel without any stakes. Also for a royale thing most of the characters don’t actually die, which cool! Neat! Except when they do? Some nobodies and a somebody are murdered (at least in the manga) and the tone never feels like it’s supposed to be upping the stakes, it’s just. Some people are dead now. And do you want to guess which of the main characters died?
~Gays: Oh boy the best friend of the brother-complex sister is in love with her and (in the manga) dies. She does apparently get better for the last chapter but the death itself is only felt by the rest of the cast for a page or two before we go back to feeling sad big brother wants to kiss his mentally generated sister clone rather than his actual sister u_u. Bury your gays is nothing new, but I wonder if it was also intended to be justified because Guess Who Is Creepy and a bit Perverted? Oh look the lesbian keeps the used swimsuit of her beloved and manipulates events to get an indirect kiss and when she sees the sister trying to strange Arisu for a moment she decides to do it for the sister? It’s not good. You want bad gay rep in a magical girl series, well here ya go. We also had a nobody in the first(second?) episode whose story pages reveal her having a kiss with a girl, and then we also have the prodigy again and- in the manga- her. Uh. childhood lover who she thought she killed but the girl has been wiping her mind over and over so prodigy remembers ‘killing’ the friend and not the she’s alive so she can keep? fucking with her? Toxic!
~Sexual Content: But wait you say, you already covered fanservice! Ah but that is sexual content for titilation. This is sexual content for dramatic backstory! The red riding hood character was sexually assaulted, another character was manipulated into sex first as a teen and then more often to ‘get into the publishing industry’, and the same writer forces some aggressive kisses on the MC. None of it is gratuitous which is nice, but also, was it necessary? Not making a new point for this but read riding hood’s dog was also murdered so unnecessary animal death gets tossed on in there. 
~Male Lead: You can have a male, non magical character as the main character surrounded by magical girls. This is not how to do it. If I can make a vicious and hopefully not understood reference, Aruto is basically Tate from the Mai Hime Manga. If you understood that, I am so sorry. If you didn’t, congrats! Don’t read the manga. Or do and send me asks about the iconic final page of the first volume (18+). Anyway, this dude is boring, everything revolves around him, BUT I’ll be generous and say at least this isn’t a harem series? It looks like it out of context but it’s just a triangle with a fun attached scientist and token lesbian.
~Premise: They didn’t make good use of it. The initial goals of ‘take other girls pages from their soul books because if we get enough we unlock a third alice book’ is good! And then we add the twist that that was never going to happen and either if we get all the pages we can grant a wish, or these fights are just happening for the amusement of and asshole. Either way, yeah okay I guess. But at no point do we ever achieve this forbidden wish granting book and the asshole just. Lives. Nothing happens to him. His peers don’t even dunk on him. The only real changes from the beginning and the end of the series are: the siblings are now chill with dating, and the scientist lady won’t turn into a child in magical spaces. Oh. Yeah.
~Why did we make this adult a child sometimes?: I think we know why. Stop trying to get those types of folks to watch your already meh series. I also could have sworn at points in the past looking up images for this series I’ve seen extra art for Yuuri the Thumbelina-y Alice User that seemed like it would fit alongside anything by POP. You know, the Moetan guy. If you don’t know, god I wish that were me. 
Wrap Up: I have definitely forgotten some points and am well within my rights to ad to this whenever I remember more points but uh. Yeah.  
Listen you want an alice themed battle royale with nice outfits? Rozen maiden is right there. Battle Royale magical girl series that’s good with fanservice? Mai Hime. Series with different outfits while being based on a classic story? Pretear.
Hope anyone who read all of this at least got what I was saying, even if they don’t agree with it. And thanks for reading because whoops. 
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bestworstcase · 3 years
Note
I loved the conversation between Catalina and Sitheach! It got me wondering about options for transitioning in your world. How does that work?
