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#if i do your attack in traditional art and u live in the US we can work out me mailing the original to you!
plushieanimals · 10 months
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obligatory art fight post! my username is ruby i try and defend as much as possible! I warmed up the good ole ipad and procreate ^_^ please know i am best at drawing animals feral/anthro!
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mortalityplays · 1 month
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You need more free art.
I quit my job yesterday. Well, actually I quit my job eight weeks ago, but they finally released me yesterday for good behaviour. Don't get me wrong, I love what I do - but I do it for the wrong reasons. Working for major charities, you learn very fast that 'I want to make the world a better place' is a phrase you use to ask people for money, not to give them things. I was an ass-backwards fit for that world.
You need more free art. I need more free art. Everyone has felt the shift in our media landscape over the last ten years, away from access and towards nickel-and-diming the human experience. That lack of access is making life and culture worse for all of us, across the board. Paywalled news sites leave us less informed, attacks on the Internet Archive leave us less capable of research. Algorithmic social feeds and streaming walled gardens trap us inside smaller and smaller demographic bubbles, where we are increasingly only likely to encounter ideas that have been curated for us by marketing departments. Hasty efforts to resist AI commodification have only led to more artists locking their work away and calling for even more onerous systems of copyright law. This is not good for us.
We all need more free art.
So what am I going to do about it?
This is a question I have been asking myself for years. It's easy to sit here feeilng frustrated and thinking 'boy I hope SOMEONE does SOMETHING'. It's harder to take action in a world where I still have rent to pay. But hard doesn't mean impossible. Sometimes hard just means time-consuming, frustrating and slow. And sometimes it's worth doing something time-consuming, frustrating and slow because...I want to make the world a better place.
I'm going to do this:
1. From April 1st, I am relaunching as a freelance writer and editor.
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This is the one that will (hopefully) help to pay the bills. I am a very good and experienced editor. I've worked on hollywood movies, I'm a member of the Chartered Institute of Editors and Proofreaders, I have clients who have been coming to me exclusively for more than 10 years.
Alongside bigger contract jobs, I am going to refocus on offering my services to small-press creators at a reduced rate. That means you, graphic novelists. That means you, itch and amazon writers. I want to help you develop your work, the same way I help large organisations. You can learn more about what an editor even does and what kind of pricing you can expect here.
2. I'm also going to start giving shit away. Like, constantly.
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Next week I'm going to launch a new free shop. If you're unfamiliar, a free shop, giveaway shop, swap shop, etc. is an anarchist tradition of setting up a storefront where anyone can take what they like for no cost. Offline, this often means second-hand clothes, tools, furniture, food etc. Online, I am going to be giving away digital art. Copyright-free, no strings attached. It will (eventually) feature everything from print-res posters to zines, poems, tattoo flash, t-shirt designs and anything else we come up with.
Yes, I said 'we' - while this is a curated collection, it will feature work from a variety of credited and anonymous artists and activists, all of whom have agreed to give their work away to the public domain. Some of it will be practical, some of it will be political, but a lot of it will be decorative or personal. This is, in part, a response to recent difficulty I had finding somewhere that would print a one-off joke poster for a friend that featured the word 'faggot'. Enough. No middlemen - no explaining ourselves. Just print our shit and enjoy it.
I'm very, very excited about this project. I'll have more to say about it closer to the launch, but you can expect it to go live on March 27th.
2.2 I forgot to mention the ACTUAL LAUNCH GIVEAWAY
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To celebrate my launch, I am going to be giving away a ton of physical prints. When I went looking for my old stock to see if it was worth setting a new (paid) storefront up, I realised I had way more old work in storage than I thought. This will be announced in its own right on Monday, but this is why I've been hinting you should go follow my Patreon.
On April 1st, I will pick 8 random patrons (from across all tiers including non-paying followers!) and mail them a bundle of assorted prints and postcards. The prize pool includes A3 and A4 posters, packs of A6 postcards, and printed minicomics that I've previously sold for up to £12 each.
You don't have to be a paying subscriber to enter - this is strictly no-purchase necessary. It is purely and entirely a celebration of the concept of GIVING ART AWAY FOR FREE.
3. PORN, YOU PERVERTS
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Because I still have to pay to stay alive, I am going to be subsidising all this free art with the introduction of Fuck You Fridays. Starting from March 29th, I will drop a new 18+ short story on the last Friday of every month, over on itch.io (yes I know my page is desolate right now, don't worry I'll get there).
The first edition, Go Fuck Yourself, is about, well - telling your boss where to stick it. Julia has had it with her millionaire man-child manager, and is just about ready to let him know what she really thinks. It's a short and steamy 5k words, with a gorgeous cover illustration by @taylor-titmouse, and you can pick it up for $3 starting from March 29th.
4. ANOTHER BIG SURPRISE
I'm keeping this one under wraps for now, but April 1st will also play host to one more (FREE) launch. If you've been following me for a long time, you might remember the other significance of this date (no not April Fool's day, though that is certainly thematically relevant to this entire effort). That's all I'll say right now. Watch this space.
tl;dr: I'm sick of paywalls and career ladders. I'm literally putting my money where my mouth is. More free art for everyone and I'm not kidding around!!!
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nerice · 2 years
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oc ask meme! 1, 2, 3, 5, 7, 11, 13, 17, 19, 23, 29, 31, 37, 41, 43, and 47!
*rolls up my sleeves all the fucking way* let me introduce u to so many freaks. also linking my oc page again here not everyone's on there but for refrance!!!! this got long so im actually using the humble readmore function for once but im gonna showcase one answer up here and that is:
has anyone drawn fanart of your ocs? if yes, maybe show a picture or two here (remember sources & permissions!)
i love all the art you n charlotte have drawn but this pic you did of reina. man (i cry everytime i look at it, she's SO BEAUTIFUL here you got her down better than i have ever drawn her <33333)
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first oc ever: a young girl who gets her throat taken out by a big cat at a circus performance; who is now a young boy called honey who gets his throat taken out by kizuna while he wanders the swamplands searching for his brother! :D
personal favourite oc: absolutely without any doubt or competition whatsoever this goes to sky lmao. rabbit daughter of my life <33333
have you ever adopted a character or gotten a character from someone else? nope! all organically grown ocs in my brain tbh i find the practice of adoptables etc a little weird but that's just bc it, for me personally, conceptually, just does not work at all lmao
if you could make only one of your ocs popular/known, who would it be? nightmare scenario that guarantees callout posts tbh but after reading a billion articles on traditional female villains for my thesis i am slightly tempted to blaze knowledge abt faye lmao. high femme lesbian villain (power armor notwithstanding) we need more of em <3
are your ocs part of any story or stories? only have story ocs!! if i think up a guy he comes pre-equipped with problems which i will somehow slot into the grander verse, i don't make the rules
sunshine oc: alissa!!!! tragic girl who dies too young but before then is the absolute light in the life of everyone she touches ;_; there is one au where she lives and aims to use the lifesong to help more people, in the process of which she becomes eliada's sworn enemy & also possibly romances damia. long story
troublemaker ocs: handsdown linn wins this category lol. always up to no good, a nsfw criminal menace <3
oc otp: YOU KNOW THE ANSWER TO THAT IS JUMIE/REINA. thank you for drawing them make out it gives me life <33333
introduce an oc that means a lot to you (and explain why): gestures at reina. gestures at sky. gestures harder *camera pans over i am now on the floor sobbing* yknow?
introduce oc that has changed from your first idea concerning what the character would be like: jumie used to be very mellow and leaned most strongly into the caretaking persona (it still comes out with sky a lot ;_;) but when i actually got around to writing her boy. oh boy. takes no shit and vibe checks every single person she comes across (for better or for worse) lawful good paladin behavior
which one of your ocs would go investigate an abandoned house at night without telling anyone they’re going? leah!!! unfortunate tendency to disappear on people bc of whatever piqued her interest & also knows no fear/loves freaky and spooky stuff. noah, her scaredy-dragon bodyguard, is as exasperated as he is close to a heart attack at all times
pick one oc of yours and explain what their tumblr blog would be like (what they reblog, layout, anything really) cait, avery, and jumie wld all run weapon aes focused blogs (swords, knives, spears&bows respectively) and would probably end up sending each other hatemail over their weapon preferences lmao
introduce an oc who is not quite human: kizuna!!! typical choice here lol but. fun-sized (bear shaped) omnivorous murder bunny who can shapeshift into the people she devours. has a little identity crisis from it eventually, its ok
do you have any certain type when you create your ocs? do you tend to favour some certain traits or looks? it’s time to confess: i dont set out to create ocs so much as they just show up unasked on the doorstep of my brain but i absolutely love 2 give ocs a truckload of extremely visible scars (and some hidden ones for funsies) face scars are one of the greatest honors i can bestow <3
has anyone ever (friendly) claimed any of your ocs as their child? various yeah most frequently adopted are leah (statistical daughter of all time) and belle+sky for trauma reasons lmao
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blossom-hwa · 4 years
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Dawn - MINHO
LOOK I KNOW I’VE SCREAMED ABOUT THIS FOR LIKE A DAY BUT I’M SO FUCKING EXCITED I CAN’T BELIEVE I WROTE THIS IN LESS THAN TWO DAYS. THANK U ANON WHO ASKED ME TO WRITE THIS YOU PULLED ME OUT OF WRITER’S BLOCK (constellation is giving me ISSUES)
pls don’t let this flop i’ll be v v sad 
Pairing: Minho x fem!reader
Genre: fluff, angst, royalty!au, fantasy!au
Triggers: mild violence (nothing too graphic), death
Word Count: 9.2k
For many, twenty-one signals a new beginning. But for some, it only marks the end of freedom. 
SKZ Masterlist
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Twenty-one. Minho hates that number. It signals the beginning of change, the beginning of the end of everything he’s come to know and love.
Twenty-one. How old he will be when he comes of age. How old he will be at his coronation. How old he will be when his parents will expect him to find a partner. A partner who is rich. A partner who has power. A partner who will rule with him until the end of their days.
A partner who will bear them grandchildren.
The door slams behind him and Minho doesn’t even bother to disguise his annoyance as he stalks down the hall, boots clicking loudly against the marble floor. He can almost hear the sighs emanating from his parents behind the wooden doors, but he pushes the thought of that out of his mind.
Twenty-one. For many, it signals something exciting. Coming of age. Becoming an adult. Setting out on a new life with someone they love.
But not for Minho. His coming kingship will only be an extension of all he’s been learning for the past twenty years. His parents have been asking for his input on running the kingdom for the past five. Now, he’ll just be fully taking the reins. Not much new.
Well, he gets a new crown. Minho rolls his eyes at the thought. Another useless and heavy ornament to make his head ache and his scalp itch.
His mother’s previous words echo in his head. “You must choose a partner over the next two weeks. If you do not, we will be forced to.”
“No one’s forcing you to do anything,” Minho grumbles under his breath. He dreads the next two weeks more than anything else in his life. The celebrations for the first week will mark his birthday. The celebrations for the next week will mark his coronation.
The thought makes him sick to his stomach. Not because he doesn’t feel ready to rule, but mostly because he isn’t ready for all of his (limited) freedom to be taken away in such a rush. Already he can feel the seconds ticking away, marking off every moment of his remaining time as a prince.
Minho sighs. His feet have taken him to the ballroom, his favorite place in the palace. He looks up at the doors and sighs again, even more heavily. He still has two weeks, Minho reasons. Might as well have some fun with it.
With that, he disappears through the large gilt doors.
. . .
Twenty-one. You hate that number. It signals the end of your life as you know it.
The literal end.
“Curses,” you mumble, tugging at the gem resting against your throat. It glimmers in the moonlight, a brilliant sparkle against the pure white feathers of your dress.
You wonder for the umpteenth time why your uncle chose you as the successor of the forest instead of his only son. Chan was strong and powerful – much more powerful than you, at any rate. Shouldn’t your uncle have seen beforehand what sort of destruction Chan would cause if he chose you over him?
But you know the answer why. Had your uncle chosen Chan, the demise of the forest would have come much more quickly than it already has. At least the years Chan spent hiding away, learning the dark arts, allowed you to increase your strength and magic. Had Chan been appointed ruler of the forest, he would have destroyed it much more quickly in his quest for power. At least now you can fight back.
Somewhat.
You wonder, also for the umpteenth time, what your uncle would say if he knew how Chan had cursed you.
Ruler by night, swan by day. If the graceful plumage of your dress doesn’t serve as enough of a reminder of your situation, the constant transformations at sunrise and sunset certainly drive you insane. You don’t think you’ll ever get used to the awful transition between the two forms.
Well, in two weeks, on your twenty-first birthday, maybe you won’t have to.
Immediately you shake those thoughts away. It’s too terrifying to think of, being forced to spend the rest of your life as a swan.
The only way to avoid the permanent transformation is to break Chan’s curse. The “easiest” way to do that is by killing him. But Chan is careful, very careful. Despite your and your friends’ best efforts, you cannot find a way to corner him.
Your uncle once told you that you were far more powerful than Chan would ever be. He said this just two days after he appointed you his successor, the day after Chan disappeared. Terrified and confused, you’d only watched numbly as he clasped a necklace around your throat.
“This will protect you,” he’d said quietly. “It is imbued with a magic as old as time – Chan will not be able to fully surpass it, ever. However, its magic will expire on your twenty-first birthday. You must find your own power before then.”
“Twenty-one,” you murmur, clutching the gem tight in your fist. “The end of everything and the beginning of nothing.”
You stand up on the soft grass, feathers sweeping gently across your arms. Twenty-one or no, you are still the ruler of the forest, and you have a duty to aid those who live under your protection. Another night of patrol, of helping the wounded, of fighting off the growing threats Chan has been sending into your territory.
Another night gone by before the day you become a bird forever.
. . . . .
Throngs of people crowd the streets and Minho smiles behind his mask of pale green. He’s slipped away from the castle, only letting Changbin, Hyunjin, and Felix know where he’s going. Changbin and Hyunjin are somewhere in the crowd watching over him. Felix stayed in the palace to cover for his absence.
For a few precious hours, Minho has freedom. No one knows him behind his mask. No one knows him behind his forest nymph costume. Clothed in earthy green and brown, he looks like just another reveler in the streets, celebrating the coming birthday of the country’s beloved crown prince.
He used to think the costume concept was stupid. Now, he’s very grateful for the tradition.
The moon rises quickly into the sky as the last rays of the sun fade, and Minho finds himself pushed into a crowd of dancers. As the moon climbs higher into the stars, the cheery dance tunes dissipate, leaving behind cool, calm lyricism to honor the heavens who put the country’s kind rulers upon their thrones.
He dances with person after person, whirling from one hand to another as gasping laughter turns to serene smiles under the blanket of stars overhead. In between songs, he breaks through the dancing throng for a breather.
Then he sees a vision. That is what you must be – no human glows like that under the moon. No human is the vision of ethereal beauty that you are. You only sway slightly to the beat of the song, but even your simple movements are like a ripple of shining silk – graceful, ethereal.
As though in a trance, he finds himself walking towards where you stand on the outskirts of the crowd. You turn around as he steps closer and Minho has to fight for breath.
Even with an ivory mask covering your face, he can tell you’re a true picture of elegance. Your dress is made entirely of pure white feathers, and your mask protrudes slightly at the nose, like a beak. A swan, he thinks dazedly.
Warm, dark eyes stare into his – delicate, pure, but with a hint of fire that only increases his attraction to you.
“May I help you?”
Minho thinks he’s having a heart attack. Only that would explain his inability to breathe or think properly. Your voice only makes you more attractive.
“I apologize if I startled you, my lady.” He bows. “I could not help but notice you had no dance partner and thought that such a beauty should not only sway on the sidelines. I wonder if you would like to dance with me?”
The half-second of waiting is the most excruciating moment of Minho’s life so far. All the breath rushes out of him when you nod your head slightly and take his hand, a smile curving your lips. “I would.”
. . .
When Ryujin and the others encouraged you to go to the celebrations (read: shoved you out of the forest), you didn’t know why. Immediately you’d attempted to slip back between the trees, but Yeji’s and Jeongin’s glares were too scary.
“You’re spending all your time worrying about the curse and the forest,” Lia had explained. “We can patrol for one night. Take some time to relax at the celebrations – we’ll call you back if there is anything urgent.”
You weren’t sure at the time. But right now, clasped in the arms of a man in a green mask, you’re glad you came. You feel calm. Relaxed. His touch somehow soothes your skin and clears away the worries in your mind, leaving you with a smile on your face that is far easier and lighter than the ones you’ve been forcing recently.
It doesn’t hurt that he’s one of the most handsome men you’ve ever met. Having known Yang Jeongin, Han Jisung, and Kim Seungmin, most men you know have a lot of competition. However, even though most of his face is hidden behind his mask, you can tell your dancing partner can rival them all.
He’s ethereal. Graceful. He whirls you around in twists and turns and leaves you breathless with the utter elegance with which he moves. You haven’t danced this way in a long time, not since your uncle died. The last time you danced was on his birthday. Two days before Chan killed him.
You shove those thoughts away.
As the moon travels the night sky, you lose yourself in the dance again, in the warm brown eyes of your partner and the dizzying press of his hands against yours. Small talk and quiet laughter contrast with the raucous crowd, but you don’t care. For now, the world only consists of your partner and you.
Too soon, though, someone calls “Prince Minho!” and your partner’s expression deflates, his warm eyes dimming. “I must go now,” he says, holding your hands tightly. “You know my name now, but may I have one from you?”
“Y/N,” you reply, smiling sadly. You will likely never see the prince – Minho – again. Both because of your situation and his status.
“Will I see you again?” he asks, eyes sparkling with hope.
It breaks your heart to do it, but you shake your head. “Probably not,” you murmur. “I am not from here, and I must return to my home as soon as I can.”
There’s a little silence.
“May I at least see your face, then?” Minho finally asks. “I would like to remember the woman who so enchanted me tonight.”
You smile, bringing your hands to your mask. “If you will let me see yours.”
It seems to take an eternity for Minho to bring down his mask, but there isn’t enough time in the world to drink in the sight of his face. He’s beautiful – cat-like eyes, pink lips, a graceful nose. His features are even more enhanced by your knowledge of his ringing laugh and gentle character.
“You’re more beautiful than I ever imagined,” you whisper. A hand goes up to caress his cheek.
“I could say the same for you, my lady,” Minho says, raising a hand to cover the one you’ve placed on his face. He brings it down, holding your fingers tightly in his grasp. “If on the off chance I see you again, I hope you will remember me.” He presses a kiss to your knuckles.
You smile. “I could never forget.”
Someone calls Minho’s name again and he enters the crowd, giving you one last wave. You wave back and watch until he fully disappears into the throng.
If only you had time. If only you weren’t cursed. If only you could tell Minho yes, you would definitely see him again.
“If only,” you whisper, absently touching the place on your knuckles where his lips brushed your skin. “If only.”
. . . . .
“Has he been like this all day?” Felix asks in a stage whisper. He puts on an innocent expression when Minho turns around to shoot him an annoyed look, but it’s clear he meant for Minho to hear.
“Obviously.” Hyunjin leans against the wall, flipping through a book. “Want to know why?”
“Hwang Hyunjin, I swear to the all the stars –”
“He met a girl,” Changbin jeers, fake-swooning even as Minho throws a pen at him. He effortlessly dodges anyway, as would be expected of the head of the prince’s guard.
