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#idk my friend wanted me to post this

inkskinned · 10 months

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it is all chaos and entropy. the thing is that the chaos and entropy make it beautiful and lovely.

yes, it's true that nature and the universe are uncaring and unspecific, and that is terrifying. i have lived through some of the unfairness - i got born like this, with my body caving into itself, with this ironic love of dance when i sometimes can't stand up for longer than 15 minutes. i am a poet with hands that are slowly shutting down - i can't hold a pen some days. recently i found a dead bird on our front porch. she had no visible injuries. she had just died, the way things die sometimes.

it is also true that nature and the universe are uncaring and unspecific, and that is wonderful. the sheer happenstance that makes rain turn into a rainbow. the impossible coincidence of finding your best friend. i have made so many mistakes and i have let myself down and i have harmed other people by accident. nature moves anyway. on the worst day of my life she delivers me an orange juice sunset, as if she is saying try again tomorrow.

how vast and unknowing the universe! how small we are! isn't that lovely. the universe has given us flowers and harp strings and the shape of clouds. how massive our lives are in comparison to a grasshopper. the world so bright, still undiscovered. even after 30 years of being on this earth, i learned about a new type of animal today: the dhole.

chance echoing in my life like a harmony between two people talking. do you think you and i, living in different worlds but connected through the internet - do you think we've ever seen the same butterfly? they migrate thousands of miles. it's possible, right?

how beautiful the ways we fill the vastness of space. i love that when large amounts of people are applauding in a room, they all start clapping at the same time. i love that the ocean reminds us of our mother's heartbeat. i love that out of all the colors, chlorophyll chose green. i love the coincidences. i love the places where science says i don't know, but it just happens.

"the universe doesn't care about you!" oh, i know. that's okay. i care about the universe. i will put my big stupid heart out into it and watch the universe feast on it. it is not painful. it is strange - the more love you pour into the unfeeling world, the more it feels the world loves you in return. i know it's confirmation bias. i think i'm okay if my proof of kindness is just my own body and my own spirit.

i buried the bird from our porch deep in the woods. that same day, an old friend reaches out to me and says i miss you. wherever you go, no matter how bad it gets - you try to do good.

#writeblr #warm up #i can't write rn but i have SO much words in here bc im reading the chorus of dragons books #(just started book 4)#and this woman's writing is just LIVING in my brain. let me out!!!#(i read roughly like 2-4 books a week usually bc i go on long walks with my dog but when a book is REALLY good like. it eats my life. )#anyway ...... so like here's a story that idk i've tried to explain to other people as being wild #but maybe im the only one who thinks it is wild???#so i play pokemon go (i just started in jan) bc i love pokemon and as i have mentioned i walk goblin for like an hour in the morning #and i don't like a lot of fitness trackers due to the fact it makes me .sad. but i also wanted the little digital rewards. enter pokemon go #anyway so they make you make friends to complete quests. so i used a reddit thread. i do not usually use reddit. i don't have an acct #i lurked. i just googled like ''pokemon go reddit '' and randomly added a bunch of numbers #i was on that page for all of 15 minutes. there are THOUSANDS of responses on that page.#here's what's wild: in that group of people. even though i am not on reddit and it was one random event once #it turns out one of those people lives in the town i live in. or at least very close. i only know this because #when we send each other gifts. it's from the same freaking area.#i can't ask them to meet up bc pokemon go doesn't have a messaging app lol but like . what are the fucking chances that #a random person posts in a random reddit thread and HAPPENS to get added by someone ELSE from their SAME TOWN #who by pure fucking CHANCE is ALSO playing pokemon go and looking for friends #i googled it there's only 42000 people in my broad region. the .......... smallness ! of the world!!!

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sovereignbryce · 2 days

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finally got around to drawing some hermits and i just had to start with the trio!!!

tried to keep things pretty simple and had fun with shapes. tango is definitely my favorite to draw lol

#post #artsies #hermitcraft #hermitblr #tangotek #impulsesv #skizzleman #mcskizzleman #if anyone wants to color these be my guest just lmk and @ me #i might try to color them at some point but digital art has not been my friend recently #so i’m back to good old pencil and paper #also idk the hermit tags forgive me and tell me what’s right

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beanghostprincess · 2 months

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Luffy not knowing about Zoro promising Sanji to kill him if he ever ends up losing himself makes me go feral because that's something they can only know about. Because Zoro's respect for life and death goes beyond anything, and Sanji knows he understands. Sanji knows that if somebody has to kill him, it's him.

And I don't even think it's because Sanji assumes Zoro's opinion of him is hatred and it would hurt less for him to do this, but because Sanji knows only Zoro would be able to treat the promise as it is. Because he would put Sanji's wishes before any feelings he has for him. It's not that Zoro doesn't care, but I think he respects people's ideals and decisions to the extent of being able to kill Sanji if he so desires.

That being said, he'd do it if there's no other way to fix it. If it's either dying or living as an emotionless machine, which is the same as dying for Sanji, Zoro would fulfill his promise. And there is just... Something about Luffy not knowing. Their captain. The man they're devoted to the most as if he were their God. Luffy doesn't know. It's something only the captain's wings are aware of and the thought of these two keeping this from Luffy until the end is just insane. Not even trying to make it romantic here, but the bond and respect these two have for each other is crazy.

Maybe it's the poetry of it all, too. Somebody like Zoro, who has looked at Death in her face multiple times and said "no", ending Sanji's life, who wants to give in to death to not experience a fate worse than death for him.

#bean posting zosan this is so rare and weird don't get used to it sweeties #kind of tired of people jumping to extremes with these two btw like-#they don't hate each others but they're also not best friends-- respect is something they value even more than those things #they're not good for my mental health they make me go insane #this wasn't meant to be in a shippy way but idk if you wanna see it as romantic you do you bc it could def be #it depends on my mood #i consider myself a zosan shippers on random days #you could also say sanji thinks zoro doesn't give a fuck about him and that's why he tells him bc we know this guy's self-worth is awful #but i also like to think it's because zoro's views on life and death are exactly what sanji needs #luffy would try to look for a way to fix this and they others wouldn't be able to do it tbh #i mean if it ever got too serious i think luffy could do it but do you really think sanji's gonna make him go through that #if zoro has to die he wants to die by luffy's hand but if sanji has to die he wants to die without involving their captain #idk if that makes sense okay i haven't slept at all tbf #one piece #black leg sanji #roronoa zoro #zosan

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relaxxattack · 7 months

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every time someone calls moirallegience just an alien qpr i wilt a lil like YEAH thats more or less the CLOSEST human thing but its also Literally Not That. like a qpr is fundanmentally not romantic and thats not even going into moirails whole Actual Purpose of calming ppl down. its just. aughhhhh pisses me off i see the confusion but, as aformentioned, aughhhhh