(Also how do you pronounce Sitheach’s name? I’m SURE I’m saying it wrong in my head)
ˌsiθeˈæχ if you’re an IPA person. see-thay-ACH. the th is unvoiced (like in “breath”), the a is as in “cat,” and the ch is articulated in the throat so think like a phlegmy and guttural “ack!” 
it’s also the saporian word for ligament akjsdkjfl
so i definitely think there are efforts being made in certain places (ingvarr, azoth, minkar, antares, and aberdinon are kind of the hotspots for this in my head) to develop secular methods of transition that are not magic-based so essentially alchemical hrt and (esp in antares, which is a huge melting pot of cultures so i think of it as having really robust and knowledgeable medicine in general) surgeries, with the benefit being you’re not beholden to a god for your transition - which appeals both to people who aren’t religious or don’t want to mess around with magic at all and to people who are devoted to gods whose magic doesn’t lend itself well to transition and who for whatever reason don’t want to branch out to another god just for the sake of transitioning. 
but then like - the way gods work here is they have a domain, which is specific and unique to them, and then they have a sphere of influence connected to that domain which can be a lot more general / varied / overlapping with other gods. which is to say that “change” in some form belongs to the spheres of a lot of different gods and any time that happens you can finagle a transition out of that god’s magic if you’re imaginative enough and determined enough. and the more strongly that god is associated with change, the more central that is to their sphere, the easier it is to use their magic that way.
so! zhan tiri, for example. her domain is hunger but her sphere is enormous because, like i said in the last post, she has a tendency of going “neat! mine now” whenever something catches her interest which - ksjdfjks to quote the blurb from the world anvil i’m putting together: 
Zhan Tiri is notorious for her eclecticism. Her basic nature is to hunger, but her sphere has expanded throughout the eons in answer to her insatiable appetite. She claims dominion over the sea, storms, soil, and the sky. She is heavily associated with cyclical change, particularly with the seasons and the cycle of life, death, and rebirth; also, with beginnings, endings, liminality, doorways, thresholds, and moments or places of transition; also, with choice, freedom, wildness, and hedonism. Rot and decay are her purview, but so are recovery and renewal. Humanity itself is sometimes considered to be part of her sphere, as is the concept, pursuit, and practice of choimghē.
part of the reason she is so heavily associated with change / cycles / transformation is she herself has undergone some very extreme changes in nature; she started off as essentially a mindless cosmic parasite that crawled out of the void and created the current cosmos by accident, became hunger/a monstrous primordial god, caught ennui from humans, ate a tree and became the cosmic bridge between the profane and sublime realms and now has feelings vjkskldf. and then of course her manifestations and the way she presents herself are so varied and changeable too. so she’s like - KNOWN for this, and the rites sitheach references in 13 (the crēdathámanē) is kind of, if someone had only ever heard of one method of magical transition it would be that one.
but then like. turul’s domain is insight but he has associations with cycles and transformation generally (you know... phases of the moon...), and huma’s is hope but she also has associations with cyclical change and especially the cycle of rot/renewal (seasons!) so a lot of their cults have set rituals for transitioning as well. (*cough* trans brotherhood rights *cough*). 
or char malách’s domain is wonder, but he’s so strongly associated with artistry, craftsmanship, creativity that his magic is actually incorporated into the crēdathámanē rites along with zhan tiri’s and could also fairly easily be used this way by itself, although i don’t think there’s a specific like, standard ritual because for him this would be such an individual process, like sculpting or painting but in this case the canvas is you.
and then! ferr’s domain is order and she’s associated heavily with fate and destiny as well as like, constructive things (like metallurgy, alchemy, architecture, anything where you’re taking raw materials and turning them into something more organized), and havot’s domain is wildness  and she’s very heavily associated with free will and choice (and similar to char malách, creativity and self-expression as well) and both of them are often worshipped in combination and their magic tends to be very complementary - and i think they’re somewhat unique in this regard in that the transition magic associated with them is probably a pretty even blend vs all from one god or a crēdathámanē situation where you thread in a bit of magic from the local creativity god (char malách in the west, havot in the central plains) to refine the process.
etc. so there’s a lot of options and with magic there’s not really hard boundaries - you’re limited by the sphere of whatever patron you’re drawing magic from, of course, and whatever rules they impose on you in exchange for use of their magic, but within those bounds it’s all about will and want and if you can plausibly imagine a way to accomplish something - anything! - through the pathway of your patron’s sphere, then. you can.