Memories of your gentle touch, your delicate face, and the spark of burning fire in your deep eyes flood Minho’s mind and not for the first time since your parting, Minho aches to see you again. But your voice and the despondent look on your face told him that such a meeting probably won’t happen again.
Still, though, Minho is glad he met you. Because if only for a few hours, at least, he felt completely relaxed. Free. And maybe in love.
If you’d seen her, you might understand, Changbin.
Felix gasps, as per his duties as the melodramatic younger brother. “A girl?”
Minho refuses to answer.
“But isn’t that a good thing?” Felix’s eyebrows furrow and he drops onto the seat next to Minho. “You know who you want to marry now! More or less, anyway? So Mother can stop beating you up over finding a wife?”
A deep sigh leaves Minho’s lips. That’s what he would have hoped too. But given your response from last night, he doesn’t think that will happen at all. “She lives far away from here,” he mumbles. “Said she probably couldn’t see me again. Plus, I have no idea of her social status. Mother might not even approve.”
“Maybe we can find her,” Hyunjin volunteers, closing the book. “What was her name?”
“Y/N. But don’t try to find her,” he says. “I don’t think she would take very kindly to that. We may or may not meet again. Neither of us knows.”
Silence.
“But even if you meet again, it might be too late.” Felix’s voice is unusually somber. Changbin and Hyunjin shoot him warning looks, but Minho’s far from blowing up. What Felix said is very true. He might very well have a wife picked by his parents’ hands by the time he sees you next. Assuming he ever sees you again.
Changbin’s voice is uncharacteristically gentle. “I think we need a break,” he says brusquely. “Your lessons are finished and everyone’s preparing for the celebrations tomorrow, so I don’t think we’ll be missed if we go on a hunt.” He grins.
“A hunt?” Minho echoes.
“Yes.”
“The ambassador gifted you a new bow yesterday, right? Why not try it out?” Felix’s eyes sparkle with excitement.
A small smile spreads on Minho’s face. “Why not?”
. . .
The sun has begun to sink in the sky as you circle over the lake, your maidens following behind. Soon, you’ll be human again, but you need to land before that happens so you don’t go crash-landing onto the ground.
You’ve just begun your descent onto the silvery water when Lia’s voice crashes into your mind.
Y/N, watch out!
You jerk upwards, looking behind you. Terror races through your veins when you see the huge hawk tearing through the trees.
Chan hasn’t appeared so blatantly like this in years, not since the day he cursed you into your current form. But the bird is unmistakably him – you can see it in the hatred in the hawk’s eyes.
What is he doing here? He knows he can’t kill you just yet – the magic on your uncle’s necklace will have to wear off first – so why is he here already?
Your wings flap faster and you shoot forward, spurred on by the raw terror you feel for your cousin. If there was once any affection between you two, it is now long gone.
Run, Y/N. His cruel voice echoes through your mind. Or should I say fly? That’s all you can do, isn’t it? Hide from danger instead of facing it like a true ruler?
You close your mind, the one thing you’ve learned to do perfectly since Chan left. When he first disappeared, his voice used to torment you for hours on end until your uncle taught you to shut him out. Your thoughts become blissfully empty for a moment until terror takes over again.
Greenery flashes beneath you as you soar through the trees, weaving between trunks and ducking under branches. You hear noises that suggest your maidens are attempting to help, but Chan has his own followers to fight them off.
The sun is just beginning to fade over the horizon. Heartened by the sight, you curve your path, attempting to make it back to the lake where you can defend yourself on solid ground. Your human form can do nothing in the air.
With a crow of joy, you dive down to the lake, heart beating wildly in relief as you paddle to the edge of the water. The sun finally sinks beneath the horizon, and you endure the agony of the transformation back to a human.
You hear Jisung screeching and Lia yelling. The voices of your other friends sound from various parts of the forest. You turn around to greet them but stop short when you see the man standing in front of you.
By all the stars, how could this happen?
“Minho?”
. . .
Everything happened way too quickly for Minho to process. All he knows is that he was aiming with his arrow, planning to strike down one of the birds in flight – preferably the swan, because what a prize that would have been for the castle – but he lowered his weapons, mesmerized by the bird’s grace even in the face of danger.
It reminded him of you. Pure, perfect, delicate, yet still a fighter. Fighting to survive. He couldn’t kill it.
And then the bird turned out to be you.
For now, he stands dumbstruck, staring at your perfect face.
I just watched a swan turn into a human.
Maybe if he blinks really hard, this will just be a hallucination. Maybe he fell off his horse while hunting and got knocked out and now he’s dreaming.
He blinks once, then twice. There is no doubt that it’s you. Your dress is the same. Your necklace is the same. Your warm eyes, wide with shock, are the same. So is your face.
Not a dream.
I just watched a swan turn into the girl I might have fallen in love with and it’s not a dream.
A shudder of terror and relief runs down Minho’s spine. He’s suddenly very, very glad that he did not release the arrow.
“Minho?” you whisper again, stepping slightly closer. “How… how did you get here? How did you get into the forest?”
Minho swallows hard. “I… just rode in? On my horse?”
“That shouldn’t have been possible,” you murmur, more to yourself than him. “Who…?”
Then the hawk lands and for the second time in less than five minutes, a bird transforms into a person. Minho thinks he might just faint right then and there.
This person has blond curls and skin as pale as the moon. Handsome, yes, but with a dangerously evil glint in his eye that sends fear spiking into Minho’s heart.
Your eyes turn dark. “You let him in.”
The newcomer raises his arms in a ‘what can you do?’ gesture, smiling coldly. “I might not be able to kill you yet, but a human with human weapons certainly can. I just thought it was a golden opportunity when I saw him on his horse.” His smile turns into a snarl. “But again, I overestimated how useful humans can be. Should’ve used the earthen elves.” The dark eyes lock onto Minho’s, rendering him frozen. “You were supposed to shoot her, you know.”
“Good thing I didn’t,” Minho snaps.
The cold laugh that echoes through the forest sends chills up his spine. “An amusing human. Too bad that you must die.”
“Enough.” You step in front of Minho and he’s a little ashamed to admit his relief, though it quickly turns to worry for your safety. “You brought him in here, Chan, didn’t you? So let him go. He has nothing to do with this anymore.”
“But why?” The man – Chan – cocks an eyebrow. “He knows about us now. He saw you and I transform. Shouldn’t you want him dead as well?”
“Is killing your only solution to everything?” The calmness of your voice astounds Minho, but the whiteness of your clenched knuckles gives your tension away.
“Oh, I don’t enjoy killing, cousin.” Chan smirks. “I only do it when necessary.”
And without warning, he raises an arm and a bolt of light shoots straight at Minho’s chest.
. . .
You never knew you could move so fast. All you knew in the moment was that Minho couldn’t die, not at the hands of your evil cousin.
Chan’s bolt of light strikes your shimmering shield with a crash that reverberates through the trees and sends ripples across the lake. For a terrifying second, the shield almost splits under the pressure of Chan’s power. But the knowledge that Minho will die if you don’t fight steels your mind and the shield shimmers brighter, stronger.
With a shout that’s more akin to a roar, you send the ball of light flying back at Chan. The momentary pride you feel at deflecting his attack fades quickly when you realize how drained you are. Chan, on the other hand, doesn’t even look like he’s broken a sweat.
Not fair.
“You’ve improved, I’ll give you that.” Chan smiles coldly. “We’ll see if it’s enough by next week.”
Your nails dig into your palm. “Get out of my forest.”
“It won’t be yours much longer, dear cousin. I’ll be back.” He disappears into a swirl of black.
“I don’t doubt it,” you mutter.
“Um, Y/N?” Minho’s confused voice breaks into your thoughts. “I’m sorry, but… what just happened?”
Right. Now you need to explain.
“Walk with me.” You give him an apologetic glance. “I’ll explain everything as I make my rounds.”
You thank all the heavens for Minho’s silence as you explain the situation. How your uncle chose you to rule instead of his son, Chan. How Chan came back and cursed you into your swan form but your uncle’s magic protected you enough to keep you from permanently transforming until your twenty-first birthday, which is less than two weeks away.
“You should not be here,” you say bluntly, eyes roving the trees for anything out of the ordinary. “The forest is only visible to those who live in it, unless someone shows you the way in.”
Minho nods. “That makes sense. I thought it was strange that I’d never seen this part of the forest before. Did Chan…?”
Your lips curl. “I suppose. He probably lured you here too.”
It’s a quiet night. When you and Minho fall silent, it’s as though the entire forest is waiting for one of you to speak.
“I almost released the arrow,” Minho says quietly. It takes you a moment to hear him, then another to comprehend his words. And when you realize what he means, all you can really say is “oh.”
Silence again.
“Why didn’t you?” you finally ask.
Minho shrugs. His eyes bore into yours. “The swan… as I watched you flying, it reminded me of you. Of our dance. I felt I couldn’t kill such grace.”
You feel your cheeks heat up slightly. “I see.”
“This curse…” Minho trails off, then takes your hand. “Is there any way I can help?”
If only.
“I wish you could.” You smile gently, trying to hide your own pain. “I’m afraid this is a battle between just Chan and I.”
One that he’ll probably win.
“Do you know how to defeat him? Any idea?” Minho presses.
You snort a little. “I somehow have to unlock my power. Once I find it, I should be able to overpower Chan. My uncle once told me I would be more powerful than Chan someday, but I can’t see how that could be true.”
The two of you fall silent again. Then Minho takes both of your hands in his.
“Y/N.” He forces you to look at him. “You have a reservoir of strength in you that I believe is only untapped. Once you realize your power, I have no doubt that you will be able to defeat your cousin.”
“I have less than two weeks, Minho.” You smile sadly.
Somehow, the two of you have made it through the forest and are back at the lake. Moonlight shimmers in the smooth surface and reflects onto Minho’s face, illuminating it in the night. He looks ethereal under the moon’s pale rays and your heart skips a beat.
“Don’t lose hope.” Minho smiles. “I believe in you.”
His words touch you in a way that nearly brings tears to your eyes. “Thank you,” you murmur.
“I should go now. My friends are probably worried.” Minho adjusts the bow on his shoulder. “Will… will I see you again?”
You want to say yes. You really, really want to say yes, but that could just put Minho in more harm’s way. But he already knows about the forest, and you don’t trust yourself to do a memory wipe on him.
There is a way to keep him safe.
“Yes, but wait a moment.” You remove your hand from his. “Don’t move.”
Breathing deeply, you muster your powers until the growing warmth in your heart manifests into a small, pulsating ball of magic in your hand. With a soft breath, you blow the magic onto Minho, watching as the sparkles settle and disappear into his skin.
“This will protect you from my cousin,” you tell him. “I may not be able to fight directly, but I am quite good at defensive magic. He won’t be able to easily curse you. But you must be careful not to let anyone know where you’re going and trust no one. Chan has many spies, both human and nonhuman.”
“Thank you,” Minho breathes. He reaches forward and squeezes your hand.
Bravery rushes through your veins and you kiss him on the cheek. “Thank you. For choosing not to shoot. For wanting to help.”
Minho looks slightly red under the moonlight, though he has enough sauciness left in him to press a kiss to your hand. “I will see you soon.”
The memory of his lips stays with you long after he’s disappeared.
. . . . .
Chan remains suspiciously quiet for the next few days, allowing Minho to come and go quietly. Every time you ask him if anything happened, he’s happy – but also worried – to shake his head and reassure you that he’s been fine.
The nights spent walking with you on the soft grass become the times when Minho feels the most at home in a way he could never feel in the palace. Surrounded by nature and greenery with the occasional burst of sparkling magic, a certain warmth fills Minho that he could never find in the cold, marble walls of the palace. Despite the terror he felt that first day in the forest, he finds himself grimly thanking Chan for the opportunity to come here.
For the opportunity to see you again.
Typically, Minho isn’t one to believe in romantic ideas like love at first sight. That’s more of Hyunjin’s job – whenever the guard isn’t on duty, anyone can find him in the library, reading yet another romance novel. Once, Minho took a peek at the pages. He almost threw up right then and there, and he’d teased Hyunjin for an entire week afterwards.
If Hyunjin knew what was happening right now – well, if any of his friends knew, really – they would be teasing him to no tomorrow. But Minho doesn’t care anymore. The feelings in his chest might have scared him at first, but after a week of coming to the forest, he’s ready to embrace them.
First love. Minho is sure this is what it is. He thinks about you at all times of the day, hoping that your swan form is safe from predators, praying that Chan doesn’t find some way to defeat you just yet. He lives for the times he gets to see you, glowing under the moonlit sky.
On the night of his birthday, he sneaks away from the palace and dances with you under a canopy of trees and stars, the still waters of the lake shimmering in the distance.
“I love you, Y/N,” Minho confesses that night just before he has to leave. “I know it’s only been a week, but I swear by the stars, I love you.”
Though a smile settles on your face, your eyes turn sad. You drop your gaze to his hand linked with yours. “I love you too, Minho.” You swallow hard and look up. “I really do.”
Neither of you say the words bouncing through your minds, but they hang in the air anyway, creating a thick blanket of tension that threatens to suffocate the two of you.
Minho ignores it. “Will you come to the palace next week?” he asks. His heart swells with hope. “It would be an honor to dance with you the night before my coronation.”
At that, you hang your head. “I cannot promise, Minho.”
It’s what he expected. His coronation is your birthday, and you need to break your curse before then. There was little chance, if any, that you could come. Even so, Minho feels a bit dejected. “I understand,” he forces out.
“I’m sorry.” You squeeze his hand. “If I could…”
“I know.” He presses a kiss on your cheek. “But just in case, I’ll be waiting for you.”
“On the day of, I will send a message to you.” You smile shakily. “You will know if I’m coming or not on the day.”
“So last minute,” Minho teases. “But no matter. I will wait.”
“We don’t think Chan will come into the open until that day, but all the same, I think you should avoid the forest for the next week,” you caution. “He’s been suspiciously quiet, which only means he’s planning something. I don’t want you to get caught in it.”
Minho furrows his eyebrows. He doesn’t like it – he understands the risk, but he wants to be at your side in case you’re in danger. There is little doubt in his mind that you can hold your own, at least for a while, but he wants to be there for you.
“Do you have a plan?” he asks.
You frown slightly. “He can’t hurt me until my birthday. He’s sure to remain in hiding until the day before, then strike at midnight. I will just have to be ready then.”
Minho frowns. He hates that plan. There’s so many variables and so little certainty of anything.
“I know you don’t like it.” You smile sadly. “I don’t either. I want to see you for the rest of my days. But it would kill me if you were hurt, so for my sake, please don’t come.”
“Not even tomorrow?”
“Don’t pout at me.” You reach over and straighten his lips into a line. “That’s better. And no, not even tomorrow.”
Minho attempts to smile. “If I can’t see you until my coronation, may I request one thing from you?”
“Within reason.” A bit of sparkle comes back into your eyes and Minho drinks in the sight, knowing he won’t be able to see it for at least another week.
“May I kiss you?” he breathes.
Breathlessly, he waits for your tiny nod of approval, then leans forward to slot his lips against yours. And in that kiss, he pours all of the emotions he feels for you that he could never put into words.
You sigh slightly against his lips and pull him closer. Minho feels heady with bliss at the pressure of your lips on his, the touch of your hands on his face. He holds your waist, rubbing soft circles against the feathers of your dress.
Finally, you break away for air. With pink cheeks and bright eyes, Minho thinks you look more beautiful than you ever have before.
“You should go,” you finally whisper. “It’s nearing dawn.”
Minho sighs. “I’ll wait for your answer on my coronation day. If you come, I might just give you another kiss.” He winks.
Cringing slightly, you turn away. “I guess I’m not going, then,” you mutter.
“Your smile tells me otherwise.” Minho swoops in and plants a last kiss on your cheek, then on your lips. “Good luck, my swan.”
It’s the first time he’s ever called you that. But the name slips from his mouth so easily that he knows, should he ever see you again, that that will be his name for you. His swan.
You reach up to kiss his cheek. “Thank you, my prince.”
. . . . .
One day passes without trouble. Then a second. And a third. And a fourth.
By the fifth, you’re a nervous wreck. As a swan, you flutter from tree to tree restlessly, just waiting for trouble in the form of Chan to appear. Tomorrow is the day before your birthday. Chan is sure to strike sometime then.
It’s also the night before Minho’s coronation.
You’ve decided not to go. Chan will follow you anywhere, so better you fight him in the forest than in a ballroom full of humans. Fewer deaths. Fewer casualties.
Though who knows how many of those there will be if Chan wins.
Hopelessness settles in your veins as the sun begins to set. You land on the lake, limbs heavy but head buzzing with adrenaline. Your fellow swan maidens land beside you, all peering nervously into the forest.
I have a bad feeling, Yuna murmurs.
We all do, Ryujin snaps.
You shush them.
Gliding along the lake, you wait for the sun to disappear, for night to take the place of day. So absorbed are you in the rays that you barely hear the slight whizzing of something flying by your beak.
Fly!
Immediately you flap your wings, attempting to lift off from the water. But something strikes your side and immediately you feel woozy. Wings limp, you drop back into the lake with a splash. Next to you, your maidens go limp as well.
Just as you black out, something tugs your unresisting body to shore.
. . .
Minho slips into bed, gazing out of his window at the full moon. He wonders if you’re safe, then remembers you must be. The jewel. Your necklace. You will be okay for now.
He has to believe it.
“Until tomorrow,” he whispers. Tomorrow, he will have word from you. Tomorrow.
He closes his eyes and drifts into a fitful sleep.
. . .
You wake, head throbbing and wrists tied, in a tiny room. Your five maidens lie around you in various states of wakefulness, ranging from mostly still conked out (Lia) to more or less alert (Yeji). All of you are human.
“They shot us with something,” Ryujin groans, uselessly trying to free her wrists.
You nod slowly. “Undoubtedly Chan’s work. He probably hired some of the earthen elves and their poison darts.” Your lips curl into a snarl. “Someone needs to get out of here and find Minho.”
“Right.” Chaeryeong fixes her gaze on you. “Let’s get you out.”
“No.” You shake your head. “Not me.”
Five pairs of eyes stare at you. “Why?” Yuna finally asks.
“I can’t be killed yet.” You grimly indicate the necklace against your throat. “I have one day left. If I go, Chan has no reason to keep the rest of you alive. If I stay, he does.”
“You know we would all die for you.” Yeji’s gaze, uncharacteristically serious, pins you down. The weight of her words settles on your shoulders.
“And I, you. But this isn’t the time for any of us to die.” You spit a piece of hair out of your mouth. “One of you needs to get out and alert Minho.” Your gaze turns to Lia. “You have the best sense of direction and you’re small enough to fit through that window in the corner.”
“Y/N –”
“No questions.” Steely-eyed, you stare each maiden down. “If you argue, I will command you. As your queen.”
That settles it. The four of you struggle to undo the bonds on Lia’s wrists, rubbing a rusty nail against the ropes until she’s free. She quickly tosses the rope out of the window and with a final look in your direction, she jumps out too.
You barely have enough time for a sigh of relief before the door slams open.
. . .
Minho paces his room, already fitted into his suit and crown. There’s no chance he can escape tonight – the suit will immediately give him away.
But tonight, he isn’t supposed to escape. He’s supposed to wait. For you.
The small clock in his room ticks again. He forces himself not to look – he’s been doing that for the past few hours.
You promised to send someone. So why hasn’t anyone come? Are you in trouble? Did Chan appear?