OH MY GOD THIS HAS BEEN BOTHERING ME TOO.... but i don't want to get petty at the people in my notes always saying "moirails are QPRs!" because in some ways that is the closest human thing so it's hard to be mad...

i think there's definitely some overlap in some ways. but NOT because moirallegiance and qprs are the same at all really, but INSTEAD because both relationships have unconventional boundaries defined by the people within them.

you know... like every relationship.

like the only reason the two have overlap is because they are both partnerships that emotionally care for each other but can choose to not bang (which is true for any romance anyway, even if it's considered abnormal). they're both just romances* that are unconventional to human norms, which makes people view them as the same thing when they're not.

i think the REAL issue here is that humans insist on using human words to understand things that are just, fundamentally, alien. can't we just appreciate alien romance for being... alien romance?

no, it's not platonic, it's romantic. it's just romantic in a way you aren't quite wired to understand, is all.

*in generalization, most QPRs are not romantic, because they are made up of aroaces who are life partners in a non-romantic way. however i want to disagree with you that none of them are romantic, because that is up to the partners in question.

#quadrants #homestuck #moirallegiance #BEEN THINKING ABOUT THIS FOR SO LONG OMG THANK YOU FOR THE ASK #its just i USED to think they were the same #and then recently i kept getting pissy when people said they were the same so i was like. okay let's unpack this #what's the overlap here and what's the differences?#and really people THINK theyre the same because they think theyre both like. 'im gonna platonically marry my friend!' ^w^#(which is obviously not actually what either of them are like. lol)#when REALLY what they have in common is 'hey you're a person i want to have a committed partnership. but potentially not sex or tradition'#and it's not really fair to compare them because they come from totally different places and have totally different standards #QPR was created as an ALTERNATIVE to allonorms. its about saying 'hey lets make up our own rules. my life partner can be platonic if i want #whereas moirallegiance IS a norm and its not counter any culture. it's just 'trolls have biological romantic feelings/needs in This way.'#idk idk how to explain it any further because ive spent a fucking hour on this post and i have a massive headache so feel free to ask me--#more specific questions if the shit i said here doesnt make any sense (；￣ー￣)..#<- wow haha the troll fictive autism really jumped out with this post huh. whoops #hsmeta #long post #op

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oceanwithouthermoon · 2 months

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ive never liked powerless saiki aus because the entire conclusion of the series is him accepting his powers as being a part of him that he cant change so like.. in aus where the power remover works, half of his development is erased..

if he had been "powerless" for longer, we wouldve gotten to see him realize this himself and im genuinely sad that we didnt.. we got to see him realize that being powerless wasnt the change he wished it would be and that its something he cant change, but its literally over a two day long period and we miss out on sooo much potential development..

and then in aus where hes born powerless, people think he would have the exact personality and development that he THOUGHT he would if he got rid of/didnt have his powers, like NO ? "without powers he would be another satou-" NO he would be a shy, borderline flamboyant, weird, awkward, genius LOSER.

he would have a more normal relationship with his brother (still probably competitive but in a way more average sibling way and kusuke wouldnt have had the motivation to become so murderous) and he would probably be even more friendless but with less trauma.. he may or may not have ever befriended akechi at all, and the classroom incident wouldnt have happened.. even some of his current friends might not be around if not for coincidences due to his powers or direct involvement from his powers.. (nendo and kaido would for sure still be there though, but this only ensures the idea that he would be the biggest fcking loser ever)

he would still be saiki, but. his powers are a key part of him. he would be totally different without them, but NOT in the way he thinks he would..

#also realistically he would be just as much of a stubborn asshole tsundere without his powers cmon #like yea his anxiety might present itself more as shyness than it does in canon him #but hes still an awkward stubborn asshole tsundere like thats just who the guy is #hes extra shy and maybe extra cute without his abilities to make people not find him cute #and is also like extremely ditzy and clumsy like he is in canon but its more visible to people because he doesnt have the powers to hide it #idk the point is his little quirks he thinks he wouldnt have would still be there but he wouldnt have the same faux justifications for them #need canon saiki to see an alternate universe him where he was born powerless #and hes like 'wow im going to see my ideal average me!'#and then au him is some super quirky ditzy clumsy kid with severe anxiety and also dysphoria #and he doesnt have powers to avoid being bullied like we see him do multiple times #this guy doesnt realize he will always be a loser no matter what #he loses key parts of himself and doesnt even realize that a lot of the parts left behind are still parts of himself that he hates #i know a lot of people think he would be much less jaded powerless which i get but #a lot of aspects of his personality that have less to do with his powers are a lot of the parts that he doesnt like and gets made fun of fo #so he would probably only be slightly less jaded and his awkwardness would just weigh it out a little more #though its hard to pinpoint exactly which aspects of him are only due to his powers #a lot of them are but i personally think those specific key personality traits would remain #anyway i would love to see what his relationship with his family would be like if he was born powerless #and i want to know who his friends would be #saiki k #tdlosk #the disastrous life of saiki k.#saiki kusuo #meows post

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carnivalcarriondiscarded · 2 months

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ON THE TOPIC OF BARNABY. as well as his relationship with Wally.

So. To kick this off - Riv (@funonion) and I were Speculating, and they introduced me to the johari window:

They put Barnaby in the “facade” section, and I entirely agree. To quote them;

“So he’s Wally’s guide, right? He’s the “knowledgeable” one of the two and is always the one teaching him new things. And you know, it’s one thing if you’re just teaching him how to laugh or how to tell a joke. But.

Clown has given us two doors. One says that Barnaby understands Wally in a way the rest of the neighborhood doesn’t, and is willing to do his dirty work so to speak. The other says that their friendship was not a natural occurring thing and had to be enforced repeatedly within the show. HOW THAT’S BEING ENFORCED IS ANOTHER THING ENTIRELY but it is worth it to note.

What is Barnaby willing to keep? What is he willing to bury for his little buddy? I can’t say anything definitively yet, but the fact that I even have to ask is telling. The class clown archetype is usually used as a way to cover up for something else a character might be experiencing”

And my response, (I won’t directly quote because I have little things in the phrasing & elaboration to add / tweak );

Barnaby being a Comic Relief Character immediately raised so many alarms in my head. I love comic relief characters. They’re always so fucked up in one way or another, and Barnaby is almost certainly SO inauthentic. He’s wearing a comedy mask just as opaque as Wally’s own mask. In everything we’ve seen about him so far he’s either Teaching Wally, wisecracking/joking, or… pretty much nothing else. We got that moment of concern in audio 14-14, but that doesn’t reveal anything beyond genuine care for Wally.