(like - unrelated to transition - but in moonless air 8, sitheach’s whole little spiel when they’re talking lance through what they’re doing is essentially ‘i have figured out a way to apply necromancy to living people because TECHNICALLY some of your CELLS are dead’ and it works sjklfdlk. and cathay was kind of like squint ‘don’t do that again i don’t like it’ so now it’s Not Allowed lmao. but that’s kind of how things work in general - the really truly powerful sorcerers are the ones who can think outside the box and pull things off on a technicality.)
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magiefish · 3 years
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hhhhhhhhhh guess who drew all the batim characters in prep for the comic they’re making!
yeah so it took like 4 days to draw all these guys, and it was actually pretty fun figuring out colours and designs and stuff!
(also, update on the Reveries Twisted comic, I have a plan for the first chapter but i have like, 7 tests next week and I haven’t started drawing it yet so it’s definitely not going to be coming out anytime soon sdfgsdfsj but i am still working on it!)
anyway, i felt like writing little descriptions for every character, so feel free to read these below the ‘keep reading’ line if you feel like it! My ask box is also always open, so if u have any questions feel free to ask
Bertrum Piedmont-he/him, gay/ace
-Started working as a mechanic at about 15 and worked his way up from there -Everyone in the studio @ him: why are u british -His big ego often gets in the way of things, but at his core he's a good person (doing bad shit but ultimately having good intentions is common among these guys shdgfs) -Wlw & mlm solidarity w/ Lacie, who is his most trusted confidant and friend -Actually treats his employees well, even when they do basically nothing all day, so he does a lot of work himself most of the time Linda Stein-she/her, straight as a ruler -Parents immigrated from Spain -She's very catholic and very into 'traditional family values' and that sort of stuff -She is sweet, but her strict morals and black and white ethics often make her do unintentional harm -She is also pretty oblivious to most things Jack Fain-he/him & they/them, pan/ace, OCD -Mother immigrated from China to France, and then he moved to America, it's confusing -Can play the violin really well, but is terrible at composing his own pieces -Peak friend material -Short and round and soft with a love of a good espresso -Kind and quiet but ultimately ineffective and happy to watch from the sidelines Daniel 'Buddy' Lewek-he/him, aro/ace, autistic, jewish -He is curious and observant, but very very naive -He finds it hard to pick up on social cues, and tends to daydream a lot -Never really had a father figure, and unfortunately kind of half sees Joey as one (baaaad choice), but his mother is great -Loves drawing and tends to chew on pens (and most objects really) -Too young Susie Campbell-she/her, demi -Her parents were Russian and she picked up their accent, but taught herself how to cover it up. She is now excellent at voice acting. -Has a birthmark most theatres turned her away for. But luckily voice acting gave her another chance at performance, and the music department really does not care about it. -Her dad was a butcher, so she now knows a concerning amount about how to cut up and dissect meat. -She gets easily attached to things emotionally, and has a whole pile of random bits and bops she keeps on her person because she can't throw them away. -Naive, but smart enough to know how to read and deceive people if needed. Ms Abigail Lambert-she/her, lesbian -A very gifted artist, who is quite frustrated with the business aspect of animation. -Picked up quite a few things about engineering from Lacie. -Stern, but kind. Motherly, if she likes you and you squint hard enough. -Used to fighting for things. -Giving her food is a pretty good way to get her to like you. Being an artist, she forgets to eat at the correct times a lot, so a meals always appreciated. Norman Polk-he/him, gay, albino -Knows how to fix things, knows how to fight, knows how to hide -General cool uncle vibes -He watches people a lot, and gives off some creepy vibes, but he does genuinely care about people -Knows something is up and is determined to find out what (even if he dies trying) -Fought in WW1, then worked at a cinema for a bit. Emma Lamont-she/her, heteroflexible -Keep dancing even when everything goes wrong -Bit of a 'i'm better than these fools' mentality going on -But she's pretty chill, and willing to act when needed -Basically every woman in the studio knows her on the basis that she chills in the girls bathroom. -Hates Joey, but knows those who stir up a bit too much trouble usually 'resign' Sammy Lawrence-he/him, (vocal-romantic) bi/ace, ADD -His dad sucked, so he ran away. He's also the reason he's largely abandoned his faith, but he still holds hope that there is some kind of god out there. -He and Jack are basically brothers, they've known each other for a long time. -He can