What if you’re dead?
No.
Minho shakes his head firmly. Your necklace will protect you until midnight. Chan couldn’t have killed you yet. Maybe you got sidetracked. It’s entirely possible.
Still, he wishes you would hurry.
. . .
With a final scream, your weak shield shatters. You hang your head, refusing to let Chan see the tears dripping down your cheeks.
It’s humiliating. When you turned to swans at dawn, he threw you all into cages. When you turned human again, he tied you up. You never had much pride to begin with, but it feels like half of anything you had left is gone.
You’ve failed. You can’t even keep up a simple shield to save your friends. With your hands newly tied with ropes imbued with Chan’s spells, you’re helpless against him.
Your cousin only laughs. “Pitiful.” You can hear the sneer in his voice. “I can’t understand why my father ever chose you over me.” He shakes his head, blond curls falling into his eyes. Tiredly, you think what a handsome and good man he could’ve been had he not fallen to the darkness.
“Have you ever heard that those who desire power the most are the ones who deserve it the least?” You blink the last of the tears from your eyes and look up at the person you hate the most in this world.
Chan’s eyes darken into something maniacal, something worse than evil. But despite the fear rushing through your blood, you refuse to look away.
“I deserve the forest far more than you ever did,” he snarls.
You brace yourself for the next hit and pray to the heavens that Lia made it.
. . .
Minho feels his heart dropping to his stomach as he gazes over the crowd. You’re not here. You haven’t sent any messages.
You’ve broken your promise.
Hyunjin side-eyes him. “Looking for someone?” he asks.
There’s no use hiding it. Minho nods.
Then the doors open at the top of the stairs. He looks up.
There, in a dress of pure white feathers, stands you. Your eyes catch his and you send him a shy smile.
Minho’s heart is about to beat out of his chest.
You’re here.
. . .
Lia swoops down into the palace gardens, bypassing the guards and their swords. The sun dips below the trees just as she takes shelter behind a large clump of bushes to transform.
She hopes that the dress her human form gives her is suitable for a ball.
Stealth has never been Lia’s best point, but she somehow manages to enter the palace without anyone seeing her. Once inside, she simply acts slightly wine drunk, allowing a tired guard to escort her into the ballroom.
But her sigh of relief is cut off when she realizes what’s happening at the center of the room.
Y/N?
She shakes her head. It can’t be her. How could Y/N be here, when she’s probably being tortured at this moment at Chan’s hideout?
This must be one of Chan’s tricks.
“Prince!” she screeches, shoving through the throng of people. “Prince! Prince Minho!”
He doesn’t hear her.
“PRINCE!” she screams, pushing the last person out of her way. Finally, he hears her and looks her way.
Lia’s heart drops. Something isn’t right. Minho’s eyes are slightly unfocused, and she’s never seen this dopey look on his face before. Not even after he kissed Y/N.
Enchanted.
“Lia?” Some of the dopiness melts away, replaced with confusion. “Why…?”
“Prince.” She stalks forward. “This is not Y/N. Chan sent this person as a fake. Changed their appearance. Made an illusion. I don’t know. She’s not Y/N because Y/N is being held this very minute in Chan’s hideout and you need to come with me now.”
The dopey, unfocused look comes back to Minho’s eyes. “But Y/N is right here?”
“Yes, I’m right here.” The look that the poser sends Lia is perfectly innocent, perfectly delicate, perfectly calculated.
It has to be an illusion. No human is that perfect. Least of all Y/N.
“Minho, listen to me.” A crowd has formed, but no one’s tried to stop her yet so she plows on. “This is not your real Y/N. Look at her face. Look at her eyes. She may look like Y/N but she’s an illusion. Wake up, Prince!”
The prince looks between Lia and the poser, confusion and doubt flitting over his face. Then someone grabs her arm from behind.
“I’m sorry, Your Highness. I will take her away,” a guard says over her shoulder. But Lia takes no notice, attention fixated on the dagger at the guard’s side.
She draws the blade with her free arm and the guard shouts, immediately letting her go. Ignoring the cries of fear, she aims.
“Watch, Prince.”
The dagger sails through the air right into the illusion’s chest.
Screams echo throughout the ballroom but no blood flows. The poser’s face registers shock, then blankness as her body dissolves into the air. The dagger clatters to the floor.
All the confusion clears from the prince’s eyes. His skin turns white. “Two horses,” he snaps at a shell-shocked guard. Then he turns to Lia. “Please take me to Y/N. Immediately.”
. . .
The clock in Chan’s room reads a quarter to twelve. At least, that’s what you think it reads. It’s hard to see through the sweat and blood dripping into your eyes.
Fifteen minutes or less. That’s all you have. The hope that Lia will come back starts to fade away.
“Why don’t you just kill me now, cousin?” You spit blood out of your mouth, wishing your friends were still here to bolster your confidence. Chan threw them back into the room after they made too loud a ruckus. But the sounds of them still banging against the door give you a little more strength.
Chan smiles easily, sitting cross-legged on the floor in front of you. It’s almost like you two are children again, sitting across from each other and playing games.
Then another drop of sweat stings in your eye and you get rid of any illusions of childhood.
“Oh, Y/N, you always knew I was bad with human weapons.” He laughs coldly. “And they’re all made of iron, you know? Wouldn’t want to burn myself.”
You spit in his face. “If you can’t kill me from this short range with a human weapon, I don’t know if you’re really strong enough to be a king. And I’m sure you could come up with a spell to protect your precious skin, if you’re as capable and powerful as you say.”
“Yet another reason why you shouldn’t rule,” Chan tuts, carelessly wiping away your bloodied spit. He hooks a hand under your chin, pulling your face closer. He tuts again, mockingly. “You were always the snippier one of us two.”
“Get off me!” You wrench your face away from his grasp. The lingering feeling of his hand on your chin makes your skin crawl.
“As you wish.” He smirks. “But as such, I think I’ll stick with watching you die slowly. It’s what you deserve, isn’t it? A human weapon wouldn’t provide as much pain. And who knows?” His grin grows wider. “Maybe, come dawn, I’ll make swan soup and feed it to the dogs.”
Fury blinds your vision and you open your mouth to scream –
And then the door bursts open.
. . .
The shock that blinds Minho at the sight of your bloodied figure nearly kills him. Literally. Had Lia not pulled him away, the blast of light would have killed him.
“Come to join the party?” Chan asks, looking as unruffled and terrifying as ever. He glances at a clock in the corner. “You have seven minutes left to say goodbye to your precious queen.”
Enraged, Minho draws a dagger from his belt and sends it flying at Chan. He doesn’t even blink an eye – with a flick of his hand, the blade dissolves into the air in front of him.
“I knew there was one of you missing.” Chan casts a disdainful look at Lia. “No matter.” He fixes his gaze on Minho. “So you figured out my little illusion, didn’t you? You should’ve stayed with her. The real thing isn’t as pretty, is she?” He jerks his head at you.
Rage fills Minho’s vision and he nearly leaps at Chan. But your voice cuts in.
“Stop.”
All the attention turns back to you.
You spit blood out of your mouth. “Isn’t your fight with me, Chan?” A ghost of a smile plays on your lips. “Why don’t you release these bonds and have us a fair battle?”
Minho wants to scream for you to shut up.
“A good suggestion, dear Y/N.” Chan pretends to think, then shakes his head. “But I’d prefer to watch you break first.”
“No showing of skill? No proving you are fit to rule?” Your eyes flit to the clock and Minho looks too, against his will.
Two minutes.
Chan grins, but Minho can see the repressed anger in his eyes. “I already know I am fit to rule.”
“Then are you afraid that I will find my strength and kill you first?” You tsk. “Coward.”
“What you call cowardice is what I call a strategy.” The smile turns animalistic as Chan directs it at him. “Say goodbye to your lover, dear cousin.”
A flash of light burns out of Chan’s palm, directed straight at Minho’s chest.
. . .
Chan has never seen anyone move so quickly. Much less if they were bound by magic ropes.
His magic ropes. The ropes imbued with the strength of every creature he’s killed.
And you…
You broke them.
His eyes widen as he takes in your outstretched hands, free of bindings, creating a shield. A shield that glows with more power than he’s ever seen you conjure.
The light fizzles from his palm. And as your darkened, furious eyes lock with Chan’s, he feels an unfamiliar emotion. So unfamiliar that he’s almost forgotten its name.
As the clock behind him chimes the hour, Chan does not gloat. Chan does not laugh.
For the first time in years, Chan feels fear.
. . .
How did I do that?
You stare at your outstretched hands and the shield of light they’ve created. Ragged breaths leave your lips but to your surprise, you don’t feel tired. There is no exhaustion. If anything, you feel exhilarated.
The clock chimes. Midnight.
You lock eyes with your cousin. For once, he seems to have nothing to say.
“Anything to say, Chan?” you snarl. You kick one of the torn ropes at your feet and he flinches. “Anything at all?”
“… How?” he finally whispers.
For a moment, you find yourself wondering the same thing. How could you have done this? How did you break from Chan’s bonds? How did you manage to surpass his power?
Your uncle’s words echo through your mind.
“You have an ability that Chan does not. For this reason, you are more powerful than Chan will ever be. But you must unlock that power yourself.”
And suddenly, you understand. You understand how you moved so quickly that first day you protected Minho. You understand how you withstood Chan’s torture for so long while waiting for Lia. You understand the magic your uncle left in the gem that rests against your throat.
You understand the magic that led you to break Chan’s bonds and protect the people you love the most in the world.
“My uncle – your father – once told me I had an ability you do not. And because of that, he told me I had more power than you would ever have.” Your words are slow, calculated, but for once, there is no race against time. There are five hours until dawn – plenty of time before your final transformation.
And with a little luck, that transformation will never happen.
“That day, he gave me this necklace to protect me.” You grasp the gem around your neck. “He told me it had a magic in it as old as time, and that you would never be able to overcome it before my twenty-first birthday. So I suppose it no longer works.” Slowly, you unclasp the chain from your neck, clutching the gem in your hand. “But I don’t suppose I need it anymore.”
No one speaks.
“How, you ask?” You step forward, and for once, Chan steps back. “I’ve found my power. It is a power far older, far stronger than your dark arts. Would you like to hear about it?”
Chan swallows, attempting a look of defiance. You wish you could tell him how stupid it looks.
“It is a magic as vast as the stars,” you whisper. “It is a magic as old as time. It is the power to feel a heartbeat from across the room. It is the power to speak volumes without a sound, without a word.”
You step forward.
“It is the power to protect.”
Another step.
“It is the power to love.”
As you stare into his eyes, real fear flashes over Chan’s face. But you take no pleasure in it, only feel sorrow that your cousin will never be able to feel as deeply as you.
In a movement as smooth as water, you grasp Chan’s arm with a strength you never thought you had. Your other hand presses against his chest.
“I’m sorry, cousin.”
Your power drives deep into his heart.
. . . . .
Minho’s parents were unsure of the union at first, especially since they found you in the same sorry state that Chan’s torture left you. But Minho had refused to let you return to the forest and practically forced you and your maidens into the castle to help you clean up and heal. Upon your request, he brought Jisung, Jeongin, and Seungmin over as well. Once the tattered dress of feathers was gone, your cuts and scrapes cleaned, and Minho had informed them of your magic and your status as queen, his parents became more receptive.
You sit in the front row at Minho’s coronation, your former swan maidens at your side. Pride fills your heart as you watch the priest crown your love, hand him the royal sword and scepter, and repeat the oath his father took so many years prior.
That day, you don’t dance with him, as per the doctor’s orders. But Minho stays by your side throughout the ensuing ball, only leaving for several ceremonial dances that he pouts the whole way through. But, as you remind him, “there will be many more dances together after we marry.”
And marry you do. All of your forest friends come to the ceremony, watch you walk down the aisle in a white gown devoid of feathers to recite your vows to the king.
(Jisung, Felix, Jeongin, and the girls all openly cry into each other’s arms. Seungmin, Changbin, and Hyunjin refuse to admit their tears but everyone can see through them anyway.)
The kiss that day is like your first, minus the sadness. Your hands cup his face while his rest lightly against your waist. Minho’s lips press against yours with a gentle insistence that you eagerly give in to, his fingers brushing softly against the fabric of your dress.
The festivities last until midnight, when you’re finally allowed to retire to your room in the palace. Minho finds you on the balcony, staring down at the throngs of celebrating citizens.
Weeks ago, you were terrified of turning twenty-one. You were terrified of the inevitable change and the inevitable death sentence that age would bring.
Now, you think that turning twenty-one wasn’t the worst thing you’ve done in your life.
“What are you thinking of, my swan?” Minho presses a kiss against your neck.
You smile. “Just… I don’t know. Turning twenty-one seemed so terrifying a few weeks ago. Now...”
“Ah.” Minho nods. “You know, I dreaded that age too.”
“No kidding.” You raise an eyebrow.
“I was terrified of losing my freedom, of being forced to marry someone I didn’t love and being forced to stay with them for the rest of my life.” Minho squeezes your hand. “But you know, it doesn’t seem too bad now.”
A snort bursts from your lips. “That’s an understatement,” you laugh, turning back to the scene beyond the balcony. There’s a little silence.
“What are you thinking of now?” Minho whispers.
The smile on your face grows wider. “The day we first met.”
“Oh, yes.” Minho turns you around to face him again. “I think I knew then and there that I was going to fall in love with you, you know.”
Shyly, you look down. “I think I knew too.”
He tilts your chin back up and presses a light kiss on your lips. “I love you, Y/N.”
One hand reaches up to rub the gem resting at your throat. Your uncle’s necklace still sparkles around your neck as a reminder of the duties you still have in the forest, but also as a reminder of the immense power he always knew you had. The power of that single, simple word.
Love.
You smile, dropping the gem to rest your arms around Minho’s neck. He smiles down at you with passion in his eyes and happiness on his lips.
“I love you too.”
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addictedtoeddie · 4 years
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The full Esquire Spain interview translated from Spanish:  
Eddie Redmayne trial: guilty of being the most talented (and stylish) actor of his generation
The Oscar winner talks about what it means to premiere a film with Aaron Sorkin (The Chicago 7th Trial on Netflix) and filming the new part of the most famous saga of all time under the watchful eye of its author, J.K. Rowling.
By Alba Díaz (text) / JUANKR (photos and video) / Álvaro de Juan (styling) 10/23/2020  
At the Kettle’s Yard Gallery in Cambridge, stands alone and leaning on a piano Prometheus, a marble head made by Constantin Brâncusi, and the only piece of art that Eddie Redmayne (London, 1982) would save from possible massive destruction. He tells me about it as he leaves the filming set of the third installment of Fantastic Beasts in the early days of an autumn that, we suspect, we will never forget. It begins to get dark as the actor nods seriously: "I promise to do my best in this interview."
Eddie Redmayne made himself in the theater despite some voices warning him that he could not survive in it. "Many people were in charge to tell me that it would never work, that only extraordinary cases make it and that I would not be able to live from this professionally." Even his father came home one day with a list of statistics on unemployed young actors. Redmayne, who is extremely modest, polite and funny, adds: “But I enjoyed theater so much that I got to the point of thinking that if I could only do one play a year for the rest of my life… I would do it. And that would fill me completely.
Spoiler: since then until today he has participated in many more. He set his first foot in the industry when he debuted at the Shakespeare’s Globe Theater and won over critics and audiences. He then landed his first major role in My Week with Marilyn opposite Michelle Williams. And then came one of the roles of his life, the character he wanted to become an actor for, Marius. With him he sang, led a revolution and broke Cosette's heart in Les Miserables. “I found out about the Les Misérables auditions when I was shooting a movie in Illinois. Dressed like a cowboy. I picked up the iPhone and videotaped myself singing the Marius song. I always wanted to be him ”.
Now Redmayne is an Oscar winner - thanks to his portrayal of Stephen Hawking in The Theory of Everything - and the protagonist of one of the most important sagas in history, Fantastic Beasts. He plays the magizoologist Newt Scamander in it. When I ask him what it means to him to be the protagonist of a magical world that is so important to millions of people, Eddie sighs and takes a few seconds to answer. “I have always loved the Harry Potter universe. Some people like The Lord of the Rings or Star Wars ... But, for me, the idea that there is a magical world that happens right in front of you, that happens without going any further on the streets of London, that. .. That exploded my imagination in another way.
During the quarantine, J. K. Rowling, who has been in charge of the script of the film, sparked a controversy through a series of tweets about transgender women. Redmayne assures that he does not agree with these statements but that it does not approve of the attacks of some people through social networks. The actor was one of the first to position himself against Rowling alongside Daniel Radcliffe, Emma Watson and other protagonists of her films. "Trans women are women, trans men are men, and non-binary identities are valid."
After having spent a while talking, Redmayne confesses to me that he has never been a big dreamer not to maintain certain aspirations that ended up disappointing him. So he has always kept a handful of dreams to himself. One of them was fulfilled just a few weeks ago with the premiere of The Trial of the Chicago 7, a film written and directed by Aaron Sorkin that can already be seen on Netflix and in some - few - cinemas. “I was on vacation with my wife in Morocco and the script arrived. I think I called my agent before I even read it and said yes, I would. She probably thought the obvious, that I'm stupid. After that, of course I read the script, which is about a specific moment in history that I knew very little about. I found it exciting and a very relevant drama in today's times. "
And it is that having a script by Aaron Sorkin in your hands is no small thing. Eddie Redmayne has been a fan of his work ever since he saw The West Wing of the White House. “His scripts have delicious language and dialogue. As an actor, it's fun to play characters that are much smarter than you are in real life. That virtuosity is hard to come by. I really hope that audiences enjoy this movie and feel that there is always hope. " He remembers that since he released The Theory of Everything he has recorded, to a large extent, English period dramas, “and although the new Aaron Sorkin is not strictly contemporary,” says Redmayne, “to be able to wear jeans and shirts and sweaters instead of so much tweed is great ”.
Besides acting, art was the only thing the actor was interested in, so he ended up studying Art History at Cambridge University. “My parents are quite traditional and when I told them I wanted to act they gave me free rein but on the condition that I study a career. And I'm very grateful for that because ... Look, beyond that, when I play a real character I usually go to the National Portrait Gallery in London quite often. There I lock myself up. Now, for Sorkin's film, I went through a lot of photographs and videotapes. Art helps me to be more creative, to get into paper ”. If he were not an actor, he would be, he says decidedly, a historian or perhaps a curator. "Although I think he would be a very bad art curator."
Against all logic, Eddie Redmayne is color blind. But there is a color that you can distinguish anywhere and on any surface: klein blue. He wrote his thesis on the French artist Yves Klein and the only shade of blue he used in his works. He wrote up to 30,000 words talking about that color with which he became obsessed. “It is surprising that a color can be so emotional. One can only hope to achieve that intensity in acting. "
Like his taste for art, which encompasses the refined and compact, Redmayne seems to be in the same balance when it comes to the roles he chooses. When I ask him what aspects a character he wants to play should have, he takes a few seconds again before answering: “I wish I had a more ingenious answer but I will tell you that I know when my belly hurts. It's that feeling that I trust. In my mind I transport him to imagine myself playing that character. When I read a script I have to really enjoy it. You never fully regret those instincts. It's like when you connect with something emotionally. "
So we come to the conclusion that all his characters have some traits in common. "You know what? I never look back, and this is something personal, but I do believe that there is a parallel between Marius in Les Misérables trying to be a revolutionary, someone who is quite prone to being distracted by love but at the same time is willing to die for his cause, and Tom Hayden from The Chicago Trial of the 7 who was a man who had integrity and was passionate and fought for the things he believed in. So I suppose there may also be similarities between a young Stephen Hawking and Newt Scamander. There are traits in common in all of them that I don't really know where they come from ”.