Comedic characters have the best disguises. Their poker faces & ability to deflect is always top tier [and practiced], and just look at comedy-focused actors and entertainers - so many of them have severe issues, either with their mental health or life. From what i’ve observed both in that aspect & with fictional characters, they play it off & work hard to entertain/deflect [one in the same] right up until the end. Sometimes it’s a coping mechanism. Usually it’s both. If they laugh loud enough and make people think they’re lighthearted fools w/ nothing underneath, no one will look any deeper and thus they’re “safe”.

& I’m a little suspicious that Barnaby’s red/orange/yellow spots aren’t naturally those colors. While yes, he could be (in-universe) designed that way to echo Ms. Beagle, there’s a strong possibility that that’s not it. What if he paints them to feel a connection to her, or it’s a physical manifestation of Barnaby covering up his insecurities/issues - what if it’s part of him striving to convince the world that he is what he paints himself as.

The laidback funnyguy with a loving mom and not a problem in the world.

And I mean, Barnaby claims to be a natural blue and I believe him! But the other colors? I’m doubtful

(I was going to include the Cast As Lil Kids Designs in this since Barnaby has all blue spots, but given how early in 2021 it was posted and how there seem to be little discrepancies from the ~official~ designs, I don’t want to provide it as evidence.)

& on the topic of Wally and Barnaby’s relationship being both real and not - disclaimer, this conversation happened before my Updated Thoughts On Them post, so there may be some minor rephrasing here from what I originally said - I’m sure that the relationship started out as inauthentic. Wally was assigned Barnaby as a best friend and technically vice versa, but I don’t doubt for a second that it became real to some extent. Clown wouldn’t treat their relationship outside of “canon” WH stuff the way that he does if they weren’t actually friends. They’ve said that Wally & Barnaby would be friends in every universe (which melts my heart <3 platonic soulmates my beloved <3), so then I have to agree with Riv. what WILL Barnaby do for Wally? I touched on this in the Milk Theory, but especially if Barnaby prides himself on “knowing Wally better than anything else”, what would Barn do to preserve that?

This relates to another conversation we had - Barnaby possibly having abandonment issues. It’s such a choice to have him of all characters be explicitly stated as an orphan. That and while every other Neighbor with a mentioned family have a somewhat large one (Howdy and his gajillion relatives, Julie and her three siblings, Poppy and her crowded tree [note: Eddie has a mentioned mother, but that info is tenuous and who knows if there are other Dears]), Barnaby has also explicitly stated that Ms. Beagle is his only family. That’s it. And farm life can’t be a sociable way to grow up, not with all the chores he must have had and how rural he might have grown up. Barnaby jokes that Home is the “Big Apple”, which could just be a joke - but jokes often come from a place of truth, and Home might be the most populated area Barnaby has lived in. Who’s to say!

Either way, Barnaby was orphaned one way or another, and I don’t doubt that it weighs on him. Especially if his birth parents really did abandon him. That added to a possible life of loneliness… I wonder if he’s latched onto Wally emotionally, which would hit all the painful places if it turns out that my “Barnaby is more attached to Wally than Wally is to Barnaby” theory has merit. Abandonment issues could also strongly back the apparent walls he’s plastered over with circus tent fabric

Back to Barnaby & Wally: the fact that, at present, Barnaby and Wally seem to have the best disguises / strongest masks. That. looking at 14-14, i suspect that Barnaby is excellent at keeping his up, but as soon as Wally’s mask cracks, so does Barnaby’s.

And then there’s the side of their dynamic that we could look at - it seems to be a very multifaceted relationship. The way that Barnaby genuinely cares yet in the 00 Halloween audio Wally was left off to the side and Barnaby was just “checking on him” while socializing (then again, this could be part of Barnaby understanding Wally & respecting his space / Wally wanting a break from that socialization). Barnaby is patient with Wally and yet he seems to sometimes treat Wally as his sidekick / let him fade into the background and yet Barnaby kept checking in on Wally during the 14 bug audios (this last one I could tie into the abandonment issues theory).

Then there’s how Barnaby calls Wally kid & can tend to treat him like one despite both of them being in the same age group. The way that all of this could, in a way, relate to the infantilization of autistic people (no matter how well-meaning or unintentional) & internalized ableism.

Note: Riv pointed out that Barnaby does seem to be doing the best with what he has, and that this can connect to the Johari Window’s blind spot / unknown.

I do agree with this wholeheartedly! And I have to mention that - and making a Very educated guess here - the interactions we’ve seen take place in the very late 60s / very early 70s, so Barnaby’s behavior towards Wally is actually pretty fucking stellar given the time period. We can’t expect him to be perfect or do everything / say everything right. That would be boring I think! And one thing I deeply appreciate about the Neighbors & their dynamics is that they feel like real layered people, not cardboard cutouts being perfect caricatures of what people are “supposed” to be like.

Riv also presented this:

We likely are going to reach a point where Wally asks Barnaby something that he can’t / doesn’t want to / won’t answer. And like.. Ok. This is a slight tangent but I swear it’s related! When I first discovered WH and learned the Wally basics, I wondered two things.

Are we going to watch Wally “discover” new emotions? Because he certainly has them. Clown has said that Wally only ever feels happy, and a lot of people took that to mean that Wally can’t feel anything else. I don’t think we should take that answer at face value, because. I mean. Look at the project & creator we’re talking about. Layers, guys. Indirect direct answers. I think that Clown meant that Wally only ever feels happy in the Neighborhood because he has no reason to feel any negative emotion. Everything is as it should be. Until it isn’t - and I think that’s where he’s going to have to struggle with new emotions as he encounters them through new situations/events unfolding as the “story” starts to deteriorate. We’ve actually seen this a little bit - in Wally’s record audios (i believe the chronological second to last?), the way he says “Let Me In” so insistently. That’s definitely not a positive emotion being expressed.

How will the topic of death be handled - because it will be handled, it’s stated in the project warnings. I was wondering this even before I read the list, because I was presented with a blank slate puppet character and so went “oh fuck, this dude doesn’t know about death, does he?” Obviously I wanted to know how that would go. I want to know how it Will go!

How would Barnaby explain emotions that Wally doesn’t know how to convey? How would Barnaby explain death in a way that Wally would understand - given that Barnaby (& all the Neighbors sans Wally) knows what death is - and would Barnaby be willing to explain such a thing? I have a feeling we may find out.