compose music in his head, but can play basically every instrument. -Tall and thin and sharp with a love of black coffee. -He's actually pretty chill and nice, but the conditions of the studio (workload, noises, dreams) have left him quick to snap and a stressed out mess. -He's pretty oblivious to his own feelings and spends basically all his time thinking about music, so he usually only realises that he has a crush on someone if he hears them singing (hence the vocal-romantic joke) Johnny Hart-he/him (she/her), gay (trans), heart condition -A nervous wreck who avoids everything and everyone -Trans but doesn't realise it, he thinks this level of discomfort has something to do with his heart condition or something like that. -Speaking of which, if he gets genuinely terrified or panicked he could have a heart attack. -Hence why he's a recluse who remains in the organ room and interacts w/ literally no one. -Except Dot and Buddy (who forgets he exists and who he also has a crush on). Wally Franks-he/him, pan -Friends with literally everyone who isn't one of the older folks (and thomas) -Honorary member of the music department because he can play a harmonica and vibes with everyone there. -Tries to put a positive spin on everything, often beyond the point of reason -A mischevous, mildly selfish prankster with a heart of gold -Gossip pals with Susie and Norman The Violinist-she/her, nobody knows -Has literally never expressed an emotion ever -Seems to know things are going to happen before they happen -Just generally pretty weird -She isn't friends with Dot, they're both just vaguely interested in what the others doing -She looks a lot like Allison, but the two have never spoken and nobody knows if they're sisters Thomas Connor-they/them, gynephilia -He is just. So tired. -An actual mechanical genius who gets his work used for the wrong purposes. -Is very of the 'when you're on a path stick to it' mentality -Cold and hard exterior that vertually no one except Allison has ever managed to get through. -He can and will beat you up. Henry Stein-he/him, gay, vitiligo -Nice and hardworking. -Doesn't have many emotions other than to draw. -He's in fucking narnia he's so deep in the closest. -Feels emotions, but buries them deep down and doesn't express them too clearly. -Has difficulty setting healthy boundaries with people and represses himself far too much. Joey Drew-he/him, homoromantic/pansexual, bipolar disorder, alcohol and cigarette addictions -Chaotic, feral, short little man who lies to everyone -Charismatic as hell, but also a terrible friend and person in general -He doesn't blink enough, does not know the meaning of personal space, and hasn't aged for about 4 years, which are all very bad signs. -Doesn't understand how to run a business but does so anyway. Doesn't understand how to interact with people but does so anyway. Doesn't understand how to create life but does so anyway- -He isn't pure evil, he just gets into very bad mindsets and makes poor decisions that lead him down the wrongest way to go. -Does some self evaluation and goes 'maybe this wasn't the right way chief :/' just a bit too late Audrey Dempsey-she/her, lesbian, Borderline Personality Disorder -Feral conspiracy theorist -May or may not be related to multiple studio members -Everyone's called her crazy for years and made her feel like a burden, and she is hellbent on proving everyone wrong -Quite socially awkward, and rather sarcastic with a dark sense of humour -Works for Archgate Allison Pendle-she/her & they/them, androphilic/ace -Is forever lost in a vintage clothing store -Most people say she seems nice, but everyone just kind of subconciously registers that there is something up with her -Knows a lot about the supernatural -The person closest to Joey, which doesn't necessarily mean they're friends -Nobody has ever seen the right side of her face Dot Acciaci-she/her, pan -Her parents are Italian, and she speaks a little herself, usually using it to encrypt her private notes -Mischevious & curious, but ultimately kind -She will find out your secrets, and is very good at reading people -Great storyteller -Struggles with loneliness a lot Dr Eleanor Hackenbush-she/her, aro/ace -Science knows no bounds -Doesn't care what your motivation is, as long as you give her some cash and some experiments -Filled with nothing but utter spite Ms Reina Rodriguez-they/them, demi -Tired of everything -Although she puts up a calm exterior, Rodriguez is very attached to the studio and views it as her 'new family', having a terrible relationship with her old one -Her family drama connects to the fact they're very catholic, but she nobody knows what this drama is other than Joey Tessa Arch-she/her, straight -An absolute bitch -Trusts her husband far too much -Not very smart, but compensates for this for being good looking and rich Shawn Flynn-he/him (intersex), pan -Jovial, but gets angry quickly -Willing to do 'wrong' things if it helps someone else out, kind of like Robin Hood or something -His mother taught him how to sew and he helped her make clothes