When we talk about the year we are living in, in which it is increasingly difficult to find hope, we both let out a nervous laugh. "There must be," Redmayne says. “There is something very nice that Tom Hayden, the character I play in Sorkin's film, said to his former wife, actress Jane Fonda, just the day before she passed away. He told her that watching people die for their beliefs changed his life forever. In that sense, I also think about what Kennedy Jr. wrote about how democracy is messy, tough and never easy ... As is believing in something to fight for. I look at history and how they were willing to live their lives with that integrity to change the world and I realize that somehow that spirit still remains with us. " We fell silent thinking about it. "There must be hope."
I tell him about my love for Nick Cave's blog, The Red Hand, and one of the posts that I have liked the most in recent weeks. In it, the singer affirms that his response to a crisis has always been to create, an impulse that has saved him many times. For Redmayne there are two activities that can silence noise: drawing and playing the piano. “When you play the piano your concentration is so consumed by trying to hit that note that you can't think of anything else. Similarly, when you draw something, the focus is between the paper and what you are trying to recreate ... There I try to calm my mind.
Before saying goodbye, I drop a question that I thought I knew the answer to, but failed. What work of art would you save from mass destruction? "How difficult! I could name my favorite artists but still couldn't choose a work. Only one piece? Let me think. I am very obsessed with Yves Klein, but I would stick with a work by Brancusi. There is a sculpture of him, a small head called Prometheus, in Cambridge's Kettle’s Yard, on a dark mahogany piano. The truth is that I find it very ... beautiful ”.
Before leaving, he confesses to me - with a childish and slow voice - that he would like to direct something one day. We said goodbye, saying that we will talk about his next project. Next, the first thing I do is open the Google search engine. "P-r-o-m-e-t-h-e-u-s". Although Eddie Redmayne has trouble distinguishing violet from blue, he doesn't have them when choosing a good piece. He's right, that work deserves to be saved.
* This article appears in the November 2020 issue of Esquire magazine
Source: esquire.com/es/actualidad/cine/a34434114/eddie-redmayne-juicio-7-chicago-netflix-entrevista/
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vajranam · 3 years
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Milarepa
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The story of how Jetsun Milarepa followed Marpa of Lhodrak.
In the region of Ngari Gungthang, there lived a rich man by the name of Mila Sherab Gyaltsen. This man had a son and a daughter, and it was the son, whose name was Mila Thopa-ga, "Mila Joy to Hear," who was to become Jetsun Milarepa. When the two children were still small, their father died. Their uncle, whose name was Yungdrung Gyaltsen, appropriated all their wealth and possessions. The two children and their mother, left with neither food nor money, were forced to undergo many hardships. Mila learned the arts of casting spells and making hailstorms from the magicians Yungton Throgyal of Tsang and Lharje Nupchung, and brought about the death of his uncle's son and daughter-in-law together with thirty-three other people by making the house collapse. When all the local people turned angrily against him, he caused such a hailstorm that the hail lay on, the ground as deep as three courses of a clay wall (about 3 meters).
Afterwards, repenting his misdeeds, he decided to practise Dharma. Taking the advice of Lama Yungton, he went to see an adept of the Great Perfection by the name of Rongton Lhaga, and asked him for instruction.
"The Dharma I teach," the Lama replied, "is the Great Perfection. Its root is the conquest of the beginning, its summit the conquest of attainment and its fruit; the conquest of yoga. If one meditates on it during the day, one can become Buddha that same day; if one meditates on it during the night, one can become Buddha that very night. Fortunate beings whose past actions have created suitable conditions do not even need to meditate; they will be liberated simply by hearing it. Since it is a Dharma for those of eminently superior faculties, I will teach it to you.”
After receiving the empowerments and instructions, Mila thought to himself, "It took me two weeks to obtain the main signs of success at casting spells. Seven days were enough for making hail. Now here is teaching even easier than spells and hail-if you meditate by day you become a Buddha that day; if you meditate by night you become a Buddha that night-and if your past actions have created suitable conditions, you don't even need to meditate at all! Seeing how I met this teaching, I obviously must be one of the ones with good past actions."
So he stayed in bed without meditating, and thus the practitioner and the teaching parted company.
“It is true what you told me," the lama said to him after a few days. “You really are a great sinner, and I have praised my teaching a little too highly. So now I will not guide you. You should go to the hermitage of Trowolung in Lhodrak, where there is a direct disciple of the Indian siddha Naropa himself. He is that most excellent of teachers, the king of translators, Marpa. He is a siddha of the New Mantra Tradition, and is without rival throughout the three worlds. Since you and he have a link stemming from actions in former lives, go and see him!"
The sound of Marpa the Translator's name alone was enough to suffuse Mila's mind with inexpressible joy. He was charged with such bliss that every pore on his body tingled, and immense devotion swept over him, filling his eyes with tears. He set off, wondering when he would meet his teacher face to face. Now, Marpa and his wife had both had many extraordinary dreams, and Marpa knew that Jetsun Mila was on his way.
He went down the valley to await his arrival, pretending to be just ploughing a field. Mila first met Marpa's son, Tarma Dode, who was tending the cattle. Continuing a little further, he saw Marpa, who was ploughing. The moment Mila caught sight of him, he experienced tremendous, inexpressible joy and bliss; for an instant, all his ordinary thoughts stopped. Nonetheless, he did not realize that this was the lama in person, and explained to him that he had come to meet Marpa.
“I’ll introduce you to him myself," Marpa answered him. "Plough this field for me." Leaving him a jug of beer, he went off. Mita, draining the jug to the last drop, set to work. When he had finished, the lama's son came to call him and they set off together.
When Mila was brought into the lama's presence, he placed the soles of Marpa's feet upon the crown of his head and cried out, "Oh, Master! I am a great sinner from the west! I offer you my body, speech and mind. Please feed and clothe me and teach me the Dharma. Give me the way to become Buddha in this life!"
"It's not my fault that you reckon you're such a bad man," Marpa replied."I didn't ask you to pile up evil deeds on my account! What is all this wrong you have done?" Mila told him the whole story in detail.
"Very well," Marpa acquiesced, "in any case, to offer your body, speech and mind is a good thing. As to food, clothing and Dharma, however, you cannot have all three. Either I give you food and clothing and you look for Dharma elsewhere, or you get your Dharma from me and look for the rest somewhere else. Make up your mind. And if it's the Dharma you choose, whether or not you attain Buddhahood in this lifetime will depend on your own perseverance.”
"If that is the case," said Mila, "since I came for the Dharma, I will look for provisions and clothing elsewhere.”
He stayed a few days and went out begging through the whole of upper and lower Lhodrak, which brought him twenty-one measures of barley. He used fourteen of them to buy a four-handled copper pot. Placing six measures in a sack, he went back to offer that and the pot to Marpa. When he set the barley down, it made the room shake. Marpa got up.
"You're a strong little monk, aren't you?" he said."Are you trying to kill us all by making the house fall down with your bare hands? Get that sack of barley out of here!" He gave the sack a kick, and Mila had to take it outside. Later on he gave Marpa the empty pot.
One day Marpa said to him: "The men of Yamdrok Taklung and Lingpa are attacking many of my faithful disciples who come to visit me from U and Tsang, and stealing their provisions and offerings. Bring hailstorms down on them! Since that is a kind of Dharma too, I will give you the instructions afterwards."
Mila caused devastating hailstorms to fall on both these regions and then went to ask for the teachings.
“You think I'm going to give you the teachings I brought back from India at such great cost in exchange for three or four hailstones? If you really want the Dharma, cast a spell on the hill-folk of Lhodrak. They attack my disciples from Nyaloro and are always treating me with downright contempt. When there is a sign that your spell has worked, I shall give you Naropa's oral instructions, which lead to Buddhahood in a single lifetime and body."
When the signs of the success of the evil spell appeared, Mila asked for the Dharma.
"Huh! Is it perhaps to pay honour to your accumulation of evil deeds that you are claiming to want these oral instructions that I had to search for, never considering the risk to my own body and life-these instructions still warm with the breath of the dakinis? I suppose you must be joking, but I find this a bit too much. Anyone else but me would kill you! Now, bring those hill people back to life and return to the people of Yamdrok their harvest. You'll get the teachings if you do-otherwise, don't hang around me anymore!"
Mila, utterly shattered by these reprimands, sat and wept bitter tears. The next morning, Marpa came to see him. "I was a bit rough with you last night," he said."Don't be sad. I will' give you the instructions little by little. Just be patient! Since you're a good worker, I'd like you to build me a house to give to Tarma Dode. When you've finished, I'll give you the instructions, and provide you with food and clothing as well.”
"But what will I do if I die in the meantime, without the Dharma?” Mila asked. “I’ll take the responsibility of making sure that doesn't happen," Marpa said. "My teachings are not just idle boasting, and since you obviously have extraordinary perseverance, when you put my instructions into practice we will see if you can attain Buddhahood in a single lifetime." After further encouragement in the same vein, he had Mila build three houses one after the other: a circular one at the foot of the eastern hill, a semicircular one in the west and a triangular one in the north. But each time, as soon as the house was half finished, Marpa would berate Mila furiously, and make him demolish whatever he had built and take all the earth and stones he had used back to where he had found them. An open sore appeared on Mila's back, but he thought, "If I show it to the Master, he will only scold me again. I could show it to his wife but that would just be making a fuss." So, weeping, but not showing his wounds, he implored Marpa's wife to help him request the teachings.
She asked Marpa to teach him, and Marpa replied, "Give him a good meal and bring him here!" He gave Mila the transmission and vows of refuge.
"All this," he said, "is what is called the basic Dharma. If you want the extraordinary instructions of the Secret Mantrayana, the sort of thing you'll to have to go through is this... "and he recounted a brief version of the life and trials of Naropa. "It'll be difficult for you to do the same," he concluded.
At these words Mila felt such intense devotion that his tears flowed freely, and with fierce determination he vowed to do whatever his teacher asked of him. A few days later, Marpa went for a walk and took Mila with him as his attendant. He went south-east and, coming to a favorably situated piece of ground, he said, "Make me a grey, square tower here, nine storeys’ high. With a pinnacle on top, making ten. You won't have to take this building down, and when you've finished I'll give you the instructions. I'll also give you provisions when you go into retreat to practise.”
Mila had already dug the foundations and started building when three of his teacher's more advanced pupils came by. For fun, they rolled up a huge stone for him and Mila incorporated it in the foundations. When he had finished the first• two storeys, Marpa came to see him and asked him where the stone in question had come from. Mila told him what had happened. "My disciples practising the yoga of the two phases shouldn't be your servants!" Marpa yelled. "Get that stone out of there and put it back where it came from!"
Mila demolished the whole tower, starting from the top. He pulled out the big foundation stone and took it back to where it had come from. Then Marpa told him, "Now bring it here again and put it back in. " So Mila hauled it back to the site and put it in just as before. He went on building until he had finished the seventh storey, by which time he had an open sore on his hip.
"Now leave off building that tower," Marpa said, "and instead build me a temple, with a twelve-pillared hall and a raised sanctuary.”
So Mila built the temple, and by the time he had finished, a sore had broken out on his lower back.
At that time, Meton Tsonpo of Tsangrong asked Marpa for the empowerment of Samvara, and Tsurton Wange of Dol asked for the empowerment of Guhyasamaja. On both occasions, Mila, hoping that his building work had earned him the right to empowerment, took his place in the assembly, but all he received from Marpa were blows and rebukes and he was thrown out both times. His back was now one huge sore with blood and pus running from three places. Nevertheless, he continued working, carrying the baskets of earth in front of him instead.
When Ngokton Chodor of Shung came to ask for the Hevajra empowerment, Marpa's wife gave Mila a large turquoise from her own personal inheritance. Using it as his offering for the empowerment, Mila placed himself among row of candidates but, as before, the teacher scolded him and gave him a thrashing, and he did not receive the empowerment. This time he felt that there was no further doubt: he would never receive any teachings. He wandered off in no particular direction.
A family in Lhodrak Khok hired him to read the Transcendent Wisdom in Eight Thousand Verses. He came to the story of Sadaprarudita, and that made him think. He realized that, for the sake of the Dharma, he must accept all hardships and please his teacher by doing whatever he ordered.
So he returned, but again Marpa only welcomed him with abuse and blows. Mila was so desperate that Marpa's wife sent him to Lama Ngokpa, who gave him some instructions. But when he meditated nothing came of it, since he had not received his teacher's consent. Marpa ordered him to go back with Lama Ngokpa, and then to return. One day, during a feast offering, Marpa severely reprimanded Lama Ngokpa and some other disciples and was about to start beating them. Mila thought to himself, "With my evil karma, not only do l myself suffer because of my heavy faults and dense obscurations, but now I am also bringing difficulties on Lama Ngokpa and my Guru's consort. Since I am just piling up more and more harmful actions without receiving any teaching, it would be best if I did away with myself."
He prepared to commit suicide. Lama Ngokpa was trying to stop him when Marpa calmed down and summoned them both. He accepted Mila as a disciple, gave him much good advice and named him Mila Dorje Gyaltsen, "Mila Adamantine Victory Banner."As he gave him the empowerment of Samvara; he made the mandala of its sixty-two deities clearly appear. Mila then received the secret name of Shepa Dorje, "Adamantine Laughter," and Marpa conferred all the empowerments and instructions on him just like the contents of one pot being poured into another. Afterwards, Mila practised in the hardest of conditions, and attained all the common and supreme accomplishments.
The trials that Milarepa had to undergo before receiving the teachings from Marpa, as well as being a purification of past Karma, an accumulation of merit and a psychological preparation, also had a bearing on the future of his lineage, each detail having a symbolic significance which, by the principle of interdependence would affect Milarepa’s own future and that of his disciples.
~H.H. Patrul Rinpoche from the text Words of My Perfect Teacher.
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val-bananatine · 4 years
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Anyone else here having played dragon quest 11? If so; what are your thoughts about it?
To share my own, warning: a rant incoming:
I personally am a huge fan of the dragon quest series. Started with DQ9 and got so hooked that I bought as many of the older games I could find to play through, got the remake of DQ7 - and was super excited when I heard that DQ11 was on its way (I admit: I was upset about hearing that the 3ds version was only available in Japan, but hey, didn't stop me).
When I first was asked for a review on it, I was amazed and still overly happy about finally having the time to play it after months of it laying around. I... I wasn't as deep in the story yet as I thought, and the further I played, the more I noticed some flaws that started to bother me more and more.
Now I took some time to see how other players and sites viewed it and took a look at their views - and I was a little disappointed to see that those things weren't mentioned. So I will bring them up now:
Again warning: The following will heavily focus on this aspect that I criticize. This is in no way intended to make the entire game bad, it has a lot of other features which add to the image as well. It may seem like I try to make the entire game look bad by focusing on this point, but that is not the intention. The intention lies within shedding light to this and wondering if anyone else has noticed it as well.
I was disappointed to see that the main female cast was weakly represented and that a lot of their lives and backstories revolve around men. Like yeah that can happen but it was 2017 at the release and I feel like we can give more representation than the stereotype, especially when that doesn't happen in just ONE of the female main characters, but in a lot of them (gladly, not all).
To the start of the game: Stereotypically we've got the main protagonists childhood friend who obviously seemed to have a crush on him, and later on was very focused on him. I really didn't mind that because it's just so known I just shrugged it off.
A little later we meet our first female team mates, the twins Veronica and Serena. Was I the only one who was a little weirded out that they introduced themselves (and apparently were raised with that view too) as their sole purpose being to serve and aid the hero? As the story progressed further, I honestly was pretty bothered by how their lives seemed to always have revolved around that and their future apparently only consisting of being the heros’ shield and aid. Gladly much later on in the game we found out about Veronica's life goals, it wasn't much to equal it, but I was glad to see.
It gets weird for me at Jade, the hero's "adopted sister" (Their kingdoms were super close and she explained multiple times how she felt and acts like his big sister). Her first introduction is overly focusing on s*xualizing her (who tf would give her such an outfit for a martial arts fighter anyways? This detailed boob cupping isn't protecting her chest at all), we didn't know then about that family thing. Even more bothers me everything at the Casino where she's been brainwashed by a monster into a flirty bunny girl with a heart choker and uses s*xual styled attacks, on our hero as well like flirting with him. Knowing that family lore made the fight super uncomfortable for me. There's more about what they could possibly be hinting on that happened to her, but I will not go into detail about this as it is highly triggering.
So here we've got our team... but you know what else bothered me? How some of the female villains were portrayed. The MOST disappointing by FAR was Crystalinda for me. Introduced as an incredibly powerful witch in the century of legends where even the strongest mage couldn't defeat her without help of the monsters, a woman who terrorized an entire kingdom and more with just a snap of her fingers - fcking strong and badass. You know what happened to her? They turned her into a moaning mess who lusted after the first guy that found her book. She was obsessed by thinking he's hot and wanting to be his bride, her talking was mostly accompanied by moaning. Reasoned because she was "so lonely and he was the first to talk to her again". Bro tf did you do to this badass woman?! Idc that you reason in her info box that she's a "hopeless romantic". You could have also just not added that, give us a strong villain tf who doesn't melt because one (1) man appeared.
Or the woman with the other world behind the fresco, I only know her German name now and I think I remember that it's different in English. Ruins of one of the most powerful kingdoms back then, she probably was the powerful ruler of it - and she is obsessed with being the grand villains bride. Uh-
TW: MENTION OF S**CIDE
I could also comment on the Mermaid Mishelle, whose entire point of existence was that she fell in love with a man and waited decades for him to come back; only to k*ll herself when she found out that he passed away a long while ago (I did cry though at that story, it was very emotional).
But to be fair: you've also got strong women who don't rely on that as their story. The woman who raised the hero (German name is Petra) and was loved by the whole village and was a strong woman with a strong mind, but of course was a very caring mom too.
Or the queen of the mermaids, her German name is Marina and I love it. She's strong, majestic, wise, and has her heart with her people. There do exist strong females in the more main character section, of course, but a majority is catering for men or being s*xualized in favor of them, and I think that the team could have done better on that.
Now, not all other games have done much better. In DQ5 an important plot is that one man demands to marry one of his daughters or your childhood friend in exchange for a much needed child. But I also remember characters of other games who had more personality than catering. And that's on that.
Story wise it's awesome. Being perceived as an evil by some instead of the hope as always? Hell yeah THAT is a change (my guess is that both, the term "luminary" and "dark spawn" are correct, depending on whose side you look at. Ofc the monsters would fear him and see him as evil, his point is to banish them and keep them away). Well... to Act 2 at least. I don't want to talk about Act 3, but that is a personal preference. Some may like doing everything again from an arc with some changes and a different starting situation... I absolutely hate that, because it gives me the feeling of having done everything before for nothing. And no- I don't wanna sacrifice deep friendships and understandings, redemption arcs and clearing past things up, helping some people out of misery, to get one person back, and lose everything of that in return because only I travel back to that point. And it gets way worse after that anyways.
The writing is... good. It had some of these things you see in "DON'T do that" writing advice blogs (eg awful sibling dialogue in showing how they're siblings) - but I think those flaws in some scenes only stood out to me because I dealt with these blogs just a bit before playing.