And in a way, I suspect that if none of them know, Wally will find out himself and have to process it without help. But then again, how can something die if it was never really alive in the first place? Unless the death warning relates to human characters… I’m currently assuming it relates to both humans and puppets.

In conclusion: Barnaby has a carefully fabricated facade, he's doing the best with what he has but it likely won't be enough, and uh. shits fucked!

#AGH I HOPE IM PUTTING THESE POSTS TOGETHER CORRECTLY.#I HAVE TWO DAYS TO WRITE AND POST THEM ALL #but anyway another thing i was wondering in relation to barnaby & wally having an imbalanced relationship was #the possibility of:#howdy < barnaby < wally < home #as in the <[x] character is more important to the [y]< character than [y] is to [x]#because howdy does seem to like barnaby a whole hell of a lot but we don't know if barnaby feels so strongly back #idk. i feel like i might be seeing a little domino line being set up here. and im Nervous <3 #what happens if the first domino falls? who will it be? how hard will it fall.#who's to say if that has any merit i just wanted to mention it! its intriguing to me #(& to be clear since im aware of my laughingstock rep - im not talkin about shippy dominoes)#(i take off the shipping goggles for analysis. howdy can fully cherish barn as a Friend while still being [y]<)#homebogging #welcome home speculation #wh speculation #i feel like i have more in my brain but. im dealing with minor flu symptoms and im exhausted <3 #today was a Lot <3 #so i'll queue this for around 10 & hopefully I'll be awake & with the next post written for you guys!

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wavesoutbeingtossed · 3 months

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Screaming from the crypt (or how the past haunts the present on Midnights)

I know it's been discussed so much since Midnights came out but just.

I love how there is such a clear narrative throughout the album (and perhaps especially on the 3am/Vault tracks). About questioning and regret and choices and coming to terms with all of it. It is one long story about how we're all a mosaic of the choices we make, each one taking something from us and leaving something else in its place.

(And now a disclaimer: I'm looking at this mostly through a narrator/subject lens, and trying not to dive too deeply into real-life events or speculation except for in a general sense. For this purpose I like to look at the body of work as art, like literature, because I find it makes it easier to see the common threads in the different songs and cohesion in the narrative.)

In looking at the 3am+ tracks in particular, it's fascinating how some turns of phrases or themes repeat themselves in different songs, in different contexts. (I'm only focusing on the non-standard tracks because there are too many songs and I'd be here all day but I bet I could do a part two lol.) I know many people have pointed out the parallels throughout her discography already and I’m not saying anything groundbreaking by writing this, but I love how these parallels run through in the same album, because it makes it seem like it's one long story, or at least, one long rumination on many different stories that are coalescing into a single narrative.

Battle (let’s go)

For instance, the one that jumped out at me when I started writing this post the other week was, "Tore your banners down, took the battle underground," in The Great War and "If clarity's in death, then why won't this die? Years of tearing down our banners, you and I," in Would've, Could've Should've. It's a story about staying stuck in the same cycle of reliving trauma and coping mechanisms and bad habits over and over again and fantasizing about how taking the “antagonist” out and gaining the upper hand for good would bring closure (WCS), but the truth is that nothing ever will. All that cycle does, though, is repeat itself in other situations, and in this case pushes someone away the narrator cares for (TGW). The difference is that the imagined battle in WCS is a two-way street in her mind (that is ultimately unwinnable because it was never a fair fight), but in TGW it's one-sided -- she's the one fighting dirty, taking shots, the way she'd been doing in her imagination (or nightmares) all these years. But the person in front of her isn't fighting back the way the person in her mind in WCS would, because their intentions are honourable instead of exploitative.

And that's paralleled in another pair of lyrics from the two songs, "And maybe it's the past talking, screaming from the crypt, telling me to punish you for things you never did," (in TGW) and "The tomb won't close, I fight with you in my sleep," (in WCS). In both cases, the funeral imagery makes it seem like this past event should be dead and buried in WCS, but it keeps rising from the dead, haunting her no matter what she does and in TGW, another (or perhaps the same?) tomb that won't close keeps unleashing new ways to hurt her and in turn the new person in her life. In other words, the trauma from the past continues to bleed into the present.

(Again from a literary point of view, I'm not saying the events of the two songs are linked IRL, but they're fascinating textual parallels on the album as a string of chapters, which is why Dear Reader is so compelling, but that's a whole other essay.)

To keep the battle motif going, there’s yet another parallel, this time between TGW’s "[You were a] soldier down on that icy ground, looked up at me with honor and truth," and You’re Losing Me’s "All I did was bleed as I tried to be the bravest soldier, fighting in only your army.” In the former, the subject is laying down his armour in the war she’s projecting onto him, waving the white flag, and she realizes that she’s about to destroy something if she doesn’t put her sword down too. By the time we get to YLM, the roles are almost reversed; at the very least they’re supposed to be on the same team, but in this case she’s doing all the heavy lifting, fighting for their relationship in contrast to his apathy killing it. It’s also pretty interesting (if not outright intentional) that one of the 3am+ editions of the albums starts with The Great War, where they find themselves in conflict (even if it’s in her head) that ends in a truce, and ends with You’re Losing Me signalling the end of the relationship, evidence that the resolution in the first song wasn’t an ending but merely a ceasefire before the last battle.

Putting the rest under a cut because this is waaaaay too long now ⤵️

(There’s also another metaphor there in The Great War with its battle imagery: World War I, aka The Great War, was supposed to be the war to end all wars, because loss on its scale was never seen before and when it ended, most thought never again would the world embroil itself in such battle, the horrors and implications were so devastating. Two decades later, the world found itself in WWII, with an even larger scope and more horrific consequences, the intervening time between the two a period of festering conflicts and resentment leading to some of the worst acts the world would see. Bringing real life into it for a second, there’s something a little poetic, though sad, about The Great War the song being about a fight that could have ended the relationship that they ultimately resolved and was meant to be evidence of the strength of their love, but so too did it end up being a period of détente, the greater battle coming for them years later. But that is not the point of this post.)

If one thing had been different

Another major theme in these editions is pondering the "what ifs?" of life, but I think it takes on even more significance in the broader context of the album in the lyrics of "I'm never gonna meet what could've been, would've been, should've been you," in Bigger than the Whole Sky and the repetition of would've/could've in Would've, Could've, Should've (I would've looked away at the first glance, I would've stayed on my knees, I would've gone along with the righteous, I could've gone on as I was, would've could've should've if I'd only played it safe, etc.) In both songs, the narrator is mourning an alternate course their life could have taken* and questioning what they could have done differently, in the aftermath of trauma and loss, and the regret that comes with that loss, and with the loss of agency in the situation because ultimately it was never in their hands. In an album full of questions, wondering about the path not taken, or the forks in the road that have led to a different version of your life, it's digging deeper into the contrast of choice vs. fate, action vs. reaction, dwelling on the past vs. moving on. When you're supposed to let go of the past, what do you do when it is holding your future hostage?