when he was younger -Found it hard to get a job because he's Irish, so despite being tired of all the bullshit of JDS, he is reluctant to look elsewhere -Friends with Lacie and Grant because they appreciate his humour Lacie Benton-She/her, lesbian, trans -Tougher than the toughies -wlw & mlm solidarity w/ Bertrum, who she views as one of the only genuinely smart people in JDS and who she has worked for for basically all of her life -Feels like something is up, but doesn't notice much if it doesn't connect to her work -Has automatophobia -Friend with Shawn and Grant because she respects their dedication to their work Grant Cohen-He/him, bi, depression, jewish -Absolute madlad at maths -Acts like he doesn't care what you think, cares far too much about what you think -Everyone wants him to just get therapy already -Doesn't have many friends, but has a weird 'we're both horribly overworked' kinship with Sammy, so they usually just chill and smoke together -Friends with Shawn and Lacie because they're actually mentally stable and he needs some rocks Nathan Arch-He/him, straight -You should hate him -You should hate him a lot -Super rich and doesn't pay his workers enough -Silver tongued -Basically a spider. Creates webs of manipulation and lies, sees a lot, and knows plenty about waiting for his prey to come to him.
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santiagonex · 4 years
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As 2020 is nearing, it’s time to see what 2019 has brought us when it comes to gay representation in tv shows and movies. Below ‘read more’, there’s a whole list of tv shows/ships/movies (with pictures and basic description) which include/are about gay (used as an umbrella term) men and couples (so basically have gay storylines and at least one gay person is a main character of the show/movie).
Since I’m a gay man, I keep up mostly with mlm, if I included wlw as well, I don’t think the list would be complete with my lack of knowledge, so sorry about that. I’m pretty sure there are more competent people who can do that instead of me.
Total Count of TV Shows in the list: 65 Total Count of Movies in the list: 27
 Anyways, here we go.
TV SHOWS
TV SHOWS WITH TITULAR/CENTRAL GAY CHARACTERS/SHIPS
The Other Two: the funniest most-relatable show centered around three siblings – one of them is gay (left). A must-watch for sure. He’s pretty much the hugest part of the show, there are some love storyline (...and they were roomates), some self-loving moments and iconic lines. Just watch it, you won’t regret it.
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Sex Education: show about two best friends, one of them (right) is gay. His name is Eric and he gets involved with his enemy Adam (left). Amazing show.
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Special: show about a gay man Ryan (right) with mild cerebral palsy, who wants to live his life as an independent person to the fullest. Easy and short show to watch.
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Druck (German SKAM Remake): if you don’t know SKAM, it’s pretty much a show where each season is devoted to one character. Third season of German SKAM aired this year and it was revolved around a gay guy (left). For the first time in SKAM history, the main character’s love interest is a trans guy (right).
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Skam France (French SKAM Remake): the French version of SKAM had a gay season this year as well. 
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WTFock (Belgian SKAM Remake): Belgium has a season focused on the main gay character this year as well.
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El corazón nunca se equivoca: I’m pretty sure you’ve heard of Aristemo from ‘Mi marido tiene más familia’. Well, they’d already aired the first season of the new spin-off centered around their lives in college (I think).
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Merlí: Sapere Aude: Bruno (left) and Pol (right) fans, it’s time to make some noise. Brunol is coming back because Pol is getting a spin-off which will be taking place in university. Bruno will be in it as well. First episode airs on 5th of December this year.
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Pose: second season of Ryan Murphy’s popular show with main transgender and gay characters has aired this year.
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The Politician: another show from Ryan Murphy was created. The main protagonist of the show (right) is played by Ben Platt and he’s gay. The show contains many LGBT+ main characters.
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Tales of the City: the revival of the Tales of the City sequence of miniseries aired this year. The show includes many LGBT+ storylines.
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The L Word: Generation Q: the revival of The L Word show will air on 8th of December this year. The show is mainly about lesbians, but based on trailer, there will be a gay couple included as well.