Some sites say it's "the best game of the franchise so far", do I agree with that? No. It's a moderate to good game, it has some very nice new mechanics (some which sadly don't have any practical use. Eg being able to walk freely in battles but it doesn't affect that ur getting hit no matter where you stand) and a new interesting story with good throwbacks to older, by now traditional, game settings - but the "new" here wasn't nearly impressing me as much as new things did in previous games. And there's also this flaw with having a problem in diverse and strong female main characters. This isn't to excuse the game mechanics of some of the previous games which sometimes also have a very shitty stereotype dominating (See DQ5) - but again: especially in 2017 (release of the game), where we've an uprising demand and change in better representation of women other than negative stereotypes and flat characters, I would expect a better development of the characters. At least that this problem doesn't take up a good majority.
And you know- amazing graphics (I have to give them that, that was fantastic) aren't the only requirement to be the best game of the series. In fact, graphics should play a minor role as a game can be capturing and fascinating without having the most realistic or detailed graphics. It's about the content in it. So yeah, it's an overall good game, but I wouldn't call it the best - and I really want to encourage a by far better representation on the next game. U can do better.
And yeah, it is a part of many to complete this game, but it sadly was a part that bothered me more the more I played it. Because when I first noticed that one character was bad representation, I took a closer look at the others to see if they do better, and unfortunately a lot didn’t. So please improve this next time, let us have deep female characters again who are strong and badass.
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mycsgoaccounts-blog · 4 years
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The War on Used Games
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Once we prepare for the coming wave of next generation systems, we should be anticipating improvements on all the good stuff we associate with the current crop of systems. Moving forward we expect: better graphics, faster processors, more fascinating games, you get the idea. But not everything that we're anticipating will be a progressive movement for gaming. At least, as far as Sony and Microsoft are concerned, you can wave goodbye to playing used games on their systems. Although these are simply rumors at this point, it wouldn't be surprising if they came to fruition. It's very plausible, especially when taking into consideration that a few game publishers have already fired shots at the used game market. Most notable is Electronic Arts(EA), who grew to be the first publisher to institute the practice of charging gamers, who bought used games, a charge to access codes that come with the game. To elaborate, Downloadable Content(DLC) codes are included with new copies of a certain game and only with those codes, can that content be accessed. EA expanded its project to provide playing used games online. Gamers would now have to pay $10, in addition to the cost of the used game they will purchased, in order to have access to the online components of their game. Ubisoft has since followed suit, requiring an internet pass for its games as well. You can identify the games which require an online pass as they uncovered the, "Uplay Passport", logo on the box. Ubisoft decided they'd take things a step further and additionally implement Digital Rights Management, a practice more often associated with DVD or CD anti-piracy efforts. Assassins Creed 2 was the first game to be effected by this practice. In order to play the PC version with Assassins Creed 2, gamers are required to create an account with Ubisoft and remain logged into that bank account in order to play the game. This means that if you lose your internet connection, the game will automatically pause and try to improve the connection. However , if you're unfortunate enough to be unable to reconnect to the internet you'll have to continue from your last rescued game; losing any progress you may have made since then. This will be the case for all of Ubisoft's PC titles, irrespective of one playing single-player or multi-player. While Digital Rights Management has been used to combat DVD and DVD piracy for quite some time now, this will mark the first time it's been used for a video game. In light of Ubisoft's guidelines of DRM, Matthew Humphries of Geek. com, cautions that it's feasible that eventually even console activities will require online registration in order to play them. So what's the reason for all of this? According to According to Denis Dyack, the top of Silicon Knights, the sale of used games is cannibalizing the profit of the primary performance market. He also claims that the used game market is somehow causing the price of new games to go up. His proposed solution is to move away from physical disks and embrace digital distribution. Essentially he'd wish to see services like Steam or EA's Origin replace traditional hard copies. There are even rumors that X-Box 720 will embrace the exclusive use of digital downloads and not use disks at all. Whether Ms will actually follow through with that plan remains to be seen. One could argue that Sony has already laid the bottom work for preventing used games from functioning on their future system. At the very least, they've already made quite hard work to make used games significantly less desirable. Kath Brice, of Gamesindustry. biz, reported that the latest SOCOM sport for PSP, SOCOM: U. S. Navy SEALs Fireteam Bravo 3, will require customers who purchase a made use of copy to pay an addition $20 dollars to receive a code for online play. I'd like to see a few quantifiable evidence to support the claim that used games are in fact hurting the sales of new games in any respect. Without some actual facts, it sounds to me like a whole lot to do about nothing. Case in point, within day Modern Warfare 3 sold 6. 5 million copies, grossing $400 million dollars in sales. Proper me if I'm wrong but you haven't heard Infinity Ward complaining about the used game market therefore affecting their bottom line. That's likely because they're too busy counting their money earned by constructing games that people actually want to play. Imagine that. Maybe the problem isn't that used games have a negative impact on that sale of new games but, the problem is instead that game developers need to make better games that people are willing to pay full price for. In my opinion, not every game is worth $60 simply because it's the suggested retail price. Considering things objectively, not every game is created equally, therefore not every game is worthy of costing $60. Whether it's since that particular game failed to meet expectations and live up to the hype or because it lacks any sort of replay benefits. It's ludicrous to argue that gamers should pay top dollar for every game especially when they all too often end up horrible disappointments, like Ninja Gadian 3, or they're riddled with glitches like Skyrim. I know that the War on Used Games is nothing more than a money grab by developers, upset that they're helpless to cash in on a very lucrative market. To put it in dollars and cents, in 2009 GameStop reported nearly $2. 5 million dollars in revenue from the sale of used consoles and used games. And not an individual red cent of that profit reaches the pockets of game publishers. Greed as the motivating factor for any declaration of War on Used Games is transparent. Especially when you consider that when GameStop began separating ones own revenue from new games and used games in their financial statements, EA thereafter instituted their $10 dollar fee for used games. In the absence of empirical evidence, I'll have to settle for anecdotal. I'll employ myself as an example. I'm planning to purchase a used copy of Ninja Gaidan 2 . I've never been a giant fan of the series. I didn't play the first one because I didn't have an Xbox and when it was an Xbox exclusive. And I never played the original version. Needless to say, I was never clamoring to play Ninja Gaidan 2 . However the innovation in the second incarnation of the game, which allows you to disembowel your enemies, is enough of a novelty that I'd like to play through it at some point. I can buy it today, used, for about 10 dollars. If it was only being sold at full price I would more than likely pass on playing the idea altogether or maybe rent it. My point is that game developers are not losing money because of used video game titles; you can't miss money you weren't going to receive anyway. They're simply not getting money they weren't visiting get to begin with. Unless you have a significant amount of disposable income and a considerable amount of free time, you're probably enjoy me and you prioritize which games you plan to purchase and how much you're willing to pay for them. You decide which often games are must haves and which games you'd like to play but are willing to wait for a price drop in advance of getting them. Then there are the games which you're interested in, but they tend to fall through the cracks because they really are not all that high on your radar and you'll maybe pick them up several months later, or even years when their release, if you ever pick them up at all. I find it ironic that the looming death of the applied game market could likely spell the demise of GameStop who, ironically, push their customers to help pre-order new games and purchase them at full price. One would think that game publishers would be appreciative about this product and not detest GameStop and treat used games with such scorn. Pre-orders not only help promote your games but they function as a forecast of potential sales as well. Even Dave Thier, a contributor with regard to Forbes Online, who describes GameStop as, "a parasitic bloodsucker that doesn't do much besides mark in place discs and sit in the mall", recognizes the folly of passing the burden of the used game sector onto the consumer. I've only once pre-ordered a game myself. At the behest of J. Agamemnon, I pre-ordered Battlefield 3, which is ironically a property of EA. I paid full price for this game and was happy to do it. In large part because I was granted access to several weapons and maps that I would have must wait to download had I not pre-ordered it. I propose that instead of punishing gamers for hoping save their hard earned cash, the gaming industry needs to learn to incentivize gamers into wanting to pony up to that will $60 dollar price tag. I titled this article The War on Used Games in an effort to be tongue-in-cheek in addition to poke fun at how whenever the government declares war on drugs or terror or whatever it usually is, they only succeed in exacerbating the problem. It should come as no surprise seeing as how the government tends to take probably the most asinine approach possible trying to "solve" problems. The end result is always the same; precious time and resources are wasted, along with the issue is that much worse than it was before they intervened. If the gaming industry does indeed drop this path; they'll only hurt themselves in the long run, fail to share in the revenue they so greedily covet and worst of all, hurt their customers, who keep the gaming industry abreast with currency. It's very ironic and actually very fitting that it's EA who are spearheading the effort to attack the used game market right after they themselves are one of the largest beneficiaries of used games. Chipsworld MD Don McCabe, told GamesIndustry. biz that EA has what he referred to as a "franchise software house" in that they "upgrade their labels; FIFA, Madden; all of these are effectively the same title upgraded each year. And people trade in last year's for this purpose year's. " He went onto say that those titles are the ones which are most often traded with. Shutting down the used games market effectively destroys a tried and true method in which fans of EA's franchises keep up-to-date with each of EA's annual releases. Aside from nostalgia, what would be the point of keeping FIFA 11, when FIFA 12 is right around the corner? Don McCabe, an executive at Chipsworld, teaches that, "consumers won't prosper under this new system, as copies of the game will lose their reselling value". He goes on to say that retailers will "just readjust [the price] bearing in mind you must buy the voucher. " The CEO of SwapGame cautions that "customers who trade in for cash and credit do so to acquire new games they could otherwise not afford. " This means that ultimately it will be the founder who ends up losing money because when retailers adjust their prices to reflect the increase in charge for used games, the resale value of the game will drop and new games are not as likely to be purchased.
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mysticdragon3md3 · 5 years
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So I finally watched Promare.   TL;DR review: I smiled so much my face hurt. ^_^
SPOILERS SPOILERS  SPOILERS SPOILERS SPOILERS SPOILERS
I was a little worried about watching this movie subtitled in the theaters, because my eyes don't read subtitling as fast as they used to.  But thankfully, I was able to keep up.  And I'm really glad I did watch it in Japanese, because I was able to hear Galo use the kabuki cadence!  ^U^!!!!!!!!!!!!!!!!!  Along with his mie poses, it was just like the aragoto genre!  LOL  *U*  I love it!!!  Really added to his other references to Japanese culture.  From his favorite weapon, to those traditional firefighters he kept lecturing about, to even his taiko drummed theme music!  It was very cohesive.  ^__^
I watched Professor Thorig's review before watching Promare, and though I stayed away from the spoiler section, it did tinge my perspective a bit.  They mentioned some things that I started to look out for.  
I think Trigger just wanted an excuse to experiment with CGI.  LOL  ^o^ There was SO MUCH COMPUTER ANIMATION IN THIS MOVIE.  O___o  I seriously didn't expect it.  Usually anime series/movies isolate computer animation to certain sections where they really needed its help.  But Promare was like Trigger wanted to use the whole movie to experiment, play, and get experience with computer animation, in any little way that they could practice.  I had heard that squares and triangles were used to symbolize different factions in the story.  But I feel like Trigger just picked those shapes because they are the easiest, most basic building blocks for computer animation. I mean, as a studio more well known for their frequent, fluid, and lovingly-indulgent hand-drawn animation, it's kind of weird how much computer assistance this movie had...Unless playing and experimenting with computer animation was the point of this movie.  If this is one of their initial big steps into really using computer animation, it would also make sense to start with the basic shapes (triangles, square) and then just build the art style of the entire movie around that.  So that rather than being a limitation in their current CGI capabilities that they were restricted to working with, it seemed more like an intentional cohesive style.  Anyway, I thought it looked awesome.  ^u^!  All of it.  *U*  I've always loved and preferred stylized art styles.
I only caught 2 Trigger/Gainax references.  Obviously the big drill for a multi-pilot mecha, was like Gurren Lagann.  But also, after Kray Foresight excused his destruction of buildings by saying everyone in the ark was already in underground shelters, I was so sure, one of the protagonists would accuse him of lying again.  But no one did.  In fact, no one said anything.  There was no response to that line, to give it any kind of real relevance to that scene or contextualize its purpose of being said in this movie.  Then I realized it was an Evangelion reference.  ^o^ LOL
Like many other people, I saw "The Marvel Symphonic Universe" video essay by Every Frame a Painting, and can't stop thinking about it whenever I watch a new movie.  But anime and videogame soundtracks seem to generally be less effected by the homogenization or invisibility of music scoring in contemporary Hollywood.  I haven't stopped listening to Persona 5's soundtrack for the past 2+ years.  And I am just amazed by the music of Promare.  Even just Lio's theme has so many layers and things going on in it.  *o*  Promare has so much distinct music, that's meant to be noticed, sticks in your head after the movie, resonates with climactic scenes, and I'm re-listening to it right now. ^_~  Trigger knows how to make music to get you pumped.  ^-^  
Also very surprised to see Production I.G. in the credits.  *o*  I mean, I know Trigger and Production I.G. worked together before, but I didn't know they were working on Promare together.  O.o
One thing that bothered me was how Lio kept saying the Mad Burnish pride themselves on not killing anyone, but then at the end, he's setting fire to the whole city?  And I really expected the story to back-up what Lio said by revealing that the pharmaceutical building they attacked at the beginning, was actually up to shady stuff.  But they never got around to that.  So then 30 years of "terrorizing"/"attacking without killing", and no one innocent was killed while setting _entire_ buildings on fire?????  Meh, whatever. This movie wanted you to be assured of Lio's goodness, but at the same time, a Trigger anime has got to have giant city-wide destructive battle scenes. ^^;  This movie was too much fun to drag logic into it.  
I find that a lot of Trigger properties have this moment where logic just isn't happening, but ya don't care.  LOL  Usually, I say that anime emphasizes conveying emotional experiences, so when it works on an emotional level, logic is negligible.  And even when Hollywood movies do that, we can forgive plot holes.  But wow, Trigger really takes advantage of that!  LOL  But hey, they've built up the cache!  All their characters are always so immediately endearing and cool, that you'd forgive them for anything and go along with whatever ride they take you on.  Sometimes things happen, it's not explained why (sometimes only after the fact), and you just have to go along with it.  Why are they punching the planet?  Meh, it looks cool.  Why are they fighting inside the ark?  Why does it look like a sunlit skyscraper city inside?  Why is the volcano's magma acting sentient to help Lio?  When was a Burnish able to give another human their fire?  How was Lio’s arms able to regenerate after they were turned to ash, after he made ash sound so final before, even enough to overcome Burnish fire’s regenerative powers?  Why is this able to do this?  So we can get to the next plot point. Or in the case of Deus Ex Machina: Because it looks cool.  ^o^  Sometimes the lack of explanations make the stakes vague at some points, but I'm sure that's just because I'm stupid.  I feel like everything is assumed to be explained by emotion and "fighting spirit", and thankfully, those are my jam, so I'm fine with it.  ^o^  
And I feel like some of the names referenced Greek mythology, but I couldn't remember enough to know why.  Like Aina's sister Heris, was pronounced like Eris...who I think was a moon goddess of the moon's phases?  ...Oh wait.  “Eris was the ancient Greek goddess and personification of strife. She...was the force of suffering for mankind, and she delighted in the pain of humans.” (https://www.reference.com/art-literature/were-powers-greek-goddess-eris-8d18b7664ac3d43b)  Well, I’m glad Heris didn’t “delight” in the Burnish’s suffering, even though she had to put them through a lot of that strife.  Then there were terms for the ark/spaceship or something. I can't remember, but it sounded like terms I had heard in Greek mythology or something.  Even the name of the city “Promepolis” sounded very ancient Greek.  And the final mecha at the end too, “Deux Ex Machina”...  But then there were lots of Roman mythology references too.  Like Vulcan.  And Ignis’s name was Latin.  Possibly along with the other Burning Rescue members.  o.o?  
Also surprised to find so many now "old school" A-list dub actors cast in this movie.  Johnny Yong Bosch was Lio Fotia?!?  O.o  I gotta hear that now.  Crispin Freeman as Kray Foresight.  I wonder how much he contrasted Kray's mostly quiet tone vs when he went crazy near the end?  And it was so cool to hear Kari Wahlgren also in this movie, after she dubbed Haruko from FLCL.  And always good to hear Michael Sinterniklaas, Matthew Mercer, and Yuri Lowenthal.  ^-^  I gotta start paying attention to all the new dub actors' names from nowadays too.  ^^;  
JUST A WARNING THAT THE NEXT PARAGRAPH IS PROBABLY CONTROVERSIAL.  DON'T @ ME.  I WON'T RESPOND.