(*I know there are different interpretations/speculation about BTTWS which I am not getting into on main. I'm just saying that whatever the song is about, it's grieving something that never came to be. The literal origin of the song is less important to the album than the sense of loss it portrays. Whatever the inspiration is, it's crafted to tell part of the story of Midnights of ruminating over how, to borrow from her previous work, if one thing had been different, would everything be different?)

(Also I was today years old when I realized that the words are inverted in the two songs. Apparently I've been hearing BTTWS wrong this whole time.)

There's also an interesting tangent in the role of faith in both songs: in WCS, the events of the story cause her to lose her faith (e.g. "All I used to do was pray," "you're a crisis of my faith,") and question all the things she felt had been unquestionable until that point in her life (e.g. "I could have gone along with the righteous"), whereas in BTTWS, she questions whether that very lack of faith is to blame for the loss in that song ("did some force take you because I didn't pray? [...] It's not meant to be, so I'll say words I don't believe"). It's like pinpointing the moment her life changed and upended her beliefs (WCS), but as a result then leaving her unmoored in times of crisis because ultimately there's no explanation or comfort to be taken from what she used to hold true before that (BTTWS). The words she once relied upon to guide her have long since lost their meaning, but in times of trouble it leaves her wondering if that faith she once held then lost could have prevented this pain.

(Shoutout to WCS for being Catholic guilt personified lol.)

To keep on with the vaguely faith-y notions, an obvious parallel is the line in Would’ve Could’ve Should’ve about, “I damn sure never would've danced with the devil at nineteen,” and, "When you aim at the devil, make sure you don't miss," in Dear Reader. All of WCS is about her fighting with an antagonist who haunts her, with whom she wholly regrets ever becoming involved. DR could be seen as a reflection on that fall from grace, warning the audience that if you choose to go after the person (or thing) haunting you, make sure you do so clearheaded enough to be decisive. Again, these “devils” may not be related in real life: the IRL devil in DR could be speaking about her naysayers, or Kim*ye, or Scott & Scooter B, etc., meaning not to cross your enemies until you know you can win. But taking real life out of it and looking at it textually, I am intrigued by the link between WCS and DR, so that’s what I’m going with here. And perhaps that’s even the point in a wider sense; there will be multiple “devils” in your life, or threats to your well-being. If you’re going to commit to taking them down — whether it’s an actual person, or the demons inside you that refuse to let you go — make sure you have the right ammo so that they can no longer hurt you. (Of course, one lesson from these experiences is that sometimes you can’t win, and you have to live with the fallout.)

(Sidebar: I know that “dancing with the devil” is a turn of phrase that means being led into temptation and engaging in risky behaviour, as opposed to describing the actual person. Given the religious metaphors in the song, that could very well be/is the intention, particularly when it’s preceded by, “I would have stayed on my knees” as in she would have continued to follow her faith — in whatever sense that means — had she never met this person, which could also be a more eloquent way of saying she would have continued to be live her life in a way that was righteous (even naive) and seen the world in black and white. Either way, it’s a force she wholly rejects. Like I said, multiple devils, same fight.)

Regret comes up too: in WCS, she says, "I regret you all the time," obviously directed at the person who manipulated her and led to her perceived downfall, citing him as the one impulse she wished she'd never followed, because it won't leave her no matter how hard she’s tried. In High Infidelity, she tells the person to, "put on your records and regret me," and on the surface, it’s like she’s turning the tables, painting herself as the one now causing the regret in someone else, the one inflicting the pain this time. Yet the verse preceding it and the lines following it in the chorus depict a partner who is also emotionally manipulative and vindictive like in WCS (“you said I was freeloading, I didn’t know you were keeping count,” “put on your headphones and burn my city,”). It’s not so much that she’s intentionally harming the person (the way the person in WCS does to her), but rather that the venom in the subject’s feelings towards her seeps through; she’s imagining the way he’s going to feel about her when she leaves, hating her just for by being who she is. (There could be another tangent about how in both songs she’s there to be a “token” in a game for both of the men, who play her for their own purposes.) The regret is dripping with disdain. It’s as though she’s picturing how the person is going to hate her for doing what she’s thinking of doing the way she hates the person who first hurt her.

Sadness, unsurprisingly, shows up in a few lyrics. In BTTWS, “Everything I touch becomes sick with sadness,” sets the scene of a person so overcome with grief that it permeates everything around them; they cannot see their way out of it and feel like the fog will never lift. In Hits Different, it’s, “My sadness is contagious,” the result of a breakup where the person’s grief again touches everything and everyone around them, pushing them further in their despair and loneliness. The reason behind the grief in either case may vary, but regardless of the source, the feeling is overpowering and isolating. They may be different chapters in the story, but the devastation is hauntingly familiar. (As is a recurring theme in Midnights as a whole: there are situations and feelings that present themselves at different points in her journey and colour in the lines in different ways along the road. Like revisiting an old vice and realizing the hit isn’t quite the same as it was in the past.)

Death by a thousand cuts

She also writes about wounds on this album, which isn't surprising I suppose given that the whole conceit is that these are things that have kept her up at night over the years. WCS is perhaps the driving narrative on this never ending hurt when she sings, “The wound won't close, I keep on waiting for a sign, I regret you all the time,” suggesting that no matter what she does, the pain of this experience has permeated everything she’s done afterwards. (Not unlike the overwhelming grief in BTTWS, for instance.) Elsewhere, in High Infidelity she sings, "Lock broken, slur spoken, wound open, game token," and in Hits Different, "Make it make some sense why the wound is still bleeding.” Again I'm not suggesting they're about the same events; the line in HI is about a situation where a partner crosses a boundary, hits below the belt, picks at an insecurity (or creates a new one) and treats the relationship like it's transactional, opening the floodgates in turn. In HD, the wound seems to be more self-inflicted, where she's pushed the person away. (Over a situation real or imagined she feels she needs distance from.) But again, something has picked at her like a raw nerve, and just like in the past, she's hurting, even in a different time and place and person. Almost like the wounds of the past break open over and over again to create new scars. If one were to extrapolate further, it wouldn’t be the biggest leap to wonder if the wound open in WCS, then torn apart in HI makes the one in HD hurt even more.

(I once wrote a post about how I think as time goes on, WCS is going to turn into one of those songs that will be found to drive so much of her work, because it’s just… kind of the unsaid thesis statement of so much of her songwriting.)