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Years and Years: very futuristic show with a political message. Includes both mlm and wlw as main characters.
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The Red Line: the plot of this show involves a white cop in Chicago who mistakenly shoots and kills a black doctor named Harrison. Harrison had a husband (left) and daughter (right). The show deals with the consequences of the event.
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Now Apocalypse: all I’m gonna say is that Beck from Victorious got to make out with Scott from Teen Wolf, Matty from Awkward and Jake from Glee. The show was renewed for second season and later this statement was taken back and it got cancelled – which I guess says enough about the show.
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This Close: the show is about two best friends who are deaf. One of them (left) is gay and has a storyline and spicy scenes with the guy on the right and some other guys as well. 
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Schitt’s Creek: David (right) and Patrick (left) aka the cutest softest couple of all time. The last season of the show will air next air. Watch the show if you wanna laugh and watch the healthiest gay couple on tv. They also got engaged this year, which was beautiful.
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NEW TV SHOWS (1 SEASON) WITH MAIN GAY CHARACTERS/SHIPS
Daybreak: both main characters and basically on different sides of the battles. Who wouldn’t want to watch enemies being in love Romeo & Juliet style.
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El Juego de las Llaves (The Game of Keys): very interesting and fun show to follow, the one on the right is the main character. He’s closeted, has a girlfriend and gradually realizes there’s something else out there. Nice kissing scenes, plus one very spicy scene. Doesn’t hurt that the guy on the left he will be involved with looks like a dollar store Chris Evans if you squint hard enough.
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Five Bedrooms: 5 strangers moves in. The guy in the middle is gay. His mom is a very traditional Indian woman who just wants grandchildren. The whole show is heart-warming and sad at times. The guy gets fair share of screentime and some love interests including a cop from the neighbourhood.
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Made In Heaven: Indian show that follows the lives of Tara and Karan (left), two wedding planners in Delhi running an agency named Made in Heaven. Karan is gay. Very progressive show with spicy gay scenes.
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What/If: haven’t seen the show yet but friends said these two have a nice storyline in the show. Threesome included.
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Bonding: show about two best friends Pete (left) and Tiff (right). Pete is gay. They basically... do freaky shit for work... umm. Just watch trailer or something.
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Osmosis: I have no idea what the show is about but the guy on the left is set to betrying to find a soulmate or something. I think I remember seeing some spicy scenes.
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Pretty Little Liars: The Perfectionists: basically some gay romance with the guy on the right and someone else. The one on the left dies the first episode so I did not even bother after that. But you can be the judge of it.
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Doom Patrol: Larry (left) is a superhero, kinda. There’s something haunting his past, though. Something that involves being gay.
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The Umbrella Academy: Klaus (left) my favorite character. He’s kind of a hero along with his other siblings. There’s a deep gay storyling along the way.
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Weird City: anyways... all I’m gonna say is that Dylan O’Brien played a gay for one episode in a show. Wish there wasn’t this huge ugly age difference.
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Roswell, New Mexico: cowboys, aliens, bisexuality, homosexuality and all that. Didn’t really see the show but there’s a lot of content with these two.
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Good Trouble: never saw the sow but the guy on the picture is a main bisexual characters. There are some mlm scenes.
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The Society: Grizz (right) and Sam (left) literally the highlight of the show. Just watch it, it is worth to see it for both of them. Sam is also deaf. The show is basically about a bunch of teenagers getting stuck in a town with no one else in or around.
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High School Musical: The Musical: The Series: The High School Musical tv show has just started airing on Disney+. Carlos (left) is confirmed to be gay and to be getting a nice development this season which will probably involve Seb (right) as well.
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The Heights: Australian tv show. Sully (left) is gay. Got a thing for Ash (right) at the start. Then things were messy. Then they suddenly kissed. And the things are messy again.
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El Club (The Club): very interesting show. The gave these two really (like REALLY) spicy scenes. Some romantic stuff. But there’s really not much depth in my option. Check and see.
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Volevo fare la rockstar: didn’t see it but it’s an Italian show and there’s a romantic storyline between these two.