One of the biggest things that Thorgi commented about Promare, was the "currently relevant real world reference" that the metaphor of this movie's story was. Thorgi was very vague about that in the non-spoiler section, so I tried to figure out what he could have meant, while I was watching Promare.  At first, I thought it was just about racism and prejudice.  But at the point where the pizza maker was getting arrested, he wasn't even a terrorist, and his skin was brown...and the Freeze Force was coming in like over-militarized police, AFTER the leader of the "terrorists" was arrested and everything should have supposedly been peaceful now...and Aina started disputing Vulcan's arrests by pointing out that such arrests were only according to special anti-terrorist laws and shouldn't be lawful during peacetime, especially vs a non-terrorist, but Vulcan was over-extending the special circumstances of the anti-terrorism laws anyway, even vs non-terrorists, just so he could arrest people for just existing...And then I realized that the Freeze Force was characterized by ICE bullets and ICE weapons, and these ICE officers were running in to arrest people who were just peacefully living their lives, and treat them like terrorists...  It became painfully clear that this movie may have been talking about a lot of the problems going on in America right now.  (I say "may have been", because I realize how arrogant it is to assume everything is about you/your culture.  So I could also be wrong.  Then again, Thorgi even noted that the pizza scene looked just like New York City's Times Square.  And they were eating _pizza_!  Isn't that one of the things that NY prides itself to be known for?)  And I'm glad!  It pisses me off when people blindly brag about how "perfect" America is, by *assuming* everywhere else sucks (when they haven't even looked at other cultures), and get angry if anything about it is criticized.  Not only is not criticizing systems the complete opposite of what all my schooling in American history/culture advocated about American rebellious spirit, but that's how you get a society that builds up festering problems.  And if there are too many blindly nationalistic people in America, then I'll gladly welcome other cultures/artists to criticize what we're letting happen over here.  Then again, Promare could all be just a very generalized metaphor about discrimination anywhere.  After watching the movie, I watched Thorgi’s spoiler section and he mentioned that the movie released on “Bi Visibility Day” and implied Galo might be bisexual/homosexual after the CPR scene was framed kind of romantically and really held on it.  Frankly, that CPR scene between Galo and Lio was very different from the previous similar scene when Lio tried/failed to revive a Burnish girl who turned to ash anyway.  Compared to that scene, the Galo/Lio CPR was more like a kiss.  So maybe Trigger was very intentionally trying to allude to LGBTQIA+ minorities also being discriminated against, with their movie’s metaphor?  I would very much like Galo as bisexual representation to be confirmed canon.  ^-^  
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HAPPY BIRTHDAY @thosebritishboysonyoutube !! 🙏🎉✨
well hello there, my fav aussie friendorino !! 🐨🐨 (ugh, what a weird way to start of a heartfelt bday letter, good job me uhmmmm)
Dear Zoe! (that's better 👌 not rlly it's pretty much a trainwreck from here soz but i really did try, i swear xD)
you turn 19 today, how flippin crazy is that ¿¿ only one more year as a tennager and then it'll be finally time for your roaring 20s, hhehe (sorry, anything i say at this point are just a bunch of p!atd references #noregrets). idk how being 19 feels yet because i myself am still very much a youngling (jk we're both getting so old where has the time gone and why won't it stop i feel attacked?) but hopefully you'll have the best year of your life so far !! and then, please, pass your knowledge down to me in a few months, haha xD
where am i even going with this 😂😂 ok, maybe it's true that girls make their bday wishes way too long, but what better way to tell you all these nice things than this special occasion !!
now, since i have tumblr to thank for meeting you, i thought it would be only appropriate to post this here (im v cheesy as u know, sorry this is what u get for being friends with me 😂🧀🧀). it all started on a faithful morning in january when i was sitting in arts class bored out of my mind and i decided it would be a fun thing to socialize with the person who had my fav picture of dnp as their profile picture and a username equally as long as mine xD i can't believe we've been friends ever since, the internet is so amazing man :') also literally the first thing we did was play 21 questions which took us like a week to finish because we kept getting distracted by the random topics we were discussing, i'll never forget that tbh 😂
ok, i don't want to drag this out, but i just want you to know that i am really glad we met because i have never known someone so similar to me so it's been a really awesome ride with you and i hope it never ends !! i also hope we get to meet each other one day in person so i can give u just about the biggest hug in the world and tell u how much i appreciate you and how much you mean to me in person. as i've told you before, you've been a better friend to me than most of the people i know irl which is pretty darn incredible because even though we live a million miles away, you never fail to make me smile and i am genuinely so thankful for that. 💜
thank you for actually taking interest in my life, for putting up with my weird obsession with gardening 🌱🌺 and most importantly for being my #1 fangirl companion, haha. 💞😂
have the best day today, because if there's anyone i know who deserves love and happiness, it's you ♥️ !! eat lots of cake (u better send pics so i can see if it's better than my traditional minion ones 😂) and party like there is no tomorrow !!! - just kidding, we don't do that sort of thing lol
HAPPY BDAY YOU MUNCHKIN !! HERE'S TO MANY MORE TO COME ILY 🎉🎂💐💕💕🎈
and to wrap this up: here's a pic of beebo to brighten up your day (you're welcome)
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mirkwoodshewolf · 6 years
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Holiday handicap; Avengers x teen reader
Hey guys well I hope you guys had a wonderful holiday and the New Year is coming up which mean BLACK PANTHER AND INFINITY WAR WILL BE HERE SOON AHHHHHHHHHHHH!!!!!!!!!!!!!!! I am psyched for both movies :) Anyways a treat for all of u cause I’ve managed to get two requests done so my next one will be up in just a few minutes but for now this comes from @jo-stark who wanted another Avengers x teen reader with the reader being Tony’s sister. Now it takes place during Christmas so this is a little late but it’s done so I hope you enjoy it dearie as well as the rest of you :) Have a Happy New Year everyone and may 2018 be better to us than this year was.
Taglist:
@evyiione
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Mirror spears were flying everywhere, magical shields blocking their attacks and relics being opened or activated in order to take down their opponents. I was one of the Guardians of the London Sanctum and it was yet again under attack. I used my Sword of Valinor to cut the demon down when I noticed one of the dark sorcerers holding up a relic similar to a grenade.  He threw it and then he and the demons disappeared as I cried out for everyone to get out but it was too late.
The grenade detonated. I was sent flying 10 feet in the air and landed on my leg before blacking out.
Next thing I knew, I woke up in a room with my leg in a cast resting on a pillow.
“Ahh good you’re awake”. I turned to see my Mystic Arts teacher Doctor Strange.
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“Doctor Strange, I….”
“Shhh, relax (y/n). You took quite a fall back there. You’re lucky Wong and I found you when we did”.
“The others, are they….”
“Some of them are here but the rest…..I’m sorry I couldn’t save them”.  I let a few tears fall from my face.  Then I choked out.
“How bad is it?”
“Thankfully there wasn’t any permanent damage but you are gonna need to keep that cast on for a week and I require you to take it easy until you are healed, which is why I took the liberty of calling your brother”. My eyes widened.
“You didn’t!” I snapped.
“I did and he should be here right about….”
“(Y/N)!? (Y/N) WHERE IS SHE!?”
“Now”. Suddenly storming up the stairs was my brother the one and only Tony Stark.
“(N/n) oh thank God!” He immediately came up to me and glomped me making me groan in pain. “Sorry I’m sorry, what happened to you?”
“I can explain Stark” stated my master as he took Tony aside and Wong came up to me and patched my face up.
“Thank you Wong”.
“For the youngest and strongest of our students, anytime. Stephen is right about one thing, you were lucky to make it out alive due to the fact you were the closest person to the detonator”.
“Yeah well I don’t feel lucky, not to mention that it’s Christmas time and I still need to go shopping for gifts and all that. Oh man my brother and the rest of the Avengers are gonna baby me to no end”. Wong softly scoffed then my brother and Master Strange came in and Tony said.
“Alright baby sis, the Doc informed me of what we need to do so let’s get you home”. Tony then picked me up and took me down the stairs, out of the New York Sanctum and into the car where Happy was sitting in the driver seat. “Alright, in we go, nice and easy there (n/n)”.  He set me down and he placed a pillow under my leg and asked me if I was comfy which I was he then closed the door and got up front with Happy and ordered him to drive back to the Avengers facility.
I was sent well more like ordered by my brother that I needed a quiet, more outdoorsy recovery scenery so I was taken to the Avengers facility in upstate NY where I could recover in peace.
NOT!! 
Not even a day in, I was bored out of my mind. Tony made sure to have all the Avengers watch me like hawks if I so much as sat up from my bed.  I was waited on hand and foot and even though I liked being served like a queen, it got annoying that they would all come in every second just to check on me.
Early one morning before anyone was awake, I suddenly felt hungry for something sweet and knowing my secret stash of M&M’s were still down in the kitchen, I wanted them.  So using my crutches, I walked towards the elevator and pressed the button for the kitchen.
I then crutched my way over and took a chair and as quietly as I could, I scoot it over next to the fridge so that I could reach the cabinet it was in.  I first sat down then cautiously pulled my legs up, then using my good leg, I pushed myself up while leaning against the counter and just as I was about to reach the cabinet I heard an exclamation.
“(Y/F/N) (M/N) STARK!!!” I let out a scream and nearly fell when I was caught by a pair of arms.  I looked up to see both Steve and Bucky standing over me.
“What the hell guys!?”
“More like what the hell were you thinking climbing up the counter like that!?” exclaimed Bucky.
“My sweet tooth was calling me!”
“So you call us and we’ll get it for you”. Stated Steve.
“You don’t understand I wanted my secret stash of M&M’s and if ya’ll knew where it was I’d never be able to hide candy from you guys again!”
“I’ll tell you what. You tell one of us where your stash is at and while the other takes you back to your room, we won’t discuss this ever again, okay kid?” Bucky proposed.  I debated heavily on it and finally confessed.
Knowing Bucky was a closed book and trusting him more than Rogers to keep his mouth shut about my secret candy stash, I whispered in his ear where my M&M’s were and Steve carried me like a baby back to my room and just as he settled me back down on my bed, Bucky came in with my M&M’s.  
He handed them to me and I began chowing down and I thanked them and Steve left leaving Bucky to watch over me and ready to take my bag back to my secret hide way. 
It was pretty much the same thing over and over again if I tried to get on top of something, or even so much as tried to get out of bed. I just wish they would stop treating me like some kind of child and see that I can still get around well enough without them hoovering over my like vultures. 
The next incident that happened was when I was trying to help decorate the facility for Christmas.  I always loved putting the star on top of the tree, it was traditional for me to do it but now with my leg busted I couldn’t get up on the step ladder to do it but then it occurred to me, I didn’t have to use physical labor, I could use a bit of magic to get it up there.
I used the levitation spell to lift myself up with the star on hand and just as I was about to adjust the star just right, I heard my full name being called out once again and I nearly lost concentration if I hadn’t grabbed onto the tree and the roof of the building.  I turned to see my brother and Bruce standing there looking at me in shock.
“Are you kidding me!?” I proclaimed.
“You just get your sassy little butt back down here this minute young lady!” exclaimed my brother.  I put the star in place then slowly placed myself back down on the ground and my brother said again, “are you trying to give me a heart attack?”
“Yes that has been my plan all along since I was ten”.
“Don’t you sass your brother young lady! I thought I told you to take it easy?”
“I was doing just fine till you came in and nearly broke my concentration”.
“(Y/n) putting stress on that leg won’t make it heal any faster” stated Bruce.
“I know but…I’m going crazy guys. All week it’s been ‘(y/n) don’t do that!’ or ‘(y/n) get down from there!’ I’m not helpless and I can still help out around here. God I’m so sick and tired of being treated like a baby when you of all people know I can take care of myself”. Tony sighed deeply and came up to me and placed his hands on my face cupping it gently and he said.
“I know you can look after yourself (n/n). I’ve never denied that, but when Strange called me and told me what happened to you in London I….I thought I had lost the only real family I had left. If something had ever happened to you I wouldn’t know what to do”.  I looked at my brother and saw the intense concern and regret filling his eyes and he may deny it but I could swear I saw a tear forming in his eye.
I hugged my brother tightly and he held me close to him as he buried his face into my neck and I said to him.
“You can’t get rid of me that easily Tony, I’m like the annoying flea that’ll always stick by your side”.
“You maybe a pest sometimes but you’re my pest and I wouldn’t trade you for anything in the world”.  I smiled up at him and he smiled down at me before kissing my forehead. “I’ll make you a deal, how about we have ourselves a Christmas movie marathon and then tomorrow you can help with passing out the decorations, deal?”
“Deal Big T”. We pecked each other cheeks in agreement and then we all gathered in the living room for a family Christmas movie marathon so that I would finally get the rest I needed for the day.  
Then just as we agreed on, the next day I would sit on a chair right by the Christmas tree and help put decorations on it and whenever the team needed something, I would fish it out of one of the many boxes then they would come to me and take it and hang it up or place it on a stand.
Even though I had to spend Christmas with a broken leg, I at least got to still be a part of the festivities and spend another Christmas with my family and hopefully I would have many more to come.
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enlightenverse · 3 years
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Milarepa
The story of how Jetsun Milarepa followed Marpa of Lhodrak.
In the region of Ngari Gungthang, there lived a rich man by the name of Mila Sherab Gyaltsen. This man had a son and a daughter, and it was the son, whose name was Mila Thopa-ga, "Mila Joy to Hear," who was to become Jetsun Milarepa. When the two children were still small, their father died. Their uncle, whose name was Yungdrung Gyaltsen, appropriated all their wealth and possessions. The two children and their mother, left with neither food nor money, were forced to undergo many hardships. Mila learned the arts of casting spells and making hailstorms from the magicians Yungton Throgyal of Tsang and Lharje Nupchung, and brought about the death of his uncle's son and daughter-in-law together with thirty-three other people by making the house collapse. When all the local people turned angrily against him, he caused such a hailstorm that the hail lay on, the ground as deep as three courses of a clay wall (about 3 meters).
Afterwards, repenting his misdeeds, he decided to practise Dharma. Taking the advice of Lama Yungton, he went to see an adept of the Great Perfection by the name of Rongton Lhaga, and asked him for instruction.
"The Dharma I teach," the Lama replied, "is the Great Perfection. Its root is the conquest of the beginning, its summit the conquest of attainment and its fruit; the conquest of yoga. If one meditates on it during the day, one can become Buddha that same day; if one meditates on it during the night, one can become Buddha that very night. Fortunate beings whose past actions have created suitable conditions do not even need to meditate; they will be liberated simply by hearing it. Since it is a Dharma for those of eminently superior faculties, I will teach it to you.”
After receiving the empowerments and instructions, Mila thought to himself, "It took me two weeks to obtain the main signs of success at casting spells. Seven days were enough for making hail. Now here is teaching even easier than spells and hail-if you meditate by day you become a Buddha that day; if you meditate by night you become a Buddha that night-and if your past actions have created suitable conditions, you don't even need to meditate at all! Seeing how I met this teaching, I obviously must be one of the ones with good past actions."
So he stayed in bed without meditating, and thus the practitioner and the teaching parted company.
“It is true what you told me," the lama said to him after a few days. “You really are a great sinner, and I have praised my teaching a little too highly. So now I will not guide you. You should go to the hermitage of Trowolung in Lhodrak, where there is a direct disciple of the Indian siddha Naropa himself. He is that most excellent of teachers, the king of translators, Marpa. He is a siddha of the New Mantra Tradition, and is without rival throughout the three worlds. Since you and he have a link stemming from actions in former lives, go and see him!"
The sound of Marpa the Translator's name alone was enough to suffuse Mila's mind with inexpressible joy. He was charged with such bliss that every pore on his body tingled, and immense devotion swept over him, filling his eyes with tears. He set off, wondering when he would meet his teacher face to face. Now, Marpa and his wife had both had many extraordinary dreams, and Marpa knew that Jetsun Mila was on his way.
He went down the valley to await his arrival, pretending to be just ploughing a field. Mila first met Marpa's son, Tarma Dode, who was tending the cattle. Continuing a little further, he saw Marpa, who was ploughing. The moment Mila caught sight of him, he experienced tremendous, inexpressible joy and bliss; for an instant, all his ordinary thoughts stopped. Nonetheless, he did not realize that this was the lama in person, and explained to him that he had come to meet Marpa.
“I’ll introduce you to him myself," Marpa answered him. "Plough this field for me." Leaving him a jug of beer, he went off. Mita, draining the jug to the last drop, set to work. When he had finished, the lama's son came to call him and they set off together.
When Mila was brought into the lama's presence, he placed the soles of Marpa's feet upon the crown of his head and cried out, "Oh, Master! I am a great sinner from the west! I offer you my body, speech and mind. Please feed and clothe me and teach me the Dharma. Give me the way to become Buddha in this life!"
"It's not my fault that you reckon you're such a bad man," Marpa replied."I didn't ask you to pile up evil deeds on my account! What is all this wrong you have done?" Mila told him the whole story in detail.
"Very well," Marpa acquiesced, "in any case, to offer your body, speech and mind is a good thing. As to food, clothing and Dharma, however, you cannot have all three. Either I give you food and clothing and you look for Dharma elsewhere, or you get your Dharma from me and look for the rest somewhere else. Make up your mind. And if it's the Dharma you choose, whether or not you attain Buddhahood in this lifetime will depend on your own perseverance.”
"If that is the case," said Mila, "since I came for the Dharma, I will look for provisions and clothing elsewhere.”
He stayed a few days and went out begging through the whole of upper and lower Lhodrak, which brought him twenty-one measures of barley. He used fourteen of them to buy a four-handled copper pot. Placing six measures in a sack, he went back to offer that and the pot to Marpa. When he set the barley down, it made the room shake. Marpa got up.
"You're a strong little monk, aren't you?" he said."Are you trying to kill us all by making the house fall down with your bare hands? Get that sack of barley out of here!" He gave the sack a kick, and Mila had to take it outside. Later on he gave Marpa the empty pot.
One day Marpa said to him: "The men of Yamdrok Taklung and Lingpa are attacking many of my faithful disciples who come to visit me from U and Tsang, and stealing their provisions and offerings. Bring hailstorms down on them! Since that is a kind of Dharma too, I will give you the instructions afterwards."
Mila caused devastating hailstorms to fall on both these regions and then went to ask for the teachings.
“You think I'm going to give you the teachings I brought back from India at such great cost in exchange for three or four hailstones? If you really want the Dharma, cast a spell on the hill-folk of Lhodrak. They attack my disciples from Nyaloro and are always treating me with downright contempt. When there is a sign that your spell has worked, I shall give you Naropa's oral instructions, which lead to Buddhahood in a single lifetime and body."
When the signs of the success of the evil spell appeared, Mila asked for the Dharma.
"Huh! Is it perhaps to pay honour to your accumulation of evil deeds that you are claiming to want these oral instructions that I had to search for, never considering the risk to my own body and life-these instructions still warm with the breath of the dakinis? I suppose you must be joking, but I find this a bit too much. Anyone else but me would kill you! Now, bring those hill people back to life and return to the people of Yamdrok their harvest. You'll get the teachings if you do-otherwise, don't hang around me anymore!"
Mila, utterly shattered by these reprimands, sat and wept bitter tears. The next morning, Marpa came to see him. "I was a bit rough with you last night," he said."Don't be sad. I will' give you the instructions little by little. Just be patient! Since you're a good worker, I'd like you to build me a house to give to Tarma Dode. When you've finished, I'll give you the instructions, and provide you with food and clothing as well.”
"But what will I do if I die in the meantime, without the Dharma?” Mila asked. “I’ll take the responsibility of making sure that doesn't happen," Marpa said. "My teachings are not just idle boasting, and since you obviously have extraordinary perseverance, when you put my instructions into practice we will see if you can attain Buddhahood in a single lifetime." After further encouragement in the same vein, he had Mila build three houses one after the other: a circular one at the foot of the eastern hill, a semicircular one in the west and a triangular one in the north. But each time, as soon as the house was half finished, Marpa would berate Mila furiously, and make him demolish whatever he had built and take all the earth and stones he had used back to where he had found them. An open sore appeared on Mila's back, but he thought, "If I show it to the Master, he will only scold me again. I could show it to his wife but that would just be making a fuss." So, weeping, but not showing his wounds, he implored Marpa's wife to help him request the teachings.
She asked Marpa to teach him, and Marpa replied, "Give him a good meal and bring him here!" He gave Mila the transmission and vows of refuge.
"All this," he said, "is what is called the basic Dharma. If you want the extraordinary instructions of the Secret Mantrayana, the sort of thing you'll to have to go through is this... "and he recounted a brief version of the life and trials of Naropa. "It'll be difficult for you to do the same," he concluded.
At these words Mila felt such intense devotion that his tears flowed freely, and with fierce determination he vowed to do whatever his teacher asked of him. A few days later, Marpa went for a walk and took Mila with him as his attendant. He went south-east and, coming to a favorably situated piece of ground, he said, "Make me a grey, square tower here, nine storeys’ high. With a pinnacle on top, making ten. You won't have to take this building down, and when you've finished I'll give you the instructions. I'll also give you provisions when you go into retreat to practise.”
Mila had already dug the foundations and started building when three of his teacher's more advanced pupils came by. For fun, they rolled up a huge stone for him and Mila incorporated it in the foundations. When he had finished the first• two storeys, Marpa came to see him and asked him where the stone in question had come from. Mila told him what had happened. "My disciples practising the yoga of the two phases shouldn't be your servants!" Marpa yelled. "Get that stone out of there and put it back where it came from!"
Mila demolished the whole tower, starting from the top. He pulled out the big foundation stone and took it back to where it had come from. Then Marpa told him, "Now bring it here again and put it back in. " So Mila hauled it back to the site and put it in just as before. He went on building until he had finished the seventh storey, by which time he had an open sore on his hip.
"Now leave off building that tower," Marpa said, "and instead build me a temple, with a twelve-pillared hall and a raised sanctuary.”
So Mila built the temple, and by the time he had finished, a sore had broken out on his lower back.