Another repeated theme is that of the empty home and loneliness. In High Infidelity, she sings, "At the house lonely, good money I'd pay if you just know me, seemed like the right thing at the time," painting a picture of someone who may have everything they'd want to the outside world, but in reality feels metaphorically trapped in their home (or at least alone amidst abundance), a symbol of a relationship gone sour and a failure to build connection. She just wants someone to understand her, want her for her, but as she's written earlier in the song, she's just a pawn in the game, a trophy from the hunt. Home, in this case, is lonely, isolated, an emblem of her fears. In Dear Reader, she continues this thread, then singing, "You wouldn't take my word for it if you knew who was talking, if you knew where I was walking, to a house not a home, all alone 'cause nobody's there, where I pace in my pen and my friends found friends who care, no one sees you lose when you're playing solitaire." It's the same idea, admitting to listeners that the gilded cage she lived in kept her distanced from her loved ones and real connection, keeping her struggles close to the vest but feeling desperately lonely amidst her crowning success. She's pushed people away and it may have felt like the right thing at the time, but in the end maybe felt like she was trapped. And when you push people away, eventually they take you at your word and stop pushing back; you’re a victim of your own success at isolating yourself. What starts out of self-preservation then further perpetuates the underlying problems.

(There's another interesting link about "home" also feeling unsafe with HI's "Your picket fence is sharp as knives," which further leads into the theme of marriage/domesticity feeling dangerous, which is a whole other thing I won't get into here because it's another discussion and may derail this already gargantuan word salad.)

In a slightly similar vein, we have the metaphor of bad weather for a rocky road or unstable relationship, in High Infidelity again with, "Storm coming, good husband, bad omen, dragged my feet right down the aisle" and You’re Losing Me’s "every morning I glared at you with storms in my eyes.” They aren’t speaking of the same situation or even same kind of breakdown, but it is pretty interesting how the idea of clouds/storms/floods/etc. play such a role in Taylor’s music to signal depression, apprehension, fear, uncertainty, etc. In HI, I think the “storm” coming is the looming threat of commitment to a partner who makes the narrator uneasy (if not fearful). In this case, the idea of making a life with this person is not one that incites joy or comfort, but instead makes the narrator feel that dark times are ahead if she continues down this path. Perhaps in some way, the “storms” in YLM have made good on the threat in HI in a different way; it’s a different home, a different relationship, but the clouds have settled in regardless, and some of her fears have come to fruition in ways she did not expect. The person she once trusted no longer sees her or her struggles (or worse, doesn’t care), and the resentment and pain build with each passing day.

Coming back to heartbreak, one of the obvious "full circle" moments is the beginning of a relationship in Paris, where she says that, "I'm so in love that I might stop breathing," clearly enthralled in a new love that allows her to shut the world out and grow in private, capturing the all-encompassing nature of the relationship. This infatuation has consumed her in the most wonderful way (in contrast to the sorrow of some of the previous songs), and it feels like a life-altering (or even life-sustaining?) force that is so strong she may forget what it’s like to breathe. (Metaphorically speaking, of course.) By the end of the album, though, in You're Losing Me, that heart-stopping love has become a threat: "my heart won't start anymore for you." In the former, her racing heart is full of excitement, but by the latter, her heart has given out completely under the weight of the pain she bears. (YLM is full of death/illness imagery which I already wrote about awhile ago so I won't hear, but needless to say that song deserves its own essay for so many reasons.) She's gone from the unbridled joy of the beginnings of a relationship to the unrelenting sorrow of its end, two sides of the same coin.

Love as death appears elsewhere in the music too, for instance, in High Infidelity’s, “You know there's many different ways that you can kill the one you love, the slowest way is never loving them enough" and You’re Losing Me’s “How can you say that you love someone you can't tell is dying? […] My face was gray, but you wouldn't admit that we were sick.” Though not completely analogous situations, they both tell the tale of one partner’s apathy (or at least denial) destroying the other. In the former, the partner’s actions (or inaction) are more insidious, if not sinister; in the latter, the lack of momentum (or admission of a problem) is passive. In both cases, the end result is the narrator’s demise; it’s a drawn out affair that chips away at her morale and her health and her sense of self. (Breaking my own rule about bringing in alleged actual events into the discussion, but the idea that the relationship in High Infidelity, which was obviously fraught with unease and even fear, ended in a similarly excruciatingly slow and hurtful death by a thousand cuts as the relationship in You’re Losing Me almost did at that time must have been so painful. It almost feels like YLM is wondering why what used to be a source of light in her life was mirroring a situation that caused her such pain in the past.)

From the same little breaks in your soul

I said early on that part of what is so compelling about Midnights is that it feels like an album about ruminating — on choices, on events, on people — and the two final “bonus” tracks of the album depict that as well. In Hits Different, she sings that, “they say if it’s right, you know,” an ode to the confusion of a breakup and struggling with the aftermath of calling it quits. It’s a line that has always intrigued me, because the typical use of the phrase is in the sense of, “you’ll know when you meet the one,” but here it seems to have a double meaning, a reassurance perhaps from the friends (who later on tell her that "love is a lie") that she’ll know if she’s made the right decision in calling it off, but could also be her wondering if the relationship is right, she’ll know, and want to reconcile. In the final bonus track, You’re Losing Me, she sings, “now I just sit in the dark and wonder if it’s time,” this time leaving no doubt about the dilemma she faces, though it’s no less fraught. She’s wondering, perhaps for the last time, if now is finally the moment to end the relationship for good. They say that if it’s right she’ll know, and now she’s wondering if that feeling inside her (that once told her her partner was the one, which is why it hit differently), is telling her that it’s time to go for good. Wait Alexa play “It’s Time To Go.” These are not only the things that keep her up at night, but the things that play over in her mind like a film reel in her waking hours.

Midnights as a whole is a deeply personal album, as is most of Taylor's work, but the 3am+ edition tracks seem to dig even deeper to a lot of the issues raised on the standard album. Almost like the standard tracks are the things she wonders about on sleepless nights, but the bonus tracks are the things that haunt her in the aftermath. The regret, anger, sadness, grief, relief, even joy— they’re the price she pays for the memories she keeps reliving. Midnights might be the most cohesive narrative of all her albums, and really does feel like we’re watching someone work through her journal over time, stopping short of outright naming those giant fears and intrusive thoughts (except for when she does) but making them plain as day when you connect the songs together, and perhaps never more clearly than in the expanded album. It’s incredible how the songs stand on their own to relay a specific moment in time, but that they are also self-referential to each other (whether thematically or overtly) to weave a larger web over the entire work. We’re so lucky as fans to have these stories and to keep peeling back these layers as time passes. (And my literature-analysis-loving ass loves her even more for it.)