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No Good Nick: Jeremy (right) came out this year on this sitcom. Nice and very weid sitcom. Unfortunately it was cancelled, but the way they handled his gay storyline was rather nice.
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World on Fire: follows lives of ordinary people from Britain, Poland, France, Germany and the USA during World War II. Two of them are gay. And yeah one of those two is Will from sense8.
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TV SHOWS (1 SEASON+) WITH MAIN GAY CHARACTERS/SHIPS 
Andi Mack: the show that made history. Andi Mack is a Disney Channel show and for the first time in Disney Channel history, Cyrus (right) came out using the word ‘gay’ and made it official with the recurring character TJ (left) this year. The two-season slow-burn was really worth it.
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Shadowhunters: Malec got married this year. Yay.
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Grey’s Anatomy: Levi and Nico still going strong.
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La Casa de las Flores (The House of Flowers): despite the first season making it seem like it was the end for Diego and Julián, that’s not the case. In season 2, they’re stronger than ever, the scenes are spicier than ever and the show is gayer than ever.
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Baby: first season was mostly focused on Fabio (face on right) realizing he’s gay. The second season has shockingly showed us that Brando (face on left) is gay as well. Very toxic ship so if you enjoy Gallavich this is probably for you.
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Élite: Omar and Ander continuing their journey.
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Shameless: Ian (up) and Mickey (down) came back to Shameless season 10 as main characters. About time.
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Station 19: new love interest (left, a deaf character portrayed by a deaf actor) was introduced for Travis (right) in the season 2 finale. Let’s see what happens in season 3, which airs in 2020.
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Ackley Bridge: they pretty much baited us with Cory (left) and Naveed (right) this season. They stayed just friends, but Naveed found a love interest, so that’s nice.
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Find Me In Paris: Never saw the show, but Jeff (on the picture) is gay and his love interest Isaac gets introduced in second season that aired this year.
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13 Reasons Why: Tony and Caleb going strong. It was also revealed that Monty (right) is a closeted gay and had a storyline with Winston (left). There’s probably more to come with them in next season. 
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Insatiable: unfortunately they didn’t serve much Bob (right) & Bob this year. But they introduced detective Rudy (left) and there were some scenes and twists and turns. Whatever.
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Riverdale: I don’t care. Kevin (left) is still there. There are some gay charcters based on wiki, but yeah. Crumbs, I bet. Whatever.
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Charité: second season (which has the two main gay characters) takes place in Berlin in 1943. You don’t need to watch the first season at all, to understand the second one with them, it’s basically a stand-alone.
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Animal Kingdom: Deran and Adrian’s story coming to an end?
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The Magicians: Well, they killed off the central bi character Quentin (on the picture), so fuck them. 
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How to Get Away With Murder: Connor (left) and Oliver (right) still there.
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Dear White People: haven’t seen it, but Lionel (on the picture) is still there and he’s gay.
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Zoe Valentine: there’s this web series and these two have a storyline in second season that aired this year.
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SOAP OPERAS AND TELENOVELAS
Sturm der Liebe: Boris (left) and Tobias (right) are married and lived happily ever after. Really cute and sometimes dramatic storyline overall. Check it out.
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Malhação: Vidas Brasileiras: Santiago (left) and Michael (right) had a gay storyline but the show ended this year.
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Malhação: Toda Forma de Amar: Guga (right) and Serginho (left) have a gay storyline in the show.
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Eastenders: Ben (left) and Callum’s (right) storyline has begun this year.
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Neighbours: David (right) and Aaron (left) aka husbands still in the soap.
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REALITY SHOWS
Queer Eye: five gay guys helping others. Season 3, 4 and a special have aired this year.
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Are You the One?: for the first time in the show’s history, season 8 of this dating reality show had an all-sexually fluid cast this year. Which means mlm and wlw and anything else. Really fun show.
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MOVIES
Benjamin: don’t even remember what the movie was about but I rec because it was cute and I mean hello Merlin.
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Boy Erased: homosexuality and religion. Has a Troye Sivan in it. Very decent movie.
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And Then We Danced: my favorite gay movie of this year. All the things they had to do to be able to film this in homophobic Georgia (the country)... just wow. It’s a must-watch.