At that time, Meton Tsonpo of Tsangrong asked Marpa for the empowerment of Samvara, and Tsurton Wange of Dol asked for the empowerment of Guhyasamaja. On both occasions, Mila, hoping that his building work had earned him the right to empowerment, took his place in the assembly, but all he received from Marpa were blows and rebukes and he was thrown out both times. His back was now one huge sore with blood and pus running from three places. Nevertheless, he continued working, carrying the baskets of earth in front of him instead.
When Ngokton Chodor of Shung came to ask for the Hevajra empowerment, Marpa's wife gave Mila a large turquoise from her own personal inheritance. Using it as his offering for the empowerment, Mila placed himself among row of candidates but, as before, the teacher scolded him and gave him a thrashing, and he did not receive the empowerment. This time he felt that there was no further doubt: he would never receive any teachings. He wandered off in no particular direction.
A family in Lhodrak Khok hired him to read the Transcendent Wisdom in Eight Thousand Verses. He came to the story of Sadaprarudita, and that made him think. He realized that, for the sake of the Dharma, he must accept all hardships and please his teacher by doing whatever he ordered.
So he returned, but again Marpa only welcomed him with abuse and blows. Mila was so desperate that Marpa's wife sent him to Lama Ngokpa, who gave him some instructions. But when he meditated nothing came of it, since he had not received his teacher's consent. Marpa ordered him to go back with Lama Ngokpa, and then to return. One day, during a feast offering, Marpa severely reprimanded Lama Ngokpa and some other disciples and was about to start beating them. Mila thought to himself, "With my evil karma, not only do l myself suffer because of my heavy faults and dense obscurations, but now I am also bringing difficulties on Lama Ngokpa and my Guru's consort. Since I am just piling up more and more harmful actions without receiving any teaching, it would be best if I did away with myself."
He prepared to commit suicide. Lama Ngokpa was trying to stop him when Marpa calmed down and summoned them both. He accepted Mila as a disciple, gave him much good advice and named him Mila Dorje Gyaltsen, "Mila Adamantine Victory Banner."As he gave him the empowerment of Samvara; he made the mandala of its sixty-two deities clearly appear. Mila then received the secret name of Shepa Dorje, "Adamantine Laughter," and Marpa conferred all the empowerments and instructions on him just like the contents of one pot being poured into another. Afterwards, Mila practised in the hardest of conditions, and attained all the common and supreme accomplishments.
The trials that Milarepa had to undergo before receiving the teachings from Marpa, as well as being a purification of past Karma, an accumulation of merit and a psychological preparation, also had a bearing on the future of his lineage, each detail having a symbolic significance which, by the principle of interdependence would affect Milarepa’s own future and that of his disciples.
~H.H. Patrul Rinpoche from the text Words of My Perfect Teacher.
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back-and-totheleft · 3 years
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Stone, cold sober
Re-telling the story of September 11 with a measured hand and lightness of touch hithertoo unhinted at, director Oliver Stone proves a more serious thinker than his paranoia-soaked canon would suggest. Here, he explains how his experiences as a soldier in Vietnam framed his outlook on life and art.
The introductory handshake comes with an additional squeeze of the wrist and a roguish smile.
“You’re Irish. I can tell.”
No. Your correspondent hasn’t been transported back to a disco in the 1970s. Instead, she’s in New York’s Regency Hotel meeting Oliver Stone. That twinkling opening gambit has brought about a Proustian rush of wayward tabloid headlines. I remember that idiotic book on the making of Natural Born Killers, with its scurrilous tales of loose ladies, psilocybin mushrooms and cocaine abuse. I recall that story about the director commandeering the Warners corporate jet to do peyote in the Mexican desert while making The Doors. I remember too how the set of Alexander reputedly became an extravagant saturnalia. Sure enough, I can effortlessly picture this man partying down with Colin Farrell, a duel study in swaggering Dionysian charm.
Though Stone insists his appetite for debauchery has been greatly exaggerated, he’s always owned up to unruly habits. Yes, he does have a fondness for marijuana dating back to time spent on the frontline in Vietnam. He has also ‘expanded his consciousness’ with the occasional psychedelic. But driving offences from last year and 1999 have, he claims, more to do with pre-diabetic medication unwisely knocked back with alcohol than exotic marching powders.
Still, it’s an impressively scandalous record for a man of his years. Stone is 60 now, though you’d say he were a decade younger if you suddenly spied him on the street. In person he’s imperturbably casual, far more relaxed than the ‘madman’ headlines might lead one to suppose. His glowing tan is offset by a bright yellow polo shirt and he sits way, way back in his chair holding your gaze all the while.
Accommodating and easy in his manner, you’d be hard-pressed to identify this individual as Oliver Stone – Controversial Filmmaker. That is, nevertheless, to whom we speak. Stone boasts a fearsomely uncompromising reputation as a screenwriter and director. Throughout the ‘80s when the post-classical frisson of counter-cultural Hollywood had fizzled and poachers died off or turned gamekeeper, only Stone kept the faith, authoring politically conscious cinema at a time when the Academy was honouring Driving Miss Daisy.
His screenplay for rapper’s favourite Scarface set the frenzied pace and ultra-violent tone that would later characterise his visual style. But Stone was too engaged with the world to become the new Brian De Palma. Salvador, his first major film as director, probed the gulf between the ideals of American foreign policy and realpolitik. Platoon, Wall Street, JFK and Nixon would further confirm his interest in micro and macro conspiracies and establish him as an outlaw auteur.
Though he’s now rueful about being stereotyped or “pinned like a butterfly”, he was a good sport about it, appearing as a conspiracy nut in Dave and Wild Palms.
“You know, I’ve never really regarded myself as a political filmmaker”, he tells me. “I consider myself a dramatist. I always get involved with people more than the politics. With the movie JFK, for example, the book by Jim Garrison had a lot of theory. I was more interested in making him part of that story. And Oswald fascinated me. If you watch that film it is really a trail of people played by great actors. Nixon, despite the whiff of conspiracy, is truly a psychological portrait of a man. Many people in the right wing thought it would be a hatchet job but I really made him apathetic. I refuse to be pigeon holed. I am not a political guy. I don’t go to rallies. I am not an activist. I don’t have the time because I’m busy being a writer.”
He may deny the role of agitator, but his opinions, both off and onscreen suggest otherwise. His most recent work in the documentary sector includes Persona Non Grata, an examination of the Israeli-Palestinian conflict, and two features about Cuban president Fidel Castro, Comandante and Looking for Fidel. (Stone has described himself as a friend and an admirer.)
He has, before now, referred to the events of September 11th as a ‘revolt’ and expressed an interest in the work of Richard Clarke, the former White House counter-terrorism advisor whose book Against All Enemies accuses the Bush administration of ignoring the al-Qaeda threat, then linking the group to Iraq, contrary to all evidence.
“We Vietnam vets, in particular, found it very difficult”, says Stone. “We had the backing of the world in Afghanistan. We were rounding up the main suspects. Then we go into Iraq with no support. Militarily, it was stupid. It was overreaching. And any American who travels can tell you how the rest of the world is resentful. What the hell are we doing in Iraq when the enemy was 4000 al-Qaeda fighters in Afghanistan?”
When it was announced last summer that Stone would direct World Trade Centre, a film focusing on ‘first response’ police officers trapped by the Twin Towers collapse, many eyebrows were raised. “To allow this poisoned and deranged mind… (to recreate 9/11) in the likeness of his vile fantasies is beyond obscene,” raged one conservative commentator. But World Trade Center, it transpires, is Stone’s least obvious work even by his own consistently innovative standards. The towers do not fall back and to the left. There is no grand plot or secret ruling elite. “This is not a political film in any sense”, insists Stone. “It harks back to Platoon in that respect. In Vietnam, we didn’t sit around talking about LBJ. And the truth is, I don’t think we can say for sure what happened during 9/11. We spent more investigating Bill Clinton’s blowjobs than the destruction of the World Trade Centre. Whatever was going on in the background, if you look at the forest through the trees, it seems to me that what has happened since is far worse than what happened that day. So the politics and conspiracies behind that day, whatever they may be, are not as relevant as where we are now.” Completely eschewing polemic, the movie instead offers a heartfelt portrait of ordinary fellows on the front line. Stone’s traditional constituency are, needless to say, horrified, and assorted doublespeak statements have been issued attacking World Trade Center as “non-conspiratorial lies.”
John Conner, a leading voice in the Christian branch of the 9/11 Truth Movement, went so far as to ask the following– “Was Stone used by the Illuminati as an unknowing pawn to whitewash the 9/11 conspiracy theories to the masses? Was he approached with the project and coerced into a commitment to occupy his time in attempts to thwart any other 9/11 angle from being used? Is Stone a pawn in the game? Perhaps Stone didn’t know at the time, and found out too late.”
Oddly, however, like Paul Greengrass’ United 93, Stone’s film has found champions from either end of America’s bipolar political spectrum, often the same folks who had previously dismissed him as a pinko malcontent. L. Brent Bozell III, the president of the conservative Media Research Center and founder of the Parents Television Council — a latter day Mary Whitehouse in trousers — called it “a masterpiece” and sent an e-mail message to 400,000 people saying, “Go see this film.” Cal Thomas, the right-wing syndicated columnist and contributor to The Last Word, wrote that it was “one of the greatest pro-American, pro-family, pro-faith, pro-male, flag-waving, God Bless America films you will ever see.”
“I just felt this was a great story dying to be told,” explains Stone. “It may not be like anything I have done before, but Heaven And Earth wasn’t like anything I had done before. Nor was U Turn or Natural Born Killers. I do jump around and each film is a different style. This isn’t like United 93 which was a brilliant piece of vérité. This is more like a classic John Ford, William Wyler or even Frank Capra film. Against tremendous odds this rescue takes place. This has the traditional Hollywood tropes of emotional connection to four main characters from the working class.
"I would love to bring Hollywood back to that, making films where people actually work for a living, not sit around making things happen with a remote control like that Adam Sandler film. Born On The Fourth Of July was blue-collar. So was Any Given Sunday. Although it’s about elite athletes, it was about work. They had to punish their bodies for their lifestyle.”
A marriage of disaster movie and combat zone drama, World Trade Centre follows Port Authority officers Sergeant John Mc Loughlin (Nicolas Cage) and Will Jimeno (Michael Pena) on a doomed rescue mission into the Twin Towers. On September 12th, they were among the last survivors to be pulled from the rubble. Though the original script by newcomer Andrea Berloff read like a relocation of Beckett’s Endgame, Stone has widened the remit to include the rescuers and the anxious wives at home. As a director noted for working within a decidedly masculine milieu, was it a challenge to represent domesticity, I wonder.
“Oh yes,” he admits. “That was a big challenge. On the surface this is a very simple story of catastrophe and rescue and heroism. But if you go beyond the cliché it is very fresh. Everything the rescuers did was dangerous. We assume rescues just happen, but it is hard work. These men really crawled into places where they thought they would die. It took hours to get them out. I tried to show some of that digging. But an even bigger cliché in these circumstances is the waiting housewife. Actually, it goes further than that. Each of these women died that day. They sit there as the hours pass and the only news is no survivors. You knew no one would come out of there. The buildings were so pancaked. So it was like death for them. I wanted to portray that. I wanted them smelling the sheets from the previous night where they had slept. Again it’s a cliché but the idea was to take the cliché and make it fresh.”
Another subplot concentrates on Staff Sergeant Dave Karnes (Michael Shannon) a Christian marine in Wilton, Connecticut, who watches events on TV and tells his colleagues that America is now at war. Once he decides that God wants him to go to New York he heads to Ground Zero with a flashlight and eventually hears the two cops in the debris. A postscript before the final credits informs us that Kearns has since served two tours of duty in Iraq.
“It’s a remarkable and weird story,” Stone admits. “But that’s how it happened. I also think Kearns represents a significant sector of the American population when he says, ‘We’re going to need some good men to avenge this’. For many people, revenge was their first thought.”
And there you have it. For all the pigeonholing as a conspiracy theorist, facts are of paramount importance to Stone. He spent two-and-a-half years researching JFK. He spent three years immersed in Persian history for the much-maligned Alexander. It was a labour of love and the ill-tempered critical reception seems to have cut to the quick.
“I’m a historical dramatist,” he explains. “I wasn’t a Kennedy assassination junkie at the time, nor was I a 9/11 junkie. But I love the past. It hurts when I read someone claiming that I’ve fabricated something. But then you make a film like Alexander and scholars say you have it right, but critics say it’s all wrong.”
Similarly, while Stone has been at pains to represent those involved in the World Trade Centre disaster as faithfully as possible, he has not been able to quell dissent completely. The widow of Dominick Pezzulo – a cop portrayed in the film - has accused Jimeno and McLoughlin of cashing in on the tragedy by selling their story to Paramount. There have also been mutterings about the film being too soon.
“I know,” nods Stone. “But I honestly think it is the right time. The Killing Fields was made five years after those events in Cambodia. During World War II, Hollywood made propaganda films. Casablanca, made in 1941, takes a very anti Nazi position even before we declared war. The Vietnam movies took longer to make, but life goes faster now. I would say to you the consequences of 9/11 are so bad that we better look back now and understand what happened on that day. When you leave it too long, events become mythologized. Watching Pearl Harbor, you’d think we won that battle. This is the epicentre of 9/11, but there are many stories that still need to be told.”
Though personal and more modest in scope than the $63 million budget might suggest, the director does hope that his intense focus on McLoughlin and Jimeno has a wider relevance.
“They did not have a clue as to what was happening,” he says. “They knew it was a terrorist attack but there was no discussion of politics. They’re cops. They are far more likely to talk about pop culture, whether it is Starsky And Hutch or GI Jane. It wasn’t Bergman down in that hole.
So I am not claiming this movie will answer all the questions. But let’s say you go to a psychiatrist and all your life you have been repressed because you were raped when you where 14. Perhaps the psychiatrist says, ‘Let’s go back to that day’. They make you remember that day and it changes all the defences you had built up. So perhaps by undoing the screw, the secret at the beginning, you can take some of the armour off.”
The events of 9/11 may be difficult to disentangle, but no more so than the filmmaker himself. Born in New York City to a Jewish father and Catholic mother, William Oliver Stone was raised Episcopalian by way of compromise. His parents divorced after his father, a conservative Republican, conducted various extra-marital affairs with family friends. Young Oliver spent much of his subsequent childhood in splendid isolation between private schools and five star hotels - ‘a cartoonish Little Lord Fauntleroy’ by his own account.
Still, Stone needs neither bullfighting nor marlin fishing to confirm his Hemingwayesque credentials as an artist. He attended Yale and dropped out twice before enlisting to fight as an Infantryman in Vietnam. Mixing with the lower orders and smoking pot soon transformed the spoiled youngster into a military hero. He was wounded twice in action and received the Bronze Star with ”V” device signifying valor for “extraordinary acts of courage under fire,” and the Purple Heart with one Oak Leaf Cluster.
Soon after the war, he was arrested at the US-Mexico border for possession of marijuana. His father bailed him out but the experience served to radicalise him. Later, meeting understandably embittered veterans such as Ron Kovic pushed Stone further to the left.
He has, however, wooed Hollywood despite the often overtly political nature of his films. He won his first Academy Award as the screenwriter of Midnight Express and has been further honoured for directing Platoon and Born On The Fourth Of July.
Now, after World Trade Centre, has attention and lavish praise from the likes of Bill O’Reilly turned his head? Not bloody likely.
“People are people,” he tells me. “I think people have to take care of themselves and their families first. But there are bigger questions now. The ecological movement want us to clean up, but how can that work when there is always the issue of jobs? It’s a very selfish world and avarice triumphs over the green imperative. After Katrina, there was a tremendous outpouring of help. That was also true when the tsunami hit Indonesia. People are very generous in America and there are some very fine Americans. Unfortunately, a lot of them don’t have passports. Most of them don’t know where Iraq is. And a lot think al Qaeda and Iraq are the same thing. There’s a problem with the education levels. American television keeps people trapped. The news is very superficial and mostly filled with advertisements and rapes and murders. If you travel in the country and you stay in the smaller places you find very limited resources. If America spent the same amount of money as we spend on embassies and CIA stations around the world on our major cities with the goal of helping bring those cities to a way of life that was democratic and economically viable, we would have a tremendous success in this country. Instead, we have an international presence and I don’t know if it is worth it. All we are doing is promoting a system which is now suspect all over the world. We have broken our constitution repeatedly since 2001.”
He smiles cynically.
“I don’t think pictures of soldiers pointing their naked dicks in Abu Ghraib has helped us at a local level either.”
He’s still got it.
-Tara Brady, “Stone cold sober,” HotPress, Sept 19 2006 [x]
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sagara-megumi · 7 years
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SasuSaku Month - Day 3: Chemistry || [Fanfic] Omiai
Title: Omiai
Rating: K+/PG
Notes: Today, they’re a bit long. First, I’d like to apologise for the delay, my modem stopped working early this morning and they couldn’t come to change it till a couple of hours ago.
Also, a word regarding Sakura. Though it must seem that she is a bit OOC in here (and maybe in the one before this), it is intentional. I wanted to make her like at the beginning of the manga, when Sakura is demure and charming in front of Sasuke to get his attention while her true feelings are voiced in her mind. Later on, as they get to know each other, you will see that she becomes more relaxed and open with her feelings when they're together. Unfortunately, Sasuke will continue to use a more polite language and be reserved a bit longer, since he's got no reason to be rude or angry with the world here ^^U
I’ve added a small glossary because this time I use a few Japanese words. Maybe you know them, so feel free to skip it :)
Words: 2834
Glossary:
omiai: traditional custom in which a woman and a man are introduced to each other to consider the possibility of marriage. There is a whole ritual behind it.
ryoukan:  a type of traditional Japanese inn usually providing meals as part of the stay. 
tokonoma: a built-in recessed space in a Japanese style reception room, in which items for artistic appreciation are displayed.
*The following three are part of swordmanship but different from each other:
kenjutsu:  the specific aspect of partnered sword training
battoujutsu:  the aspect focused upon the efficient draw of the sword, cutting down one's enemy, and returning the sword to its scabbard.
iaijutsu: Also the Japanese art of drawing the sword. It tends to be technically more complex and focuses on perfecting form.
jujutsu: the art of using indirect force as opposed to direct force. The art's aim is the ability to use an attacker's force against him or her, and counter-attack where they are weakest or least defended.
tsuru: crane.
.
OMIAI
The private room of the luxury ryoukan they had booked for the meeting was a Japanese style chamber exquisitely decorated with a low mahogany table, silk cushions and a beautiful scroll displaying a work of calligraphy on the tokonoma. The sunshine entered through the slightly opened sliding door at the back, which overlooked an elegant garden. The rhythmic sound of a bamboo fountain and the occasional murmur of the trees in the afternoon breeze gave the place a very relaxed atmosphere.
Exactly what she needed to remain calm.
Since morning Sakura had been so nervous that she had started to regret having agreed to the omiai. It not only meant meeting an unknown man with the prospect of marriage but also that each of her words and gestures would be scrutinised. A mistake and the reputation of the Haruno family would be torn to pieces. She had heard how a rumour had been the downfall of people in that world of theirs, and just for that reason she would have to behave like the lovely polite girl she had been brought up as. Even if deep inside she was dying to break something or punch the prospective candidate in the face, however handsome he was.
The had just sat down and were admiring the decoration when they heard steps on the corridor and the sliding door decorated with mountains and a river opened again with a soft sound and the other party entered the room accompanied by the go-between, an old friend of her grandmother.