This is obviously by no means an exhaustive list, and I know there are more parallels and probably even stronger links (particularly when you add the standard version into the mix), but these were the ones that particularly struck me and I’m just glad I’ve had a chance to sit with this and think it through. ❤️

#writing letters addressed to the fire #me thinking too hard about taylor lyrics #taylor swift #midnights #long post #lyrics analysis #song parallels #Gabby this one is for you friend <3 #here goes nothing #Happy Friday or something idk!#(also i know i said there are things i wouldn’t discuss on main but my dms are open lol)#this is not as structured or well plotted out as I wanted it to be #and turned out to be more stream of consciousness than legit essay #but whatever at least i got my thoughts out there and it can release some plot of land in my brain for other stuff to think over lol #If anyone ever reads this thank you! And I’m sorry?#The best compliment i ever got in school #was when we were doing an analysis of a poem in English lit in college #And i brought something up casually #and my prof went ‘I’ve been teaching this class for eight years and that’s the first time anyone’s ever brought it up like that’#’and that just blew my mind’#and i was like ‘who me?’#so that’s all you need to know about me lol #Midnights: The Great War #Bigger than the whole sky #bttws #Midnights: Paris #Midnights: high infidelity #would’ve could’ve should’ve #Midnights: dear reader #midnights: bigger than the whole sky

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peachfruitcake · 2 months

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did you hear about what Martin said about Susan and Linda on the Twitter space he hosted on the 27th? i thought of you instantly when he started talking about them and have been waiting for you to post your thoughts! :-)

HEHE YES IM THE ONE WHO’S QUESTION LED TO THAT!!!!!

Now for those who didn’t listen to that space, Martin said that Linda called her to say goodbye but never specified how it went of course. Besides “hey Susan I’m leaving sorry this is really impacting my mental health” “gaaaaaaaaaaey”/j

This is all a personal headcanon but I like to think that their friendship grew incredibly distant ever since Linda married Felix, Susan probably stopped talking to her altogether for a while and it would leave Linda very confused and upset. They might’ve started talking to eachother again a little bit as the series of events began to approach but only very brief small talk, maybe Linda complaining a little and giving Susan a few life updates and them both talking about stuff they’ve been noticing with others lately (especially Felix’s drinking), but nothing deeper than that.

I see Susan being extremely emotionally closed off to most people except maybe a select few that she knows very closely, so if you were to ask her what’s going on in her life she’d give you a very vaguely watered down version and not what’s actually going on or how she’s really managing herself emotionally.

So basically she used to be more open with Linda, but during that period she sort of just started treating her like a stranger.

So when Linda called her first to tell her that she’s finally leaving, Susan acted how she usually would, keeping it calm, understanding and respectful and wishing her luck, but she won’t really show any more than that. Or that she cried later and felt pretty bad that they couldn’t be so close anymore and that she’ll probably never be able to make up for herself acting so distant for the past many years again.

Of course this all comes from how I view Susan as a character myself though and also the fact that I refuse to pass up the idea that she has feelings for Linda. I like to think that she introduced her to Felix cuz Linda was getting more desperate to find a relationship and Susan was getting weird thoughts so in a panic she shoved her off to him so she could avoid the urges. They’ve been boiling within her since highschool and she always was able to push them aside or excuse them as “she’s just my very close friend I don’t have many close friends so she feels extra special�� and as the years went by they began distracting her a lot from her work and were growing stronger and more unavoidable aaand they were really beginning to affect how she’d interact with Linda and you see Susan hates feeling like another has any control over her and Linda just wouldn’t shut up about hooooow badly she wants a relationship and hoooow many dates keep failing and Susan was at the point to where she was starting to get the kind of dreams that make you stare up at the ceiling in horror when you open your eyes in the morning so one day when she overheard Felix speaking about being single and wanting to start looking around, she decided to introduce her to him. Susan allegedly never finds a problem she can’t fix in some way so that was her solution.

They hit it off, Susan’s solution isn’t working for some reason cuz she doesn’t feel any relief at all and in fact feels worse but just sucks it up and just focuses on her work and looks the other way. Linda and Felix get married, Susan feels like throwing up the entire day and now feels somehow even more worse by now and suddenly whenever Linda wants to chat she’s suddenly always “busy” every time. Susan’s often busy anyways but you know yourself when there’s a difference between “shit I’m busy that day, let’s do Sunday instead” and “Sorry I can’t, I’m busy”, “I don’t know when I’ll be available.”

While Linda and Felix were dating, Susan probably assumed that she was just jealous that she couldn’t have a little fun at her age herself. When they got married, Susan told herself that she’s probably so depressed over it cuz it’s making her feel like she’s fallen behind others her age and that maybe she feels bitter that all of these people are moving on and going through these important life stages while she remains behind. Which made no sense otherwise cuz Susan couldn’t give any less of a fuck about starting any sort of family or going out. But that’s what Susan would tell herself that she feels so she wouldn’t have to think about it any further. By the time Susan thinks she’s over whatever it was, she begins having brief talks with Linda occasionally. Not often and still a bit distant, but way better than before.

So yeah can you imagine how shitty and guilty Susan felt that whole time of her weird bitterness toward Linda being in a relationship and not being able to approach her much anymore or how Felix turned out to be such a shitty husband.

If this headcanon is aligned with twf’s canon, she’d probably be dead before she even gets to actually acknowledge and accept her feelings as they are. Such is life though. Not like she could’ve done anything about it.

#tldr Susan is emotionally stunted as fuck and has no idea how to identify her emotions and struggles a lot with strong emotions. she’s the #poor bastard type to stand there light a deer in headlights whenever someone cries around her #you ask her how she feels and she doesn’t react on the outside and is like ‘it’s cool’ but deep down she’s falling to her knees and crying #plus she’s a busy woman and got no time for gay shit like pining #idk if u wanted that whole hc ramble but take it anyways (˘◡˘)#it’s cool that you thought of me though!!! means a lot I like it when I’m the first someone thinks of when it comes to susan Woodings :^)#now if you’ll excuse me my sleep gummy is kicking in #the walten files #twf #sulinda #twf sulinda #twf susan x linda #the walten files susan x linda #linda thompson #susan Woodings #headcanons #I remember after Martin announced them being school friends and that Susan introduced her to Felix I made a post mentioning how I see her #haven done that to push Linda away so she could avoid her attraction fo her and how that blew up in her face lol #and he liked the post heehee obv I know that that doesn’t mean it’s canon but it is to me 😁😁😁😁🌼#i stg if this is incomprehensible to read #I’m too tired to proofread and I just wanna post this lol