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Who Would You Take to a Deserted Island?: didn’t know what to expect from this movie. It is based on a play and it shows. Watch and be the judge of it. The acting was really highlight of the movie.
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This Is Not Berlin: hasn’t seen it yet since it was just officially released. But it is included in an LGBT+ section so... hopefully they didn’ lie.
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Rocketman: movie about Elton John with Taron Egerton and Richard Madden... I mean, phew.
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Un Rubio (The Blonde One): gonna watch this, apparently it’s amazing based on what some of my mutuals have said.
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The Death and Life of John F. Donovan: Jon Snow being gay and kissing Chris Zylka. Made by Xavier Dolan. A literal tripple threat. Genuinely enjoyed the movie and the soundtrack.
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Ranchlands: haven’t seen this but my friend said it’s amazing.
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Steam Room Stories: this movie was something... Eating Out levels of ‘I-’ but without all the sex. I guess watch this if you are bored.
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Posledice (Consequences): very spicy and intriguing movie. Slovenia snapped with this one.
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Papi Chulo: didn’t like this movie and the concept of it but... you can check out and see for yourself.
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Dolor y gloria (Pain and Glory): Antonio Banderas kissing a man. Hopefully it really is a gay-related movie because I haven’t seen it yet.
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Die Stropers (The Harvesters): brilliant cinematography but I expected much more from the movie.
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Giant Little Ones: what happens when you’re into your best friend’s sister but the best friend gives you a BJ. Well... watch and see.
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Kanarie (Canary): a war musical about a small town boy who gets chosen to serve his compulsory two year military training in the South African Defence Force Choir and Concert. Loved the involvement of the Boy George music, aesthetic and story. One of my favorites this year. 
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Luciérnagas (Fireflies): haven’t seen it yet but the description says that the main gay character (right) “flees from persecution in Iran and ends up living in the tropical town of Veracruz.”
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El Angel: haven’t seen it but apparently there are some implications it was lowkey gay... so yeah.
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Dear Ex: from wiki “San Lian was devastated when she discovered her late ex-husband left his insurance payout to his male partner Ah Jie. She decided to bring her son to fight for their rights, but her son instead chose to stand on the other person's side.” Will watch this soon, sounds interesting.
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Sauvage: one of the best gay movies this year. Don’t know how to describe it so let me copy paste the description “ Léo is a sex worker who uses drugs whilst longing for love.”
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Sócrates: haven’t seen it yet as it was just released.
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Marilyn: story about a farm worker who discovers his sexuality in a hostile environment. Didn’t see it since someone has told me there are some scenes that are really HARD to stomach and I ain’t about that life.
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Les Crevettes pailletées (The Shiny Shrimps): the movie is about an Olympic swimming champion who makes a homophobic comment in a television interview, and is disciplined by the national swim team with the responsibility of coaching a gay water polo team who aspire to compete in the Gay Games. Sounds and looks like an amazing comedy and can’t wait to watch it when I will be able to.
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Fin de siglo (End of the Century): it’s not out yet as far as I know, but it’s about two men who meet in Barcelona and realize they have met already 20 years ago.
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Matthias et Maxime: another excellence by Xavier Dolan. Story about life-long friends who question their sexual identities after they kiss. Looks amazing and I can’t wait for it to get released finally.
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The Goldfinch: not a gay movie, but I’ve seen many people considering it as LGBT+ cinema because of the book and you know what, they kissed after all so you can perceive it beyond friendship if you want. If not, then just skip it. I feel like it is worth mentioning it tho.
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Mapplethorpe: movie is about the life of photographer Robert Mapplethorpe. Didn’t see it but Doctor Who plays him so there’s that.
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UPCOMING
TV SHOWS
9-1-1: Lone Star: The spin-off of a popular show 9-1-1 by Ryan Murphy is premiering 19th of January 2020. It’s confirmed that the main character TK (a firefighter, left) will be romantically involved with the main character Carlos (a police officer, right). The show will also have a main trans man.
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Love, Simon: The Series: A Disney+ Love, Simon spin-off is on its way and will premiere in 2020. The series will follow Victor (right) and his coming-out story at the same high school where Love, Simon took place. Didn’t find a photo with his love interest. The guy on the left will most likely be his enemy.
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