Her eyes immediately fell on the young man who went in last. She had to admit that the real one was much better than the photo. Though she already had an idea, she was surprised to see he was even taller than she thought. He was dressed in a dark blue suit, a white shirt and a red and white thin-stripped tie. He displayed a natural elegance as he lowered himself on the cushion across from her and everybody nodded formally.
'Marry him! Don't be stupid and marry him! Imagine waking up to that hunk every morning! It mus-'
Lowering a bit her eyelids and noticing a faint blush warm her cheeks, she had to shut her loud inner voice to be able to focus on the meeting. Too much was on the line to let a moment of enthusiastic admiration ruin everything.
Right then, their eyes met and she thought she saw a spark of curiosity in his black pupils, probably in answer to the one that she was sure was in hers.
The ryokan's owner entered at that moment followed by a waitress and after some customary and warm words of greeting, she prepared some tea that was served with the utmost care.
After a few more words of courtesy and a bow, they retired, and as the old woman started to introduce them to each other, she side-glanced at him once again. Now she could see why his features seemed a bit feminine; he took after his mother. Uchiha Fugaku had hard sharp features, smaller eyes and his skin was a bit darker than his wife and son's. So, at least in one aspect he was a mama's boy. She tried to hide the small smile that drew across her lips as it was her turn to bow.
.
Her eyes were much more lively than in the photo.
That was the first thing Sasuke thought as he saw them lit, showing all her feelings one after the other. They had even turned a shadow darker, like emeralds, as he sat down opposite her. He felt the need to roll his eyes, too used to similar reactions from the women he had met in the past. She was wearing a cream coloured flowing skirt with small flowers in different shades of pink, a white lace blouse and a dark pink bolero with a black ribbon around the waist and a small bow at the front instead of a button, light clothes that made evident a muscular physique that the kimono had concealed. However, her slightly broad back and her strong arms did not make her less feminine. Her long hair was tied in an intricate braid which fell across her right shoulder, giving her a sweet demeanour.
After the introductions, their parents started a light conversation about their respective areas of expertise, some social events that they would attend and people they discovered were mutual acquaintances. They only answered with short replies to the occasional question directed at them or nodded in acquiescence when referred to. All was going according to an omiai meeting.
“We now should let the young man and lady on their own, don't you think?” the go-between said a few minutes later, as they were enjoying their tea. “The garden is a beautiful place to have a walk in such a nice afternoon...”
They took their cue to stand up and bowing lightly, went to the door, opening it. A light warm breeze passed by the room, bringing in the smells and sounds of the garden. They saw that their shoes, that they had left at the entrance of the building, had been carefully set for them on the steps that led from the porch to a gravel yard with rocks, plants and a bamboo fountain near the back, where there was a small group of water plants and Japanese iris. There was a path of perfectly rounded stones to walk to every corner of the spacious enclosure.
They made their way along it slowly, admiring the decoration in silence. Here and there, a small sparrow hopped near them in search for food. After a few moments, Sakura started to feel uneasy. He was supposed to be the one who spoke first but it seemed that he was not going to bother.
'Damn traditions...'
She stole a glance at him. He had his hands in the pockets of his trousers and was looking upwards at the sky. He gave the impression of being at ease there, without saying a word, but unfortunately, that was not how an omiai worked.
She remembered the photo and her first thoughts upon seeing his disinterested eyes. But since they were going through it anyway, at least, he could make an effort...
Well then, time to break the rules. She would take the initiative.
“So, um” he lowered his head to her but did not say anything, so she continued. “what do you do in your free time, Sasuke-san?”
For an unknown reason, he did not like the formal suffix attached to his name. It sounded... business-like and distant. Then, a voice echoing in the deep recesses of his mind called him.
'Sasuke-kun!'
The little girl from his kindergarten memories was smiling at him as they played in the sandbox, and he frowned, closing his eyes briefly, to shake the nostalgic feeling that she had brought with her.
“Free time, eh? Not that I have much of that, but I like to do sport, read and going to events related to art.”
Well, at least they had something in common. It was a good start.
“And what sports do you do?”
He shrugged.
“Mainly swordsmanship, I'm an expert in kenjutsu, battoujutsu and iaijutsu. Also, some martial arts, like jujutsu” a small cynical smile drew across his lips. “People like us have to know how to defend ourselves.”
'And that is why he has such wonderful anatomy' Sakura pressed her lips into a thin line as a sudden blush reddened her cheeks. 'Hey, I was talking from a doctor's point of view. I'm not a pervert...'
No, of course not.
Silence fell between them once more and she tried again after a few moments, when she noticed her face was not hot anymore.
“Do you live alone, or in the main house?”
“I have a flat in Shinjuku, relatively near the company, but some weekends and on holidays I return to the main house.”
There was a pause and Sakura strived to fill it.
“I live in the main house, but I'd like to have a place near the university. It's a bit inconvenient to come and go every day.”
He made a sound of acknowledgement and she looked to the other side, sighing a bit exasperated.
This was ridiculous, at least he could make an attempt. And to think that she had come with the prospect of having a good conversation.
How disappointing...
'How boring!'
“I'm sorry” his voice broke the silence. “I'm not good at conversations.”
She looked puzzled for a moment.
“But, you're the president of-”
“Casual conversations with strangers, I mean.”
'Ouch'
Yes, she agreed, that had hurt a bit. It had been too straight-forward, there were softer ways to imply that he preferred to be anywhere but there with her. She was feeling the same but she was not telling it to his face.
“Yes, I suppose you're right... It's an unusual situation for us...” then, she turned to him and laced her hands behind her. “But at least, we can try. Our families are expecting a lot from us, and we should reward their efforts, regardless the result.”
He stared at her for a few seconds before making a gesture of surrender.
“You're right.”
She nodded with a smile and started her way to a stone bench on the side that overlooked the garden, just under a gnarled pine tree.
“Do you know what medical speciality will you study?”
Her smile became wider and he instantly sensed he had asked the correct question. Even the atmosphere between them appeared to change a bit.
“I'm not sure yet, but I have two or three that I like: surgery, research... mental health is another field that makes me curious.”
She sat down on the bench and looked up. He was staring at her again with that curious spark in his pupils, as if he was intrigued by something.
Suddenly, she felt self-conscious. Had she done something wrong? Was there something weird in her appearance? Was her lipstick smudged?
“Is there something in my face?” she asked a bit embarrassed, lifting a hand to her cheek.
“No...” he did not show any sign of discomfort at being caught peering at her. “Excuse me for the strange question but, have we met before?”
'Really? A pick-up line? Come on, you were doing so well before!'
Sakura's outer reaction was just lifting a delicate eyebrow, and Sasuke cleared his throat, a bit uncomfortable.
“When I saw your photo, my first impression was that I had seen you, not recently but a long time ago...”
This time, his words had an unexpected effect.
“You too?” she had opened her eyes, surprised. “I got that feeling too, but in the end, I wasn't able to remember where... Maybe in a gathering or the birthday party of a common friend?”
“I... don't think so...” he frowned a bit in concentration. “But we can see if we have any.”
They named a few people of their close circle but none of them matched with their acquaintances.
She made a sound of disappointment.
“And before? Any music competition” he tried again.
“Do you play any instruments?” she asked, tilting her head slightly to the side, sounding interested.
“My older brother plays the violin and the viola, so I received lessons too, but the one I prefer is the flute.”
“I play the piano, and my grandmother insisted on me taking shamisen and koto lessons too... 'We have to maintain the traditions' she said” Sakura laughed a bit after imitating her grandmother's voice, but immediately caught herself and looked sideways at Sasuke, totally flustered.
He had a puzzled look on his face.
'Great, girl... Now you've done it...' her inner voice sounded much more sarcastic than ever. 'We agreed you'd do those things only in private, with only the two of us...'
“Um,” she said out loud, trying to continue the conversation to amend her slip-up. “I didn't participate in any concours, though I went to a few I was invited to. I suppose you did?”
He nodded but did not elaborate and, though she was curious, she thought it was not correct to pry. Then, they became silent once again.
There was only one more option, the one he had refused to acknowledge because he did not believe in mere coincidences, and if it was fate, it had a really weird sense of humour.
“And schools?” he asked quietly. “I mean, I know the ones you attended to by your personal history, but... did you go to kindergarten?”
“Um, yes,” the conversation was turning a bit strange, and she was disconcerted. “I went to KM International Pre-School.”
She saw his eyes widen a bit and instantaneously, his whole appearance seemed more relaxed, as if he had released a weight he had been carrying on his shoulders.
“I went there too, but in my last year only.”
“Really?” she opened her eyes, surprised, but immediately, a huge smile lit her features, one completely different from the polite ones she had shown him during the meeting, or the one in the photo. “Which class were you in?”
“In Class 3-3, the Tsuru Class I think it was called...”
“Yes!” she beamed, and then, she became pensive, tapping her index finger against her chin; suddenly, her eyes glistened with recognition and incredulity. “You're... Sasuke-kun?”
Suddenly, his heart missed a beat. It was almost the same, the name with an attached suffix, but just that small change had brought an unexpected warmth to his chest. He allowed himself a little smile of content.
She clapped her hands with pleasure while stretching her legs and high heel-clad feet, like a little girl.
“What a fantastic coincidence...”
He nodded.
“And now, we're partners in an omiai... How amusing!”
'Yes,everyday' he thought dejected. 'Itachi is going to be delighted when he knows... Gods, I won't hear the end of it...'
“I have very happy memories of that time” she looked at him with a bit shy expression.
“So have I.”
'You can't imagine what those meant to me...'
She straightened her posture, her eyes gleamed like precious stones and her cheeks became pink with excitement.
“I recall that you were one of Kakashi-sensei's favourites” he made a dismissing gesture and she had to bit her lip to avoid showing her mirth. “The poor man always had colds and had to wear a mask on hevery day.”
“And most of the time, he was late.”
“True,” she said with a laugh. “And remember when Kiba-kun brought a puppy to class? It caused quite a ruckus and Iruka-sensei was mad at the beginning but later, he took care of it while Kiba-kun was convincing his mother to adopt it.”
Sasuke nodded and breathed relaxed as she started to tell another story. It was a similar feeling to that time's, warm and comfortable, and he was starting to wish that it would never disappear, because outside, life was hectic and routine...
A small cough sounded behind them, interrupting her tale, and when they turned, the ryoukan's owner smiled politely to them from a few meters away.
“I hope you excuse me for interrupting your conversation, Sasuke-sama, Sakura-sama, but your parents are waiting for you in the hall...”
The happy bubble bursted. Time was up.
.
The goodbye pleasantries were brief and both families went into their cars, taking different routes at the gate of the ryoukan.
By the look on her parents' faces, Sasuke could say they were happy with the meeting. Her mother, an art lover, was excited as she told them about the invitation she had received to an informal gathering with some promising young traditional artists that the Haruno household acted as patron to. He smiled satisfied. Just for that sight, it had been worth it. he threw a quick glance towards his father. Though stern, as always, he looked pleased as he listened to his wife.
Good.
Then, Mikoto turned to him.
“I'm really glad you decided to take this opportunity, Sasuke. She's such a fine young lady...”
Well, he thought as he put his elbow on the edge of the window. She was definitely fine, and also interesting. It had been entertaining to see the different changes in her behaviour. He wondered how she truly was, without the expectatives of her kind and the pressure of her family on her shoulders. By the little glimpses he could get, a completely different woman. And in that moment, he knew that he would not mind seeing her again.
“What do you think, Sasuke?”
He turned and looked at them with an unreadable expression.
“It doesn't really matter, it's not in my hands, is it? It's her decision.”
THE END
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deadsculs · 7 years
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( » » tasks | 025 ; identity. )
“I am what happens when they turn good men into monsters.”
n a m e   m e a n i n g   —
Alexi
Rare romanization of Alexey. Alexey is a Russian and Bulgarian male first name deriving from the Greek Alexios (Αλέξιος), meaning "Defender", and thus of the same origin as the Latin Alexius.
Nikolayevich
Russian patronymic name, literal translation is “Son of Nikolai.” Nikolai is an East Slavic variant of the masculine name Nicholas, meaning "victory of the people."
Alexandrov
Alexandrov is a Slavic surname derived from the name Alexander and common in Bulgaria and Russia. The name Alexander is derived from the Greek Ἀλέξανδρος (Aléxandros), meaning "Defender of the people" or "Defending men" and also, "Protector of men", a compound of the verb ἀλέξειν alexein, "to ward off, to avert, to defend" and the noun ἀνήρ anēr, "man.”
a s t r o l o g i c a l   —
Birth date: April 10th, 1977
Star Sign: Aries
Element: Fire
Quality: Cardinal
Color: Red
Day: Tuesday
Ruler: Mars
Greatest compatibility: Leo, Sagittarius
Lucky Numbers: 1, 2, 8, 9
As the first sign in the zodiac, the presence of Aries almost always marks the beginning of something energetic and turbulent.They are continuously looking for dynamic, speed and competition. They are always first in everything - from work to social gatherings. Thanks to its ruling planet Mars, Aries is one of the most active zodiac signs. People born under the Aries sign, are meant to emphasize the search for answers to personal and metaphysical questions. This is the biggest feature of this incarnation.
Aries is a fire sign, just like Leo and Sagittarius. This means that it is in their nature to take action, sometimes before they think about it well. Their fiery ruler affects their excellent organizational skills, so you'll rarely meet an Aries who doesn't like to finish more things at once, often even before the lunch break! The challenges are increased when they are impatient, aggressive and vent anger on others.
Aries rules the head and leads with the head, often literally walking head first, leaning forwards for speed and focus. They are naturally brave and rarely afraid of trial and risk. They possess youthful strength and energy, regardless of age and they perform tasks in record time. By aligning with themselves they could achieve the best results.
Strengths: Courageous, determined, confident, enthusiastic, optimistic, honest, passionate
Weaknesses: Impatient, moody, short-tempered, impulsive, aggressive
Aries likes: Comfortable clothes, taking on leadership roles, physical challenges, individual sports
Aries dislikes: Inactivity, delays, work that does not use one's talents
Year of the Snake
In Chinese culture, the Snake is the most enigmatic animal among the twelve zodiac animals. People born in a year of the Snake are supposed to be the most intuitive.
Snakes tend to act according to their own judgments, even while remaining the most private and reticent. They are determined to accomplish their goals and hate to fail.
Snakes represent the symbol of wisdom. They are intelligent and wise. They are good at communication but say little. Snakes are usually regarded as great thinkers.
Snakes are materialistic and love keeping up with the Joneses. They love to posses the best of everything, but they have no patience for shopping.
Snake people prefer to work alone, therefore they are easily stressed. If they seem unusually stressed, it is best to allow them their own space and time to return to normal.
m y e r s   b r i g g s   —
“The Defender” ( ISFJ-T )
The Defender personality type is quite unique, as many of their qualities defy the definition of their individual traits. Though sensitive, Defenders have excellent analytical abilities; though reserved, they have well-developed people skills and robust social relationships; and though they are generally a conservative type, Defenders are often receptive to change and new ideas. As with so many things, people with the Defender personality type are more than the sum of their parts, and it is the way they use these strengths that defines who they are.
Defenders are true altruists, meeting kindness with kindness-in-excess and engaging the work and people they believe in with enthusiasm and generosity.
There’s hardly a better type to make up such a large proportion of the population, nearly 13%. Combining the best of tradition and the desire to do good, Defenders are found in lines of work with a sense of history behind them, such as medicine, academics and charitable social work.
e n n e g r a m   —
Type Six ( The Loyalist )
Until they can get in touch with their own inner guidance, Sixes are like a ping-pong ball that is constantly shuttling back and forth between whatever influence is hitting the hardest in any given moment. Because of this reactivity, no matter what we say about Sixes, the opposite is often also as true. They are both strong and weak, fearful and courageous, trusting and distrusting, defenders and provokers, sweet and sour, aggressive and passive, bullies and weaklings, on the defensive and on the offensive, thinkers and doers, group people and soloists, believers and doubters, cooperative and obstructionistic, tender and mean, generous and petty—and on and on. It is the contradictory picture that is the characteristic “fingerprint” of Sixes, the fact that they are a bundle of opposites.
Basic Fear: Of being without support and guidance
Basic Desire: To have security and support
c h a r a c t e r   a l i g n m e n t   —
Neutral Good
Characters of neutral good alignment believe that there must be some regulation in combination with freedoms if the best is to be brought to the world--the most beneficial conditions for living things in general and intelligent people in particular. Characters of this alignment see the cosmos as a place where law and chaos are merely tools to use in bringing life, happiness, and prosperity to all deserving people. Order is not good unless it brings this to all; neither is randomness and total freedom desirable if it does not bring such good.
Neutral goods value both personal freedom and adherence to laws. They feel that too many laws may unnecessarily restrict the freedom of good beings. They also believe that too much freedom may not protect society as a whole and encourage counterproductive divisions and in-fighting. They promote governments which hold broad powers, but do not interfere in the day-to-day lives of their citizens.
These characters value life and freedom above all else, and despise those who would deprive others of them. Neutral good characters sometimes find themselves forced to work beyond the law, yet for the law, and the greater good of the people. They are not vicious or vindictive, but are people driven to right injustice. Neutral good characters always attempt to work within the law whenever possible, however.
To a neutral good person, life and the assurance of other people’s rights take precedence over all else. This is not to say that this character will have an aversion to taking another's life when faced with a choice between an attacker's and his own, however. Neither numbers nor individual concerns have any bearing on decisions regarding the needs and rights of any given peoples. In other words, in the view of a neutral good person, rarely will either the needs of the many or the personal desires of an individual outweigh the needs of any other person. All life is given even-handed treatment. As with all alignments neutral with respect to law and chaos, self-reliance is a cornerstone of a neutral good being's personality. In a crunch, neutral good characters trust in themselves and in no other individual or group. This doesn't mean they can't make friends and develop trusting relationships with others, however. Neutral good beings aren't normally as independent as chaotic good beings, and they can cooperate in groups. But they won't always trust a group to be more effective than they could be themselves.
A neutral good character will keep his word to those who are not evil and will lie only to evil-doers. He will never attack an unarmed foe and will never harm an innocent. He will not use torture to extract information or for pleasure. He will never kill for pleasure, only in self-defense or in the defense of others. A neutral good character will never use poison. He will help those in need and works well alone or in a group. He responds well to higher authority until that authority attempts to use the law to hamper his ability to do good. He is trustful of organizations as long as they serve his utilitarian purpose. He will follow the law unless more good can come from breaking the law. He will never betray a family member, comrade, or friend. Neutral good characters are indifferent to the concepts of self-discipline and honor, finding them useful only if they promote goodness.
t h e   f o u r   t e m p e r a m e n t s   —
Melancholic
Your temperament is melancholic. The melancholic temperament is fundamentally introverted and thoughtful. Melancholic people often were perceived as very (or overly) pondering and considerate, getting rather worried when they could not be on time for events. Melancholics can be highly creative in activities such as poetry and art - and can become preoccupied with the tragedy and cruelty in the world. Often they are perfectionists. They are self-reliant and independent; one negative part of being a melancholic is that they can get so involved in what they are doing they forget to think of others.
e x t r a s   —
Hogwarts house: None, attended Durmstrang. Might have been sorted as Gryffindor.
Ilvermony house: Unknown, possibly Wampus.
Divergent faction: Dauntless
Hunger Games district: District 2
French Republican Calendar: Judas Tree
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