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sureuncertainty · 10 months

Text

so as a former employee of RMS Titanic Inc, I have some thoughts I need to get out about this whole current situation, or I will literally explode.

for context, I worked for RMST Inc. for a year and a half as a tour guide and artifact specialist. The company owns the salvage rights to the wreck site, and partners with Oceangate and other companies to retrieve artifacts. the artifacts are used for educational purposes only, in the museum that I worked at, although they weren’t above selling little bits of coal from the Titanic in stupid little tchotchkes like snowglobes and hourglasses.

i dedicated so much of my life and passion to that company and that museum and was treated like absolute dirt lol. and I didn’t even get the worst of it, I had friends and coworkers whose safety and wellbeing was consistently disregarded for the sake of profit, fighting desperately for corporate to stop pretending to care about the legacy of Titanic when all they really cared about was making money

so despite my initial shock at reading about what was going on with the missing submersible, I can’t say I’m surprised. This is what fucking happens when you cut corners and put profit over everything else. If only there was some big historical event that we could look to that would show us just exactly how dangerous that can be... oh wait.

Jack Thayer, who was 17 when he survived Titanic, said that “the world woke up on April 15, 1912″, which pretty much sums up how SURE people were in 1912 that they would never make those same mistakes again. They realized had gotten complacent and swore things would be different. They enacted safety laws, pointed fingers at survivors, created conspiracy theories to try to explain what happened, all out of fear of it happening again. And yet, history always repeats itself

and now people are fucking OBSESSED with the Titanic, they find it fascinating, they won’t fucking leave it alone, and the company I worked for, and Oceangate, and others, capitalize on that because they’re greedy and want to make money off of it. all they care about is how to profit off of it. they PRETEND to care about Titanic but they don’t. They never did.

I also actually have a personal connection to one of the five members of the team in the submersible. I met P.H. Nargeolet at the event our museum did commemorating the 110th anniversary of the sinking, I spoke to him and heard firsthand some of his accounts of dives to the wreck site, I even took a picture with him. He cared, he cared so much about Titanic and its legacy, and so do I and so did so many of my friends I worked with. The company we worked for took advantage of our caring, it took advantage of how passionate we were about it in order to line its executives’ fucking pocket

I’m horrified, I’m devastated, I’m vindicated.

on the one hand, I hope this ruins them. i want to watch the company die. there’s a satisfaction in that. but the shitty thing is how much suffering has to happen for things to change. i just wish good people didn’t have to die to make change happen. I wish people cared first, before tragedy strikes. I wish our world wasn’t so fucked up and shit like this didn’t happen. But it did. And it does. And money won’t save any of those people any more than it saved John Jacob Astor or Benjamin Guggenheim, or any of the other rich greedy assholes who died on Titanic. I’m not celebrating their deaths. But I won’t ever forget who suffers the most. The coal trimmers and the stewards and the minimum wage guest service associates at the museum I worked at.

I’m glad I don’t work there anymore. But some of my best friends still do. And I don’t want them to suffer more because of this. All I can hope is that it enacts meaningful change that actually lasts. But I know that’s just wishful thinking.

#win rambles #this is very convoluted and not really... idk how much sense it makes i just had to get thoughts out #i don' thave a witty conclusion or a message or anything like that #i just want people to know how shitty our company was and i want you to know how much i loved that job and how much i cared #and how much people in the titanic community do care #i'm just tired of seeing posts and memes about it from poeple who don't know what they're talking about #the titanic community is full of shitty bigoted white men and people who fucked me over bc i'm trans #and fucked over my queer nonwhite neurodivergent disabled friends #but me and my friends are in the community too whether they like it or not and we care and WE matter #titanic #rms titanic

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disposal-blueeee · 3 months

Text

stuff i never finished and why

hello and good night . i'm just gonna ramble about stuff so yeah

swings

oh man i really loved this drawing . but it was a PAIN IN THE ASS .

i had a bunch of problems with this one . i spent an embarrassing amount of time doing the line . then after i started painting it on Ibis paint i realized that i should've done the line with a textured brush .

then the background . i really couldn't make it look nice even if i tried . i spent so long just trying stuff and searching for references but i just couldn't get it right . the colors and the lightning kept looking weird .

and just when it was looking decent , oh no the file is corrupted !!! and if i wanted it back i would have to go through a speedpaint of a drawing that took me 28 hours ( i actually tried it 😭😭 but it was taking so long and after some time the app crashed )

so , i decided to just give up . i was already fed up with it . maybe some day i'll try to redraw it or something

edit : oh wait a second . this drawing makes no sense without the background . edgar looks like that because there's supposed to be a puddle under scriabin's swing and he's trying to get edgar wet with it

otgw x chapter 20 / 21

i just said i loved the other one but THIS ONE . this one is SO PRETTY and i was so excited to try some new brushes and overall just finish this . excited enough to start painting edgar without even finishing scriabin's line .

i was using a small tablet my friend let me borrow . it was actually so helpful because i could draw on my phone with it !! i used to work on this when i was at school .

then i started having problems with the background . again

then my friend told me that his mom didn't agree with him giving me the tablet and that he should give it to his sister instead so i had to give it back . great . at that point i didn't feel like finishing it so

random reference i found in pinterest

this is like a month old maybe ???? i just thought " oh this would be such a fire pfp " and after finishing the sketch i was like " alright i'll finish this tomorrow " ( i never finished it )

mostly didn't finish it because i didn't have any idea to make it look lifeless and tragic . oh well . maybe i'll try it someday i still think it's cool

papa's cheeseria

this one isn't really unfinished . i just wanted to make a doodle sheet but never drew anything else so now he's just there . alone in a blank space . poor guy .

so yeah . everytime i play papa louie's games i always make the workers look like edgar and scriabin . i thought this default outfit looked pretty cool so so i had to draw it

#there's probably more stuff to add here but i lost a bunch of files when i changed my pc :((#also i have another one i really wanted to add but it's oc related so so nope #i tried so hard with the swings one but after some time i just felt like the drawing expired ?????? somehow #like that just wasn't how i used to draw anymore . so i just gave up #the same thing happened with the otgw x 20 / 21 one and it makes me so SAD #i don't even know how that one popped in my head .#one day i just remembered over the garden wall existed thanks to a friend posting some art about it #and idk i just had to draw them like wirt and greg #anyways back to rambling about my life woohoo #i'm i'm doing so bad rn #but let's pretend i'm not . alright #this year will be tough .#vargas #vargas zarla #scriabin vargas #zarla s #edgar vargas #sunny's rambles

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